Emirates signed eight Memorandum of Understandings (MoUs) with international tourism boards on the first day of Arabian Travel Market (ATM) 2025, demonstrating its commitment to boosting global and UAE tourism.

The airline formalised agreements with the tourism boards of Sharjah, The Philippines, Maldives, Visit Britain, Thailand, Japan National Tourist Organization (JNTO), Uganda and Hungary. Each MoU aims to attract more travellers across Emirates’ network of over 140 destinations, while promoting the unique attractions of each locale.

The new partnership with Sharjah Commerce and Tourism Authority (SCTDA) will see the two parties work together to promote tourism and increase visitor arrivals to the emirate. Activities include bespoke packages for tour operators, cross-promotional marketing, familiarisation programmes and promotional competitions marketed through Emirates’ ‘Dubai Experience’ platform.

Emirates also signed an MoU with the Department of Tourism Philippines, focusing on driving inbound tourism from the Middle East and Europe. Joint initiatives will include marketing campaigns and familiarisation trips for media and tourism stakeholders.

In collaboration with the Maldives Marketing and PR Corporation, Emirates will roll out joint advertising campaigns and customised travel packages to promote the archipelago, alongside initiatives to support trade and cargo opportunities.

A declaration of intent was signed with VisitBritain to increase travel demand to major UK cities including London, Birmingham, Manchester, Newcastle, Edinburgh and Glasgow. Emirates currently operates 133 weekly flights to and from the United Kingdom. According to VisitBritain forecasts, the UK is expected to welcome 43.4 million visits in 2025.

The Tourism Authority of Thailand (TAT) has partnered with Emirates to promote Thailand through joint campaigns, media familiarisation trips and special promotional packages targeting key global markets.

Emirates has also partnered with the Japan National Tourism Organization (JNTO) to support tourism between Japan and the Middle East. The collaboration will include data sharing, joint analyses and potential promotional campaigns.

Following a successful year of partnership, Emirates renewed its MoU with Uganda Tourism Board. Initiatives have already contributed to a 16 percent rise in passengers on the Dubai to Entebbe route since January 2025.

Finally, Emirates and Visit Hungary agreed to work closely on joint marketing and media familiarisation programmes to promote Budapest and Hungary’s touristic offerings.

emirates.com

Carolina Herrera has announced that it will present its Spring Summer 2026 collection in Madrid on Thursday the 18th of September 2025.

This marks the first time the fashion house will debut a main collection outside of New York Fashion Week, following previous destination shows for its Resort 2024 and 2025 collections in Rio de Janeiro and Mexico City, respectively.

The show will be led by Creative Director Wes Gordon, who spoke of his admiration for Madrid’s rich history, art, and culture. “Madrid has always been one of my favourite cities in the world,” he said. Gordon highlighted the city’s vibrant energy and distinct approach to beauty and joy, noting that it provides a full recharge of inspiration whenever he visits.

Celebrations will begin with an intimate dinner on the 17th of September, ahead of the runway event the following evening. Carolina Herrera plans to honour Madrid by collaborating with Spanish creatives and artisans, incorporating their craftsmanship into the collection as a tribute to the country’s artistic heritage.

This is not the House of Herrera’s first activation in Madrid. In 2023, as part of its Carolina Herrera for Women in the Arts initiative, the brand sponsored the “Maestras – Women Masters” exhibition at the Thyssen-Bornemisza National Museum. The exhibition featured over 100 works by artists such as Artemisia Gentileschi, Angelica Kauffmann, and Sonia Delaunay. Wes Gordon also served as a judge for Vogue España’s 2024 Fashion Fund.

While the brand will stage this special event in Madrid, it plans to return to the New York Fashion Week calendar in 2026. A private client preview event will also be hosted in New York ahead of the Madrid show.

CarolinaHerrera.com

Abu Dhabi’s tourism and hospitality sectors have continued to build on the momentum of a successful 2024, with the Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi) reporting robust growth in the first quarter of 2025 during the Arabian Travel Market (ATM), which is currently underway in Dubai.

Between January and March this year, Abu Dhabi welcomed 1.4 million hotel guests, marking an increase in international arrivals from key markets such as India, China, Russia, the UK and the US.

This growth contributed to AED 2.3 billion in hotel revenues, an 18 percent rise compared to the same period in 2024. Revenue per available room (RevPAR) also grew by 25 percent year-on-year to reach AED 484, with occupancy rates across the emirate averaging 79 percent, including during Ramadan.

The sector’s performance positions Abu Dhabi on track to achieve its goal of contributing AED 62 billion to the local economy in 2025, up 13 percent from the previous year, and supporting 255,000 jobs.

H.E. Saood Abdulaziz Al Hosani, Undersecretary of DCT Abu Dhabi, said the department’s strategic and data-driven approach has underpinned the results: “Sustained investment into data-led destination marketing, diversified programming, a culture-first ethos and ever-improving visitor experience touchpoints have driven robust growth in Q1 2025″.

DCT Abu Dhabi is currently presenting its latest developments at ATM 2025, with an ‘Experience Abu Dhabi’ stand highlighting the cultural attractions across the emirate, with a focus on Saadiyat Cultural District, Al Ain Region and Al Dhafra Region. Throughout the fair, the stand will host 73 partners, including Etihad Airways, Miral and Yas Island, under the theme of enhancing global tourism connectivity.

This year’s Q1 performance builds on the emirate’s strong results in 2024, when Abu Dhabi saw a 7 percent rise in hotel and alternative accommodation guests and a 28 percent increase in international overnight visitors, reaching 3.2 million. Hotel revenues totalled over AED 7.6 billion last year, up 18.1 percent, with RevPAR climbing 22 percent.

New cultural offerings are arguably contributing to Abu Dhabi’s appeal. teamLab Phenomena Abu Dhabi recently opened in Saadiyat Cultural District, joining Louvre Abu Dhabi and soon-to-open institutions including Zayed National Museum and Guggenheim Abu Dhabi.

visitabudhabi.ae

The Arabian Travel Market is currently underway in Dubai, and at the gathering, Wego, the largest online travel marketplace in the Middle East and North Africa, has revealed its latest destination rankings based on user search data.

The results, covering the first four months of 2025, show Egypt, Saudi Arabia, and India retaining their top positions as the most popular international travel destinations for Middle East travellers.

Egypt continues its uninterrupted reign at the top, a position it has held since Wego began tracking destination popularity in 2014. Saudi Arabia remains in second place, while India maintains third place. India’s strong showing is attributed to its large diaspora in the Middle East, alongside recent developments in flight connectivity, including new routes from IndiGo, Akasa Air, and Royal Jordanian to Abu Dhabi, Delhi, and Mumbai.

Mamoun Hmidan, Chief Business Officer at Wego, commented: “Egypt and Saudi Arabia have consistently held leading positions on our platform, a reflection of their strong outbound and domestic travel appetite, well-established tourism infrastructure, and year-round demand. This upward trend has remained steady for over a decade, supported by increased connectivity and evolving traveller preferences. India, securing third place, underscores the influence of its vast and growing diaspora, especially within the Middle East.”

The biggest climber is Syria, which has surged 30 places to enter the top 10 following the resumption of international flights from Damascus and Aleppo. Qatar Airways has reported a 90 percent seat occupancy rate on its Doha to Damascus route, with further direct flights to the UAE commencing in April.

Nepal also recorded notable growth, climbing 12 places to 21st position, supported by the opening of Pokhara International Airport to its first international passengers in the first quarter of 2025.

Elsewhere, the United States dropped two places to 20th, with travel interest declining further in March and April. Wego attributes this fall to stricter visa and border policies introduced since late 2024. Los Angeles experienced the steepest decline among US cities, though Miami bucked the trend with an increase in travel interest.

Within Europe, the United Kingdom has retained its status as the top European destination for Middle East travellers for 36 consecutive months, despite losing six places in the overall rankings compared to 2023. Increased air passenger duty costs have been cited as a factor impacting demand.

Wego’s analysis is based on tens of millions of trip searches and bookings by Middle East users between January and April 2025.

wego.com

The Louis Vuitton Fall-Winter 2025 Men’s Pre-Collection Campaign is inspired by the golden age of travel.

Designed by Men’s Creative Director Pharrell Williams, the campaign charts a course from Paris to Miami. 

Presented through a campaign photographed by Rosie Marks and filmed by Gregoire Dyer, the collection captures a wardrobe tailored to the journey, the destination, and everything in between.

The collection adopts a two-part structure reflecting the dandy’s voyage. The “transit wardrobe” embraces formal tailoring and classic sportswear, inspired by the cruise liner dress codes of the early twentieth century. 

The pieces, rendered in sunset hues and seaborne plush textures, include navy-inspired garments such as collarless sailing jackets, striped knitwear, and tailored three-piece suits.

Contemporary materials reinterpret classic motifs, with moiré patterns expressed through jacquard and denim, while the Monogram Regatta print, featuring tiny boats, acts as a seasonal emblem across nylon and chambray designs.

The “arrival wardrobe” transitions to Miami’s coastal atmosphere, with pastel-toned daywear and poolside loungewear. Garments such as French terry towelling coats, bowling sets in silk, and pyjama suits in khaki and magenta are decorated with Monogram Glow motifs.

Resort references continue in raffia-detailed jackets and striped silk-viscose over-shirts, reflecting Miami’s vibrant palette and casual spirit.

Leather goods complement the wardrobe, incorporating naval and hotel design elements. The Monogram Heritage line is reimagined in off-white and light blue canvas with hotel key charms, while the Damier Denim 3D pattern appears across classic and new bags, including the Montsouris Cargo Backpack and the Nevereverfull.

Notable designs include a handwoven wicker Keepall, a dolphin-shaped bag, and accessories such as a champagne cooler crafted in white crockery.

Footwear explores transatlantic style and beach elements. Highlights include raffia-trimmed loafers, pink and light blue suede football boots, and the LV Traveller slipper, inspired by hotel amenities. Accessories feature sailor-themed jewellery, terry towel socks, and nautical-inspired sunglasses under the LV Super Vision and LV Slide Square lines.

Pharrell Williams’ latest menswear collection for Louis Vuitton showcases a cross-continental evolution of traditional dress codes through a contemporary, elevated lens, affirming the LVERS philosophy that unites the House’s global community from Paris to Miami.

louisvuitton.com

Coach has announced the launch of its latest campaign, “Not Just For Walking,” designed to spotlight the brand’s new Soho Sneaker. 

The campaign features a diverse cast including singer and rapper Audrey Nuna, model Giovanna Ramos, college basketball player Tahaad Pettiford, WNBA player Satou Sabally and NASCAR driver Toni Breidinger. Each was selected for their connection to sneaker culture, their inspiring personal stories and their expressive approach to style.

Directed by filmmaker Colin Tilley, the campaign presents the Soho Sneaker as a versatile choice that fits a wide range of lifestyles and activities. Through a series of imaginative scenarios, ranging from the everyday to the irreverent, the sneaker is positioned as an adaptable companion that supports individuality. Photographer Chris Maggio has also captured the campaign’s spirit, creating a suite of striking images that distil each scenario into a visual narrative.

According to Coach, the campaign reinforces its wider brand purpose, the Courage to Be Real, aiming to inspire individuals to confidently explore and express their multifaceted identities.

Joon Silverstein, Chief Marketing Officer at Coach, said, “With the launch of our Coach Soho sneaker, we wanted to tell a different kind of story. Not about hype. Not about status. Not about collecting. But about real life, and what consumers want from a sneaker today. Style that adapts to the many expressions of who they are.”

The Soho Sneaker made its first appearance on the Coach Spring 2025 runway. Its design draws inspiration from the cross-training sneakers of the late 1980s and early 1990s, reimagining a classic silhouette through the lens of Coach’s distinctive aesthetic. Named after New York City’s Soho neighbourhood, the sneaker is intended to evoke the creative spirit of the area, known for its unique intersection of identities and personal styles.

coach.com

Moynat has announced the launch of the Hobo bag, the latest addition to its ‘M’ Collection. 

Crafted in the House’s signature monogram canvas, the new design combines elegance with practicality. Featuring a sleek leather handle, zip closure and an adjustable strap, the bag can be worn either over the shoulder or cross-body.

Moynat, founded in 1849, is renowned for its history in trunk making. Its founder, Pauline Moynat, was an early innovator, introducing the “English Trunk” in 1873. This was the first trunk to be coated with gutta-percha, a newly discovered vegetal gum from Indonesia, providing a waterproof finish that contributed significantly to the House’s reputation for technical excellence. In the early 1900s, the ‘M’ monogram was introduced by Henri Rapin, hand-painted onto canvas trunks and became an instantly recognisable hallmark of the brand.

The ‘M’ Collection is a modern expression of this legacy, merging traditional craftsmanship with contemporary innovation. The Hobo bag is available in brown, black, blue, grey, red, pink and yellow, and is now offered in all Moynat boutiques worldwide.

The campaign promoting the Hobo bag was shot by photographer Yasmine Diba, featuring California-based creative and entrepreneur Devon Lee Carlson. The visual story focuses on candid, playful moments between Carlson and the bag, styled by Mel Ottenberg.

Moynat.com

The 34th Abu Dhabi International Book Fair (ADIBF) launched in the UAE capital this weekend, featuring a distinguished group of Arab and international authors, intellectuals, and creatives. 

Organised by the Abu Dhabi Arabic Language Centre (ALC) and under the patronage of His Highness Sheikh Mohamed bin Zayed Al Nahyan, President of the UAE, the fair will run until the 5th of May at the ADNEC Centre Abu Dhabi.

This year’s fair, held under the theme ‘Knowledge Illuminates Our Community’, is structured around five main themes offering sessions, lectures, special evenings, and workshops. The Cultural Programme aims to promote cultural and intellectual exchange, preserving Arab linguistic and cultural heritage while engaging with world cultures.

Highlights include sessions such as ‘The 50 Most Important Novels of the 21st Century’, featuring Saeed Hamdan Al Tunaiji, Dr. Mohamed Abouelfadl Badran, and Dr. Haytham Alhaj Aly. Another key event is ‘Dreams Unveiled: Ancient Arab Interpretations’, where Dr. Bilal Orfali and Ali Al Abdan will explore the historical significance of dream interpretation.

The programme also features ‘The Role of Zayed National Museum in Preserving Maritime Heritage: The Magan Boat project’, with speakers including Emma Thompson, Dr. Eric Staples, and Mai Al Mansoori. Additional discussions include ‘Singing the Classics: 101 Timeless Arabic Poems’ and ‘Stories in Frames: A Celebration of Heritage’, examining Arabic poetry’s influence and the role of short films in cultural preservation.

Social media’s influence on reading habits will be addressed in ‘Content That Connects: Inspiring Generations Through Social Media’, featuring Zaina Khaled and Lana Medawar.

The 2025 Focus Personality is Ibn Sina (Avicenna), with sessions celebrating his contributions to medicine, philosophy, and the bridging of Eastern and Western knowledge. Sessions include ‘Avicenna’s Healing Legacy: From Ancient Texts to Modern Medicine’, ‘Avicenna The Scholar Who United East and West’, and ‘Avicenna’s Legacy: Classical Wisdom in Contemporary Philosophy’.

The Book of the World spotlight will centre on ‘One Thousand and One Nights’, with scholars such as Dr. Abdullah Al Ghathami and Bing Zhu Yun examining its impact across cultures and languages.

For more details on how to attend, visit adbookfair.com

Dior’s Spring/Summer 2025 haute couture collection focused on the Cigale silhouette, first designed by Monsieur Dior for the autumn-winter 1952-1953 haute couture line.

This season, Maria Grazia Chiuri reinvents this iconic shape in the original moiré fabrics, adopted for a little skirt paired with a fitted tailcoat, accentuating the contrasting proportions. The cape is embellished with feathers delicately crafted in organza.

The crinoline, in its modern, practical version, proves to be an extraordinary breeding ground for memories, yielding to the most excessive fantasies and motifs.

This shaken cage concealing its construction discloses threads that stretch and undulate with every movement, like embroidered branches. Simply hiding its structure, the underwiring enhances light blouses sublimated by floral embroidery. The visible bustiers and draped skirts are unforgettable.

Black, both sober and superb, magnifies the coats, which orchestrate and underline the choreography of minute motions. The long dress shines supremely with its three-dimensional burnished silver embroidery, at the heart of a poetics of the absurd.

It seems suspended in the perpetual temporality of fashion, the essence of which is to fulfil desires of all kinds.

As with all the brand’s offerings, this feminine collection celebrates the mastery and talent of the house’s founder, bring romance and fairy-tales to life.

dior.com

This season, Schiaparelli turns its attention to the zebra, introducing an ecru and black jacquard print across a series of tailored garments and accessories.

Described by the Maison as part of its “chic and whimsical bestiary”, the motif is used to striking effect throughout the collection.

The zebra pattern features across fitted jackets, cowboy trousers, silk dresses and suits, each cut to create distinctive silhouettes. The designs reflect Schiaparelli’s continued emphasis on structured, imaginative tailoring, blending theatricality with precision.

The motif is not limited to clothing. It extends into the Maison’s accessories line, appearing on the calfskin leather of the Face bags and on its signature Keyhole pumps.

A more understated interpretation is offered through jewellery, with miniature versions of the zebra pattern incorporated into bangle necklaces and earrings.

With this collection, Schiaparelli reaffirms its approach to design: a balance of bold statement pieces and refined detail, maintaining the tension between whimsy and technical rigour that has long characterised the house.

The Maison refers to the new collection as “chic from A to Zebra”, signalling its intention to integrate the motif throughout a complete wardrobe and accessories range.

Schiaparelli.com

The international conference Sustainable Creative Art: Inspiration from Nature (SCIN), hosted by Istituto Marangoni Dubai in collaboration with IEREK, Abu Dhabi University, and Zhejiang University of Science and Technology, concluded yesterday after a three-day programme held across the Museum of the Future, Abu Dhabi University’s Dubai campus, and Istituto Marangoni Dubai.

Running from the 22nd to the 24th of April, the event brought together global leaders in design, education, and the arts to examine sustainability’s growing role across creative disciplines. Her Excellency Hala Badri, Director General of Dubai Culture and Arts Authority, officially opened the conference. She emphasised that sustainability in the cultural and creative industries “goes beyond materials or techniques—it is a mindset grounded in purpose, heritage, and responsibility”.

Roberto La Iacona, Institution Director at Istituto Marangoni Dubai

Speakers across the three days included Prof. Barry O’Mahony, Provost of Abu Dhabi University; Mr. Roberto La Iacona, Institution Director at Istituto Marangoni Dubai; Dr. Mohamed El Kaftangui, Chair of EDMSET; Dr. Paolo Caratelli, Head of Research at Istituto Marangoni Dubai and Chair of SCIN; Francesco Fioretto, Research and Education Director at Istituto Marangoni Group; and Dr. Mourad Amer, CEO and Founder of IEREK.

High-profile keynote speakers included Mr. Ross Lovegrove, designer and Istituto Marangoni Mentor; Mr. Giovanni Pungetti, former global CEO of Maison Margiela; Prof. Lorenzo Imbesi, President of the Cumulus Association; Prof. Paolo Petrocelli, Head of Dubai Opera; and Prof. Gabriele Goretti of the University of Pisa.

Sessions explored sustainability’s influence on fields such as architecture, fashion, performing arts, and visual culture. Topics ranged from biophilic design and emotionally driven visual storytelling to circular fashion and responsible innovation.

The programme also featured a series of expert-led masterclasses, offering attendees practical insights into topics such as sustainable thinking in film writing and the integration of biophilia in design for wellbeing.

Roberto La Iacona described the event as “a celebration of ideas and research from creatives and academics around the world”, reinforcing the institute’s commitment to advancing dialogue around sustainability and creativity.

The SCIN Conference highlighted Istituto Marangoni Dubai’s ongoing focus on equipping emerging creatives to respond to contemporary environmental challenges through thoughtful, nature-inspired design practices.

McLaren Dubai has delivered a one-of-a-kind McLaren 750S to a private customer.

 Created in collaboration with McLaren Special Operations (MSO), the British marque’s in-house customisation division, the car is described as “a tribute to all things McLaren” and showcases a variety of design elements that pay homage to the company’s heritage.

The bespoke 750S is finished in XP Green, a colour historically associated with McLaren’s racing past, complemented by yellow pinstriping and intricate exterior detailing. Notable features include Bruce McLaren’s signature on the air brake, the flags of the United Kingdom and New Zealand displayed side by side, and the iconic ‘speedy kiwi’ emblem on the mirror casings.

The theme continues inside the cabin, where green and tan elements reflect British racing tradition. Racing seats styled after those used in the McLaren Senna add to the motorsport focus, and further personalisation includes signature detailing on the seating arrangements.

This delivery underscores the growing appetite for customisation in the region. Over 25 percent of McLaren 750S units sold by McLaren Dubai feature extensive MSO personalisation. The city’s supercar community is known for its discerning preferences, particularly in tailoring vehicles to individual taste.

Mazen Al Nashar, General Manager at McLaren Dubai, commented: “Dubai is well-known for its passionate supercar community, who boast a strong preference for personalisation in their vehicles. It’s therefore extremely rewarding to work alongside the team at McLaren Special Operations and our valued customers to realise their ambitions in creating truly one-of-one McLarens and seeing the rare and wonderful creations that come about from this collaboration.”

The customer, who chose to remain anonymous, noted their enthusiasm for the 750S as an evolution of previous McLaren models such as the 765LT and 720S. “The car is a celebration of McLaren itself, and the guys at McLaren Special Operations did a fantastic job. It’s something very beautiful,” they said.

McLaren Dubai, part of Khalifa Juma Al Nabooda Group – Performance Tuning L.L.C, launched in 2023 and now operates the largest standalone McLaren showroom and aftersales facility in the world. All McLaren vehicles are assembled at the McLaren Production Centre in Woking, Surrey.

McLaren.com

BVLGARI has officially opened a new boutique in Riyadh, located within the recently launched Solitaire mall. The opening took place on Tuesday and marks the luxury Italian jeweller’s latest retail expansion in the region.

Solitaire is described as Riyadh’s newest multi-use lifestyle destination, designed to reimagine traditional retail through an immersive, urban concept. The development is aimed at a discerning clientele seeking elevated shopping experiences.

The BVLGARI boutique at Solitaire pays architectural tribute to the brand’s Roman roots. Its façade is based on a 1930s sketch of an intricate bracelet found in the BVLGARI Heritage archives. The design incorporates a geometric rhombus mesh pattern and eight-pointed stars, referencing the Maison’s historical motifs. Travertino Navona portals, echoing those used at the brand’s flagship store on Via Condotti in Rome, frame the boutique’s entrance and showcases.

Inside, the boutique follows BVLGARI’s global design language, which merges classic Roman elements with modern interpretations. A key feature is the Serpenti Chandelier, made from Murano glass by Venetian artisans from Venini. The piece draws from one of BVLGARI’s most recognisable symbols, the serpent, representing the brand’s Greco-Roman heritage fused with contemporary design.

The store also includes a private lounge space, created to reflect BVLGARI’s approach to luxury hospitality. This area is designed to accommodate guests in a refined but comfortable setting, aligning with the brand’s emphasis on exclusivity and personal service.

BVLGARI’s interior design concept globally reflects key tenets of Italian design: a bold use of precious materials, a strong sense of form, and a balance between ancient traditions and modern aesthetics. These elements are present throughout the new Riyadh boutique.

The launch at Solitaire is part of BVLGARI’s ongoing strategy to reinforce its presence in key global markets, offering visitors in Riyadh direct access to the brand’s jewellery, watches and other iconic collections.

bulgari.com

Cartier has introduced a new addition to its Panthère C de Cartier line with the launch of the Panthère C de Cartier Bucket Bag. 

The launch builds on the success of its 2021 collection by incorporating a fresh design that highlights both elegance and functionality.

Central to the new bucket bag is a jewellery-inspired buckle shaped like a capital ‘C’, enhanced with the profile of a panther’s head. This distinctive detail has become emblematic of the Panthère C collection. For the bucket bag, Cartier has reinterpreted this motif to serve as the shoulder buckle, offering both an aesthetic focal point and a practical feature.

The design reflects the legacy of Jeanne Toussaint, Cartier’s creative director in the mid-20th century. She was the first to introduce the sculptural panther to Cartier’s designs in the late 1940s, establishing a motif that has remained synonymous with the brand’s jewellery.

The bucket bag is described by Cartier as “intense and luminous,” combining refined detailing with modern versatility. The silhouette is structured and graphic, enhanced by saddle-stitching that reinforces its clean lines. The bag is designed to be worn either crossbody or on the shoulder, thanks to its adjustable strap featuring the new panther buckle.

Available in two sizes—small and mini—the Panthère C de Cartier Bucket Bag comes in two colours: black and salt white. Each version maintains the same commitment to quality and craftsmanship that characterises the wider Panthère C collection.

This latest release continues Cartier’s exploration of integrating its jewellery expertise into leather goods, offering a sophisticated option for those seeking everyday luxury with a signature design element.

The Panthère C de Cartier Bucket Bag is now available at select Cartier boutiques and online.

cartier.com

CHANEL has launched its Spring-Summer 2025 Eyewear campaign, fronted by four prominent figures from the worlds of film and music: Lupita Nyong’o, Margaret Qualley, Nana Komatsu and Kendrick Lamar. 

Photographed by Karim Sadli, the campaign presents a sharp visual study of eyewear as a medium of personal expression that connects creativity and character.

Margaret Qualley

The campaign reflects CHANEL’s signature classic yet bold design through a curated selection of frames that merge retro shapes with modern flair. Details such as standout hardware and clean silhouettes echo the House’s longstanding design codes while pushing boundaries in form and styling.

Lupita Nyong’o

Each star in the campaign brings a distinct artistic identity. Lupita Nyong’o, who was named a CHANEL ambassador in October 2024, makes her debut in the campaign for the House. Known for her Academy Award-winning performance in 12 Years a Slave, Nyong’o described CHANEL as one of her earliest supporters, recalling her first appearances in the brand’s clothing over a decade ago. “There is a dedication to the liberty of the modern woman that resonates with me,” Nyong’o said. “CHANEL eyewear is extremely well-built, the designs are exquisite and can be worn with both a casual and more formal look.”

Nana Komatsu

Margaret Qualley, a long-time ambassador and actress known for her recent role in The Substance, noted the element of transformation the eyewear offers. “CHANEL glasses are special because they hold mystery. Suddenly, you’re Audrey Hepburn or Grace Kelly, you’re signalling that you’ve got secrets.”

Kendrick Lamar

Japanese actress Nana Komatsu, also a CHANEL ambassador, highlighted the brand’s emphasis on paradox and personal reinvention. “Eyewear adds spice to your style and sometimes balances out an overly formal outfit,” she said, adding that CHANEL’s blending of contrasting elements mirrors her own artistic expression.

Kendrick Lamar, a Grammy and Pulitzer Prize-winning artist, rounds out the group. Commenting on his participation, Lamar noted, “CHANEL has a timeless legacy, and that is always something I can get behind. Since they don’t make clothes for men, I knew it would have to be glasses.”

The Spring-Summer 2025 Eyewear campaign underscores CHANEL’s commitment to blending elegance with individual expression, reinforced through the presence of artists who each embody the brand’s evolving identity.

chanel.com

The grand opening of teamLab Phenomena Abu Dhabi was marked by the largest drone light show ever seen in the GCC, featuring 6,300 synchronised drones in a theatrical display accompanied by pyrotechnics and an original score by composer Ludovico Einaudi.

The event was attended by high-profile guests from the worlds of film, music, and the arts.

Andrew Garfield

Among the attendees were Academy Award-winning actress Cate Blanchett, actor Andrew Garfield, Stranger Things star Natalia Dyer, Marvel actress Pom Klementieff, rapper and producer Swizz Beatz, and British musician Flying Lotus. The black carpet event took place at Saadiyat Cultural District, which is fast becoming a major international arts destination.

Cate Blanchet

The drone display served as a visual complement to the architecture of teamLab Phenomena Abu Dhabi, a purpose-built 17,000-square-metre structure designed by MZ Architects in collaboration with teamLab Architects. The facility is the largest of its kind and is operated by Miral Experiences, with INPEX as its first sponsor.

Pom Klementieff

teamLab Phenomena Abu Dhabi opened to the public on the 18th of April. The venue offers a multi-sensory, immersive art experience where artworks are not static but shaped by their environment. It features transformative installations that invite visitors to engage with and explore living, dynamic art spaces. Each visit offers a unique experience due to the evolving nature of the exhibitions.

Swizz Beatz

Described as a “universe of living art”, the venue houses two main areas that promote curiosity and creativity, encouraging visitors to form deep and lasting connections with the artworks. The event’s scale and guest list underline the global cultural significance of the new venue.

teamlababudhabi.com

David Beckham has made his design debut with the launch of the BECKHAM x BOSS Spring/Summer 2025 collection, marking the beginning of a multi-year collaboration with the global fashion brand.

This is the first time BOSS has partnered with a co-designer for its core menswear line.

The collection reflects Beckham’s personal style, offering a range of elevated wardrobe essentials. From relaxed jersey pieces to structured tailoring, the line is designed to suit a variety of occasions. A key feature is a new, exclusive tailored cut, specific to this collection. Accessories such as leather holdalls, Chelsea boots, and baker boy caps complement the looks.

The range focuses on high-quality fabrics and craftsmanship, presented in a palette of classic neutrals including ivory, beige, khaki, navy and black, with accents of sky blue and soft pink. Denim appears in both light and dark washes.

Speaking on the collaboration, Beckham said, “I’ve always loved fashion and curating different looks, so having the opportunity to collaborate with BOSS on my own spring/summer collection has been a great experience. It’s allowed me to really get into the detail of the pieces and to create a wardrobe of looks that aim to be effortlessly stylish and suit a range of occasions. I can’t wait to see it in stores.”

Daniel Grieder, CEO of HUGO BOSS, highlighted the importance of the collaboration, calling it “a significant milestone” for the brand and part of a broader strategy to prioritise product quality and versatility.

Marco Falcioni, SVP of Creative Direction at HUGO BOSS, praised Beckham’s involvement, noting his “authentic passion for fashion” and “commitment to excellence and detail”.

The campaign has been captured by fashion photographer Lachlan Bailey and art-directed by Team Laird. A global marketing effort accompanies the launch, including a 541-square-metre hand-painted mural on Tabernacle Street in East London, live from 24 April. The image will be enhanced with moving projections and forms part of a broader campaign spanning global locations such as Times Square and Piccadilly Circus.

BECKHAM x BOSS is available from today on boss.com, in BOSS retail stores, and through selected wholesale partners.

boss.com

The luxury Arab-Italian house Taller Marmo has launched its Spring/Summer 2025 Destination Edit, a collection that draws clear inspiration from the work of iconic photographer Slim Aarons.

Known for his portrayal of affluent leisure, Aarons’ influence is evident in the collection’s focus on refined elegance and relaxed sophistication, echoing the ambiance of summer holidays in exclusive Mediterranean settings.

The SS25 Destination Edit introduces an expanded range of garments including tunics, kaftans, and coordinated sets.

The pieces are crafted from premium Italian linen and silk-blend fabrics sourced from Como, Italy.

Distinctive hand-tied fringes made of linen and cotton add a bespoke touch to the garments, enhancing their artisanal appeal. This attention to detail complements the collection’s blend of comfort and sophistication, offering wearers a wardrobe suited for both leisurely days and elegant evenings.

Delicate sequined nets are incorporated throughout the designs, creating a sensual transparency that evokes the glamour of mid-century resort wear. Standout pieces include a cold-shoulder kaftan and a kaftan accented with sequined fringe, both designed to make a confident yet tasteful impact.

The swimwear in the Destination Edit continues the retro-inspired theme, with halter and one-shoulder styles that nod to vintage silhouettes while maintaining modern functionality. Available in a palette of bright and fresh tones, these swimsuits are designed to reflect the lively energy of the collection.

Photographer Francesco Scotti captured the campaign imagery in a Milan studio, featuring model Melanie Moir. Hair and make-up were styled by Francesca Galantino. The visuals serve to further communicate the collection’s theme of aspirational travel and timeless leisure.

TallerMarmo.com

The Arabian Gazelles are set to launch the Middle East’s first all-women supercar rally, taking place from the 1st to the 4th of May.

The four-day event will see 20 women from around the world travel across the United Arab Emirates, marking a regional milestone in motorsport.

The route will begin in Dubai and pass through the emirates of Fujairah, Ras Al Khaimah and Abu Dhabi, before returning to Dubai. The rally will include sessions on racetracks, stretches through coastal roads and desert landscapes, and stays at premium resorts. Each leg has been designed to offer a mix of high-performance driving and curated experiences that reflect both the diversity of the UAE’s landscape and the values of the rally.

“This rally is about more than cars – it’s about claiming space, changing perceptions, and celebrating the strength of exceptional women who are shaping the future,” said Hanan Sobati, Founder of Arabian Gazelles.

The rally will begin with a BMW M Series track session at Dubai Autodrome, organised by BMW Group Middle East. The drivers will then continue along the Fujairah coastline, with an overnight stay at Naäma Beach Villas & Spa. This will be followed by a mountain drive through Jebel Jais, a stay at Waldorf Astoria Ras Al Khaimah, and a coastal interlude at Anantara Santorini in Ghantoot. The final leg includes a desert retreat at Qasr Al Sarab before concluding in Dubai, where the rally will end with a closing dinner at Maison Revka, hosted by Chopard and Ahmed Seddiqi & Sons.

The event is presented in partnership with Chopard, Ahmed Seddiqi & Sons, The Elite Cars, and Tom Ford Beauty. It is positioned as a movement that highlights women’s increasing presence in the world of supercars and luxury automotive experiences.

Ghita Mejdi, co-organiser and Founder of the kliff project, said: “This is a rally with a soul. Every detail was curated to honour the spirit of the women driving it, trailblazers, storytellers, and icons.”

Arabian Gazelles, founded in Dubai, is the world’s first all-women supercar collective. The group brings together high-powered women who share a passion for cars, community and leadership.

arabiangazelles.com

Bambah, the fashion and lifestyle brand founded by Maha Abdul Rasheed, has announced the launch of its newest venture: Bambah Home.

The new line marks a significant expansion for the brand, building on Abdul Rasheed’s personal passion for design, entertaining, and creating memorable dining experiences.

Bambah Home debuts with a curated collection of table linens and plates. The pieces aim to combine style and practicality, offering understated sophistication and timeless appeal. According to the brand, the collection embodies Bambah’s distinctive aesthetic while promoting the joy of casual yet thoughtful hosting.

“This is a dream come true for me,” said Abdul Rasheed. “It’s a way to combine my love for fun and beautiful design with my passion for cooking and bringing people together. To me, it’s a celebration of the little joys that come with creating memories around the table.”

The launch of Bambah Home coincides with Abdul Rasheed’s ongoing culinary journey. She has recently attended culinary school, gained experience working at LPM Dubai, and is planning to host a series of intimate supper clubs in her garden.

The company has indicated that future Bambah Home collections will expand beyond the current tableware offering to include a broader range of homeware products. The goal is to provide everything needed to host with elegance and ease.

The inaugural collection is available now through the Bambah website, with worldwide shipping offered.

bambah.com

The Dior Men Summer 25 collection combines function and style for the ultimate explorer.

Beige, Green and Blue Hats With Pearls, Black Striped Jacket All Dior

Black Striped Jacket, Black Saddle Bag, Black Striped Shorts, Beige Dior “B35 Nxxt” Sneakers All Dior

Beige Hat With Pearls, Camel Jacket, Blue Top, Camel Shorts, Socks, Beige Dior “B35 Nxxt” Sneakers, All Dior

Off-White Sleeveless Knitwear, Brown Pants, Brown Dior Boots, All Dior

Beige Jacket, Beige Tank Top, Beige Pants, Beige Dior “B35 Nxxt” Sneakers, All Dior

Beige Jacket, Beige Tank Top, Beige Pants, Beige Dior “B35 Nxxt” Sneakers, All Dior

Beige Jacket, Off-White Blouse, Beige Shorts, Beige Boots, All Dior

Beige Jacket, Off-White Blouse, Beige Shorts, All Dior

Credits:

Photography: Tareck Raffoul

Styling & Direction: Lindsay Judge

Model: Omar at Michelle Hay

Grooming: Aiza Qureshi

Location: JA Hatta Fort Hotel

Louis Vuitton has announced that its Cruise 2026 show will take place on 22 May 2025 at the Palais des Papes in Avignon, France.

The historic venue, a UNESCO World Heritage site and one of the most significant Gothic palaces in the western world, will host the event for the first time.

The show forms part of the brand’s ongoing tradition of presenting collections in architecturally significant locations. Nicolas Ghesquière, Artistic Director of Women’s Collections, selected the Palais des Papes to highlight both the cultural richness of Avignon and the landmark’s historical importance. Built from 1335 under Pope Benedict XII, the site spans 15,000 square metres and features 25 public spaces. It is also a key venue for international cultural events such as the Festival d’Avignon.

In line with its commitment to supporting local heritage, Louis Vuitton will contribute to a lighting project aimed at enhancing the monument’s architectural features and improving safety around the surrounding square. This includes illuminating several nearby historic buildings.

The Cruise 2026 collection will be available in Louis Vuitton stores globally from November 2025.

louisvuitton.com

Ohana Development has unveiled its latest flagship project, ELIE SAAB Waterfront by Ohana, currently under construction on Al Reem Island.

The 35-storey tower marks Abu Dhabi’s first branded residential development and is being delivered in collaboration with international fashion house ELIE SAAB.

The project features 174 residences, including dual-level penthouses with private infinity pools and garden-level homes. The building’s design draws inspiration from flowing couture fabrics, with a façade that reflects light to create the impression of movement, echoing the form of a silk dress in the wind.

According to the developer, the tower integrates elegance and functionality. Each unit has been designed with an emphasis on space, light, and tranquillity, aiming to offer a refined waterfront living experience. Curved balconies and a cascading form contribute to the building’s sculptural appearance.

Ohana Development, with over 35 years of experience in the region, is known for its luxury residential projects. Other developments include Ohana Villas in Lebanon and Ohana by the Sea. The company aims to deliver modern, high-quality homes that combine design, comfort, and investment value.

ohana-development.com

Swiss luxury watchmaker IWC Schaffhausen has launched three new chronographs in its Pilot’s Watches collection to commemorate its partnership with Apple Original Films’ upcoming “F1 THE MOVIE”.

The film, directed by Joseph Kosinski and starring Brad Pitt as fictional former racing driver Sonny Hayes, will premiere globally in cinemas and IMAX in late June 2025.

The watches draw direct inspiration from the APXGP team, the fictional eleventh team on the Formula One™ grid featured in the film. IWC is presented in the film as a key sponsor, with its branding visible on cars, driver suits, helmets, uniforms, and within the team’s garage. Characters in the film will also be seen wearing timepieces from the IWC Pilot’s Watches collection.

IW388309

The Pilot’s Watch Performance Chronograph 41 (Ref. IW388309) is worn by Damson Idris’ character Joshua Pearce in the film. It features an 18-carat 5N gold case, black lacquered dial, and a ceramic tachymeter bezel. The gold-plated hands and appliques are filled with white Super-LumiNova®, ensuring readability in low light. A black rubber strap with IWC’s EasX-CHANGE system completes the design.

IW388116

Two additional stainless steel chronographs, the Pilot’s Watch Chronograph APXGP (Ref. IW378009) and the Pilot’s Watch Chronograph 41 APXGP (Ref. IW388116), also celebrate the APXGP team. These models incorporate black, white, and gold design elements, gold-plated hands with Super-LumiNova, and tinted sapphire case backs featuring the APXGP logo. Both are water-resistant to 10 bar and come with black rubber straps engraved with a special APXGP motif and equipped with the EasX-CHANGE® system.

IW378009

All three models are powered by IWC’s in-house calibre 69385 automatic chronograph movement. The movement includes a column-wheel design and a bidirectional pawl winding system, providing a 46-hour power reserve. The vertical subdial layout is designed for enhanced readability, with stop time functions up to 12 hours.

IWC’s partnership with the film highlights its continued presence at the intersection of performance engineering and storytelling. The brand, known for its precision engineering and sustainability focus, adds these special edition models to its longstanding Pilot’s Watches series.

“F1 THE MOVIE” is produced by Jerry Bruckheimer, Lewis Hamilton, and Plan B Entertainment, and will be released internationally from 25 June 2025.

iwc.com

At Watches and Wonders Geneva 2025, Jaeger-LeCoultre revealed a new collaboration under its Made of Makers programme: a chocolate tasting experience by Chef Chocolatier Mathieu Davoine.

Known for combining craftsmanship with avant-garde techniques, Davoine created four exclusive chocolate creations for Jaeger-LeCoultre’s 1931 Café.

Inspired by the origins of the iconic Reverso watch and the sport of polo, the creations incorporate ingredients from the Vallée de Joux and explore bold combinations such as porcini mushrooms, black olives and fir shoots. The tasting is elevated by interactive elements, allowing guests to adjust the intensity of local ingredients in each piece.

This latest addition to the Made of Makers initiative, which bridges horology with wider creative disciplines, is set to arrive in Dubai later this year. We recently spoke to Davoine to learn more.

What was your initial reaction when Jaeger-LeCoultre approached you for the Made of Makers collaboration?
I was truly honoured to be invited to join the Made of Makers programme. Beyond my deep admiration for watchmaking, what resonated most with me were the shared values—particularly the opportunity to express creativity and innovation at the highest level. I was thrilled by the prospect of pushing the boundaries of taste, letting my imagination roam freely, and exploring the connection between technical mastery and artistic freedom at the crossroads of craftsmanship and art.

How did the iconic Reverso watch and the game of polo inspire your creations for the 1931 Café?
I drew inspiration from the rich heritage of polo, identifying symbolic and sensorial elements that could be translated into flavour and form. Harmonie de Chocolat, for example, reflects the dynamic energy and movement of horses and players on the polo field through its swirling shape. Éclat de Caviar, housed in a sleek metal box, evokes the polish used to shine players’ boots. These are just a few of the many nuanced details I drew from the sport, reimagined as edible expressions of elegance in homage to La Grande Maison.

Can you tell us about the creative process behind translating watchmaking values into chocolate artistry, and do you see parallels between haute horology and haute chocolaterie?
Absolutely, watchmaking and chocolate-making share strong similarities. And thanks to the Made of Makers programme, I get to share the values of my craft with those of Jaeger-LeCoultre: creativity, expertise, and precision. Indeed, just as each movement in a timepiece must be flawlessly assembled, even a single degree in the tempering process can significantly affect the final result in chocolate-making.

You describe discovering chocolate as a “revelation.” What continues to fascinate you about it as a medium?
What fascinates me most is that chocolate knows no limits. The transformation of a simple cocoa bean into a world of textures, flavours, and emotions is endlessly inspiring. Through chocolate, I craft sensory experiences that touch people deeply—it’s a medium where emotion and technique are inseparable.

Each bite in this experience evolves in flavour – how do you structure that kind of sensory journey?
At the heart of this collaboration was a desire to innovate and surprise. I combined chocolate with unexpected ingredients like olive, mushroom, and pollen—flavours inspired by the Vallée de Joux—to create an evolving journey with each bite. Equally important was the visual storytelling: an homage to the grace and spirit of polo. Above all, I wanted each flavour to evoke wonder and leave an unforgettable tasteful memory.

You also created a beverage from cacao pulp. How did that idea come about, and what does it add to the experience?
This drink was born from a desire to celebrate the cocoa bean in its entirety. Using the fleshy pulp that surrounds the beans in a ripe pod, I created a sweet and tangy beverage that cleanses the palate and adds a refreshing layer to the experience. It reflects my passion for honouring the raw beauty of natural ingredients while minimising waste—a tribute to both sustainability and authenticity.

What do you hope guests feel or discover when they taste your chocolate creations at Watches and Wonders?
I hope to awaken a sense of wonder and curiosity. Through each creation, I want guests to connect with the raw origins of chocolate, to see and touch the cocoa bean, and to understand the craftsmanship and imagination that transform it into art. My greatest wish is that they leave not just delighted, but inspired.

The 1931 Café includes guest interaction with the ingredients. Why was that important to you?
Because true appreciation begins with understanding. Allowing guests to see, touch, and experience the raw ingredients—like the cocoa bean—creates a deeper, more meaningful connection to the final creation. It’s an invitation to discover the beauty of nature, the value of craftsmanship, and the emotion behind each bite.

You’ve described yourself as a craftsman at heart. What does craftsmanship mean to you today?
To me, craftsmanship is the perfect harmony between heritage and innovation. It’s the ability to honour tradition while creating something entirely new—just as we see in watchmaking or in the Métiers Rares. It’s about putting your heart into every detail, and elevating the ordinary to the extraordinary.

How has working with a brand like Jaeger-LeCoultre challenged or deepened your own creative philosophy?
Immersing myself in a world of such refinement and excellence was incredibly enriching. A small but powerful moment stays with me: during my visit to the manufacture, I received a jar of honey made locally on-site. That simple gesture and its story inspired me to incorporate pollen into my creations—an ingredient that brings innovation and speaks to both nature and narrative.

You’re part of the Swiss Culinary National Team and aiming for the Culinary World Cup and Culinary Olympics. Tell us about that experience and how you balance it with your other work projects.
Representing Switzerland is both a great honour and a tremendous source of motivation. These global competitions are a chance to share our passion with the world and show how chocolate can be a true emotional language. Balancing everything is challenging, of course—but when you love what you do, the effort becomes part of the joy.

Finally, what’s next for you creatively? Are there any other unconventional pairings or collaborations you dream of pursuing?
I’m always curious about where the next creative journey will take me. For now, my dream is simple: to continue sharing my passion for craftsmanship with the world, exploring new forms of expression, and discovering unexpected harmonies through chocolate.

jaeger-lecoultre.com

Bahrain is set to host the fifth edition of the Global Brush Exhibition, a prominent international art showcase, from 20 to 24 April 2025 at the Bahrain World Trade Center. This year’s event brings together 100 artists from around the world in a collaborative cultural exchange.

The exhibition is organised by Al-Dar Art Gallery, a Jordanian cultural institution, in partnership with Al Ayam, one of Bahrain’s leading daily newspapers. Representing Al-Dar are Mrs Maram Hassan and Mr Mohammed Hazaimeh, with Mr Ali Yousef Ahmadi and Mr Bader Al Ali coordinating on behalf of Al Ayam.

Sheikh Rashid Al Khalifa, a renowned artist and member of Bahrain’s royal family, will inaugurate the exhibition as Guest of Honour. Diplomats from Jordan and other nations will also attend. The exhibition will be accompanied by cultural events including panel discussions, seminars, and guided visits to the National Museum and the Rashid Al Khalifa Gallery.

Global Brush is an itinerant initiative that seeks to establish a recurring presence in global capitals, with the aim of fostering connections between artists, academics, and the public. Al-Dar Gallery’s ongoing mission is to create a platform that promotes cultural dialogue, artistic exchange, and critical discourse.

Mr Hazaimeh described the initiative as a testament to shared humanity, highlighting art’s role as a universal medium of communication. “Such forums serve as invaluable conduits for dialogue and the exchange of culture and artistic expression,” he said. “They nurture artistic endeavours and attract vibrant creative talent.”

Mrs Hassan echoed the importance of the event for international cooperation. “Global Brush is an invaluable platform for artists—Arab and international alike,” she said. “It serves as a meeting ground that bridges gaps in mutual understanding and generates ideas.”

Artist Ali Yousef Ahmadi, who serves as Director of Administrative and Financial Affairs at Al Ayam and as supervising coordinator of the exhibition, expressed pride in Bahrain’s role as host. He noted Al Ayam’s long-standing commitment to cultural development, including its support for the Al Ayam Annual Cultural Festival, held for over 27 consecutive years.

IWC Schaffhausen welcomed Toto Wolff, Team Principal and CEO of the Mercedes-AMG PETRONAS Formula One Team, for an exclusive talk in Jeddah just days before the Saudi Arabian Grand Prix.

The event, held at Fenaa Hayy in Hayy Jameel, brought together Formula One enthusiasts and IWC collectors for an evening focused on leadership, performance and the longstanding partnership between the two brands.

Hosted by Mo Islam, presenter of The Mo Show podcast, and joined by IWC Regional Director Thomas Perini, the conversation offered insight into the early dynamics of the current Formula One season. Wolff discussed the complexities of managing a high-performance team and emphasised the importance of supporting emerging talent in motorsport.

The evening also marked a continuation of the collaboration between IWC and the Mercedes-AMG PETRONAS Formula One Team. The partnership, which began in 2013, reflects a shared commitment to precision engineering, innovation and sustained excellence.

Earlier this year, IWC introduced the Pilot’s Watch Performance Chronograph 41 Edition “Toto Wolff x Mercedes-AMG PETRONAS Formula One Team” (Ref. IW388306). Dedicated to Wolff, the model features IWC’s proprietary shock absorber system and is engineered for high-intensity environments. With bold aesthetics, cutting-edge materials and PETRONAS green detailing, the watch exemplifies the performance values of both the team and the watchmaker. It was showcased alongside other models, including the Pilot’s Watch Mark XX Edition “Mercedes-AMG PETRONAS Formula One Team” (Ref. IW328210).

IWC Schaffhausen, founded in 1868 in north-eastern Switzerland, is recognised for blending craftsmanship with advanced technology. Known for its professional instrument watches and robust complications such as chronographs and calendars, the brand has been a pioneer in the use of materials like titanium, Ceratanium® and coloured ceramics.

Beyond innovation, IWC maintains a strong focus on sustainability. The company takes measures to minimise environmental impact, prioritising transparency, circularity and responsible sourcing throughout its manufacturing and distribution processes. It also collaborates with global organisations that support children and young people.

The event in Jeddah reinforced IWC’s positioning at the intersection of sport, engineering and luxury watchmaking, while offering a closer look at the mindset behind one of Formula One’s most influential leaders.

IWC.com

Ralph Lauren unveiled his Fall 2025 Women’s Collection, titled The Modern Romantics, on Thursday with a daytime runway show at 46 Lafayette Street, New York City.

The designer, known for evening presentations in recent seasons, opted instead for a natural-light setting, offering a stark contrast to the collection’s moody and sensual tone.

The Fall 2025 collection explored contrasts and dualities, showcasing a blend of masculine and feminine influences, and ruggedness with refined craftsmanship. Featuring dark palettes, intricate textures, and hand-worked details, the garments celebrated what Lauren calls “aesthetic independence”. Standout pieces included frilled white shirts paired with either an unlined cashmere wrap coat or a distressed aviator jacket, and a striking combination of a leather bustier with a camel skirt, offering minimalist counterpoints to romantic silhouettes.

Key looks reflected artisanal techniques. A wide-collared jacket transitioned from leather to suede in a textured dégradé, achieved through manual processing. Another highlight was a black leather boilersuit with silk lining and leather-covered industrial snaps. A corded velvet fabric—created using hand-printing and airbrushing—featured in both a softly pleated floor-length skirt and a mini shirtdress.

Eveningwear ranged from separates to gowns, including a sequined sweater inspired by a Ralph Lauren campaign from the 1980s. Two notable halter gowns included one constructed from embroidered lace over deep-toned satin, and another made of graduated silk-knit ruffles spiralling around the body.

Footwear also played a prominent role. The over-the-knee Barnet boot returned, joined by the new Quinn bootie, which reimagines the classic cowboy style. Accessories included the newly introduced Ralph Satchel, designed with inspiration drawn from Mr Lauren’s high-performance car collection. It expands the handbag range first launched for Spring 2025, reflecting the collection’s balance between function and elegance.

The front row included a roster of well-known guests such as Anne Hathaway, Michelle Williams, Julia Louis-Dreyfus, Ariana DeBose, Naomi Watts, Sadie Sink and Kacey Musgraves.

The show and collection are both united by a core theme of “beautiful tensions”, where precise tailoring meets softness, and romanticism is underscored by an edge of daring. With this collection, Ralph Lauren continues to redefine modern luxury through craftsmanship and contrast.

ralphlauren.com

Louis Vuitton has unveiled its 2025 Women’s Resort campaign, starring actress and global ambassador Zendaya.

Set against the backdrop of the Italian Riviera, the collection spans a range of silhouettes, and in a nod to Italian culture, it includes a Tuscan Flower motif.

One standou look features a cropped T-shirt paired with a long, flared skirt adorned in vivid red and blue floral patterns, also inspired by Tuscany.

Additional looks in the campaign include a black open-back short dress with intricate embroidery, and an embellished open-knit long dress with a high slit, blending formal elegance with casual ease. The garments are noted for their fluid lines and finely crafted materials, delivering a sense of effortless grace.

Highlights from the accessories in the collection include the Capucines bag, available in wicker and supple mahogany leather, and sunglasses with gold-coloured hinges inspired by the historic locks of Louis Vuitton trunks. Chain belts and other refined elements nod to the House’s legacy while reinforcing the travel-ready theme.

The visuals, captured by renowned photography duo Inez & Vinoodh, are directed by BeGood Studios’ Lina Kutsovskaya. Law Roach handled styling, with hair by Ursula Stephen and makeup by Ernesto Casillas.

Reflecting Louis Vuitton’s long-standing heritage of travel and innovation, the campaign reinforces the House’s identity. The Resort 2025 collection, brought to life through Zendaya’s presence, channels both the spirit of exploration and the craftsmanship that has defined the brand since its founding in 1854.

louisvuitton.com

Armani/Silos in Milan has announced that it will host a new exhibition titled Giorgio Armani Privé 2005–2025, marking the first time the designer’s haute couture garments will be exhibited in the city.

Opening to the public on 21 May 2025, the retrospective will present a curated selection of approximately 150 couture pieces from the Giorgio Armani Privé collections. The garments, originally unveiled in Paris since the collection’s launch in 2005, will now be displayed in Milan, offering a comprehensive overview of two decades of design.

Personally curated by Giorgio Armani, the exhibition will occupy the entire space of Armani/Silos on Via Bergognone. It will trace a narrative that highlights the distinctive qualities of Privé: precise form, hand-crafted embroidery and an enduring elegance. The showcase reflects the designer’s consistent exploration of modernity through luxurious fabrics and artisanal detailing.

Tickets for the exhibition will be available from 7 May via the official Armani/Silos website. The exhibition will remain open to visitors until the end of the year.

armanisilos.com