Eliza Scarborough, Author at A&E Magazine

Guerlain Abeille Royale: Healing Power Of Bee’s

The power of a serum, the richness of an oil and the freshness of a lotion.

Guerlain is innovating once again with this unprecedented formula. A non-greasy oil-in-water for instantly plump and radiant skin.

Abeille Royale Youth Watery Oil’s texture is a real formulation paradox, in line with today’s women who are looking for the richness of an oil but without any greasiness, and the lightness of a refreshing water but without any stickiness. Formulated using unique and exclusive bee ingredients and Myrrh oil, an oil used in traditional Indian medicine, it represents the first age-defying serum. A technological feat for a universal rejuvenating step.

Exceptional Ingredients

This extraordinary formula was born of a blend of exceptional raw ingredients. Abeille Royale honey produced by the black bee, a rare endemic species, is harvested on the Island of Ouessant, off the coast of Brittany, a unique natural ecosystem whose biodiversity has been preserved due to the lack of pollution. As a result, this honey has a balanced wealth of amino acids and trace elements, which play a major role in cell regeneration and whose effects have been scientifically proven. This unique honey is combined with exclusive royal jelly, which contains a rare concentration of carbohydrates, proteins, and vitamins. These scientifically proven benefits are supplemented by Myrrh oil, which has been known for 3,000 years in traditional Indian medicine for its repairing properties.

Revolutionary Technology

Skin-brain connections are the new scientific territory that has inspired and enriched ‘Blackbee Repair’ technology. In 2016, Guerlain brought together researchers from around the world on this exciting scientific adventure. The presentation of their work confirmed the pertinence of Guerlain Research’s ‘Blackbee Repair’ technology. ‘Blackbee Repair’ technology targets both skin cells and, for the first time, key nerve cells in the skin’s regeneration process and its collagen level. Self-repair is boosted, more comprehensive and intense. This skincare product successfully targets damage to the skin’s nervous system linked to photo exposure and external aggressors. This is the concept known as ‘neuro-inflammaging’.

Photographer: Jean Picon

Alternative Festive Decorations With Villeroy & Boch

Extravagant Floral Splendour For Your Home.

Christmas doesn’t lose its festive spirit just because you decide not to put up a Christmas tree. Here is something different from Villeroy & Boch.

Breathtaking floral creations in violet, purple, and pink make a stunning impression, and when teamed with delicate gold and copper shades they are a great alternative to the classic Christmas shades, while still adding festive shimmer to your home that will take you through to New Year’s Eve.

Accessories On Our Christmas Wish List

The ultimate accessories we all wish for at the bottom of our Christmas Tree.

KAN I SMALL BAG, MULES, MINI PEEKABOO. ALL FENDI

BAG , SUNGLASSES, BRACELET. ALL CHANEL

MULES, BOOTS, TOTE. ALL CHRISTIAN LOUBOUTIN

J’ADIOR SLING-BACK, FEATHER SLING-BACK, LADY DIOR BAG. ALL DIOR

CRYSTAL BOOTS, PUMPS. ALL SAINT LAURENT

Fashion Director: Eliza Scarborough

Photographer: Henry Pascual

Sophia Webster: Boldly Injecting Fun Into Luxury Fashion

Amongst the conveyor belt of catwalk shows, Sophia Webster’s maximalist showcases are always something to look forward to.

Whether it’s an invitation into Webster’s Winter Wonderland, replete with snow queens in killer, ice-cool boots with bubble clutch bags reading ‘Melt Me’ and ‘Ice, Ice, Baby’ or the unveiling of her Dolly Birds of Paradise, each joyful presentation is a pathway to a colourful and playful parallel world.

But this stylish accessory brand isn’t just fun and games. In five years, since debuting her first eponymous collection for Spring Summer 2013, Sophia Webster has amassed a loyal following of global fans. A graduate from the distinguished Cordwainers College and The Royal College of Art, her background in Fine Art has resulted in all the designs being hand-drawn and conceptualised within the company headquarters in East London.

Renowned for adding a touch of escapism to the footwear market with her joyful shoes and vibrant clutches emblazoned with irreverent slogans, we chat to the London-born designer about world domination, one neon-hued stiletto at a time.

Tell us about the DNA of a Sophia Webster pair of shoes?

I like to think I offer something different. My shoes are feminine but bold. I try to design for many different types of women, and offer a wide and varied range of styles. Most importantly, I try to design shoes that make women feel confident, because that shines through.

Can you share with us the story about how Sophia Webster began, and where your passion from shoes came from?

I always thought I would become an artist. I first knew I wanted to be a footwear designer when I was at college. I studied my art Foundation at Camberwell College of Arts, I always loved sculpture, but one day we had a still life fashion illustration class and I found myself drawn to drawing the shoes more than anything else, that’s where it began. From that point I just kept on drawing shoes and eventually enrolled in the BA Footwear Design course at Cordwainers College, which is part of the London College of Fashion. After I finished my degree there, I went on to do my Masters at The Royal College of Art, where I fully realised the kind of brand I wanted to have. I started my own brand in 2012, with my first Spring Summer 2013 collection.

What do you think has been the key to building a strong identity and carving out your own space in the competitive footwear market?

It’s important to trust yourself and your own vision. You’ve got to stay in your own lane and not worry about what your competitors are doing. I think you need to have an understanding of balancing creativity and commerce in the fashion industry, and be adaptable and able to evolve the way you design. I wanted to position my brand in a market I felt hadn’t been reached, to offer women luxury product at an accessible price point.

What has been the most significant breakthrough moment in your career?

Winning the Vogue Fashion Fund. It was incredible to receive that kind of recognition and it happened at such a great time for my company, and really helped us, and will continue to help us achieve our plans and goals for the future.

What have been the biggest challenges you’ve faced and lessons you’ve learned over the past five years?

The company has grown hugely over the last five years, I started with a team of 2 and now we have over 60 people! As the team has grown, it has meant we have had to build in new processes and adapt to a new way of working. Also, adapting to a new market and really understanding what our customer wants has been important. We have expanded the collection to offer different heel heights, sneakers, and flats, to ensure we are catering to our customer’s needs.

How would you like to see Sophia Webster continue to grow?

I’d like to continue growing my online business, my team and opening more stores. I keep an open mind as to what the future holds!

Can you share with us your all-time favourite design?

It’s so hard to pick just one! My Lilico collection with oversized 3D flower embellishments, as we have updated this in so many different ways. From pastel leathers, to crystals, to coloured vinyl, sequins and metallic.

Tell us about the iconic butterfly design. What was the inspiration behind it, and why do you think it turned out to be so popular?

I designed my Chiara shoe when I was studying at The Royal College of Art. I think they are popular as we live in a world where people love taking photos and posting on Instagram and this shoe has a really striking silhouette which lends itself to being photographed. They are very statement shoes and I think my customer appreciates and loves that about them.

Do you prefer designing shoes or bags?

I’d have to say shoes, I think they are incredibly powerful. They have a magic that other accessories don’t have, they change your posture and the way you hold yourself. They can elongate your legs and accentuate your best assets.

Do you have a particular muse in mind when you design?

My muse varies season to season. I have muses from all different walks of life, from characters in movies, to iconic musical influencers, to artists.

How should a pair of shoes make a woman feel?

Confident.

If you could spend a day in anyone’s shoes who would it be and why?

Probably my daughter Bibi’s shoes, I would love to get a glimpse into the way she sees the world!

Tell us about your recent Spring Summer 2018 collection?

This collection was really different to anything I have done before, it was very, ethereal and enchanted.

What was the inspiration behind it?

One of the main inspirations was the 1917 Cottingley fairy phenomenon, which was about two young girls that took pictures at the bottom of their garden of cardboard cut-outs fairies, creating a big hoax that they existed! They managed to fool the whole country, and I love that for a moment in time, people believed in fairies. Another big inspiration was Cicely Mary Barker Flower Fairies books, illustrating different flowers with their own fairy girls. I reimagine this in my LFW presentation positioning models in life-size Renaissance tableaux posed on tree branches surrounded by flowers.

Do you have a favourite piece from the collection?

The Fairytale Wedge. I love that miniature rose gold fairy nestled inside the wooden heel, it really tells the story of the collection.

How would you define your own personal style and is it reflected in your designs?

I dress quite casual day to day, with an embellished tee or jumper with a pair of jeans and sneakers. But I do like to dress up when I’m going somewhere special, with a printed dress or skirt and a pair of high heels! I still like to offer products that my customer wants and sometimes this is a pair of sneakers or flats that they can wear day to day, but what’s important is keeping your identity and your vision within these products.

If you could raid anyone’s wardrobe who would it be?

I would have to say Gwen Stefani. I’ve been a fan of hers since I was a teenager, and she has the most incredible, effortless style. When she wore my shoes a couple of times I had to pinch myself!

What is your most treasured item in your wardrobe and why?

I have an Acne leather jacket that I bought in New York a few years ago, which was such a good buy! A good leather jacket never dates.

You have designed many iconic and statement heels, what do you think are the must have pair for the festive season?

My SS18 capsule collection that offers a crystal adaptation of my Lilico story, which make the perfect party shoes for Winter!

What are your top tips for party dressing?

Be bold in your accessories. Glitter, crystal embellishments, luxe velvets, or satins are all perfect for the party season.

What will you be wearing for Christmas Day and New Year’s Eve?

I will probably be cooking the Christmas lunch for my family at home, so something comfortable! For New Years I have a new dress I have been wanting to wear. It’s a long silk full length dress with a pussy bow neck from Markus Lupfer, and I will definitely pair it with my black velvet Natalia platforms with chunky crystal ball heels.

What is on your Christmas gift wish list?

Firstly, a lie in! A Miu Miu crystal embellished Alice Band, a Mary Katrantzou x Disney x Colette’s Sequin sweater and matching ‘Scamp and Dude’ leopard print sweaters for myself and my little girl.

Can you share what makes Christmas a special time of year for you?

Anyone that knows me, know how much I love Christmas. I love decorating the Tree whilst watching festive films like ‘Elf’ and ‘Love Actually’. I make our whole house like Santa’s grotto. Christmas is even more fun now I’m a Mama, especially this year as it’s the first year Bibi really understands what’s going on!

Dior Homme To Launch BMX Bike During Dubai Sole DXB

Dior Homme at Sole DXB Sneakers BMX Bike

Alessio Bolzoni.

Dior Homme will launch a limited-edition BMX bike, in collaboration with French manufacturer Bogarde, during the Dubai streetwear festival Sole DXB on December 7.

While the bike itself reflects the shape of the cult model born in the early Nineties, the chromed finish of this exclusive design will also reflect the Dior Homme codes with touches of black and red, as well as the bee design engraved on the handles.

By Alessio Bolzoni.

The BMX bike will be pre-launched in Dubai together with an exclusive pair of B01 sneakers in black calfskin, red lining and lace with white rubber sole. This iconic footwear style was inspired by the original German design created by the Dassler brothers in 1936 and worn by American athlete Jesse Owens at the KK Olympic Games.

By Patrick Demarchelier.

Updated for the 21st century, this streamlined, athletic shoe is modernised with both aesthetic and structural innovations, from the lightly quilted tongue to a new Italian rubber composite ‘memory’ sole designed for lightness and comfort. Original details include the suede toe cap and a contrast heel panel, whilst cotton laces, the embossed Christian Dior bee, and a perforated stripe transform this shoe’s vintage appeal with a fresh, sportswear spirit.

Sole DXB takes place on the 8 and 9 December at Dubai Design District.

Remembering Azzedine Alaïa

From his Invention of the Supermodel to his pioneering take on craftsmanship, we explore the legacy of a true artist, Azzedine Alaïa.

Tunisian-born designer Azzedine Alaïa, a fashion iconoclast whose clingy styles helped define the 1980s, and who dressed famous women from Hollywood to the White House, died on November 18th at the age of 77. The Paris-based, pint-sized fashion powerhouse, who became both a dominating presence and industry rebel while carving his own path in the swaths of the French fashion world, left behind a legacy of body-hugging, sensual designs that somehow blended raw sexuality and female empowerment.

Born in Tunis in 1940 to wheat farmers, Alaïa was an early devotee to Vogue and worked his way into the local Institut Supérieur des Beaux Arts in Tunis to study sculpture. He noted that, ‘when I realised I couldn’t be an amazing sculptor, I changed direction,’ segueing into fashion. He began assisting a dress-maker, and having built up a private client base, he moved to Paris in 1957. He soon got a job at Christian Dior, in the midst of the Algerian war, but was dismissed for having incorrect immigration papers after five days.

From Dior he moved to Guy Laroche, where he spent two seasons, then to Thierry Mugler, with a series of high-society patrons allowing him to set up his own workshop at the same time. In 1979 he opened his own atelier, where Hollywood stars such as Greta Garbo and the Seventies jet-set, which included Marie-Hélène de Rothschild, came regularly for fittings, which was followed by his first ready-to-wear collection in 1980, in conjunction with a move to a studio in the Marais. Moulded in leather, it was as erotically charged as it was ground-breaking, with the designer shaping women’s bodies into the best versions possible, dismissing exterior embellishment for internal rigour, creating perfectly fitted dresses that celebrated the female form.

Few designers of Alaïa’s level still cut their own clothing patterns, sew samples, and conduct fittings, but the Tunisian designer never stopped using a needle and thread. He is a master of navigating fabric weights and the creation and execution of each piece is crucial. His output is limited, but well researched, considered and masterfully made. In an oversaturated industry where brands produce extensive collections, he was an intelligent anomaly, and yet without advertising or marketing, Alaïa’s collections have never ceased to appeal. For him, fashion was about meticulous construction, and as a true couturier, he knew all too well the importance of his team. In fact, Alaïa never took a post-show bow for this reason. ‘To get applause just for myself is too disrespectful to the many people helping me.’

Azzedine Alaïa was the first to reject the traditional show schedule, and has always beat to the sound of his own drum, abandoning the show schedule, and refusing to adhere to the industry’s expectations and passing trends. After a period of showing his collections months after the traditional fashion week schedule, Alaïa retired from the show calendar entirely in 1992. However, in July 2011 he returned with a surprise show, starring Naomi Campbell, which received rave reviews, and this was followed a number of years later for Fall 2017 Couture, again fronted by Campbell.

Fall 2017 Couture, Alaïa’s final catwalk show

Azzedine Alaïa was more than a dressmaker, and will be remembered most for his intimacy and the close-knit crew that he kept around him always. Here, we share the reactions from industry leaders and fellow designers as they pay tribute to the couturier.

François-Henri Pinault, Chairman and Chief Executive of Kering

‘It is with great sadness that I learned of the passing of Azzedine Alaïa. In the fashion world, he was a great, a major couturier. Everything was at the top with him, couture, art, the standards he aimed at, his dedication to his work, his mastering of techniques, and all the women he dressed. He was an artisan in the noble sense of the term, and a man fiercely attached to his freedom. He was a friend.’

Riccardo Tisci, Designer

‘One of my biggest inspirations! The one who never followed anybody in the fashion world but was followed by everybody! The special and loving friend! I will always love and respect you! And celebrate you the way you taught me… I will miss you.’

Jean Paul Gaultier, Designer

‘He was a great master. He brought together brilliantly technique, couture savoir faire, tradition, and modernity! All the curves of the most beautiful women in the world were enhanced and made sublime by Azzedine Alaïa.’

Cindy Crawford, Model

‘Besides being a creative genius, Alaïa was one of the sweetest people I have ever met. The way he dressed a woman’s body was such a revelation to me as a young model in Chicago because his designs embraced my curves.’

Stephanie Seymour, Model

‘Azzedine’s contribution to the fashion industry is immeasurably far reaching, but to put it simply, he understood both the soul and anatomy of women all over the world. I will be forever grateful for his presence in my life and the influence he had on my heart and in my career. Repose en paix mon Papa.’

Christopher Kane, Designer

‘Azzedine Alaïa was inspirational not just because of his talent in making the most amazing clothes that will forever be unrivalled, but because of his stance on how to do business. He made his own rule book and at the core of that was his dedication to perfection, there is not one living designer doing this. He is a legend.’

The Making Of Miu Miu’s Miu Lady Bag

During the Fall 2016 show Miu Miu introduced a brand new concept, the bejewelled belt buckle. Initially designed as bracelets and earrings for the collection, all these jewels were brought together to form an extravagant embellishment used to adorn new designs such as the belt buckle and then also applied to some timeless pieces.

A much-loved and timeless, Miu Miu bag was reinvented and re-named as the Miu Lady.

Crafted in fine madras leather and soft calfskin, the body of the Miu Lady bag is sophisticated and softly structured. Madras leather is recognisable from the uniqueness of its particular grain and robustness that is suitable for structured bags. Madras is not printed, but its natural grain is enhanced by placing it into a drum during tanning.

Taking approximately 5 hours to be made, the body of the bag is made from 6 pieces of leather, while the lining is made of extremely subtle suede leather for a luxurious finishing. All components are then manually stitched and assembled by artisans, and the hedges are then coated in order to prevent scratches.

The Miu Lady bag comes in a playfully iconoclastic palette of shades and a now wider range of fabrics and sizes. Its classic flap closure is always decorated with its signature buckle, made with three different pieces of brass and a special mix of metals, then coloured in light gold color, or polished steel colour.

Part Baroque, part Western styling, it is then hand-embellished with 184 different shaped precious crystals, gemstones, and pearls in equally vibrant hues. Now that’s what we call a gem of a purchase.

Selim Mouzannar: World of Heritage and Optimism

Born to a long-line family of jewellers that goes back to the Ottoman Empire era, Selim Mouzannar spent most of his childhood in his father’s jewellery atelier and shop in Beirut city. Following his family’s heritage, he studied Gemology in France and Belgium, and was employed by various jewellery companies before taking this precious experience back to his dear home country to setup and expand his eponymous brand locally and internationally. A lover of sea, stars, and music, Mouzannar’s emotions and passion for life are translated into his various collections.

The jeweller believes in the power of synergy and therefore has collaborated with many creators. From his early influences in the field, to the ideal Selim Mouzannar woman, and to the soul of Beirut in his designs, here the Lebanese jeweller shares his views, inspirations and much more.

Tell us a little about yourself and the experiences that influenced you to become a jewellery designer?

Growing up in Beirut city, I used to roam the incense scented halls of the souk, where there were hundreds of jewellery workshops, with my father and grandfather amongst them. I spent most of my afternoons helping my father, and used to walk by all the displays jammed with jewels crafted in the Falamenk Ottoman style (our region was heavily influenced by the Ottoman Empire), it is something I can never forget; and despite my very young age I was familiar with all the different jewellery craftsmanship techniques.

When I was 17, during the Lebanese civil war I had to travel to pursue my education further. My first stop brought me to Paris where I studied mineralogy. After taking on an internship in the Belgium diamond market in Antwerp, I joined an international jewellery company in Saudi Arabia; where I was testing stones, and managing the workshop. Then I went to Thailand on a stone seeking adventure in a ruby mine, which was a highly enriching experience.

Finally, in 1992, I decided to go back to Beirut to build my own eponymous fine jewellery brand.

You come from a long line of jewellers; did you always know that you wanted to be part of the jewellery industry?

I have always been interested in journalism, and growing up I tried to resist my professional heritage; but after a while the energy of the industry called out to me. Yes, I was torn between transforming my heritage to make a new start, and following it as it was set out to be; but finally, I chose to respect the rules and decided to pursue jewellery, however I made sure to do it my own way!

Who is the ideal Selim Mouzannar woman? Do you imagine that woman before designing?

Women are different and each one wears my jewellery in their own personal way. For me, a jewellery piece is something that embraces three principles: the designer who created the piece, the woman who wears it and the person who is touched by seeing it on this particular woman. I always try to focus on these elements to ensure the message behind the design before it comes to life. Making jewellery is a way to communicate happiness and peaceful feelings, and all women deserve to have that.

You work with both diamonds and coloured gemstones; what are your favourite stones to work with?

My favourite stone is ‘nature’, and each gemstone is a love story. I am always amazed by the stories they carry, and I can spend hours looking into each and every stone. What keeps me dreaming and creating are nature’s vibrant colours and shapes.

What is your take on the changing perception of coloured gemstones versus plain diamonds?

I can’t see the world in black and white only; there are plenty vivid colours in between. Mixing them all is my therapy. I love the rose cut, it is shaped with less facets than the modern cut, which are more poetic and reflect soft light without competing with feminine beauty.

Tell us how important Beirut’s vibrant history is for your designs?

I breathe the soul of Beirut; its energy of freedom, of rebels, of violence and love runs through my blood. Its traditional houses and architecture is a part of my heritage and it’s only natural that it influences my designs. Sticking with tradition is a question of elegance, but also human strength. We all carry our own history, and it’s an honour to carry mine.

When are you at your best when it comes to designing?

Definitely when I am around stones; their colours and shapes drive me to design, and in return makes my heart grow bigger each time.

Tell us a little bit more about your latest collection. What’s your current favourite piece?

My latest collection ‘Mina’ is inspired by the three times millenary technique: enamel. It was born on the shores of the Mediterranean as indicated by traces found in some ancient vestiges, and it is still difficult to master. I think it gives a very special pattern around stones, and a twist of art deco design. My favourite piece in this collection so far is the Mina necklace, made with exceptional cabochon emeralds from the renowned Muzo mine in Columbia. The deep emerald green colour perfectly complements the black enamel surrounding it.

In your opinion, how important is it to maintain high-quality practices in an industry that is always demanding more?

Perfection is hidden in details! Our workshop uses traditional techniques combined with modern tools. I work in perpetual motion, always testing new ways to improve jewellery quality and creativity.

How would you like the world to remember you?

As someone who creates jewellery that brings happiness, carries peace, and creates memories.

Name one artist or someone you admire that you dream of collaborating with one day.

Each designer has his or her own personality and talent. I always learn from others; this is my way of keeping an open-mind. Relationships with other designers have always been a great reward for me. Two years ago, I opened MACLE, a multi-brand jewellery store across the street from my own store here in Beirut; and this is a way to show the link between jewellery designers that come from all over the world. It seems that even if we have different cultures, we all share the same spirit towards creation, craftsmanship, heritage, and poetry.

Can you share with us an unforgettable piece of advice that you received from your father?

To always be optimistic!

What is a message that you would like to end the year of 2017 with?

Life is plenty of opportunities and optimism is a moral duty.

By Dana Mortada

A&E Interviews: Rouba.G

Fascinated by art, forms, and textiles ever since a young age, Rouba.G followed her interest and graduated from Condé Nast College of Fashion and Design in England, holding then a Vogue Fashion Certificate. Audacious and offbeat, the designer formally introduced her brand to the world in 2015.

Constantly pushing the boundaries with her singular style, Rouba.G conveys a message in every one of her collections, and transforms ordinary concrete objects and ideas into magnificent ethereal garments. She is all for womanhood and femininity, which are translated in her signature designs. The mix of avant-garde with conceptual design makes her clothing extremely covetable and wearable.

We sat down with the young designer, as she chats about her Lebanese roots influences, the addition of the London street style to her inspiration, and her views on social media and femininity.

Tell us more about the Rouba.G brand. What sparked your interest in fashion?

Since a young age, I’ve always been fascinated with different forms of art, and I started expressing myself through drawing and painting, which led me to explore further techniques and experiments on different types of materials and textiles.

The natural evolution of my motivation went through studying Graphic and Fashion design, finalised by following the latest fashion program with Condé Nast College of Fashion and Design.

The mission behind Rouba.G fashion house is to project a woman’s sense of individuality and oneness. I try to do that by offering various collections based on unique structure and design concepts.

What were the main challenges you faced in the process of building the Rouba.G brand?

Besides the financial challenges any new designer would face, my primary concern was to find the proper approach in introducing my style to the industry, taking into consideration that innovative art might find difficulties to break through the mind of the consumer. On the contrary, my objective is to address their hearts and move their emotion.

How do influences from Lebanon find their way into your work?

The great Lebanese expertise in pattern making and embroidery has provided me with a large scope for testing complex design experiments that wouldn’t have been easy to produce elsewhere. I can also find deeper influence throughout the discussions with the experienced tailors at my atelier.

Walk us through the creative process of your collections.

The creative process is a reflection of my lifestyle, for example a new collection would be born with a moment of inspiration that could define the initial theme (this could start while reading a book, attending an exhibition, watching a documentary, etc…). The second stage would be the research phase where I start exploring major variables of the collection such as colours, patterns, structures; in parallel I would be working with these elements as the founding components to create my own fabrics. The last two phases of the collection would be the structural design simulation through dedicated drawings and sketches, followed of course by creating the prototypes.

What was the inspiration behind your latest SS18 collection?

The SS18 collection is built around ESCAPISM as a concept. It is meant to be an invitation to discover a place where routines are forgotten, a place where playful patterns shimmer with intricate detail – a place where imagination is the only ruler. Through this collection, I want modern women to ‘escape’ to a romantic place where daydreams find refuge.

What’s your take on social media? Do you use different social networks to promote your designs?

We are available on most significant social media platforms; however, we do not engage in advertisements on such tools because we want to stick to our organic followers, specifically the ones who highly identify with our brand.

Which designers inspire you and why? Is there anybody you would like to collaborate with one day?

I appreciate the work of many designers that have a clear identity such as Saint Laurent. Of course, I am open to co-brand initiatives or design collaborations, and I am actually working on a capsule collection with a European entity to be disclosed next season.

What does femininity mean to you?

My view of femininity is actually translated through the core values that are adopted in my brand. I strongly believe in womanhood, independence, and mutual respect.

What is the biggest lesson that you have learned since you launched your own brand?

We live in an extremely fast pace world, and fashion is getting faster than what it used to be. It’s rather a challenge than a lesson, to counter the seasonal fashion variations by offering timeless pieces.

What are you fascinated by at the moment?

Everything beautiful is fascinating; I try to surround myself by moments of admiration like music and theatre, as well as meditation in nature.

Who is the woman that wears Rouba.G clothes?

Proactive and daring, a woman who feels the need to express herself differently.

What is the main philosophy behind Rouba.G?

Rouba.G is a designer brand that aims to develop new art forms in a modern world.

What advice would you like to share with young designers that want to follow in your footsteps?

Since I am still at the early stages, I am only able to advise fellow designers to work on a unique concept and to be as consistent as possible when it comes to defining their style aesthetics.

What’s on your bucket list for the year 2018?

We have previously showcased in New York, Paris, and Sydney; but for the upcoming season we are looking forward to our fashion show debut, and hoping to meet with my Middle Eastern audience.

By Dana Mortada

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A&E Interviews: Charlotte Tilbury

Read our interview with Charlotte Tilbury on how she used fashion, friends, and foundation to create a beauty empire.

British make-up artist, Charlotte Tilbury, is a force to be reckoned with. With over 25 years at the forefront of the makeup industry working with the world’s A-list models, celebrities and designers, Charlotte has poured her best-kept secrets into an edited but ‘all you need’ skincare and make-up collection. Her eponymous range has broken all records, inspiring passion and devotion in equal measure, transforming the face of the beauty industry, and how women buy and wear make-up.

Believing that beauty is not an exclusive club, and make-up is every woman’s secret power, Tilbury got to where she is through graft, with sheer determination and some genius products, sometimes even tried-and-tested on Kate Moss, going from makeup artist to the owner of a globally stocked beauty brand in the time it takes most start-ups to establish themselves in a single market.

Her mission is to share this power using digital platforms and award-winning products, to show every woman how easy it is to look and feel like the most beautiful versions of themselves every single day. So, as she launches her award-winning make-up revolution in the Middle East, starting with opening her largest store in the world, we talk to the auburn-haired beauty about how it all started, and the magic behind her cult products.

How did you start out as a make-up artist in the fashion industry?

My ambition and journey as a make-up artist started back when I was growing up in Ibiza, it is such a magical, bohemian place. I was constantly surrounded by a melting pot of creatives and visionaries who sparked my own creativity and I was therefore always walking a path towards make-up artistry. My talented father, Lance, as a painter in Ibiza, gave me an amazing root in colours, tonality, and contrasts.

I discovered make-up and became fascinated by its power when I was 13, it changed my life. I started wearing mascara and overnight, everyone from 7–70 reacted to me in a very different way, making me instantly more empowered, magnetic, and mesmerising, I felt enriched with confidence. I always knew I wanted to create my own brand, and started dreaming it up at school as a young girl. I would always give my friends makeovers, advise them on what clothes to wear, the colours that suited their hair colour, and eye colour, helping them make themselves the most beautiful versions of themselves.

I then trained at the Glauca Rossi Make-up School and then assisted my mentor, Mary Greenwell, who was a family friend from Ibiza. I started out in the early 90s, the era of ultimate glamour and excess. I have such incredible memories of being towered over by these Amazonian models, looking fabulous and incredible. They understood the power of make-up to completely enhance their assets and morph into character. My first few years in the industry was during the iconic Supermodel era with Naomi Campbell, Christy Turlington, Linda Evangelista, and Cindy Crawford, it was an incredible time to start out! Then throughout my 26 years as a make-up artist I pioneered creative product development for many high-end brands, from Helena Rubenstein, Mac, Armani, Chanel, and MyFace, which led me to finally create my own limitless makeup revolution!

If we looked in your make-up bag right now what would we find?

Magic Cream

My miracle-working Magic Cream is my everyday go-to, I couldn’t be without it. I use it to prep my skin, it contains Hyaluronic Acid, Bionymph Peptides and SPF 15, so it floods the skin with moisture and protects the complexion all day.

Magic Facial Dry Sheet Mask

For the best complexion, next would be my Instant Magic Facial Dry Sheet Mask. I call it the mask of the future, it is literally bursting with genius ingredients including vitamin B3, crocus bulb extract, peptides, oils, and butters, which penetrate deep into the skin using a unique bio-mimetic vector delivery system, feeding the complexion where it needs it most, giving you a brighter, hydrated and youthful finish.

Magic Foundation

My Magic Foundation is the perfect demi-matte makeup that literally gives you flawless, HD camera-ready skin in seconds. The demi-matte finish is important as it minimises shine in the right places, mattifying the T-zone and giving your cheeks a healthy, youth-boosted glow. 5 years in the making, its revolutionary ingredients are what make it so genius! It has Mushroom Extract that tightens pores, super-charged Vitamin C to reduce sebum production and brighten skin, as well as Hyaluronic Filling Spheres that plump out fine lines.

Contour and Beauty Light Wands

My new cinematic Contour Wands and Beauty Light Wand are the perfect duo for making you look and feel like you’ve just stepped out of a Hollywood screen. That beautiful glowing spotlight following you wherever you go… The Contour Wands (available in light and dark) decode those sculpting techniques, making it super simple to carve out mega-watt cheekbones, narrow foreheads, refine noses and sculpt chins! And my Beauty Light Wand bottles the magic light effects of the Red Carpet for the most flawless, hyper real cinema skin. The formula, with rose gold pigments, treated pearls and light-reflecting particles.

Wonderglow

This is the secret product to that healthy, happy glow. I call it my Gisele-in-a-jar! It has this incredible, revolutionary technology called Fluorescent Core that redirects the natural light to more flattering angles of your face. It soft focuses pores and lines to give a dewy, youthful radiance and makes everyone’s skin look lit-from-within.

Airbrush Flawless Finish

As a make-up artist, I’ve always been wary of talc-heavy powders that create a ‘cakey-skin’ finish that makes women look old before their time. I have created not a powder, but a micro-powder that is like the most finely-milled, highest thread-count cashmere. Airbrush Flawless Finish doesn’t sit in lines but optically blurs them away, whilst giving the skin an ultra-luxe luminosity for a high definition result.

Legendary Brows

Brows are the pillars of the face, they define your beauty, and are actually the key to facial identity as they are what makes us recognisable. My revolutionary new Sculpt & Shade Gel, Legendary Brows, glides on like a dream and has a first of its kind Micro-Fine Precision Brush that coats, shades and grooms every single hair, ‘growing’ them for flawlessly defined brows in an instant.

Luxury Palette

I always wear the Dolce Vita eye using my Luxury Palette. I love the decadent molten bronze-y golds and rich chocolate shades they really make my green eyes pop and give me that gorgeous come-hither gaze!

Can you tell us about your store openings in the Middle East?

My first two stores opened in October at The Avenues Mall in Kuwait, followed by Doha Festival City in Qatar, and Dubai Mall will be opening in 2018.

With my Middle East Beauty Wonderland’s, I have created interactive, magic stores where daughters, sisters, mothers, grandmothers, and friends will all love to shop. There is something here for everyone, it’s make-up made easy, but also fun and engaging. My stores are all about making make-up easy-to-use, easy-to-choose, and easy-to-shop in a luxurious theatrical, sensory environment.

My Beauty Wonderlands feel like you are literally stepping in to my world, from the winding red carpets of Hollywood, to the backstage buzz of fashion week and my 25-years of experience as a make-up artist which I have poured in to my easy-to-use, easy-to-choose makeup range. There is my Magic Mirror that morphs my famous ‘10 Looks Wardrobe’ in seconds, as well as the incredible Beauty Boudoir where you can have the red-carpet makeup transformation of a lifetime for every special event, from weddings to family celebrations, we have it all. I call it a beauty playground for every woman from 18-80! A world that’s designed to make you dream, and make your beauty dreams come true.

Why did you choose the region for your first ever stand-alone Beauty Wonderland outside of the UK?

My beauty brand is growing every single day, having won over 100 awards in just 4 years, and I can’t think of a better way to continue this amazing journey than to expand into the Middle East. I am so excited to launch my brand in region, the mesmerising women there are demanding it, and I’m so pleased to be able to share my award-winning, best-selling makeup collection with everyone from 18-80. Many of my amazing customers from the Middle East have already discovered my Beauty Wonderlands in Covent Garden and Westfield, London, and now they can have the same immersive experience at home.

How do you feel the Middle Eastern woman’s make-up needs differ from other regions?

Middle Eastern women understand the power of makeup more than anyone else. They also share my passion for the best. The women here are just so passionate about makeup. They really embrace beauty and are always wanting to re-create the latest beauty trends, from mesmerising smokey eyes to fabulous bold colours on the lips. I met so many beautiful women whilst visiting Dubai and Kuwait this year and each of them have incredible makeup skills, their looks were just so fabulous!

What’s your idea of the perfect party make-up?

My Instant Eye Palette is perfect for Party looks and so easy to use. It is an all-in-one for all seasons and all occasions, the most glamorous, gorgeous gold suitcase containing an entire eye makeup wardrobe. Inspired by the shoots, covers and red carpet looks that I have done over my career, I have poured all of my ‘smoky eye til’ I die’ legacy into this four easy classic looks-in-one. From the no make-up make-up bambi eye, to the peachy eye I created for covers with Mario, to the soft smoky eye that I created for the Victoria secret’s shows, to the ultimate, glamour party eye that I created for Versace, these four looks look amazing on everyone. I control-pressed the powders to different pressure levels, so you can only pick up exactly the right amount on your brush as you go into the palette for each look, meaning the day look will always look fresh, and the disco look sultry and dramatic. It is literally like having me in your palette!

What look will you go for on Christmas Day and New Year’s Eve?

My go-to party look has to start with youthful, glowing and radiant skin. I start with my amazing glow primer, Wonderglow, that soft focuses pores and lines to give the ultimate lit-from-within base. For all the holiday parties, I love my Magic Foundation, it is the perfect demi-matte makeup that literally gives you flawless, HD camera-ready skin in seconds. This finish is important as it minimises shine in the right places, mattifying the T-zone and giving your cheeks a healthy, youth-boosted glow. I then always wear a Dolce Vita eye, the decadent molten bronze and copper-gold shades really make my green eyes pop. My luxury palettes take all the hard work out of applying a party perfect smoky eye. I suggest using the Prime shade for a wash of colour up to the brows, then follow with the Enhance shade on the lids. Using a blender brush, work it back and forth like a windscreen wiper. Focus the Smoke shade along the lower and upper lash lines and on the outer V corner of the eye and blend, blend, blend. For added night-time drama, add a touch of the Pop shade on the middle of the lid. I finish the look with lashings and lashings of my Full Fat Mascara that gives me full volume lashes to flutter!

For New Year’s Eve as its party season I switch out my usual nude lip for a glamorous, iconic red. A bold red lip adds instant glamour, and looks divine with dewy, glowing skin and hypnotic eyes. My fabulous Red Carpet Red lipstick is a creamy blue-toned red which brightens your smile, lifts your complexion, and makes eyes sparkle, and best of all it suits everyone.

What makes the festive season special to you?

The festive season is all about spreading love and happiness to those closest to you. The best part of the holidays is spending time with my husband George, my sons Flynn and Valentine and the rest of my family and close friends.

A&E EXCLUSIVE: Dolce & Gabbana Hearts UAE

CELEBRATION ACROSS THE SEVEN EMIRATES

Channelling the romance and glamour of Dolce & Gabbana’s decadently detailed eveningwear, we travelled the seven Emirates celebrating the UAE, capturing the essence and individuality of each one. Join us on a journey of style and culture with the full shoot below.

DUBAI

Black dress in cady and lace, Crown in metal gold with stones, Mules in lace with jewel broche. All Dolce & Gabbana.

ABU DHABI

Dress in cady with embellishments, Earrings in gold with amethysts, peridot stones, aquamarines and morganite stones. All Dolce & Gabbana.

SHARJAH

Pink lace dress, Mules in lace with jewel broche, Ring in gold and quartz, Headband with embroideries and DG logo band. All Dolce & Gabbana.

RAS AL KHAIMAH

Dress in rose printed silk chiffon, Ring in gold and quartz, Mules in lace with jewel broche. All Dolce & Gabbana.

FUJAIRAH

Lace dress with jewel buttons and sequins logo belt, Mules in lace with jewel broche, Ring in gold and quartz. All Dolce & Gabbana.

AJMAN

Rose printed dress in tulle, Earrings and necklace in gold with amethysts, peridot stones, aquamarines and morganite stones. All Dolce & Gabbana.

UMM AL QUWAIN

Black belted satin dress, Embroidered headband with DG logo, Necklace in gold with amethysts, peridot stones, morganite stones, south sea pearls, aquamarines, quartz and rhodolite stones, Mules in lace with jewel broche. All Dolce & Gabbana.

Hatta

Dress in tulle with precious embroideries. All Dolce & Gabbana

The Eveningwear collection is available at the Dolce & Gabbana boutiques across the region and the Fine Jewellery collection is available at Mall of the Emirates and The Galleria in Abu Dhabi.

Concept Creation: Lara Mansour Sawaya
Fashion Director: Eliza Scarborough
Styling Coordination: Dana Mortada
Photographer: Carla Guler
Hair & Make-up: Scarlett Burton
Model: Andjela at Wilhelmina

Go on a journey with our exclusive video for Dolce and Gabbana below:

A&E Guide To: Louis Vuitton Masters

Earlier this year, Louis Vuitton presented a collaboration with Jeff Koons that saw a selection of its most beloved handbag styles printed with some of art’s most iconic images. Following its resounding success and cult covetability, Masters 2 has been launched with 6 additional artists, Paul Gauguin, Edouard Manet, J.M.W.Turner, Claude Monet, Francois Boucher and Nicolas Poussin.

This second chapter of the collaboration with one of the world’s most influential living artists, Jeff Koons has situated this second series in the Masters collection within the heritage of Louis Vuitton, using the power of art to connect the present with a shared cultural history.

The Speedy, Neverfull and Keepall bags become canvases on which works by Masters are transposed, including Nymphaeus by Claude Monet, Ancient Rome: Agrippina with the Ashes of Germanicus by Joseph William Turner, Reclining Girl by François Boucher, Te Nave Nave Fenua (Delightful Land) by Paul Gauguin and Luncheon on the Grass by Edouard Manet.

In addition, The Triumph of Pan by Nicolas Poussin will be available exclusively at the new Maison Louis Vuitton Vendôme flagship.

The Art Of Bespoke Tailoring With Amer Ejjeh

It’s easy to celebrate the menswear creations of Saville Row, or the bright plumage of the Pitti peacocks, but here we are taking a moment to focus on the sartorial things of beauty that are crafted in Lebanon, shining a spotlight on family run tailors Ejjeh 1926.

Currently taking the reins is grandson of the founder Amer Ejjeh, who with a dose of determination and risk-taking, has propelled his career into a 91-year-old fashion house for men, taking his family run business to the next level.

After studying management at LAU, Amer began a Master’s degree and then spent 6 months training at Vitale Barberis Canonico, the oldest wool factory in the world. Remaining true to his heritage, Amer returned to the land of cedars with the determination to take over the family store founded in 1926 in downtown Beirut. From 2001 to 2005, the Ejjeh House, based in Saeb Salam Avenue, made its comeback in the heart of the capital, however after the assassination of Prime Minister Rafic Hariri, the building was barricaded with security guards and barbed wires.

Although, despite what can be described as a tumultuous past, Amer has continued to take this family run business to the next level, and here we speak to him about how he achieved it.

Can you tell us about your journey into fashion?

Being born into a family that has been working in the fashion industry for almost 100 years, my journey into fashion started at a very early age. I can recall a first important step at 12 years old, when I started travelling with my father to suppliers and manufacturers, attending international textile and clothing exhibitions. Every year it used to get better, whether related to fashion or textiles, and I also used to help my father during weekends and afternoons after school.

Can you share with us your first fashion memory?

The experience I had in Italy during my training program. I remember well the moment that changed my definition of textiles, when I assisted in the production of suiting fabrics. Witnessing the amazing process of fabric production, from spinning to weaving to dying, it was all so inspiring!

Did you always know that you would be taking the reins in your family business?

It was a passion that grew with me. Fashion was part of my whole life, from my childhood when I used to see my dad interacting in the textile field, following the trends, ordering new material, together with visiting and receiving our suppliers.

Tell us about the pressures on your shoulders in continuing your family’s legacy?

Being fortunate enough to be part of the third generation of our family business, I consider this pressure as a motivational tool that is challenging me every day to move forward, and to expand the business, thriving to make it reach wider horizons, new markets, more distinctive clientele, and loyal brand ambassadors.

Do you hope to be able to carry on the tradition and continue with the business being passed on through further generations?

In order to be able to pass it on with the same passion that I’ve received, I am constantly sharing my passion with my daughter who has this fierce curiosity to always know more about my business. She is always asking the right questions and her interest seems to be the utmost trigger for this curiosity, and I hope that she will one day interact more closely with the daily tasks and dynamics of the business. She told me lately that she would love to design jewellery in order to complete and add to my collection of clothing, and add a more feminine touch to our store.

How do you ensure the brand keeps its Lebanese roots?

The most important part for me is that the manufacturing and tailoring is always handmade in Lebanon. The team are all Lebanese craftsmen, showing their devotion in the end result of every product. Together with this, my main office and headquarters will always remain in Beirut, no matter the expansion.

You have been faced with many challenges following conflict in Lebanon, how much has this effected the business?

We started in 1926, and have been through several Lebanese wars, and during this time we have lost many real estate locations we had, boutiques and even stocks that were burned or stolen, which limited us demographically. We used to export textiles to Syria, which is also closed today, so it has been quite challenging to find other markets to replace this part of our turnover. Nevertheless, war was never a reason for us to stop, it was a challenge for us to be stronger and fiercer. We compete today in the global market against other companies who were never under the circumstances of a war.

Do you always want to keep Lebanon as the headquarters for the brand, despite these challenges?

Beirut is my favourite city, so no matter what it will remain my base. It has this authentic sense that you don’t feel in any other city in the world, and I do have gratitude for this place. Beirut remains a great inspiration for my work, the food, the mountains, the beach, the weather, the people, the culture, the hospitality, and most importantly its vibe! The amazing fact about the Lebanese is how resilient they are, always thriving for better, impressing the world with their creativity, art, and talents.

Tell us about your brand identity?

We are specialised in handcrafting suits for traditional, classical men with an elegant look, using a high-end quality of raw materials, from buttons, threads, lining, and interlining. Our signature is a high quality that defines our identity. We pride ourselves on a standard of excellence which is made in Lebanon and tailored for the contemporary classical and elegant gentleman, always using exclusive high-end luxury fabrics. Our masterpieces compare to the unique master of tailoring, the Italian Caraceni.

What is key to the growth of the brand?

Always being up to date with the latest fabrics, designs, and colours, together with launching trendy designs alongside the latest Italian trends for a classical look. We tackle different age groups, and when it comes to young men seeking dapper looks, we tend to introduce new items like the pins and new colours, as well as advising about how to mix and match the items. What is key to us is maintaining a consistent quality of the end result, a satisfied customer and a very good after sales service.

Do you predict that it will grow to be a worldwide name?

We are very well known in the Arab region and we are soon expanding into Russia and the Far East. However, we also have many clients in several areas who are sometimes disappointed about being far away from us requesting proximity, which is more reason for expansion.

What is key to the perfect suit?

Simply a perfect fit, together with the right fabric quality and right accessories that would fit with it.

What suits should every man own?

A tuxedo for formal black-tie events, plain navy for a classical chic look, and also a more fashionable suit with a pattern or playful coloured lining for every day.

You produce both bespoke and ready-to-wear suiting, which do you prefer designing?

The bespoke for sure, as I am hand crafting it for one person, and I have the opportunity to specify certain details such as colour, cut, body form, and design, whereas the ready-to-wear is more general, targeting many clients, hence being safe with the design. The aim of such a collection is more for a standard taste that can attract many at the same time.

Can you share with us the process that goes into creating a bespoke suit?

First, the client goes through a sort of an interview to enable me to understand and get closer to his needs, his taste, and his requests. Then we take the clients measurements, we craft a pattern from the measurements taken, and we stitch a prototype for the clients first fitting. After we do a first fitting with the first alterations, we then amend the mould and cut the fabric of the suit that the client selected. Afterwards, we will have the second fitting, before finally completing the stitching, making sure that the result goes in parallel with the client’s request.

What set’s your suits apart from others in the market?

For the ready to wear, they are priced competitively, and the cut is made as per the Lebanese male anatomy, more than the international standards. As for bespoke, there is no existing competition in the region, as there is no tailoring house that can get close to what we do, or that has in stock the variety and choice of the exclusive fabrics we have.

What are the ultimate accessories needed to accompany the perfect suit?

A silk handmade tie, and a refined 100 percent cotton tailored shirt. If someone would like to be distinctive, we can add a silk pocket square, a very trendy lapel pin, or a silk scarf ‘ascot’ around the neck that can replace the tie for a casual look. Our products cover all the needed accessories for the perfect look, including handmade leather belts, sunglasses, shirts, jumpers, socks, cashmere items, bracelets, leather goods, writing instruments, and silk braces.

Tell us about your own personal style?

Elegant, yet daring. I choose earthy colours, dressing to express and show the refinement of the fabric, the details of the stitching, and quality of tailoring.

How many suits do you have hanging in your own wardrobe?

Countless, I wear suits every day. I have several designs and cuts for different occasions. I love to mix and match, and accessorising my look is essential to me.

What is the next step for Ejjeh 1926?

Retail and selective distribution expansion.

Where do you see the future for the brand?

Surely we will remain a 100% owned family business, regardless of investors trying to acquire shares in our business. We believe in the authenticity in the structures of family businesses, and mine and my sister’s presence in the boutique remains extremely important to our clients. On an international level, our aim is to move forward with a selective distribution that will reside only in the main cities around the world, with partners that focus on the same principals of selective distribution and client loyalty.

By Eliza Scarborough

A&E Interviews: Christian Courtin-Clarins

clarins Double Serum Christian Courtin-Clarins

Christian Courtin-Clarins, President Of The Clarins Group Supervisory Board, Introduces The Iconic Serum.

Clarins Double Serum is by no means a new product, in fact it has been around since 1985, however an updated and improved edition of this serum has been released, which is packed with even more anti-ageing and beneficial ingredients.

2 serums in 1, has always been Double Serum’s unequalled claim since it was first formulated. It’s a feat that was made possible thanks to a pioneering double formula inspired by biomimicry. It combines the best water-soluble and oil-soluble ingredients which target signs of ageing and help stimulate the skin’s five vital functions.

Here, Christian Courtin-Clarins, a business school graduate and oldest son of the founder, who joined the family brand in 1974 to expand it internationally, introduces the wonder product to us. Passionate and responsive, he shares the philosophy of the heritage brand, together with his greatest achievements and wishes for the future of Clarins.

Can you share with us your latest news at Clarins?

The most iconic Clarins product, the Double Serum. This new generation is due to the medicine university research on cells communication. It’s a breakthrough in dermatological knowledge and Clarins is a pioneer on the subject.

What is the main message from Clarins this year?

Do more, do better, enjoy doing so.

clarins Double Serum

In your opinion, which ingredient is the most important in skincare?

The most important in skincare is mainly the quality of the ingredients; a formulation is then a combination of highly qualitative ingredients.

Has the philosophy of Clarins changed over the years?

On the contrary, we do reinforce our philosophy to be involved in sustainable development as we consider that we should take care of the future of our children by manufacturing the most environmentally friendly products.

How has the beauty industry evolved since you joined the market?

The beauty industry has totally evolved, the products get better and better, and distribution is totally changing.

How do you maintain your passion and enthusiasm for the industry?

Nature has an inexhaustible source of discoveries and medical research on skin is giving us more and more solutions to postpone the ageing process. A radiant skin comes with an enthusiastic research.

After all this time at Clarins, do you imagine yourself joining or being part of another brand?

Absolutely impossible, my blood is Clarins.

In your current position, what challenges do you face every day?

To remain curious and welcome any new ideas.

What’s a major life lesson you learned from your father?

Listening to women and showing consideration.

How do you want the industry to remember you?

As an open-minded man who embraced sustainable development from the beginning.

What do you hope to achieve that you have not done yet?

To be the leading skincare brand in the world.

What is your biggest fear?

In a word, pollution.

clarins Double Serum

Can you share with us memorable moments for Clarins across its history?

I’m very proud of the FEED project Clarins is associated with. When you open a school for children, when you bring them food, when you have been able to give 20 million meals all over the world, then I guess it’s something you can be proud of.

What is the best career advice you have ever received?

Stay true to your convictions, and avoid market research.

Name one surprising thing that no one knows about you.

That is impossible to answer, I’m a very secretive person when it comes to my personal life.

A&E Autumn/Winter 2017 Style Guide

A new season brings a plethora of exciting new trends to add to your collection, but it is all about how to wear and integrate them into your wardrobe.

Here, we share our styling tips and tricks to note for the upcoming new season, together with the most lust-worthy must-haves. It’s time to elevate your Autumn/Winter 2017 wardrobe with our style guide.

Closer Look At Fendi Exotic Leather Bags

FENDI Exotics Croco Steel Mini Peekaboo bag

Since 1925, Fendi has expressed the sublimation of its extreme luxury and savoir-faire with a range of exotic bags, celebrating the Maison’s most iconic bags such as the Peekaboo.

The highest workmanships together with the most precious exotic leathers give life to unique creations, thanks also to the superb expertise of the Fendi artisans, trained and specialised in the creation of one-of-a-kind artisanal pieces, sublimely handcrafted in every detail.

FENDI Exotics Croco Mini Peekaboo and Python Peekaboo bags

Here Is What You Need To Know About Prada Made To Order Shoes

Prada presents a new range of options for the Made to Order Pumps collection, a project dedicated to the most loyal and demanding clients, with the aim of creating a unique, custom-made shoe.

Eighteen models of pumps and sandals with or without platforms and with eight different heel heights are available in a wide range of materials and shades, and now the range of iconic Prada prints has been expanded, with the Flower and Kiss patterns, as well as Love, on a patent leather base. A special style in two different heel heights is also available with six different hues of bejewelled buckle, and can be ordered in suede, satin, velvet, and patent leather.

After choosing the model, material and colour, customers can select the colour of the sole and add their initials on it, and for the first time, new charms and numbers too, in an amber or steel shade.

The customisation continues beyond the product. The packaging for the shoes will match the style chosen, so either the classic blue box embellished with an elastic band and metal plaque or one of the Prada prints.

Now that’s a chic way to avoid showing up to an event in the same pair of shoes as someone else.

Jaguar XE SV Project 8 Comes To Dubai International Motor Show

Project 8 is the most powerful Jaguar road car ever, powered by a 600PS 5.0L Supercharged V8 engine. With a top speed of 322kph and 0-100 kph in 3.7sec, it is a supercar performance from Jaguar’s most compact four-door sedan, and will be brought to Middle East automotive enthusiasts during the 2017 Dubai International Motor Show. The motor show is set to take place at the Dubai World Trade Centre from 14 – 18 November 2017.

“Project 8 is the most extreme performance Jaguar ever and the second Collector’s Edition vehicle from SV”, said Bruce Robertson, Managing Director, Jaguar Land Rover MENA. “Bringing the Jaguar XE SV Project 8 to the Middle East and for its debut at the Dubai International Motor Show was an easy decision. The event brings together the most passionate automotive enthusiasts from around the region and we’re excited to share our latest passion project with them.”

Project 8 exclusively features the most highly tuned version of Jaguar Land Rover’s 5.0-litre Supercharged V8 petrol powertrain. The 600PS power unit, which has a Titanium Variable Active Exhaust, is complemented by Jaguar’s All-Wheel Drive system and motorsport-derived aerodynamics to deliver a 322kph top speed and 0-100kph in 3.7sec, making Project 8 the fastest accelerating Jaguar yet.

Fundamental to the performance of the most track-focused car SVO has ever produced, Project 8 features a number of purposeful modifications to the award-winning XE’s lightweight aluminium body panels, including, Carbon Fibre Bumper with enhanced Cooling Ducts, vented Carbon Fibre Bonnet, flared bodywork covering 20-inch forged aluminium alloy wheels, adjustable Front Splitter, Flat Underbody, rear Carbon Fibre Bumper, rear Diffuser and adjustable Rear Aerodynamic Wing. Project 8 will be the lightest V8 sedan in the Jaguar range.

To ensure optimum performance on road or track, Project 8 endows the XE’s double-wishbone front and Integral Link rear suspension with stiffer springs and manually adjustable Continuously Variable Dampers, giving a 15mm lower ride height for track use, debuts a new Carbon Ceramic Braking system, an industry-first use of Formula 1-style silicon nitride ceramic wheel bearings on a road car, and incorporates a rear Electronic Active Differential with oil cooler, a first for XE.

The high-performance theme continues inside, with subtle applications of Gloss Carbon Fibre trim as well as Alcantara, on the rim of the Project 8 Sport Steering Wheel, instrument binnacle and door cards. The eight-speed Quickshift transmission can either be operated by aluminium paddle shifters behind the steering wheel or by a central Pistolshift lever. Project 8 is also the first Jaguar to feature a dedicated Track Mode, which tailors driveline and stability control systems for circuit use, and sharpens both throttle and steering responses for ultimate precision and driver feedback.

Project 8 owners will also be able to personalise their car by opting for a wide range of colours and finishes from the SVO Premium Palette range, which includes 19 colours in tri-coat, tinted clear coat, pearlescent, ChromaFlairTM and satin matte finishes. Race-inspired decal packs, accentuating Project 8’s high-performance attributes, are also available.

A&E Guide To Printed Handbags

From tapestry woven mini-bags, to geometric totes, let your accessories do the talking and go bold, punchy and printed handbags.

Fashion Director: Eliza Scarborough

Photographer: Henry Pascual

Insiders Guide: Dior Prestige La Micro-Huile De Rose

On the cliffs of Granville blossoms a wild rose whose beauty and strength defy the saline harshness of the Norman climate. From this miracle of resilience is crafted the Rose de Granville, a legendary flower with an extraordinary micro-nutritional wealth. Thanks to a state-of-the-art phytochemical analysis, Dior Science identified a real treasure at the heart of the flower, and transposed it into La Micro-Huile de Rose.

Today, the skin becomes worn out quickly, thanks to stress, fatigue, and a fast-paced modern life. So, in a major biological discovery in nutricosmetics, Dior Science deciphered the mechanisms of cellular fatigue, devising a new cutting-edge extraction process that is extremely gentle on flowers to create La Micro-Huile de Rose. This dual extraction concentrates all the micro-nutritional wealth of the Rose de Granville. Its hydrophilic micro-nutrients are obtained through slow, repeated cold fractionations. While its lipophilic micro-nutrients are extracted using microwaves and ultrasound, before being filtered. These are slow and controlled processes, so as to never damage the molecules.

By protecting the active ingredients from heat and integrating them at the last moment into the formula, Dior Science preserves the integrity of each precious micro-nutrient. They can then be delivered directly to the skin, as if they had been directly extracted from the fresh flower. Thanks to the total absence of surfactants, which can represent up to 5% of a regular formula, they boast an optimal concentration rate. They can now be fully assimilated by the skin.

These rose micro-pearls are extremely resistant, enabling a very high concentration. La Micro-Huile de Rose can thus contain twice as many as a traditional encapsulated formula. In each bottle, over 10,000 rose micro-pearls deliver an extraordinary wealth to the skin by incorporating emollients using encapsulation technology. Beyond an oil or a serum, its active texture combines the nourishing power of the richest of Dior oils with the delicateness and freshness of a jelly-serum. This nourishing concentrate helps gently boost the balance of all skin types, while delivering intense sensory delight and nourishment.

Applied as a pre-serum, La Micro-Huile de Rose provides just the right dose of micro-nutrients essential to the youthful beauty of all skin types. Whether used every day or as an intense treatment, apply before the serum to rebalance the nutritional dynamic of skin desynchronised by fatigue, stress, an unbalanced diet, jetlag, or changes in season. As a result of the application, the skin’s metabolism becomes more harmonised each day. Like the Rose de Granville, the skin can then fully assimilate the active ingredients in applied skincare.

The universal texture of La Micro-Huile de Rose glides on beneath all Dior Prestige skincare to complement their power and create a tailor-made ritual.

A&E Editorial: Dior Cruise 2018

Enjoy our ‘Lady Nomad’ full editorial shoot with Dior Cruise 2018 collection; presenting season’s best fashion is easy breezy and free. Luxe textures and sensual cuts are all the details needed to just stand from afar and admire.

Dress, “Diorama” bag, Bracelets, Earrings. All by DIOR

LEFT IMAGE: Dress, Hat, Bracelets, Choker RIGHT IMAGE: Embroidered “Lady Dior” bag. All by DIOR

LEFT IMAGE: Dress, Hat, Bracelets, Choker, Necklace RIGHT IMAGE: Dress, Hat, Bracelets, Choker, Necklace. All By DIOR

LEFT IMAGE: Dress, Hat,Bracelets, Choker RIGHT IMAGE: Dress, Hat, Bracelets, Choker, Slides. All by DIOR

LEFT IMAGE: Shirt, Skirt, Hat, Earrings, Bracelets, Choker RIGHT IMAGE: Dress, Embroidered “J’Adior” bag, Necklace, Bracelets. All by DIOR

Dress, Jacket, Slides, Necklace. All by DIOR

Photographer: Fouad Tadros
Styling and Direction: Dana Mortada
Model: Amelia at MMG
Makeup and Hair: Hedi at MMG
Location: Al Maha, A Luxury Collection Desert Resort & Spa, Dubai

Enjoy our exclusive video for Dior Cruise’18 below:

In Conversation: Michael Kors New Fragrance

‘Glam Ruby is the story of strong women. Women who know what they want and go after it.’ – Michael Kors.

Michael Kors introduces new fragrance Glam Ruby, inspired by the unique link between seduction, strength, and glamour, where fantasy meets femininity and a woman is her sexiest.

Boldly luxurious, brilliantly faceted, and glamorously mesmerising, this fragrance is a modern chypre that sparkles with fiery sensuality. Here, we have an exclusive chat with Michael Kors about his new launch, together with a glimpse of the campaign by renowned photographer and director Mario Testino, starring Lithuanian model Edita Vilkeviciute.

What kind of woman is this fragrance made for?

Glam Ruby is made for the Michael Kors woman. Someone who is smart, strong, sophisticated, confident, and knows what she wants.

When you imagine the Michael Kors woman wearing this fragrance, where is she and what is she wearing?

It’s less about what you wear with Glam Ruby, and more about how you wear it. You want to wear it with whatever makes you feel sexiest, whether that’s a luxe cashmere sweater or a sky-high stiletto and low-cut dress. Glam Ruby will bring out your sensual and seductive side.

The beautiful packaging represents the precious gem that the fragrance is named after. Why was ‘ruby’ chosen?

The ruby is one of the most iconic gemstones that for centuries, has represented passion and power.

How do the key ingredients of the fragrance encapsulate the spirit of the brand?

I have always loved floral notes, especially jasmine. But what makes Glam Ruby modern and powerful are the unexpected notes: apricot, pepper, vanilla bean. It’s a mix of classic and new, old-school glamour and surprising intrigue, which is very Michael Kors.

How do you feel fragrance helps to accentuate a woman’s confidence and power?

Women have a wardrobe of clothes and handbags and I think having a diverse range of scents is just as important. Fragrance has such an incredible transformative power and can be used to boost your confidence, embrace your sensuality, or unleash an adventurous spirit.

What does ‘glamour’ mean to you?

Glamour isn’t about being in the most opulent dress, it’s the confidence you possess even when you’re wearing jeans and a soft t-shirt.

Can you give us an example of a strong and glamorous woman that you admire?

I was raised in a house full of confident, opinionated women, and they have always been my muses. I was surrounded by that at home, and then growing up I was obsessed with the paparazzi images of female icons like Jackie Kennedy and Lauren Hutton, women who balance strength with glamour.

Lithuanian model Edita Vilkeviciute stars in the campaign, can you tell us about why she was chosen to represent this fragrance?

Edita is a force, she’s smart, she’s funny and she has amazing energy. The campaign is all about the sensuality of fragrance. It’s about unleashing the power and fire that live inside women, and I think Edita really projects the glamourous strength that’s at the core of Glam Ruby.

Can you explain the inspiration behind the campaign story, and how it reflects the mood of the fragrance?

The Glam Ruby campaign is about unleashing the power and fire within. It’s glam, sure, but it also shows the fragrance’s ability to transport you to a different moment and mindset.

Do you feel Michael Kors is a brand that focusses on female empowerment in general?

Absolutely. That’s why I do what I do, I love to help women look and feel their best.

Is this new fragrance in-keeping with the existing family of Michael Kors fragrances or does it represent a new departure for the brand?

In all our fragrances we strive to tell the story of women who know what they want and go after it. Glam Ruby is an evolution of our Glam fragrance line in that it is bolder in its luxuriousness than the previous scents. Glam Ruby is glamorous, but it’s a very a modern take on glamour that isn’t confined by time of day or occasion. It is for anytime when you want to feel glamorous, strong, and sensual.

How do you continue to engage on a personal level with the Michael Kors woman in this overly-saturated luxury environment that is ruled by social media?

I’ve always loved meeting and talking with my customers, and that is still true today. I’m one of the few designers who still does trunk shows! And I think, social media is an extension of a trunk show. It’s a great way to engage with your customers and have a genuine conversation.

A&E Editorial: Louis Vuitton Cruise 2018

See our full editorial shoot with Louis Vuitton Cruise 2018 collection that pays tribute to Japan.

Nicolas Ghesquière’s spectacular display at the Miho Museum was a homage to Japanese tradition and local fashion hero Kansaï Yamamoto. Contrast in print and textures captures the history while remaining modern, especially when styled in a daring and eclectic way.

Photography: Frank Perrin

Stylist: Armelle Leturcq

Model: Kristen Coffey at IMG

Make-up: Tomoya Motegi at Streeters

Hair: Pawel Solis at Atomo Management

The Worlds Most Inspiring New Museums

This year we have welcomed a cultural hotspot to the UAE with the Louvre in Abu Dhabi, and a cascade of other new openings show that the appetite for art doesn’t stop there. Come with us on a discovery the worlds most inspiring new museums.

Louvre ABU DHABI

The pierced, shallow-domed dish of architect Mr Jean Nouvel’s Louvre Abu Dhabi covers what has become the most eagerly awaited museum in the Gulf. The museum beneath the sheltering dome appears as a Middle Eastern city, a jumble of white blocks assorted in an urban arrangement of pools and streets through which the visitor wanders, sheltered, all the while, by that great curving canopy above. The tangle of structural members which make up the dome allow enough light to penetrate the interior and filter it through its complex web so that thousands of sharp beams illuminate the spaces below. The single, sculptural gesture of the dome allows the museum below to be functional and flexible, without constricting it as some of the more sculptural architectural shells tend to do.

Interactive Spy Museum NEW YORK CITY

Adjaye Associates has unveiled designs for SPYSCAPE, a new museum and interactive experience that illuminates the world of espionage from historical secret intelligence to modern day hacking through a collection of rare artefacts, exhilarating storytelling, and immersive personalised experiences. Located a stone’s throw from Times Square in New York City, the 60,000-square-foot space is planned to open next year, and will use architecture as a key element of the museum experience. Inspired by the spaces occupied by the world’s most significant spy organisations, the building interiors will resemble a small town, with a variety of spaces unfolding beneath a vaulted canopy. Circulation will lead visitors through a wide range of vantage points and perspectives, playing with perceptions and drawing you into the individual pavilions.

Yves Saint Laurent Museum MARRAKECH

Yves Saint Laurent had many muses, but only one Marrakech, the city where he discovered light and colour, draping and caftans. There, in a series of homes, of which his final and most notable was the opulent Villa Oasis, Saint Laurent sketched some of his best designs. This year, some 50 years after the designer’s first visit to Morocco, a 43,000-square-foot state-of-the-art fashion museum designed by the Paris-based firm Studio KO, will open, housing thousands of articles of clothing and haute couture accessories, all carefully selected by Pierre Bergé, Saint Laurent’s partner in business and in life. Expect to see such iconic pieces as Le Smoking and the safari jacket, but not an exhaustive retrospective.

Zeitz Mocaa CAPE TOWN

Set to become Africa’s most important cultural attraction, and established through a partnership between the V&A Waterfront and former Puma CEO Jochen Zeitz, the Zeitz Museum of Contemporary Art Africa will showcase diverse modern art from throughout the continent, and is the first major museum of its kind in all of Africa. The latest blockbuster from designer Mr Thomas Heatherwick is an ingenious re-use of a huge grain silo on Cape Town’s V&A waterfront. With no single space to exploit, Mr Heatherwick hit on the idea of carving out the bottom of the silos, creating an enormous void in a shape inspired by one of the grains the space originally stored. The result is a remarkable effect that looms above the visitors.

Lego House DENMARK

From the yellow amphitheatre built into its sides, to the tree thrusting through its innards, the extraordinary new Lego House in Billund, Denmark, is a riot of interconnecting blocks that begs fans young and old to climb aboard. Designed, perhaps unsurprisingly, to resemble a Lego construction, the 12,000-square metre house of fun is filled with 25 million iconic colourful building blocks. The rectangular white brick over the centre is even formed in the shape of a Lego brick with eight cylindrical studs as ceiling lights. The space is split into two exhibition areas and four play areas, with each zone based on a colour and theme, red is for creative skills, blue is for cognitive skills, green is for social skills and yellow is for emotional skills.

Design Society SHENZHEN

London’s V&A has hugely expanded its capacity and is now spreading further afield to Shenzhen. Situated in the Sea World Culture and Arts Centre, the new institution has been built by developer China Merchants Group, with Japanese architect Mr Fumihiko Maki, in association with the V&A. This isn’t a conventional museum, but more of an arts platform for an evolving programme, something different from its London parent institution. The building is also very different from South Kensington’s complex classical mass, a clean, clear-white edifice with a large roof terrace, it is a very contemporary, though relatively restrained piece of architecture.

By Eliza Scarborough

Luxury Handbags Worth The Investment

Hannah Sanabria

More than just arm candy, a handbag is a beautiful investment piece. Not only does it hold your assets, but it is also a valuable piece of art.

Here, we talk to those at the forefront of fashion about their beloved luxury handbags and what makes them their ultimate accessory.

A&E Interviews: Alessandro Sartori And Benjamin Millepied

BENJAMIN MILLEPIED & ALESSANDRO SARTORI

From a scene of ornate Venetian glamour, Ermenegildo Zegna celebrated the second chapter of its ‘Defining Moments’ global advertising campaign, starring Robert De Niro and French choreographer and dancer Benjamin Millepied, with an exclusive Venetian Night hosted by Alessandro Sartori. The brand took over the Palazzo Loredan dell’Ambasciatore, a 15th-century Gothic edifice that sits on a nook of the Grand Canal, overlooking the flow of river traffic like an Italianate contessa.

Sartori and Millepied were joined at the event by Francesco Carrozzini, director of the campaign and photographer, accompanied by Bee Shaffer, with additional guests Pietro Valsecchi, Riccardo Lanza, Raimondo Gaetani, and Federico Cianferoni among others.

The brainchild of designer Alessandro Sartori, who last year took over the reins as creative director of the Italian house, ‘Defining Moments’ is part of an ongoing series. First introduced for the Spring Summer 2017 season, the Fall Winter 2017 campaign represents an evolution of the acclaimed global multimedia advertising campaign, which reflects the emotion and community-centric voice that Ermenegildo Zegna has authenticated through its brand statement.

Here in Venice, we took the opportunity to talk with Alessandro Sartori and Benjamin Millepied about the ongoing ‘Defining Moments’ series, together with getting an exclusive glimpse into their personal lives.

Today we are in Venice to celebrate the second ‘Defining Moments’ advertising campaign, what made you choose this location?

ALESSANDRO: Because it is a place with good energy and we feel very good here.

The initial campaign was aimed to bring a dialogue between two generations, which today can be a struggle for some brands. How do you handle this challenge?

ALESSANDRO: Because of the nature of the brand and the type of clothes I love to design, we are about a multigenerational story. I like the idea of being part of a cluster of people with many different nationalities and ages, and I like to meet customers as I discover a lot of stories. So, it is not hard for us to cater to different generations, as that is the nature of the Ermenegildo Zegna brand.

Tell us about this current collaboration?

BENJAMIN: To me, it really is just a continuation of our long-time ongoing collaborations. The more time we spend together, the more we inspire each other in different ways from project to project.

Can you share with us your thoughts on this collection?

ALESSANDRO: The most interesting moment for me is seeing people leaving the store with one of our items, as I try to understand the customer and what they think. I like how the collection represents my style, and is about the fusion between modernity and craft.

Can you describe the Ermenegildo Zegna aesthetic?

ALESSANDRO: I like the idea of mixing tailoring and sportswear, or classic rules with a modern approach and silhouette, which is why I am not shocked to blend beautiful cashmere jogging trousers with a handmade jacket. It is about being stylish, but still yourself.

What is luxury today in the world of social media?

ALESSANDRO: I prefer the idea of an organic project, which is a broad and real story with all the chapters, including digital and print. Luxury is not just focusing on social media as that is what sells.

What is your personal motto?

ALESSANDRO: I try to be happy with what I do, motivating myself and my team, which is why I find it hard to stop.

BENJAMIN: Ideally it is to be able to take in as much as possible to enrich myself, as it is hard to keep creating without taking time to see and read a lot, to take in the world.

The brand is all about authentic values. What are the most important values that you have learnt from your parents or would want to pass on to your children?

ALESSANDRO: My joy for what I do comes from my parents, and the way of giving, so I would say that they have taught me to live in the moment with a good pleasure of what we do, and to be able to transfer that to other people.

BENJAMIN: I would like my child to be kind, open and not judgemental.

What do you hate most in life?

ALESSANDRO: People with closed opinions.

BENJAMIN: A lack of empathy.

How do you balance work and family?

BENJAMIN: Because my wife, Natalie Portman, has a big career, we really try to ensure that we don’t work at the same time so that one of us is always with the children. We don’t do the same thing, so our careers are enriching for one another, and we bring different people into our lives.

What other projects are you currently working on?

BENJAMIN: Building my dance company, as although it has existed for five years, we are now expanding and opening a new space in Los Angeles. I am also directing a film next year which is an adaptation of Carmen.

What inspires you?

BENJAMIN: Human nature and relationships. My ballets have been an expression of this in time, representing people and the way they interact in a modern way. I want my ballets to be strong and real experiences with more emotion.

How would you define ballet?

BENJAMIN: Ballet doesn’t have to be old fashioned, it can represent how people are today. You should think of ballet as pushing the physicality of the human being to the extreme, but it must be completely expressive of emotions.

What do you still aim to achieve?

ALESSANDRO: I am very happy at the moment as the studio at Zegna is now complete and I love the energy, but I still have a lot of projects in mind and I can’t think about just one.

BENJAMIN: It is very much to create a long-lasting organisation, not just a project but a performing arts organisation. I also want to continue to choreograph and direct more films.

How would you like the world to remember you?

BENJAMIN: I would like to make people’s life interesting with my contribution to the arts, and also have a deep impact on the community in LA with the opening of my new company.

ALESSANDRO: For the work I do, the style I do, and the way I do things.

By Lara Mansour Sawaya

School Of Fine Jewellery L’École Van Cleef & Arpels Comes To Dubai

This month, L’École Van Cleef & Arpels is opening doors to the secret world of jewellery and watchmaking for the first time in the Middle East.

Founded with the support of the Maison Van Cleef & Arpels in Paris in February 2012, L’École Van Cleef & Arpels is the world’s first school established for the general public to discover the Savoir-Faire, history and culture of fine jewellery and watchmaking. A school like no other, it presents a unique opportunity to enrich knowledge through experimentation and dialogue.

Although located in an 18th century mansion in Place Vendome, L’École travels around the world in a spirit of values of open sharing and transmission. As part of its nomadic program, L’École makes its Middle East debut from the 7th to the 25th of November 2017.

The curriculum of L’École Van Cleef & Arpels is built around three themes: Art History of Jewellery, Savoir-Faire, and the Universe of Gemstones. You can enrol for one or several courses as you wish, according to your interest, taste, or level of knowledge. The courses are led by professionals in their respective fields: jewellers, art historians, gemologists and watchmakers. To ensure a bespoke experience, each course is limited to a maximum of 12 students.

In light of inspiring the youth, L’ÉCOLE also invites a young audience to develop its creativity while discovering a new world of jewellery design. Six creative workshops for children and adolescents from 5 to 16 will offer them the opportunity to explore the creative professions. These will take place through local schools’ collaborations during the week and will be open to the public during the weekends.

Synergizing jewellery and culture, L’ÉCOLE unites esteemed institutions of the Gulf in evening conversations. Curiosity and dialogue are the watchwords of these exceptional occasions where an art historian from L’ÉCOLE and a local expert discuss different chapters of the world of jewellery. As part of its enduring links with art and culture, L’ÉCOLE partners with Middle-Eastern educational and cultural institutions in collating a series of activations within Hai d3. L’ÉCOLE also strives to cultivate and nurture emerging designers by showcasing the works of the finalists of the Van Cleef & Arpels Emerging Design Prize 2017.

“We are excited to announce the Middle East debut of L’ÉCOLE in a year when we celebrate our 5th Anniversary,” said Marie Vallanet-Delhom, President of L’ÉCOLE Van Cleef & Arpels. “During the past five years, more than 16,000 students from all over the world have benefited from the educational content of L’ÉCOLE in Paris and abroad.”

Travel with Minerals

A key exhibition, which we can exclusively reveal, is an educational presentation of minerals curated in collaboration with MINES Paris Tech. L’ÉCOLE Van Cleef & Arpels and MINES ParisTech present an exhibition around five cabinets of curiosity. Each cabinet invites visitors to travel through a different journey, material, space, art, jewellery, science, and techniques.

This mineralogical collection, preserved at the historic Vendôme Hotel for over two hundred years, is recognised as one of the most complete and spectacular mineralogical collections in the world. Today, it is comprised of around 100,000 samples, including 4,000 on exhibit, and over 2,900 species of minerals.

The school of jewellery arts will be based at Hai d3, in the Dubai Design District, from the 7th to the 25th of November, 2017.

Our Top Backstage Beauty Looks From Cruise 2018

From the colours of the Californian desert, to pearl brows and ink-dipped fingers at Gucci, the resort collections were full of divine beauty inspiration.

These collections always tend to be more glamorous and exotic to match their far-flung destinations, and this season the hair and makeup teams didn’t disappoint. Read on to discover the anatomy of our favourite looks, with some top tips for recreating them at home.

CHANEL

Chanel’s makeup employed the dramatic use of yet another cat eye, only this time, it felt simpler and less austere. The next-level cat-eye was created by Tom Pecheux, who used Ligne Graphique de Chanel liquid eyeliner to outline models’ lower lash lines. The stroke of onyx liquid began at the inner corner of the eyes and extended way past the temples, for a Cleopatra-esque effect. Sam McKnight created a variety of hair looks, those with shorter cuts had it styled down and rumpled, while longer hair was pulled back into a half-up ponytail then braided. He then added an accessory, such as a crown-like headband or flower pin on each head, and secured a silky black ribbon along the back and let it hang loose and low.

DIOR

Drawing inspiration from the rich, earthy tones of the Californian desert, Creative and Image Director for Dior Makeup, Peter Philips, swept colours from the Dior 5 Couleurs palette in Inflame 767 across the models’ lids, to suit the rustic concept of the show. A similar red flush was applied to the cheeks for a sun kissed appearance, and the lips were given a polished-looking sheen. Hair was pulled back and braided, starting at the shoulders-down, then tied with a black ribbon and a bandana across the forehead, before being topped with one of the turquoise-adorned hats.

GUCCI

With looks that were inspired by the extravagance of the location and ornate accessories suited for the Renaissance, models walked dripping in pearls, woven through their hair and even fashioned into a helmet, dip-dyed fingertips in lieu of manicures, and bleached eyebrows. Makeup maestro Yadim echoed the concept of ‘less is more’ with clear, clean, satiny skin, delicately blushed cheeks, lightly glossy eyelids, and slightly tinted nudey-pink lips.

LOUIS VUITTON

Influenced by emblematic elements of Japanese culture, the iconic Japanese samurai, the artistry of kabuki makeup and kabuki masks, Pat McGrath left subtlety at the door, taking graphic liner and brows to a whole new level with ombré feline-flicked liner reaching the temples, and bold, samurai-inspired arched brows that brilliantly captured the essence of the Japanese aesthetics. Vivid pigments were also airbrushed across the cheekbones, edged in contrasting tones, while hair was generally worn mussed, tossed, and romantic.

PRADA

The beauty look at Prada felt like a 2017 take on the 1920s. The pressed-in crimson lip colour was perfected by Pat McGrath, to polish off the sleek shapes and sheer pastels on the runway. Dewy, ethereal skin, brushed up brows, and two coats of mascara applied to the top lashes only, completed the look. But let’s not forget about the hair, a pair of tautly woven braids were left to hang over shoulders or down backs, some accented with feathered headbands, and all with whispy strands around the face.

VALENTINO

Striking a perfect intersection between hip-hop, athleisure, and romance, Pat McGrath created a dramatic, exaggerated wing at Maison Valentino using her Black Smudgeliner Eye Kohl from her most recent makeup launch. A radiant, lustrous complexion was in order to let the eyes do all the talking, while brows were lightly defined to give the face more structure and proportion. The look was completed by lightly enhancing the natural hue of the lips with a subtle pink undertone lip colour.

A&E Editorial: Dior Timepieces

Just when you thought there isn’t anything better than having some spare time on your hands, Dior Timepieces release some new additions to their collection.

An elegant design in a contemporary finish will keep you ticking on time and serve as a perfect addition to your day or evening look.