Prada has unveiled its latest  campaign called ‘Days of Summer’, featuring a striking visual narrative that captures the essence of the season through minimalist, dream-like imagery.

The campaign is fronted by Kendall Jenner, Hunter Schafer and Troye Sivan, with photography by Oliver Hadlee Pearch.

Set against a calm, surreal seascape where water merges seamlessly with sky, the campaign distils summer into its purest form. Each image centres on a single individual poised on a brightly coloured gozzo, a traditional Italian wooden boat, evoking both stillness and the anticipation of new experiences.

The creative direction, led by Miuccia Prada and Raf Simons, presents a pared-back yet evocative vision. The setting is both tranquil and utopian, aiming to embody the sensory calm of long summer days. The fashion itself reflects this mood, blending elements of city and sea, casual and formal. The result is a wardrobe that suggests escape, freedom and pleasure, offering a contrast to daily routine.

Jenner, Schafer and Sivan, along with a wider cast including Julia Nobis, Lina Zhang and others, are depicted in the campaign as figures at the outset of a journey. The imagery positions them as hedonists on the brink of adventure, each suggesting a narrative unique to their portrayal.

Creative direction for the campaign was overseen by Ferdinando Verderi. The full cast also includes Gideon Adniyi, Giuseppe Cirillo, Nikita Gnetne, Noor Khan, Melinda Kiss, Hanna Leszek, Yuliana Perez and Liu Qingzheng.

With its emphasis on minimalism, natural elements and open-ended storytelling, the campaign reinforces Prada’s ongoing exploration of identity and seasonal transformation.

Rather than depicting a definitive destination, ‘Days of Summer’ focuses on the sensation of beginning, aligning the brand with the fluid, expressive potential of the season.

prada.com

Valentino has revealed its Fall 2025 campaign, titled The Poetics of Everyday, under the creative direction of Alessandro Michele. 

The campaign marks a notable shift in tone and philosophy, positioning itself as a reflective response to what Michele describes as a “crisis of perception” in contemporary culture.

In his statement accompanying the campaign, Michele critiques the current visual and communicative climate as oversaturated and overwhelming. He highlights a world inundated by “shouting images” and “words chasing after other words without ever taking root”, leading to a diminished capacity for genuine attention and perception.

In contrast, The Poetics of Everyday aims to centre stillness and attentiveness, inviting viewers to rediscover meaning in the seemingly insignificant details of daily life. Michele describes the campaign’s intent as an “ethics for the gaze”, focusing on “the infinitely small” and the “everyday routines that connect us with the pattern of life”.

The visual concept of the campaign is rooted in simplicity and restraint. Michele imagined “a static point of view”, with a fixed camera capturing ordinary moments such as a door opening, a street, or a bar. The focus remains on the unnoticed gestures and rhythms of everyday life, challenging the viewer to find beauty and narrative in what is often overlooked.

This approach, he suggests, is a form of “re-enchanting the everyday”. Michele acknowledges that this is “not an easy task”, requiring an “anomaly” or disruption to the habitual pace of modern existence. He emphasises the importance of slowing down and choosing to “stay in touch with what is alive”, rather than waiting for extraordinary events to provide meaning.

For Michele, the everyday is not a passive backdrop. Instead, it is “the secret architecture that supports our presence in the world”, made up of “glows and joyful epiphanies enshrined in the little or nothing of our ordinariness”.

Through The Poetics of Everyday, Valentino presents a campaign that stands apart from the spectacle-driven visuals often seen in fashion marketing. It reflects a call to mindfulness, subtlety and a renewed engagement with the world as it is lived, not staged.

valentino.com

The historic Grotto of Diana at Villa d’Este in Italy is set to reopen to the public on the 6th of May following nearly five decades of closure and a two-year restoration effort made possible by the support of luxury Maison FENDI.

Constructed between 1570 and 1572 near the Palace of Ippolito d’Este, the Grotto of Diana is an ornate space where classical architecture and rich decorative art converge. Located in the upper garden beneath the Loggia of the Winds, the Grotto includes a cross-vaulted central area, flanked by three arms featuring bas-reliefs, fountains, and caryatids. It offers sweeping views of the Roman countryside, from Mount Soratte to the Castelli Romani.

The restoration, driven by the Autonomous Institute Villa Adriana and Villa d’Este – VILLÆ, began in 2023. It involved detailed conservation of mosaics, glass tiles, ceramic flooring, sculptures, and the structure itself, many elements of which had been significantly compromised over time. Among the most notable additions is a protective glass panel in the loggia, shielding the site from wind erosion, and a new lighting system designed to accentuate the Grotto’s original atmosphere.

Andrea Bruciati, Director of the Institute, said the restoration aimed to “highlight how this place continues to radiate its magnificent beauty” and transform individual appreciation into shared cultural experience. The site’s complex decorative cycle draws heavily from Ovid’s Metamorphoses, with eleven figurative scenes, shell and stone mosaics, and symbolic imagery such as a white eagle representing the Este family.

Silvia Venturini Fendi, Artistic Director of Accessories and Menswear, called the project “an act of love” and part of a centennial celebration of FENDI’s long-standing commitment to Italian cultural heritage. The Maison, founded in Rome in 1925, has played a prominent role in the restoration of significant historical landmarks including the Trevi Fountain and the Temple of Venus and Rome.

This latest initiative reflects FENDI’s ongoing dedication to preserving national heritage through partnerships with major cultural institutions. As Bruciati noted, the Grotto’s reopening marks not only the recovery of a historical treasure but a renewed commitment to making such heritage accessible for future generations.

villae.cultura.gov.it/i-luoghi/villa-deste

This year, Benedetta Ghione is celebrating her 10th year as the Executive Director of Art Dubai, overseeing the strategic direction and execution of the fair. Since 2015, Ghione has been instrumental in shaping Art Dubai’s vision and growth.

Under Ghione’s guidance, Art Dubai has played a significant role in the regional cultural landscape, contributing to the development of the Middle East’s art scene and engaging with a diverse global audience. Arguably, her leadership has also been key in establishing Art Dubai as a platform for showcasing work from the Global South and fostering year-round programming and partnerships. We recently spoke to Ghione to learn more about what we can expect from Art Dubai 2025, which will be held at Madinat Jumeirah this month from the 16th to the 20th of April.

You’ve been with Art Dubai since 2015. How has your vision for the fair evolved over the past decade?

I think some of the elements that make the fair really special have been there since its inception. One of the things that we’ve continuously tried to do has been to reimagine what an art fair can be and can do. Of course, at the heart of it, it’s a commercial platform, and it has been a motor for the development of a market and for making Dubai a regional art market hub.  But it’s also always had non-commercial programming too, which has grown a lot, and has now become a year-round element.

And then I think the other thing that has evolved the most over the past decade or so has been the city itself and the extended region around us. We are really fortunate to be in a dynamic and thriving city that is within an equally dynamic and thriving region.

Part of Art Dubai’s DNA is being a fair of discovery, a fair of innovation, and a fair where you may be able to see artwork that you wouldn’t necessarily see elsewhere. It’s also a gateway for people to be exposed to lesser-known and lesser-represented artists and geographies, which is also something that we’ve always focused on.

What aspects of Art Dubai’s growth are you personally most proud of?

I think what is really precious to us is this idea of impact. Art Dubai is obviously an event, and we aim to engage audiences, but we’re also really concerned with the idea of lasting impact. So through that aim, we have developed educational programmes that help to train the next generation of not just artists but also cultural practitioners.

The development of some of our key programmes, for example, the A.R.M. Holding Children’s Programme, which we run in partnership with A.R.M. Holding [a private investment firm] and goes into schools and teaches thousands of children every year about culture and the importance of creativity.

The launch of our Art Dubai Digital platform is an area in which we became leaders when we were one of the first organistations to build a bridge between what we call the ‘analog art world’ and the ‘digital art world’ and try and bring conversations to the foreground about what the space can be and do.

The 2025 edition features over 120 exhibitors from more than 50 cities. What strategies have been implemented to ensure such a diverse representation? Are there any markets that are particularly important to you in terms of representation?

In terms of strategy, we have always focused on the extended region, underrepresented geographies and a non-Western perspective.  So, in a way, we have built a reputation of being an art fair of discovery and a gateway to these markets. At this point, a lot of the material comes to us, and I think what we have done is retain that kind of identity and invest in finding ways to champion these narratives.

To do so, we work with curators a lot. This year, we have a stellar cast of curators across our four sections – modern, contemporary, Bawwaba and our Dubai Digital platform – and they act as sentinels in a way.  They are the ones who are on the ground and who are speaking to galleries and to artists and identifying those really interesting stories that need to be told.

Emirati artist Mohammed Kazem’s digital commission, presented by Julius Baer, is a highlight this year. How does this collaboration reflect Art Dubai’s commitment to digital art?

One of the most important things for us is our partners’ commitment to the development of the art scene and this year, Julius Baer is celebrating their 10th anniversary as a partner of Art Dubai. Of course, they do so by supporting the fair itself and the platform.  But I think it’s fabulous to see that after having commissioned very important international digital artists such as Refika Anadol and Krista Kim, which Julius Baer had last year and the year before last, and this year for their 10th anniversary have chosen to showcase their commitment to the UAE by selecting an Emirati artist, and obviously a very important and meaningful one, with an artist like Mohammed Qasem.   

Can you tell us a bit about the collaboration between Piaget and artist Alyamamah Rashed for this year’s fair and its significance? Are there any other luxury collaborations at this year’s event?

Piaget has commissioned Alimama Rashad this year ,and she’s creating a really beautiful new bespoke art piece that is inspired and speaks to their exhibition which is called “Play of Shape”.  And I think again, this is going to be such a powerful kind of partnership and collaboration. You have a sort of centenary high jewelry house that is allowing relatively young,  fresh and great talent to be showcased.

I think from what I’ve seen of the work that is being commissioned, they’re gonna be in a beautiful dialogue, the work and the showcase.  And again, know, similar idea, this notion of really supporting talent and of making sure that the presence at the fair is always integrated with culture and speaks to that.

It’s something that we’re fortunate enough to have across all of our partnerships. So for example, we also have BMW,  who is a long-term partner and who has a long and important tradition of supporting talent,  specifically through their Art Car programme. So they’re celebrating the 50 years of the Art Car initiative this year.  And we’re gonna be showcasing Andy Warhol’s work.

We’re also going to have Ruinard, who also have an extensive cultural programme showcasing work by Julian Charriere. We’re going to have Clinique La Prairie, who are going to be curating a series of conversations bridging culture, wellness and notions of longevity.

Art Dubai fosters year-round programming. How do these initiatives reinforce the fair’s long-term impact beyond the event itself?

I think it’s really important to have a moment of coming together and of gathering [for the art fair].  But in parallel to that, I think it’s also really important to create a long-term cultural ecosystem to build growth and impact.

An example is our partnership with Alserkal Avenue. The district is a long-term friend and collaborator of ours, and we’ve worked together in a manner of ways through the years. But this year, we’re going into a more formalised partnership whereby we’re going to be co-commissioning work.

This means that work that is commissioned for the fair can then have an afterlife and become part of the fabric of the city through being displayed at Alserkal Avenue.

Looking ahead, what are your aspirations for Art Dubai’s future editions?

We are expanding our team and have several wonderful colleagues who are joining us. Dunja Gottweis is going to be running the Art Dubai Fair going forward from the next edition. Alexie Glass-Kantor is joining our team as  executive director of curatorial and will be working across the broader art programme too. So I think one part of our long-term planning is capacity building.

And then I think the idea is to stay – in many ways –  as we are. You know, I think we’ve been quite an innovative model of how an art fair can go beyond traditional boundaries. So I hope that as we grow and as we develop new initiatives, our core DNA and what is so special and unique about Art Dubai remains.

artdubai.com

Loro Piana has announced its first boutique in Riyadh, Saudi Arabia, marking a significant milestone for the Italian luxury brand in the Middle East.

The store, located in Solitaire Mall, is set to open its doors to the public on the 21st of March 2025.

The Riyadh opening reinforces Loro Piana’s presence in the region and aligns with the Maison’s commitment to exceptional craftsmanship and timeless elegance. The boutique introduces a new interior concept that reflects the brand’s heritage while embracing a modern sensibility.

The design of the space is minimalist and refined, employing natural materials and warm tones such as Kummel, beige and burgundy. Signature oak and Carabottino wood, richly textured finishes, and Loro Piana Interiors’ silk carpets and wall coverings contribute to an atmosphere described as a ‘home away from home’. These elements reflect the Maison’s focus on tactility and comfort.

A key architectural feature is the boutique’s façade, clad in handmade glazed ceramic in varying shades of the Maison’s iconic Kummel. Inspired by the texture of Loro Piana fabrics, it underscores the brand’s dedication to luxurious materials and meticulous detail.

The store is arranged on a single level for a seamless shopping experience. Visitors enter through an area dedicated to accessories, with leather goods prominently displayed, followed by sections for shoes and ready-to-wear collections for both women and men. At the rear of the boutique is the VIC Room, a private space accessible by appointment only. This exclusive area is designed to resemble a personal walk-in wardrobe, showcasing the most limited and high-end pieces.

Among the collections currently on display are the Ramadan 2025 Collection and the Spring/Summer 2025 Collection. The Ramadan range features jacquards, floral prints, handmade embroidery with golden threads, and design motifs inspired by Islamic ceramics. The Spring/Summer offering highlights linen, blended with heritage fibres and presented in relaxed, refined silhouettes.

loropiana.com

Infrared saunas have seen a boost in popularity recently, from decreasing inflammation to slowing ageing.

In recent years, the wellness sector has witnessed a billion-dollar boom and is predicted to hit nine trillion globally by 2028. From cutting-edge biohacking therapies to reimagined ancient wellness rituals, health and longevity seekers are now more savvy than ever when it comes to the latest technology and treatments. One particular growing area is the expansion of infrared sauna technology. Once considered a niche novelty, infrared saunas are now a key aspect of elite health retreats, luxury hotels, and bespoke wellness plans. Here, we delve into the new technology and look at what separates it from traditional Finnish saunas.

While traditional saunas have long been embraced in Nordic cultures for their cardiovascular and relaxation benefits, infrared saunas are enjoying a fresh wave of interest, driven by technological innovation, biohacking culture, and the pursuit of deeper therapeutic results.

“People are increasingly interested in wellness technologies that are both effective and gentle,” explains Dr Giuseppe Bellucci, an expert in metabolism and longevity at Baldan, Italy’s leading name in beauty and wellness. “Infrared saunas offer a way to experience intense benefits at lower temperatures, which many find more tolerable and relaxing.”

Conall Hoey, Sports Physiotherapist at Avida Longevity, echoes the sentiment: “Some people find infrared heat more comfortable, saying it penetrates tissues more effectively at milder conditions,” the team notes. This balance between efficacy and comfort has made infrared saunas a preferred choice for health-conscious individuals looking to support their bodies without the harsh intensity of traditional heat therapies.

At first glance, infrared saunas may look similar to their conventional cousins – wood-panelled cabins with a warm glow. But their technology operates on a very different wavelength.

“Infrared saunas use infrared rays, heat waves that warm the body directly without significantly heating the air,” says Dr Bellucci. Traditional saunas, by contrast, rely on convection, heating the air around you to temperatures as high as 100°C. Infrared saunas typically operate at a more moderate 40–60°C.

This difference in heat transfer is key. Rather than heating the room, infrared wavelengths penetrate beneath the skin’s surface, up to 3 to 4 cm, delivering warmth directly to muscles, joints, and connective tissue. The result is a more targeted, deeply therapeutic experience. “Although the sweating may seem less intense, it is deeper and more detoxifying,” Dr Bellucci adds.

Hoey agrees: “Infrared wavelengths can penetrate slightly beneath the skin’s surface, delivering warmth directly into muscles and tissues. This targeted heating is why many users report sweating more quickly or profusely, even though the ambient temperature is relatively low.”

Beyond comfort and convenience, what are the real benefits of using infrared saunas? According to the experts, the list is long and growing.

“Regular use can support both physical and mental well-being,” says Dr Bellucci. “We’ve seen improvements in cardiovascular health, immune function, sleep quality, and even skin appearance.” Other benefits he highlights include: Reduction in muscle and joint pain, stimulation of the immune system, body detoxification, natural stimulation of collagen and elastin and enhanced relaxation and stress reduction.

Meanwhile, Hoey points out that while most large-scale studies have historically focused on traditional saunas, emerging research and anecdotal evidence suggest comparable benefits from infrared therapy, especially for pain relief and cardiovascular support. “The physiological effects resemble moderate exercise, such as increased heart rate, vasodilation, and improved blood flow,” the Longevity Director explains.

Unlike one-off spa indulgences, infrared sauna therapy rewards consistency. “Start with 10–15 minutes per session and gradually increase to 30–45 minutes, depending on individual tolerance,” Dr Bellucci advises. The general recommendation? Two to four sessions per week, with adjustments based on therapeutic goals.

Preparation and recovery are also crucial. Experts recommend staying hydrated, avoiding heavy meals before use, and wearing minimal clothing to allow the infrared light to act directly on the skin. Post-session, rehydration and gentle rest help the body absorb the benefits.

Hoey explains, “A quick shower before entering removes lotions or oils, allowing infrared light to reach the skin more effectively. Afterward, cool down gradually and rehydrate with water or electrolyte drinks.”

Infrared saunas today are far from simplistic wooden boxes. Recent innovations have elevated them into high-tech wellness havens. Full-spectrum emitters – combining near, mid, and far-infrared wavelengths – target different tissues and biological functions. Near-infrared, for example, is associated with cellular regeneration and surface-level skin health, while far-infrared penetrates more deeply for muscle and joint recovery.

Infrared saunas are particularly powerful when paired with complementary treatments. Stretching, massage, lymphatic drainage, and relaxation rituals like yoga or meditation can amplify the sauna’s effects.

According to Demircan, combining Red Light Therapy (also known as photobiomodulation) with infrared sessions is becoming increasingly popular. While infrared raises core temperature, red and near-infrared light directly targets cellular regeneration and inflammation. “Early research suggests it may boost collagen production, aid in muscle recovery, and reduce inflammation,” she notes.

“In our view,” concludes Dr Bellucci, “infrared saunas are not just a lifestyle choice – they’re a tool for enhancing life itself.” As research continues and technology advances, these gentle yet powerful heat therapies may redefine our approach to self-care.

These are the essential Haute Couture Spring/Summer SS25 beauty trends for the new season.

Chanel

For the house’s Haute Couture Spring-Summer 2025 show, makeup artist Lisa Butler crafted a timeless look featuring luminous skin with subtly sculpted cheeks and a bold red lip.

Butler used Chanel’s 31 Le Rouge Matte Lipstick in Rouge Rencontre and Rouge Allure Velvet shades in 458 Sensuelle and 449 Sophistiquée on the lips to complement different skin tones.

Eyes were kept minimal, enhancing the classic elegance. Meanwhile, hairstylist James Pecis created soft waves, imparting effortless movement.

Schiaparelli

Makeup artist Pat McGrath crafted ethereal beauty looks backstage at the Schiaparelli Haute Couture Spring-Summer 2025 show. Models showcased bronzed, glowing skin achieved using Pat McGrath Labs’ Skin Fetish: Highlighter + Balm Duo.

Eyes were subtly defined with nude tones accented by shimmering hues of lemon yellow, pink, gold, and blue, inspired by vintage ribbons. Hairstylist Guido Palau complemented this with sleek, slicked-back buns, enhancing the collection’s contemporary glamour.

Armani Privé

Armani Privé

This season’s Armani Privé couture show introduced a fresh interpretation of the classic smoky eye. Models showcased bright white eyeshadow applied across the eyelids, seamlessly blended with charcoal hues extending towards the temples, creating a dramatic and modern effect.

This bold eye makeup complemented the shimmering gowns featured in the collection. Additionally, the models’ eyebrows were bleached, adding to the ethereal aesthetic. The overall beauty look was designed to harmonise with the collection’s theme of ‘Lumières,’ celebrating light in various forms.

Dior

At the Dior Haute Couture Spring-Summer 2025 show, makeup artist Peter Philips crafted a “fairy tale” aesthetic with a punk twist. Models showcased luminous skin, achieved using Dior’s Capture Totale skincare line and Dior Forever Skin Perfect foundation.

A subtle “boyfriend blush” was applied to the centre of the cheeks, blending downwards for a natural flush, using Rouge Blush Colour & Glow in shades like 257 Dioriviera and 287 Dioramour. Brows were styled into spiky arches with Diorshow On Set Brow gel and Diorshow Brow Styler pencil. Lips were kept minimal with a clear Dior Addict Lip Glow Oil.

Italian luxury brand Tod’s has unveiled Italian Hands – Artisanal Stories from Italy, a book dedicated to the people and stories behind Italian craftsmanship.

The publication pays tribute to the artisanal expertise embedded in the iconic Gommino loafer and reaffirms Tod’s commitment to promoting the heritage of Made in Italy.

The Gommino, one of Tod’s signature creations, is a longstanding emblem of Italian craftsmanship. In Italian Hands, Tod’s highlights the cultural and human dimension of artisan work through stories of both seasoned masters and new-generation creators. Each story explores how traditional methods are preserved and reinterpreted to maintain Italy’s reputation for quality and refinement.

Featured experts in the book include Giberto Arrivabene and Bianca di Savoia-Aosta with Murano glassblower Gianni Seguso; Lola Montes Schnabel with terracotta expert Rosario Spina; Madina Visconti with bronze and brass artisan Ernesto Carati; and Carlo Clavarino with pesto maker Christian Belforte. These collaborations illustrate the link between artisans and tastemakers who support the transmission of knowledge across generations.

President of Tod’s Group Diego Della Valle described the project as “a tribute to those who, every day, with passion and commitment, contribute to keeping a fundamental part of our cultural identity alive.” He added that the book recognises the enduring value of craftsmanship as a symbol of authentic and timeless quality.

The book includes a foreword by Oscar-winning actress Michelle Yeoh, who praises craftsmanship as a universal language that unites people beyond borders. She calls it “a necessary contrast to the speed of our digital age,” and highlights its role in building a future that bridges innovation and tradition.

Italian Hands was launched at Tod’s Boutique on Via Montenapoleone during Milan Design Week. To accompany the release, Tod’s has introduced a limited edition of Gommini loafers, available exclusively at the Milan boutique and online at tods.com.

The project is a continuation of Tod’s broader effort to honour and preserve Italian artisanal excellence. With photography by Lorenzo Bringheli, creative direction by Matteo Procaccioli Della Valle, and editing by Annamaria Sbisa, the book positions craftsmanship not only as a tradition to be celebrated but as a foundation for future creativity.

tods.com

Cindy Chao has introduced its White Label Collection. 

Building upon the legacy of the brand’s Black Label Masterpieces, the White Label pieces carry the same architectural, sculptural, and organic qualities, with each creation being entirely unique and handcrafted using the traditional cire perdue method.

White Label Collection – Four Seasons  – Maple Ring

Founded in 2004 by Taiwanese jewellery artist Cindy Chao, the maison has gained global acclaim for its sculptural jewels, with three Black Label Masterpieces housed in the Smithsonian, the Musée des Arts Décoratifs in Paris, and London’s Victoria and Albert Museum. The White Label Collection continues this tradition, combining innovative materials such as titanium, ebony and incense cedar with precious stones.

White Label Collection – Ribbon pieces

Among the key highlights of the collection are the Four Seasons and Ribbon series. The Four Seasons Collection draws on nature’s perpetual cycle to evoke the passage of time. It includes intricate designs such as the Four Seasons Maple Earrings, featuring diamonds, pink and purple sapphires, and yellow diamonds set in tri-colour gold, and the Foliage Earrings showcasing pear-shaped vivid blue Sri Lanka sapphires and over 1,200 gemstones totalling 43.69 carats.

White Label Collection – Ribbon Ring and Bangle

The Ribbon Collection exemplifies Chao’s ability to emulate the fluidity of silk using rigid materials. Notable pieces include the Emerald Ribbon Necklace, which incorporates a 14.37-carat vivid green Colombian emerald among 2,531 gemstones, and the Ribbon Ring, set with two triangle-cut yellow diamonds totalling 20.57 carats. These designs are characterised by their dimensional layering and light-reflective surfaces.

White Label Collection – Pink Diamond Ribbon Necklace

Each White Label piece is a singular artwork, tailored for personal expression and significant life moments. This commitment to exclusivity has attracted a roster of international admirers, including Michelle Yeoh, Matthew McConaughey, Julia Roberts, and Sarah Jessica Parker, who have all worn the collection at red carpet events such as the Oscars and the Met Gala.

As a bridge between fine jewellery and contemporary art, the White Label Collection positions itself as both an introduction to Chao’s artistic universe and a reflection of her evolution from an introspective artist to a globally recognised visionary. With its fusion of Asian heritage and European craftsmanship, the collection offers versatility, elegance, and collectibility for the discerning modern collector.

CindyChao.com

The global watchmaking industry will soon have its own annual day of celebration, as the inaugural World Watch Day was officially announced on the 7th of April at the Watches & Wonders salon in Geneva.

The initiative was unveiled during a dedicated panel focused on horology and its status as part of UNESCO’s Intangible Cultural Heritage of Humanity.

The first edition of World Watch Day is set to take place on the 10th of October this year, a date chosen to reflect the traditional 10:10 display on watch dials. Organisers describe it as a “quiet symbol of balance, beauty, and joy in timekeeping.”

World Watch Day aims to celebrate the cultural, artistic and technical dimensions of watchmaking worldwide. The event will be streamed online, following time zones from East to West, and will feature contributions from media outlets, collectors’ clubs, associations and content creators across the globe. The celebration will encompass a broad range of themes, from craftsmanship and contemporary art to science, sport and economics.

A dedicated non-profit association has been established to coordinate the initiative. Its founding members include a range of respected organisations such as the Fondation de la Haute Horlogerie, Grand Prix d’Horlogerie de Genève, Watch Library Foundation, Horopedia Foundation, Horological Society of New York, Europa Star, Le Figaro, Hantang Culture and Arc Horloger.

The new association describes the day as “an open, inclusive initiative” and encourages local and independent activities to join the worldwide celebration.

A preview webinar will be held on the 5th of May to introduce the goals and structure of the event. Registration is available at worldwatchday.org.

The initiative has received widespread support from its founding partners. Thierry Bailly of Arc Horloger called the day “a beautiful tribute to horological culture”. Europa Star’s Serge Maillard highlighted its accessible format, saying the day offers “an open-access celebration streamed around the globe”. Jessica Yu of Hantang Culture noted the symbolism of the 10:10 display and its connection to Eastern philosophy.

After decades of innovation and global admiration for the mechanical arts, the industry is now uniting to honour watchmaking annually—starting this October.

worldwatchday.org

Roger Vivier has launched its Summer 2025 campaign, titled Un Été à Paris, featuring global K-pop star and brand ambassador Yeji of ITZY.

The campaign follows the house’s Spring-Summer 2025 theme, continuing its homage to Parisian elegance and the luminous charm of the French capital.

Shot across iconic locations in Paris, from hidden gardens to the Pont Neuf, the campaign captures Yeji immersed in the rhythms of the city. Her presence adds a youthful energy to the scenes, presenting the brand’s vision of lightness, movement and joy. The visuals align with Roger Vivier’s ethos of timeless elegance, where tradition meets contemporary refinement.

At the heart of the campaign are the maison’s iconic Belle Vivier designs, reimagined for the season. The Belle Vivier sandals return with new materials such as linen and raffia, offering a fresh take on the signature buckle style. The Belle Vivier handbag also features prominently. Handcrafted by the house’s artisans, the piece remains a classic accessory designed to complement a variety of looks with understated sophistication.

A notable theme in this collection is its nod to mid-century seaside escapes. Striped patterns in red and white or blue and white recall vintage beach aesthetics, applied across slingback sandals, summer tote bags with RV logos, and matching hair accessories.

Creative Director Gherardo Felloni has also expanded the pre-collection with new woven raffia sandals and bags, detailed with sparkling crystal buckles. His use of natural materials combined with high-end embellishments results in a balance between craftsmanship and luxury. The designs reflect the season’s vibrancy through bold colours, rich textures and a celebration of artisanal detail.

Felloni, who has led the brand since 2018, continues to evolve Roger Vivier’s legacy while maintaining its historical roots. His work echoes the spirit of founder Monsieur Vivier, who revolutionised 20th-century footwear design with his artistic and experimental approach. Founded in Paris in 1937, the house has been known for dressing iconic women from Josephine Baker and Brigitte Bardot to Queen Elizabeth II.

rogervivier.com

Bell & Ross has unveiled the BR-03 Skeleton, a new trilogy of timepieces that brings a sophisticated evolution to its iconic square watch line.

Celebrating two decades of the BR-03 collection, the launch is accompanied by the “20 YEARS BOLD” campaign, highlighting the model’s design legacy. The trilogy introduces a newly designed movement developed and produced specifically for Bell & Ross.

Each of the three BR-03 Skeleton models features the BR-CAL.328 calibre, an automatic mechanical movement with a 54-hour power reserve. Designed without a date function, it supports hour, minute, and second indications. All three watches incorporate an X-shaped skeletonised structure that connects directly to the bezel screws, forming a distinctive architectural design element.

BR-03 Skeleton Black Ceramic

The BR-03 Skeleton Black Ceramic is directly influenced by aviation aesthetics. Its 41 mm black ceramic case frames a skeletonised dial made from smoked sapphire crystal. The dial features black “baignoire-style” indexes and skeletonised hands filled with green-emitting Super-LumiNova for maximum legibility. It comes with two straps: a black rubber strap and a black Velcro alternative, both secured by a microblasted black PVD-coated steel pin buckle.

BR-03 Skeleton Grey Steel

In contrast, the BR-03 Skeleton Grey Steel presents a more luxurious interpretation. Housed in a polished and satin-finished steel case, it features a faceted openworked dial with ruthenium treatment. This model also includes Super-LumiNova-filled rhodium-plated hands and indexes. Limited to 250 pieces, it is delivered with both a black rubber strap and a Velcro strap, secured with a polished steel buckle.

BR-03 Skeleton Lum Ceramic

Completing the trilogy is the BR-03 Skeleton Lum Ceramic. This edition pushes the brand’s signature luminescence to a new level. By day, it maintains the aesthetic of a modern black ceramic timepiece. At night, it transforms through extensive Super-LumiNova application, highlighting the dial’s skeletonised structure with a neon-like effect. Like the Grey Steel version, it is limited to 250 pieces and comes with interchangeable straps and a microblasted black PVD-coated steel buckle.

bellross.com

At Watches and Wonders, Rolex unveiled several new timepieces, headlined by the Oyster Perpetual Land-Dweller. 

The entirely new collection features cases in 36mm and 40mm sizes, both integrating seamlessly with a newly designed bracelet. The Land-Dweller is powered by the Calibre 7135, Rolex’s first high-beat movement operating at 5 Hz, incorporating the Dynapulse escapement and a state-of-the-art oscillator with a ceramic balance staff. The case maintains a slim profile at 9.7mm. 

The Oyster Perpetual Land-Dweller

In addition to the Land-Dweller, Rolex introduced an 18 ct white gold version of the Oyster Perpetual GMT-Master II, notable for its green ceramic dial—the first ceramic dial featured on this model. This dial complements the green and black Cerachrom bezel insert. The watch retains the left-sided crown configuration introduced in 2022 and is fitted with an Oyster bracelet equipped with an Oysterlock safety clasp. 

Other updates include the Perpetual 1908, now available with a solid-gold bracelet reminiscent of Rolex’s 1940s models, and the Datejust 31, which features a red ombré dial achieved through a complex PVD process. The Cosmograph Daytona has been refreshed with a turquoise blue lacquer dial, contrasting black sub-dials, and an 18 ct yellow gold case paired with an Oysterflex bracelet. The Sky-Dweller now offers a sunray green dial within an 18 ct yellow gold case, complemented by a Jubilee bracelet. 

rolex.com

Montblanc has announced the release of the 1858 Geosphere 0 Oxygen Mount Vinson Limited Edition, a timepiece designed to honour one of mountaineering’s most significant achievements.

Inspired by Reinhold Messner’s ascent of Mount Vinson in Antarctica, this model is the latest addition to the brand’s growing lineup of high-performance adventure watches.

Mount Vinson, the highest peak in Antarctica, marked the final summit in Messner’s completion of the Seven Summits Challenge. Montblanc’s latest release is a tribute to that milestone, featuring a distinctive design and construction aimed at withstanding extreme conditions.

The watch is presented in a 43.5mm titanium case with a composite mid-section made from aluminised basalt fibres, quartz fibres, calcium carbonate and light blue resin. This blend of materials gives the watch a visual texture that reflects the frozen landscape of Antarctica. A unique feature is the luminescent outline of Mount Vinson set into the side of the case, offering both a design detail and a nod to the peak’s legacy.

As part of Montblanc’s “0 Oxygen” series, the case is sealed without any oxygen inside. This prevents fogging and reduces oxidation, which can affect performance at high altitudes and in extreme temperatures. The absence of oxygen is intended to enhance reliability and durability, particularly in the challenging environments the watch is designed to endure.

The 1858 Geosphere 0 Oxygen Mount Vinson Limited Edition is consistent with Montblanc’s continued focus on functional watchmaking that serves both professional and recreational explorers. It also reflects the brand’s ongoing exploration of advanced materials and engineering.

While the Mount Vinson model is the centrepiece of the 2025 lineup, Montblanc has also introduced other watches incorporating the 0 Oxygen technology. These include an updated Iced Sea Distressed Black diver, as well as a new Minerva-developed movement featuring an annual calendar complication. However, the Mount Vinson edition stands out for its thematic connection to exploration and its visually striking execution.

Patek Philippe introduced a series of new timepieces at Watches&Wonders this week, headlined by the Cubitus Ref. 7128/1G-001 and Ref. 7128/1R-001 models. 

These releases are part of the brand’s strategy to offer more versatile sizes and designs to its clientele.

The Cubitus collection, first launched in October 2024, initially featured a bold 45mm case and was the house’s first new line in 25 years. 

Responding to feedback for a more universally wearable size, Patek Philippe has unveiled these new 40mm versions. 

The Ref. 7128/1G-001 comes in white gold with a blue-grey sunburst dial, while the Ref. 7128/1R-001 is crafted in rose gold and features a brown sunburst dial. Both models maintain the distinctive angular square case with rounded corners, characteristic of the Cubitus line.

These timepieces are powered by the self-winding calibre 26-330 S C movement, which includes a stop-seconds function for precise time setting. The movement is visible through the sapphire-crystal case back, showcasing the 21k gold central rotor adorned with the same horizontal relief motif found on the dial. Completing the design, both watches feature a gold bracelet equipped with a lockable adjustment system and Patek Philippe’s patented fold-over clasp, secured by four independent catches. 

In addition to the Cubitus models, Patek Philippe unveiled a total of 15 new timepieces at Watches & Wonders 2025, spanning various collections. Notable among these is the Quadruple Complication Ref. 5308G-001, which combines a minute repeater, split-seconds chronograph, and an instantaneous perpetual calendar with aperture displays. This model features a sunburst ice-blue dial and a polished 42mm white gold case with open-worked lugs, paired with a navy alligator strap.

The Calatrava collection also saw the introduction of the Ref. 6196P-001, a platinum watch with a vintage-inspired rose-gilt opaline dial. This model is powered by the manually wound calibre 30-255 PS movement, offering a 65-hour power reserve and a stop-seconds function. 

patekphilippe.com

CHANEL has introduced a new update to its iconic J12 collection with the J12 BLEU, with a unique blue matte ceramic design.

Marking a significant milestone, this new release celebrates 25 years since the launch of the original J12 in black and white. The J12 BLEU represents a bold step into uncharted territory for the luxury watchmaker, showcasing a new ceramic hue exclusive to CHANEL.

The J12 BLEU is the result of five years of research by the CHANEL Watch Manufacture, which aimed to develop a unique blue ceramic that would be both visually striking and technically impressive. The final product features a deep, matte blue that combines both intensity and sophistication. According to Arnaud Chastaingt, Director of the CHANEL Watchmaking Creation Studio, the colour choice was inspired by a desire to “illuminate black with blue,” creating a hue that is “nearly black or a black that is nearly blue.”

Blue has long been a part of CHANEL’s design heritage, appearing in fashion, beauty, and even the jewellery of the brand’s 1932 “Bijoux de Diamants” collection. However, this particular shade of blue is an entirely new addition to the House’s palette and is designed specifically for the art of watchmaking.

In addition to the unique ceramic material, the J12 BLEU also reflects CHANEL’s ongoing commitment to superior craftsmanship. The new watch is scratchproof, highly resistant, and durable, thanks to the brand’s expertise in ceramic production. The collection consists of nine models, some of which feature bright blue sapphires, adding a touch of radiance to the deep, matte ceramic.

“The J12 BLEU is a testament to the excellence of the CHANEL Watch Manufacture,” Chastaingt adds, highlighting the brand’s dedication to the highest standards of watchmaking. This new collection is not only an artistic achievement but also a reflection of CHANEL’s unwavering commitment to innovation and precision in the field of luxury watches.

With this stunning new collection, CHANEL is poised to further elevate its presence in the watchmaking industry, continuing its tradition of blending technical mastery with timeless style.

CHANEL.com

At Watches & Wonders this week, Hermès showcased three stunning new timepieces that explore the concept of “suspended time,” which has been a running motif at the maison since 2011. 

Titled Arceau Le temps suspendu, Hermès Cut Le temps suspendu and Maillon libre each offers a unique take on the theme.

Arceau Le temps suspendu Image credit: Tom Johnson

The Arceau Le temps suspendu revisits the brand’s 2011 concept with a fresh aesthetic. The timepiece’s 42mm case, available in rose or white gold, frames an openworked dial where the exclusive “Time suspended” module is visible through the transparent caseback. This allows the wearer to witness the movement’s intricate details. The dial itself is available in three colours (sunburst blue, brun désert, and rouge sellier) and features retrograde hands that pause at the 12 o’clock position. Powered by the Hermès H1837 mechanical movement, the watch invites the wearer to engage with time in a playful yet sophisticated manner.

Hermes Cut Le temps suspendu. Image credit: Tom Johnson

Next, the Hermès Cut Le temps suspendu introduces a bold 39mm case, also crafted in rose gold, with sharp lines and a geometric design that contrasts with the flowing nature of the “Time suspended” complication. This model uses the Hermès H1912 movement and showcases a retrograde hour and minute hand that moves counterclockwise, adding a whimsical touch to its modern form. The watch is available in multiple versions, including a striking red dial, further elevating its distinct personality.

Maillon libre. Image credit: Tom Johnson.

The Maillon libre collection, however, takes the concept further by blending the traditional anchor chain design with innovative watchmaking. The timepiece is presented as both a wristwatch and a brooch, offering versatile ways to wear it. The watch features undulating shapes and a central gemstone (either diamond or terracotta tourmaline), adding an extra layer of sophistication. The design of the Maillon libre, with its gem-set elements and its ability to transform, challenges conventional notions of what a watch can be.

These new creations from Hermès highlight the brand’s mastery of blending traditional craftsmanship with bold, forward-thinking designs. By reimagining the function of time through intricate mechanisms and stunning aesthetics, Hermès continues to redefine luxury watchmaking.

hermes.com

In a landmark moment for Arab Gulf literature, Emirati publisher, author, and women’s advocate Sheikha Bodour Al Qasimi has become the first woman from a Gulf state to win the prestigious BolognaRagazzi Award for Fiction. 

Her award-winning children’s book, House of Wisdom, was honoured at a ceremony held in the historic Farnese Chapel at Bologna’s Palazzo d’Accursio.

House of Wisdom was praised for its imaginative approach to fostering critical thinking, scientific inquiry, and compassion among young readers. The book draws inspiration from the historic Baghdad Library of the same name, once a beacon of intellectual collaboration across cultures before its destruction in 1258. Sheikha Bodour describes its loss as “a tragic allegory for the fragility of intellectual freedom – a lesson of undiminished relevance today.”

In her acceptance speech, Sheikha Bodour described the award as “a shift towards a more inclusive children’s publishing sector.”

She continuted “Amid heightened global tensions, stories like House of Wisdom carry a message that books can occasion unity, progress, and a deeper understanding between cultures.”

Illustrated by Majid Zakeri Younesi, the book combines a richly woven narrative with striking visual storytelling. Although unable to attend the ceremony in person, Younesi expressed pride in the collaboration, saying: “Working on House of Wisdom was a unique opportunity to visually capture the spirit of curiosity and innovation that drives humanity’s infinite quest for learning and dialogue.”

Following the award ceremony, Sheikha Bodour joined a panel with other BolognaRagazzi Award winners and attended a celebratory reception at the Kalimat Group stand, where she shared insights into her creative process. She spoke of storytelling’s role in preserving cultural legacies and bridging divides, highlighting Sharjah’s own House of Wisdom as a modern embodiment of these ideals.

Earlier in the week, she also signed copies of her book at Bologna’s Giannino Stoppani Children’s Bookshop. Notably, Sheikha Bodour helped fund its restoration after a devastating fire in 2022, drawing on support from the Sharjah World Book Capital Office.

Sheikha Bodour’s recognition at Bologna underscores the growing global appreciation for Middle Eastern children’s literature and its potential to inspire future generations through inclusive, imaginative storytelling.

Cartier has presented a series of innovative watch designs at Watches&Wonders this week, including new interpretations of iconic pieces such as the Tressage, Tank Louis Cartier, Tank à Guichets, and Panthère watches.

The Tressage watch stands out for its architectural approach to jewellery. Featuring a sculptural interplay of yellow and white gold, diamonds, and sapphires, the watch is offered in several variations. These include versions paved with snow-set diamonds, gradient sapphires, and a black lacquered dial contrasted with smooth gadroons. The brancards have been deliberately extended to enhance the volume, resulting in a design that bridges jewellery and watchmaking.

The Tank Louis Cartier

Cartier has also expanded its classic Tank Louis Cartier line. The latest model is larger and equipped with the new automatic 1899 MC movement. Despite its increased size, the watch preserves the proportions and design codes of the original 1922 model. Available in yellow and rose gold, it features a flinqué dial and sword-shaped blue steel hands.

The Tank à Guichets

The Tank à Guichets returns as part of the Cartier Privé collection. First introduced in 1928, the model is distinguished by its digital time display via two apertures. The 2025 edition uses the manually wound 9755 MC calibre and is offered in yellow gold, rose gold, and two platinum variants. The classic configuration maintains the hour and minute apertures at 12 and 6 o’clock respectively, while the limited-edition platinum model repositions them diagonally, referencing design experiments from the 1930s.

The Panthère

Cartier’s Panthère collection continues to evolve with intricate craftsmanship. The Panthère de Cartier watch is now presented with animal-inspired motifs in lacquer, spessartites, and diamonds. One variant features a dial set with 145 diamonds and a bracelet set with 314 diamonds and 86 spessartites, requiring over 110 hours of work.

The Panthère Jewellery Watch

In parallel, the Panthère Jewellery Watch blends figurative sculpture with horology. The standout model features a three-dimensional panther with tsavorite eyes and an onyx nose, pouncing across a ‘Toi & Moi’ bracelet. Another version in white gold showcases a fur-setting technique and is adorned with 1103 diamonds.

cartier.com

Geneva-based watchmaker Roger Dubuis has marked its 30th anniversary with the release of two high-complication models that pay tribute to its founder’s most recognisable innovations.

Unveiled at Watches and Wonders this weelk, the Excalibur Grande Complication and Excalibur Biretrograde Calendar both feature the Maison’s distinctive biretrograde display, a mechanism co-developed in the 1980s by Roger Dubuis and Jean-Marc Wiederrecht and used in the brand’s very first watch in 1995.

The Excalibur Grande Complication is limited to eight pieces and combines three of haute horlogerie’s most complex features: a perpetual calendar, minute repeater and flying tourbillon. These are housed in a 45 mm pink gold case with a sapphire crystal caseback and 3D brown calfskin leather strap.

The calibre RD118 delivers 60 hours of power reserve and comprises 684 components, each hand-decorated to meet the strict requirements of the Poinçon de Genève. The minute repeater includes a tritone chime activated by a pusher on the case and an “all or nothing” safety mechanism. The perpetual calendar features a leap year indication and will remain accurate without manual correction until 2100.

The flying tourbillon is positioned between 5 and 6 o’clock and uses non-magnetic titanium in a construction that recalls the Celtic Cross. This combination of technical mastery and expressive aesthetics was central to Mr Dubuis’ philosophy.

Excalibur Biretrograde Calendar

Alongside this release, the Maison has introduced the Excalibur Biretrograde Calendar, a 40 mm pink gold model referencing design codes from the brand’s early years. Its calibre RD840 is an automatic movement with 60 hours of power reserve and features the Geneva Seal. The watch’s caseback showcases a modernised oscillating weight and includes an inscription in tribute to the brand’s heritage.

The dial displays the day and date on a biretrograde system with skeletonised hands, and includes mother-of-pearl inserts at 12 and 6 o’clock. A triple-folding clasp in matching pink gold completes the piece, which is paired with a brown calfskin leather strap and includes the Maison’s Quick Release System.

Both models reaffirm Roger Dubuis’ continued focus on blending technical innovation with expressive design, in keeping with its founder’s original vision.

RogerDubuis.com

ZENITH is celebrating its 160th anniversary with the release of a limited-edition trilogy of its most iconic chronographs, each presented in a newly developed monochromatic blue ceramic.

The collection includes the CHRONOMASTER Sport, DEFY Skyline Chronograph, and PILOT Big Date Flyback, all offered in editions of 160 pieces. Each watch is available individually or as part of a special anniversary box set.

The brand’s signature blue pays homage to the sky, long associated with ZENITH since its founding by Georges Favre-Jacot in 1865. Ceramic, chosen for its durability and biocompatibility, is notoriously difficult to produce in specific colours. Creating ZENITH’s custom blue ceramic required months of development, followed by precise finishing techniques to match the standard set by the brand’s gold and steel models.

The PILOT Big Date Flyback 160th Anniversary Edition draws from ZENITH’s aviation legacy, including early pilot watches and instruments. The 42.5 mm model features a blue micro-blasted ceramic case, luminescent numerals and hands, and a corrugated dial. Powered by the El Primero 3652 calibre, the chronograph includes a patented big date that jumps in 0.007 seconds and a flyback function enabling a single-push reset and restart. The case back reveals an anniversary-emblazoned rotor. Priced at 15,400 CHF, it includes blue and white Cordura-effect rubber straps with an interchangeable system.

DEFY Skyline Chronograph

The DEFY Skyline Chronograph 160th Anniversary Edition reimagines the 1969 DEFY with an all-ceramic construction. The 42 mm watch features a faceted case and bracelet, a star-patterned dial, and is powered by the El Primero 3600 calibre. This high-frequency movement tracks 1/10th of a second, with the central hand making a full rotation in 10 seconds. The movement is visible through a sapphire case back, bearing a 160th anniversary engraving. The watch comes with a blue rubber strap and is priced at 22,900 CHF.

Chronomaster Sport

The CHRONOMASTER Sport 160th Anniversary Edition showcases ZENITH’s chronograph innovation in a 41 mm blue ceramic case. The sunray-finished dial includes the brand’s tricolour subdials. Driven by the El Primero 3600, it also measures 1/10th of a second and includes a stop-second mechanism. It is delivered with both a ceramic bracelet and rubber strap and is priced at 21,900 CHF.

All three models are available exclusively through ZENITH boutiques and authorised retailers.

zenith.com

At Watches and Wonders this week, Chopard has introduced a series of new timepieces across its Alpine Eagle, Mille Miglia, L.U.C. and L’Heure Du Diamant collections.

Alpine Eagle Collection Enhancements

Chopard expanded its Alpine Eagle series with the introduction of the Alpine Eagle 41 XP CS Platinum. This ultra-thin timepiece features a 41mm platinum case paired with a newly designed integrated bracelet that offers enhanced comfort and aesthetic appeal. The “Shades of Ice” blue-gradient dial, inspired by Alpine glaciers, houses the chronometer-certified L.U.C Calibre 96.42-L movement, renowned for its precision and reliability.

Alpine Eagle 41 SL Cadence 8HF

Another highlight is the Alpine Eagle 41 SL Cadence 8HF. This model boasts a lightweight titanium case and is equipped with a high-frequency movement, operating at 57,600 vibrations per hour, ensuring exceptional timekeeping accuracy. The dial’s “Pitch Black” shade, complemented by vibrant orange accents, evokes the dynamic spirit of mountain adventures.

L.U.C Collection Celebrates 25 Years

L.U.C Quattro Spirit 25 Straw Marquetry Edition

Marking the 25th anniversary of the L.U.C collection, Chopard unveiled the updated L.U.C Quattro. This refined timepiece features a 39mm rose gold case and a textured finish. It is powered by the L.U.C Calibre 98.01-L, offering an impressive nine-day power reserve, a testament to Chopard’s innovative Quattro technology. ​

Chopard’s Happy Diamonds Icons offer Elegance in Motion

Another highlight from this year’s presentiation is the reimagined iconic Happy Diamonds collection, with a bold new square design, joining the classic heart and round shapes. Crafted in ethical 18-carat yellow or diamond-set white gold, each pendant, ring, earring, and bracelet features one to four free-floating diamonds that dance with every movement. Soft bevels and gadroon detailing give these pieces a modern, light-hearted charm. Since 1976, Happy Diamonds have embodied freedom and Joie de Vivre—values that shine brighter than ever in this latest evolution.

L’Heure du Diamant Moonphase

Chopard also presented the L’Heure du Diamant Moonphase timepiece, seamlessly blending fine watchmaking with high jewellery. This exquisite watch features a diamond-set case and a moonphase complication, reflecting Chopard’s expertise in both horology and gem-setting.

chopard.com

Piaget has once again redefined luxury watchmaking with the reintroduction of the iconic Andy Warhol watch, officially named after the renowned artist through a partnership with The Andy Warhol Foundation for the Visual Arts.

Initially launched in 1972 as the 15102, this iconic piece of craftsmanship now steps into the spotlight at Watches and Wonders with bold new designs that celebrate the brand’s enduring legacy of artistry and innovation.

The watch, previously renamed the Black Tie watch in 2014, features the pioneering Beta 21 movement and is known for its striking 45mm case, characterized by sweeping gold gadroons that curve elegantly around the bezel. It was a beloved piece in Warhol’s personal collection, standing as a symbol of the deep friendship between the artist and Yves Piaget, which began when they met in the United States. Warhol, a member of the aspirational Piaget Society, was drawn to the watch’s innovative design and craftsmanship, cementing its place as a cultural icon.

Piaget’s new edition of the Andy Warhol watch takes the original design to new heights with the introduction of playful animations that add a contemporary twist to the timepiece’s rich history. In a bold move to celebrate Piaget’s renowned ability with colour, the brand has introduced a stunning high jewellery version featuring opal and blue sapphires. The dial, made from extraordinary opal, is alive with sparks of blue and green, capturing the eye in a 45mm case, while the sapphires encircling the bezel add an additional layer of sophistication. This version follows the 2023 High Jewellery Metaphoria collection, which included a piece with a petrified wood dial and emerald hour markers, showcasing Piaget’s expertise in transforming natural stones into wearable art.

The new collection also includes a Tiger’s Eye dial, which is particularly striking with its golden needles and deep amber hues. This dial is expertly cut to highlight its opalescent quality, combining natural graphic stripes with a luminous finish. It is powered by Piaget’s in-house 501P1 Manufacture self-winding movement, ensuring precision and reliability. This piece joins the blue meteorite Andy Warhol Clou de Paris watch and other ornamental stone dial variants in Piaget’s collection.

With a range of ten ornamental stone dials and various strap colours and materials, Piaget offers collectors the opportunity to customise their Andy Warhol watch to suit their personal style.

Piaget.com

Van Cleef & Arpels has revealed a series of new timepieces at Watches and Wonders 2025, held in Geneva.

This year’s presentation pays tribute to Paris, the Maison’s birthplace, and continues its exploration of romance, craftsmanship and horological innovation. 

At the heart of the showcase is the Lady Arpels Bal des Amoureux Automate, which introduces a new automaton movement developed over four years by the brand’s watchmaking workshops. Inspired by guinguettes (open-air dance cafés typical of 19th-century Paris) the dial presents a nighttime scene where lovers meet under starlight. A push-button activates an animation in which the figures move naturally towards each other, thanks to three articulations that mimic realistic motion. The piece uses both traditional and coloured grisaille enamel, a métier d’art requiring around 40 hours of work and a dozen firings per dial.

 

Also featured is an expanded Pont des Amoureux collection. First launched in 2010, the series depicts a couple meeting on a Parisian bridge. Four new editions (Aube, Matinée, Soirée and Clair de Lune) portray the lovers at different times of day using double retrograde movement and on-demand animation. The pieces incorporate sculpted gold, enamel decal on sapphire glass and jeweled bracelets with gradations of sapphires and diamonds.

Among the most ambitious pieces unveiled is the Planétarium Automaton. Standing 50 cm high and 66.5 cm in diameter, the automaton presents the Sun and visible planets from Earth, including a revolving Moon. Each body moves at its real astronomical speed, from Mercury’s 88-day orbit to Saturn’s 29.5-year cycle. A shooting star made of rose gold, diamonds and rubies indicates time while sweeping past the planets, accompanied by a 15-bell chime. The base integrates hour, calendar and power reserve displays.

Another addition is the Naissance de l’Amour automaton. A collaboration with François Junod’s atelier, the piece features Cupid rising from a basket of feathers. Its mechanism includes enamel wings, a rose gold column, and materials such as iron eye, petrified palmwood and pink sapphires.

The Maison also presented the Ruban Mystérieux watch and a new Cadenas model. The former uses Mystery Set sapphires and emeralds around a 3.72-carat diamond, while the latter reinterprets a 1935 design with snow-set diamonds and sapphires on a yellow gold bracelet.

Each creation reflects Van Cleef & Arpels’ continued dedication to combining artistic craft and technical mastery.

vancleefarpels.com

IWC Schaffhausen has unveiled its latest timepieces at Watches & Wonders 2025 in Geneva, introducing new models in the Ingenieur and Pilot’s collections.

Leading the Ingenieur line-up is the Ingenieur Automatic 42 in Black Ceramic, the first to combine Gérald Genta’s integrated bracelet design with a full ceramic case. It features a multi-part construction and is powered by the 82110 calibre, visible through a tinted sapphire case back.

Other additions include the Ingenieur Automatic 40 in 18-carat 5N gold with a “Grid” dial and 120-hour power reserve, and the Ingenieur Perpetual Calendar 41, the first stainless steel model in the range to feature Kurt Klaus’s perpetual calendar. The Ingenieur Automatic 35 introduces three 35 mm models in gold and stainless steel.

From the Pilot’s range, the Performance Chronograph Perpetual Calendar Digital Date-Month stands out with its Ceratanium® case, black ceramic bezel, and 89802 calibre. The Big Pilot’s Watch Shock Absorber Tourbillon Skeleton XPL also debuts, showcasing the brand’s patented SPRIN-g PROTECT® system.

IWC also revealed two watches set to feature in an upcoming Formula 1 film: the Green-Dial Ingenieur Automatic and Pilot’s Chronograph, reflecting the brand’s strong ties to motorsport.

watchesandwonders.com

Jaeger-LeCoultre has introduced its 2025 theme, the 1931 Polo Club, at Watches and Wonders Geneva. 

The theme pays tribute to the origins of the Reverso timepiece, first conceived in 1930 to withstand the rigours of polo.

The immersive booth recreates the atmosphere of aristocratic stables, with design elements referencing the Art Deco era. At the centre is a six-metre-high animated horse sculpture, brought to life by volumetric LED technology. The installation presents a three-minute visual narrative of the Reverso’s genesis every half hour.

Reverso Tribute Monoface Small Seconds

The Reverso story is told in four chapters: icon, style and design, innovation, and craftsmanship. Highlights include nine new models, such as the Reverso Tribute Minute Repeater with the new Calibre 953, and the enamelled ‘Shahnameh’ series.

Artisans demonstrate skills such as enamelling and restoration, while the 1931 Café presents a new gastronomic experience by chocolatier Mathieu Davoine.

Reverso Tribute Geographic

The Reverso, born in 1931 with a unique pivoting case, has housed 79 calibres and holds 35 patents. Jaeger-LeCoultre continues to honour its legacy with technical sophistication and artistic expression.

watchesandwonders.com

Valextra has announced the second edition of its Vocabolario project in partnership with Venice-based design studio Zaven.

Set to debut at Salone del Mobile 2025, the collaboration introduces the Costa 70 + Zaven suitcase, a limited-edition design piece that blends architectural sculpture with mobility.

The Costa 70 + Zavensuitcase is inspired by Valextra’s archival Costa collection and reimagined by Zaven founders Enrica Cavarzan and Marco Zavagno. The piece contains abstract components that can be assembled into various sculptural configurations, making it both a collector’s item and a conceptual object.

To accompany the launch, Zaven has designed an installation at Valextra’s Via Manzoni store in Milan. The display, created from foam and elastic resin, reflects the forms and textures of the new suitcase while highlighting the project’s emphasis on interaction and modularity.

Valextra CEO Xavier Rougeaux described the collaboration as “a dynamic, artistic piece that blends sculpture with architectural design and movement”.

To commemorate the project, Valextra is releasing a numbered edition of two signature bags: the Iside Resin Tint Mini and the Milano Resin Tint Mini. Both feature moulded resin closures and are crafted from the brand’s signature Millepunte leather.

valextra.com

Saint Laurent, under the direction of Anthony Vaccarello, will unveil “Saint Laurent-Charlotte Perriand” at Milan Design Week from the 8th to the 13th of April at the Padiglione Visconti.

The exhibition presents four rare furniture designs by Charlotte Perriand, reproduced and issued in limited editions for the first time.

The pieces, originally created between 1943 and 1967, include the ‘Bibliothèque Rio de Janeiro’, ‘Fauteuil Visiteur Indochine’, and ‘Canapé de la Résidence de l’Ambassadeur du Japon’, all conceived for personal or diplomatic settings. The ‘Table Mille-Feuilles’, known only from a maquette on Perriand’s desk, has been realised at full scale for the first time.

This project reflects Saint Laurent’s ongoing commitment to heritage and design culture. It also pays tribute to Yves Saint Laurent’s long-standing appreciation for Perriand’s modernist vision, which he collected throughout his life.

Each of the four furniture pieces is available on a made-to-order basis. A catalogue and a special photography volume will be sold at the Saint Laurent Editions kiosk on Piazza San Babila. Simultaneously, photographic works by Perriand will be on display at Saint Laurent Babylone and Saint Laurent Rive Droite Paris in April and May.

ysl.com

Rhodes W1 has introduced its Classic Brunch, a sophisticated new weekend dining experience located at Grosvenor House Dubai. Taking place every Saturday from 1:00 PM to 4:00 PM, the offering combines British culinary favourites with panoramic views of Dubai Marina.

Guests can expect a curated menu beginning with sharing-style starters followed by à la carte mains such as the British Breakfast Plate, Roast Pork Belly Bap, Classic RW1 Burger and Mushroom Risotto. Dessert options include traditional Eton Mess and Treacle Syrup Sponge with Vanilla Custard.

The brunch also features dedicated drinks stations, where guests can personalise their beverages. A live DJ plays a selection of iconic singalong tracks, adding to the lively yet refined atmosphere. A specially designed kids’ menu is available for children aged 6 to 12.

Pricing is set at AED 375 for soft beverages, AED 475 for house beverages and AED 575 for sparkling beverages. The children’s menu is priced at AED 175.

rhodesw1-dubai.com

Four Seasons Hotel Doha has relaunched Elements, its Mediterranean-inspired restaurant, following a comprehensive reimagining of its design, culinary concept and service.

The venue, located on the hotel’s lower level, continues to serve as a key dining destination for both guests and locals.

Elements now offers an interactive experience, featuring an open kitchen, a live bar, and various culinary stations. Diners can expect Mediterranean dishes ranging from crudo and shawarma to Greek specialities and freshly made ice cream.

Leading the kitchen is Chef de Cuisine Claudio Leanza, who brings global experience from Italy, Costa Rica and Norway. Originally from Latisana, Italy, Leanza is focused on seasonal ingredients and draws inspiration from across the Mediterranean region.

Interior design, led by David Tkint, incorporates hardwood flooring, greenery, and artistic accents, creating a modern, inviting setting with 166 seats including outdoor terrace options overlooking the Arabian Gulf.

The menu includes breakfast offerings, authentic pizzas, pastas, and dishes from the charcoal grill such as Wagyu striploin, Omani prawns, and seabass with chimichurri.

fourseasons.com