Abu Dhabi Art Fair is set to return for its 17th edition from the 19th to the 23rd of November 2025, hosting more than 140 galleries from 52 cities across 37 countries.

This year’s edition highlights art from Nigeria, the Gulf region and Türkiye, while also welcoming first-time participants from Algeria, Senegal, the Netherlands, Peru and Tanzania. The number of exhibitors has increased by 40 per cent compared to last year.

Since its launch in 2009, Abu Dhabi Art has established itself as the largest fair in the region. Returning international names include Pace, Richard Saltoun Gallery, Mennour and Hanart TZ Gallery, alongside new participants such as Loft Art Gallery, RGR, Pedro Cera and EQTNA Rare Books.

Galería RGR

H.E. Mohamed Khalifa Al Mubarak, Chairman of DCT Abu Dhabi, said the upcoming edition “promises to be the most ambitious yet” and described the fair as “the region’s most influential platform for art and ideas”.

Dyala Nusseibeh, Director of Abu Dhabi Art, added that the line-up reflects “the UAE’s maturing art market, the growing collector base in Abu Dhabi and strong government-led investment in creative and cultural industries”.

CRISIS GALERÍA

Curated Focus sectors will be a central feature of the fair. The Nigeria Spotlight, in partnership with the country’s Ministry of Art, Culture, Tourism and the Creative Economy, will present seven pioneering galleries as part of its Nigeria Everywhere initiative. Modern Türkiye, curated by Doris Benhalegua Karako, will feature rarely seen works by artists such as Fahrelnissa Zeid, Burhan Doğançay, Gülsün Karamustafa and Cengiz Çekil. A Gulf Region focus will showcase Khaleeji artists including Hassan Sharif, Mohammed Kazem, Alia Zaal and Rashid Al-Khalifa.

RARARES Gallery

The Collectors’ Salon, curated by Roxane Zand, returns with exhibitors such as Kent Antiques, Daniel Crouch Rare Books, Almine Rech and Perrotin.

Aldar will continue its partnership with the fair and launch Aldar Hall at Manarat Al Saadiyat, a newly repurposed space to accommodate the expansion. It will host galleries from the Gulf and wider West Asia and North Africa region, along with first-time exhibitors from Morocco, Tunisia, Senegal and Ivory Coast.

abudhabiart.ae

Fashion Trust Arabia (FTA) has announced the shortlist for the 2025 Awards, confirming the designers who will compete across six categories and a guest country prize.

Eighteen finalists were selected from across the Middle East and North Africa, along with three finalists from India, this year’s guest country. 

The finalists will present their collections before the FTA Jury in Doha this winter, on the 22nd of November, with the winners announced at the evening awards ceremony.

Finalists by Category

Ready-to-Wear: Shahd AlShehail (Abadia, Saudi Arabia), Youssef Drissi (Late for Work, Morocco), Iman Coccellato (Coccellato, Tunis).

Evening Wear: Ziyad Albuainain (Ziyad Buainain, Saudi Arabia), Dana Almulla (Dana Almulla, Qatar), Sharifa Alsharif Alhashemi (Onori, United Arab Emirates).

Accessories: Leila Roukni (Talel, Morocco), Duha Bukadi (Duha, Tunis), Sharifa Alsulaiti and Altaf Almudhayan (Thuna, Kuwait).

Jewellery: Patrick Boghossian (Patrick Boghossian Jewellery, Lebanon), Farah Radwan (FYR Jewelry, Egypt), Clara Chehab (Clara Chehab Fine Jewelry, Lebanon).

Franca Sozzani Debut Talent Award: Alaa Alaradi (Bahrain), Ayham Hassan (Palestine), Fatma Elshabbi (Libya).

Fashion Tech: Assaad Awad (Awad, Lebanon), Zahia Albakri (Zahya, Jordan), Fatema and Dalal Alkhaja (Touchless, Bahrain).

Guest Country Partnership: The Indian finalists are Kartik Kumra (Kartik Research), Ankur Verma (TIL), and Akhil Nagpal (AKHL).

Prizes and Mentorships

Winners will receive financial grants ranging from $100,000 to $200,000, with $50,000 allocated to the Franca Sozzani Debut Talent Award. Collections from the Ready-to-Wear, Evening Wear, Accessories and Jewellery winners will be stocked for one season by Harrods and Ounass.

Additional support includes a year-long mentorship with The Bicester Collection. Huntsman will offer the Ready-to-Wear winner an internship in London, including the opportunity to create a capsule collection for the retailer’s e-commerce platform. All winners will also join a two-day bespoke mentorship programme in London with The Bicester Collection, Brand x Society and the British Fashion Council.

fashiontrustarabia.com

French luxury house Moynat has announced an exclusive collaboration with Hong Kong-born artist Kasing Lung, best known for creating The Monsters. 

The limited-edition collection brings together Moynat’s craftsmanship with Lung’s unique creative vision.

 

The partnership marks the 10th anniversary of The Monsters, a trilogy of books launched in 2015 that has since expanded into figurines, vinyl dolls and global exhibitions. Characters such as Labubu (the character that went viral earlier this year) Zimomo and King Mon appear across Moynat’s signature M Canvas in this capsule line.

 

Products in the collection include tote bags in three sizes, a hobo bag, the Mini 48h, and highly exclusive Mignon bags. The range extends to small leather goods such as cardholders, passport covers and charms. Moynat has stated that the collaboration reflects its commitment to artistry, innovation and timeless design, while also celebrating Lung’s imaginative storytelling.

 

The first chapter of the Moynat x Kasing Lung collaboration will launch in early October, coinciding with the 10-year anniversary of The Monsters. The collection will be available exclusively in Moynat boutiques in selected cities from late 2025 through early 2026.

Born in Hong Kong in 1972, Lung began working as an illustrator with How2work in 2011. His early works included My Little Planet (2013) and a children’s book collaboration with Brigitte Minne, Lizzy Wil Dansen (2014). In 2015, he created The Monsters, a series influenced by Nordic folklore, featuring the rabbit-eared character Labubu which has been released in more than 700 variations. In 2019, Pop Mart and How2work launched the first blind box series of The Monsters vinyl figures, followed by plush dolls in 2023.

Moynat.com

Ralph Lauren unveiled his Spring 2026 womenswear collection at the brand’s headquarters on Madison Avenue today, marking what the house described as a “coming home” for the show.

The collection explored the balance of strength and sensuality, positioning the Ralph Lauren woman as both dreamer and doer.

The pieces reflected modern minimalism with subtle softness, a duality expressed through precise tailoring in a palette of black, white and red. Silhouettes shifted between body-conscious lines and dramatic volume, with classic pieces reworked through unexpected twists.

Masculine codes played a defining role. A polished white polo coat was layered over a bra top and trousers, while variations of white suiting featured prominently.

These included a belted jacket over fluid trousers, a utility shirt jacket with ballooned pants cinched at the ankle, and a trench-style jacket worn with pedal pushers. Shirts were reinvented in multiple forms, from an oversized bib-front version tied with a striped necktie, to a poet’s tunic with an elaborate bow, and a mid-calf red shirtdress.

Dresses introduced further contrasts. A red cotton sundress with corset detailing offered a playful edge, while a black A-line mini layered over a pleated skirt carried a more urbane tone. A fluid floral dress nodded to the 1940s, and eveningwear ranged from streamlined black and red gowns to voluminous designs. A sequined skirt styled with a cropped black T-shirt brought a sport-luxe element to the line-up.

Textural experimentation ran throughout. Horizontal stripes, micro and oversized prints, and innovative knits heightened the graphic impact. Patchwork techniques appeared in a slip dress and overalls made from remnants of white fabrics, while leather was pushed to extremes in lightweight parchment-inspired tailoring, stretch bustiers with ruffle edges, and a made-to-order skirt suit constructed from eyelash-thin leather strips embroidered onto linen.

Accessories reinforced the theme of counterpoint. Silver sculptural jewellery was paired with wide-brimmed hats, while handbags ranged from woven market satchels to structured metallic pieces. Footwear included brogues, espadrilles and woven sandals. The Ralph Bag returned this season, reinterpreted in textured and woven leathers to align with the collection’s artisanal detailing.

RalphLauren.com

Loro Piana has unveiled the Loro Highlands Capsule Collection, inspired by Scotland’s landscapes and castle surroundings.

The collection, available for both men and women, is available from today in Loro Piana boutiques and online at loropiana.com.

The capsule highlights tones drawn from the Highlands environment, with men’s pieces presented in moss greens and dark browns, while women’s designs feature earthy shades with ochre-yellow and coppery accents.

Fabrics used include Cheviot, Cover Wool Storm, rainproof waxed finishes and the exclusive Loro Clan tartan, a reinterpretation of a traditional Scottish check.

Produced in cashmere and the house’s Wish wool, the tartan appears in two versions: brown and beige, and green. It is used across shirts, skirts, dresses and accessories such as hats, scarves and foulards.

Equestrian style is a key influence, with silhouettes shaped by high-waisted trousers, elongated layers and the brand’s Horsey jacket. For women, the jacket is shortened, while the men’s version features a shirt-style collar and contrasting Cash Suede.

Practicality and comfort are emphasised through Baby Cashmere cardigans, wool polos, oversized coats and quilted jackets. The overall look reflects a British outdoor spirit, with layering designed to transition from day to evening.

Footwear plays a central role, ranging from Chelsea boots to riding styles. Loro Piana has collaborated with French bootmaker Le Chameau on the Chasseur boots, made waterproof with rubber, leather lining and cashmere tartan detailing. An adjustable-strap gaiter ensures function alongside refinement.

Accessories complete the capsule, including felt hats, silk foulards in a floral Lilibet print, and the Loro Clan Collage pattern, which reworks tartan into abstract artwork. The wardrobe is designed to be versatile, suited to both countryside and city settings.

loropiana.com

Olga Donica is the Longevity Innovation Director at Clinique La Prairie, a role in which she bridges cutting-edge scientific research with holistic wellness to design some of the clinic’s most advanced health and longevity programmes.

Since joining in 2018, she has been at the forefront of developing personalised approaches to ageing, leveraging fields such as precision medicine, nutrigenomics, epigenetics, and metabolomics. We recently spoke to her to learn more about the longevity movement and what is next for the future of ageing.

You joined Clinique La Prairie in 2018. How has your role evolved since then, and what milestones are you most proud of?

My journey at Clinique La Prairie began in 2018, with an initial focus on developing individual innovations, including introducing new assessments, designing protocols, and building strategic collaborations. Over the years, this role has evolved into shaping an integrated Longevity Innovation Strategy that not only enhances every guest’s journey but also defines Clinique La Prairie’s position as a global reference in the field of longevity. The Clinique La Prairie ecosystem is uniquely dynamic, enabling the integration of the most sophisticated solutions and technologies, many of which are available exclusively within our walls. To access these groundbreaking tools, you must come to Clinique La Prairie. Along the way, we’ve achieved milestones that illuminate our path toward even broader and more ambitious goals. Among the most recent: the launch of the Brain Potential Program, the most advanced brain health program in the world; the Longevity Master Assessment, our signature, science-based screening now embedded into all programs; and Epinome, a pioneering epigenetic supplement designed to influence health and slow the ageing process. These are not isolated achievements; they are foundational pillars that reinforce CLP’s leadership in longevity and our mission to continually set new benchmarks in Longevity science.

As longevity innovation director, you sit at the crossroads of science and wellness. What does a typical day in your role look like?

Every day is anchored by the same goal: transforming complex science into seamless, life-changing guest experiences. To enable that, an important part of my time is travelling, supporting our international locations, meeting international institutions, top leading experts and renowned scientists with whom we would explore potential synergies and many times incredible projects. As an international Longevity company which builds its foundation on science, I also participate as a speaker and panellist in conferences and longevity events, expanding our visibility, credibility and trust. Despite the inspiring sound of this, back in Montreux, the daily challenge is quite important. But I always say, I’m the most fortunate one because of the nature of my work. Despite my still small team, our days are spent in working sessions, testing, and meetings with our cross-disciplinary teams to translate science into effective solutions.

Clinique La Prairie’s new signature is “at the heart of the secret of life.” What does that mean to you personally?

The secret of life may sound poetic, but it is deeply rooted in science. And like any true secret, I can only share with you this: every person holds the power to shape their own future, from very early in life, I insist, with remarkable precision. Today’s technology allows us to read the trajectory of our health through advanced predictive models and systems, giving us the ability to significantly influence the fate of our bodies and rewrite our personal story. Clinique La Prairie brings a unique strength to this mission. With 93 years of experience, thousands of guests and patients have been at our clinic, and decades of accumulated knowledge, we have built an unparalleled expertise in longevity. There is no other place on earth with such a consistent, rich, and successful scientific and clinical legacy. I believe, despite all we have seen and learned, we are only at the beginning of understanding the full potential of human biology and the complexity of ageing. At CLP, we give our guests not just insight, but the tools to transform that insight into action, unlocking a version of themselves they may never have imagined possible.

What is the most common misconception people have about ageing and longevity?

One of the most persistent is the anti-ageing myth, the idea that we can stop ageing altogether. We cannot. Ageing is the natural biological destiny of our bodies, and, in many ways, it is more of a gift than a disease. Each stage of life carries its own beauty and potential. Longevity should be seen as an expansion of human possibilities, not an attempt to freeze time.

Another misconception is that ageing is entirely written in your genes, leaving nothing you can do to influence the process. Genetics do matter, they set the stage and give you your starting point in facing life’s challenges. At Clinique La Prairie, we’ve been working in preventive genetics for over 12 years, and there are powerful insights you can discover about yourself. But science also shows that up to 80% of how we age is shaped by our exposome, in other words, our lifestyle and environment. This means the choices we make every day are powerful tools for changing our trajectory. Finally, there’s the belief that longevity is only about adding years to life. In reality, true longevity is about healthspan – living with vitality, purpose, and independence for as long as possible. Longevity without vitality is merely survival; our mission is to help people not just live longer, but to truly live.

Do you believe the quest for a longer life should be about time or about quality?

Without question, quality. Adding years to life without preserving cognitive sharpness, physical performance, emotional balance, and joy is not the goal. Longevity must be about fulfilled life, years where you feel present, resilient, and deeply connected to your purpose. At Clinique La Prairie, it’s not simply about “slowing the clock,” but about optimising the time you have so that every stage of life is rich in vitality. That’s why our Longevity Method integrates medical expertise, cutting-edge science, nutrition, movement, and well-being practices into a single, personalised journey. We focus on the healthspan, the period of life lived in optimal health, because what truly matters is not how long you live, but how well you live those years.

The longevity master assessment has been described as revolutionary. What sets it apart from other health diagnostics globally?

The Longevity Master Assessment is unlike any other health diagnostic available today because it delivers a state-of-the-art, precision-based view of the individual’s ageing and health status in a truly holistic way. It took 2 years to develop, test and integrate the LMA into CLP programs. Each CLP journey begins with this high-precision assessment, integrating both standard and complex screenings that provide a 360° view of the client’s biology, far beyond conventional check-ups. What sets it apart is the combination of depth, scope, and actionable insight. We measure highly dynamic biomarkers, which we call fast-evolving patterns, that can change rapidly in response to interventions. This allows us not just to detect current health disruptions, but to monitor how effectively therapies are working in real time.The Longevity Master Assessment also includes high health predictability tests, capable of forecasting disease susceptibility, biological ageing, and other future risks with remarkable accuracy. By repeating these assessments over time, we can track the patient’s longevity trajectory, enabling doctors to apply high-precision care that is hyper-personalised, preventative, and adaptive. Ultimately, this is not a one-off evaluation; it’s the foundation of a lifelong, proactive health strategy. It transforms the way we understand ageing by merging cutting-edge science with the CLP philosophy of longevity, ensuring every intervention is measured, meaningful, and targeted to extend both lifespan and healthspan.

You work at the intersection of genetics, epigenetics, and personalised health. How do these fields come together in your approach to preventive health?

First, if longevity isn’t personalised, it simply doesn’t work. There is no “one-size-fits-all” when it comes to extending life and health; ageing is far too complex for that. And yet, in the last decades, we’ve learned a lot about its mechanisms through Genetic and Epigenetic science to make precision medicine possible.  I’m deeply passionate about these sciences. At CLP, we’ve spent years exploring molecular technologies, understanding the pathways that drive ageing, and discovering how we can use them not just to treat decline, but to shift health, performance, and resilience to entirely new levels. We’ve reached a stage where science doesn’t just observe, it enables. And when science enables, we have a responsibility to make the most of it. Genetics shows us the blueprint you were born with, your starting point. Epigenetics reveals how your lifestyle and environment are influencing that blueprint in real time, whether you are accelerating wear or nurturing repair. Precision medicine then translates these insights into precise, targeted actions that address your unique biology. True longevity is about creating a synergy between cutting-edge science and daily living, so that every habit, every choice, and every protocol works with your biology, not against it.

Can you walk us through the 5-phase clp longevity method and what makes it a game-changer for personalised medicine?

The CLP Longevity Method is the backbone of every program we deliver, a continuous, personalised 5-step cycle that transforms how we approach preventive medicine and healthy ageing: we Assess, Predict, Personalise, Act and Track/monitor the guest’s health transformation.  What makes it a true game-changer is its precision, depth, and ability to adapt over time, ensuring every intervention is as unique as our guests.  The journey of every guest starts with an in-depth assessment to decode each guest’s uniqueness, then apply a predictive approach to anticipate future risks. From there, we design an ultra-customised plan, delivered through targeted interventions across our four pillars: medical, nutrition, movement, and wellbeing. Finally, we ensure long-term results with a continuous measuring approach to track the changes and guest health evolution, adapting strategies as the guest evolves. It’s a dynamic, science-driven framework that turns precision insights into lasting transformation.

What are some of the most powerful biomarkers that tell the story of how we are ageing?

The process of how we age can be read through a select group of powerful biomarkers. Mentioning just a few you would love to discover in your next longevity screening. DNA methylation maps your biological age by showing how lifestyle is influencing your genes in real time, information that is both predictive and modifiable. Metabolomics, especially ceramide profiling, reveals early metabolic imbalance linked to cardiovascular and metabolic risk with impressive predictive ability. Glycans track the ageing of your immune system, signalling systemic chronic inflammation with a rapid response to intervention.  VO₂max reflects your overall vitality and longevity potential by measuring your body’s oxygen efficiency or in other words, your cardiorespiratory fitness. And retinal microvessel imaging, the newest project at CLP, provides a unique, non-invasive view of vascular and cardiometabolic health, with insights that also link to brain function. At Clinique La Prairie, these markers enable mapping each guest’s health and ageing trajectory, enabling truly personalised interventions that are both scientifically rigorous and visibly transformative.

Epinome is being positioned as the first longevity supplement targeting epigenetics. What’s the science behind it?

EPINOME is the newest addition to Clinique La Prairie Holistic Health’s supplement line, a groundbreaking product designed to harness the power of Nutrient-Driven Epigenetic Regulation, the mechanisms underlying gene-nutrient interactions. Created to support cellular health, gene expression and longevity, EPINOME represents Clinique La Prairie’s latest, impactful advancement into nutraceutical science, with an ultra-targeted approach. Epinome works at the molecular level, leveraging advanced plant-based compounds and targeted nutrients to support the restoration of healthy methylation patterns – a critical process that regulates gene expression patterns.

How can lifestyle truly alter gene expression and how long does it take to see a measurable epigenetic shift?

Lifestyle and environment have a profound ability to influence gene expression through epigenetic mechanisms, the biological switches that turn genes “on” or “off” without altering the DNA code itself. Epigenetic mechanisms are enabled by a set of processes, with methylation being the most predominant one when it comes to lifestyle. Interestingly, choices in healthy nutrition, exercise, stress regulation, and sleep quality can activate protective genes linked to longevity and suppress those associated with inflammation, disease, and accelerated ageing.

What’s remarkable is the speed at which these changes can occur. With consistent, targeted interventions, measurable shifts in methylation patterns can be observed in as little as 6 months’ time. Over time, these cumulative modifications can reshape your health trajectory to a positive trend, having a direct impact on the ageing process.

What does a typical first-time guest experience during their stay at Clinique La Prairie?

For a first-time guest, we unite three important elements that define guest experience: ageing science, Longevity medicine, and luxury hospitality. This unique fusion creates transformative journeys that address the whole person, body, mind, and emotions, driving meaningful change from human to human.

Throughout their stay, each guest is supported by a dedicated team of five healthcare experts, guiding them through every step with intimacy, professionalism, and uncompromising rigour, across our four longevity pillars assessment: medical, nutrition, movement, and wellbeing. These insights shape a curated one-week program ensuring every guest leaves with a precise, actionable plan and a renewed sense of vitality and balance.

For those who live fast-paced lives, what is one immediate intervention they can apply to support healthy ageing?

For those living at full speed, the most transformative immediate intervention is to master the rhythm and the style of your nutrition. Timing and quality matter as much as quantity: align meals within your active window (chrono nutrition), prioritise anti-inflammatory foods, liver-empowering nutrients (found in detox vegetables) and plant-based proteins. This approach quickly optimises metabolic health, stabilises energy, supports hormonal balance, and reduces inflammation, the foundations of both vitality today and resilience for the decades ahead. The more you practice these, the higher your sense of wellbeing, I promise! And while nutrition science can be complex, most of us already know where to start: eliminate low-quality, unhealthy foods and excessive habits, and gradually shift, at your own pace, towards a balanced way of eating.

Where do you see longevity science in the next 10 years, and what role will clp play in leading that future?

Longevity science over the next decade will evolve to fully predictive, precision health ecosystems. We are moving toward a future where non-invasive technologies for both diagnostics and interventions will be the gold standard. These tools will allow us to assess, treat, and monitor without disrupting the guest experience, while providing a depth of data once only possible through invasive procedures. AI and machine learning will empower doctors with ultra-precise, real-time decision-making, offering both a macro view of long-term health trajectories and a micro view at the cellular level. Real-time monitoring with medical-grade devices will allow health plans to evolve continuously alongside each individual’s biology and lifestyle, enabling proactive, ultra-personalised interventions.

Clinique La Prairie is already at the forefront of these advances, serving as a stage for the early adoption of some of the most innovative, and at times boldly pioneering, solutions in the field. By integrating them seamlessly into our unmatched human-centred approach, we continue to redefine what it means to live well, setting new standards for longevity and excellence.

How do you personally integrate longevity science into your own daily rituals?

Despite being very loyal to science, I’m still human, I make mistakes, I have my challenges, and I’m regularly striving for the best version of myself. In the reality of an ultra-busy life, I live by the 80/20 philosophy: 80% of the time, I make conscious, healthy choices, and 20% I leave for life’s guilty pleasures. What matters most are the predominant habits that shape our health over time.

There are certain routines I never compromise on, and nutrition is my power. Evenings are always for home-cooked (plant-based most of the time) meals to support recovery, sleep and circadian rhythm. I empower my nutrition with targeted supplements for longevity, where Coenzyme Q10, magnesium, Vitamin D, glucosinolates and citicoline are an integral part of them (that said, I pause them at weekends). And sleep, the non-negotiable routine, because without restorative rest, none of the other pillars can truly flourish.

If you could offer one sentence of timeless wisdom on longevity, what would it be?

“Longevity is not about resisting age, but about mastering it, so the future of your health is written in the choices you make today: start early with what works for you and let consistency shape the best version of yourself.”

cliniquelaprairie.com

Jaeger-LeCoultre has announced the creation of the Reverso Tribute Enamel ‘Horse’, a limited edition timepiece honouring the upcoming Chinese Zodiac Year of the Horse. 

The watch, which will be limited to just 10 pieces, showcases exceptional craftsmanship in enamelling and engraving, developed at the Maison’s Métiers Rares atelier.

The model will be presented ahead of the Lunar New Year at Jaeger-LeCoultre’s Dream Shaper exhibition in Shanghai, which starts tomorrow, the 10th of September. It is the fourth in the series of Chinese Zodiac tributes, following editions dedicated to the Tiger, Dragon and Snake.

The Reverso, first introduced in 1931, was originally designed for polo players seeking to protect their dials during matches. Its swivelling case not only safeguarded the watch face but also created an opportunity for decoration on the caseback. This history ties the model closely to equestrian culture, now underscored by the tribute to the horse.

The caseback of the new edition features a hand-engraved horse leaping from golden clouds. The engraving required 80 hours of work and was carried out using the modelled engraving technique. Details such as the mane, muzzle and hooves have been treated with black rhodium for a lifelike effect, while a sand-blasted texture on the clouds enhances the sense of movement.

The caseback is framed by opaque black Grand Feu enamel, which also appears on the dial. Achieving a deep black finish involves layering and firing the enamel five or six times, followed by careful cooling and polishing. The result is a perfectly matched surface between dial and caseback, achieved through a process that demands both expertise and patience.

The dial itself follows the Reverso Tribute design, with faceted hour markers, chemin de fer minutes track and Dauphine hands. Its restrained Art Deco style highlights the intensity of the enamel surface.

Powering the watch is the manually wound Calibre 822, designed and produced entirely in-house at the Jaeger-LeCoultre Manufacture in Switzerland’s Vallée de Joux. It provides hours and minutes functions with a power reserve of 42 hours.

By combining equestrian symbolism, Chinese cultural reference and traditional watchmaking techniques, the Reverso Tribute Enamel ‘Horse’ continues Jaeger-LeCoultre’s emphasis on craftsmanship and artistry.

jaeger-lecoultre.com

Zimmermann has opened its first boutique in Kuwait, marking the Australian fashion Maison’s entry into the country. The store is located in The Avenues Mall, one of Kuwait’s leading luxury retail destinations.

Nicky Zimmermann, Creative Director and Co-Founder, said: “It’s exciting to open in Kuwait City, where vibrant culture and cosmopolitan energy intersect. The Avenues Mall is a destination in its own right, so it’s amazing to be part of it and share our brand world with clients.”

The boutique has been designed by Studio McQualter, Zimmermann’s long-term collaborators. The exterior features the maison’s distinctive rendered façade, framed with custom fluted ceramic tiles and aged copper detailing. Three separate storefront windows display ready-to-wear looks and accessories, alongside curated art pieces.

Inside, the space unfolds beneath barrel-vaulted ceilings, creating a series of distinct rooms. The first area is anchored by a vintage console designed by Alain Delon, complemented by wardrobes showcasing clothing and accessories. The second space incorporates niches for displaying seasonal designs, enhanced by artworks from André Masson and Australian artist Jordy Van Den Nieuwendijk.

A lounge area is marked by a bold green-and-blue striped rug and a reupholstered 1970s sofa, facing full-height timber footwear displays. The fitting rooms have been designed with privacy in mind, featuring fabric-lined walls, seating, and side tables. Soft accessories and belts are presented on a mid-20th century vintage oriental screen.

The boutique opened with Zimmermann’s Fall RTW 25 collection. It is situated on the ground floor of The Avenues Mall in the Prestige Precinct, which houses several of the world’s most established luxury brands.

The Kuwait opening continues Zimmermann’s international retail expansion and reflects growing demand for its ready-to-wear collections in the Middle East.

Zimmermann.com

Sisley has revealed the latest addition to its anti-ageing line, called the Sisleÿa Longevity Essential Serum.

According to the Maison, the launch follows recent scientific insights into how biological ageing affects the skin and highlights the role of interconnected systems in maintaining skin health.

Sisley’s research indicates that in mature skin, the three systems key to a youthful appearance (the cutaneous system, the vascular system and the immune system) weaken and lose their ability to communicate. With the new serum, the house seeks to reactivate communication between them and stimulate each individually. 

Testing showed improvements across all three systems, including a 72% reduction in the diameter of slackened lymphatic vessels, a 46% strengthening of vascular cell junctions, a 15% reduction in senescent cells and a 45% increase in immune cells.

The formula also includes a new Gingko extract aimed at strengthening the immune system. It works by countering “immune evasion,” the phenomenon where senescent fibroblasts avoid elimination and spread ageing signals. In addition, Sisley’s Phyto-chemistry Laboratories have created a duo of plant-based actives targeting skin thinning and yellowing, complemented by a red algae extract to reduce glycation. Red Vine extract is included to address grey skin tones and improve radiance. 

To demonstrate efficacy, Sisley used a vascularised 3D skin model that incorporated immune cells. Testing showed improvements across all three systems, including a 72% reduction in the diameter of slackened lymphatic vessels, a 46% strengthening of vascular cell junctions, a 15% reduction in senescent cells and a 45% increase in immune cells. Clinical trials involving more than 90 participants further supported the findings. After two months, skin firmness improved with an anti-ageing index score increase of 28%. Users reported reductions in wrinkles, yellowing and sagging, alongside improved radiance and smoothness.

The serum is designed to be used within the Sisleÿa routine, positioned between the lotion and existing serums. Sisley emphasises that it is not a replacement but a complementary step for supporting long-term skin health and longevity.

sisley.com

Swiss watchmaker Zenith has partnered with USM Modular Furniture to launch a capsule collection that unites horological innovation with architectural design.

The collaboration revisits the creative energy of the 1960s, the decade that saw the debut of Zenith’s El Primero chronograph in 1969 and the USM Haller modular system in 1965.

The new timepiece, which was unveiled at Geneva Watch Days, reinterprets the original 1969 Zenith Defy to imagine what might have happened if the two brands had worked together at the time. The resulting Defy Chronograph USM combines Zenith’s mechanical expertise with USM’s design language, including geometric forms and structural clarity. Each watch is delivered with a custom USM Haller timepiece chest.

The model is presented in a 37.3 mm stainless steel case with an octagonal silhouette and a 14-sided bezel, complemented by pump-style chronograph pushers and a stainless steel “ladder” bracelet designed in 1969 by Gay Frères. Water resistance is rated at 10 ATM. The dial features applied square markers with horizontal grooves and is available in four colours drawn from USM’s signature palette: Gentian Blue, Golden Yellow, Green and Pure Orange.

Each version is limited to 60 pieces and priced at CHF 10,900. The chronograph subdials are finished in silver with concentric detailing, while the chronograph seconds hand is tipped with a miniature USM Haller ball joint coated in SuperLuminova. When activated, the mechanism reveals a hidden Zenith star motif.

The watches are powered by the El Primero 400 calibre, based on the original 3019 PHC movement launched in 1969. Operating at 5 Hz with a 55-hour power reserve, the movement drives central hours and minutes, small seconds at nine o’clock, a 30-minute counter at three o’clock, a 12-hour counter at six o’clock, and a date at 4:30. The rotor, visible through the sapphire case-back, bears an openworked Zenith star alongside Zenith and USM logos.

Benoit de Clerck, CEO of Zenith, described the collaboration as uniting “the excellence of Swiss design and horology.” Alexander Schärer, CEO and President of the Board at USM, noted the shared heritage of both companies as owner-driven workshops founded in Switzerland, stating that despite different industries, they are bound by “timeless quality, refined aesthetics, and purposeful functionality.”

The Defy Chronograph USM collection is available individually or as a complete set, exclusively through Zenith boutiques, its online store and authorised retailers worldwide.

zenith-watches.com

Ulysse Nardin has announced the house’s latest timepiece at Geneva Watch Days, called “The Freak [X Crystalium].”

The manufacture describes the new watch as  “a bold milestone in Ulysse Nardin’s pursuit of innovation, where avant-garde mechanics meet high-tech decorative art”.⁣

At the heart of the design is Crystalium, an innovative substance formed from ruthenium through a gradual process of vapour deposition. Each dial undergoes meticulous hand-finishing in rose gold and black, resulting in distinctive surface patterns that cannot be duplicated.

Due to the intricate production methods, only 50 examples will be produced. It represents a bold progression of the Freak line, underscoring the brand’s willingness to push boundaries.

Inside the materials lab, the Freak [X Crystalium] takes the next step. Fusing pioneering mechanics with an ultra-limited material expression, it challenges what a watch can be, until we redefine it once again.⁣

ulyssenardin.com

Bvlgari has revealed a major exhibition showcasing its Octo Finissimo line at Geneva Watch Days 2025, alongside the unveiling of two new models that continue the collection’s reputation for technical and creative innovation.

The event, first launched in 2020 by Bvlgari CEO Jean-Christophe Babin, has become an established fixture on the horological calendar. Babin described it as “more agile, more inclusive, and more collaborative”, highlighting its role in bringing together both leading maisons and independent watchmakers.

At this year’s edition, Bvlgari presented a first-of-its-kind exhibition charting the Octo Finissimo journey from its 2014 debut to its most recent advances. Over just 11 years, the collection has achieved ten world records for slimness and complexity. Key pieces on display included the Octo Finissimo Automatic of 2017, the 2021 Aiguille d’Or-winning Perpetual Calendar, and the Skeleton 8 Days launched in 2022. The exhibition also traced the development of the Octo Finissimo Ultra models, culminating in the Ultra Tourbillon introduced earlier this year.

Octo Finissimo Lee Ufan X Bvlgari

Among the new releases was the Octo Finissimo Lee Ufan x Bvlgari, created in collaboration with the Korean-born, Japan-based artist. The design references Ufan’s exploration of contrasts, pairing a mirrored dial with black hands in a titanium case and bracelet. Powered by the BVL 138 calibre, the watch is limited to 150 pieces and finished with a unique hand-treated titanium surface. Each caseback carries the artist’s handwritten signature.

Bvlgari also revealed the Octo Finissimo Tourbillon Marble, a technical achievement that introduces Italian marble to ultra-thin watchmaking. Measuring just 4.85 mm thick, the model features a deep blue marble dial set within a platinum case and houses the BVL 268 calibre with flying tourbillon. Production is limited to 30 pieces.

Bvlgari Bronzo

The brand expanded its Aluminium collection with the introduction of the Bvlgari Bronzo, marking the first use of bronze in the line. Two models were unveiled: the Bronzo GMT, equipped with the automatic calibre B192 and a 50-hour power reserve, and the Bronzo Chronograph, featuring the calibre B381. Both combine sandblasted bronze with black rubber and are designed to develop a unique patina over time.

bulgari.com

BMW has unveiled the all-new iX3 in Munich this morning, the first series-produced model of its Neue Klasse generation, marking what the company describes as “a whole new era of Sheer Driving Pleasure”. 

The fully electric Sports Activity Vehicle (SAV) combines new design language, advanced technology and sustainability measures aimed at reducing its lifecycle carbon footprint by more than 30 per cent compared to its predecessor.

Built at BMW’s new plant in Debrecen, Hungary, the iX3 will roll off the production line this Autumn with the iX3 50 xDrive. This version delivers 469 hp through an electric all-wheel drive system, with a provisional range of 678–805 kilometres and energy consumption of 17.9–15.1 kWh/100 km, as measured under WLTP standards. 

Market launch is scheduled for Europe in spring 2026, followed by the United States in summer 2026. A model tailored to the Chinese market will also begin production in Shenyang in summer 2026.

The model introduces sixth-generation BMW eDrive technology featuring new high-voltage batteries with cylindrical cells, 800V architecture and bidirectional charging. The iX3 50 xDrive can charge at up to 400 kW, adding 372 kilometres of range in ten minutes, and reach 10–80 per cent capacity in 21 minutes. The 108.7 kWh battery enables a top range of 805 kilometres.

Technological advances include a new electronics and software architecture powered by four high-performance “superbrain” computers. One of these, named the “Heart of Joy,” manages drivetrain and dynamics, while another handles automated driving functions. The result, according to BMW, is enhanced handling precision, efficiency and integration of driver assistance systems.

The iX3 also debuts BMW Panoramic iDrive, based on the new BMW Operating System X. This system integrates displays across the windscreen and central console with physical controls retained for key functions. Features include intelligent personal assistance, voice command, entertainment streaming, and connectivity through the My BMW App.

In terms of design, the iX3 adopts the new BMW styling approach, characterised by reduced and timeless lines, flush surfaces and an upright front end with vertically arranged kidney grilles. Inside, the electric-specific architecture provides increased space, while digital elements and new materials such as recycled fabrics emphasise sustainability.

Oliver Zipse, Chairman of the Board of Management of BMW AG, described the Neue Klasse as the company’s “biggest future-focused project” and said the iX3 represents the beginning of a new generation that will influence 40 models by 2027.

bmw.com

Givenchy has unveiled its latest footwear design, the Sliced Square ballerina, taking inspiration from couture archives and modern reinterpretations of classic style.

The new ballerina draws directly from Sarah Burton’s autumn-winter 2025 ready-to-wear collection for the house. The collection itself was influenced by Hubert de Givenchy’s 1950s couture dresses, which were reimagined and sliced to a micro length, offering a balance between heritage and modernity. This approach, both in apparel and footwear, emphasises structure while revealing the body through sharper proportions.

The Sliced Square ballerina mirrors this idea with a sharply cut front, designed to create a modern silhouette. The squared slicing detail defines the shoe, giving it a contemporary edge while remaining rooted in the brand’s design language.

As seen in the ready-to-wear pieces, grosgrain belts were used to cinch the waist of cocktail and evening dresses. This element is echoed in the ballerina through the addition of an elastic band across the foot. The detail not only provides structure and practicality but also draws parallels with the Givenchy Paris leather label, reinforcing the brand’s signature aesthetic.

The shoe is available in a variety of finishes. These include black, red and powder patent specchio leather, as well as metallic silver and gold mirror leather. The range offers both versatile and statement options, making the design adaptable for different occasions.

The Sliced Square ballerina is now available in Givenchy boutiques worldwide and through the brand’s official website, givenchy.com

Dubai’s property market recorded AED 50.7 billion in sales during August, according to data released by Property Finder, marking a 15 per cent year-on-year rise in transaction volume and a 7 per cent increase in value.

A total of 18,564 sales were completed, with the growth driven largely by off-plan demand and supported by a resilient secondary market. Off-plan volumes climbed 25 per cent compared to August 2024, while values rose 11 per cent. Secondary off-plan transactions saw an even sharper increase, totalling AED 4.1 billion across 1,978 deals, representing a 59 per cent rise in volume and a 69 per cent increase in value.

Primary Market
The primary market remained dominant, accounting for 12,106 transactions in August, up 20 per cent on the year. Off-plan deals represented 91 per cent of this segment. While the overall value increased by 4 per cent, Business Bay stood out as a high performer, contributing 11 per cent of total transaction volume and 12 per cent of value, with year-on-year growth of 377 per cent and 290 per cent respectively. Dubai Investment Park was also a key contributor, generating 9 per cent of both overall value and volume.

Secondary Market
Secondary sales reached AED 22.6 billion through 6,458 transactions, reflecting a 15 per cent annual rise in value and a 7 per cent increase in volume. Emerging communities played a central role in this growth. Wadi Al Safa 4 registered AED 786 million in sales, a steep increase from AED 26 million in the same month last year, while Al Barsha South Fourth posted 154 per cent value growth and a 142 per cent rise in volumes.

Consumer Trends
Apartments continue to dominate buyer and renter interest, comprising nearly 80 per cent of rental searches and 59 per cent of buyer demand. Smaller units are gaining traction, with studios making up 22 per cent of rental searches but 16 per cent of buyer demand, while one-bedroom apartments accounted for 36 per cent of buyer searches and 40 per cent of rental interest. This shift indicates growing demand for affordable housing as tenants seek to mitigate rising rents by moving towards ownership.

Cherif Sleiman, Chief Revenue Officer at Property Finder, said the figures underline the strength of the market, highlighting strong investor confidence in both established and emerging communities.

The annual Pro-Am golf tournament in Crans-Montana took place on Wednesday, ahead of the OMEGA Masters.

The event brought together teams of amateur and professional golfers on the Swiss mountain course, giving participants of all levels the chance to play on the renowned greens.

As in previous years, OMEGA added a touch of star presence to the day, inviting a group of international celebrity guests to take part in the match. Among the participants were OMEGA ambassador and sailor Blair Tuke, American actor Don Cheadle, Canadian actress Inanna Sarkis, golf instructor and content creator Cassandra Meyer, former NFL wide receiver Victor Cruz, and English actor Oliver Phelps.

Raynald Aeschlimann, President and CEO of OMEGA, highlighted the appeal of the event. He said: “At OMEGA, the worlds of sport and entertainment often cross paths. This Pro-Am tournament is a perfect example. It’s a joy to spend time with such a variety of talents and celebrate our shared passion for golf. We love how this event brings so many different people together, and that it showcases the beauty of our Swiss home.”

The Pro-Am has become a regular feature in the build-up to the OMEGA Masters, offering an informal setting before the main competition begins. Taking place from Thursday until Sunday, the OMEGA Masters is widely recognised for its strong heritage, notable winners, and distinctive alpine setting.

OMEGA has served as the title sponsor of the tournament since 2001, and 2025 marks the brand’s 24th year in the role. The company, part of the Swatch Group, continues to use the event to underline its close ties with both sport and the Swiss landscape.

With the Pro-Am concluded, focus now shifts fully to the OMEGA Masters itself, where professional golfers will compete across four days in one of Europe’s most picturesque tournaments. The event continues to combine tradition, high-level sporting competition, and the presence of international figures, reflecting OMEGA’s long-standing involvement in global sport.

omega.com

Etro has unveiled its Fall/Winter 2025–2026 campaign, titled Magma – Primordial Future, photographed at Casa Dinosauro in Baratti.

The project sets out to merge ancient natural forms with modern architectural vision, creating a visual dialogue between fashion, landscape and structure.

The campaign situates its characters within the sculptural walls and curved interiors of Casa Dinosauro, a setting that channels the appearance of eroded stone and cavernous rock formations. While reminiscent of landscapes shaped by geological forces, the space is in fact a work of architectural design. The chosen location underlines the campaign’s central theme: a play between the primordial and the contemporary.

Etro’s creative direction brings together natural textures and organic references in a collection that interacts closely with its environment. The imagery draws on elements that evoke the origins of nature, reinterpreted through fashion design. The campaign features pieces inspired by early furs, earthy prints, and botanical jacquards reflecting the foliage of the surrounding trees. Knits with fringed finishes echo the textures of animal pelts, while fluid dresses are likened to air carrying petals, emphasising movement and lightness.

The result is a seamless blending of garments and environment, positioning the collection as part of a wider landscape rather than distinct from it. This approach highlights Etro’s interest in reimagining natural inspiration through a modern lens, situating fashion within both a physical and symbolic context.

Photography for the campaign was led by Louise and Maria Thornfeldt, whose images are composed to resemble cinematic stills. Their work captures the balance between solidity and fluidity, reflecting the juxtaposition of Casa Dinosauro’s structure and the organic inspirations of the collection.

etro.com

Dubai Fashion Week (DFW) is underway with its Spring/Summer 2026 (SS26) edition, which will run until the 6th of September.

The opening night saw Malaysian couture house Rizman Ruzaini present the first collection of the season, followed by a showcase from Dubai-based designer Heba Jasmi.

Rizman Ruzaini

The second day saw the debut of Indian couturier Krèsha Bajaj, alongside collections from UAE-based FLTRD, Erick Bendaña of Nicaragua, and Polish label Fioletowy, followed by evening showcases from Chic & Holland from the Netherlands and Germany’s Maison Novague.

HEBAJASMI

The third day of the Fashion Week will be ‘The Italian Day in Dubai’ in partnership with the Italian Trade Agency (ITA). The presentation, La Moda Italiana Vol II, is set to feature Valentina Poltronieri, Le Twins, Cose di Maglia, Gil Santucci, Avant Toi, and Be Nina.

Meanwhile, DFW Members Mrs. Keepa, Dima Ayad, and Lama Jouni are also scheduled to unveil new collections. Weinsanto, in collaboration with La Fédération de la Haute Couture et de la Mode (FHCM), and Lili Blanc will further contribute to the line-up.

The remainder of the week will feature showcases from Benang Jarum, Nada Puspita, Jozeph Diarbakerli, and XD Xenia Design. That Concept Store, Buttonscarves, and Otté will present new concepts, while Jasper Conran, Tara Babylon, FADTalents | FAD Institute, and Emergency Room x Timberland are also set to take to the runway. The programme will conclude with a collection from Les Benjamins, a Correspondent Member of DFW.

Industry perspectives will also be on offer tomorrow, with a series of panel discussions called Threads Talks V4.0, held in partnership with Meta, the Arab Fashion Council, and d3. The discussions will explore shifts in power and influence within global fashion.

dubaifashionweek.ae/calendar

Founded in 1910 in the Piedmont region of northern Italy, Zegna has grown from a family-run wool mill into one of the most respected global luxury groups, known not only for its refined menswear and vertically integrated supply chain, but also for its values-driven approach to business.

Still family-led after more than a century, the company made headlines when it became the first Italian luxury menswear brand to go public on the New York Stock Exchange in 2021, a strategic move that marked a new era for the brand while preserving its core DNA.

With over 500 points of sale worldwide and a portfolio that includes the recently acquired Tom Ford Fashion brand (in partnership with The Estée Lauder Companies), Zegna is shaping the future of Italian luxury on its own terms. At its heart is a commitment to “Made in Italy” excellence, sustainability, and long-term vision, principles that continue to guide its evolution under the leadership of CEO Gildo Zegna.

In this exclusive conversation, Gildo Zegna shares his views on what it means to lead a 115-year legacy in a time of disruption, the strategic pillars supporting the group’s global growth, and why relevance today depends on timelessness, innovation, and authenticity. From the brand’s growing presence in the Middle East to its cultural initiatives around the world, Zegna remains one of the rare luxury houses that still marries entrepreneurial spirit with deep-rooted heritage.

Tell us about your vision for Zegna

My vision is to stay true to our legacy and roots, which is creating products with exceptional quality and timeless style. I’d describe it as timeless, excellent-quality pieces, most of them made in our factories and in Italy. I think this is what sets Zegna apart. It’s a modern lifestyle for international clients, made up of pieces that will last forever. This was the vision of our founder, and it’s the vision we continue with today as we pass the baton through generations.

The attention to quality and modernity, and catering to the international lifestyle of our customers, is very important. It’s a customer-centric approach. With any product we create, we pay special attention to personalisation. This is more than just a couture service; it’s something we can offer in every product we make, thanks to the vertical integration we have. Without full control of our production, this would be very difficult to achieve.

So I believe this is our legacy and our way forward. If I had to sum it up, it would be timeless luxury.

What are the key pillars supporting Zegna’s evolution and growth?

The first thing is having the right strategy. Secondly, you must know what you’re doing, and that comes from having full 360-degree control of our operations. I believe the people within our organisation are key to its success. The brand is fuelled by two things: the fact that it’s made in Italy, and its people. That’s what truly sets us apart.

We are navigating a very delicate moment for the luxury sector globally. Every day, something new arises. You must be wise, have a clear mind, and have the resources to lead. But unless you have an organisation with energy and clarity, it’s very hard to keep going.

Strategy, people, and resources. These three together create success. There are good times and bad times, but we’re here for the long term. The fact that we are a public company doesn’t change that; we focus on long-term goals. We have partners who came to us because they believed Zegna was worth the investment. We share values, and they have great respect for our family and the new generation stepping in, which is doing very well. These, to me, are the key ingredients.

Can you name some initiatives that are ensuring the brand’s relevance and evolution?

Every six months, we launch something that strengthens our presence. I think the recent event in Dubai was fantastic. It showed the power of the organisation and created strong interest from Zegna’s community. It was a well-executed project with perfect timing and the right people. We had great support from the local community, and working with local teams really makes a difference.

The second example is our recent event in Aspen. We planted 160,000 trees there with the support of local environmental authorities. We wanted to give something back to the area, just as we do in Italy. Why Aspen? Because it’s a key market for us, and we want to transfer this legacy of sustainability and dreams, to the U.S. We want to send out a clear message about the brand’s modernity and the importance of protecting the environment.

The third initiative is our partnership with Art Basel. The world of art is very interesting to us, and it brings together many of Zegna’s friends. We support art and culture around the world through this collaboration. It’s not just in Basel—it’s Miami, it’s Paris, it’s Hong Kong, and soon it will be Qatar. We currently have a three-year sponsorship with them, and we’re planning more events together. It’s fun, and it’s a new way to reach our audience and expand the brand.

Tell us about the importance of the Middle East within the Zegna universe.

The region is key for us, and I think it can only grow. We’re currently renovating our store in Dubai Mall, which is now our top-performing store globally. It has overtaken both New York and Hong Kong, which shows how the world is changing. Dubai is becoming the centre of the world.

The Dubai Mall flagship gave the brand an incredible image globally. While Dubai is the core of our regional presence, we also have a strong expansion plan across the wider region. The UAE is a hub for all industries, not just logistically, but in terms of ease, marketing strength, and growth potential. It’s a place that embraces progress.

How do you find the balance between guiding the brand’s legacy and staying relevant for today’s customer?

We’ve drawn a clear line between the family and the business. There’s a united family and a major shareholder, and we must ensure that both are satisfied. At the same time, we have to keep the people working for us motivated. It’s a delicate balance.

One thing I’ve learned is to lead by example, that’s still a very important motto for me. You can’t expect someone to follow you, improve, or sacrifice unless you demonstrate that same commitment yourself. So far, I think we’ve managed it well, and I hope future generations will carry that sensitivity, intelligence, and leadership forward. They’re well-trained, so I believe they’ll continue to lead.

Tell us about the importance of ‘Made in Italy’ for you and the Zegna house.

Made in Italy is the strongest brand on Earth. It’s a treasure that belongs to us, and we must honour and protect it. By working with local authorities, suppliers, and businesses, we can ensure it remains competitive.

There’s a lot of global competition today, and we must manage the process carefully to ensure it continues. Running a business requires so many different investments, so you need to strike the right balance. Made in Italy is an essential resource. For me, it’s a must if you want to be at the top of the market.

What are some of the challenges you face in your role today, and how do you overcome them?

The biggest challenge is coping with a world full of continuous surprises and uncertainty. I go back to the strength of our organisation, it starts from the boardroom to the factory floor, from governance to retail. Unless you have a well-structured organisation and clear goals, it’s very hard to succeed. We’re always going to face uncertainty. Every week brings something that could become a disruption. You have to evaluate it and adapt. Being calm, staying focused, and keeping control are key. Organisation is everything.

It’s also essential to build a strong information network, because when one area shows a problem, another may reveal an opportunity. Every issue can become a lesson. For example, when China was slowing down, we decided to invest more in the Gulf region, and it paid off. Entering China in 1991 was a big risk at the time, but it turned out to be a smart move. You must take risks and play your hand well.

Also, the most important thing in my view, is to maintain a high level of entrepreneurial spirit. Approach both challenges and opportunities with full control and a long-term vision. Be agile. Ask questions, have a strong network, make decisions quickly, and execute well. No one can do this alone. Without strong systems, you don’t know what’s really happening.

Ultimately, in any industry, you need a customer-centric mindset. You need to be ambitious, curious, and fast. Without those qualities, you won’t go far.

What are the lessons you’ve learned from previous generations that you would pass on to your children?

Most of the lessons I’ve learned came from my father, the brand’s founder, and my uncle. Everything I try to do today is built on what they taught me; “Be passionate, be fair with your people, lead by example, and ask good questions. You can measure someone’s intelligence by the questions they ask. Listening is just as important. And never give up. Be a marathon runner, not a sprinter, because sprinters burn out too quickly. That’s the best metaphor for how we move forward today. It’s the torch we want to pass on.

I’m also proud of our authenticity and our respect for the brand’s heritage. We’re one of the few brands that can guarantee full transparency in our supply chain, thanks to our vertical integration.

Another key value is pride in our industry. The people in our factories are just as important as those in our stores. We see everyone as associates, not workers; we want them to feel valued and recognised. This is part of our legacy: think forward, invent the future, but always respect the past. We wouldn’t be here today without the efforts of previous generations.

Zegna started as a family business, but today it’s a global brand. What advice would you give to family businesses looking to grow?

First, ask yourself where you want to be and what you want to create. Who is your customer? These sound like basic questions, but they help shape your vision.

Ask yourself: where do I want the business to be in ten years? It’s a tough question, but answering it allows you to build the right team and start laying the foundation. You’ll need the right people, the ability to tell your story simply, and the courage to take risks.

This can be one of the hardest things for any entrepreneur. But if something doesn’t work, try again. Don’t give up; that’s the essence of any startup.

After COVID, we had to approach Zegna like a startup. We reassessed everything, made difficult changes, and those decisions took us to new heights. That, and taking the company public, are probably the two biggest accomplishments of my career. Before COVID, I was the first to say I’d never take the company public, but I changed my mind, and I had to explain why. That was tough, but necessary.

You need a high level of self-awareness. Never overpromise. It’s better to under-promise and deliver; making your promises a reality is one of the biggest challenges. In the past, I only had to deliver to the family. Now, I’m responsible for all of our stakeholders.

How would you describe Zegna for the next 10 years in one word?

True. True to itself, to its history, to its authenticity. And always modern, whatever the lifestyle of the next decade may bring.

zegna.com

Day four of the 82nd Venice International Film Festival saw ZEGNA take centre stage on the red carpet as brand ambassador Mads Mikkelsen, along with actors Sami Bouajila and Giacomo Giorgio, appeared in the Italian luxury house’s designs.

Mikkelsen, attending the premiere of The Last Viking, wore a black silk and wool shawl lapel Red Carpet Collection suit. His look was completed with a black silk stand-up collar shirt and black leather Vienna evening shoes. Earlier in the day at the Hotel Excelsior, he added Orizzonte I acetate sunglasses to the same ensemble, before changing into a beige linen double-breasted Torino suit with a sand linen vareuse shirt and dark brown moccasins for the film’s photocall.

MADS MIKKELSEN WEARS ZEGNA TO THE LAST VIKING PREMIERE IN VENICE

Bouajila chose ZEGNA for the Un Prophète premiere, appearing in a black wool and silk tuxedo with a white silk shirt and black leather Vienna evening shoes.

SAMI BOUAJILA WEARS ZEGNA TO THE UN PROPHETE PREMIERE IN VENICE

Meanwhile, Giorgio opted for a more relaxed look as he arrived in Venice. He was photographed in a dark brown overshirt, paired with a black crewneck knit, wide-leg trousers in the same shade and black leather Torino loafers.

Since 2016, Artistic Director Alessandro Sartori has steered ZEGNA’s creative direction, placing practicality and modernity at the core of its tailoring. The collections move between traditional craftsmanship and contemporary luxury leisurewear, designed to reflect the needs of today’s consumer.

Zegna.com

Photo Credits: Getty Images, Saskia Lawaks

OLAPLEX has announced the launch of its latest products within the Bond Maintenance® system, designed specifically for fine hair. 

The N°.4 Fine Bond Maintenance® Shampoo and N°.5 Fine Bond Maintenance® Conditioner are formulated to provide volume and strength without adding weight.

According to the well-known haircare brand, the new duo is clinically proven to deliver twice the volume and twice the strength, addressing a common challenge for fine hair, which often lacks body while also requiring softness and resilience. The system incorporates OLAPLEX’s patented Bond Building Technology™, which repairs damage while cleansing, hydrating, and protecting the hair. Clinical results also showed a 60 per cent reduction in breakage on bleached hair, and measurable repair, strengthening, and protection against future damage.

How it works

The formulations include flexible polymers for weightless lift, low molecular weight hyaluronic acid to hydrate while keeping hair manageable, and a hydra-balancing matrix to provide a clean, nourished feel without build-up. According to the company, this combination creates lasting fullness and shine while maintaining natural movement.

The beauty essentials

The N°.4 Fine Bond Maintenance® Shampoo is an ultra-light, volumising cleanser that removes build-up while strengthening and protecting fine hair. It is designed to gently cleanse without stripping, repair damaged strands, and boost root lift. Recommended usage involves applying to wet hair, lathering, and rinsing before following with conditioner.

The N°.5 Fine Bond Maintenance® Conditioner is described as a weightless formula that detangles, nourishes, and hydrates fine hair, leaving it soft, strong, and volumised. Directions suggest applying to mid-lengths and ends, leaving on for one to three minutes, and rinsing thoroughly.

eideal.com

Giorgio Armani marked the official launch of Armani/Archivio with an exclusive dinner in Venice during the International Film Festival. The event, held this weekend, was organised in support of UNICEF and followed by a party at Tesa 113 of the Arsenale. 

The guest list included a notable line-up of international actors, models and creatives. Among those present were Cate Blanchett, Gemma Chan, Emilia Jones, Rosie Huntington-Whiteley, Carolina Cavalli and Leslie Bibb.

Madisin Rian

The launch of Armani/Archivio coincides with the fiftieth anniversary of the Giorgio Armani brand. The platform has been designed as a digital space to share the maison’s iconic archive and is accessible at archivio.armani.com, featuring the first 57 looks from the brand’s history.

The initiative will also be extended beyond Venice, with a curated selection of iconic looks that will be displayed in seven boutiques worldwide. 

In connection with the launch, Giorgio Armani also made a contribution to UNICEF in support of the “Global Humanitarian Thematic Fund.” The fund is designed to provide rapid and effective responses in emergencies such as conflicts, natural disasters and epidemics. A particular focus of the fund is the protection of children’s rights, an area underlined by Armani’s decision to link the unveiling of Armani/Archivio to charitable support.

Scroll down to see more. 

Margarida Corceiro

Leslie Bibb

Miguel Angel Silvestre

Jessica Williams

Gemma Chan

Cate Blanchett

Eugenia Silva

armani.com

At the 2025 Venice Film Festival, Julia Roberts made a striking appearance in a carefully curated ensemble by Versace, designed by Dario Vitale.

The actress attended the prestigious event wearing a blue wool tailored jacket paired with striped shirting and denim.

The sophisticated outfit was elevated by a heritage gold buckle belt and complemented by woven leather Vienna 95 shoes, adding a touch of refinement. To complete the look, Roberts carried a top handle leather bag adorned with the iconic Medusa twist-lock, a signature feature of Versace’s luxury accessories.

versace.com

JD Malat Gallery in Downtown Dubai has announced #SHOTBYADAMS, the first Middle East exhibition by Canadian musician and photographer Bryan Adams. 

Running from the 2nd to the 30th of September 2025, the show presents a series of portraits of cultural icons reimagined through experimental use of plexiglass.

Adams, internationally recognised for his contributions to both music and photography, introduces a new direction in this exhibition. Inspired by the expression “seeing things through rose-tinted glasses”, he places multi-coloured plexiglass between lens and subject. This technique alters the relationship between viewer and sitter, creating a refracted and dreamlike quality across the portraits.

Among the works on display are depictions of Kate Moss in Pose, London, 2013, Sir Mick Jagger in New York, 2008, and Amy Winehouse in Spinning Records, London, 2010. Through this approach, Adams invites audiences to consider how fame, identity and perception are shaped through visual art.

Adams’ photographs have been widely recognised and collected internationally. His portrait of the late Queen Elizabeth II and Prince Philip is held permanently in the National Portrait Gallery, London. He has received the German Lead Award twice, in 2006 and 2012, for his portraiture. His editorial work has appeared in publications including i-D, Harper’s Bazaar and Vogue.

Commenting on the Dubai exhibition, Adams said: “It’s a real honour to be showing this body of work for the first time in Dubai. The plexiglass acts like a visual metaphor – refracting not just the subject, but our assumptions. It’s about perception, distortion, and the beauty of seeing differently.”

Jean-David Malat, founder of JD Malat Gallery, added: “As a gallery committed to presenting bold, thought-provoking work, we’re proud to bring #SHOTBYADAMS to Dubai’s dynamic art community. This exhibition marks a compelling chapter in Bryan’s photographic practice, exploring distortion, materiality, and the shifting nature of the image.”

JD Malat Gallery, founded in London in 2018 and expanded to Dubai in 2025, represents 17 international artists and focuses on supporting both emerging and established talents across painting, sculpture, photography and mixed media.

The exhibition is open daily from 10am to 10pm at JD Malat Gallery Dubai, Act 2 Tower, Sheikh Mohammed Bin Rashid Boulevard, Downtown Dubai.

Hourglass Cosmetics has announced the release of its 2025 Ambient Lighting Edit Unlocked palettes, unveiled as part of its holiday collection.

The vegan and cruelty-free brand has collaborated with Ukrainian tattoo artist Sasha Unisex to design the limited-edition packaging, which features hand-painted depictions of animals and natural scenes.

The collection highlights four animals – Deer, Swan, Fox and Horse – each illustrated by Sasha Unisex, known for her geometric watercolour tattoo style. The packaging draws inspiration from nature, combining floral imagery and animal symbolism.

Speaking about the collaboration, Sasha Unisex said she wanted the designs to go beyond aesthetics. “I imagined how it would feel to open the palette for the first time, and I wanted that moment to feel special,” she said. “With tattoos, you think about longevity – how the image moves with the body. Makeup, like tattoos, is a creative tool. I love how it can transform and highlight personality. It’s another kind of art.”

Each palette includes six shades comprising blush, bronzer and highlighter, with new additions introduced this year. The brand has also incorporated its miscelare marbling technique in several shades.

The palettes are as follows:

• Deer: three new shades, with cool ivory and bronze combined with peach and pink.
• Swan: four new shades, featuring peach, coral pink, plum-berry, golden shimmer and matte bronze.
• Fox: five new shades with warm coral, terracotta, berry, matte bronze and golden hues.
• Horse: plum, peony and rose tones blended with champagne and bronze.

The palettes can be paired with a new limited-edition double-ended brush designed with matching artwork. This season also sees the introduction of a customisation option available exclusively on the Hourglass website, allowing customers to combine their chosen artwork with a preferred colour palette.

Five per cent of net profits from the collection will be donated to the Nonhuman Rights Project, continuing the brand’s ongoing support for animal rights.

Additional gift sets form part of the holiday offering, including a Bestsellers Set, a Sculpt & Gloss Lip Duo, and the Equilibrium Eye Essentials Duo. Collectable packaging is also available, ranging from limited-edition animal-themed boxes and cards to evergreen options featuring designs of elephants, tigers and beetles.

The Ambient Lighting Edit Unlocked Horse Palette and Brush II will be previewed exclusively on the Sephora app from 5 September 2025. The full collection launches on the 6th of September at the Hourglass flagship store and online, and on the 19th of September at retailers worldwide.

HourglassCosmetics.com

Giorgio Armani has announced the official debut of Armani/Archivio, a digital platform dedicated to the company’s historical heritage, marking the fashion house’s 50th anniversary.

The launch will be celebrated this weekend, on Saturday, the 30th of August, during the Venice International Film Festival with a private dinner in support of UNICEF, followed by an event for around 500 guests at Tesa 113 of the Arsenale.

The new platform, which documents thousands of original looks from both the women’s and men’s collections, will be accessible from 30 August via archivio.armani.com. While all Armani Group employees will have complete access, the public will be able to explore an initial selection of 57 looks. A physical location near Milan is also planned.

Described as a unique project, Armani/Archivio has been conceived as a cultural and creative dictionary, reflecting five decades of design consistency and evolution. It also embraces the theme of circularity, with iconic garments from past collections carefully preserved and reintroduced to new audiences.

The initiative will extend beyond the digital platform. Selected archival pieces will be showcased in a series of global boutique deliveries. The first will be in Milan, Paris, and London, followed by Los Angeles on 18 October for the Academy Museum Gala, and then in New York, Beijing, and Tokyo.

In Milan, from the 16th to the 29th of September, La Rinascente will host themed window displays paying tribute to Giorgio Armani’s early career, recognising the department store’s role in the designer’s first steps into the fashion world.

The celebrations will culminate during Milan Fashion Week. On the 24th of September, an exhibition featuring 150 Giorgio Armani looks will open to the public at the Pinacoteca di Brera, displayed alongside the gallery’s artworks. The designer will then close Fashion Week with a runway show in Palazzo Brera’s Courtyard of Honour, presenting the Women’s Spring/Summer 2026 collection and selected men’s looks from the June 2025 collection.

Supporting the launch event in Venice, Giorgio Armani will contribute to UNICEF’s “Global Humanitarian Thematic Fund”. The initiative provides rapid and effective responses to humanitarian crises, including conflicts, natural disasters, and epidemics, with a focus on protecting children’s rights.

Through Armani/Archivio, the brand seeks to preserve and share its creative heritage while re-engaging with its past to inspire future generations.

armani.com

Maison Margiela has unveiled its Autumn-Winter 2025 Avant-Première Collection, fronted by Miley Cyrus and photographed by Paolo Roversi.

The campaign features the American performer in a series of painterly portraits, in a stripped-back style. 

Cyrus wears deconstructed tailoring, second-skin bodies, the Maison’s reinterpretation of the 5AC bag, and its classic Tabi boots. Techniques from the Artisanal atelier emphasise the idea of garments being handed down through generations, showing visible signs of wear.

One of the methods explored is bianchetto, originally used on furniture in the Maison’s studio. Applied to clothing, accessories and bodies, it reduces surfaces to a white canvas, acting as a symbolic veil that reveals the trace of time.

In tailoring, outerwear and workwear, fabric treatments evoke a lived-in effect. Coats and parkas feature permanent folds created through pressing techniques, while reversible wool coats and duffle coats with detachable liners can be worn inside-out as formalwear. Edges of tailoring and shirting are hand-greased for a timeworn appearance, and wool mohair suits mimic the fading of colour caused by sunlight. Shrink-to-fit boiling methods alter shapes, producing quilted linings spilling from jackets, reduced-size tracksuits, and suits that contract into tuxedos. Knitwear and denim further demonstrate wear and mending.

Deconstruction informs the dresses, skirts and tops. Garments invert traditional materials by placing construction fabrics on the outside. A pleated wool skirt detaches from its lining, a satin dress is worn inside-out with pads as decoration, and coats are reversed to expose their linings. Other pieces splice forms together, such as men’s trousers incorporated into dresses or shirts fused with skirts.

The 5AC bag is reintroduced in an unlined version with a softened silhouette, appearing in chestnut brown, cognac and the Maison’s signature white bianchetto. Alongside it, the Dress-Age line expands with tote and hobo variations in calfskin and goatskin, available in multiple sizes and colourways.

Shoes take on warped forms, including pumps, sling-backs, derbies and derby boots with aged soles. The Sprinters sneaker, inspired by mid-century track shoes, is updated in new colourways and treated with hand-applied techniques for an individual vintage effect.

The collection is available worldwide through Maison Margiela’s retail network and online platforms.

MaisonMargiela.com

Alaïa has released its Summer-Fall 2025 campaign, marking a new creative chapter for the Maison.

Developed by creative director Pieter Mulier in collaboration with photographer Tyrone Lebon, it has a distinctly cinematographic approach.

For the first time in Alaïa’s history, the campaign has been conceived intentionally as a film. Alongside still photography, the project features videos directed by Frank Lebon, making moving imagery a central element. The campaign was shot entirely outdoors on the northern coast of France, between Cap Blanc-Nez and Cap Gris-Nez. Models Loli Bahia and Nastassia Legrand front the series, appearing both as characters in a wider narrative and as embodiments of the Alaïa woman.

The imagery was captured exclusively in black and white, reinforcing the Maison’s signature use of contrast. The stark tones set against untamed coastal landscapes create what the brand describes as an “imaginary geography,” suggesting a timeless quality that transcends specific eras or locations.

Portraits of Bahia and Legrand, often framed by hoods, reference the style of Flemish painting. In doing so, the visuals echo figures from literature such as Jane Austen, Virginia Woolf, George Eliot, Emily Dickinson and the Brontë sisters. When viewed in motion through Frank Lebon’s direction, the campaign also evokes scenes from classic cinema, including The Piano by Jane Campion, Breaking the Waves by Lars von Trier, Wuthering Heights by William Wyler and Barry Lyndon by Stanley Kubrick. These cinematic references align with inspirations central to Mulier’s vision.

The campaign is the first to present Alaïa’s aesthetic entirely within an outdoor environment, situating the garments within landscapes described as raw and almost otherworldly. Alone in these surroundings, the models’ silhouettes appear to merge with the natural setting, underscoring the campaign’s exploration of solitude. According to the Maison, this solitude is not depicted as weakness but as a source of resilience and strength, drawing parallels with heroines of 19th-century literature.

alaia.com

Expo City Dubai is marking Emirati Women’s Day with a flagship programme, “Her City, Her Future”, at the Women’s Pavilion. 

The event highlights the role of Emirati women in reshaping urban design and calls attention to the global lack of gender consideration in city planning.

Globally, women remain underrepresented in urban development, with less than a quarter of architects and one in three urban planners being female. According to figures cited by Expo City Dubai, 75 per cent of infrastructure projects are developed without factoring in gender-specific needs. The result is urban environments that often feel unsafe or inaccessible for women, who make up half of the world’s population. Research indicates that cities designed with women in mind are safer and more sustainable for all residents.

“True representation in city-making creates spaces where everyone belongs,” said Maha Gorton (pictured), Head of the Women’s Pavilion. “Emirati women are helping to shape this vision, leading conversations and redefining the future of our cities.”

Free and open to the public, Her City, Her Future explores themes including urban design, wellness, safety, sports, arts and culture, and economic innovation, through the lens of women’s leadership. It reflects the 2025 Emirati Women’s Day theme Hand in Hand, Celebrating the 50th and Expo City Dubai’s wider commitment to inclusion.

The programme includes keynote addresses by Her Excellency Reem Al Hashimy, UAE Minister of State for International Cooperation and CEO of Expo City Dubai Authority, and Muna Easa Al Gurg, Founder of the Meem Foundation. Other speakers include Dr Alamira Reem Al Hashimi, the first Emirati woman to earn a PhD in Urban Planning; UAE national footballer Areej AlHammadi; and Cinema Akil founder Butheina Kazim.

Expo City Dubai has positioned itself as a hub for inclusivity, with initiatives such as its Certified Autism Center recognition. The event also serves as a prelude to the Asia Pacific Cities Summit & Mayors’ Forum, which will take place at Expo City in October. Its Women’s World Majlis will further advance discussions on gender-responsive urban policy.

As Maha Gorton continued: “When women are at the centre of urban design, entire communities benefit. The urban spaces we create in Dubai today will shape how future generations live, connect and thrive, and Emirati women are helping ensure they work for everyone.”