Charcoal food has been dominating our Instagram feed and is fast replacing colourful posts of rainbow desserts or prettily sliced avocado.

Now you can get your forks into squid ink risotto, black burgers and even ice cream. The charcoal ingredient adds a smoky depth to the dishes, while also giving it that premium look which foodies have fallen for, but is it actually tasty?

Try it for yourself at some of the best spots in the Dubai.

Activated charcoal ice-cream at Scoop

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Slim Shady juice at KoldPress Juice Ko

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Shrimp Kuroske at Yakitate Dubai

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Seafood and squid ink risotto at Nine7One

Black crab slider at Scape, Burj Al Arab hotel

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Black pancakes at No.FiftySeven

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We all know the benefits of having a curated wardrobe of items, and how mixing high-street trend pieces with high-end classics can instantly up your style game. But what about those days where you’re stuck for what to wear? Luckily we always aim to make your lives that little bit easier and have put together a go-to uniform that you can always rely on.

Blazer + Jeans + Top Handle Bag

It’s hard to fault this classic combination that has been worn by fashion icons like Victoria Beckham to leading fashion stylists. When it comes to a blazer, choose elongated shapes as the fit instantly lengthens the torso while a good pair of jeans gives anyone a confidence boost. Top handle tote bags are all you need for work and daily errands.

Ellery blazer, Re/Done jeans, Boyy bag.

Black + White

The classic colour mix that never fails to win chic points. Aim for A-line shapes to keep it fresh and add some sparkle to your step with embellished flats, while a cross body bag is great for on-the-go.

Sportmax dress, Gucci bag, Marni shoes.

T-Shirt + Tailored Trousers + Backless Loafers

Dressed down tailoring should be in everyone’s book as it’s the best way to nail laid back style. A logo T-Shirt with a sharply cut pair of trousers keeps it casual but well put together and backless loafers are one of the most comfortable shoe styles you can invest in.

Ganni T-shirt, MSGM trousers, Nicholas Kirkwood shoes.

White Shirt + Pleated Skirt + Sneakers

You already know how much we champion a classic white shirt at A&E and when styled with a pleated skirt and cult sneakers it really makes it one of the best combinations for every day wardrobe that you’ll keep coming back to.

Elizabeth and James shirt, Valentino skirt, Adidas Originals Stan Smith sneakers.

To celebrate last two weeks of summer (unless you live somewhere blessed with all-year sunshine) we have compiled the boldest hair transformations from some of our favourite celebrities that you can try out before fall sets in. Don’t worry, there are plenty of washout products available across multiple brands so be brave and embrace your inner unicorn just like Cara Delevingne, Gigi Hadid and Rihanna.

Irene Kim

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It’s hard to imagine model Irene Kim without statement hair colour, this time she turns to her ‘spirit animal’ the unicorn.

Alicia Keys

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She might have ditched wearing makeup, but Alicia Keys isn’t afraid to dip her braids into neon orange.

Cara Delevingne

A post shared by Cara Delevingne (@caradelevingne) on Aug 4, 2017 at 1:13pm PDT

Cara shows us how a touch of pink can lift a pixie hair cut.

Gigi Hadid

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Gigi Hadid shows us how adding some bold pink to the ends can instantly brighten up a pony tail.

Rihanna

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Riri knows how to turn heads with her turquoise blue locks. The logofied Louis Vuitton jacket also gets a thumbs up.

It’s no surprise that some of the best beauty advice comes from social media. The sharing platforms are a great way to discover the latest in the world of cosmetics and for you to stay up to date, we have rounded up the three beauty hacks from one of our top makeup emporiums, Sephora.

HAIR ON THE GO
Sometimes we don’t have the time to beautifully blow dry our hair, or head to the nearest salon, so how to achieve a put together look on the go? Simple. Add textured spray to semi wet hair, give it a rough dry and braid two strands either side of your face and pin at the nape of your neck.

A post shared by Sephora (@sephora) on Aug 14, 2017 at 2:11pm PDT

6-STEP NIGHTTIME ROUTINE
If you are as beauty obsessed as we are at A&E, you know that there is an overwhelming amount of skincare products for your nighttime routine which sometimes leaves you stumped at what to apply before bed for ultimate results. Sephora’s 6-step guide is as easy as it gets, all you now have to do is choose the right product for your complexion.

A post shared by Sephora (@sephora) on Aug 12, 2017 at 10:41am PDT

EASY SUNKISSED GLOW
Who doesn’t like a healthy summer glow? But some of us are guilty of abusing the bronzer so go back to basics and only apply it on parts of your face where the sun kisses it naturally i.e cheeks, forehead, chin and neckline.

A post shared by Sephora (@sephora) on Jul 14, 2017 at 10:31am PDT

Just when you thought you knew all the best stores to shop the must-have accessories, there are always more to be explored. Read our edit below.

NATIVE

If you haven’t heard of the leather goods brand Native, it’s time to get it on your radar. Hand-painted python and printed calf hide handbags produced and manufactured in the UAE along with mules and sandals are just some of the gems you can discover at their showroom on Jumeirah Beach Road, Dubai. Founded by Rachna Malkani, the brand mixes luxurious craftsmanship with modern day trends.

Courtesy of Native

AMANDA NAVAI

Love exotic leathers? Look no further than Amanda Navai who creates high-end bags that are guaranteed to make you stand out from the crowd. Stocked across the UAE, choose from rich emerald green python clutch to a luxe take on a classic satchel.

L’AFSHAR
For a brand that’s only three years old, L’Afshar holds global popularity among the industry editors and celebrities such as Kendall Jenner and Olivia Palermo. The Box Clutch is the brand’s signature design and has proven to be the modern evening bag of choice.

SARA AL YAHYA
Sara Al Yahya started her career as an interior designer and that shows in her approach to shoes. From unusual colour mixing to surprising shapes, you can’t help but look twice. Discover the brand for yourself at Level Shoes, Dubai.

Courtesy of Sara Al Yahya

Since Valentino’s pre-collection, the Love Latch group received a great response; and to celebrate the success, they’ve developed two new styles to add to the collection.

Valentino’s Love Latch pumps are detailed with eyelet-embellished straps that wrap around your foot for a flattering effect. This point-toe pair has been made in Italy from smooth black and beige leather. The manageable mid-heel and low heel make them a comfortable choice for both day and night.

The new point toe pump with a criss cross front strap was presented in black at the runway show. The patent leather comes with tone-on-tone straps and laminated leather.

A chat with President of Hogan and Vice President of the Tod’s Group   

With  the challenging economic situation in Europe, what is your strategy to maintain growth?

Hogan selective business strategy and very high quality products are fundamental elements. Consumers are now more conscious, therefore they want to spend their money in timeless products of great quality and durability. Our strenght has always been to invest in iconic products with a timeless value. The Interactive sneaker, one of our best-ever sellers, is a distinctive example of contemporary design with an enduring appeal. Not to mention that my brother Diego and I, are already the third generation: our company is not just a business for us, it’s our family’s tradition. We’ve been working hard and investing dedication to keep on our heritage as well as build a solid company and project it into the future.

Speaking of Hogan, where is the brand today in terms of positioning and what’s your future vision of it?

Hogan is an Italian lifestyle brand with an international approach. Luxury sneakers, accessories and leather goods remain at the heart of the brand’s unique tradition and business, however Hogan has always invested in research and innovation. The brand’s categories extensions, such as the ready-to-wear, represent a further step into Hogan’s international development and expansion.

What objectives do you still aim to achieve for Hogan?

To keep on working to establish our brand awarness in new markets and let Hogan’s exclusive lifestyle to become a point of reference in the world of luxury goods worldwide.

You have collaborated with different relevant names in fashion such as Karl Lagerfeld and Katie Grand, now the British designer Simon Holloway. Why?

Each collaboration is unique in its essence. It is in the DNA of Hogan to take on new projects that reflect the brand’s international spirit. We are very pleased with the results of each of these partnerships. Simon Holloway is part of the evolution in Hogan’s innovative vision of casual luxury for every occasion.

To what extent you are involved in product design before it hits the markets?

Our brands are supported by great team of designers. With Hogan, I’m involved in each step of the creative path, sharing input on the new seasons concept and trends, but of course I leave our designers to work freely and express their creativity. Sometimes my role implicates decisions that are not popular, but I keep working back to back with the team and remain open to discussion.

Hogan was the first brand to launch the “casual chic” sneakers concept and now the rest followed.

Tell us more about how did this product design see the light and how challenging was the positioning in a market that only knows either casual or chic?

Correct. Hogan was the first to launch the concept of the luxury sneaker in the mid ‘80s, when sneakers seemed to match nothing but the sportswear, a concept that has always remained in our DNA and so relevant in fashion now. Since the beginning, the brand has been at the forefront of casual elegance: an urban look for everyday lives that is clean, refined but relaxed. We wanted to create a lifestyle, a way of dressing that would allow men and women to be relaxed and yet look at their very best.

Fashion speaks a universal language, if you would describe Hogan in 3 words, What would you say?

A contemporary lifestyle brand that is timeless, casual chic and innovative, with products of extraordinary quality.

Interviewed by Lara Mansour Sawaya

Head of Laser and Skin Treatments at the Dubai Cosmetic Surgery talks hair loss, anti-ageing, sun exposure and the mistakes we are all making.

With 20 years of commitment to beauty, research and aesthetic innovation, Olimpia Carmen has become regionally recognised as a specialist in the field of aesthetics. As Head of Laser and Skincare department at Dubai Cosmetic Surgery Clinic, Olimpia is determined to stay abreast of all new developments by regularly conducting research and attending world renowned anti-aging conferences in search of the next best thing to offer her patients. She has worked with some of the best and most renowned doctors and professors to perfect the latest anti-ageing and permanent hair reduction techniques.

  Are there any common dermatology cases that are unique to the UAE? 

Skin problems in the UAE are similar to everywhere else in the world but the intense sun in UAE that shines almost throughout the year can easily damage skin if it’s not protected with a suitable sun screen. Therefore, skin conditions like melasma (hyperpigmentation) and solar lentigo (freckles) on the face and body are what affect people the most in UAE.

 What are some primary concerns for women in their 20s, 30s, 40s and 50s?

Nowadays, more women are starting to take care of their looks at a younger age (as early as 20 years) which wasn’t the case before. They do this to avoid the appearance of premature wrinkles and to preserve a youthful and clear complex; and looking for professional advice for the skin as early as possible is the primary concern. Depending on the particular season, for instance during winter, the hydrating creams have to be reapplied several times a day to keep the skin moist and prevent dehydration.

From the mid-30s, the creams applied should target not only hydration during the day, but in the evening as well. These nourishing creams have to be very rich in vitamins and other ingredients to effectively target the collagen regeneration or to remove some sun damage spots or blemishes.

In the mid-40s, the creams are no longer enough and having different types of treatments including lasers, injectables (botox and fillers) or having a combination of them can shave off years from these patients. Professional facial treatments are also beneficial, including deep pore cleansing, microdermabrasion and peels are complimentary to any daily routine and a must because afterwards, the skin is always refreshed and the outer damaged layer eliminated leading to better absorption of the creams.

The most common mistakes I’ve seen is the lack of good cleansing and toning if makeup is used. Only on perfectly cleansed skin should you apply cream because if you apply them on clogged pores, it will lead to acne eruption and dull skin because of sebum production and makeup residue.

 Tell us about those red dots or lines that develop under eyes? Why do they appear and how can you get rid of them?

Exposing the skin to the harmful rays of the sun without any sunscreen cream results in the appearance of small veins (telangiectasia) on the cheeks. The heat vasodilates them and for some skin types (mostly caucasians) it produces redness on the cheeks or sometimes red dots. Only lasers can remove them.

 What other common concerns, have you noticed, are becoming more and more popular nowadays?

Hair thinning and hair loss for males and females are very common. The use of some hair care products, stress and genetic predisposition lead to hair loss. Also, signs of premature aging like wrinkles, fine lines, loss of radiance, dark circles and loss of elasticity is enhanced by unhealthy lifestyle habits like smoking and sun exposure for long hours without protection.

 What do you have to say to women who prefer not to use any products on their face and stick to natural, homemade or herbal treatments?

I wish I could say that being natural is enough or that only homemade creams like masks are very effective. But unfortunately they are not. They are complimentary to a more sophisticated skin care routine. Cosmeceuticals (which are medicated creams) target particular skin problems. Combine using these products with having a balanced lifestyle and it’s the recipe for beautiful, healthy skin and a youthful appearance.

 Are there any new laser and skin treatments that are being performed that you recommend?

Every few years, the science of skin care treatments evolves beyond imagination. Non-invasive treatments can achieve almost similar results as surgical ones. Although lasers cannot substitute results like surgery can, for those who don’t want to have surgery, laser treatments are an alternative procedure. For example, fractional CO2 is one of the best devices to improve skin conditions like laxity, tone, scars, stretch marks, post traumatic scars, pigmentation and wrinkles. Ultherapy is the latest non-surgical way to lift, tone and tighten skin. It works wonders for skin laxity without leaving moles on the skin, meaning no downtime for patients. Somehow we can say that we have treatments that are non-surgical for almost any unwanted skin condition. Also it’s very important for patients to follow aftercare rules. Most of the treatments have to be repeated after a few months or once every year because unfortunately we cannot stop the ageing process but we can delay it.

The Dubai Cosmetic Surgery is located on Al Wasl Road, Al-Manara, Umm Suqeim area. For more information please call +971 4 3485575.

The Story

The house of Fendi was established by Adele and Edoardo Fendi in Rome in 1925. The opening of the first Fendi boutique, a fur and bag shop, followed.

Since then, Fendi has focused greatly on research and has successfully built the strong reputation it has today.

At the end of the Fifties, Fendi anticipated changing female tastes and needs and began its transformation. The makers of these changes were the five daughters of the founders, Paola, Anna, Franca, Carla and Alda, who, after finishing their education, had entered the company bringing a new spirit of enthusiasm and innovation. They went on to create new models of fur and new processing techniques, bringing revolutionary changes to the fur universe, towards an enthusiastic audience in search of new styles and elegance, dictates that met the requirements of the social evolution that was in act in Italy at that time.

When Karl Lagerfeld joined the company in 1965, the transformation of furs continued and became evermore revolutionary. By continuing along the line of the great changes already implemented by the sisters, Karl Lagerfeld managed to transform the traditional image of furs from being simply a status symbol, valuable yet a little weighty and stiff, into a new modern item of clothing, transformed, reshaped and redesigned in terms of styles, materials and processing methods.

The one by Karl Lagerfeld was a total revolution that also led to the research of new materials. Long forgotten and neglected furs, considered too “poor looking”, are rediscovered and new tanning methods and processing techniques are experimented. Leather is cut, interwoven and inlaid. A new type of fur is introduced: light, soft, comfortable and easy to wear, worked and treated like any other item of clothing. In 1966 Fendi’s and Karl Lagerfeld’s first presentation Fall/Winter 1966-67 receives the unconditional approval of the press.

Soon after, Karl Lagerfeld designs the new Fendi Logo, a double FF that symbolizes “Fun Fur” a tribute to the Roman Maison that represents master of materials and unique handmade abilities in fur.

For the Fall/Winter 1971-72 collection Karl Lagerfeld designs the iconic Astuccio (Case) fur. A burned brown and black mink cape realized using the traditional “let-out” workmanship (Gheronatura) that enhances the straight and leaned over line, played in the asymmetry of linings.

Still today, this fur is considered contemporary, reinterpreted for the Fall/Winter 1973-74 in a shorter and more contemporary version.

In line with the new cultural revolution dictating a new form of less-exclusive fashion, in 1977, Fendi and Karl Lagerfeld launch a Ready-to-Wear Collection alongside its range of traditionally hand-tailored furs, presenting it in the short movie Histoire d’Eau by Jaques De Bascher. This new collection is based on ideas and quality standards typical of limited-production series, with the added benefit of the expertise of FENDI’s haute-couture research laboratories.

During that period in particular, FENDI’s constantly evolving processing techniques became a symbol of inimitable craftsmanship. New methods of interweaving materials are studied and implemented, materials are imprinted, fur is pleated and coloured, the lining is removed, striped effects are experimented and leather is treated, lightened and open-worked.

In the late Seventies, more precisely for the Fall/Winter 1978 -79 collection, Karl Lagerfeld creates another iconic example of pure craftsmanship, the Mappamondo fur. A mélange grey mole fur cape, realized using a net manufactured, hand-cut workmanship, in order to create a chromatic illusion that defines the design of the Earth continents.

A collection inspired by the beautiful skies of the world is presented soon after in Fall/Winter 1979-80 and takes their well-earned place in the fashion history remarking once more the amazing abilities of the Fendi artisans. Furs are coloured like paintings, asymmetric shapes are invented achieving unthought-of lightness and creativity. In 1979 also the creation of the Inflatable fur (the fourrure gonflable). An ironic “anti froid and anti-choc” project.

During the Eighties the techniques become even more sophisticated. Furs are coloured like the artworks of Florentine impressionist painters; asymmetric shapes are invented achieving unthought-of lightness.

In 1983 Karl Lagerfeld and the Fendi sisters create the Pequin, the Fendi logo non logo, a striped pattern texture on dark brown and brown. Still today, this is used as a reference for fur workmanship creations and as a graphic benchmark for ready-to-wear and accessories.

Dualism is the main theme of the Fall/Winter 1983-84 collection, what is normally separate is now together, the day turns into evening and the night lives by daylight, the left is unaware of the right, the sleeve “of plenty” transforms the other into a fluttering shawl.

In 1985 Fendi and Karl Lagerfeld present at GNAM (National Gallery of Modern Art) in Rome the exhibition “Fendi and Karl Lagerfeld. Un Percorso di Lavoro” (Fendi and Karl Lagerfeld. A work path). A sketch of Karl Lagerfeld for this occasion foresees the fur revolution from the Sixties throughout the Eighties until the future years 2000.

In this same year Fendi wins the “Premio Italia”, an award for the Best Printed Fabrics for the flower pattern designed by Karl Lagerfeld, which is still today source of inspiration.

The next year, in 1986 Karl Lagerfeld designs the costumes for the Opera piece La Carmen. For the first time a precious material like fur is used together with a denim fabric creating a unique masterpiece.

In the same year also the creation of the iconic Drapery coat for the Sea Collection Fall/Winter 1986-87.

In 1988 Karl Lagerfeld shoots the first Fendi advertising campaign, the beginning of a new chapter.

The year 1989 dictates the triumph of furs made using the reversible “grained leather” technique, a process that involves the combination of fur, without the lining, and leather with extraordinary final results.

Even during the Nineties Fendi focuses on continuous research and new techniques. Raw-edge cuts, open-work techniques and special treatments for materials. Silk, wool and cashmere are mixed and matched with valuable or “poorer” furs. As a challenge to creativity, furs become less visible, in order to adapt to new society’s needs and to the desire for less excessive, unpretentious styles.

In 1990 Rome hosts the Soccer World Cup. In this occasion Fendi is the sponsor and designs the costumes for dancers that perform at the final game featuring the monuments of Rome on their heads. Karl Lagerfeld for this occasion designs a sketch featuring a model with the Palazzo della Civiltà Italiana on her head.

Following the creative wave of the beginning of the Nineties, Karl Lagerfeld creates a Spring Summer collection in 1991 inspired by the zodiac signs that featured ready-to-wear prints and fabrics with his original sketches. The next year in 1992 Karl Lagerfeld creates a Spring Summer collection with Pasta elements featured in accessories, jewellery and as fabric prints in ready-to-wear.

In 1993 the creation of Il Pazzo iconic fur for the Fall/Winter 1993-94 collection, a silk coat net on leather with weasel, sable, mink, petit gris, beaver furs and wools in shades of brown featuring a multi-material manual application “a cascata” (waterfall). In 1996 Karl Lagerfeld sketches a vertical figure for the new column silhouette. An architectural impulse elongates the shapes with an essential graphical design, embellished only by high triumphant collars. In 1998 Karl Lagerfeld designed the Fendi’s Cinderella, a mechanical doll, in the occasion of the Cinderella ball at Palazzo Corsini, during the Biennale di Firenze.

While furs seem to have retaken center stage thanks also to Fendi who has never stopped working and interpreting this material with creativity consistent with socio-cultural needs in the new Millennium the Fendi furs continue along the revolutionary path. Plastic materials are used and furs are filled like space suits, plasticized, pressed and inflated, like for example the ironic and unique inflatable fur sketched by Karl Lagerfeld.

In the year 2000 the inlay workmanship reaches the maximum expression for the FW 2000-01 collection with coloured circles and squares symbolizing this Fendi traditional and unique workmanship. The inlay workmanship consists in assembling specific geometric shapes of shaved fur then sewn together. This technique is quite complex and elaborate, it takes more than 80 hours to create one Fur. In addition it requires extreme precision as the different shapes have to perfectly match together.

In 2007 Fendi marks the history of fashion by staging a fashion show on the Great Wall of China for the Spring/Summer 2008 collection as well as a special collection created by Karl Lagerfeld and Silvia Venturini Fendi. The Great Wall of China is the most celebrated symbol by Chinese and one of the world’s greatest wonders. At sunset 88 models, 44 from China and 44 from around the world descended the 80 meters catwalk on the Great Wall at Juyongguan pass, a beautiful stretch of the Great Wall 50 Kilometers northwest of Beijing.

Fantastic techniques are studied in the Fendi Fur Atelier in 2008, such as the molecular fusion, where the fur captures 24 karats gold molecules, as brush strokes on its edges giving a unique precious effect to Karl Lagerfeld’s designs of furs.

In 2013 the creation of Metamorphosis fur for the Icons Unchained Fall/Winter 2013-14 collection, where fur is sublimated by innovative craftsmanship and technology. Polychromic pastel tones, intarsia and stripes, versus white and pure vivid colours.

In that same year the staging of Un Art Autre, a travelling fur exhibition in Tokyo. Then, it travels to Beijing in October and to Hong Kong the year after, talking about the essence and the history of the Fendi furs.

In July of the same year FENDI and Karl Lagerfeld stage The Glory of Water in Paris, a travelling photographic exhibition featuring shots of the Fountains of Rome made by Karl Lagerfeld together with a photographic book. An homage to the city of Rome. For the Spring/Summer 2013 Karl Lagerfeld creates the Big Bang fur for the Three-Dimensional Collection thanks to amazing fur workmanship in combination with colour.

The inlay workmanship, part of the Fendi’s fur tradition, remains actual also in the Fall/Winter 2013-14 collection. In the years this technique has been applied to different volumes of fur and colours in order to create 3D effect and perspective figures of fur.

In the Spring/Summer 2014 collection fur is no longer synonymous of cold and winter. Karl Lagerfeld designs a triumph of feather weight fur coats, dresses and tops with fur inserts on organza that can be easily worn all summer long, giving a new life to furs.

This concept continues in the Spring/Summer 2015 with mink fur together with organza petals creating a “flying bird” effect. Expressing extreme lightness though pastel colours. The orchid becomes a Fendi symbol featured as a print in RTW, furs and accessories.

Fendi’s fur working techniques are now more than ever considered as a highly skilled craftsmanship school, being the only fashion brand to have an in house Fur atelier and a benchmark for the sector throughout the entire world.

In July 2015 Fendi takes part for the first time to the Haute Couture Fashion Week in Paris with the Haute Fourrure fashion show, celebrating the 50 years collaboration of Karl Lagerfeld with Fendi, the longest collaboration ever between a designer and a luxury Maison.

Meet CEO and Creative Director Charlotte Olympia Dellal!

a&e had the pleasure to chat to the beautiful and inspiring mother-of-three.

Luxury shoes and accessories designer, Charlotte Olympia Dellal began designing because of her innate love for fashion and dressing up. Charlotte took her passion to London College of Fashion Cordwainers, the world-renowned college for footwear and accessories. Here, she was able to explore her interests, alongside technical training and craftsmanship, to design beautiful shoes. Soon after graduating, Charlotte launched her eponymous London based shoe brand in January 2008.

Charlotte Olympia designs have become synonymous with classic sophistication and meticulous attention to detail. Inspired by a bygone era of old Hollywood glamour, iconic styles such as the Dolly with its signature ‘island’ platform, the distinctive Kitty flats and perspex Pandora clutch box are in keeping with the brand’s feminine design philosophy.

All designs are handcrafted in Italy using only the finest materials and each shoe is finished with a signature gold spider web on the sole. They’ve become design classics and desired by celebrities and stylish women across the globe. The brand continues to expand to include not only captivating heels but also an array of flats, boots and accessories.

There are four seasonal collections a year as well as Encore (a permanent collection of signature silhouettes), Runaway Bride, To Dye For, Cosmic, Incy, Tailor Made and 9 till 5. There are also her recently launched collection of leather handbags to consider.

Charlotte Olympia enjoys a growing international retail presence with stores in Mayfair, Manhattan, Beverly Hills, Miami and Hong Kong as well as online. Her range of designs are also stocked in some of the world’s most prestigious retailers including Harrods, Bergdorf Goodman, Neiman Marcus, On Pedder, Isetan, Printemps and Beymen.
How would you describe the DNA of the brand?

Old Hollywood glamour has always been the essence behind my brand. I just love the glamour of the 40s and playfulness of the 50s.

Among the various collections I’m seeing here the world of interiors collection caught my eye, as it’s very unique, tell us more about it.

The inspiration is a feel of a midcentury home. I love midcentury furniture. Everything is quite clean but with feminine touches. Let’s say it’s a fusion of clean lines with a bit of Rococo touches.

Who is your Charlotte Olympia customer?

Women that dress from their feet up. Women that are not afraid to experiment.

If we look at all your designs this season we feel that it is a happy collection; to what extent do you think the mood affects a designer’s creativity?

You have to feel a bit of yourself in every collection you design. That’s why it goes back to what we said about the DNA. As a female designer, I try to design for other people in mind but you can’t help but design from within. If you’re feeling happy you do happy things; if you are romantic you design a romantic collection. Yes, definitely the mood plays a big role in affecting the spirit of the collection.

Tell us about your Bridal collection, when did you first launch the collection and who is the Charlotte Olympia bride?

My first bridal collection was launched after I got married. Suddenly as a bride everything bridal stands out. At that time there was a space in the market for bridal shoes. Not every bride is a traditional bride and not every bride wants white satin peep-toe shoes. Some brides want to show a bit of their personality. Shoes were always an afterthought for a bride. I am not saying a bride should choose her shoes first, but shoes are like lingerie, it is very personal. I got married with leopard print shoes.

In my collection, I have white shoes, of course, for the classic bride. But I also have fun bits, the signature elements, shades of pink, red and blue.  I actually started making shoes for my friends when they got married and that’s why most of them are called after their names. It made me more confident to see that it’s not only me who wants leopard prints.

 Tell us about the Cinderella shoes for the Disney Movie?

This was a very exciting and challenging project to work on, and I love challenge. For me, it was doing it in my signature silhouette with a modern take on a Cinderella shoe. I did a platform focusing on more glass rather than crystal embellishment. We did a couple of bags to go with it. One was called Timepiece and looks like a clock that shows the time before midnight with a little shoe clasp. It was very special.

Let’s talk about you, how did you start this journey, and when did you come to know about your passion for designing?

What got me into fashion is glamour. It was from a very early age. My mom was a model and I always used to go backstage. It was a fascinating phase in my mind. I love the buzz behind getting things together. I’ve always loved old glamour and old movies. I had a very glamorous grandmother who came from that era.

When I was very young I thought I wanted to be an actress but then I knew that I wanted to be a designer to create the whole look and feel of a movie star. So I went on to do a degree at London College of Fashion and I studied ready-to-wear and corsetry designing. My tutor noticed that I designed accessories for each dress rather than just the dress and he suggested that I learn the craft of making shoes as it is a very technical craft. After I made my first pair shoes I knew it all made sense to me.

You have kids shoes here among the collections, tell us more about it.

 I launched this collection after my third child. It was the right time and I’ve always wanted to do it.  A lot of my designs are playful creations so they can be children shoes. The collection is a miniature of classics. You’ll see designs like the kitty collection, leopard prints and rainbow shoes. But going forward, I will be introducing a boys collection next year.

What’s a strategy you follow when it comes to the growth and expansion of your brand? And how do you value the Middle East as one of your markets?

My strategy is focus rather than conquer. The Middle East is always a very important market for us, especially Dubai where it’s a melting pot. It’s such a cosmopolitan city. Women there I guess have the same philosophy as me. They love glamour!

Define the brand in three words.

Glamorous, feminine and humorous.

Can we expect a men’s line soon?

It would be a bit hard, I love challenge but it’s not a big focus for me. I’m a woman so I know what women like. I make a few designs for men like smoking slippers and now we’ve launched trainers. I’ve made a complimentary collection. A Charlotte Olympia woman has a husband, a boyfriend and a son – so why not dress the whole family.

Guests who attended this season enjoyed shows and presentations from 25 labels, six industry-focused talks and panel discussions, over 40 regional accessories designers displayed in The Garden plus a series of networking events. FFWD Season Five welcomed 25 apparel designers from countries including Lebanon, Morocco, Egypt, Kuwait, Dubai and the wider UAE as well as the Philippines and India. As with every edition of FFWD, the designers showcasing have their businesses based in the region or are of Middle Eastern origin. We wanted to share with you a selection of our favourite collections and designers, some new, some veterans of Fashion Forward, some couture and eveningwear and others casual, quirky and eccentric.

It seems the angels have answered our prayers. Artistic Director of the oldest and most revered French fashion house LANVIN, Alber Elbaz made his first public appearance in the Middle East. Fashion heavy weights had been eagerly awaiting his arrival and they were not disappointed.

The fashion designer was accompanied by Ms. Michèle Huiban, CEO of the brand, to unveil a capsule collection designed exclusively for the region. Lanvin’s feminine signature pieces were revealed for the first time during an intimate presentation to a curated guest list of women of Middle Eastern Royalty and VVIP clients over high-tea in the Peregrine Ballroom of the Arabian Courtyard at the One & Only Royal Mirage.

The location was the perfect backdrop for this occasion with its dramatic architecture, landscape of fountains and luxurious gardens. The ballroom had a classic French salon atmosphere punctuated with fresh flowers, hand-made gold antique wood, silk jacquard furniture and cushions made from the Winter 2015 collection fabric – Lanvin’s outstanding attention to detail was ever present.

Along with the playful pieces designed for the Middle East, a total of 34 looks from the Winter 2015 collection were presented. From Moroccan themed long flowy gowns, to embroidered jumpsuits and jackets, the collection showcased the brands’ elegant side and was juxtaposed with its signature avant-garde edge. Guests were treated to an open fashion discussion and presentation with the designer himself, all the while feasting on bite-sized treats, colourful macaroons, mini éclairs and scones.

Alber’s three day Arabian adventure hosted by long-term partners UAE Trading and The Chalhoub Group, ended with an exclusive cocktail event, celebrated in true Lanvin style – romantic, theatrical and pure magic! From the whimsical candle-filled garden setting and garlands of lights caressing the venue, to butterflies and jewel toned ostrich feather brimmed hats for guests to play and take pictures with.

The who’s who of the region’s fashion industry were on hand to celebrate the momentous occasion and were caught happily sharing their experience on social media; from VIPs and press, to socialites and top models (many of which just walked the ramp at Lanvin’s show in Paris). Free flowing bubbles and an opulent eight meter long buffet displayed with candelabras, flowers and food added to the fun and frolic of the event. Guests danced the night way to the smooth tunes of the DJ and live band playing all the crowd’s favourites, but revamped to jazzy beats aided by blaring trumpets and horns exciting the senses of every person in the room.

Alber wanted guests to feel they were invited to their grandmother’s garden. In his own words “We didn’t come with Caviar, we came with dreams”. There is no doubt that he has kept the Middle East’s love affair with Lanvin for years to come.

Be sure to keep an eye out for Winter 2015 exclusive pieces and more surprises from Lanvin arriving in store in August 2015!

Burberry celebrates the city of LA with an event at the iconic Griffith Observatory

“Tonight we were proud to celebrate fashion, music and Britishness at the iconic Griffith Observatory. It was a privilege to be here with so many friends in such a wonderful city and the home of our new Rodeo Drive store.”

Christopher Bailey, Chief Creative and Chief Executive Officer

LONDON IN LOS ANGELES –

A BRITISH JOURNEY

Tonight, British luxury brand Burberry celebrated its London hometown in Los Angeles, the heart of the entertainment industry, with an event at the iconic landmark Griffith Observatory.

Hosted by Burberry’s Chief Creative and Chief Executive Officer Christopher Bailey, the event was attended by over 700 guests from around the world including Cara Delevingne, Suki Waterhouse, David, Victoria, Brooklyn, Romeo, Cruz and Harper Beckham, Mila Kunis, Tang Wei, Elton John, David Furnish, Rosie Huntington-Whiteley, Jason Statham, January Jones, Anna Wintour, Mario Testino, Jeffrey Katzenberg, Kevin Systrom, Jamie Bell, Rose Byrne, Jamie King, Kate Beckinsale, Matt Bellamy, Kiernan Shipka, Aaron and Lauren Paul, Tom Felton, Ellie Goulding, Annie Clark, Adrian Grenier, Gemma and Arthur Mornington, Cat Deeley, Ryan Seacrest, Dylan Penn, Ezra Koenig, Muhammed Al Turki, Jay Brown, Balthazaar and Rosetta Getty, Jamie Hince, Allison Mosshart and Julia and James Corden.
The Event

The evening began with guests entering a specially created English garden through wrought iron Georgian gates, inspired by the Royal Parks of London. The landscaped garden, filled with British lavender and roses, provided the perfect setting to watch the sun set over the Hollywood Hills.

The Runway Show

The journey continued as guests took their seats in the custom-built show space, to watch the brand’s runway show featuring the Burberry family of models including Naomi Campbell, Jourdan Dunn, Sam Rollinson, Charlotte Wiggins, Malaika Firth, Ella Richards, Amber Anderson, George Barnett and George Le Page, showcasing the Burberry Autumn/Winter 2015 womens and mens collections.

The show closed with a collection of exclusive eveningwear, featuring floor-length tulle dresses with cut-out waistcoats and silk thread embroidery for women and slim-fit velvet tuxedos with grosgrain details for men. The finale featured a surprise runway appearance from British film and television star James Corden.

British Burberry music acts George Ezra, Tom Odell, Clare Maguire and Benjamin Clementine flew in from London to perform live tracks during the show.

To Los Angeles

As the show ended, the First Battalion Grenadier Guards entered the space, which opened up to reveal the iconic Griffith Observatory at the end of the runway. The 19 guards, performing with drums and flutes, led the models and guests outside on an extended runway, leaving the backdrop of the London skyline behind them.

The First Battalion Grenadier Guards continued their performance outside while giant digital projections of the guards and the British and American flags illuminated the façade of the Observatory.

LIVE SOCIAL BROADCASTING
Periscope

Burberry premiered on Periscope today with the live uninterrupted broadcast of the event experience. Audiences on the Burberry Periscope account were given an access all areas pass at the show, from their arrival at the venue, to their front row seat during the show.

Snapchat

In addition, Burberry has been sharing the journey from London to Los Angeles on its recently-launched Snapchat account, featuring surprise visits from members of the Burberry family including Cara Delevingne, Naomi Campbell, Jourdan Dunn, Sam Rollinson, Charlotte Wiggins, and George Barnett. The platform revealed real-time content from the event including live arrivals on the red carpet and front row reactions.

Celebrating Burberry Beverly Hills

Located over four floors on one of the most iconic streets in the world, Burberry’s new flagship is set on the corner of Rodeo Drive and Dayton Way. Designed under the creative direction of Christopher Bailey, the store has been designed to offer multi-sensory experiences for customers, featuring exclusive spaces, products and services.

Château de Versailles comes alive in Dubai at the exclusive unveiling of Cartier’s Royal collection of High-jewellery

A majestic presence at every regal occasion, Cartier is truly the “king of jewelers and the jeweler to kings.” Royal in every aspect, be it the quality, the inspiration of the design, or the perfection of the result, Cartier’s Royal collection of High-jewellery is the epitome of beauty. This exceptional collection was to witness an extraordinary launch event in only four cities of the world; Paris, New York, Dubai and Hong Kong. The Royal launch recently culminated in an exquisite set of events where Cartier’s valuable connoisseurs were given a regal experience of a lifetime.

Created to celebrate unique and exceptional gemstones together with Cartier‘s finest craftsmanship, the exhibition showcased 300 of the Maison’s most outstanding High Jewellery creation at the Four Seasons Hotel between the 8th and 12th of March. The elegant spirit of the High Jewellery reveal was complemented by “An Evening of Royal Splendor,” an exclusive private ladies-only gala dinner held under the patronage of H.H. Sheikha Manal Bint Mohammed Bin Rashid Al Maktoum on the 8th of March.

Transformed to resemble the Château de Versailles, the Four Seasons welcomed the esteemed guests who were given the privilege to be the first to discover the Cartier Royal High Jewellery exhibition. While the guests were further treated to an outstanding show featuring dancers & musicians, flown in from Paris, they also viewed a special jewellery presentation showcasing unique Cartier pieces on international models, dressed in stunning Victorian inspired costumes. The revelry didn’t conclude here as the following day, March 9th, Cartier hosted a majestic cocktail reception where selected guests got the opportunity to discover the Royal creations in a Parisian setting. Maison Cartier’s guests were left with a beautiful memory of this Royal night in Versailles.

The UAE’s community of both residents and tourists were treated to a three day celebration of design and creativity to mark the official opening of Dubai Design District (d3).

More than 30,000 design enthusiasts, foodies, music fans, followers of fashion, tourists and families visited d3 throughout the weekend. They enjoyed the very best of UAE-based and international creative talent.

The “Meet d3” event was specifically commissioned and curated to feature a 100 strong creative mix of UAE-based, regional and international designers, artists, musicians, concept retailers and unique dining experiences. Amongst the participants on display over the weekend, the Meet d3 programme included a significant number of d3’s business partners including: local designers through multi retail platform “Resid3nt”, Not Just a Label, Faux Consultancy, Lasvit, Silsal Design, S*uce, Tahir Sultan, Penguin Cube, Amongst Few, Wanders Wagner Architects, and Sole DXB. The programming was further enhanced with the participation of Emirati creative talent such as Khaled Shafar, Bint Thani, Jalal Luqman, Hamdan International Photography Award(HIPA), Cinema Akil & Gazette, Anthropology of Design and Dr. Reem El Mutwalli , artists represented under Brand Dubai as well international talents featuring world renowned British singer-songwriter John Newman and industry trends forecaster and presenter, Li Edelkoort, to name a few.

Hailing the success of the Meet d3 event, Dr Amina Al Rustamani, Group CEO, TECOM Investments, commented: “Meet d3” marks the official opening of The Dubai Design District to the world. Through the culmination of teamwork, community spirit, creative innovation and love for all elements of design, it has been a tremendous success. The feedback from the wider UAE community, who showed their support through an overall attendance of more than 30,000, has been incredibly positive and demonstrates a keen appetite for many more such events at d3 in the future”.

The atmosphere of “Meet d3” throughout the three-day community event saw creatives, families, officials, food lovers, music enthusiasts and fashion decision-makers interacting and experiencing all elements of the design landscape within the newly-created d3 destination.

“Apart from thanking our business and creative community partners for their participation, we would also like to thank all of our Government Authority partners in working closely with us in delivering this milestone event.

“With more than 220 business partners signed up in Phase 1, d3 is looking forward to growing its partner base and the business interest just from this event has been extremely positive. We are very excited to commence the second phase of our master plan development, which is the delivery of the Creative Community scheduled for completion in 2017. This will cover around 1,000,000 square feet within d3, and will act as an incubator for emerging UAE-based designers and artists, as well as providing a natural home for art galleries and studios looking to engage directly with the region.”

Response from the wider community has been overwhelming. As part of d3’s efforts to capture real time feedback from its visitors, digital surveys were carried out throughout the event and the general response has been overwhelmingly positive. “We did not know what to expect from the ‘Meet d3’ event and were curious to find out. My family truly had an incredible time and there was something for everyone to experience and discover.   We look forward to seeing this hopefully as a yearly event,” said a family of visitors.

The Art of the Sea

Tiffany’s 2015 Blue Book arrives with a breathtaking celebration of the sea in all its power and mystery. The epitome of the jeweler’s art, these one-of-a-kind creations flow with the force of nature, launching the legacy of Blue Book into a new season of glamour.

Blue Book is the single greatest showcase for Tiffany’s spectacular jewels. Its influence among collectors and connoisseurs is legendary. The 2015 collection, Design Director Francesca Amfitheatrof’s first, combines audacious style with fluid grace and the sea’s boundless energy.

“Our Blue Book jewellery honours the sea as the source of life and acknowledges the many ways we are inexorably linked to the natural world,” Amfitheatrof says. Her dazzling tribute to the sea and its beauty also reflects the mission of the Tiffany & Co. Foundation to support coral conservation and safeguard marine ecosystems, as well as the company’s commitment to responsible sourcing of diamonds and precious metals.

Tiffany diamonds surge through Blue Book like a rising tide of pure brilliance. Amfitheatrof creates whirlpools of baguette and round diamonds that flow along the neckline and drape the wrist. She designs a ring with pear-shaped diamonds layered like the feathers of seabirds riding the waves, and anchors waterfalls of diamonds with gleaming black opals.

The jeweler’s coloured diamonds are renowned for the highest standards of clarity and saturation. The pebble ring is noteworthy for its blue diamonds that number over four hundred. It is very unusual to acquire a wealth of such exceedingly rare stones. Each is hand-cut and set in a curvaceous mounting that reflects the sea’s power to sculpt stones over millennia. Other rings include a 3.03-carat Fancy Intense Blue diamond that beckons like a tropical isle; blue-green diamonds that blend the colours of sea and sky; and yellow diamonds sparkling like sunlight on the water.

Blue Book features Amfitheatrof’s magical interpretations of 19th-century designs from the Tiffany Archives. A pocket watch with an interlocking chain inspires a necklace of graduated links, flexible and covered in diamonds; and a Japanesque wavelike pattern forms elegant diamond bracelets with 18 karat gold.

Pearls are the natural treasures of Amfitheatrof’s fantastic undersea world. South Sea white, golden and Tahitian cultured pearls exemplify Tiffany’s reputation for the most exotic and beautiful gems on earth. Matched for size and colour, these lustrous spheres are assembled in luxurious strands; mounted in rings that bubble with light; and are suspended from 18 karat gold bracelets with diamonds undulating like the ocean’s currents.

Tiffany’s gemstones radiate a colourful splendor, reflecting a heritage of discovery and innovation. Amfitheatrof builds on it with magnificent bracelets featuring a 21.04-carat aquamarine surrounded by spessartites, tsavorites and sapphires floating over a seabed of aquamarines; and a 32.05-carat rubellite, an underlay of pink sapphires and diamonds in a coral motif.

Other Blue Book jewels explore the sea’s hypnotic movement and the varying colours created as light penetrates water. These include earrings with blue tourmalines shimmering like sea spray; a ring with many sapphires, shades of paradise swirling around a 21.66-carat chrysocolla; rings of blue-violet tanzanites polished by the wind and waves; a sapphire and diamond bracelet glinting with the colours of rivers and rapids; and a necklace of aquamarines and turquoise in a lush, organic formation.

“Blue Book is an important symbol of Tiffany & Co.,” says Amfitheatrof. “Its rich heritage draws the finest artisans, who create a world of luxury that no other jeweler can equal. To design this important collection with these talented people and the most extraordinary gems is an honour and a privilege.”

The Legacy

Tiffany’s celebrated Blue Book, the jeweler’s annual publication that showcases the world’s most spectacular jewels, has been arriving at customers’ homes since 1845. Founder Charles Lewis Tiffany (1812–1902) designed it as a personal communication and service to his customers. Over time the book grew to include glossy photographs and a Tiffany Blue® cover, the distinctive robin’s-egg blue that famously graces the jeweler’s boxes. This vibrant hue is today an international symbol of style and sophistication.

The Blue Book archive forms a detailed chronology of the jeweler’s role in the evolution of American design, as well as Mr. Tiffany’s reputation for luxury and the most beautiful diamonds on earth. Earlier editions of Blue Book include French and Spanish Crown Jewels remounted in Tiffany settings, marking the first appearance of important diamonds in the U.S., and an astonishing array of jewels that won gold medals at the great world’s fairs of the late 19th and early 20th centuries.

These were followed by later editions of Blue Book with jewellery inspired by the stained glass masterworks of Louis Comfort Tiffany (1848–1933), son of the company’s founder and a world leader of the Art Nouveau movement; designs from the 1920s platinum age of diamonds, Cocktail-Style suites from the 1940s and 1950s; and jewels that epitomize Hollywood glamour.

Among these were Jean Schlumberger’s Ribbon Rosette necklace (Blue Book 2009-2010) that was mounted with the 128.54-carat Tiffany Diamond to promote the 1961 film Breakfast at Tiffany’s. Schlumberger’s necklace was also worn by Gloria Vanderbilt in an iconic Richard Avedon photograph in Harper’s Bazaar. In addition, his Fleur de Mer clip (Blue Book 2009-2010) was originally created for Elizabeth Taylor. Other red-carpet jewels include the Tiffany Radiance necklace with rare yellow diamonds (Blue Book 2010–2011) worn by Academy Award® winner Kate Winslet at the 2010 Oscars®; and the lavish diamond necklace from Blue Book 2013 that Anne Hathaway wore when she accepted her Oscar® that same year.

Blue Book 2015 rises to meet this unparalleled legacy of beauty and excellence with a collection inspired by “The Art of the Sea.” Design Director Francesca Amfitheatrof sets Tiffany diamonds in electrifying motion-spinning in whirlpools, cascading in waterfalls and dancing like moonlight on the waves. Her jewels of colourful gemstones are equally dynamic-blossoming in undersea gardens and swirling like pebbles polished by wind and water.

a&e enjoys NewYork the Tiffany & Co. way

We had the privilege of being part of the Blue Book 2015 launch celebration in NewYork and through our lens we share with you moments from this wonderful and memorable Journey.

Tiffany & Co. Hosts Blue Book Dinner

Tiffany welcomed notable guests from the worlds of art, entertainment, fashion and the media to the Blue Book Dinner, which marked the launch of the 2015 Blue Book Collection, the ultimate expression of couture jewellery that only Tiffany and its storied legacy can offer to the world.

Tiffany CEO Frédéric Cumenal hosted the intimate dinner for approximately 100 guests at ABC Kitchen, with cuisine by three-star Michelin chef Jean-Georges Vongerichten. Joining Cumenal were Tiffany design director Francesca Amfitheatrof, acclaimed actress and producer Reese Witherspoon and artist Jack Pierson, along with Amber Heard, Olivia Wilde, Victor Cruz, Misty Copeland, Angelica Cheung, Prabal Gurung, Yasmin Le Bon, Jason Wu and Indre Rockefeller.

During cocktails, guests had the opportunity to explore the Blue Book Collection, Amfitheatrof’s first for Tiffany, inspired by the power and beauty of the sea. They selected jewels to wear as renowned photographer Jessica Craig-Martin captured the moment with her unique view of fashion and style that has been featured in Vogue and Vanity Fair. Her individual and group portraits created a moving picture of Blue Book jewels that sparkled. Diamonds flowed along necklines and draped across wrists, and a ring of exceedingly rare blue diamonds swirled in ever-greater circles, like stones shaped by water over millennia.

Louis Vuitton presents Ombré the new permanent line of leather goods.

The Maison Louis Vuitton presents Ombré, a new permanent line of leather goods.

Louis Vuitton Cuir Ombré, a natural, plain leather with a very soft hand, sensual touch and slightly aged patina, makes it appearance for the first time in the Fall/Winter 2015-16 pre-collection in belts, shoes and bags. This new leather line will showcased 3 iconic bags, the Keepall, the Lockit Bandoulière, the Porte-Documents Voyage and will introduce a new school style satchel, the Cartable, in warm brown and anthracite grey tones enriched with decorative Monogram canvas details.

Shoes range from the elegant country derby with British Goodyear welt construction to the universal sneaker in off-white alligator embossed leather with metallic pieces.

The colour story is split into two parts. The first group focuses on cool blues and khakis with red highlights, while the second is warmer in earthy mixtures of rich browns, greys and burgundy. Both colourways create a soft, rounded and lived-in look to the collection.

Available from June 26th, 2015 in selected Louis Vuitton stores and on louisvuitton.com.

1. A fabled destination for couples in love, the Brooklyn Bridge, New York City Photo Credit: Carter Smith
2. Tiffany Embrace diamond ring in platinum
3. Jean Schlumberger Sixteen Stone ring in platinum and 18k karat gold with diamonds
4. Tiffany Grace diamond ring in platinum
5. Engagement rings in platinum with diamonds, counter-clockwise from top: Tiffany Soleste® Emerald, The Tiffany® Setting, and Tiffany Soleste
6. Tiffany diamond band rings (from left): Jean Schlumberger Sixteen
7. Stone ring in platinum and 18k karat gold with diamonds, Tiffany Soleste band ring in 18 karat rose gold with diamonds, Victoria alternating ring in platinum with diamonds, Jean Schlumberger Rope two-row ring in 18 karat gold and platinum with diamonds, Tiffany Diamond Wedding Band in platinum with diamonds.
8. Tiffany Soleste® emerald-cut engagement ring with matching band in platinum.
9. Tiffany Celebration® rings in platinum (from top): three-row with diamonds, Tiffany Swing with diamonds and blue sapphires, Cobblestone with diamonds, Victoria with diamonds.
10. Tiffany Soleste® engagement ring and matching band in platinum.
11. Band rings with diamonds in platinum, from top: Channel-set, Tiffany Bezet™, Tiffany & Co. Schlumberger® Sixteen Stone, Tiffany Jazz™, and Tiffany Cobblestone.
12. Tiffany engagement rings in platinum with diamonds, from top: Tiffany Soleste® Emerald-Cut, The Tiffany® Setting, Tiffany Soleste® Oval, Emerald Cut, and Tiffany Soleste® Pear.
13. Tiffany engagement rings (from top): Tiffany Embrace diamond ring, Jean Schlumberger Bud ring and Lucida® diamond ring

SKIN CARE USED

Abeille Royale Skin Care

Météorites Skincare

FACE

Base: Météorites Light-Perfecting Primer White Booster

Fluid Foundation: Météorites Baby Glow – Light 02

Foundation Compact: Lingerie de Peau Compact – 12 Rose Clair

Powder: Météorites Compact Powder – Light 02

Blush: Blush Duo – 03 Over Rose

EYES

Eye shadow: Ecrin 1 Couleur – Grey 08

Eye shadow: Ecrin 1 Couleur – Pink 12

Eye shadow: Ecrin 1 Couleur – White 01

Eyeliner: Eye pencil – 01 Black Jack

Eyebrow kit: Ecrin Sourcils – 00 Universel

Mascara: Maxi Lash So Volume – 01 Black

LIPS

Lip Base: Kiss Kiss Liplift

Lipliner: Lip Pencil – 63 Rose de Mai

Lipstick: KissKiss – 365 Pink Romance

SKIN CARE USED

Abeille Royale Skin Care

Météorites Skincare

FACE

Base: Meteorites Perles Light Diffusing Perfecting Primer

Fluid Foundation: Météorites Baby Glow – Light 02

Foundation Compact: Lingerie de Peau Compact – 12 Rose Clair

BB Cream: Lingerie de Peau BB Beauty Booster – Light 01

Bronzer: Terracotta Compact Powder 4 seasons – 02 Blondes

Illuminator: Blanc de Perle Radiant Powder Glow

Concealer: Parure Precious Light – 01

EYES

Eye shadow: Ecrin 6 Couleurs – 93 Rue de Passy

Eye shadow: Ecrin 1 Couleur – White 01

Eyeliner: Eye pencil – 01 Black Jack

Eyeliner: Eye pencil – 05 Amber Silver

Eyebrow kit: Ecrin Sourcils – 00 Universel

Mascara: Maxi Lash So Volume – 01 Black

LIPS

Lip Base: Kiss Kiss Liplift

Lip liner: Lip Pencil – 64 Pivoine Magnifica

Lipstick: Rouge G Liquide – M65 Paresse

SKIN CARE USED

Abeille Royale Skin Care

Météorites Skincare

FACE

Base: Météorites Perles Light Diffusing Perfecting Primer

Foundation Compact: Parure Gold Compact – 13 Rose Naturel

Fluid Foundation: Parure Gold Fluid – 13 Rose Naturel

Fluid Foundation: Météorites Baby Glow – Light 02

Blush: Blush Duo – 05 Golden High

Illuminator: Blanc de Perle Radiant Powder Glow

Concealer: Parure Precious Light – 01

EYES

Eye shadow: Ecrin 1 Couleur – Nude 04

Eye shadow: Ecrin 1 Couleur – Pink 12

Liquid Eyeliner: 01 Black

Eyebrow kit: Ecrin Sourcils – 00 Universel

Mascara: Maxi Lash So Volume – 01 Black

LIPS

Lip Base: Kiss Kiss Liplift

Lipliner: Le Stylo Levres – 45 Terre de Sienne

Lipstick: Kiss Kiss – Peach Satin 540

Lip Gloss: Gloss d’Enfer – 400 Gold

SKIN CARE USED

Abeille Royale Skin Care

Météorites Skincare

FACE

Météorites Perles Light Diffusing Perfecting Primer

Foundation Compact: Parure Gold Compact – 13 Rose Naturel

Fluid Foundation: Parure Gold Fluid – 13 Rose Naturel

Bronzer: Terracotta Compact Powder 4 seasons – 02 Blondes

Illuminator: Blanc de Perle Radiant Powder Glow

Blush: Blush Duo – 06 Red Hot

EYES

Eye shadow: Ecrin 1 Couleur – Black 09

Eye shadow: Ecrin 1 Couleur – Nude 04

Eye shadow: Ecrin 1 Couleur – Pink 12

Liquid Eyeliner: Khol Kajal – Noir Volcanique 01

Eyebrow kit: Ecrin Sourcils – 00 Universel

Mascara: Maxi Lash So Volume – 01 Black

LIPS

Lip Base: Kiss Kiss Liplift

Lipliner: Le Stylo Levres – 25 Iris Noir

Lipstick: R ROUGE G DE GUERLAIN – Garçonne 25

Lip Gloss: Gloss d’Enfer – 420 Rouge

A timeless aromatic-woody scent in a dense, sensual and amber territory

BLEU DE CHANEL Eau de Parfum stands out with its noble freshness, borrowed from citrus orchards, the foliage of aromatic herbs and the explosive burst of vetiver root. Striking luminosity makes an immediate impact before giving way to a more enveloping and sensual sensation. This initial rush is accentuated by a woody vibration mixing cedar notes and amber aromas with vanilla and Venezuelan tonka bean. Touched with mystery, intensity reaches its height. Then, New Caledonian Sandalwood blossoms warmly and blends with the musky notes to give a rich and almost milky character to the fragrance. The depth and subtlety of BLEU DE CHANEL Eau de Parfum find full expression here. The captivating trail makes a statement with strength and elegance to unleash unprecedented sensuality on the skin.

Chanel Premieres

The New BLEU DE CHANEL Film

Written and directed by James Gray

starring Gaspard Ulliel

CHANEL releases today its new ad film for BLEU DE CHANEL. Five years after Martin Scorsese, James Gray has taken the helm to portray the life of the same hero, constantly shifting between fantasy and reality, played by actor Gaspard Ulliel.

Renowned filmmaker James Gray (Little Odessa, Two Lovers, The Immigrant) was chosen for his creativity and his highly personal world. The photogenic power of Gaspard Ulliel radiates from the screen: the internationally acclaimed actor brings a seductive and elegant quality to both the film and the image of the fragrance.

In 2010, BLEU DE CHANEL told the story of a man who had decided to free himself of all constraints. Five years later, it’s the same hero: a famous actor, hounded by his fans, torn between celebrity and a desire for peace and calm. «I wanted to raise the issue of this craziness inherent to the film world» explains James Gray, «within which we lead both a comfortable and an uncomfortable life. In a sense, that is almost a kind of vertigo that comes with the ridiculous and the overflow of attention.» In 2015, BLEU DE CHANEL tells the story of a man who decides to flee from the pressure and everything that seems contrived, to finally find himself alone, and at peace. Unrelenting, he is guided by an inner voice that tells him: “you are forever becoming who you are”.

The film was shot at night in Los Angeles. It is set to music with Bob Dylan’s famous song “All along the Watchtower”, interpreted by Jimi Hendrix.

BLEU DE CHANEL is a timeless aromatic-woody fragrance with an amber quality that is dense and sensual. Its captivating trail conveys strength and elegance, exuding a sensuality like no other directly against the skin.

The Weill family story is one which is bound up with that of the world of fashion. Not the dream of fashion reserved for the social elite, but rather the real world of clothes intended for everyone. It all started with Albert Weill, was developed by Jean-Claude Weill and maintained by a close knit family that has one thing in common between its members, an appreciation for the present time. At the lower end of Montmartre in the heart of Paris, you will find the Weill offices: When Robert Weill had the building constructed in 1924, it immediately set an example with its shafts of light and flexible, open spaces, rigorously thought out in the most minor detail. It is no surprise then that the younger generations inherited a love for art and managed to keep the spirit of tradition alive whilst moving forward with modernity.

In the 1950s, the chic spirit of Weill, symbolized by coats and dresses in particular, but also by suits, blazers and knitwear, gained popularity through elegant advertising campaigns. Weill adds a masculine touch to clear-cut feminine pieces and mixes a severe jackets with a beautifully tailored waist and flowing lines of muslin with tweed. A classic look is given the additional charm of a brightly coloured patchwork of printed and graphic designs and a sophisticated dress with a tie around its collar.

Bernard Weill is one of those members mentioned above. He was born shortly after his father; Jean-Claude Weill propelled the enterprise into the modern era, moving from standard to designer mass-produced ready-to-wear garments. Growing up, he was exposed on a daily basis to the boom of the family business and the particular details that composed Weill’s “Know-How” over the centuries. He is now the 4th generation to take over the family business and has reached a very high and coherent understanding of the style and fashion of the Weill women.

You are a family brand with a strong history and a loyal following amongst customers. What can you tell us about remaining loyal to your roots?
What does “loyalty” in the fashion world mean to you?

Being loyal to our roots is fundamental in Weill history. From one generation to another the members of our family transmit the core values and codes of the brand. When it comes to fashion, our loyalty lies in our never-changing brand identity; the ultra-feminine, Parisian chic couture that has made Weill what it is today… Moreover, the characteristic details in the garments also show loyalty such as the gold buttons, tweed fabrics and bright colours.

It is both our pride and challenge every season to provide modernized contemporary pieces that are new yet loyal to our brand… and we always work hard to ensure that this carries on successfully.

 Each member of the family contributed in their own way to make Weill what it is today. How do you wish for this dedication to continue in the future?

I wish that the next generation will keep on perpetuating our story… that they are just as dedicated as the past… and I wish that they will always be able to take the business to the next step. My son Elie has been groomed into the company for a few years now and he is now in charge of all International development and this is one of the key focus areas of Weill moving forward.

 Many family businesses, no matter how successful, tend to break apart or dissipate over the years. What made yours defy the test of time?

Our family has a very close bond that taught us all to be very respectful. We are respectful lf our heritage and of each other. We are lucky to have different talents within us so each member stars in his/her own field and together we unite to give great results.

Where does Weill seek luxury? What is luxury according to Weill, and according to Bernard Weill?

I think that ‘luxury’ is what is rare. For me and for Weill, luxury lies in the special attention to detail that many seem to neglect nowadays. We seek luxury in our search for the very best fabrics. For example, we are always sourcing the very best tweeds and most exclusive silk prints for our collections.

The Weill company has chosen for the first time in its history to work hand in hand with an artistic director; the designer, Edward Achour. Tell us how it has helped that each generation stayed true to tradition, all the while remaining grounded in the era they were/are apart of.

We chose to work with Artistic Director, Edward Achour after recognizing his ability of infusing image with product and promise with offers in his own label. We think that Edward has been very successful in reinstating Weill’s frivolous gracefulness as well as practical yet seductive style and distinctive femininity in a modern way season after season. With this, we have managed to stay true to the tradition but bring in a delightfully fresh ethos of fashion.

What do you like most about working in the fashion industry and which job responsibilities do you enjoy the most?

Because this industry has a lot of elements, I feel that to fully comprehend it, you not only must be able to have a great sense of business (figures) in addition to a vision and strategy but it is also important to have a special taste for creativity. I enjoy every element in its own way and challenge myself to take responsibilities in different areas. Within my vicinity, I manage the company as a whole in terms of business development as well as operations but I am also quite involved with the collection development and I like to work closely with Edward when coming up with new designs.

 Weill dreams of a real world of clothes rather than one that is reserved for the fashion elite. Tell us about the true women that are seen wearing those garments.

The Weill woman is one that is sophisticated and appreciates Parisian couture… she is ultra-feminine and has a contemporary style of timeless elegance. In the Middle East we cater to many markets and often provide the answer for the woman who is looking for beautiful clothes that are not too revealing or forward. The GCC women are one of the most significant customers along with the Lebanese and this market shapes a large part of our international business.

Models of Influence by Nigel Barker

Nigel Barker-fashion authority, photographer, and host of Oxygen’s The Face-presents 50 of the most influential models from the 1940s to today through a wealth of full-colour photographs from the world’s most renowned fashion photographers and an anecdotal text that reveals each woman’s indelible place in the pantheons of fashion and popular culture. Interweaving 200 gorgeous photographs and informative and entertaining anecdotes, Models of Influence profiles 50 women who have made an unforgettable impression on fashion, the modeling industry, and our notions of beauty. Eight chronological chapters, each of which spotlight an era, feature the stories and images of women who made their mark. These include Lisa Fonssagrives-Penn, Dovima, and Dorian Leigh, who reigned during modeling’s golden age in the 1950s; Twiggy, Veruschka, and Jean Shrimpton, who embodied the free spirit of the 1960s; and Lauren Hutton, Iman, and Janice Dickinson, models who revolutionized the notion of beauty in the 1970s. Barker profiles those who’ve become the million-dollar faces of their time, such as Christie Brinkley and Elle Macpherson; revisits the age of the supermodel, when Christy Turlington, Linda Evangelista, and Naomi Campbell rose to global stardom; and spotlights eternal chameleons Kate Moss, Stella Tennant, and Amber Valletta, among others. Also included are models who brought us into the twenty-first century, and those who are leading the way into the future, from Gisele Bündchen, Daria Werbowy, Liya Kebede, and Coco Rocha to Cara Delevingne, Karlie Kloss, Lara Stone, Joan Smalls, and Kate Upton.

The Bergdorf Goodman Cookbook by Bergdorf Goodman

A stylish collection of 100 recipes from the renowned BG restaurant at the singular luxury shopping emporium. Incorporating recipes from the fashion community, this charming gift volume features the whimsical four-colour art of renowned illustrator Konstantin Kakanias throughout. The Bergdorf Goodman Cookbook is a collection of 100 delectable recipes from the singular, legendary retailer’s restaurant, BG-a dining hot spot for fashion cognoscenti and lovers of fine food; also included are favourite dishes from star fashion designers, writers, and media, including Zac Posen, Thakoon, Joseph Altuzarra, Tabitha Simmons, Diane Von Furstenberg, Joe Zee, Dana Cowin, Bobbi Brown, Georgina Chapman and Keren Craig of Marchesa, Deborah Needleman, and Kelly Wearstler. Indulge in cocktails, hors d’oeuvres, soups and starters, salads, entrees, and desserts, among them BG’s revered Manhattan and its wildly popular Gotham Salad, not to mention a host of other favourites such as Crab Cakes with Spicy Rémoulade, Truffled Grilled Cheese Sandwich Bites, Lobster Napoleon, and Double Chocolate Tarte. Each recipe is introduced with an anecdote from the restaurant or its contributor, and all are spectacularly illustrated with exclusive four-colour artwork by artist and designer Konstantin Kakanias.

The Bookseller by Cynthia Swanson

A provocative and hauntingly powerful debut novel reminiscent of Sliding Doors, The Bookseller follows a woman in the 1960s who must reconcile her reality with the tantalizing alternate world of her dreams. Nothing is as permanent as it appears . . . Denver, 1962: Kitty Miller has come to terms with her unconventional single life. She loves the bookshop she runs with her best friend, Frieda, and enjoys complete control over her day-to-day existence. She can come and go as she pleases, answering to no one. There was a man once, a doctor named Kevin, but it didn’t quite work out the way Kitty had hoped. Then the dreams begin. Denver, 1963: Katharyn Andersson is married to Lars, the love of her life. They have beautiful children, an elegant home, and good friends. It’s everything Kitty Miller once believed she wanted—but it only exists when she sleeps. Convinced that these dreams are simply due to her overactive imagination, Kitty enjoys her nighttime forays into this alternate world. But with each visit, the more irresistibly real Katharyn’s life becomes. Can she choose which life she wants? If so, what is the cost of staying Kitty, or becoming Katharyn? As the lines between her worlds begin to blur, Kitty must figure out what is real and what is imagined. And how do we know where that boundary lies in our own lives?

The Precious One by Marisa de los Santos

From the New York Times bestselling author of Belong to Me, Love Walked In, and Falling Together comes a captivating novel about friendship, family, second chances, and the redemptive power of love. In all her life, Eustacia “Taisy” Cleary has given her heart to only three men: her first love, Ben Ransom; her twin brother, Marcus; and Wilson Cleary-professor, inventor, philanderer, self-made millionaire, brilliant man, breathtaking jerk: her father. Seventeen years ago, Wilson ditched his first family for Caroline, a beautiful young sculptor. In all that time, Taisy’s family has seen Wilson, Caroline, and their daughter, Willow, only once. Why then, is Wilson calling Taisy now, inviting her for an extended visit, encouraging her to meet her pretty sister-a teenager who views her with jealousy, mistrust, and grudging admiration? Why, now, does Wilson want Taisy to help him write his memoir? Told in alternating voices-Taisy’s strong, unsparing observations and Willow’s naive, heartbreakingly earnest yearnings-The Precious One is an unforgettable novel of family secrets, lost love, and dangerous obsession, a captivating tale with the deep characterization, piercing emotional resonance, and heartfelt insight that are the hallmarks of Marisa de los Santos’s beloved works.

World Gone By by Dennis Lehane

Dennis Lehane, the New York Times bestselling author of The Given Day and Live by Night, returns with a psychologically and morally complex novel of blood, crime, passion, and vengeance, set in Cuba and Ybor City, Florida, during World War II, in which Joe Coughlin must confront the cost of his criminal past and present. Ten years have passed since Joe Coughlin’s enemies killed his wife and destroyed his empire, and much has changed. Prohibition is dead, the world is at war again, and Joe’s son, Tomás, is growing up. Now, the former crime kingpin works as a consigliore to the Bartolo crime family, traveling between Tampa and Cuba, his wife’s homeland. A master who moves in and out of the black, white, and Cuban underworlds, Joe effortlessly mixes with Tampa’s social elite, U.S. Naval intelligence, the Lansky-Luciano mob, and the mob-financed government of Fulgencio Batista. He has everything-money, power, a beautiful mistress, and anonymity. But success cannot protect him from the dark truth of his past-and ultimately, the wages of a lifetime of sin will finally be paid in full. Dennis Lehane vividly recreates the rise of the mob during a world at war, from a masterfully choreographed Ash Wednesday gun battle in the streets of Ybor City to a chilling, heartbreaking climax in a Cuban sugar cane field. Told with verve and skill, World Gone By is a superb work of historical fiction from one of “the most interesting and accomplished American novelists” (Washington Post) writing today.

The Pocket Wife by Susan Crawford

A stylish psychological thriller with the compelling intrigue of The Silent Wife and Turn of Mind and the white-knuckle pacing of Before I Go to Sleep-in which a woman suffering from bipolar disorder cannot remember if she murdered her friend. Dana Catrell is shocked when her neighbor Celia is brutally murdered. To Dana’s horror, she was the last person to see Celia alive. Suffering from mania, the result of her bipolar disorder, she has troubling holes in her memory, including what happened on the afternoon of Celia’s death. Her husband’s odd behavior and the probing of Detective Jack Moss create further complications as she searches for answers. The closer she comes to piecing together the shards of her broken memory, the more Dana falls apart. Is there a murderer lurking inside her . . . or is there one out there in the shadows of reality, waiting to strike again? A story of marriage, murder, and madness, The Pocket Wife explores the world through the foggy lens of a woman on the edge.

1- Dr. Thoraya Kanafani from the Human Relations Institute in Dubai gives a&e readers advice and knowledge on relationship building and maintenance.

I advise every couple to attend premarital counseling sessions before getting married and even think that it should be required by law. Couples tend to think that once they are married or have children, the responsibility of a family will outweigh any other conflicts that lurk around. Unfortunately, once they have passed the honeymoon phase, and the wedding excitement has worn off, the real life of a couple begins rather than the Hollywood fantasy that usually wears off after several years. The so-called “Honeymoon phase” could last anything between 3, 6, or 12 months, which is usually the time when each person puts their best foot forward and keep the rest nicely hidden behind a façade of subjective perfection. Usually the problems start to kick in between 2 to 5 years into a marriage and sometimes people will suppress it or shun it off as something unimportant. After 7 to 9 years, suppressed feelings may begin to surface and this is when couples usually decide to come see a counselor.

2- Effective communication is key

The number one reason why strong disagreement and unhappiness arises in a couple, is the lack of proper communication. This also entails a lack of validation, or feeling understood, respected and having one’s emotions and thoughts acknowledged by the significant other. Pride and ego are two elements that lead to miscommunication, or the lack thereof. In the Arab culture particularly, this is very common when the woman works or one of the two comes from a family of high stature. “Why should I be the one compromising?” one asks. It’s not about one party compromising more than the other leading to the feeling of being taken for granted, it’s about two people in a couple letting go and putting the relationship before their ego. In relationships in general, the headline is effective communication.

Effective communication does not depend on location, it depends on your personality and what you’re willing to do and say. It could be a long distance or face to face relationship and still allow things to get lost in translation. After the honeymoon phase, you start to pick up the idiosyncrasies, or the peculiar traits and behaviors that are unique to them, and depending on how well you both communicate, you will either keep it in and go with it, or you’ll learn to adjust and move forward. Even if you have the illusion that you are completely similar to, or compliment your significant other in terms of your mindset, values and beliefs, you’re still two different human beings. The fact that you are two different genders, that makes you different human beings. When you put people with different upbringings with different lifestyles into one household, things can get very messy so waiting for things to get better later, causes more chaos. It could be something as simple as who does the cleaning and who does the cooking, versus something more complicated like how to raise your kids.

The rules of dating are different in the Gulf States, and for many in may seem “conservative.” The dating process here happens when a couple is officially “engaged” to be married. This period is seen as a time where two people are more committed to “making it work.” There’s a little more pressure since the families are also involved or aware, and research shows that arranged marriages have been more successful than so-called “Love marriages.” Most of the time the latter entails an unrealistic fantasy, a Hollywood idea of love where everything is supposed to be perfect and predictable.

3- Evaluation and acknowledgment

You have to be evaluated based on what you do in your marriage. When we’re kids, we get rewarded by our parents for doing things the right way. In school and during our higher studies, we go through the same reward process. Even when we enter the professional world, we get evaluated on a regular basis. In a marriage, it should be the same. You need to ask yourselves the following questions: “What am I doing that’s helping this relationship?” and ask your partner “what would you like me to do more of?” You have to be open to constructive feedback, as long as it is also expressed in a progressive manner. The more you evaluate your relationship, the more you learn how to better it.

Managing differences

There’s an underlying fear amongst people that if they are not perfect in the relationship, their significant other is going to walk away from them. There’s no such thing as a perfect relationship, but there is such a thing as an affective relationship. What you must strive for, is an affective relationship, with open and honest communication. In this circle, everything should be shared so that he or she does not need to look elsewhere. When communication is broken down, whether emotionally or physically and it is not talked about, some people will resort to searching for fulfillment outside the boundaries of the relationship. You must acknowledge that your partner has a different thought process and belief system, without necessarily agreeing with it. If there has to be a decision made, then there has to be a level of compromise, and a middle ground must be found. It’s nice to joke about the small differences, because sense of humor is very important in order to defuse the situation and minimize the effect of defensiveness.

4- True love and commitment

When we think of relationships in general we have to think of them from two different sides, we have to think of the love side and the commitment side. Under the love side, we have to start with trust and respect, once we have a good amount of those two elements then we get to vulnerability, if you feel like you can be emotionally vulnerable, physically vulnerable and all other types of vulnerable with that person without them throwing things in your face, that’s when you can start moving to the next stage which consists of intimacy and friendship. Considering all these factors, that’s when you know true love exists in the relationship. The other side of the relationship is commitment. Here is where you start to share different things such as values, morals, customs, ethics and traditions. Both the commitment and the love side together is what makes an affective relationship.

5- One team: Supporting one another

When it comes to external family interference, you have to maintain the idea that the relationship between you and your partner is the initial relationship. The support must be in that circle before it’s anywhere else, the support for one another should always be there even if there is no agreement. It’s always advised not to discuss or share different views on a topic that is being disagreed on by the in-laws for example. Maintaining a united front is very important. If you’re going to talk to your family about something that has to do with your marriage, make sure you have discussed it with your spouse first.

6- The most important points to discuss before marriage

Everybody should go through pre-marital counseling before getting married because it’s important to see those things early on. The goal is not to determine if it’s the right person for you, but to solve communication problems and other conflicts so that you don’t have to deal with them later on. Topics like child rearing and the level of involvement of the families including in-laws and siblings, should be discussed beforehand. The idea of one person not appreciating the money being worked for and spending without consideration and concern, is another important topic related to finances. The flipside to this, is being too concerned about finance to the point where the working spouse is not giving their time and energy to the family. The fact of the matter is that you are two different genders, which is complicated enough because women and men process information differently, feel information differently and speak about information differently. Then you have the many different things such as family, social and cultural exposure, which are going to affect the way you behave after marriage. A relationship has to be worked on, and worked on well. In order to do this effectively, you must listen, acknowledge, validate and communicate.

Interviewed by Houry Seukunian

What to eat and what to stay away from to maintain a healthy complexion, figure and energy level?

The food that goes into our mouth determines how we will feel and look throughout the day, but if we follow a healthy dietician recommended regime, then we are able to control our state of my mind. It is a fact that on such an important, pre-planned occasion, the adrenaline in our body kicks in blurs our thinking. We are so consumed, hyped up, and nervous at the same time with everything happening around us, that we sometimes even forget to eat. Under stress, every body reacts differently and whether you over eat or avoid food altogether, both cases affect your energy level and nerves throughout the day.

After spending so much time planning and anticipating the big day, all that is left to do is make sure you don’t neglect your mind and body so that you can peacefully enjoy the reward of your efforts. For this, a&e consulted Nadine Tayara, Dietitian and Centre Manager at The Right Bite Nutrition Centre, regarding the right foods to consume and which to avoid on the big day.

 How do you advise the couple to get their required vitamins for the day

With it being a hectic yet awesome day ahead, it is important not to forget to eat! Kick-start your metabolism and regulate your appetite by having a healthy, and wholesome breakfast as this will also keep your blood sugar levels controlled by providing you with the energy needed for an exciting day ahead.

An ideal healthy breakfast should be well-balanced including low glycemic (GI) carbohydrates to help stabilise your sugar levels throughout the day. Cooked rolled oats and quinoa porridge topped with sliced peaches or chopped banana are a good choices. Protein is also important to help keep you feeling full; another option for breakfast can be fat-free, plain-flavoured Greek yogurt topped with mixed berries such as blueberries and strawberries and some organic muesli.

Make sure you are well hydrated throughout the day by drinking plenty of water, you can even enjoy all-natural infused water such as adding sliced cucumber, fresh mint leaves or lemon wedges to your water. This will ensure that you’ll feel more energized and alert throughout the day. Water will also improve your skin and complexion, as well as curb your appetite. Herbal teas are also a good choice and may calm any jitters you may have!

What do you advise for lunchtime, which is usually the time when the bride’s hair and makeup is nearing completion?

Opt for foods that are easy to digest; yet high in fiber making you fuller for a longer time and helping you maintain energy levels. You’ll get a healthy boost from whole grain products (such as whole-wheat bread or brown rice), green vegetables and lean protein (like fish or tofu).

For example, try grilled tuna (low in fat and calories) or salmon (high in healthy omega-3 fats) with some brown rice & vegetables on the side.

How do you advise them to keep up their energy throughout the day? Any snacks or smoothies you recommend?

It is important not to skip meals, and eating right on your wedding day is equally crucial. Choose whole foods rich in protein, healthy fats, and fibre to maintain energy throughout the day. Prepare in advance some homemade trail mix to snack on throughout the day; a nice combination would be unsalted almonds, walnuts, pumpkin seeds and some dried fruits and if you feel you won’t have time to prepare such a snack, then grab a fruit for that quick energy boost should you need during the day! For some green goodness, you can sip on a homemade green juice (made of spinach or kale leaves, avocado, celery and cucumber sticks, green apple and a banana) and add some super food seeds such as chia or flax seeds for that extra antioxidant boost! Though you may not be sensitive to dairy products it might be best to avoid them on your wedding day as they are known to cause bloating. If you must, you can have a small serving of plain Greek yogurt.

 Are there any foods to stay away from on the special day?

To avoid feeling sluggish or bloated on your wedding day, try to stay away from:

Carbonated beverages and other diet sodas, as they will leave you feeling bloated.

Limit your intake of caffeinated beverages; but if you must have coffee, then just one cup of black coffee is okay!

Salty food items such as salted nuts/crisps, as they make your body retain water and therefore causes bloating as well.

Fried and greasy foods such as fries, pizza, burgers.

Candies, sweets and other processed foods with refined sugar, as they are quickly digested and absorbed in the body making you crave for more. They are just good for a quick surge of energy, but cause slump in the mood leaving you feeling fatigued, irritable, and sleepy.

 With regards to anxiety, it is proven that certain foods cause or heighten the level of anxiousness in people. How do you suggest the couple and their families to tackle this issue?

Consuming wholesome, nutritious and clean food is always best, no matter what the occasion is! Limiting our intake of foods that are high in fat, sugar and salt will surely help with our mood, energy levels and make us less anxious and tired.

Top picks to calm you on this special day:

Oranges – juicy, sweet and packed with vitamin C that help reduce stress hormones in the body.

Asparagus – rich in folic acid that stabilizes your mood and works great as a side dish to your meal.

Almonds, unsalted – packed with magnesium, zinc, vitamins B2 and E. Vitamin E, like vitamin C, has been proven to fight free radicals linked with stress.

Dark Chocolate – contains magnesium, a mineral known to help fight stress; remember to practice portion control!

Blueberries – packed with antioxidants and rich in vitamin C.

In terms of facial skin, what are some foods to stay away from in order to ensure healthy and glowing skin for this day in particular?

Make sure that you take extra care of your skin on the lead up to the wedding day by eating the right foods:

Good protein is a must. Keep in mind that lean protein choices are best, including: fish such as salmon, tuna, lean meats, tofu, eggs and legumes.

Foods rich in antioxidants (berries and plums, artichokes, nuts and seeds, beans and prunes) should be part of your diet. Antioxidants play an important role in preventing and repairing damage to your skin caused by free radicals.

Drink plenty of water, at least eight glasses a day, will help keep your skin hydrated and save you the trouble of dealing with dry and flaky skin.

Stay away from greasy foods as they trigger breakouts, and stick with essential fatty acids, like omega-3 (from salmon, ground flaxseed and walnuts).

Keeping skin clean, getting enough sleep, managing your stress & anxiety levels, and engaging in regular exercise are also important things to keep in mind!

Terrace tree villas
by Alila Hotels and Resorts

From their lofty hillside perch on the sunrise side of the resort, the 120 sqm Terrace Tree Villas invite you to unwind in the lap of nature high above the valley. Enjoy serenity and relaxation out on the spacious wood-decked terrace, surrounded by soothing views of lush plantations and rice paddies on the banks of the valley. Delight in glimpses of Ubud wildlife.

Located high above the Ayung River, Alila Ubud hotel has been laid out as a Balinese hillside village complete with its own community centre and pedestrian lanes. The resort’s rooms and villas stand above a ravine on stilts like tree houses and are set into the banks of the river valley. The world-renowned architectural firm Kerry Hill Architects has made use of traditional Balinese design, but transforming it into modern geometry in the exotic creation of the Ubud villa hotel. Smooth plaster walls and concrete meet thatched roofs; terrazzo tiles meet gravel or crushed rock; wood meets glass, making for one of the most uniquely designed boutique hotels Ubud has seen.

Plantation Restaurant

Immerse yourself in Alila Ubud’s culinary journey, Plantation Restaurant. Start your journey with a fine selection of Alila Ubud’s signature Seasonal Cocktails & Bellini’s, infused vodkas, Araks and syrups made in-house from the best produce the season has to offer.

Alila Ubud’s Culinary Team passionately prepare an authentic Balinese cuisine and modern French menu inspired by local seasonal ingredients. Among restaurants in Ubud, this open Balinese-style dining venue with central bar, towering coconut pillars and traditional alang-alang roof creates an exotic feel for diners as they experience stunning views of the natural surroundings.

Moonlight Remedies

Spa Alila at Alila Ubud puts a whole new spin on natural spa treatments, now offering Moonlight Remedies in a wonderful outdoor setting, drawing on the energy of the moon in its new and full phases and the rhythms of nature. Moonlight Remedies are only available during the new and full moon every 1st and 15th day of the lunar month.

Spa-loving guests can choose to be pampered within the sanctuary of Spa Alila’s indoor spa suites, or outside amid the lush green surroundings of the resort’s Sculpture Garden on the banks of the magical Ayung River.The remedy evokes complete mind and body relaxation as you are surrounded by nature’s lushness, breathing in the fresh air and lured by the sound of bird calls. During the period of a new moon or full moon when the moon’s energy is believed to be at its strongest, the massage treatments are conducted outdoors in a custom spa tent, open to nature yet completely private, harnessing good lunar energy to promote healing and spiritual growth.

The Moonlight Remedies treat you to a complete spa ritual that begins with the Spa Concierge personally escorting you from your room to the garden and into the caring hands of your personal Spa Alila therapist. In the spirit of Balinese tradition, treatment begins with a prayer that is meant to relieve stress, calm fears and reduce anxiety, instilling a sense of well-being both physically and mentally. As you close your eyes and open your senses to nature’s serenity, your therapist’s healing hands draw upon the lunar energy to relax and rejuvenate you. Each session ends with the therapist harmonising the body through methods rooted in the spiritual traditions of Reiki.

Currently, four destination-inspired massage therapies are offered by moonlight: Balinese Massage, an ancient therapy that combines gentle stretching, long therapeutic strokes and pressure techniques to alleviate stress and tension; Alila Recovery Signature Massage, which combines Balinese long soothing strokes, Swedish deep tissue massage techniques and acupressure for a complete body re-awakening; Reflexology, which improves the flow of energy around the body through pressure applied to specific points on the feet and hands; and Indian Head Massage, dating back nearly 400 years, which reduces stress and boosts vitality through the stimulation of pressure points on the head, neck, shoulders and face.

Can you share some insights on the tourism potential of Azerbaijan. Please highlight the reasons that make Azerbaijan a great destination for the residents of the Gulf Region.

A strategically important nation in the Caucasus, Azerbaijan has imbibed the cultural ethos of ancient historical empires including Russian, Turkish and Persian. Located on the crossroads between Europe and Asia, Azerbaijan is a land of rich cultural and historical heritage. Once an important part of the former Soviet Empire, today, it is going through a critical phase of cultural and economic transformation. The petroleum industry in Azerbaijan has given the country a new sense of optimism and enhanced economic prospects.

Azerbaijan has incredible diversity to offer, as on hand its capital Baku is a dynamic town with all the trappings of a cosmopolitan lifestyle which on the other hand there is picturesque countryside where one finds undisturbed, vast lands of Azeri culture and one of Eurasia’s best-kept scenery secrets.

Nature has historically been a cornerstone of the Azeri tourism appeal as the land is blessed with fragile, pristine, and relatively undisturbed destinations where flora, fauna, and cultural heritage are the primary attractions.

Whether on horseback, by car, bus or train; traveling from Astara to Zaqatala or from Baku to Balakan to Batabat; Azerbaijan is full of ancient monuments, natural attractions, and wild game and ecological sites. The Greater and Lesser Caucasus, and the Talish Mountains cover well over half of Azerbaijan, offering visitors spectacular scenery and varied landscapes, as well as key biological diversities. With high end tourism infrastructure, unique tourism attractions such as Gobustan, Mud Volcanoes, burning Mountain and proximity and flight connectivity from GCC countries, Azarbaijan is a great destination for tourism.

Azerbaijan has become one of the most important destinations for conferences in Central Asia. How has this facilitated tourism in the region

Azerbaijan’s unique location at the crossroads of East and West and its rich historical and cultural heritage combined with modern infrastructure and heartfelt hospitality all positively contribute to its appeal as a destination. Along with excellent air accessibility, world class conference facilities and high quality hotels to accommodate events of different size and scale, unique dining venues and authentic on-site activities Azerbaijan has become an ideal destination for conferences in Central Asia

What are the most prominent conferences and events organized in Azerbaijan? What’s their annual growth rate?

Azerbaijan welcomes a large number of exhibitors every year and event organizers have forecasted 15% growth of their exhibitions in the region.

AITF (Azerbaijan International Travel and Tourism Fair), Transcaspian – International Transport, Transit and Logistic exhibition, Worldfood, Caspian Oil and Gas – International Oil and Gas exhibition, BIHE – International Healthcare exhibition, Bakubuild – International Construction exhibition have become immensely popular and attract exhibitors and visitors from across the globe.

We are proud to host The First European Olympic Games this summer from 12 to 28 June in Baku, involving more than 6,000 athletes from the National Olympic Committees of Europe. This event is expected to be the largest sporting event in Azerbaijan’s history. Baku has also been elected as the host city of The Islamic Solidarity Games in 2017.

 What are the main tourist destinations in Azerbaijan? Please share some insights regarding hotel, leisure and business centers options available in the major cities?

The capital of Azerbaijan – Baku, is the largest city of Azerbaijan, as well as the largest city on the Caspian Sea and of the Caucasus region. At night, Baku looks spectacular with all the buildings lite up including the city’s diamond – the new Crystal Hall, The spectacular Flame Towers, whose facades are turned into gigantic display screens with the use of more than 10,000 high-power LED luminaires. A walking tour of the Old Town ‘Icheri Shekher’ shows the traditions of Azerbaijan. Many ancient architectural treasures still stand tall such as the Maiden Tower and Palace of the Shirvanshahs in the walled City of Baku. These monuments built in the 12th-15th century are inscribed under the UNESCO World Heritage list of historical monuments. Within this walled city, tourists can enjoy shopping for traditional artifacts or enjoy a meal at restaurants which are run within the historical buildings. With regards to temperature, Baku has a subtropical semi-arid climate with dry summers with temperature is between +25 and +35 C, mild- cold and occasionally wet winters with temperature between +15 and 0.

Gabala, which is also called the “Azerbaijani Switzerland”, is considered a popular tourist destination as it combines good climate, natural beauty and modern infrastructure. Gabala (or Qabala) is the most ancient city of Azerbaijan and the capital of the Gabala Region. It has existed for over 1800 years. Ruins of the ancient town are in 15 km from regional center. One can explore all 4 seasons in Gabala.

The other famous cities of Azerbaijan include Nakhchivan, Lankaran, Ganja, Naftalan, and Sheki.

 Do the tourism programs suit the requirements of the residents of the UAE and Gulf region?

Yes, the representation office of the Ministry of Culture and Tourism of the Republic of Azerbaijan for GCC Countries designs packages and campaigns to promote Azerbaijan Tourism. Atlantis Holidays a prominent Travel management company in UAE is the appointed representation office for the region. We welcome and support every initiative to make Azerbaijan destination a preferable tourism spot for GCC travelers.

Ikat and its legends
By Véronique Schiltz
Orientalist, Member of the Institut de France

IKAT. The term originates in Indonesia, where it means “to tie”. It refers to fabrics whose variety of designs arises from a long-distance voyage, and whose journey from Asia to the West, and along the Silk Road, rendered them universal.

More than a mere textile or pattern, ikat is an interplay of the rigorous and the arbitrary, of contours that are real yet indistinct, of colours subtly intertwined, blended and opposed, and of shapes that seem recognisable yet resist identification. In short, it weaves a path between naturalism and abstraction, offering an intimation of the world rather than a representation of it. This age-old skill requiring patience and precision is the result of extremely sophisticated calculations. The pattern is first designed and marked up on the loom; then the hanks of warp or weft threads are tied one by one, before being plunged into the dye bath, a process repeated as many times as there are colours. It is only then that the weaving begins, bringing the chosen pattern to life as it emerges, diffuse and fluid, as if floating. Because however precise the markings and however dextrous the craftsmen, the result still retains a certain unexpected, unpredictable quality, a fabulous springboard for the eye and the imagination.

The pioneers of the avant-garde and the artists of the Russian ballets, for whom ikat was a tremendous source of inspiration, were not mistaken. Can it be mere chance that the languages of both East and West use the word “cloud” to describe the patterns of ikat? In Europe, Asia, Africa and as far afield as South America, ikat fabrics are indeed cloud-like – always the same but never identical. Each one is unique, in the same way that behind the diversity of peoples, their languages and cultures, stands the individual, in all its singularity.

Ubiquitous, but more certainly nomadic, ikat has spread throughout the world over the centuries. Known as “patola” in India and as “kasuri” in its habitually indigo form in Japan, in France and among the silk makers of Lyon it became “chiné à la branche”, adorned with delicate floral patterns. And so it was that the young Marie-Antoinette of Austria was depicted wearing a silk dress with an ikat pattern in a pastel painting sent to the Dauphin, the future Louis XVI, in order to introduce him to his fiancée.

Ikat was a sign of wealth, a proof of prosperity that ennobled everything it touched. After the Royal Courts of Europe, it was thus adopted in the 19th century by the Khans and Emirs of Central Europe, who donned layers of heavy ceremonial coats with colourful patterns that seemed to descend directly from the minarets of Samarkand and Khiva, or to be inspired by the paradisiacal gardens of Bukhara.

That the art of ikat achieved its apogee in Central Asia is hardly surprising. Was this region not, along with the Silk Road, the link between East and West, between China and Rome, between Persia and Byzantium? True, the fabled caravan road was accompanied by a sea route with staging posts in India and Arabia.

In both cases, colour appears as a kind of revenge over the uniformity of a desert that is too ochre in summer, too white in the winter, or of a sea, too often starting and re-starting. Hence the saturated blues, the intense reds, the vibrant greens of spring grass, and their joyous combinations. Their shapes, meanwhile, their symmetry, their off-centred and repetitive nature, draw the gaze further and further towards an ever-receding horizon in order to prevail over the space, much as music achieves mastery over time, resembling the wake of a distant galleon, or the footsteps of a camel in the sand…

One legend recounts that ikat was invented by a weaver, distraught at having to hand over his beautiful daughter to an old King, who wished to end his life indulging in the finest things his kingdom had to offer. With a heavy heart, he sat on the banks of a stream and allowed his gaze to wander. The ripples on the surface of the water reflected a sky of an intense sapphire blue. The emerald green leaves on the trees shimmered, as did the veined bark of their trunks. A few garnet-red tulip petals drifted hither and thither. A bird passed by, fleeting, its wings reflected in the rippled water and multiplied infinitely in a quivering symmetry. Iridescent patches of light glinted, reminding him of the inimitable sparkle of his daughter’s eyes. Suddenly, seized by inspiration, he returned home and worked tirelessly to capture this wonderful mirage in his fabrics. The King, who had never seen anything so beautiful, so sensuous, or so perfect as the fabric that the weaver laid before him, was overcome. Forgetting the young girl, he abandoned himself entirely to this visual, sensual and spiritual pleasure.

How could he have imagined that, one day, a designer would follow in the weaver’s footsteps and migrate from the silky suppleness of fabric to the polished brilliance of porcelain in order to share the enchantment of ikat?

a&e meets Hélène Dubrule, General Manager Hermès Maison at the prestigious contemporary art center, Palais de Tokyo in Paris during Couture week, and we share the following chat.

Why are we here today?

Pierre Alexis Dumas, our Artistic Director, wanted Leila Menchari to propose a décor. Leila’s work and heritage within the Maison has been a fruitful and artistic relationship since 1977. Her vision and art have been synonymous with the Maison’s 24 rue du Faubourg Saint Honoré store windows, still capturing the eye and hearts of passers-by to date.

She has a talent to tell a story with décor. Leila is very fond of textiles and when she saw the tableware service, she had the idea of working with the american artist Sheila Hicks, a contemporary artist who has been working with textiles for almost 30 years. So the Voyage en Ikat collection was installed along with Sheila’s other works that projected the scenery of the Baôli region of Indonesia.

With this collection, Hermès brought out the colours and flavors of the Indonesian art of Ikat.

How do you assess the tableware industry now and what do you think customers are looking for?

The tableware industry and market is a tough market worldwide and not growing much. There are more and more mainstream brands.

Nevertheless we at Hermès continue to grow and look forward to more exciting future steps ahead. There is space for quality and exceptional high end products especially in markets like the USA, Russia and the Middle East.

Our goal is to propose things that no one can do in terms of audacious creativity. We stand for this renewed creativity and for telling cultural and historical stories using both traditional and very innovative skills and techniques.

 Tell us more about the DNA of Hermès Maison and the brand’s values

An Hermès object is always a mix of creation and know how. It is the perpetual creativity renewed based on the history of Hermès or culture. It could be something from our heritage or something like Ikat, a beauty in the world, or even an ancient skill mixed all together with craftsmanship. The two pillars of Hermès are the craftsmanship and creativity and there is no compromise on quality.

 How do you assess the performance of Hermès Maison in the Middle East?

Hermès has had always a steady growth for many years. Our strongest market is Dubai. We expect to bring Hermès Maison to a new momentum with the renovation of Dubai Mall store, which is planned for next year.

We also have our stores in Abu Dhabi, Qatar, Kuwait, and Bahrain.

What is the best selling item among your collections, and what is your personal favourite?

If we take the tableware category, it is the Cheval D’orient and we anticipate great success for the Voyage en Ikat collection.

If we take the Maison as a whole, we are very strong in textiles and throws for the home, and in specific the Avalon.

My personal favourite would be our first collection of office lighting that is very Innovative.

 What’s an objective you still aim to achieve at Hermès Maison?

We have opened now all territories that we want to enter in terms of products. We did it with furniture, fabrics, wallpaper, and lighting. Our objective is to renew our collections with the quest for excellence and to search for savoir-faire, skills and new material. We aim to be outstanding, very singular and very different. Finally, to work further on our bespoke pieces offering, as it is a very strong part of our development.

 Describe Hermès Maison in a phrase

Our dream is to bring a touch of poetry to the house with exceptional products that will provide a bit of happiness.

As Bentley Motors welcomes the world’s fastest ultra-luxury saloon in the shape of the new Mulsanne Speed to the Middle East, we take a look at the elements that represent the pinnacle of Bentley’s design, craft and engineering skills, 35 years after the first Mulsanne took to the roads.

1. The first Bentley Mulsanne was produced by Bentley Motors in 1980, with production continuing through to 1992. Bentley then revived the Mulsanne name with a redesigned flagship model in 2010, making the famous name over 35 years old.

2. The name “Mulsanne” is derived from Bentley’s famous racing history, which included five victories at the 24 Hours of Le Mans between 1924 and 1930 – the ‘Mulsanne Straight’ being the stretch of the Le Mans race course where cars reach their highest speeds.

3. Mulsanne is also the name of part of the Sarthe department in the region of Pays-de-la-Loire in north western France, which is home to the Le Mans circuit, where the 24 hour endurance race is held.

4. It takes nine weeks to build a Mulsanne, with the engine alone taking up to 30 hours to assemble.

5. The front fenders are created using a process called “superforming”. This technique is also used in aerospace manufacturing.

6. Exclusivity when building a Mulsanne starts from the exterior, with customers having a paint palette of over 100 colours to choose from. There is also a two tone option available.

7. In an age of mass production in the automotive sector, Bentley has stayed true to its roots and continues to create models with true craftsmanship in each and every model built. A testament to this is the 170 hours it takes to create the interior of one Mulsanne.

8. Customers have a large number of options to personalise their Mulsanne, starting with the broad palette of leather, including a range of 24 ‘standard’ colours. In keeping with its heritage Bentley also give customers the option to choose from a wide range of rich ‘heritage’ colours from previous Bentley models, including the famous British racing green.

9. The traditional leather tanning process has been kept to ensure the leathery smell, creating the aroma of vintage Bentleys.

10. Part of the Mulliner Specification includes diamond-quilted leather hides on the seats and door casings, providing that classic and sporting Bentley ambience.

11. Bentley customers also have a wealth of extra options to personalise their car, including 23 individual seatbelt colours to choose from. The level of customization customers have with Bentley has no limits. Customers can even have custom stitched emblems on the headrests.

12. All the wood used in the cabin of the Mulsanne is sourced from sustainable forests. The premium quality veneers include walnut, oak, bird’s eye maple, vavona, olive ash and sapelli pommele.

13. The Mulsanne is encased with a ring of wood that goes around the whole of the cabin, forming one unbroken piece of wood that is unbleached for a natural appearance.

14. The V8 engine that has been re-engineered for the Mulsanne is hand built by the craftsmen and women at the factory in Crewe.

15. The body of the Mulsanne comes from one smooth, sleek sheet of metal. The body has no visible joints anywhere on the surface, with any imperfections smoothed out by hand and rechecked. This technique is only possible with hand-built automobiles produced in limited numbers.
16. It takes over 125 hours to make just one Mulsanne bodyshell.

17. A number of components in the cabin of the Mulsanne are hand stitched, insuring both quality and authenticity. The steering wheels alone will take Bentley’s interior team up to 15 hour to make.

18. The Mulsanne sound system is one of the most powerful available with 2,200 watt amplifiers and 20- speakers.

19. For the first time ever in a Bentley, the Mulsanne’s engine features cylinder deactivation. This feature enables the engine to shut down four of the eight cylinders when operating at lower speeds, helping to reduce fuel consumption.

20. The wood used in every Bentley is derived from the ‘root ball’ of the tree, which has been individually selected by Bentley experts. The rough root ball is then turned into a full set of mirror-matched polished leaves that will go around the cabin of the car. Each piece of veneer is carefully stored in a special humidity-controlled chamber and then applied onto a solid walnut base, a process that alone takes two weeks to complete. Veneers are then polished to a perfect mirror finish. The process from the root ball to the finished product takes up to five weeks to complete.
21. The hide used for the Mulsanne’s seats are tested over 20,000 times by a team of people of varying height and weight, providing the most authentic, real-world assessment possible. Other manufacturers use robots to test the durability of the hides.

22. In 2014, Bentley created just 15 limited edition Mulsanne models called the ‘Mulsanne Majestic’. Five models were created specifically for the UAE, five for KSA and five for Qatar. All 15 models were designed exclusively for the markets in question.

23. The Mulsanne has an upright grille and huge round headlights to evoke the spirit of Bentleys of the 1920s and ‘30s, acting as a reminder of Bentley’s sporting heritage.

24. Once the Mulsanne V8 is finished each car is tested over an 80-minute cycle by the team. The ‘hot testing’ process checks the engine from idle through to maximum revs. The load on the engine is varied to simulate real-world driving conditions.

25. By the time the Mulsanne nears the end of the assembly line it will have undergone over 2,000 checks. One section manager alone will need to complete up to 100 checks before releasing the car to the next stage.
26. In keeping with its heritage and insuring customers experience the best in luxury and performance, Bentley has also ensured that their cars are technology friendly. The Executive interior specification comes with picnic tables designed for an iPad and includes a wireless keyboard. The cabin of the Mulsanne can also become a Wi-Fi Hotspot.
27. In 2012 Wing Commander Andy Green, the world land speed record holder for the past 15 years, took the Mulsanne to speeds of up to 305km/h on the Bonneville Salt Flats in Utah, USA.

28. In 2013, Bentley produced a special edition Mulsanne, designed exclusively for the Middle East market. The car was named Mulsanne Shaheen, inspired by the Shaheen eagle, a bird of prey found in the Middle East region.

29. In 2012, to commemorate Queen Elizabeth II’s birthday and Diamond Jubilee in 2012, Bentley built 60 units of a special edition Mulsanne. The limited edition model included bespoke embroidery and gold stitching, veneered picnic tables decorated with gold overlay depicting a royal carriage, hide cushions featuring the same motif and polished stainless steel treadplate plaques with ‘Bentley Mulliner, England’ and ‘Diamond Jubilee Edition’ script.

30. The Mulsanne competed in the 2012 Goodwood Festival of Speed hill climb. The annual event takes place in the UK and consists of a huge range of new and historic motor racing and road vehicles.

31. The Mulsanne was used as the 2012 Nürburgring 24 Hour Race official parade car.

32. Breitling, the official watch maker for Bentley, created an exclusive Breitling for Bentley BO4 GMT Mulsanne wrist watch in 2010.

33. Schedoni the luxury Italian luggage designer partnered with Bentley to create bespoke fitted luggage for the Mulsanne, compromising of two large cases, two small cases and two foldable garment bags. The luggage design was inspired by the inner door panels of the car.

34. The lead designer of the Mulsanne is Dirk van Braeckel a Belgian designer who also assisted in the design of the Continental GT range.

35. The newest pinnacle of Bentley luxury performance, the Mulsanne Speed, defines quintessential British luxury and delivers 1,100 Nm of torque and13% more efficiency via the legendary 6¾ litre V8 engine. The new sports suspension and steering creates a tailored driving experience while the assertive styling offers new exclusive and contemporary features.