SS18 Menswear: Balenciaga

Natalie Hanson   |   22-06-2017

_MON0014

_MON0022

_MON0033

_MON0045

_MON0065

_MON0081

_MON0101

_MON0116

_MON0131

_MON0147

_MON0158

_MON0172

_MON0188

_MON0200

_MON0221

_MON0239

_MON0259

_MON0276

_MON0298

_MON0314

_MON0330

_MON0345

_MON0357

_MON0379

_MON0398

_MON0422

_MON0444

_MON0458

_MON0475

_MON0498

_MON0522

_MON0544

_MON0565

_MON0584

_MON0602

_MON0625

_MON0642

_MON0659

_MON0676

_MON0693

_MON0711

_MON0729

_MON0748

_MON0776

_MON0790

_MON0809

_MON0833

_MON0857

_MON0879

_MON0899

_MON0915

_MON0926

_MON0946

_MON0961

_MON0973

_MON1003

_MON1019

The Balenciaga Spring 2018 Menswear show took place on the first day of summer in the woods of Bois de Boulogne and was a family affair. Demna Gvasalia said ‘there is nothing more beautiful than seeing young dads with their kids,’ and this where the inspiration for the collection began. The models that would usually take part in the show were asked if they had kids and, voila, the result was three families that took to the runway.

The collection itself was a continuation of the study from his previous Fall collection of Executives and Tech Nerd uniforms, with Gvasalia saying ‘this is the same man, on casual Friday and the weekend.’ The whole show had a back to basics vibe and put his off-duty man into his comfort zone; relaxing with his family in pleasant woodland surroundings away from the stressful city. The aspect of comfort manifested itself in the clothes, with loose jeans, oversize blazers and big shirts making up the backbone of the silhouettes on offer. There was a sense that Gvasalia was tackling the uncool genre of ‘dad-clothes’ here; rugby and polo tops, tucked in tees and shirts, rumpled linen grandad jackets. He was embracing these pieces most commonly found discarded in charity shops and giving them a new sense of life.

However, the pieces weren’t all about wholesomeness and nostalgia, there was an edge to the collection in the leather shorts and trousers, and the distinct athleisure merged with European nightclub look. Slogans were a key feature, with different versions of the word for Europe and instructions to ‘think big’ and declarations about ‘the power of dreams.’

Overall the collection was optimistic and hopeful, a much-needed tonic for the current times, with Gvasalia promoting ‘the dream of good things and peace.’