A luxurious hotel with sweeping views of the Pacific:

Casa del Mar started as a beach club in the Roaring Twenties for Hollywood A-listers, and is one of only two hotels in the Los Angeles area with direct beach access. It now exudes casual elegance and style. Tucked into a quiet cul-de-sac, this beachfront hotel is adjacent to the Santa Monica pier and the boutiques and vibrant restaurants and bars of Main Street.

Style

The design is a mixture of quintessential coastal California and classic Italian, with its ornate Spanish tiled floors and Venetian chandeliers. The grand entryway segues into the hotel’s signature double staircase and spacious two-storey lobby lounge. It manages to be visually striking, while also warm and lively, with four blue and white indoor cabanas where you can relax over a cocktail and listen to the nightly live music.

Rooms

The 129 rooms, which also include 17 suites, and are all spacious and well appointed, a few with terraces, many with ocean views. Each contains a rich walnut four-poster bed with exquisite John Robshaw white linens and chenille throws, accented with shades of calming blues, whites, and creams that draw upon the seaside location. Raffia-wallpapered bookcases contain carefully chosen books and comfortable armchairs encourage one to linger in the room. Spotlessly clean bathrooms feature white Italian Calacatta marble walls and floors, hydrothermal massage tubs, and yellow rubber ducks beside every bath.

Food and Drink

There are two restaurants, Terrazza and Catch, both of which have dramatic floor-to-ceiling windows perfect for watching the sunset. Terrazza is open all day and serves breakfast, including specials like fluffy ricotta pancakes and the signature Surf Smoothie. While Catch offers a modern American take on seafood favourites.

Casa del Mar is a member of The Leading Hotels of the World, a collection of authentic and uncommon luxury hotels. Rooted in the locations where they are found, the hotels embody the very essence of their destinations. Offering varied styles of architecture and design, and immersive cultural experiences delivered by passionate people, LHW’s collection is for the curious traveller looking for their next discovery. Established in 1928 by several influential and forward-thinking European hoteliers, Leading Hotels has an eight decade-long commitment to providing remarkable travel experiences.

Lips are moisturised with a balm that teams protection with a pop of colour, nails flaunt a next-generation manicure, and intense coppery shades explode with vitality on the lids.

Dare

Using the highly-pigmented Dior Addict Lipstick in Soft Pink, coat the lips, giving them a pop of colour whilst moisturising with the infused ultra-concentrated lip care oils. Then define the brow with Dior All-In-Brow 3D to help frame the face and balance the strong lip.

Left Image:  Matte

Begin by preparing skin with Diorskin Forever & Ever Wear Primer, together with Diorskin Forever Foundation. Then bathe your complexion in a soft summer glow with Diorskin Nude Air Care & Dare. Apply on facial contours, moving in a C from the temple to the cheek, and then sweep it across eyelids to give an all over healthy look. By putting the same colour on your eyelids as your cheeks, it gives a more natural, sun kissed glow. Complement this pared back look with a coat of Dior Addict Lipstick in Mello Beige, and Dior Vernis in Optic White on the nails.

Right Image: Defined Line

Dior brings the art of contouring to the eyes with Diorshow Colour and Contour in Shell Bronze, a waterproof shadow-liner duo. Start by using the end which features a shadow with an iridescent finish around the eye and eyelid, followed by sweeping the highly-pigmented liner along the lash line, starting from the corner to accentuate the width of the eye. Finish the look with a coat of Diorshow Pump ‘N’ Volume Mascara across the upper lashes.

Left Image: Luminous

Diorskin Nude Air Luminizer Serum brings out the natural radiance of sun-kissed skin, illuminating with an iridescent glow. Prepare skin first with Diorskin Forever & Ever Wear Primer, before applying the sculpting and enhancing Luminizer Serum on facial contours, including brows, eyelids, and the bridge of the nose, just anywhere that the sun would catch.

Right Image: Intense Eyes

The 5 Couleurs Summer Limited Edition in Focus can make a real impact when the contrasting sunny shade of yellow is used. Using this striking shade, start by sweeping it all the way over eyelid, up to the brow, and into corners of the eye. Then, taking the darkest shade, apply it underneath the eye, and winged out to the side. Now is the time to bulk up the mascara, with Diorshow Maximizer 3D coated on the lashes, before completing with Diorshow Pump ‘N’ Volume Mascara. To complete the look, use Dior Addict Lip Sugar Scrub on the lips to buff and moisturise, followed by Dior Addict Lip Tattoo in Natural Rosewood, for just the right amount of colour.

Nail Art

For a warm shimmering bronze look, start by using the lighter shades from the 5 Couleurs Summer Limited Edition in Focus to highlight the eyelids and under the brows. Then use the mid shades to contour around the eyelid, under the eye, and in the socket, together with Diorshow Colour & Contour in Shell Bronze. Give your nails a couture look by pairing two shades together, starting with the Dior Vernis in Optic White. Layer the Dior Vernis in Coral Crush in a smaller area in the middle of the nail, it helps the vivid colour really pop.

Fashion Director: Eliza Scarborough

Photographer: Lezli and Rose

Hair and Make-up: Ian McIntosh at Carol Hayes

Model: Elissa at Models 1

Location: Momo-London

All Clothing: Dior

Astas Holding developed Mandarin Oriental, Bodrum and The Residences at Mandarin Oriental, Bodrum with management by Mandarin Oriental Hotel Group, one of the world’s most prestigious hotel groups, in the Türkbükü district of the Bodrum Peninsula, a prime destination, often referred to as the new Saint-Tropez by the international jet set.

Nestled on a 60 hectare waterfront site the resort features a 2.5 kilometer stretch of shoreline with three private bays. The Residences at Mandarin Oriental, Bodrum, comprises 96 villas and 116 residences overlooking unique views of the Mediterranean & Aegean Seas and features soft sandy beaches surrounded by pine and olive trees offering a truly sophisticated lifestyle.

Designed by award-winning Italian architect Antonio Citterio, The Residences at Mandarin Oriental, Bodrum offer a truly unique lifestyle with the best of both worlds – the comforts of a private home combined with the unsurpassed amenities and legendary service of Mandarin Oriental.

The villas, with infinity edged pools, range from 560, 640 and 760 sqm and the residences range between 204 and 447 sqm. From the award-winning spa and all-day concierge services to in-residence dining, residence owners enjoy privileged services and unparalleled luxury on a daily basis.

The Ultimate Mediterranean Experience

Mandarin Oriental Hotel Group redefines luxury Mediterranean lifestyle with its award-winning services at Mandarin Oriental, Bodrum. The Spa at Mandarin Oriental, Bodrum offers the widest range of health and wellness options in the region with a state-of-the-art facility made with natural materials. Spread over 2,700 sqm, The Spa at Mandarin Oriental, Bodrum is unique in combining Asian philosophies with Western techniques, an approach to spa that has won the Group numerous awards and accolades. The SPA at The Mandarin Oriental Bodrum has received many awards including the World Luxury Spa Awards 2016, European Hotel Design Awards for the best SPA 2015  and Tatler Magazines’s Best for Adult Entertainment via SPA Award 2015.

The Mandarin Oriental, Bodrum has become the center of attraction for the Bodrum Peninsula with its world-class cuisine and some of the top culinary experiences in the region. It’s ten restaurants and bars include the Japanese Restaurant Kurochan, Italian Restaurant Assaggio, a seafood restaurant called Bodrum Balıkçısı and the Beach Bar & Bistro.

A sustainable and nature-friendly environment is provided to hotel guests and owners with rechargeable electric buggy vehicles, high technology water purification and recycling systems and further architectural solutions. Due to the projects environmental friendly concept it received the LEED Gold Certification 2016 for environmental and energy friendly design. Ranked amongst the world’s top resorts, Mandarin Oriental, Bodrum has been constructed by project investor Astas Holding and has considered every detail – combining sophisticated design with the resort’s breathtaking natural beauty. The Mandarin Oriental, Bodrum received up to date around 20 different awards, including categories such as design, luxury, environment and SPA. Just recently The Mandarin Oriental,Bodrum received The New World Wealth Award for being the must preferred luxury destination in the middle-east and mediterranean region, leaving hotels like Burj Al-Arab and Emirates Palace behind.

Architecture

• Modernizing traditional Bodrum architecture and providing insight into the future of the Mediterranean, all villas offer breathtaking views of the Mediterranean & Aegean Seas and surrounding pine forests and olive groves from all rooms.
• Made with natural materials, the indoor gardens feature open roofs, the design of the villa and residences allows for ventilation as well as natural light.
• All villas have L-shaped floor plan layouts, enhancing privacy.
• Outdoor areas include infinity pools and expansive terraces with natural wood decking, providing true outdoor pleasure with panoramic views.
• Holiday homes offer private gardens ranging from 1,000 to 3,000 sqm to experience a new Mediterranean lifestyle.

Villa Melissa

• 560 sqm, two storey villa.
• Five bedrooms with en-suite bathrooms and maid’s room.
• High ceiling entrance gallery.
• Spacious lobby.
• Amazing sea view.
• 70 sqm spacious living room with fire place.
• Extensive terraces, beautiful garden and infinity pool.

Villa Daphne

• 640 sqm, two storey villa.
• Four bedrooms with en-suite bathrooms and maid’s room.
• High ceiling entrance gallery.
• Spacious lobby.
• Amazing sea view.
• 90 sqm spacious living room with fire place.
• Extensive terraces, beautiful garden and infinity pool.

Villa Manolya

• 760 sqm, two storey villa.
• Four bedrooms with en-suite bathrooms and maid’s room.
• High ceiling entrance gallery.
• Spacious lobby.
• Amazing sea view.
• Private guest suite featuring a private terrace and a separate main entrance.
• 120 sqm spacious dining and living room with fire place, separate food serving area.
• Features a study and wine cellar.
• Extensive terraces, beautiful garden and infinity pool.

The Residences at Mandarin Oriental, Bodrum

The Residences offer stunning views over the pristine turquoise waters of the Aegean and Mediterranean Seas and green hills covered by precious pine and olive trees. The Residences feature spacious units combining the privacy of the villas with the warmth of the community. The architecture and design elements integrate functionality, comfort and aesthetics. The four types of residences include 2+1, 3+1, 4+1 and duplex options, featuring wide glass facades that allow homeowners to enjoy Cennet Koyu (Paradise Bay), Göltürkbükü and Bodrum’s fresh air to its fullest.

Mandarin Oriental’s Legendary Services

General Facts

• Private on-site helipad.
• Exclusive access to nearby marina.
• 5 minutes to the vibrant beachfront village of Türkbükü with exciting restaurants, beach clubs and nightlife.
• 20 minutes to world-class golf courses.
• 30 minutes to Bodrum Airport.
• Common Areas.
• Resident-only facilities and club houses with private decks, outdoor infinity pools and boat approaching areas, offering homeowners an incomparable lifestyle in this exclusive and prestigious destination.
• Dedicated resort entrance.
• 5 kilometers of trekking paths, through private untouched natural terrain.
• Two tennis courts.
• Basketball and volleyball courts and an internationlly recognized Kids Club.

For more information:

sales@astasbodrum.com

www.MOresidencesbodrum.com

Introducing a unique experience to give life to exclusive Policromia timepieces.

Fendi clients can now customise their time, by creating their own watch design with the new Policromia Made-To-Order program. More than 100,000 combinations are possible to define unique designs, with a huge variety of noble materials, from genuine stone inserts to baguette or brilliant cut precious stones, to mother-of-pearl colours.

Famous for offering customers fine-crafted creations that can be uniquely personalised to express individual taste and style, Fendi has now taken this time-honoured tradition of luxury customisation to an unprecedented new level of sophistication and style, with the Policromia Made-To-Order experience.

The name Policromia originates from the Greek words poly (multiple) and khrôma (colours), embodying the idea of several colours together, with a mystic reminder of a surreal Goddess living in a far world. It has been accurately chosen as the name of the Fendi Timepieces Watch Collection, designed in collaboration with Delfina Delettrez Fendi, globally renowned jewellery designer and 4th generation of the Fendi family.

With the exclusive Policromia Made-To-Order program, customers have more options than ever. There are 20 different levels of personalisation in 2 case sizes, 33 mm and 38 mm, with 4 levels of choice per element and an endless array of unique luxury combinations, including 18 karat golds, genuine stones, diamonds and precious stones, mother-of-pearls, and genuine exotic Fendi leathers.

Timeless Ties

Igniting the world of Haute Horlogerie with remarkable dynamism, a fine balance has been made between traditional watchmaking expertise and avant‑garde design.

Velvet Jewellery Collection, White Gold – Black Strap

By Roger Dubuis

Left Image: Excalibur 36 Rose Gold, Blue Strap

Right Image:  Velvet Jewellery Collection, Rose Gold – Satin Pink Strap

By Roger Dubuis

Left Image: Excalibur 36 Rose Gold, Brown Strap

Right Image: Excalibur 36 Rose Gold, Aubergine Strap

By Roger Dubuis

Left Image: Velvet White Gold, Navy Satin Strap

Right Image:  Velvet Rose Gold, White Satin Strap

By Roger Dubuis

Excalibur 36 Titanium, Blue Sapphire – Blue Strap

By Roger Dubuis

Photographer: David Wang at MMG

Styling and Direction: Dana Mortada

Leather and corduroy give the collection a sense of simplicity and authenticity, over the polished and urban.

Losanghe handmade Shetland sweater, Velluto pants, Cavallino belt. All by Prada

Left Image: Vitello vintage leather jacket, Cover divisa pants, Spazzolato and chevre shoes, Jacquard socks, Shell necklace.

Right Image: Cognac leather coat, Velluto pants, Lambswool knitwear, Cavallino taiga shoes, Belt, Stone necklace.

All by Prada

Left Image: Lifestyle velluto jacket, Cover divisa pants, Cable knitwear.

Right Image:  Velluto jacket, Velluto pants, Angora knitwear, Spazzolato shoes, Nappa hat, Belt, Stone necklace.

All by Prada

Left Image: Velluto jacket, Cover divisa pants , Lambswool knitwear, Shell necklace, Nappa hat, Belt.

Right Image: Jacket, Fantasia pants, Belt, Montone animalier shoes, Saffiano bag.

All by Prada

Velluto coat, Cover divisa pants , Cable knitwear, Spazzolato and chevre shoes, Nappa hat, Shell necklace. All by Prada

Fashion Director: Eliza Scarborough

Photographer: Lezli and Rose

Grooming: Britta at Carol Hayes

Model: Elliot at Models 1

A collection that merges upscale tailoring with the vitality of club culture. Kris Van Assche set about creating suits for the streetwear generation.

Overcoat, Turtleneck, Pants, Derbies, Gloves, Necklace. All by Dior Homme

Left Image: Overcoat, Turtleneck, Pants, Derbies, Gloves

Right Image: Jacket, Turtleneck, Pants, Derbies

All by Dior Homme

Left Image: Sweater, Jacket, Pants, Gloves, ‘Hardior’ hat

Right Image:  Turtleneck, Coat, Pants, Belt, Gloves, ‘Hardior’sunglasses

All by Dior Homme

Turtleneck, Jacket, Coat, Pants, ‘Hardior’ sunglasses, Boots. All by Dior Homme

Left Image: Sweater, Jacket, Pants, Gloves, ‘Hardior’ sunglasses

Right Image:  Jacket, Pants, Shirt, Tie, Belt, Gloves, Boots

All by Dior Homme

Fashion Director: Eliza Scarborough

Photographer: Lezli and Rose

Grooming: Julie at Carol Hayes

Model: Luke at Models 1

It’s testament to the design power of fashion label Peter Pilotto, that since Peter Pilotto and Christopher de Vos launched their label in 2007, in just a few short years they have become one of one of London’s most successful womenswear labels.

Their pioneering designs, which combine complicated prints and textiles on draped silhouettes, are a fashion favourite, with a celebrity following including Jennifer Lopez, Jessica Alba, Sienna Miller, and even first lady of fashion Michelle Obama. Celebrity fans aside, they have also garnered numerous industry accolades including the Swarovski Emerging Talent award, the Fashion Forward prize, the BFC Fashion Fund, and the inaugural Swarovski Collective Award.

Although the brand’s identity is deeply rooted in London, the designers themselves come from an international background. Pilotto is half Austrian, half Italian, while half Belgian, half Peruvain De Vos grew up between continents like the Middle East and South America. They met in 2000 while they were both students at Antwerp’s Academy of Fine Arts and upon graduating Pilotto set up his own label in Belgium, before Des Vos joined him a year later. They relocated to London, where they started to develop a collection together based on their love for prints, and today they work from their expansive and impressive atelier in east London. Polished concrete floors and immaculate white walls provide an impressive blank canvas for their lively designs, rich with pattern and innovative fabrics

We chat to the stylish duo to discuss the importance of teamwork, how their print work has evolved, and aside from numerous awards what the real highlights have been for the brand.

When you first met, did you imagine that you would end up creating a successful brand together?

We met during our first year at the Royal Academy in Antwerp and were always very inspired by each other’s work, it became each other’s reference point throughout our studies. We hadn’t really thought about the future yet, but were already beginning to collaborate at the time.

Why did you choose Peter Pilotto as the name for the brand, and not a combination of both of your names?

Peter had started the brand before we joined forces. We were looking into combined names but preferred to keep the one we had.

How do you balance the duties of design when working as a duo? Do you ever disagree on design matters?

We make all final design decisions as a pair, we wouldn’t want one to monopolise the other. It’s definitely a team effort.

What is your favourite thing about each other? What do you respect most about each other?

Christopher: It’s hard to put it into words, but Peter always had a clear vision about his world, things that were personal to him, and inspire him, and is very precise in working on them.

Peter: Christopher is a perfectionist and likes to push an idea to the maximum. He is really good at collaborating with the people around him, recognising their strength and guiding them.

Do each of you tend to concentrate on different aspects of both business and design, or balance the responsibilities?

In terms of balancing business and design, we like to take on an equal share of the responsibilities.

Is working as a pair a good motivation for each of you? Do you think working as a team helps you create a stronger brand as you have more idea input, and your focus can be spread?

Working as a pair, we definitely spur each other on, and bring in a different set of references and sometimes can offer the other a fresh eye on something and give constructive criticism. We value each other’s opinion above all others.

Why do you think so many women turn to Peter Pilotto for special-event dressing, albeit in a modern way?

We are always thrilled to dress women for special events, and also in their daily lives. We have a modern woman in mind when designing our collections, a woman who isn’t afraid of colour or print. It’s the most flattering thing for us to see women wearing our designs when we’re out.

What are the challenges of keeping a label growing and strong?

Managing any business is hard work. We are constantly looking for new inspirations and innovations that can help us grow as a brand.

What’s the secret to a successful label?

We have a great team around us who work incredibly hard to make Peter Pilotto a success.

What are your career highlights so far?

Winning the BFC Vogue Designer Fashion Fund in 2014 was such an amazing moment for us, and really allowed our brand to grow even further.

Who have you been most excited to see wearing your clothes? And why?

Rihanna recently wore a jacket from our Autumn Winter 2017 collection, we are always interested to see how she wears pieces.

Whose effortless style do you admire and why?

We most admire the effortless style of different friends of ours that were already muses during our studies, or some we met more recently. We are inspired by women that have their own style, that mix vintage and new, are strong and playful at the same time.

What are your views on the rise of social media, do you think it is advantageous to the world of fashion?

It is so amazing to be able to have direct contact with your customer, to get that feedback, and to see women sharing images of themselves wearing our designs is really invaluable.

How do you feel social media has affected shows and fashion week?

More than ever before we are supremely conscious of how we operate on a purely visual level. It has encouraged us to innovate and think of new ways for us to bring not only our guests at fashion week, but also their followers, into our world and immerse them in the experience.

How have you found the change in your workload since the introduction of social media and multiple collections?

We have been producing four collections a year for a long time now and it has always been a full calendar to keep up with, always looking for the new thing.

Is this level of work sustainable?

We enjoy it. Making time to travel and feel inspired is really important.

What do you feel is key to the growth of the brand, and has been key so far in the journey of the brand?

We think creating a signature that is consistent yet evolves over time is crucial.

Would you look to go into the new trend of see now, buy now?

We recently released our Pre-Fall 2017 collection this way, we like the idea of keeping some air of mystery and anticipation which is so often lacking in our social media era.

Has travelling always been a passion for both of you? Can you tell us about the inspiration for your current spring summer collection?

Travelling is a constant source of inspiration for us both. For our Spring Summer collection, we travelled to Peru and Colombia to delve into the rich textiles museums and the history of Spanish baroque there, as well as the landscape. We like to visit parts of our heritage, Christopher is half Peruvian, as well as experience new cultures.

What has influenced you to move away from digital prints to artwork designs?

We are constantly exploring and researching and like to react to the possibilities we see from our suppliers and manufacturing partners. We had a lot of support from the digital printers when we started as they were excited to work with us and to see a new approach. We are still doing prints but want to push the craft beyond the print and combine various techniques.

You have always embraced technology with your prints. As technology improves, will we be seeing elements of this in your designs, such as 3D printing?

We are always interested to see how technology will evolve, and how we can adapt it into our designs. We are constantly working on new techniques to create our own fabrics and prints, so we definitely don’t rule anything out for the future.

What will we be seeing next as the brand elevates further?

We hope to make our first foray into bricks and mortar retail soon.

By Eliza Scarborough

Under the High Patronage of His Excellency, the President of the Lebanese Republic, General Michel AOUN, the 10^th edition of Beirut Boat 2017 was officially inaugurated on May 20 at Beirut Marina, by the Minister of Tourism, H.E AvedisGuidanian, on behalf of H.E the President, in the presence of Deputy Ammar Houry, representing Prime Minister Saad Hariri, and other VIP delegates, members of the diplomatic community, and media representatives.

The opening ceremony was followed by a thrilling flyboarding show to mark the kickoff of an exciting event that went on for five days from 5 to 10 pm.

Mr. Edward Aoun, a member of the board of directors of IFP Group, said: “With ten successful editions, Beirut Boat has created a legacy for delivering Lebanon’s top-notch yachting and luxury experience for a crowd of thousands of maritime enthusiasts, elite society figures, lifestyle gurus, and VIPs.”

Lebanon’s advocate for tourism and Beirut Boat’s Brand Ambassador, Mr. Silvio Chiha,expressed his appreciation of the show and noted its importance on a macro level.

“I believe this event is very important for Lebanon, and I encourage organizing it each year as it sheds lights on the role of Lebanon in the region, and helps with the goal of attracting the largest number possible of tourists, and reviving the tourism industry and the economy as large.”

Welcoming 45 exhibitors from Lebanon, UAE, Cyprus, Turkey, United Kingdom, and The Netherlands, Beirut Boat featured a diverse array of boats, boating gear and accessories, outdoor furniture, sports and leisure equipment, luxury cars, and high-end products.

Commenting on his company’s participation at Beirut Boat 2017, Mr. Robby Binni, Sales Manager at Speed Marine S.A.R.L, said: “Outstanding service and very friendly staff. Thanks for going the extra mile to make our stand very special – We look forward to doing business with you next year.”

On his part, Jean Louis Z Rodriguez, Technical Director at the Lebanese Yachting Federation, said:

“Thank you very much for this Boat Show 2017, we had very nice exposure at our stand of the Lebanese Yachting Federation and people and our sailors have grandly appreciated the event. Next year, it will be greater because it has shown a great positive impact on all sailors in the market.”

The show attracted thousands of visitors looking for networking, business opportunities, and sourcing high-end products on display, or simply looking to explore exhibits and enjoy the luxurious setting and uplifting entertainment program.

Among the highlights of the show was the newly introduced ‘The Art Gallery’ that pays homage to Lebanese artists, featuring paintings, sculptures, and other works of art, as well as home décor among other exhibits.

Another new-comer to the show was the ‘Maritime Historical Exhibition’ that took visitors on a historical journey to discover the wreckage of the renowned HMS Victoria, along with a display of tools, equipment, and outfits that were employed to lift the shipwreck from the seabed.

A diverse entertainment program throughout the show delivered feel-good vibes. Visitors enjoyed a daily flyboarding show and uplifting sets by DJs Roland Ragi, Ziad Nawfal, Jack the Fish, Princess Yaya and Serge Yared, as well as spellbinding live performances by “Roya and her band”, “Marilyn,” and “Ralph Asfour and his band.”

Every year of marital bliss is a milestone, and how better to celebrate than with a gift. Follow our guide, and you can give the traditional themes an original fashionable twist, to suit your stylish other half.

YEAR 1 – Paper

Yves Saint Laurent

YEAR 2 – Cotton

Jacquemus

YEAR 3 – Leather

Tom Ford

YEAR 4 – Fruit

I+I

YEAR 5 – Wool

Burberry

YEAR 10 – Aluminium

B+O Play

Year 25 – Silver

Altuzarra

Year 30 – Pearl

Mizuki

Year 40 – Ruby

Amrapali

Year 50 – Gold

Bottega Veneta

Year 75 – Diamond

Piaget

Ancient Times

There is historical proof of the practice of giving and receiving engagement rings dating as far back as ancient Rome. They rightly believed that a vein on the fourth finger on the left hand led directly to the heart, and for them this was as good a symbol as any that someone was in an important relationship.

Middle Ages

By the Middle Ages, the use of simple iron and gold rings was widespread. and expanding trade meant that more materials were available. These new materials – namely jewels – were exclusively used by the wealthiest members of society to adorn their rings. Mary of Burgundy was the first to wear a diamond engagement ring, presented to her by her future husband Archduke Maximilian of Austria in 1477.

1800s

The first large deposit of diamonds was discovered in 1867 in South Africa. Five short years later, in 1872, the rate of diamond mining had exploded to over one million carats per year. Then, in 1886 Tiffany introduces the ‘tiffany setting’, otherwise known as the still extremely popular six-prong setting for round brilliant cut diamonds. However, diamond engagement rings were still seen as the reign of the upper classes only.

1900s

That was, until diamond traders DeBeers kick-started a hugely successful marketing campaign in 1938, with the catchphrase, ‘A Diamond Is Forever’, and from that point on, diamond engagement rings became a standard gift for all brides to receive when their other half proposed marriage.

‘When finding the right pair of shoes for your big day, it is an emotional and personal response. Similar to the dress decision, when you know, you know! Every bride will have their own personal fantasy and vision, so when they find a shoe that fulfils this it if often an immediate reaction. Finding a shoe that makes you feel and look like yourself on your wedding day is also key.’ Sandra Choi, Creative Director

For 2017, the Jimmy Choo Bridal Collection offers a wardrobe underpinned by timeless and classic elegance with accents of fashion forward detailing. Realised in a delicate colour scheme of dusty pink, ivory and champagne glitter, the exquisite bridal styles continue to entice and delight.

With your accessories being such an integral part of your big day look, Jimmy Choo has plenty of options, allowing them to dress every style of bride. From the Lance, whose intricate straps delicately encase the foot, or the simple sophistication in the form of two-strap metallic Talia, to Lucy and Romy, the embodiment of a modern-day pump, every shoe has their perfect partner in the form of bejewelled minaudieres or sleek clutch bags.

Those seeking something more dramatic can find unexpected twists on classic designs. Kami and Kerry incorporate a flamboyant pleated fan on an otherwise subtle strappy sandal, while the lace and satin corset upper on the Freya peep-toe bootie mixes delicate femininity with impactful style, and here Sandra exclusively sketches the beautiful bootie for us.

Not forgetting the groom, your other half can be tempted with a suite of stylish designs. The timeless tasselled Foxley loafer or the understated John are elegant options, or otherwise Fred’s luxurious velvet bow allows the groom to be the perfect suitor for the fashion forward bride.

For a personal touch, the Bridal Collection is further enhanced by the Jimmy Choo Made-to-Order service. Brides are offered an alluring suite of signature styles that can be custom made in a myriad of colours, textures and finishes. Additionally, for the ultimate keep-sake, brides can also personalise the sole of their shoe to include their initials or a or their wedding date. Bags are a recent addition to the Made-to-Order selection, allowing brides for the first time to add a personalised date or monogram to the interior of bag.

Sandra Choi, the woman behind the mega brand and beautiful shoes, which in the early 2000’s was canonised on Sex and the City when Carrie Bradshaw famously proclaimed, ‘Wait, I lost my Choo!’ shares her wisdom for finding the right pair of shoes.

‘People often forget that the pictures you have taken on your wedding day will last a lifetime and be something you share with future generations.’ So, with this in mind, and the fact that all will be captured on your big day, the Creative Director advises brides to opt for timeless styles. ‘You don’t want to compete with the dress, but complement it. Your shoes should complete your look.’

Of course, Choi considers that not everything is just about how your shoes look, ‘comfort is also an important consideration as you will be standing for a long time and if you are anything like me you will be dancing the night away! The last thing you want to distract you is feeling uncomfortable in your shoes so know what heel height works for you.’

The diminutive designer knows that 100mm is her perfect height, and will carry her through from day to night, but not without wearing them in beforehand. ‘Wear your shoes in the house before the big day to get used to them. Don’t put them on for the first time the morning of your wedding.’

The world’s most famous wedding dresses have come in every style and guise, with Royal weddings providing many of the most memorial bridal moments, who can’t picture Kate Middleton, or Grace Kelly in their gowns, while many a celebrity’s dress has proved just as anticipated, such as Kate Moss’s ethereal John Galliano design.

Kate Moss

Kate Moss married Jamie Hince in a John Galliano gown at St Peter’s parish church in Southrop in July 2011. The dress went on to be exhibited in the Victoria & Albert Museum in 2014, as part of its exhibition of wedding dresses. Speaking of the gown, Kate later said she had wanted, ‘a classic Galliano, those chiffon thirties kind. I’ve lived in his dresses for years, and they just make me feel so comfortable.’

Jacqueline Kennedy

Jacqueline Kennedy wore a full-skirted dress by New York designer Ann Lowe when she married John F Kennedy at Hammersmith Farm in Newport, Rhode Island, in September 1953. She completed her look with little white gloves and a full veil. Kennedy went on to become President of the United States. He was assassinated in Dallas, Texas, in November 1963. Jacqueline then married Greek shipping magnate Aristotle Onassis in 1968, becoming known as Jackie O.

Queen Elizabeth II

Queen Elizabeth II was just 21 when she married Prince Phillip in November 1946. The couple had met when she was just 13 years old at the wedding of his cousin, Princess Marina of Greece. Her Majesty famously saved up ration cards to purchase the material needed. The gown was made of ivory duchess satin and decorated with 10,000 imported white pearls, silver thread, and tulle embroidery. Her bridal ensemble also included a 15-foot patterned full court train attached at the shoulders, and a silk tulle veil held in place by a tiara lent to the princess by her mother.

Grace Kelly

The dress that Grace Kelly wore for her wedding in April 1956 to Prince Rainier was designed by MGM costume designer Helen Rose, and was made from 25 yards of silk taffeta, antique rose-point lace, and pearls by three dozen seamstresses, who worked on it for six weeks.

The Duchess of Cambridge

Ten years after meeting at university, Kate Middleton married Prince William at Westminster Abbey in April 2011, becoming HRH The Duke and Duchess of Cambridge. Throughout their six-month engagement, the designer of Kate’s wedding gown was kept a secret, leading to intense global speculation. The designer was finally revealed as Alexander McQueen creative director Sarah Burton helped the bride make her entrance into the Abbey.

Princess Charlene of Monaco

When Charlene Wittstock, former Olympic swimmer, became Her Serene Highness Princess Charlene of Monaco she wore a bespoke gown by Giorgio Armani. The dress took 2,500 hours to create, including 700 hours for the embroidery alone, and featured 40,000 Swarovski crystals, 20,000 mother of pearl teardrops, and 30,000 stones in gold shades. The dress was made up of 50 metres of duchesse silk, and 80 metres of silk organza, and even the veil was a work of art, encompassing 20 metres of silk tulle taking 100 hours to embroider.

From powder pink to Pepto Bismol, if there’s one colour you need on your radar next season it’s pink.

Formerly the preserve of little girls’ toys and kitsch women like Barbie, pink has recently been reclaimed by designers, who have recovered it from the clutches of sickly sweet gender stereotypes, and positioned it at the centre of their aesthetic. When the Parisian triptych of Céline, Givenchy and Chanel decree it the shade of the summer, you’d better believe it.

Valentino

Embraced in head to toe looks, the undeniable colour trend was a permanent fixture across all the shows on the Spring Summer catwalks, most notably at Valentino, where under the frescoes and chandeliers of the Hôtel Salomon de Rothschild, 28 of the 64 looks were blushing in shades of bubble-gum to fuchsia. Focussing on Paris, Balenciaga kicked off in a hangar-sized venue on the Périphérique with a statement ruched watermelon-pink dress slashed to one hip, and paired with lavender, while at Céline, the shade was flamingo, draped with a cape neckline, and at Givenchy, in the gardens of the Natural History Museum it was watercolour patterns in ballet-slipper rose.

Gucci

Although, of course there were also the more eccentric Italians in Milan, such as the expected outlandish looks at Gucci in electric shades of the colourway, and presented in a pinker than pink set, or Prada who also had a more-is-more approach, mixing pink pieces resplendent with feathers and embroidery, with a bold blend of contrasting separates.

Balenciaga

This could all be a backlash against the minimalism of normcore from seasons past, and a reaction to the maximalist Gucci effect which is still in full force, with feminine pieces artfully thrown together in a party of prints, colours, and textures. Or otherwise, and seemingly more likely, it is related to the concept that hyper-femininity is increasing in popularity.

Loewe

Chanel

Feminism is back, and there was a particularly female moment at Paris fashion week for Spring Summer. Even before Kim Kardashian’s ordeal, the Paris fashion week headlines were about women alone, from Rihanna channelling Marie Antoinette at Fenty x Puma, to the debut of Maria Grazia Chiuri, the first woman to design Christian Dior. Grazia Chiuri’s influence has been pervasive, not just in her slogan feminism at Dior, but in that her rise to prominence has put the Valentino look with which she made her name, at the forefront of everyone’s mind. The moral is, that women are conquering, and with that comes the most relatable colour of the spectrum, rosy pink.

Valentino

The one caveat with this seasons colour of choice, is that it’s divisive. It’s too wrapped up in gender connotations to be judged objectively. Altogether more political, pink is likely to be dismissed because of what it might say about you, however what we can learn from the trailblazers of the fashion industry is that to be ahead, it is to be assured in your fashion choices. So now, between the designers conjuring pieces too irresistible to ignore, and the style-setting women proving that it is the colour of the season, it is time to embrace the joyful hue, be strong, empowered and inspiring, because pink is officially cool.

Artisitic director Nicolas Ghesquiere opted to take the Cruise 2018 collection to the Miho Museum in Kyoto, which was created by I.M Pei, the same architect behind Paris’s Louvre Museum. ‘The place inspired me right away,’ explains Ghesquière, who took the Cruise roadshow to Rio de Janiero last year. ‘After the desert and Palm Springs, the ocean and Rio, I wanted to introduce people to another landscape, to immerse them in a sea of green. With the I.M. Pei’s Miho Museum we are continuing an architectural voyage that suits the Maison Louis Vuitton to a tee. For our 2018 Cruise fashion show we are transported into a tangled web of nature, geographical greatness, a unique architectural vision.’

It was here where models crossed a suspension bridge wearing Nicolas Ghesquière’s latest in leopard spots, studded leathers, and sequin-adorned sheer fabrics. Leather studded cap sleeves were a focal point of Ghesquière’s Resort collection, followed by soft blouson pouf sleeves that appeared on blouses and oversize suit jackets worn on the runway sans pants. Samurai faces and other traditional Japanese designs adorned accessories and sequin dresses, which were created exclusively for the collection by Japanese designer Kansai Yamamoto.

The beauty look to complement the collection was just as standout and artful, with Pat McGrath using bold brushstrokes of violet and shocking pink colours. The painterly strokes resembled kabuki makeup, giving some of the models a heightened sense of drama. For the rest, it was thick-drawn cat-eyes and little else.

Lauded as the hottest designer to enter the footwear industry since Manolo Blahnik thanks to his gravity defying heels and sculptural designs, Nicholas Kirkwood is the go-to designer for beautiful shoes that are modern and irreverent.

Inspired by ‘the enigmatic femininity of the women around him as well as modern art, architecture and often sculpture,’ his collections are hand-crafted using authentic craftsmanship techniques in a small factory in Veneto, Italy.

Deciding to launch his own eponymous brand in 2005, after an education at London’s Central Saint Martin’s, his designs were defined by daring innovation in the use of unconventional materials and techniques that married high craft and tradition with cutting edge technology and the unexpected. This technical innovation, together with an aesthetic boldness, dynamism, graphic edge, and feminine sensibility, became the signatures of Nicholas Kirkwood’s luxury footwear, attracting the likes of Isabella Blow, Grace Jones, Cecilia Dean and Daphne Guinness. Then, as his brand flourished, Kirkwood went on to collaborate with his London based design peers, Erdem, Roksanda and Peter Pilotto, and as the global awareness of the brand excelled, international associations with the likes of Fendi, Zac Posen and Phillip Lim followed.

Over a decade on and with his look still very much in demand, we caught up with Kirkwood to talk about the importance of the perfect bridal shoe, and what keeps his styles unique

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Tell us about the DNA of a Nicholas Kirkwood pair of shoes.

I try to inject a strong sense of creativity into my work. From taking inspiration from architecture, to a small scribble on a napkin, it’s about playing with shapes and forms to create something new.

How did you first become interested in fashion, and in particular, designing shoes?

I was working for a hat designer in his store and these glamorous women would come in with cloned knock off Manolo Blahnik style shoes that were letting their outfits down. I wanted to create shoes that were as charismatic as these women.

How has the industry changed since you first started?

So much has changed in the industry, but the thing that stands out the most would have to be social media, it has transformed the way customers interact with a brand.

What has been important when building a brand from a niche footwear company into an international accessories brand?

Staying true to your original DNA.

What has been the most significant breakthrough moment in your career?

Opening my flagship store on Mount street was one of the most exciting points in my career. As a designer, you always imagine what your own store will look like, and having you own space is a great opportunity to show your collection in your own curated environment. That and finding the right factory!

Can you share with us your all-time favourite design? 

That would be like asking someone who their favourite child is!

What is the hardest type of shoe to design?

Working with fur can be quite difficult, getting the balance of it looking luxurious yet having volumes in the right place is always challenging.

You collaborate with all kinds of incredible designers on their catwalk collections, what do you find most challenging about working together on a design brief?

The most challenging thing was working to the LFW schedule, rather than working together on a design brief, that part I loved. It’s amazing getting to work with such talented people and working across such a diverse selection of aesthetics.

Which shoe designer maestros do you look up to?

I admire Azzedine Alaia for his unrelenting vision and approach to craft and quality, as well as both Andre Perugia and Roger Vivier, as they are shoe designers who are innovative in their approach.  I am humbled by all their work.

Do you have a particular muse in mind when you design?

I find it hard to pinpoint one particular woman, because I design the collection with different facets in mind, but one woman that does spring to mind is my friend Hikari Yokoyama, I love her strong sense of style.

Who would you most like to see wearing your creations?

I am not usually one for chasing celebrities to wear my shoes, but I love seeing strong, confident, yet feminine women wearing my shoes.

Why did you choose to offer a bridal range within your brand?

I started to make bespoke wedding shoes for a lot of my friends that were getting married, so it was a natural progression from there.

What makes your styles perfect for brides?

The bridal collection has a wide selection of designs and materials, including opulent mirrored leathers, feminine pearls, metallic Lurex, and intricate lace, which I feel provides a dedicated, yet unique offering to the modern bride.

How should a pair of shoes make a woman feel?

I want women to feel empowered, but I also like the idea of creating shoes that add something to a woman’s character, accentuating her personality and adding to her confidence.

What is your advice to brides on footwear to wear with a wedding dress?

It is important to bear in mind that the bride is the star of the show, so the shoe should make her feel like it!

What are the key pieces we should be excited about from your bridal collection?

Our signature styles like the Ava and the Leda are always a good choice for something that is both simple, yet still stands out. But, I really love the idea of a bride wearing the silver ultraspecchio Zaha sandal.

What’s next for Nicholas Kirkwood?

I am currently working on a really exciting collaboration that isn’t shoes, with a giant Italian luxury brand for next year, so watch this space.

Shoe maestro Nicholas reveals all you need to know before buying your next pair of shoes

1 If you have bought a new pair of shoes for a special occasion, I recommend that you give them a trial run. Wear them around the house for a few hours in the days preceding their debut.

2 When shopping for shoes, my advice is to find shapes that work for you and your body, don’t just follow trends.

3 Now I’m no expert in walking in heels, but I think it is all about confidence, and my good friend told me once to walk like you are tip toeing. However, if high heels are just not for you, a mid-height heel is the perfect balance of daytime elegance with added comfort.

4 Your handbag and shoes should always be complementary, but not matchy matchy. I’m all about contrasts.

5 Everyone should have at least one fantasy shoe. I think every woman should invest in accessories. It’s an easy way to update wardrobe staples and take you from day to night.

6 If you love wearing heels but can’t do a full day in them, I would suggest going for a 55mm heel height, it is not too high and not too low. Our mid height Leda or Beya block heel would be perfect for this if you are looking for something to dress up your outfit.

7 The key pair of shoes that every woman should own is a pair of comfortable flats, something you can just throw on, or into you bag when you are running around.

8 Be individual and experiment with your footwear, but I have to say that heeled trainers are an absolute shoe no no! Need I say more?

Titled ‘The Modernity of Antiquity,’ the Chanel Cruise 2018 collection mirrored the Greek-inspired set it was presented in, featuring looks with draping, one-shouldered silhouettes, gold accents, and adorned headbands that elicited the ultimate Grecian goddess vibes.

After many seasons of globe-trotting Cruise shows, Karl Lagerfeld decided to bring Greece to Paris instead. The designer conjured a replica of the Temple of Poseidon in the Galerie Courbe at the Grand Palais, a rotunda space with a skylight. It was in this gallery that he previously put on one of his most talked about shows, the Paris Bombay Pre-Fall 2012 collection.

He worked a Greek pastoral vibe via tweed tunics with frayed edges, pleated palazzo pants and coarse cream knits, which he contrasted with a Midas-like trove of jewellery and embellishment, such as gold coin buttons, amphora-shaped earrings, jewelled hair clips and sunglasses trimmed with gold laurel leaves. Echoing the setting, the colour palette was in pale mineral tones, including summery whites and pale pastels, with a smattering of navy and black. However, the real star of the collection were the bold, knee-high gladiator heels in a range of bright colours, from vibrant yellow to blue, red, green, and black. They were the perfect way to top off Lagerfeld’s Greek-inspired looks.

It has been announced that Riccardo Tisci will leave Givenchy after 12 years as creative director of the brand. Spring Haute Couture 2017, shown in January in Paris, was his last collection for the brand. It is not yet confirmed who his successor will be, or what Tisci will go on to do next, although rumours are circulating that he is to join Versace in Milan.

Givenchy released a statement saying ‘The House of Givenchy applauds Riccardo Tisci’s vision that led to a very successful twelve-year partnership. We warmly thank him for his outstanding contribution to our beautiful ongoing story.’

Tisci has given his thanks through Instagram, saying ‘a giant heartfelt thank you to Givenchy, LVMH, my incredible team, the magical atelier and everyone who made these 93 collections possible and all the other crazy adventures. You love and support, in the day and in the night, will forever remain in my heart.’

When Riccardo Tisci joined as creative director in 2005, Givenchy had been struggling since the brand’s eponymous creator had stepped down in 1995. It was a very tough task to undertake, but Tisci slowly started to turn things around and began a new era in the brand’s history.

From left to right: Couture Fall ’10, Couture Spring ’12, Couture Spring ‘17

Pre-Riccardo, Givenchy’s main muse was Audrey Hepburn who was the first to wear Givenchy’s ‘little black dress.’ From that point, there was always an association to a feminine, classic yet cool feel. Tisci continued incorporating very feminine detailing in his designs, however, he began to use them to communicate strength and power in his creations for women. This new direction began to gain momentum and created a new course of success for the brand.

From left to right: Ready to Wear AW15, Ready to Wear SS16, Ready to Wear SS17

Tisci’s re-invention of Givenchy’s muse as a fiery, sensual, and strong woman has gained a loyal celebrity following. Bella Hadid and the Kardashians are all seen in his creations on a regular basis. The designer was also specially commissioned to create the costumes for Rihanna’s world tour ‘Diamonds’ in 2013. Beyoncé has also played a part increasing the brand’s popularity. Givenchy designs appear in her music videos, she references thebrand name in song lyrics and she has chosen to wear Givenchy for the last five Met Gala balls.

From left to right: Beyoncé at the Met Gala in 2012, 2016 and 2014

By Natalie Hanson

After nearly six years as creative director at Chloé, it has been confirmed that Clare Waight Keller will step down from her role at the luxury label at the end of March.

In a press release issued by the brand, it was announced that Waight Keller would be leaving under ‘mutual agreement.’ It is speculated that the designer decided not to renew her contract with the fashion house in order move back to London to be with her family.

The British designer was named as creative director of the French fashion house in May 2011 and has since written ‘a new chapter’ in the history of Chloé, as the brand stated in the press release, highlighting how ‘the fashion label has enjoyed remarkable growth and worldwide expansion’ since Clare took the reigns.

Waight Keller spoke of her departure through an Instagram post, saying ‘Winter 17 the final bow – #thankyou to everyone @chloe for an amazing six years. It’s been an extraordinary journey at this beautiful Maison and one I’m very proud of #merci to all of you. Clare x’

The designer’s last collection for the brand will be for the Autumn/Winter 2017/18 season, with the runway show to be held on 2nd March in Paris. Her last day of work will be on the 31st March.

Rumours have been circulating that Natacha Ramsay-Levi, currently a senior designer at Louis Vuitton, will be the one to succeed Waight Keller. However, as yet there has been no official confirmation from Chloe.

Below, we take a look back at some of our favourite shows in her time at the helm.

SPRING/SUMMER 2012

All eyes were on Waight Keller as she showed her first collection for the luxury label. She didn’t stray too far from the look of her predecessor, Hannah MacGibbon, with her freshman outing. However, there were touches reminiscent of Karl Lagerfeld’s time at Chloé with floral embroideries and flowing shorts. The collection was pretty and ‘fluidity, femininity, but boyish’ were the buzzwords.

SPRING/SUMMER 2013

Waight Keller had to tackle Chloé’s 60th anniversary during only her third season at the fashion house. However, she answered this challenge by presenting her most accomplished collection to date. She perfectly showcased the brand’s state of mind and referenced something that Chloé’s founder, Gaby Aghion, had said to her that struck a chord; ‘I never explain anything. I live my life, and I live the life I love.’

AUTUMN/WINTER 2013

For this season, Waight Keller showed a tougher girl than would have previously been expected for Chloé, and in doing so she really started to put her own stamp on the label’s look. She said of the show, ‘it’s essentially about girls creating independence through the way they dress.’

SPRING/SUMMER 2014

This collection harked back to the brand’s French roots, with a more overtly feminine feel and that classic French style. The muse was more sensual than before and the boyish toughness was softened although it did not disappear completely.

AUTUMN/WINTER 2015

This collection had widespread appeal and showed how Waight Keller’s confidence had increased when handling collections for the Chloé girl. The show had folksy elements yet had a tough edge that showed a strength and maturity.

AUTUMN/WINTER 2016

The inspiration for this collection was Anne-France Dautheville, a Frenchwoman who rode a motorbike through Europe and the Middle East in the ‘70s. Through this choice of muse, Waight Keller channelled the free-spirited festival girl and wild rebel biker chick to showcase how Chloé was a top luxury brand with widespread appeal.

By Natalie Hanson

The key trends running through couture week created a world of opulence and maximalism in a fairytale setting. Intricate embellishments, shimmering metallics and dramatic ruffles dominated the catwalks, making for an elegant yet fun mood. There was a running theme of whimsical fantasy; it was a week full of princesses, goddesses and romantic heroines. Below, we round up all the major trends from this magical week in Paris.

YOU SHALL GO TO THE BALL

As would be expected at a couture week filled with fantasy, real princesses were catered for in true style. The ballgowns on offer really were the stuff of fairytales, with full and ruffled skirts almost as wide as the catwalks they were being showcased on. The inspiration for some looks was clear; the dramatic pale yellow creation that closed the Giambattista Valli show was more than reminiscent of Disney’s Belle, a fun reference given the much anticipated release of the new Beauty and the Beast film in March.

From left to right: Giambattista Valli, Chanel, Elie Saab

LIGHT AS A FEATHER

Feathers never fail to give a look of utmost opulence. At Chanel, feathers of palest pink and white were gathered in bold blocks at the hems of gowns and on the shoulders. Atelier Versace used an ombre effect of feathers to perfectly finish an intricately constructed metallic gown targeted squarely at the red-carpet audience. At Elie Saab, the feathers were delicate flourishes of baby blue and beige at the wrists and round the shoulders.

From left to right: Chanel, Givenchy, Elie Saab

FAIRY PRINCESS

Highly embellished, shimmering gowns created a whimsical look that wouldn’t be out of place if seen on a woodland fairy or elfin princess. The sheer, free-flowing fabrication as seen at Christian Dior and Valentino, only served to add to the fairytale quality of the gowns.

From left to right: Christian Dior, Valentino, Ralph & Russo

HIGH SHINE

Models slinked down the runways in head-to-toe shimmering creations that almost looked like liquid metal. At Schiaparelli and Ralph & Russo traditional gold and silver created striking metallic goddesses. At Valentino and Atelier Versace the use of soft pink gave a more romantic finish to the look.

From left to right: Ralph & Russo, Schiaparelli, Valentino

 RUFFLES ON RUFFLES

From bold ‘80s dropped hem skirts as seen at Ralph & Russo, to romantic soft layering at Christian Dior, ruffles were the texture of choice. Dramatic ballgowns were given the maximalist treatment at Giambattista Valli, Chanel and Zuhair Murad, with full ruffled skirts. At Valentino, the ruffles were on a smaller scale, creating a delicate and romantic look in soft pink.

From left to right: Ralph & Russo, Christian Dior, Giambattista Valli

 DIP IT LOW

The neckline of choice was a deep ‘v’ shape cut almost to the navel. It’s a flattering shape that will no doubt be popular amongst the A-listers that will be looking to wear these creations during awards season. The cut gave a Grecian quality to floor sweeping dresses at Christian Dior and Valentino, and created clean lines on heavily embellished gowns at Chanel and Ralph & Russo.

From left to right: Christian Dior, Valentino, Ralph & Russo)

LOOKING SHARP

For those who prefer an alternative silhouette, there were ample offerings of suits to create a stylish look with a masculine edge. Jean Paul Gaultier showed a relaxed take on the tuxedo, Christian Dior’s black suit had a military slant and Schiaparelli’s was high shine and super-slim cut.

From left to right: Armani Privé, Schiaparelli, Christian Dior

HEAVY EMBELLISHMENT

Whether used to intricately bejewelled gowns as at Ralph & Russo and Armani Privé, or to create complete scenes of palm trees, sail boats and fireworks as at Elie Saab and Zuhair Murad, head-to-toe embroidery prevailed at couture week. The results were exquisitely detailed gowns that showcased the couture houses’ intimate attention to detail and the highlighted the amount of time and effort that goes into making one of these beautiful creations.

From left to right: Elie Saab, Ralph & Russo, Zuhair Murad

SHEER CHIFFON

Layers of sheer, smooth chiffon were used at many shows to create flowing gowns with an ethereal feel. At Atelier Versace, ombre colouring and pleating gave a slightly more graphic feel to the look. But for the most part, pale pinks, baby blues and neutral colours were used to make for a romantic finish.

From left to right: Elie Saab, Ralph & Russo, Christian Dior

By Natalie Hanson

Couture week was, by all accounts, a magical affair. It provided some much needed escapism from the January blues and gave A-list actresses plenty to choose from when it comes to selecting a headline-grabbing Oscars outfit next month.

From left to right: Christian Dior, Elie Saab, Valentino

Themes were whimsical and romantic, with princesses being the muse of choice; from the woodland fairy variety to the more traditional sweeping ballgown Cinderella-types. There was even a nod to Belle of Beauty and the Beast at the end of the Giambattista Valli show, no doubt due to the film’s impending release in theatres this March.

From left to right: Giambattista Valli, Chanel, Elie Saab

The mood was fanciful and maximalist. Feathers, extreme ruffles and all over glittering embellishments created all the intricate detail and drama one expects from haute couture.

From left to right: Chanel, Ralph & Russo, Elie Saab

However, the majority of collections were notably more commercial and less high-risk than is traditional of couture shows. Models floated down the catwalks in flowing chiffon layers and shimmering metallic gowns that were both romantic and elegant; a look that easily translates to the red carpet. All bases were covered as there was also ample offering of s harp tailored suits for those who might prefer an alternative look.

From left to right: Elie Saab, Schiaparelli, Ralph & Russo

Perhaps this was due to the amount of change on the couture scene this season. All eyes were on Maria Grazia Chiuri as she showed her first couture collection for Christian Dior (for our full review, click here).

For a run-down of all the major trends seen at Paris couture week, click here

By Natalie Hanson

At the helm of Vogue Italia for almost 30 years, she was one of the most powerful and revolutionary journalists in the fashion industry.

Franca Sozzani, the editor-in-chief of Italian Vogue, passed away on 22^nd December after a year-long illness. While she might not have been a global household name like her US counterpart and friend Anna Wintour, she was undoubtedly a giant of Italian fashion.

Born in Mantua, her father, a classic Italian patriarch, was an industrial engineer who did not approve his daughter’s early ambitions to study physics. She studied literature and philosophy at university in Milan instead, and married soon after, although she knew, as she later admitted, that the marriage was doomed before she walked into the church. Franca would later confess that romantic relationships were the one weak link in her formidable arsenal of triumphs. The couple divorced three months later, and the free-spirited Franca went to India to find herself, followed by time in London, to nurture her creative spirit.

Franca was especially close to her only child, Francesco, whom she raised more or less alone. Like her, he studied philosophy, but spent recent years directing and producing a documentary about his mother. The result, Franca: Chaos and Creation, which had its premiere at the Venice Film Festival in September, and will be released in early 2017. Francesco payed tribute to his mother, telling The New York Times, ‘My mother sacrificed herself for me and for her work.’

Franca’s illustrious career began with Vogue Bambini in 1976 with an assistant role, followed in 1980 with the editorship of Lei, aimed at young women, with Per Lui, its male counterpart, following in 1982. She transformed both these titles into displays for the most dynamic trends in international fashion and lifestyle image-making. When Oliviero Toscani, her key photographer, moved on from her magazines, she began nurturing a dazzling talent roster of emerging photographers including Mario Testino, Paolo Roversi, Herb Ritts, Peter Lindbergh, Bruce Weber, and Steven Meisel, all of whom were attracted by the unprecedented editorial freedom that she gave them, and her passion for photography. Allowing them to communicate through powerful imagery, she earned their unswerving loyalty and willingness to work with her magazines’ negligible budgets.

In 1988, Franca was appointed Editor in Chief of Italian Vogue, immediately shaking up the formulaic title with dynamic covers and content, creating a magazine that, in her words, would be, ‘extravagant, experimental, and innovative.’ Then by 1994, she was made Editor in Chief of Italian Condé Nast.

Franca Sozzani’s maverick spirit transformed Italian Vogue into a magazine that not only celebrated the power of the image, but also used fashion stories as a platform to discuss broader issues, and the obsessions of the fashionable world. Her fearless willingness to tackle provocative and controversial social and cultural issues through the medium of fashion shoots immediately began as she made a statement with her first issue, for August 1988, with the single cover line ‘Il Nuovo Stile,’ meaning, ‘The New Style’. Coupled with a sepia-washed black-and-white image by Meisel of model Robin MacKintosh, wearing a plain white Ferré blouse, this message signalled that she was not going to be playing by anyone else’s rules.

Not only a magazine editor, Franca also took an active role in social issues beyond the pages of her magazines. She was the creative director of Convivio, the AIDS initiative that Gianni Versace launched in 1992, and founded Child Priority with Jonathan Newhouse, to provide work opportunities for underprivileged children. Franca was also appointed global ambassador against hunger for the United Nations World Food Programme, with a focus on the empowerment and education of women and girls, and as their goodwill ambassador for Fashion 4 Development, she worked in areas including poverty and gender equality, through the medium of fashion-based initiatives. In this capacity, she travelled extensively through Africa, subsequently raising global awareness, and funds, to support the projects.

During Sozzani’s almost three decades at the helm of Italian Vogue, the magazine was transformed from one simply about clothes into one that championed its photographers, regularly broke boundaries, and never shied away from important issues. Here we look back at the most controversial covers under her editorship.

The Tale of Thomas Burberry is Burberry’s new campaign that kicks off the festive season for the brand. Written by Matt Charman and directed by Asif Kapadia, it comprises a three-minute cinematic trailer, which reimagines key events that have shaped the company’s history and values.

Real life moments re-enacted in the film include Thomas’s invention of the weatherproof fabric gabardine, dressing the military, and outfitting polar explorers and pilots. Shot primarily at Shirburn Castle in Oxfordshire, the location served as the backdrop for the faithfully recreated First World War trenches, and Thomas’s workshop inspired by materials in the Burberry Archive. Replica gabardine tents, made at Burberry’s Castleford factory in Yorkshire, were created for the exploration scenes.

The Characters

 Thomas Burberry

Played by Irish actor Domhnall Gleeson, Thomas who was born in 1835, became an apprentice draper before establishing his eponymous company at the age of 21, initially specialising in outdoor attire. He invented the gabardine fabric, which is reflected in the film, being at the heart of the trench coat story. The coat evolved over the years to serve the needs of the military, and has become the famous design we recognise today.

 Sara

Sara is Thomas’s fictional first love and mother to his children, and is played by British actress Sienna Miller.

 Sir Ernest Shackleton

Burberry was the outfitter of choice for several polar explorers during the Heroic Age of Antarctic Exploration, including Sir Ernest Shackleton, who is played by British actor Dominic West. The film focuses on Shackleton’s ill-fated Endurance Expedition to the Antarctic in 1914, which he survived.

 Betty Dawson

A female pilot who is played by British actress Lily James, this fictional character is inspired by the real life achievements of Betty Kirby-Green, who completed a record-breaking round trip from England to Cape Town in 1937 in ‘The Burberry’ aeroplane, dressed in Bur

The most stylish street style looks during Milan Fashion Week at Gucci SS17 show.

Fendi initially gave life to the Fendirumi to pay homage to the Japanese pop culture of the Kigurumi, originally Japanese mascots created in the 80’s to promote expo held by a local public entity.

The furry celebrities are 2 meters of fun and excitement. The girly pink and sweet Piro-chan is inspired by the Qutweetcharm with yellow rounded eyes, blue crest and FENDI logo, while the boyish blue with an attitude Bug-kun is inspired by the iconic Bag Bugs charm with its yellow crest.

These full size icons inspire two bag charms, which are miniature versions of their full-size counterparts, recreated in mink and kidassia fur. The Bug-kun charm also features fox fur, while the Piro-chan has big crystal eyes.

The Oscar de la Renta company announced today that Peter Copping, who was handpicked by De la Renta before his death in October 2014, is stepping down as creative director. ‘After almost two years at Oscar de la Renta, personal circumstances require me to return to Europe. I have loved my time in New York where I hope to return at some point in the future,’ Copping said in a statement.

Before moving to New York, the British-born Copping was artistic director of the Puig-owned Nina Ricci, and also spent time at Louis Vuitton and Sonia Rykiel. Copping presented his debut New York Fashion Week collection in February of 2015 and was the only designer besides Oscar de la Renta to head up the family-run brand.

While a replacement for Copping has not yet been named, the rumour mill is already humming with the possibility that former Oscar de la Renta design team members Laura Kim and Fernando Garcia could rejoin the company. However Chief Executive Officer of the company Alex Bolen said, ‘our team will continue to work on next season’s collection with a keen focus on the level of sophistication and craftsmanship that are the hallmarks of the house. We wish Peter well in his future endeavours.’

The new PF16 collection from Jimmy Choo captures the duality of the modern woman, juxtaposing lady-like sophistication with a bold insouciance. The silhouettes are sleek and graphic, with a focus on midi-heels and flats for modern style on the go. However it is all in the detail, with studding, embellishment, textures and metallic surfaces.

 ‘For PF16 I wanted to explore the relationship between personality and style.  Inspired by the iconic look of style-makers such as Edie Sedgwick, the collection embraces a spirited, daring attitude,’ explains Creative Director Sandra Choi.

It’s all about accessorising your accessories, to add a pump of adrenaline into your everyday wardrobe. Luxury trinkets are both stylish and playful, they also help add that touch of individuality to your look. Either go for a Fendi bag bug, a novelty phone case, or Anya Hindmarch’s kitsch leather stickers, and layer them up.

From left: Sophie Hulme, Dolce & Gabbana, Anya HIndmarch

On Tuesday 3rd May 2016, Karl Lagerfeld presented the Chanel 2016/17 cruise collection in Havana, Cuba, a first for the brand. The location was a symbolic one with the runway show taking place on the Paseo del Prado, which was redesigned in 1928 by a French architect.

The underlying theme of the collection is an interpretation of the guayabera, the traditional Cuban shirt with pockets, shoulder tabs and flat pleats, nicknamed the “Cuban Tux” by Karl Lagerfeld himself. Day looks incorporated the guayabera with delicate blouses, rolled up chino trousers and flared skirts. Playful looks also took centre stage with rhinestoned cycling shorts, embroidered pieces and tops featuring multi coloured palm trees. Scooped neck lines and feminine silhouettes such as pencil skirts, ethereal dresses and candy shades echoed through the runway.

The palette is inspired by the vibrant baroque facades of the old town which perfectly complemented its surroundings. Bright colours featuring sequins, fringes and feathers and puffed sleeves were a main feature, adding to the drama of the ‘street party’ feel of the runway. Accessories consisted of woven flip flops, caged sandals, ankle socks and multi-coloured local snail patterns. The party continued at the Plaza de la Catedral in Havan Old Town, with over 600 guests including CHANEL ambassadresses Vanessa Paradis, Gisele Bundchen and Alice Dellal.

By Amy Louise

Clockwise from Left

Lisa Marie Fernandez: The wrap around style is featuring heavily in swimwear at the moment and gives great added support. This bikini is also crafted from flexible, faded denim.

Mara Hoffman: Mara Hoffman continues to impress with her bold and eclectic styles. This wet suit is great for providing more coverage with a colourful, bold twist.

Lisa Marie Fernandez: This retro style gives great support with boning at the sides and a zip detail at the front, creating the perfect silhouette.

Duskii: Designed with figure-flattering stripes and panels to accentuate those curves. The neoprene material perfectly molds to your body and is perfect for active beach days or for channeling that sporty luxe look.

Flagpole Swim: This bikini is perfect for the active at heart. With an open back and material that fits as a second skin, it is ideal for yoga or diving or perfecting the sporty beach trend.

By Amy Louise