Rolls-Royce Motor Cars has announced the opening of its new luxury showroom in Dubai.
Reflecting the latest visual identity of the brand, the showroom exudes sophistication, contemporary luxury, and creativity, while incorporating innovative digital technology with an inviting and relaxing interior design.

Crafted to appeal to a younger, self-made, and highly individual clientele, the new visual identity provides a wholly immersive client experience and a welcoming atmosphere where current and future clients can experience and appreciate the marque’s magnificent motor cars.

At the heart of the new showroom sits The Bespoke Commissioning Atelier. This centrepiece is set to transport clients into the magical world of Rolls-Royce. Housing some of the marque’s most exquisite examples of craftsmanship, at the Atelier customers explore and select personalised surface finishes, wood veneers, leathers, embroidery threads in a variety of vivacious hues, and fabrics for their Bespoke commissions, perfectly tailored to their personalities and desires.

Whilst this sensory-inspired space helps clients envisage their dream commission coming to life, the Bespoke commissioning experience is further complemented by the Cabinet of Curiosities. Located in the lounge area, this section features intriguing pieces that inspire and spark conversations, as well as the hospitality lounge – offering a secluded space for clients to relax and socialise.

Opening its doors to a hub of creativity and craft, on top of housing unrivalled motoring masterpieces, the showroom will provide an experience tailored to the Bespoke needs of the dealership’s most discerning clientele with meticulous attention to detail.

To commemorate this momentous occasion and add to the grandeur of the new showroom in Dubai, four exquisite models were on display, including Spectre, the marque’s first fully electric ultra-luxury Super Coupé, Phantom ‘Year of the Dragon’, one of four Bespoke motoring masterpieces commissioned to mark the Chinese New Year, Black Badge Ghost Ékleipsis, inspired by the drama, spectacle, and mystery of a solar eclipse limited to just 25 examples globally, and Black Badge Cullinan ‘Iced Black Diamond’, a stunning motor car finished in Bespoke exterior colour ‘Iced Black Diamond’ and Turchese interior.
DIFC Art Nights opened last night, in Gate Village with over 130 artworks from more than 65 artists displayed at the event.
Tonight, the event will host a special panel discussion highlighting the contribution women make to the art world, to coincide with International Women’s Day. DIFC Art Nights.
The talk which is set to cover some of the most pressing topics facing women in the art world is open to the public and free of charge to attend.

So far this week, the much-anticipated art event has featured panel discussions which focused on how to build an art portfolio, with valuable insights provided by Meagan Kelly Horsman, Managing Director of Christie’s Middle East and a panel that focused on the life and works of Frieda Khalo, featuring panellists from Instituto Marangoni Dubai.

Local artists from across the UAE and wider region are highlighted at this year’s event too, such as Raba Al Tantawy with “Guardian of the Tales” and the portraits of the C.O.M.P.L.E.X. series by Mohammad Alkhoory. As well as this, prominent international artists were also featured, including Lorenzo Quinn.

The opening night also featured a VIP tour with Arif Amiri, Chief Executive Officer of DIFC Authority and Saleh Al Akrabi, Chief Real Estate Officer, DIFC Investments, who toured the exhibition and spoke to the artists about their works.
Loro Piana’s iconic bags – think the Extra, Bale and Ghiera pieces – are symbols and emblems of the maison’s heritage and savoir-faire, and of the supreme art of excellence.
Now, for Spring Summer 2024, the charms that adorn them are transformed into accessories, to bring timeless design, playful contemporary style and a touch of originality to your look.

For the first time, a collection of bracelets and necklaces celebrates the house’s heritage of craftsmanship and innovation.

According to Loro Piana, the collection is “a homage to the crafting of leather, selected to meet the highest standards and guarantee uncompromising quality”.

With double rivet clasps adjustable for two sizes, the Extra model is inspired by the homonymous family of bags, with the emblematic padlock shining charm with rounded edges.

The Bale bracelet, with a togo clasp, reprises the toggle detail of the bag’s closure, alternating with the leather parts and enhancing the clasp as well, while the double-wrap bracelet features the distinctive fastener of the Ghiera bag.

Finally, the Charm Chain Bracelet presents a brass chain adorned with the ring-shaped “ghiera” and padlock charms, wrapped in soft leather. Completing the collection is the Ghiera Toggle necklace in Deep Kummel calfskin with a brass toggle clasp, with or without the Sun Gold chain detail.

The Loro Piana fashion Jewellery collection is available starting from April 11th, 2024, in selected Loro Piana boutiques and on the website.
Following the immense success of Buccellati’s tableware Tahiti service set in silver and bamboo, the house has announced a new addition to its line.
Called the Cervino tableware service, the cutlery set is available in silver with stag horn.
The name of the collection is inspired by the mountain of the same name (known as the Matterhorn across the border in Switzerland), Italy’s third-highest mountain in the Central Alps, where it towers with its very pronounced pyramid shape.

Inspired by the iconic mountain the cutlery set and accessories are inspired by mountain cuisine, and are designed for those who love to enjoy excellent Alpine culinary traditions in the warmth of chalets and mountain huts immersed in the winter cold.
The silver of the cutlery is elegantly decorated with handles made of deciduous stag horn and made of 100 per cent natural material.

The set consists of cutlery that differs from each other in the handles, both in shape and colour. The box containing the cutlery, cylindrical and with two stag horn handles, emphasises the original character of this collection and becomes a beautiful object to be left on view.
The cutlery service can be combined with a range of tableware items from the house such as a bottle opener, corkscrew, cork stopper and glasses. The Cervino collection is also available in gift sets, one within a drinks set and a second inspired by truffle lovers.
The French perfume house Maison Crivelli has just unveiled its latest olfactory fragrance called Tubéreuse Astrale.
The unique creation, developed in collaboration with the famous perfumer Quentin Bisch, marries the unexpected contrast of sparkling tuberose with smooth velvety leather, infused with subtle hints of peach skin.

Discussing the new scent, the house’s founder and creative director, Thibaud Crivelli said: “Tubéreuse Astrale echoes many childhood memories I had with my father, passionate about astronomy… When the season was right – especially in summer – we would sometimes set off at night to observe the constellations through a telescope. Not far from us was a garden with many flowers, including tuberoses. In late summer, they gave off a fantastic scent at night. This memory gave us the idea of working on a very luminous, sparkling tuberose based on a milky, almost velvety accord of leather and musk.”
Maison Crivelli’s gender-neutral portfolio includes a collection of olfactory experiences featuring 11 different Eaux de Parfum and 6 Vegan Perfume Extracts that are powerful, surprising and highly contrasting for a daring and long-lasting sillage.
Prada has announced its ready-to-wear and accessories to mark Ramadan and Eid 2024.
The campaign for the new capsule is set against a boundless stretch of desert sand and an endless sky which meet at the horizon.
Within the evocative setting, there are translucent installations in bold hues and reflective surfaces which emphasise the natural elements in an unexpected play on perspectives.

The harmonious pairing of shadows and transparency is also reflected in the special exquisite selection of men’s and women’s ready-to-wear and accessories for the occasion.
The women’s offering comprises pastel-coloured chemisier dresses, tops, and trousers, made of weightless fabrics and embellished with matching feathers or with exquisite embroidery incorporating mirrors and crystals for added brightness.

Silk pajamas with sophisticated all-over prints couple with trench coats in warm shades. A new interpretation of the iconic Prada Galleria bag, made of Saffiano leather with delicate floral prints or sparkling studs is the highlight of the Ramadan Collection. These looks are punctuated by minimal satin or patent-leather slippers and brushed leather slingbacks.

Fine cashmere and lightweight silk mohair dominate the men’s items: trousers, shirts, and polo shirts with long or short sleeves in stylish, neutral shades, paired with sandals with criss-cross upper and travel-inspired Saffiano leather bags.
The collection is available now at Prada boutiques in the region and online.
Maison Valentino has announced the opening of a new boutique inside the Marassi Galleria in Bahrain.
The newly renovated boutique, which is over 210 square meters, marks an important step in the development of Valentino’s worldwide retail network expansion featuring the new store concept.

According to the house, the new concept originates from a rethink of the brand’s relationship with its clients, which is the central focus of the design story and sets the tone for a client journey inspired by Italian hospitality, devised as a ritual guided by the store team through the spaces.

In the notes which accompanied the announcement, the house said: “The store becomes a new home for the brand and an intimate place to welcome its clients, placing human connections at the heart of Valentino, celebrating the Maison’s iconic codes and its Italian heritage.

In the new boutique, floors are composed of a combination of Botticino and Sahara Noir marbles representing iconic geometric motifs and wood contributes to the sense of warmth, elegance, and discreet luxury.

The boutique is imbued with an eclectic material palette and details inspired by Roman buildings and offers an intimate shopping experience and distinctive service in a more comfortable environment.

Maison Valentino enlisted specialist craftsmen to produce bespoke objects for the spaces: Massimiliano Pipolo created handmade ceramic door handles, characterized by organic shapes suspended between functionality and abstraction.

Meanwhile, the Valentino Women’s prêt-à-porter and Men’s RTW collections and Valentino Garavani accessories are showcased through a discreet setup featuring unexpected design details.
The first renderings of the Karl Lagerfeld Villas by Taraf have been unveiled.
The exclusive residential community of villas marks a groundbreaking collaboration between the international luxury brand and the regional real estate leaders.
Pier Paolo, the CEO of Karl Lagerfeld commented on the exciting new project saying that “Karl was deeply fascinated and inspired by architecture…Now his passion for innovative design lives on through this incredible property in Dubai, where history and modernity converge. Celebrating this duality, homeowners and investors have an exclusive opportunity to access Karl’s unique vision of luxury living, with a new way to explore and experience his world.”
Low Ping, Group CEO of Yas Holding, Taraf’s parent company, added that the group was “thrilled” with the collaboration. “ [It] goes beyond creating exclusive villas. It is crafting experiences and spaces that epitomise elegance and sophistication. Our mission at Taraf is to push the boundaries of what’s possible, and with these Karl Lagerfeld-designed villas, we are proud to bring this extraordinary vision to life, offering our clients not just a residence, but a masterpiece of design and luxury,” she said.
Inspired by Karl Lagerfeld’s fascination with the 18th century, a period marked by intellectual curiosity and creative passion, the project mirrors the discerning elegance of the façade at the Karl Lagerfeld headquarters at 21 Rue St Guillaume, Saint-Germain-des-Pres, Paris. The remarkable residence was meticulously selected by Karl himself in the centre of his favourite neighbourhood on the scenic left bank.

Blending fashion and design, a runway is a part of the architectural tapestry seamlessly connecting the new villas to the clubhouse and the luxurious surroundings, whilst highlighting the alluring Burj Khalifa views.
Comprising 51 residences each of which features 5 to 7 bedrooms, property sizes range from 721 square metres (sqm) to 1790 sqm. Residents have the opportunity to personalise their properties by choosing between two distinct design options for the facade: Soft Modern and Urban Modern. Each facade is married with the grand entrance, reminiscent of the Maison’s 18th-century charms, guiding residents towards a spiralling staircase, while sunlight reflections from the swimming pool illuminate striking feature windows.
There will also be a fabulous Karl Lagerfeld Community Clubhouse, where residents can access all areas of the Parisian-inspired interiors featuring parquet, and marble, with exclusive interior pieces designed by Karl Lagerfeld. The wellness deck within the sumptuous residential area also comes with fabulous views of Dubai’s panoramic skyline. Residents can work out, swim in the pool, and enjoy access to a private aqua-blue crystal lagoon. Luscious green areas inspire casual strolls, bringing nature to the doorstep.
Nicolas Ghesquière revealed his new FW24 Louis Vuitton womenswear collection in the grounds of one of Paris’ greatest landmarks – the Louvre – last night.
To celebrate the designer’s tenth anniversary at the helm of the French house, he showcased a collection which was very much an ode to his decade-long archive, with references to many of his past seasons throughout the collection.

These included regal Louis XVI designs referencing his SS18 collection while elsewhere there were asymmetric fringe-inspired details reminiscent of his Resort 2017 show.

There was also an air of the designer’s famous love of Sci-Fi, with a futuristic icy white palette weaving its way through many of the key looks, and a sci-fi installation by artist Philippe Parreno dominating the centre of the room.

One of the most talked-about debuts on the runway was that of K-Pop sensation Felix from the band Stray Kids. His appearance in one of the first looks of the show in a white polo neck and silver pants with fur gloves – quickly went viral with the band’s loyal fanbase firing up across social networks.

The show was relatively large by contemporary fashion show standards. Four thousand loyal Louis Vuitton aficionados – from the first Lady of France, Brigitte Macron – to Lisa from BLACKPINK (the latter of which causing a stir as she is an ambassador for fellow French luxury house Celine).

At Ghesquière’s first show for Louis Vuitton in the spring of 2014, he left a personal typed note for each attendee which read “Today is a new day. A big day…Words cannot express exactly how I am feeling at this moment…Above all, immense joy”. To mark his 10th anniversary, he referenced this note, seeing it as a milestone but by no means the end of a chapter: “This joy is still here. Ten years later, this evening is a new dawn.”
Dries Van Noten has announced that the house’s collection of fragrances, make-up and beauty accessories has debuted at Bloomingdale’s Beauty Abu Dhabi, situated within the exquisite Reem Mall.
The house design codes of counterpoint and contrast are vividly reflected in the fragrance bottles and lipstick vials creating a striking visual statement through the playful use of juxtaposed materials, patterns and textures. Each bottle, an object of beauty itself, is a translation of the fragrance’s duality.
The collection includes unique combinations of materials with many industry firsts that celebrate craftsmanship and industrial innovations that provoke sensorial surprise and delight. Every gesture, from the opening of a perfume bottle to the twisting of a lipstick, inspires a magical journey into Dries’ world: expect the unexpected.

The house’s fragrances invite a “walk in Dries’ garden” offering an immersion in his world along with the leading international perfumers he has invited to co-create the fragrances with.
Each interprets and shares their own creative vision of the brand’s unexpected olfactive universe. The result? Contradictory, rule-breaking, game-changing fragrances for him and her which still pay homage to traditional perfumery gestures with bottles inspired by apothecary vials.
This traditionally modern collection includes classic eaux de colognes, soap bars and scented creams in impossible combinations that coexist beautifully.
Alongside the delightful scents, visitors to the mall will be able to explore the house’s lipstick collection alongside its refillable case collection and more.
In celebration of the Holy Month La DoubleJ has announced its new Ramadan “Emerald” edit.
The capsule features luxurious silk gowns and diaphanous silhouettes for which the Milanese brand is famed.

According to the house, the edit is “designed to elevate the connective moments of gratitude throughout the Holy Month and on the final celebration of Eid al-Fitr”.

Among the 11 elegant items in the collection are the Foulard Shirt and Palazzo Pants, the Long-Sleeve Swing Dress, and the feather-trimmed Make An Exit Top that pairs perfectly with the A-Long Skirt.

From beautiful separates to floor-sweeping dresses, all items arrive in the new Emerald print, a firework of florals across a deep green base, in honour of the auspicious changing of the seasons.

A selection from this capsule is also available through an exclusive collaboration with Net-A-Porter for their Ramadan release, which is online now.
The French luxury maison Dior is observing the month of Ramadan with the release of a unique menswear edit.
Created and curated by Kim Jones, the capsule is inspired by hues of gold and captured through a series of shots in luminous shades of beige and grey.

The edit includes sportswear pieces – such as tees, polos, sweatshirts and a casual denim ensemble each complete with sparkling hues.

There is also a series of silk pants and long-sleeved shirts which the house describes as “an ode to Dior’s heritage” included in the edit, enhanced by a CD diamond house motif.

Elsewhere in the capsule, there is a zip-up jacket and jogger set, a messenger bag and a saddle bag.

There are also several key footwear pieces including the B27 and B101 sneakers, Dior Granville loafers, as well as the Alias and Aqua Sandals, to round off the impeccable capsule.

For FW24 Valentino’s creative director Pierpaolo Piccioli was inspired by shades of noir.
According to Piccioli, he has always considered colour a powerful channel of communication and for FW24 wanted to reconsider Valentino “through the lens of black.”

Rather than viewing this focus as an absence of colour, the designer viewed it as an opportunity to discover “an entire spectrum of shades, infinitely nuanced, within one.”

The show notes that accompanied his latest collection showcased at Paris Fashion Week discussed this theme in his latest work:
“[it is ] representative of universality and individuality, of uniform and idiosyncrasies, black physically functions like no other colour, absorbing light. Its depths are explored, and a lexicon of black is presented. Likewise, philosophically, it absorbs our projected cultural definitions and ramifications, memories and meanings. Here, black can become a colour not of sobriety but of exuberance, a shade that offers a rebellion to romance, a sharp graphicism to flou.”

The collection – called “Le Noir” – was also inspired by the use of black in the work of several iconic creatives. Including the shades of black used in Mark Rothko’s artwork, the reflective blacks of Pierre Soulages and the sculptural black forms of Constantin Brâncuși.

In a similar vein, Piccioli points to the philosophical connotations of the shade – French thinker and poet Charles Baudelaire is quoted by the house as calling black “the uniform [worn by] democracy.”
The result is a collection that manages to capture a nuance of shades, and the universality of colour, in one concise stroke.
Elie Saab unveiled the house’s FW24 collection at the Palais de Tokyo in the heart of the French capital, as part of Paris Fashion Week this weekend.
The Lebanese house looked further West, however, for this season’s influence. Inspired by Elvis Presley and Southern US culture, the collection was called the “Melodies of Graceland”.

As such, capes, fringe detailing and cowboy boots all made an appearance in the exquisite collection, while catwalk icon Alessandra Ambrosio was chosen to close the show in a floor-length peach beaded gown.

The house even went as far as to reference specific Presley songs, in the colourways chosen for the collection. As Elie Saab explained in the collection notes:

“‘Moody Blue’ oversized denim expressions interpret golden abstract ELIE SAAB monograms into chic Western motifs over broad shoulders and wide hemlines. In a more subdued song list of black and white, melodies of ‘Viva Las Vegas’ magenta and ‘Suspicious Mind’ green carry in airy flowing silk and draping cady dresses with swirling rosette brooch embellishments. Long bold fringe draws attention to clean lines as it swishes and sways down sleeves, across pockets and midlines in movements of country glamour”.

With a nod to Elvis’ famous wife, who was recently put in the spotlight once again with the release of “Priscella” the movie, the house said, “The collection is a never-ending song where the ‘Melodies of Graceland’ [collection] resound beyond Elvis, in the iconised images of Priscilla.”
The 154-year-old British luxury perfumery Penhaligon’s has unveiled a new scent inspired by one of Saudi Arabia’s most famous regions.
Called the Al Ula scent it is the first fragrance specifically designed for and inspired by the Middle East

Discussing the new scent, the house said in the notes which accompanied its release “This fragrance encapsulates the essence of Al Ula, where civilizations converge amidst stone structures that reach for the sky. Caravans traverse desert plains, carrying treasures for the senses – tobacco, cotton, and silk. The fragrance unfolds like a dream, where natural springs make the land fertile, and the air is filled with the succulent aroma of plums and sweet lemons. Palm orchards, calligraphic artistry, and unexpected treasures burst to life in this fragrant oasis”.

“Al Ula is a sensory story, with stone, water, and plants as its pages. A tale of date palms swaying in a harvest wind, carrying scents of citrus and fig. It echoes a rich history steeped in spice markets, spirituality, creativity, and community – a cultural tapestry waiting to be explored” the house continued.
Luxury Italian footwear brand Rene Caovilla has announced the opening of its first boutique in Bahrain, located in Marassi Mall.
Situated on the first floor, the storefront stands out with large glass windows illuminated by the Rene Caovilla logo decorating the walls.

A gold chandelier radiates from the store, paying homage to the brand’s signature heels, the “Chandelier”.

Beyond the chandelier, a wall adorned with an array of the iconic Cleo heels showcased with museum-like precision on a sparkling panel.

According to the house, “the new store in Bahrain marks an exciting chapter in the brand’s expansion in the Middle East, bringing Rene Caovilla’s timeless elegance and exceptional craftsmanship to the region”.
Tiffany & Co. recently unveiled the 2024 Bird on a Pearl collection in Dubai. This latest expression of Bird on a Pearl is an ode to the late Tiffany designer Jean Schlumberger’s love of nature, expressed through a gradient colour palette within each pearl that evokes the four seasons.
The exclusive high jewellery celebration was held at SKOONI where the capsule collection was presented alongside high jewellery pieces.

Upon arrival, guests were welcomed for a walkthrough of the exhibition led by Chief Gemologist, Victoria Reynolds, followed by sunset drinks with live entertainment by Trio Band

Notable guests including Nancy Ajram, Passant Shawky, Sharis Shir, Sasha Markina, Diala Makki, and more attended the celebration and wore designs from Tiffany & Co.

The exhibition was followed by a model show and gala dinner for VIP clients at Dar Al Masyaf, which concluded with an intimate performance by Global House Ambassador Nancy Ajram and a live DJ set against the scenic backdrop of Burj Al Arab in Tiffany Blue. The Lebanese pop star stunned in Jean Schlumberger by Tiffany & Co. Bird on a Pearl Earrings, Bracelet and Ring.
Luxury German fashion house MCM has launched its first-ever Ramadan capsule, in collaboration with modest fashion expert Hanan Houachmi.
The collection signifies a contemporary approach to modest dressing, presenting a thoughtful offering for Ramadan and integrating the DNA of MCM, with a campaign featuring Leena Al Ghouti.

Beautifully shot by photographer Francesco Scotti and Videographer Klaudia Adamski, Al Ghouti embodies the maverick spirit MCM is famous for. The campaign captures her unconventional spirit: conveying confidence, boldness, and individuality.

Overall, the Ramadan capsule collection takes a modest approach featuring chic silhouettes and experiments with cuts and styles that make a distinctive statement. The lightweight fabrics radiate luxury and offer a sense of comfort, ensuring a graceful drape in every piece and are easily styled with the Spring/Summer 2024 collection.

Designed with the House’s signature Laurel & Diamond codes, the new capsule also includes a gold sand beige-coloured Lauretos pattern trench shirt dress that can be styled with a signature diamond buckle belt, a pyjama trouser set, and a dark grey Lauretos day dress with a Chambray blue point inside the hood. The look can be completed by styling with gold sand beige, a Lauretos silk scarf printed on both sides in Chambray blue, and the jewel of the Himmel collection, a special shoulder bag in Italian satin and natural Nappa adorned with a myriad of Swarovski crystals. The elegant silhouette is further enriched by the brilliance of the signature Laurel logo closure.

Discussing the collaboration, Houachmi said, “I am grateful for the trust extended by the entire MCM team, especially as a modest Arab woman contributing to discussions on Ramadan Collection developments.”

The collection is available now in select boutiques and online on OUNASS.com
At Paris Fashion Week Roger Vivier presented “VIVIER OP-TICAL” an immersive ‘shoe-scape’ designed by creative director Gherardo Felloni.
Situated within the neoclassical splendour of the Maison de l’Ameěrique Latine on the Left Bank in Paris, the show was inspired by the psychedelic geometries of the Op Art movement that rose to prominence in France in the 1960s.

A graphic wonderland of patterns unfolded room by room, taking visitors on a journey through the Fall Winter 2024/2025 shoe, handbag, jewellery and accessories collections.

The house’s creative director Gherardo Felloni explained his inspiration for the latest collection: ““The 1960s marked a pivotal period for Roger Vivier, when his aesthetic shifted towards a more sleek, graphic, and pioneering design approach. Reimagining the timeless creations of this era has long been my aspiration, and I sensed that the moment was right to reintroduce them in fresh, contemporary renditions this season.”

Scroll down to see more from the unique exhibit.










Dior has unveiled its Ramadan capsule, inspired by shades of gold. Called the Dior Or Capsule, the chic collection is the quintessence of the house’s style.
Discussing the capsule in the notes which accompanied the collection, Dior said “From the beginning, gold has highlighted the House’s timeless audacity and inventiveness. A unique code that now magnifies a series of garments dreamed up by Maria Grazia Chiuri. Dior is thus unveiling models in luminous tones that fuse purity and sophistication”.

Key pieces in the capsule include the Bar jacket which appears in iridescent hues and is perfectly paired with irresistible knit twin sets enhanced by metallic threads.

The edit evokes the aesthetics of the Dior spring-summer 2024 ready-to-wear collection, with the fabulous Lady Dior adorned with delicate flowers and the new Toile de Jouy Soleil, appearing in golden shades.

Within the exclusive capsule, the Lady D-Joy is available in a subtle gradation of colours – from black to gold – it is notably embellished with crinkled silver leather or embroidered plant motifs, like an ode to the art of detail so dear to the house’s founding couturier.

The shoes have also been rethought in a palette of sparkling tints, including the emblematic J’Adior pumps – studded with a profusion of glittering rhinestones – and the Dway mules. Finished with the graphic lines of cannage, the Walk’N’Dior sneakers enrich this exceptional selection.
Scroll down to see more from the new capsule.





Creative director Daniel Roseberry presented his third ready-to-wear collection for Schiaparelli this week in Paris.
Since first launching RTW last year, the house – which is traditionally known for its couture – has demonstrated how it can distil the house pillars to create something equally fabulous for the everyday.
On the runway for FW24, there were power suits with Schiaparelli’s famous Surrealist touches (a hair plate as a tie, for example) alongside structured denim silhouettes and sleek feminine lines.
Discussing the current collection, and the house’s move into ready-to-wear, Roseberry said: “In the five years I’ve been here, we’ve created any number of infamous moments with our couture looks, combustions of fashion, celebrity, culture, and history. All the while, however, we’ve been developing couture’s sister: Our ready-to-wear, fully formed, hyper-exclusive collections for the daily lives of our clientele. These collections are complete wardrobes of everyday staples — but with the volume turned up to Schiaparelli settings.”
Ten key looks
Look 6

Exaggeratedly rounded-shouldered jacket in blue wash denim embellished with gold-tone metal denim buttons and tobacco-coloured contrast topstitching details. Stockman-inspired pencil skirt in blue washed denim, slit at the front and decorated with tobacco-coloured contrasting topstitching details and a signature mouth zipper pull in gold metal at back. Stunning Red! pointy mules in black velvet with a signature S-shaped heel encrusted with pearls and rhinestones. Sunglasses with rectangular lenses decorated with piercings on the temples. Brass choker necklace featuring textured rhinestone leaves and a signature eye. Brass ring featuring a realistic eye with contrasting rhinestone piercings.
Look 8

Flared mini-skirt in black bonded velvet embellished with tonal topstitching details and a signature Keyhole zipper in gilded metal. Short cardigan jacket in felted wool with tartan pattern and frayed edge, embellished with bijoux buttons on the middle front. Half brim cap in black velvet, featuring a signature Keyhole detail as the adjusting element. Cowboy boots in black glossy croco-effect
Look 10

Long double-breasted fitted coat in felted wool with tartan pattern and frayed edge, embellished with two rows of bijoux buttons. Half brim cap in black velvet, decorated with jewelled eyes signed on the back. Cowboy boots in shiny brown croco-effect embossed leather inlaid with a moulded ear covered with rhinestone piercings. Brass hoop earrings with silver rhinestone piercing. Rigid clutch in copper alloy featuring a face adorned with piercings and rhinestones.
Look 18

Short zip-up down jacket in black technical nylon embellished with tonal trompe l’oeil signature torso and bones, nipple buttons, anatomy snaps on the pockets and a signature mouth zipper in gold metal on the front. It is worn over a Stockman-inspired pencil skirt in black bonded velvet slit up the front and decorated with anthracite contrasting topstitching details and a signature mouth zipper pull in gilded metal on the back. Half brim cap in croco-effect embossed black glossy leather, featuring the signature Keyhole detail as the adjusting element. Aluminium earrings with signature Keyhole detail. Cowboy boots in black glossy leather with gilded metal toe cap adorned with signature Keyhole detail and signature S-shaped heels.
Look 20

Short coat in croco-effect embossed patinated amber leather, decorated with an oversized anatomy bijou button on the collar and oversized signature Keyhole buckles on the sleeves. Matching cowboy boots. Anatomie signature mismatched brass earrings. Anatomie jewellery pouch in puzzle-effect embossed brown glossy leather.
Look 22

Fawn shearling peacoat inlaid with a signature trompe l’oeil skeleton in contrasting black glossy leather and adorned with a signature hammered gold brass Keyhole clasp on the front. It is worn over a hooded sleeveless bodysuit in a black laminated compact jersey. Cowboy thigh-high boots in croco-effect embossed black glossy leather inlaid with a moulded ear covered with rhinestone piercings. Tortoiseshell sunglasses with oval lenses and signature Keyhole detail on temples.
Look 30

Bodycon long dress in gold laminated viscose, embellished with bijoux straps and a plunging neckline. Stunning Red! lined pointy mules in brown velvet with signature S-shaped heel encrusted with pearls and rhinestones. Pair of trompe l’oeil aluminium cuffs featuring multiple bracelets. Brass bracelet representing a realistic mouth adorned with contrasting rhinestone piercing. Donut bracelet in hammered brass with rhinestone edging. Brass ring featuring a realistic eye with contrasting rhinestone piercings. Chain pouch in patinated calf leather adorned with a signature keyhole clasp in hammered gilded brass.
Look 38

Draped long dress with long sleeves and high collar in ecru crepe jersey, featuring a trompe l’oeil bodysuit in contrasting black compact jersey inlaid on the upper part and a long draped skirt with extreme slit on the lower part. Stunning Red! pointy mules in black velvet with signature S-shaped heel encrusted with pearls and rhinestones. Realistic mouth brass ring with contrasting rhinestone piercing. Brass nipple ring with contrasting rhinestone piercing.
Look 40

Long dress entirely embroidered with sequins and rhinestones, inlaid with a contrasting black and nude trompe l’oeil body print. Cross-strap mules in glossy black leather.
Look 3

Double-breasted jacket in sand-coloured wool twill, embellished with bijoux buttons at centre front and bottom sleeves. Matching extra-wide darted pants. White cotton poplin shirt. Faux hair cowboy tie. Cowboy belt in glossy brown croco-effect embossed leather with signature anatomy buckle. Brown leather cowboy boots inlaid with a moulded ear covered with rhinestone piercings. Copper earrings representing a violin element.
DIFC’s popular Art Nights is returning for its 17th edition on the 7th and 8th of March at the Gate Village.
This year’s iteration of the popular event will include a captivating showcase of imaginative works from local and international artists, as well as panel talks, art performances, retail pop-ups and musical entertainment.
An array of exhibits from local and international artists, focussing on their unique interpretation of art including Amna Al Banna, Nour Abu Ghaidaa, Rabab Al Tantawy and Salim Al Kaabi will have their works on display for the public to enjoy. Much loved local retailer FLTRD Art Nights retail pop-up will highlight and celebrate a carefully curated selection of brands at the event.
The DIFC Art Nights panel discussions will take place over both evenings, with a special panel from Christie’s on ‘How to Start Your Art Collection’ that will address everything from research to market analysis, tips on collecting art and managing it for the next generation on the 7th of March. ‘Frieda Kahlo Reimagined: From Iconic Canvases to Fashion and Digital Realms by Istituto Marangoni’ will navigate the legacy of the legendary artist as a muse for fashion and icon for women’s empowerment. The session will be attended virtually by Mara Romero Kahlo, President Frieda Kahlo Foundation.

On the 8th of March a special panel discussion on ‘Reshaping Narratives: Empowering Women Through Art on International Women’s Day’ will discuss the role of art in empowering women, featuring speakers Sharifah Al Hinai, Co-Founder Khaleeji Art Museum; Noor Al Suwaidi, Curator, Artist; Alejandra Castro Rioseco, Founder of MIA Art Philanthropic Foundation to support women artists; and Maya Alison, Founder, Executive Director and Chief Curator, The Art Gallery at NYU Abu Dhabi.
From the 4th to the 6th of March, Paola Signorini, the author of the Dynowish series, will conduct three full days of workshops from 10am to 9pm at Gate Venue, Zone D, open to schools and the public where participants can collaborate in creating new characters for her upcoming books. The winning characters will be showcased at Gate Village as part of DIFC Art Nights.
Olivier Rousteing is one of the most iconic designers currently showcasing at Paris Fashion Week.
For his last collection, the designer was inspired by his African heritage, which he recently learnt more about following a deep dive into his family history, prior to his adoption by the Rousteings in France.

However, he jumped forward for this collection – instead looking to his childhood growing up in the French city of Bordeaux.

In particular, the designer was inspired by his adoptive mother, who he said before the show embodied French style, from trench coats to gingham picnic blankets.
The collection included unique touches influenced by the local culture, such as detailing inspired by the French dish “Escargots à la Bordelaise”, with the swirl of a shell appearing as a detail in jewellery and elsewhere in a bodice.
Overall, it was a deeply personal show that spoke to the designer’s unique talent and French culture.
En total? C’etait super.
For the Saint Laurent Winter 2024 womenswear collection, Anthony Vaccarello revealed a mix of sheer close fitted pieces and outerwear with curved, exaggerated silhouettes.
For the winter seasons, the house’s colour palette was kept to neutral shades of sand and jet black, along with pops of colour such as maroon and tanzanite.

Elsewhere in the collection, there were intriguing metallic touches and faux fur.

Discussing the new collection in the show notes, the house said: “In the end, the spectral – a memory of fashion as we once knew it – becomes tangible, embodied by the confident Saint Laurent woman and her worldly appetites. As iconic Saint Laurent pieces are remade in a powdery, make-up-like palette, agency meets desire, adventure entwines risk, and resilience fails to conceal fragility. Even tailored items assume a rare fluidity, from a crepe georgette suit that appears to liquefy on the body to the immaterial levity of a coat made of countless marabou feathers. “

Dior opened Paris Fashion Week with a spectacular show for the FW24 season in the French capital this afternoon.
The house’s creative director Maria Grazia Chiuri was inspired by Dior’s archives from the late 1960s for the new collection.

It was a time, as the show notes explain, which saw “a shift from the landscape of the body to that of the globe.” 1967 also saw the launch of the first Miss Dior women’s line, which was a breakthrough ready-to-wear moment for the house.

According to Dior, the new collection “celebrates the shapes and materials that, when the Miss Dior boutique opened in Paris, gave impetus to a new way of dressing that could unite numerous women and make them all special”.

This month Art Dubai’s artistic director Pablo del Val sat down with A&E magazine to discuss the Global South and the power of Middle Eastern creative voices.
Pablo del Val has been at the helm of Art Dubai for nearly a decade, and during his impressive tenure as artistic director, he has overseen the fair’s curatorial vision during some of its most prolific years, helping to expand the body and scope of the city’s leading annual art gathering significantly. This month, we sat down with del Val to learn about some of his career highlights and what we can expect from Art Dubai 2024 and beyond.

You have been leading Art Dubai for nearly a decade, what have been your most proudest achievements during your tenure at the art fair?
This year, with the largest participation of artists from the Global South in the fair’s history, we can confidently assert that we are the destination to discover and learn from these diverse geographies. Nowhere else in the world can you encounter such a variety of artistic proposals.

For you personally, what are the most exciting aspects that you are looking forward to at Art Dubai 2024?
Art Dubai is a global meeting point for artists, art professionals and art enthusiasts. The curated sections, for me, hold the promise of a special engagement for all visitors. This year, the fair’s Bawwaba section will stand out, featuring 10 artists from across Latin America, South Asia, Africa, and the Middle East. These artists will serve as a reminder of the hope and power of art in helping us navigate these challenging times. Curated by Emiliano Valdes, the ‘Healing / Sanación’ theme will extend to our commission’s programme with performances and activations, all contributing to healing as an artistic practice and a pathway towards becoming better beings.

Will there be any new categories or additions to the programme at Art Dubai this year that those visiting the fair can look forward to?
Across the fair and the diverse voices and communities it represents, our goal for 2024 is to expand the curation, probing into what the Global South truly is. Do we draw its boundaries around a geographical location, or a living and moving community united by shared history? In the 2024 edition, you can expect to find the answers in over 100 modern, contemporary and digital presentations, featuring both new and established artists, from more than 70 cities spanning over 40 countries.
Moreover, this year’s Art Dubai Modern section will present significant yet previously untold narratives, in a curation led by Dr. Christianna Bonin. The objective is to present a richer view of art history by showcasing rare, unseen works from 17 pioneering modernists from the Global South.
Art Dubai Digital will return as the sole major digitally-focused section in any international art fair. Now in its third edition, it will offer a real-time glimpse into the evolution of artistic practice and trends, crossing from the physical to the digital. Curated by Alfredo Cramerotti and Auronda Scalera, this year’s Art Dubai Digital will go further to redefine contemporary art through augmented reality (AR), virtual reality (VR), and immersive installations, along with prominent works by female artists from the Global South.
We also have the largest educational and talks programme at any international fair. Art Dubai is not just a platform to discover art, but also to discuss its place in this fast-changing world. This year’s Global Art Forum commissioned by Shumon Basar and curated by Nadine Al Khoury is titled “Whether or Not” and will explore the relationship between extreme weather and extreme change, involving leading creative thinkers, institutional leaders, artists and architects in the discussion.
Similarly, Modern and Collector Talks, presented in partnership with Dubai Collection, aim to delve deep into art history. They bring to the fore the greats of modern art and guide you in building your collection to be part of changing the narrative. Another talk series, Conversations with Artists held within the Ruinart Lounge, will introduce young and rising artists Pascale Marthine Tayou, Sara Naim, Tarik Kiswanson, amongst others, giving audiences the perfect opportunity to meet and get a closer look into their creative worlds.

What changes have you noticed in Dubai’s art scene since you first arrived in 2015?
We are witnessing the expansion and maturation of the region’s art scene. New institutions are emerging to contextualise modern and contemporary art in new and exciting ways. Collecting art, whether for pleasure or as an investment, has become popular in mainstream society.
Notably, many wealthy individuals, including ultra-high-net-worth individuals, have moved here and now call Dubai their home. Artists are actively developing their markets, both locally and internationally. Simultaneously, there has been a steady rise in the quality and diversity of galleries, along with artists who have established their bases in Dubai. We are confident that the market here is experiencing resilient and sustained growth.
We are also proud to collaborate with major corporate partners who have made significant contributions to the local and regional ecosystem, both in the short and long term. In 2024, with art and artists at the heart of all collaborations, Julius Baer is presenting a significant digital project by Canadian-Korean artist Krista Kim. Clinique La Prairie has commissioned Syrian artist Sara Naim. Piaget is partnering with Saudi fashion designer Razan Alazzouni to create a textile installation, and an Emirati designer is working on a new watchpiece set to be unveiled at the fair. Meanwhile, HUNA is supporting the creation of a new sculpture park, and BMW has commissioned Dubai-based Asma Belhamar to create a new work for the fair.
We are also deepening our partnership with Dubai Collection, the city’s first institutional collection of art, to showcase important works by Emirati artists at the fair. Together with the Public Art Strategy, we plan to unveil a large-scale public art project led by a regional artist in the city.

How did you first get into the art industry?
I started very young, and in a way, it was a family tradition. My first art lessons were in front of my grandmother, Maria Luisa Caturla’s art collection, which included works by El Greco, Zurbaran, Juan de Juanes, Ingres, Colbert, Van Gogh, among others. She was a patron of the Prado Museum, an art historian, and the main expert on the Spanish Baroque painter Francisco de Zurbaran. At the age of 22, I was directing a contemporary art gallery in Madrid. I think everything came naturally.

Which artists are you most excited to see exhibited at this year’s event?
The exciting thing about Art Dubai is not the individuals but the energy and dialogues that get built through making both obvious and unexpected connections. The Art Dubai Modern section will serve as the light illuminating the masters from Iran, Egypt, Lebanon, Syria, Uganda and Sri Lanka who went to study in the Soviet Union. They all returned to shape new modernisms in their home countries and the Global South.
What are your tips for readers looking to invest in artwork from this year’s fair?
I don’t like to use the word ‘investing.’ ‘Collecting’ feels more apt. My advice is to come to the fair with an open mind, leaving all prejudices at home. Arrive like a blank canvas or be a sponge. Follow your instincts and focus on things that truly resonate with your interests. Feel free to ask the gallery for information to get the full picture of what the artist is about. When you return home, create some distance from what you’ve seen, do online research, and if the image is still obsessively in your mind the next day, don’t hesitate to go and make the purchase!

In terms of representation of minority groups within the art world, how do you ensure that lesser-seen works and communities are represented too?
The line-up of artists is inspiring and diverse, pointing to a distinctly non-Western standpoint that is rarely heard in other global art fairs. We do so by working closely with galleries, institutions and partners from these geographies, and constantly building new connections and friendships at the grassroots level.
Who are your favourite artists in the Gulf, and wider Middle East region, and why?
I like artists that share with me affiliations and phobias. This year, some of my favourite artists exhibiting at the fair are the Al Najjar brothers, Sarah Almehairi, Maitha Abdalla, Farah Al Qasimi, all from the UAE and Tarik Kiswanson, Nadia Waheed and Samia Halaby from the wider Middle East region.

What advice would you give to young curators, starting out in your field?
Look, look, look and keep on looking. It doesn’t matter how much you have read, how well you write and how articulate you are if your eye is not trained. Training the eye is the key to everything.
Louis Vuitton has announced that its Cruise 2025 fashion show will take place in Barcelona on the 23rd of May, as part of a series of collaborative actions with the Catalonian city in Spain.
Discussing the exciting new announcement, the Chairman and CEO of Louis Vuitton said: “It is an immense pleasure to collaborate with the city of Barcelona sharing common values with Louis Vuitton that are deeply anchored into a remarkable heritage and the passion for creativity. The upcoming Cruise fashion show encapsulates Women’s Artistic Director Nicolas Ghesquière’s vision for the collection, as well as the upcoming Louis Vuitton Cup and the 37th America’s Cup will undoubtfully capture Louis Vuitton’s long-standing relationship with Barcelona and the Catalan region in the most ultimate way.”

Barcelona is famous for Gaudi’s incredible architecture
Steeped in tradition and innovation – with the ‘Art of Travel’ at its core – Louis Vuitton has staged shows across the globe at world-renowned locations and landmarks of architectural significance, paying homage to art and local culture
Previously, the Maison has held its Cruise shows at venues including John Lautner’s Bob & Dolores Hope Estate in Palm Springs, Oscar Niemeyer’s Contemporary Art Museum in Niterói, I.M. Pei’s Miho Museum near Kyoto, the Salk Institute in California, and Isola Bella on Lake Maggiore among others

A typical Barcelona tree-lined street
The maison’s latest stop in the Catalan capital brings guests and viewers to a major cultural centre and tourist destination. Nestled on the border of the Mediterranean Sea, Barcelona is undoubtedly one of the most vibrant and dynamic destinations in Europe.
The upcoming Cruise Fashion Show will take place in a location in Barcelona to be revealed at a later date.
This Ramadan, Breitling has unveiled a campaign which looks at how we are all connected through the universal concept of time.
Discussing the new campaign, in the notes which accompanied the collection, the house said “The holy month of Ramadan is a special time to spend with loved ones and to make every second count. The concept of time being precious has always been deeply rooted in Breitling’s history, and this year’s Ramadan campaign reminds us that life is a series of precious moments that add meaning to our lives. We are all connected through these special moments, and therefore we are connected through time.”
The campaign features three key Breitling universes – Land, Sea, and Air.
Land

Breitling Top Time B01 Ford Mustang_Ref. AB01762A1L1X1_RGB
Timepieces in the Breitling Ramadan “Land” capsule include the Top Time BO1, an unconventional chronograph that captures the essence of the 1960s and features the colours and emblem of its classic car counterpart. With a perforated leather racing strap, speed measuring tachymeter scale and contrasting “squircle” (not quite square, not quite round) subdials that give the feel of vintage dashboard gauges. It also comes with an incredible engine under the hood: the Breitling Manufacture Caliber 01.

In the women’s collection there is the stylish yet elegant, modern and retro-inspired Chronomat Automatic 36 is a versatile sporty and chic watch for any occasion. Women craving extra sparkle will fall in love with the diamond-set bezels, indices, and colourful dials. Featuring Breitling’s iconic and comfortable “Rouleaux” bracelet with a butterfly clasp, the Chronomat Automatic 36 is powered by the Breitling Caliber 10, a COSC-certified chronometer
Sea

In Breitling’s Sea universe, you’ll discover the Superocean Heritage Chronograph 44, inspired by the original Superocean from the 1950s. Sporty and elegant, the Superocean Heritage is a true embodiment of style at sea. Featuring the iconic triangular-shaped hands as well as a unidirectional bezel with a polished ceramic ring, the Superocean Heritage is an elegant-looking diver’s watch. Offered either with a matching mesh bracelet, or a “mesh-styled” rubber strap fitting a folding buckle, this Superocean Heritage is powered by the Breitling Caliber 13, a COSC-certified chronometer.

Breitling Superocean Automatic 36_white dial and white rubber strap_Ref. A17377211A1S1_CMYK
Another diver’s watch that signifies performance and style is the Superocean Automatic 36, which retraces the Slow Motion’s celebrated design codes, while adding modern features, like a ceramic-inlaid bezel and brightly coloured dials. Broad hands and indexes in luminescent Super-LumiNova® allow for easy readability underwater. The watch is water resistant to 300 m (1000 ft), as well as being shock-, sand- and saltwater-resistant. Its scratch-proof ceramic inlaid bezel will never wear or fade.
Air

Breitling Avenger B01 Chronograph 44_Ref. AB0147101L1X1_RGB
The journey ends in the Air universe, with the newly redesigned Avenger BO1 Chronograph 44. Built for jet pilots, the Avenger is designed to take on the toughest cockpits and keep coming back for more. But you don’t need air-force credentials to appreciate its bold design, exceptional resilience, and next-level functionality. Pairing performance with sophisticated modern aviation style, the collection’s materials – stainless steel on regular models with ceramic and titanium on Night Mission – are the stuff of aviation design, while dial colours are drawn from military uniform shades.

Breitling Navitimer Automatic 36_Ref. A17327381B1A1_RGB
An iconic timepiece, the Navitimer Automatic 36 is designed for women of style, action, and purpose. The Navitimer is one of the most recognizable watches ever made; it’s on collectors’ lists of the greatest watches of all time. Pops of pastel, mother of pearl, and traceable precious materials combine with subtle refinements to give this variation for women a jewellery-like appeal—adding a versatile elegance to the legendary navigational watch that’s ready for wherever the journey takes you.
Commenting on the Ramadan campaign, Aed Adwan, Managing Director, Breitling Middle East, India and Africa said: ‘“This year’s Ramadan campaign conveys a deep and meaningful message about the significance of time during the holy month. We look forward to engaging with our customers across the region as we celebrate these special moments that bring us closer together.”
Italian luxury maison Buccellati unveiled its high jewellery collection at a fabulous event held at SKOONI Art Foundation in Dubai earlier this month.
The spotlight was on two remarkable collections: the Macri Color and Il Giardino di Buccellati.

Characterized by stones with a mysterious charm and bright colours, the Macri Color collection represents the perfect combination of technique and aesthetics.

The sinuosity of the shapes – given by the softness of the “rigato” and “ornato” engravings – and the vividness of the stones combine with elegance, making the Buccellati style perfectly recognizable. In addition, the contrast given using gold in different colours further accentuates the scenic and highly chromatic effect of these creations.

In the notes which accompanied the announcement, the house described the Il Giardino di Buccellatiis collection “like stepping into a flower garden, where there is no rush and where everything shines with its own beauty and colours. It is just like being enraptured of the perfume of a thousand petals, filling one’s eyes with unexpected chromatic nuances, discovering harmony and balance.”

In addition to showcasing their stunning jewellery collections, Buccellati also presented their exquisite line of silverware, a canvas where creativity and craftsmanship intertwine to breathe life into extraordinary creations.

Blending silver with diverse materials, the collection features a variety of cutlery, frames, trays, seashell ornaments, nature-inspired animal figurines, and much more.

Buccellati collections are available in the region at the house’s boutique in Dubai Mall.
Charlotte Tilbury has announced another world first this week. The house has been revealed as an official partner of F1 ACADEMY 2024 – the beauty brand’s first-ever global sports sponsorship.
Charlotte Tilbury will also be the first beauty brand and the first female-founded brand to become a sponsor of F1 ACADEMY. F1 ACADEMY is an ambitious new project from Formula 1® to develop and prepare female drivers to progress to higher levels of competition.
According to the house, “the partnership will bring to life the shared purpose of Charlotte Tilbury and F1 ACADEMY to empower everyone, everywhere to feel their most confident”.
Charlotte Tilbury has said that it will use its global platform to the advantage of the incredible female drivers of F1 ACADEMY, helping them build their careers and shining a light on their achievements and talent so that a wider audience will learn about the opportunities this amazing sport can hold for women.
Discussing the new partnership, the house’s founder, Charlotte Tilbury, said: “Empowering everyone, everywhere to unlock the magic of confidence has always been my passion and purpose – a vision shared by Susie Wolff and F1 ACADEMY. My brand was created for everyone, everywhere, and as a female-founder, I’m thrilled that we’re the first ever beauty brand to support these powerhouse drivers through our partnership with the F1 ACADEMY. We are standing proudly behind the incredible young women making waves in the fast-paced world of Formula 1”
Currently, 40% of F1 fans are female, contributing to a total 2022 season viewership of over 1.5bn.