Montblanc and Park Hyatt Dubai have joined forces to present the Montblanc Majlis by Ninive, an exclusive Ramadan experience.
The event is taking place throughout the Holy Month at the Palm Garden, offering guests a refined setting for Iftar and Suhour.
The Iftar service begins at sunset in the Palm & Fountain gardens, transformed into an elegant majlis reflecting the traditions of Islamic culture.

The space integrates Montblanc’s signature style with the authenticity of a Middle Eastern setting. Franck Juhel, President of Montblanc Middle East, India, and Africa, highlighted the event’s focus on fostering meaningful connections and creating cherished memories during Ramadan.

The menu, curated by Ninive’s award-winning culinary team, features three rotating selections of traditional Middle Eastern cuisine. Starters include Red Mullet Shorba, Kibbeh, and Baba Ganoush, followed by mains such as Seabream Tangine, Braised Lamb Shoulder Tashreeb, and live cooking stations with Lamb Kofta and Grilled Tiger Prawns. The meal concludes with desserts like Umm Ali and Sticky Date Pudding.

The Suhour experience, hosted in the Fountain Garden, offers a seated dining concept with a live Oud performance. The menu includes sharing-style dishes such as Wagyu Beef Skewers, Sea Bass, and Couscous Royal, along with desserts like Frozen Yoghurt and a fresh fruit platter.

Iftar is priced at AED 350 per person, while the plated Suhour concept is available for AED 375 per person. The event invites guests to immerse themselves in a blend of craftsmanship, tradition, and gastronomy, creating a memorable Ramadan experience.
Jil Sander has named Simone Bellotti as its new Creative Director, effective immediately. The appointment was announced by Jil Sander and its parent company, OTB Group.
Bellotti joins Jil Sander after serving as Creative Director at Bally. His career spans several major fashion houses, including A.F. Vandervorst, Gianfranco Ferré, Dolce & Gabbana, and Bottega Veneta. He also spent 16 years at Gucci, where he developed a strong focus on detail and archival references. Raised in Milan, Bellotti later moved to Antwerp, where he became immersed in a community of radical creatives. His work is influenced by art, photography, and music.
Renzo Rosso, Chairman of OTB Group, expressed confidence in Bellotti’s leadership. “Simone embarks on this journey with extensive experience and a distinct talent. Over the time spent together we shared the strategic vision and mission for Jil Sander, the values of innovation and sophistication that make it an iconic and unique brand.”
Bellotti stated, “I am incredibly honoured to join Jil Sander, a storied house that created a new aesthetic with its unique approach and strong identity. I am grateful to Renzo for the trust, and I am keen to contribute to the house’s full potential.”
Jil Sander was founded in 1968 and has been part of the OTB Fashion Group since 2021.
This weekend Alessandro Michele presented his FW25 collection for Valentino. Titled “Le Méta-Théâtre des Intimités,” it explored the fluid boundaries between public and private spaces.
For the show, Michele created a dystopian, Lynchian-inspired public restroom for the runway, serving as a metaphor for the fluidity between private and public, surface and depth.

According to the house, Michele wanted the show to challenge conventional ideas of selfhood, suggesting that intimacy is not an untouched core but a series of layered performances shaped by societal norms.

On the runway, this was expressed through a mix of lingerie-inspired pieces, sheer lace, athleisure elements, classic suiting, and ’40s-style dresses.

The collection also included early-aughts-inspired outfits, such as strapless tops paired with jeans. Michele revisited colourful diamond prints and animal motifs, reminiscent of his debut couture collection.
Cartier has announced the unveiling of the Women’s Pavilion at Expo 2025 Osaka, Kansai, Japan.
Established in partnership with the Japan Association for the 2025 World Exposition and the Japanese Government, including the Ministry of Economy, Trade and Industry and the Gender Equality Bureau Cabinet Office, the pavilion highlights the role of women in shaping global progress and equality.
The Women’s Pavilion, set to be open from the 13th of April to the 13th of October 2025, will serve as a global platform to encourage collective action towards a more equitable future.
The pavilion embraces Expo 2025’s theme, ‘Living Together, Designing Together, For the Future’, expanding discussions beyond gender equality to include environmental responsibility and societal longevity. Designed by Japanese architect Yuko Nagayama, the pavilion’s Kumiko-inspired façade merges tradition and modernity, integrating sustainable elements such as locally sourced trees that will be replanted after the expo.
Curated by artist Es Devlin, the pavilion will offer an immersive experience through personal storytelling and participatory exhibits. Contributions from filmmaker Naomi Kawase, actress Mélanie Laurent, and artist Mariko Mori will further enhance the exhibition’s themes. Discussions in the WA space will explore six key global challenges, including education, business, and philanthropy.
Cartier first introduced the Women’s Pavilion at Expo 2020 Dubai, and this second iteration aims to build on that legacy. June Miyachi, President and CEO of Cartier Japan, stated that the pavilion seeks to inspire visitors to act towards a brighter future.
Expo 2025 Osaka is expected to attract 28.2 million visitors over its six-month duration.
Watches & Wonders Geneva 2025 is set to return this April, featuring an unprecedented 60 exhibiting brands.
From the 1st to the 7th of April, Geneva will host some of the most esteemed names in the watch industry.
Six independent brands will also make their debut: Christiaan van der Klaauw, Genus, Kross Studio, MeisterSinger, Armin Strom, and HYT.
The event will unfold in two phases. From the 1st to the 4th of April, the Salon will be exclusive to retailers, journalists, and industry professionals. From the 5th to the 7th April, the general public will gain access.
Attendees will be able to enjoy product presentations, guided tours, interactive brand booth experiences, and conferences on industry trends. A special exhibition, “Travel along the Greenwich Meridian,” will explore the history and significance of time measurement.
The event will highlight young talent, with emerging professionals showcasing their work both at the Salon and throughout Geneva. The Watchmaking Village on Pont de la Machine will display apprentices’ projects, and SwissSkills 2025 microtechnology competitions will be held in conjunction with the event.
Beyond Palexpo, the “In the City” initiative will bring watchmaking to Geneva’s centre with free public events, workshops, and an exclusive concert on Thursday evening.
Alexander McQueen’s Autumn Winter 2025 collection, presented in Paris on the 8th of March, reimagines dandyism through a modern lens.
Under the creative direction of Seán McGirr, the collection explores themes of identity, idealism, and gender, drawing inspiration from historical figures such as Oscar Wilde, Vesta Tilley, and Romaine Brooks.

The collection is set against a vision of London at night, merging Victorian Gothic influences with contemporary craftsmanship. The garments feature fluid silks, textured lace, and intricate floral details, juxtaposed with gold bullion-embroidered cloaks and crystalline masks. Sculpted hats by Philip Treacy add an angular, obscuring element to the aesthetic.

Sharp tailoring is central, with lean silhouettes and exaggerated Victorian shoulders. Rich fabrications include double-faced wool cashmere, cavalry twill, silk georgette, and lace in a palette ranging from black and crimson to fuchsia and iced lilac. Embellishments such as naturalistic motifs in glass stones and bullion embroidery enhance the opulence.

Accessories include structured leather bags, Victorian-inspired jewellery, and elongated boots. The show space, designed by Tom Scutt, featured a mirrored, askew portal inspired by The Picture of Dorian Gray, with an ambient soundtrack blending 19th-century strings and contemporary electronic compositions.

McQueen’s latest collection redefines dandyism with a balance of tradition and transgression.
Zuhair Murad has introduced his Ready-to-Wear Fall 2025 collection, The Frozen Kiss, a striking tribute to winter’s ethereal beauty. The collection presents a balance of precision and intricacy, with silhouettes that capture a timeless elegance.
The designs evoke the imagery of a frozen landscape, where embroidery, texture, and light interplay to create a sense of motion within stillness. Midi bustier dresses flow alongside sweeping gowns, highlighting the contrast between shadow and illumination. Transparency plays a central role, with silk tulle embroidered with frost-inspired floral patterns, while organza and lace intertwine to sculpt both mini and maxi dresses, as though encased in ice.

Fabrics shimmer under the light like frost on pristine snow, enhancing the collection’s glacial aesthetic.

Ball gowns in airy floral organza evoke the delicate nature of winter’s embrace, while draped silk corsets and voluminous silhouettes add a regal, structured dimension.

Velvet, rich and sculptural, is adorned with golden rings, while jersey clings fluidly to the body, emphasising graceful curves.

The colour palette oscillates between icy cool tones and warm, sensual hues. Shades of steel blue, mint, and ivory contrast with deeper rosewood, burgundy, and violet, while black introduces a dramatic, sculpted presence.

This latest collection cements Zuhair Murad’s reputation for blending artistry with technical mastery, crafting garments that reflect the splendour of a winter untouched by time.
Schiaparelli’s latest ready-to-wear collection for Fall/Winter 2025-2026, titled Lone Star, explores the duality of strength and femininity through innovative design and intricate craftsmanship.
Creative Director Daniel Roseberry draws inspiration from the complex nature of women’s lives, presenting a wardrobe that balances masculine archetypes with feminine elegance.

The collection reinterprets traditional Western elements with a refined approach. Classic cowboy boots are given a polished, feminine shape, while tooled leather appears across belts, boots, and bags. A notable highlight includes a clutch that resembles beaten copper but is crafted from specially treated leather, playing on the theme of illusion and contrast.

Schiaparelli’s designs embrace juxtaposition, which is evident in the use of trompe l’oeil effects and unexpected proportions.

A new slouch-side top-handle day bag appears oversized to accommodate modern needs, and the Soufflé bag is adorned with golden studs.

Silhouettes pay tribute to Roseberry’s Texas roots, featuring duster coats, bow-legged jeans, and oversized cowboy belt buckles decorated with the house’s signature motifs.

With a focus on authenticity in a post-social media era, Roseberry aims to create pieces that are timeless and irreplicable. The Lone Star collection celebrates individuality, honouring women as unique and incomparable figures.
Repossi has unveiled its 2025 Ramadan campaign, highlighting the brand’s commitment to heritage, artistry, and contemporary jewellery design.
The campaign features Lebanese model Zena Farhat, who showcases the Maison’s Serti sur Vide and Blast high jewellery collections.
The campaign reflects the significance of Ramadan as a period of reflection, connection, and celebration. Repossi aims to reinforce inclusivity and representation in the luxury market by celebrating Middle Eastern culture and beauty. The brand continues to merge fine jewellery craftsmanship with modern and contemporary art.

At the core of the campaign is the Serti sur Vide collection, a signature line that recently marked its tenth anniversary. The collection is known for its innovative floating diamond concept, which creates an illusion of weightlessness through negative space.

This design challenges traditional jewellery-making techniques while maintaining a balance of delicacy and boldness.

In contrast, the Blast collection embraces volume and structure, incorporating a continuous golden thread to bridge ancient and modern artistic influences. Its fluid design reflects the themes of renewal and transformation associated with Ramadan.

Repossi’s campaign is a tribute to tradition and modernity, reaffirming the brand’s presence in the Middle East and its dedication to craftsmanship and cultural storytelling.
Miu Miu has announced the return of its Literary Club, set to take place on 9 and 10 April 2025 at the Circolo Filologico Milanese during the Salone del Mobile in Milan.
Now in its second edition, the event will focus on the themes of girlhood, love and education, explored through the works of two influential literary figures: French existentialist Simone de Beauvoir and Fumiko Enchi, a leading female author of Japan’s Shöwa era.
The two-day programme will feature discussions and live performances, bringing together female voices from various disciplines. The event aims to provide fresh perspectives on the celebrated authors while reinforcing Miu Miu’s engagement with contemporary thought and culture.
Further details of the event programme are yet to be announced. Registrations will open on 3 April via miumiu.com.
RABANNE unveiled its Fall-Winter 2025 collection, titled “Contain and Release,” today in Paris.
Under the creative direction of Julien Dossena, the collection explores the dynamic interplay between restraint and release, presenting a study in materiality, shape, and colour. The show demonstrated themes of preciousness and protection while incorporating elements of disruption and fluidity.

Modern faux fur played a central role, appearing both as a structured and enveloping element and as an expression of movement.

Classic wools and coated cottons were utilised in sharp silhouettes, often revealing unexpected textures and slits. Beaded scarves and deconstructed panels added layers of complexity, while metallic surfaces and profusions of tiny paillettes introduced a sense of opulence.

A standout print of colourful pills transformed into a sleek tailored suit, reinforcing the collection’s exploration of contrast.

The colour palette featured a mix of warm and cool tones, including apricot, green glass, burgundy, deep blue, brown, black, and lilac. Menswear followed a similar approach, combining real and faux leather with layers of tailoring.

Accessories and footwear completed the looks with high-laced combat boots and shimmering socks paired with Mary Janes, nodding to a grunge influence. The collection reflected the present moment, where uncertainty and courage coexist, symbolised by an old-world key worn as a necklace, representing both security and the unknown.
Luxury footwear brand Roger Vivier has revealed its latest collection, La Rose Vivier, for Autumn Winter 2025/2026.
Inspired by the rose, a long-standing motif in the brand’s history, the collection merges archival references with contemporary craftsmanship.

Creative Director Gherardo Felloni revisits Roger Vivier’s historical designs, particularly the Talon Épine stiletto, integrating sculpted metal roses, twisted leather knots, and organza embellishments across pumps, sandals, ballerinas, accessories, and jewellery. A highlight of the collection is the Rose Vivier mule, which modernises a 1965 design with a metal rose created using lost-wax casting techniques. The Rose Vivier clutch similarly features a structured silhouette with a retractable, thorn-decorated handle.

New interpretations of the Belle Vivier bag and slingback include bold colourways and a leopard-print pony calfskin inspired by archival designs. The Virgule heel, first introduced by the brand in past collections, returns in a higher version, while the Jewel Heel, famously worn by Marlene Dietrich, is reimagined for the season.

The presentation included a ballet performance by Alice Renavand and members of the Opéra de Paris, choreographed by Yvon Demol, reinforcing the Maison’s emphasis on elegance and movement.
Founded in 1937, Roger Vivier remains a leader in luxury craftsmanship under Felloni’s creative direction.
Chemena Kamali, the creative director of Chloé, has revealed “The Evolution Collection” for Winter 2025, emphasising the intersection of heritage and progression in the brand’s identity.
Kamali describes the collection as a reflection of how thoughts and memories shape identity. She explores the romanticisation of the past through an intuitive approach, blending historical influences with contemporary sensibilities. The designs incorporate elements passed down through generations, merging nostalgia with modern appeal.

The collection juxtaposes opulence with minimalism, celebrating the duality of the Chloé woman. Kamali highlights the complexity of identity, asserting that the Chloé woman embodies various layers, moods and dimensions. She is not defined by a single characteristic but rather by an evolving narrative that resonates with women across generations.

Kamali also emphasises Chloé’s signature balance of soft strength, merging femininity and sensuality with independence and freedom. She views the brand’s spirit as deeply personal, with each collection closely tied to her own state of mind.

Through “The Evolution Collection,” Kamali seeks to maintain Chloé’s relatability and authenticity, ensuring its voice continues to speak to women beyond fashion.
Louis Vuitton has announced the launch of La Beauté Louis Vuitton, marking the luxury brand’s expansion into the beauty sector.
The new venture, set to debut in Autumn 2025, reflects the House’s longstanding commitment to craftsmanship and creative excellence.
Dame Pat McGrath, DBE, has been appointed as Creative Director, Cosmetics. The globally renowned British makeup artist brings decades of experience to the role, shaping a beauty experience that extends beyond traditional products. McGrath, often regarded as “the most influential makeup artist in the world,” has collaborated with numerous fashion houses, including Louis Vuitton. She launched her own brand, Pat McGrath Labs, in 2015, and in 2021 became the first makeup artist to receive a damehood from Queen Elizabeth II.
Louis Vuitton’s relationship with beauty dates back to its origins in travel. The brand has historically crafted vanity cases for transporting toiletries, perfumes and cosmetics. In the 1920s, Louis Vuitton designed powder compacts, brushes and mirrors, with notable archival pieces including a bespoke kit made in 1925 for soprano Marthe Chenal and a toiletry case created for Polish composer Jan Paderewski. The first Louis Vuitton handbags for women were also designed to carry essentials such as cosmetics.
McGrath expressed her enthusiasm for the new role, stating, “Working backstage for over 20 years at Louis Vuitton fashion shows, I am thrilled to now play such a key role in the launch of La Beauté Louis Vuitton, which is the result of extraordinary craftsmanship, creativity and innovation. The beauty universe is about so much more than just product, and what we are creating here will unlock a new level in luxury beauty.”
Pietro Beccari, Chairman and CEO of Louis Vuitton, described the new beauty line as a natural evolution for the brand. “La Beauté Louis Vuitton is a natural business evolution, driven by our meticulous attention to quality, formula and innovation. Through this new universe, we have the opportunity to further accompany clients in their everyday lives with purpose and pleasure, while continuing to celebrate our creativity and heritage.”
Further details on the product range are yet to be disclosed.
Dior has revealed its latest ready-to-wear collection for autumn-winter 2025-2026, under the creative direction of Maria Grazia Chiuri.
The collection builds on Dior’s heritage while forging connections with the evolution of fashion, blending historical inspirations with modern sensibilities.

Chiuri’s approach positions fashion as a means of transformation. This season, the collection explores the idea of clothing as a medium that affirms cultural, aesthetic and social codes. It revisits significant memories and gestures from Dior’s history, incorporating elements from past creative directors while embracing contemporary design principles.

A key aspect of the collection is the reinterpretation of the white shirt, which Chiuri considers a fundamental piece that challenges gender norms. This element interacts with the legacy of Gianfranco Ferré, Dior’s former Artistic Director, who is referenced throughout the collection. The wardrobe is designed as a space for metamorphosis, incorporating removable collars inspired by the Orlando ruff from Virginia Woolf’s novel Orlando, reinforcing the fluidity of identity and style.

The collection also incorporates theatrical elements, echoing the visual dramaturgy of director Robert Wilson. The runway presentation featured shifting colours and symbolic stage elements, including a swing, a prehistoric bird, craters, and an iceberg, creating a sense of transformation and evolution.

Dior’s rich history is further emphasised through the return of iconic references, including the ‘J’adore Dior’ T-shirt, originally introduced by John Galliano. The collection also revives techniques such as cut-out and appliqué embroidery, juxtaposed with technical jackets. Black velvet ribbons, adorned with baroque pearls, add texture to skirts and dresses, resembling dematerialised crinolines.

Transparency plays a key role, with delicate finishes on shirts contrasting against the structured black felt coats that sculpt the body. Rounded shoulders shape the silhouette, while masculine jackets are paired with bustiers, and the tailcoat makes a return. Lace collars add a touch of historic refinement, while a monochromatic palette of black and white reinforces the collection’s interplay of past and present. Utilitarian elements, including raincoats, are also integrated, ensuring a balance between function and elegance.

Chiuri’s latest collection reflects a vision of femininity that embraces both history and the future, drawing from past influences while reimagining them for contemporary wardrobes. By interweaving eras, aesthetics and narratives, Dior’s autumn-winter 2025-2026 collection continues to explore the possibilities of fashion as a means of self-expression and transformation.
Alaïa’s Summer-Fall 2025 collection draws from history, geography, and sculpture, integrating these elements into its designs.
The collection, presented on Tuesday in the brand’s atelier in Paris, was influenced by the work of sculptor Mark Manders, whose pieces were displayed in the show space. His art, often appearing in progress or shaped by time, inspired the collection’s exploration of beauty beyond fixed eras or geographies.

This theme of cultural exchange extends to the show’s original soundtrack, Liefde, composed by Gustave Rudman. Featuring soprano Fatma Saïd performing Aatini al-Nay wa-Ghanni, with lyrics by Khalil Gibran, the music reflects a universality that aligns with the collection’s aesthetic.

The designs reference multiple historical periods, blending shapes and details to create a contemporary synthesis. Garments move like kinetic sculptures, with pleats and drapes creating fluidity. Hoods frame faces like portraits, while structured layers mirror the female form, offering both protection and empowerment.

Emphasising individuality and strength, the collection upholds the philosophy of founder Azzedine Alaïa. The message is clear: fashion is not just about aesthetics but also identity and resilience. “Your body is yours,” the collection asserts, celebrating femininity through conscious, sculptural design.
Italian luxury fashion house Prada has opened a new boutique in Solitaire Mall, Riyadh. The store spans a total area of 500 square metres and offers a selection of women’s and men’s ready-to-wear, leather goods, footwear, and accessories.
The boutique features a see-through façade with crisscrossing triangular lines that reflect Prada’s signature logo, providing a panoramic view of the interior.

A dedicated space for the Prada Fine Jewellery Eternal Gold collection is characterised by the brand’s iconic greenish colour, elegant display elements, and exclusive furniture designed by Giò Ponti for Prada. The space is further enriched with soft light green velvet curtains and a chandelier, creating an intimate shopping experience.

The interior is defined by Prada’s signature design elements, including a black and white chequered marble floor inspired by the original Prada store in the Galleria Vittorio Emanuele II in Milan. The walls, covered in the brand’s pastel green tone with rich metal detailing, highlight the leather goods collection. Exclusive areas are designated for accessories, including eyewear, gift items, and fragrances.

The women’s ready-to-wear and footwear sections feature light-toned carpets, spacious lounges, and pastel green wall panels. The setting is enhanced by metal and crystal desks, along with 1950s-inspired sofas. A private space within the boutique showcases a curated selection of evening dresses and luxury leather goods. The men’s section includes dedicated areas for small leather goods, footwear, and ready-to-wear fashion, completing the boutique’s offering.

Prada’s new store in Riyadh combines architectural elegance with the brand’s signature aesthetic, providing an immersive and refined shopping experience for its customers.
prada.com
YSL Beauty has named Lebanese singer and style icon Dana Hourani as the house’s first GCC Makeup Ambassador.
Dana Hourani, known for her distinctive musical style and modern sophistication, will debut in YSL Beauty’s upcoming “Unleash Your Inner Light” campaign.
Set to launch during Ramadan 2025, the campaign will highlight self-reflection and empowerment through a selection of signature makeup looks crafted by YSL Beauty Regional Makeup Artist, Iman Boutari.
Shireen Abu Hijleh, Brand General Manager, expressed enthusiasm about the partnership: “YSL Beauty is excited to welcome Dana Hourani as a regional brand ambassador. Known for her bold spirit, effortlessly captivating music, and fearless self-expression, Dana perfectly embodies the YSL Beauty DNA.”

Dana’s campaign will feature some of YSL Beauty’s standout products, including Loveshine Wetshine lipstick, Lash Clash mascara, and Make Me Blush powder. Her influence will extend beyond advertisements to digital content and regional and global brand activations.
Dana Hourani, a Lebanese pop artist, gained prominence with her 2019 debut single “Ella Enta” and her 2021 album Ensanein. Her music blends contemporary Western influences with Middle Eastern traditions, earning millions of views and streams. Following the success of her 2023 hit “InshAllah Kheir,” Dana is preparing for the gradual release of her next album.
Swiss Haute Horlogerie manufacturer Audemars Piguet has introduced a new self-winding perpetual calendar movement, Calibre 7138, as part of its 150th-anniversary celebrations.
This innovative mechanism enhances user experience by allowing all adjustments via a single crown for the first time.

The perpetual calendar function, which automatically tracks varying month lengths and leap years, has been reimagined with ergonomics in mind.

Unlike traditional models that require small tools for manual corrections, Audemars Piguet’s new movement simplifies adjustments while maintaining the integrity of its intricate mechanical memory, which only requires intervention once every 100 years.

Calibre 7138 debuts in a 41 mm Code 11.59 by Audemars Piguet in 18-carat white gold, along with two 41 mm Royal Oak models in stainless steel and 18-carat sand gold.

Additionally, the anniversary limited editions each restricted to 150 pieces, feature subtle design elements honouring the brand’s heritage.
Developed over five years and protected by five patents, this movement also enhances water resistance, offering 50 metres for the Royal Oak models and 30 metres for the Code 11.59.

Audemars Piguet’s latest innovation combines cutting-edge research with traditional craftsmanship, reinforcing its reputation for technical excellence and refined aesthetics.
12 STOREEZ has officially opened its first boutique in Kuwait. Situated within the city’s 360 Mall it marks a key milestone in the brand’s expansion in the Middle East.
“We are thrilled to announce the opening of our first store in Kuwait. We believe that our values will resonate with Kuwait’s vibrant retail landscape and its customers. We look forward to becoming a part of this community and creating a space where people enjoy themselves, feel comfortable and confident in what they wear,” said brand founders Ivan and Irina.

Designed with a minimalist aesthetic, the store features soft beige tones, open spaces, and modern furnishings. Customers can browse collections in a serene setting, with spacious fitting rooms and seating areas ensuring comfort.

The opening coincides with the launch of STOREEZ of Ramadan, the brand’s first exclusive Ramadan collection in the region. The collection blends traditional silhouettes with contemporary designs, incorporating luxurious fabrics and earth-toned hues.

Founded in 2014, 12 STOREEZ is known for its timeless and versatile pieces. This store marks an important step in its expansion across the GCC and beyond.
Luxury Swiss watchmaker Vacheron Constantin marks its 270th anniversary with the launch of ‘The Quest,’ a Ramadan 2025 initiative celebrating heritage, craftsmanship, and innovation.
The Maison’s latest project highlights the personal journeys of four regional talents, underscoring the themes of tradition, creativity, and community.
Set in Abu Dhabi, ‘The Quest’ exhibition brings this vision to life through cultural gatherings and craftsmanship workshops. The initiative reflects Vacheron Constantin’s dedication to excellence while embracing the reflective and communal essence of Ramadan.

Christophe Ramel, Managing Director of Vacheron Constantin Middle East, emphasised the importance of this celebration, stating, “At Vacheron Constantin, our pursuit is driven by passion, creativity, and human connection. Celebrating 270 years of watchmaking excellence, we view Ramadan as a time for reflection and sharing meaningful moments with our community. The journeys of these remarkable talents pay tribute to the craftsmanship, heritage, and innovative spirit that have defined our Maison for centuries.”

The campaign features a series of videos showcasing the unique paths of four individuals:

‘The Quest’ exhibition runs in Abu Dhabi until the 15th April 2025, offering visitors an immersive experience into the brand’s history and the region’s cultural richness. Attendees can participate in gatherings and workshops that celebrate the spirit of Ramadan.
Online Registration platform: vacheron-constantin.com/ae/en/events/the-quest-abu-dhabi
Dolce&Gabbana has unveiled its Fall Winter 2025 womenswear collection, “Cool Girls,” a celebration of effortless style inspired by street fashion.
The collection embraces a fresh and contemporary approach, where the focus is on styling rather than individual pieces.

Divided into two distinct sections, namely outerwear and eveningwear, the collection reflects the essence of Dolce&Gabbana in a refined and simplified manner.

The outerwear maintains a natural yet glamorous aesthetic, showcasing an understated sophistication that aligns with current trends. Rather than centring on statement pieces, the collection prioritises the overall look and the way garments are put together.

The eveningwear presents a stark contrast, embracing a bold and sensual design philosophy. Transparency, tulle, and lingerie-inspired elements define this section, featuring short and delicate pieces that exude confidence. This interplay between elegance and sensuality reinforces the brand’s signature aesthetic while adapting it for a contemporary audience.

Dolce&Gabbana’s FW25 womenswear collection offers a fresh perspective on fashion, highlighting the power of styling in shaping personal identity. By moving beyond singular statement items, “Cool Girls” delivers a vision that is both wearable and trend-forward.
Giorgio Armani has unveiled his Women’s Autumn/Winter 2025-26 collection, titled ‘Roots.’
The collection draws inspiration from natural elements, particularly the tones and textures of the earth.

The colour palette is composed of volcanic hues and mineral tones reminiscent of sun-scorched landscapes. Sandy and golden shades of beige blend seamlessly into deep browns with hints of green, while quartz-blue reflections and nuanced greige tones create an understated yet sophisticated spectrum.

The selection of fabrics enhances this natural influence, with rich textures such as velvet, cashmere, and jacquard silks providing depth and softness to each piece.

Armani’s approach remains deeply influenced by diverse cultural references, seamlessly weaving elements that recall both the Orient and the South.

The silhouettes reflect this philosophy, with fluid silk trouser suits offering a sense of movement and ease, while coats are deconstructed yet maintain a refined and luxurious quality. Jackets are tailored with precision, ensuring an impeccable structure that retains a natural grace. The balance of form and function is evident throughout, with garments designed to complement the wearer rather than overshadow them.

For eveningwear, Armani introduces a sense of creative expression through intricate embroidery that enhances weightless gowns. The designs are detailed without feeling excessive, maintaining the brand’s ethos of understated sophistication. These gowns, while delicate in construction, convey a quiet strength, embracing both tradition and modernity.

Accessories within the collection are designed to complete the vision of lightness and confidence. Soft bags and flat shoes enhance the sense of ease, allowing for movement without restriction. The footwear, in particular, reflects an understanding of contemporary needs, prioritising comfort while retaining a stylish edge.
For Autumn-Winter 2025, Ferragamo’s creative director Maximilian Davis continues his exploration of dance, drawing inspiration from the German Tanztheater movement.
The collection reflects elements of expressionist dance from the 1920s and 1980s, weaving historical influences with contemporary design.
Davis describes the 1920s as “a moment of freedom,” a theme evident in the collection’s silhouettes. Straight-cut silk slip dresses feature drop-waist lace appliqué, while shearling strips and uniform-inspired details transform utilitarian leather and tailoring. Dreamlike prints punctuate the collection, and handbags take on a surrealist edge, lined with fur. Knitwear is reimagined in jersey yarn, reshaping traditional off-stage attire.

Referencing the Tanztheater movement of the 1970s and 1980s, Davis draws on the emotional contrasts found in the performances of the era. This duality is expressed in contrasting textures, with soft cashmere placed against high-gloss leather, structured satin trenches belted tightly, and flattened feathers alongside flowing poppy motifs.

Footwear embraces archival influences, with floral designs in leather, satin and organza embellishing pumps and sandals. A newly developed wedge, inspired by Salvatore Ferragamo’s mid-century innovation, presents an elongated, futuristic profile.

Men’s footwear sees classic brogues and boots reworked with zip fastenings and heavy-grained leather. Accessories feature organza flowers on evening bags, while the Hug bag appears in multiple forms, including a feathered pouch and a belted crossbody variation.

Davis’ vision for Ferragamo AW25 blends historical dance references with modern craftsmanship, delivering a collection that balances structure with movement and tradition with evolution.
Versace presented its Fall-Winter 2025 collection in Milan yesterday, celebrating its core values of freedom, individuality and integrity.
Creative Director Donatella Versace drew from the house’s archives, blending neoclassical elements with contemporary tailoring and materials.
The womenswear collection featured sculptural silhouettes with influences from Gianni Versace’s ballet costumes.

Corseted Atelier Versace dresses with crinoline-lined skirts, printed pouffe skirts, and quilted evening gowns reflected a theatrical spirit.
Tailored blazers and deconstructed corsets added contrast, while quilted bustiers and puffers referenced Versace Home’s upholstery.

The menswear line was defined by structured tailoring with a neoclassical influence, balanced with fluid silk shirts and expansive trench coats.

Prints played a central role, with archival motifs reinterpreted across both collections. Women’s designs incorporated cheetah spots, Barocco details and Medusa medallions, while men’s pieces featured wild animal imagery and classical-inspired prints.

Leather outerwear, washed Japanese denim, velvet tailoring and metal mesh embroidery highlighted the house’s signature material contrasts.

Accessories included the debut of the Virtus bag, featuring a new V-shaped emblem, alongside studded boots, chainmail heels and geometric jewellery. The collection underscored Versace’s ability to modernise its heritage while maintaining its bold identity.
Tod’s has unveiled its Fall-Winter 2025/26 collection, reinforcing its commitment to craftsmanship with a striking show at Milan Fashion Week.
The presentation featured an exclusive sculptural dress made from recycled leather fragments by Nelly Agassi.
The piece was worn by French runway icon Carla Bruni, who held a needle symbolising craftsmanship, the installation highlighted the transformation of materials through skill and tradition. The piece was included in the show to symbolise ‘Artisanal Intelligence’, which is at the core of the Tods ethos, which celebrates both craftsmanship and using the latest technologies.

The collection, under the creative direction of Matteo Tamburini, embodies the Italian lifestyle with strength and elegance.
Influenced by the works of Irving Penn, the designs balance fragility and emotional depth.

Outerwear takes centre stage with refined, elongated silhouettes and intricate details. The colour palette includes natural shades with deep burgundy, olive green, black and white.

Materials such as double-layer cashmere, Pashmy suede and nappa leather emphasise luxury and craftsmanship.

Footwear highlights include the Gommino Glove in napped python and the reimagined W.G. ankle boot in a brushed Chelsea style. The Di Bag Folio and Wave Bag continue Tod’s dedication to fine materials, with personalised tags honouring the artisans behind each piece.
Givenchy has introduced Gentleman Society Eau de Parfum Ambrée, the latest addition to its growing fragrance line.
This launch marks 50 years since the debut of the original Givenchy Gentleman fragrance in 1975.

Building on the Gentleman Society concept introduced in 2023, the new scent is inspired by Hubert de Givenchy’s vision of elegance, creativity and individuality. Designed to capture the most flamboyant aspects of the gentleman persona, Eau de Parfum Ambrée is aimed at artists, hedonists, showmen and modern tastemakers.

Perfumer Karine Dubreuil Sereni has reworked the signature Gentleman Society composition by surrounding its core of narcissus absolute and vetiver with warm, rich tones. Balsam from Peru, opoponax and Tasuki vanilla from Madagascar (used for the first time by Givenchy) blend with deep notes of leather, tobacco and Australian sandalwood. The result is a bold, textured fragrance.

The bottle remains minimalist, featuring a champagne gold 4G metal plate on a black lacquered design. The campaign features Benjamin Clementine alongside a diverse group of individuals, reinforcing Givenchy’s vision of an inclusive, contemporary Gentleman Society.
German luxury brand MCM has officially opened its new flagship store in Riyadh, marking a significant step in the company’s expansion in Saudi Arabia. Located in the newly opened Solitaire Mall, the house is the latest luxury house to announce a boutique at the destination.
The 152-square-metre store, developed in partnership with Al Moallim United, integrates MCM’s distinctive German craftsmanship with Saudi Arabia’s rich cultural energy. Featuring a sleek, minimalist interior with warm earthy tones, the design reflects the brand’s commitment to creativity and modern luxury.

Sung-Joo Kim, Chief Visionary Officer of MCM, expressed excitement about the expansion, stating: “This store is not just a new retail space; it’s a testament to our vision of expanding MCM’s legacy worldwide while embracing the unique spirit and culture of Saudi Arabia.”

MCM’s Riyadh store showcases the brand’s signature collections, including the exclusive “From Munich to Mars” collection and the SS25 “Under The Sea” line. The store also coincides with the launch of MCM’s local e-commerce platform, enhancing accessibility for customers across Saudi Arabia.

Mazin Al Moallim, CEO of Al Moallim United, highlighted the significance of the partnership, stating that the collaboration aims to bring world-class luxury experiences to the region.

MCM’s flagship store in Solitaire Mall represents the brand’s ongoing global expansion and commitment to innovation in the luxury fashion industry.
Emporio Armani unveiled its Autumn/Winter 2025/26 womenswear collection in Milan yesterday, continuing the house’s exploration of contrasts, blending formal precision with a free-spirited approach.
Fabrics included wool, silk jacquards and printed velvets. Meanwhile, the colour palette moved from sandy neutrals to dusty blues, punctuated by bold red and green shades before culminating in graphic black and white, with embroidery bringing luminosity to nocturnal black tones.

A key theme of the collection is the use of playing card motifs, which appear as intricate details, inlays and prints across sharp silhouettes. The designs trace the body with sculptural precision, reflecting the depth of textile research that underpins the collection.

Silhouettes maintain a dialogue between masculine and feminine. Soft trousers feature deep pockets, while jackets range from structured to relaxed styles. Coats envelop the body, short trapeze dresses feature oversized bows, and velvet cargo trousers pair with cropped bombers. Evening wear incorporates masculine elements, with collars and cuffs worn as necklaces and bracelets.

Accessories continue the theme, with studded flat shoes, ballet flats with buckles, and velvet bags in structured and relaxed shapes. Berets and belts worn as necklaces complete the collection’s daring approach to style.
Dior has introduced its latest men’s sneaker, the B35 NXXT, a fusion of the brand’s historic design heritage and contemporary innovation.
This new model embodies the modern essence of the luxury fashion house while maintaining its commitment to craftsmanship and technical excellence.

The B35 NXXT stands out with its futuristic design and distinctive sole, featuring an openwork version of Dior’s signature cannage pattern.
The sneaker is available in a range of ultramodern colourways, including classic black and monochrome white, as well as bold variations with orange, blue or neon yellow insets. Additionally, a beige and brown raffia edition offers a refined alternative.
Emphasising both style and comfort, the sneakers incorporate elegant graphic curves and the “Dior” signature, applied using a high-frequency technique. A key detail is the number “47” on the toe, referencing the year 1947, when Christian Dior debuted his first collection at the brand’s iconic Parisian headquarters at 30 Avenue Montaigne.
This latest creation highlights Dior’s dedication to technical ingenuity and craftsmanship, reinforcing its position at the forefront of luxury footwear design.