Cultivating its feminine side, the brand is the title partner for the second year running of the only international road rally exclusively for women. In this edition, despite the stormy weather, 90 crews representing 9 different nationalities faced-off in the spirit of friendly competition between Paris and Saint-Tropez. Just moments before the starting gun went off on the elegant place Vendôme in Paris, where all checks were completed the evening before, there were doubts as to whether the crews assembled for this 2016 edition of the Rallye des Princesses would depart at all. But that would be underestimating the resourcefulness and enthusiasm of the woman who created and organised the event.

After starting off in torrential rain on May 29th, the contestants were to see sunshine only on Thursday, June 2nd, for the final leg, which took them from Pont-Royal to Place des Lices in Saint- Tropez. Special recognition is due to those who took part in convertibles, and slogged on for several days, drenched, in a state of utter discomfort. It is something of an understatement to say that this regularity-based rally conducted on public roadways, in which both ‘Historic’ automobiles, such as pre-war collectors’ cars like the Austin Healey, and more recent ‘Classic’ category vehicles including the Ferrari, Porsche, and Jaguar participate, constitutes a genuine sporting challenge.

In order to cover over 1,600 kilometres and complete several highly technical tests, the participants must bring together concentration and precision. The level of difficulty is highly demanding, and the 20 first cars exhibit superior skills, both on the part of the driving team and their mechanics.

Following the presentation of their first ladies watch over ten years ago, Richard Mille is the ideal partner for this combination of elegant antique automobiles, technical performance, sportsmanship and fair play. ‘Creativity is at the heart of every one of our calibres,’ explains Richard Mille, ‘extending even to their technical qualities. Creating watches for the ladies’ collections opens an entire vista of new ideas that we see as so many exciting challenges to be met.’

The ladies competing in the Rallye des Princesses Richard Mille certainly showed no lack of competitive spirit and determination. This year’s edition will undoubtedly go down in history as one of the most difficult since the event’s creation, not only due to the excruciating weather conditions, but also because of the technical course chosen by its organisers. The winning team for 2016 was Marie-Christine Perin and Véronique Morel- Lab (Austin Innocenti n° 70). In the ‘Classic’ category, first place went to the Caterham manned by Servane Gabillon and Chantal Duc Dodon. Hats off, ladies!

American architect Peter Marino seems to be the go-to man to design all the trendy and stylish designer boutiques all over the world. His retail work includes designing stores for Ermenegildo Zegna, Fendi and Louis Vuitton, to name a few.

His recent project was designing Christian Dior’s new flagship store on London’s New Bond Street, which spans over four floors and two adjoined English townhouses. The charming New Yorker said:

“I kinda like taking over the street.”

The stunning contemporary boutique has a winter garden filled with jasmine. As for the interiors, it boasts a grey stone interior, dramatic abstract sculptures and neo-Louis XVI furniture. Among the artists displaying their work on the walls of this shopping wonderland are Marc Quinn and sculptors Tony Cragg and Rado Kirov.

The House of Dior bring together the company’s key offerings including womenswear, jewellery, homeware, perfume and Dior Baby. Dior Homme boutique on the ground floor which offers a sur-mesure (made to measure) service and a dedicated shoe gallery for men. Also, there are three private VIP shopping areas.

In a statement released on its website, the company explained the influences behind the new boutique. It stated:

“Tradition and abstraction combine harmoniously through a mastery of motifs and colours. The stone interior is softened with silk carpets and furniture in the neo-Louis XVI style to evoke the atmosphere of a Parisian hôtel particulier.”

What does the Grand Complication mean for A. Lange & Söhne?

With the development of the most complicated wristwatch ever built by A. Lange & Söhne and in Germany – we entered uncharted territory in the domain of horology. The unique combination of seven, some very rare, complications is not only a tribute to the tradition of our brand, but marks above all the beginning of a new era in the history of A. Lange & Söhne.

What do you mean by ‘a new era’?

The building of this multiple complication with the most complex of chiming mechanisms that bears the distinctive signature of our unique Saxon watchmaking culture has expanded our knowledge and released a lot of creativity. It is not an exaggeration to say that this project has opened the gate to many new ideas and designs.

What was the biggest challenge in the development of the Grand Complication?

The project was an adventurous expedition into the universe of complexity where danger lurks on every corner. It imposed extreme requirements on the perfect interaction of many intricate mechanisms and hundreds of parts. To give an example, we had to avoid any loss of amplitude when at midnight all indications of the perpetual calendar are switching and the grande sonnerie is striking simultaneously. We succeeded in mastering this challenge and have even made it possible for the owner of the timepiece to operate the rattrapante mechanism at the same time.

What is required of watchmakers to assemble the movement of the Grand Complication and how long does it take them?

Assembly must adhere to exacting requirements in terms of precision and the perfect inter-action of intricate mechanisms. Only the most talented and experienced watchmakers will be able to master the challenges associated with assembling the movement and its 876 parts. Even the most experienced watchmakers will take about a year to accomplish the mission. It requires the highest level of concentration, experience and sensitivity and a lot of patience.

What happens during this rather long period of assembly?

The assembly time of one year includes above all elaborate and comprehensive test procedures. For example, the chiming mechanism is monitored day and night. In turn, this recording has to be evaluated to check whether the mechanism has been chiming correctly every single quarter. If not, it has to be dismantled, adjusted, assembled and checked again to see if it is functioning properly. ‘Free, with no shake’ is the mantra that governs the inter-play between the moving parts of a chiming mechanism.

Why did you choose 2013 to present this fundamental piece in the history of the manu-factory?

This year is dedicated to our horological heritage. ‘Unique by tradition’ is the theme we have chosen for 2013. By tradition, A. Lange & Söhne is a unique brand that follows its own path and in doing so constantly tries to outperform its own achievements. The Grand Complication is the perfect embodiment of this idea.

What is the message that A. Lange & Söhne is sending with the Grand Complication?

More than any other watch ever built by A. Lange & Söhne the Grand Complication manifests the endeavour of our product developers and master watchmakers to extend the boundaries of fine mechan-ical watchmaking. And what is more, it contains a promise to our collectors: our ambition to never stand still will keep us committed to enriching the world of fine watch-making with meaningful contributions.

After the Grand Complication, what can we expect from A. Lange & Söhne in the future?

As a matter of principle, we do not comment on future developments. However, we are constantly working on a number of product development projects. There is an unrelenting demand for timepieces with sophisticated complications. We have responded to this trend in the past two decades with many exciting developments and we will have attractive new products to address it in the future. In other words: we will continue our product policy of watchmaking excellence and unmatched craftsmanship.

How does the Grand Complication compare to the pocket watch No. 42500 that Lange presented three years ago?

The Grand Complication is an independent development that opens new gates as regards technical and manual demands. The technical highlights are inspired by the tradition of horological complications that A. Lange & Söhne took to new levels in the late 19th and early 20th century. The pocket watch No. 42500 is perhaps the most prominent and sophisti-cated example. The know-how acquired during its restoration provided valuable insights and sparked new impulses. The same holds true for the development of the Grand Complication.

How does the Grand Complication command its price of almost two million euros?

Looking at the price one has to bear in mind that it took our product developers seven years to master all of the technical challenges involved in the design of this exceptional timepiece and that the entire series consists of six pieces only.

Is it true that all six pieces have been sold?

It is true that the number of serious

A. Lange & Söhne collectors interested in the watch is higher than the supply. But it has not been decided yet which of the potential buyers will eventually receive one. Unfortunately, we cannot produce more Grand Complications as it would tie up capacities that we need for our new projects.

How did the collaboration with Louis Vuitton start?

It’s impossible to forget. On my birthday last year, my publicist called to tell me that Louis Vuitton wanted to do a seasonal campaign with me. I could hardly believe it. I immediately called my French agent, who works fairly closely with the Vuitton fashion house. Apparently, the idea had been an initiative by an advertising company employed for the campaign in question. When the Paris office heard about the idea, they actually decided to abandon the campaign in favour of an ambassador role. It was absolutely amazing.

How would you describe your style?

I have two. The first, the one for everyday life, is fairly banal. Blue or black sweatpants, the same T-shirts shrunk from washing, I rotate between two or three bomber jackets with the same hoodie underneath, every day. Or otherwise, on top of the T-shirt I wear a jumper which – despite what else is on offer or available – always ends up being one of the same four or five. The second style is the one for premieres and red carpets. That one changes constantly, and I’d say it gets simpler with age.

Which film are you most proud of today? And which is the most personal?

‘It’s Only the End of the World’ is the one which makes me feel proudest, and is the best in my opinion. But I say that about every film. I hope that will always be the case.

Are you generally nervous about how your films will be met?

I’m not nervous. I’m not afraid of the public, or of the press. But I make films for people, for others. If they don’t like them, or if they don’t go to see them, I can content myself with a few good reviews or an appearance at a prestigious festival. The life of a film exists in people’s hearts; it’s there that artworks remain in posterity. Only the public has the power to decide upon the films which will make a mark upon their generation, in some minor or major way. The films which stay with us, the films which live within us. Only the public can decide upon these things. So I’m not nervous about who does or doesn’t like my films. I’m hopeful that people like them, and go to see them. In fact I live in that hope.

What is your relationship like with social media, is it important for your work or just a personal pastime?

A little of both. I like to have a place in it, but not too seriously. Admittedly Twitter allows me, if need be, to have a rant about something, more or less tastefully I might add. I’m rather excessive in my reactions, rather Latin. My Mediterranean blood, undoubtedly…    

Would you still like to act in front of the camera? Would you prefer to do so in your own films or for other directors?

Absolutely, and more than ever. And I would say for other directors. On my own, I’m so limited and I haven’t got what gives actors a goal: to surpass themselves in order to satisfy someone’s expectations. I’m hard on myself but nothing can make me surpass myself more than the desire to please someone else, and to see in the eyes of that person that they enjoy and admire my work, that I have ‘satisfied’ them. Any collaboration, and any friendship, any love, I think, is based upon the admiration we have for people, and our determination for them to admire us in return.

Is going from one film to another painful or is it rather inspiring and exciting? Inspiring and exciting. By the time a film is finished and is ready to be shown to people, for those who made it, the team and me, it’s in the past. I’ve thought about it, edited it, dressed it, visualised it, mounted it, calibrated it, mixed it, made it, unmade it, refined it, polished it, loved it, hated it. I’ve passed through all stages, all emotions, and the film itself, even though I’m proud of it, no longer stimulates me. There’s a sadness about that. But it’s then that I turn to the computer and start to write, and think about the things to follow. Then, very quickly, or less quickly, an idea appears. It comes from me, from a book, from a piece of music, or from a friend. And that idea becomes the new dream.

Photographer : Shayne Laverdiere

Cable knit sweater, Cable gilet, Popelin shirt, Grain de poudre and gabardine pants, Wool socks, Spazzolato shoes, Velvet hat. All Prada

Galles check backstitch coat, Alpaca argyle shirt, Cotton hat. All Prada

Vitello vintage blouson pelle, Popelin shirt, Panno divisa pants, Wool socks, Spazzolato and deco old shoes. All Prada

Grain de poudre and velvet pants, Banquet thieves patch shirt, Cotton hat, Vitello belt. All Prada

Boucle argyle multicolor, Popeline egypt impuntura shirt, Chevron mouline and velvet pants, Sfoderato belt. All Prada

Grain de poudre patch jacket, Panno divisa pants, Vitello leather belt with trick metal keys. All Prada

Galles check backstitch coat, Gessato mouline and velluto pants, Alpaca argyle round neck shirt, Spazzolato leather shoes, Vitello leather belt. All Prada

Boucle’ check patch coat, Chevron mouline jacket, Grain de poudre and velvet pants, Survival utopia patch 1 shirt, Vitello belt, Wool socks, Spazzolato leather shoes. All Prada

Argyle sweater, Popelin shirt, Chevron mouline and velvet pants. All Prada

Photographer : Jeremy Zaessinger

Stylist : Amine Jreissati

Makeup : Grigoris Pyrpylis at Callisté

Hair : Tomoko Ohama at Callisté

Model : Jonathan at M.Management Paris

Photography assistants : Matthieu Boutignon & Kader Benacer

Cashmere sweater, Oversized pants, Cashmere wool mittens, Belt, Shoes, Charms necklace. All Dior Homme

Cashmere sweater, Cotton Shirt, Oversized pants, Cashmere wool mittens, Belt, Charms necklace. All Dior Homme

Turtleneck wool sweater, Oversized wool pants, Belt, Cashmere jersey mittens. All Dior Homme

Wool jacket and pants, Cotton shirt, Silk bow tie, Shoes, Charms necklace. All Dior Homme

Wool jacket and pants with spray paint, Cotton shirt, Charms necklace, Brooch. All Dior Homme

Wool jacket, Cotton shirt, Silk bow tie, Charms necklace. All Dior Homme

Biker coat, Wool sweater, Embroidered jeans, Shoes, Hat. All Dior Homme

Photographer : Lezli and Rose

Fashion Director : Eliza Scarborough

Grooming : Lawrence Close at Carol Hayes Management

Model : Joe Clayton at Models 1

Roger Vivier brand ambassador Ines de la Fressange meets me for a chat in Dubai Mall, all long limbs and plenty of enthusiastic arm gesticulations. She is wearing a loosely tailored white trouser suit, understated Roger Vivier sneakers, delicate jewellery and a certain ‘je ne sais quoi’.

Ines is just as you would expect her to be, Parisian elegance personified. The style icon was Karl Lagerfeld’s long time muse and Chloé’s first official face, then, together with creative director Bruno Frisoni, she has reinvented Roger Vivier, the iconic French footwear label. Under her guidance, Vivier has gone from a legendary name of the past to a hugely expanding brand of the moment.

Collage by Roger Vivier, 1991 Virgule

We chat to the quintessence of Parisian chic, to understand how she has grown with the brand, together with her top style tips.How did you get on board at Roger Vivier?

To make the long story short, when Diego Della Valle bought the Roger Vivier name he made an appointment with me to ask if I would help him relaunch the brand. Usually in a business appointment you say, ‘let me think about this and let my lawyers look into it’, yet I instantly accepted. We started to work together right away looking into the appropriate designer, and of course I thought of my friends, however Christian Louboutin was experiencing great success with his own brand and Manolo Blahnik would only work for his brand. So I suggested Bruno Frisoni who was someone I wasn’t so familiar with as a friend, but I knew he would have the same style and spirit of Roger Vivier and was always very chic and elegant, and I also happened to be wearing his shoes at the time! It turned out that Diego had already hired him and he had designed two collections, which cemented how we clearly all had the same view of how the Roger Vivier brand should be.

Tell us about your role changed since you started?

Everything has changed, especially because the perception and popularity of the brand has grown. Before I would need to explain that Roger Vivier was a master who had designed iconic pieces such as the Queen’s Coronation shoes, Bridgette Bardot’s boots and Audrey Hepburn’s pumps. I was always name dropping, whereas now everyone is familiar with the brand and tend to know more than me, due to its phenomenal success. Now I feel it is my responsibility to ensure that the brand continues growing whilst remaining honest to its roots, taking on long term strategies which will nurture the growth.

How do you feel about how the fashion industry has changed over the years?

People are now far more educated about the industry and brands. When I started out in fashion as a model, I was working with Chanel before Karl Lagerfeld arrived and this was at a stage when it was a struggle to fill the front rows at the fashion shows. Now things have changed and magazines and brands all work together, understanding that they can’t exist without supporting each other and the use of advertising. The speed and needs of consumers have also changed, young people are happy to appreciate things they may not be able to afford and will in turn aspire to these.

What keeps you inspired?

Everything. When you are a designer you work all day long and everything you see gives you ideas. However, I have many different job roles. Here I am the brand ambassador, at my own brand I am the Art Director and for Uniqlo I am a designer. Across these positions I am asked many questions about everything from design to marketing. This alongside viewing exhibitions and reading books marries together to inspire me across the board.

Ines de la Fressange & Bruno Frisoni ©Anna Bauer

Tell us about your favourite memory from your time working as a model?

I had a lot of fun as a model, jumping off the runway mid show to sit next to the journalists. I would play silly jokes, bringing either my dog, or my camera to take pictures, or wearing my pyjamas. Today this type of thing would be impossible. There was one time when I was wearing a white trouser suit and hat and at the last moment I took a cork from a bottle of wine and burnt one end to draw a moustache, which caused many people to laugh. Another time I was hired for the Jil Sander fashion show and it was requested that I dressed as a man in male clothes while the other models were dressed in masculine inspired womenswear, in order to show the difference. I was asked to walk as a man and I made a joke of it. However, the next season they wanted to book me again, although Jil Sander said, no no no she looks far to masculine.

What do you think sets a pair of Roger Vivier’s apart from other shoes?

It is a question of a millimetre, and Bruno has a talent as he has a sense of elegance. Even if it is fun and extravagant, it is always elegant and never vulgar. Another factor is that customers know that when they wear Roger Vivier their whole look will be transformed. You can spend next to nothing on some simple basics with your clothes, but a pair of Roger Vivier shoes will elevate the look and it has nothing to do with generations, you can go into the store with your mother and both of you will find something great and this is the sign of a great house.

Which Roger Vivier piece do you always turn to?

For a long time it was always ballerina pumps as they are sweet with jeans and are great for travelling as you can put them in your case and they will work for both day and night, but now it’s all about sneakers as they look cooler. As you get older you don’t want to be in heels, yet you still want to look trendy without being a fashion victim, and Roger Vivier is a good brand for achieving that.

Collage by Roger Vivier, 1991 Pumps with buckle

Which shoe is a reflection of yourself?

Short black boots as they are always rock and roll. I still wake up listening to Dead Flowers by the Rolling Stones.

How would you define your style?

Sloppy French and mixed up. Half casual, half sophisticated and half stupid, three halves that don’t always make sense or add up! One should always follow fashion and be aware of what is going on, but not try to be a picture in a magazine.

What is one style or trend that you love going back to?

The 70s, and their flared pants and big belts. I love the Jimi Hendrix style from this era, together with an African and Indian influence.

What do you think should be a wardrobe staple for every woman?

A navy sweater because it complements your complexion and gives you a nice face. Everyone will look better in this colour, rather than black which will make you look sad. Navy is always a good choice.

Ines’ top style tips

Less is more, always take something off as people wear far too many pieces. Keep your hair and makeup understated.

Don’t just wear heels to be higher, wear them when they complement your outfit.

Don’t wear fake and imitation items. If you can’t afford a leather bag, then have a basket.

Use professional people to help you, that is what they are there for. From a shop assistant to a hairdresser, take their advice.

Celebrity fans of Roger Vivier

Vacheron Constantin, the world’s oldest Haute Horlogerie manufacturer with over 260 years of uninterrupted history, celebrated the worldwide launch of its new Overseas timepiece collection in Tokyo with an incredible event at Terrada Souko.

In homage to the vibrant Overseas collection, Vacheron Constantin hosted a stunning evening for over 200 VIP and press from Japan, Asia Pacific and Europe. The Overseas collection was unveiled at Terrada Souko on Tokyo Bay’s Tennozu Isle. The location provided an exploration of Vacheron Constantin’s Overseas Tour partnership with legendary photographer Steve McCurry, who was also present on that occasion. It provided guests with an exhibition of the first six locations of the artist’s journey, including images of his work in Japan, China, New York, Mexico, India and the Vacheron Constantin Manufacture in Geneva.

Prestigious guests were thrilled to be among the privileged few to preview the new Overseas World Time watches and experience the new Overseas interchangeable watch strap system. A series of innovative virtual reality stations and watch booths crafted to emulate traveling luggage cases provided the ultimate interactive opportunities.

Renowned and well-traveled Chef Yamada created at this occasion a tremendous culinary experience reflecting the cultural depth of Japanese cuisine. He honed his skills at El Bulli, the acclaimed three-star restaurant in Catalonia. Nowadays he runs Yamada Chikara, a cozy restaurant located in a quiet alleyway in Tokyo’s Minami azabu district, where he imagines unique fusion dishes.

The guests were thrilled by the special musical performance of the impressive supergroup METAFIVE, an electronic unit featuring some big names: Yukihiro Takahashi, Keigo Oyamada, Yoshinori Sunahara, Towa Tei, Tomohiko Gondo and lead-singer Leo Imai, who capped off the evening in style. It was truly an unforgettable event to herald Vacheron Constantin’s new Overseas timepiece collection.

This Overseas launch has been finally marked by the unveil of the next 6 countries of the Overseas Tour. It is in Morocco, Scotland, Ethiopia, Uzbekistan, France and Russia that Steve McCurry has captured little-known and sometimes inaccessible sites that chime with the fundamental values of Vacheron Constantin.

STEVE MCCURRY

Vacheron Constantin has invited the legendary photographer Steve McCurry to share his unique perspective on the world to illustrate the new Overseas collection, the horological embodiment of its “spirit of travel”.

The Maison and Steve McCurry have chosen to roam the world in twelve locations, little-known and sometimes inaccessible sites captured by the lens of the photographer, that chime with the fundamental values of Vacheron Constantin.

The Maison now unveils the first six locations of the Overseas Tour.

The Overseas Tour to perpetuate the spirit of travel

Founded in Geneva in 1755, Vacheron Constantin has consistently cultivated the spirit of travel inherited by one of its founders François Constantin. Active on four continents from the 18th century onwards, the Maison quickly set its sights on far horizons so as to expand its reach. Witnessing its historical archives mentioning the discovery of new unknown places in registers named “Rencontre”. The values associated with travel are indeed an intrinsic part of the Vacheron Constantin heritage and philosophy. The casual elegance and practical nature of the new Overseas watches make them an ideal embodiment of this richly facetted spirit, much as a globetrotter forges a perspective constantly honed and enriched by new discoveries. Through the Overseas Tour announced at the SIHH 2016, the legendary American photographer Steve McCurry perpetuates this tradition by revealing six locations of his journey, captured for eternity.

Mexico

Aqueduct of Padre Tembleque

Time for transmission

Designed to channel water through the Mexican desert, this ruggedly beautiful aqueduct is the architectural proof of complex expertise and in-depth technological knowledge. This monumental work born out of the encounter of the Roman and Pre-Columbian civilisations, built between 1553 and 1570 and stretching from Zempoala to Otumba, spans an incredible 45 kilometres.

Steve McCurry – Padre Tembleque Mexico

Overseas Mexico ©Raphael Creton

Steve McCurry’s perspective

“You fully grasp the visual strength of this aqueduct when you realise that it was built over 500 years ago with absolutely perfect symmetry. I see it as a work with a poetic structure, placed right in the middle of nowhere.”

New York

Grand Central Terminal

Time for movement

Steve McCurry – Grand Central New York

One of the world’s largest railway stations, this architectural gem is set in the heart of the most dynamic city in the Western world. Each day, millions of travellers pass through it in an uninterrupted choreography. This is where the heart of Manhattan pulses almost round the clock. For Vacheron Constantin Steve McCurry’s team was able to re-discover this mythical location in the middle of the night with only a few discrete travellers. A true privilege.

Overseas New York ©Raphael Creton

Steve McCurry’s perspective

“I remember the first time at Grand Central Station, in New York. I had the impression of being immersed in a work of art, not a railway station! What I find especially fascinating here is the constant human interaction. But it was fantastic to be able to spend a whole night there. We had the entire station to ourselves, as if in a waking dream.”

India

Chand Baori Stepwell

Time for enchantment

Steve McCurry – Chand Baori India

This ancient stepwell is a legendary and mesmerizingly beautiful work of art intermingling symbolic ornamentation and optical illusions. Located near a temple in Abhaneri, in the state of Rajasthan, it has been a major centre of social life through the centuries. To reach the water, one must descend countless steps spread over several successive levels. The population regards this itinerary as in invitation to meditate.

Overseas India ©Raphael Creton

Steve McCurry’s perspective

“This place immediately reminded me of the graphic work of the artist Maurits Cornelis Escher, notably expressed through his art of creating optical illusions through playing with lines. The Indian women we met there appeared to be lost amid the vastness of the monument. These are definitely the most beautiful and awe-inspiring staircases I have ever seen. The architects worked miracles in creating a work of pure Beauty.”

China

Leshan Giant Buddha

Time for serenity

Steve McCurry – Leshan China

Steve McCurry – Leshan China

In Sichuan Province, it has been towering over the Min River for 13 centuries and appears destined to defend it for eternity. This 71metre-high colossus, hewn out of the rock between 713 and 803 AD, was created to protect – and still does according to popular belief – the sailors braving these rushing waters. This monumental Buddha is a challenge to human limitations. Its simple features and intense beauty make it truly timeless.

Overseas China ©Raphael Creton

Steve McCurry’s perspective

“I have tried to convey through pictures the amazing sum of knowledge possessed by the Chinese at the time this Buddha was sculpted. It was an honour for me to undertake this task, especially as we were fortunate to meet some wonderful people during the photo shoot. What impressed me about this Buddha was its face that shows a neutral and benevolent smile. He observes the world and gazes affectionately at us as if he wished to protect us for all eternity.”

Geneva

Manufacture Vacheron Constantin

Time for inspiration

Steve McCurry – Manufacture Geneva

Within the Manufacture, the union of opposites expresses the spirit of the Maison. Swiss architect Bernard Tschumi created a play on materials in a blend of sophistication and simplicity, harmony and rigorous discipline, flowing and closed spaces, modern and timeless lines. At the time of the Hallmark of Geneva, these light-filled premises representing precision and inspiration in every detail of the new Overseas watches

Steve McCurry – Manufacture Geneva

Steve McCurry’s perspective

“You find yourself facing this incredible shape, this architecture, this singular design that is also an authentic work of art, a concrete example of human genius. I see it as a perfect match between beauty and precision. Admiring the Manufacture Vacheron Constantin is like setting off on an extraordinary voyage.”

Japan

Tsurunoyu

Time for rituals

In Japanese, onsen means “hot spring”. It is the name given to thermal baths, regarded as poetic, ritual and sacred places. In the province of Akita, the beauty of the Onsen emanates from the presence of unspoilt yet well mastered natural elements – water, steam and the environment – that never undermine the humble, pared-down simplicity of the establishment.

This is a place where no one is entitled to immerse themselves in these hot springs bursting forth from the earth without following a specific ritual paying tribute to the serenity of purification.

Steve McCurry’s perspective

Steve McCurry – Tsurunoyu Japan

Overseas Japan ©Raphael Creton

Steve McCurry’s perspective

“This was one of the most inspirational locations on my photographic journey. When we arrived there, it had been snowing for three days. Everything was shrouded in a mantle of white, as if in a dream. It was truly fascinating to witness this magical contrast between the coldness of the snow and the warmth of the baths.”

Encompassing more than three decades of shared history, Louis Vuitton is the official title partner of the 35th America’s Cup. Between 1983 and 2013, the Louis Vuitton Cup was used as the challenger selection series for the America’s Cup. The significant competition has now become a trophy event in its own right, and is branded as the America’s Cup World Series. The New York Yacht club had, until 1983, successfully defended its trophy for 132 years on the trot since their first victory off the Isle of Wight. Many challengers had stepped up, all had failed. The millionaire Alan Bond, however, was determined to repatriate the America’s Cup to Australia’s Royal Perth Yacht Club. His secret weapon was the winged keel designer Ben Lexcen had attached to the hull of Bond’s 12 metre yacht, Australia II. This controversial innovation took the team to victory, winning the first Louis Vuitton Cup, capturing the consciousness of the public and giving the America’s Cup a wider cultural fame.

Trophy Travel Case

Louis Vuitton has undertaken the creation of a new and evolved bespoke travel case in which the America’s Cup itself will be both transported and presented to the winning team. The trophy travel case features a vivid scarlet V to reflect the new America’s Cup logo and has been handmade by three craftsmen in the historical workshop of the house in Asnières, France. The bespoke case is the result of over 400 hours of craftwork, during seven steps of fabrication and includes a removable briefcase in which the winner’s medals are held, a new arrangement of fittings to hold the trophy securely during its travels, and a microfiber lining to minimise any possibility of wear to the precious cargo it holds.

America’s Cup collection

As Louis Vuitton celebrates their partnership with America’s Cup it seems only fitting that a lifestyle collection for men has also been designed. Offering a range of leisure and elegant casual wear, the range comprises of chunky knitwear, cargo shorts, and polos, together with a range of accessories and leather goods, all in seasonal colours of navy, red and blue. The bold collection brings together the Maison’s love of travel and commitment to excellence, offering products that respond to modern demands and lifestyles.

During Salone del Mobile 2016, Ermenegildo Zegna, in collaboration with San Patrignano, Gian Marco and Letizia Moratti, presented Adam & Eve by Peter Marino, a new chapter of the project Barrique, the third life of wood.

Founded in 2012 with the purpose of supporting the recovering path of the young people of San Patrignano by breathing new life into recyclable wood, the project over time has grown into a permanent collection of over 46 pieces, each designed by a renowned designer or architect and then hand crafted by the young people of San Patrignano Design Lab.

For the 2016 edition, the internationally acclaimed architect Peter Marino created a cabinet named Adam & Eve, which will enrich the collection of items made by the San Patrignano Carpentry Shop.

Peter Marino has been collaborating with the weaving and decoration departments of San Patrignano since the 1980s and has now donated his creativity to the project Barrique, the third life of wood, thus renewing his support to the Community.

The Adam & Eve cabinet plays with the original oak barrel staves which function as both the soul and the formative design details. Presenting a strong sense of duality, Adam & Eve is realized by a series of contrasts: convex and concave, male and female. Adam’s side is defined by the staves of the barrel and features the lighter coloured and convex shutters. Eve’s side is designed from the inner barrel components with concave shutters and is further characterized by the typical purple hue, left by  preserved wine.

Franco Origoni, Aldo Spinelli, Bob Krieger, Gian Marco Moratti, Anna Zegna, Letizia Moratti, Marco Stefanini

“Also this year we carried on a project with a great value from a design point of view thanks to the help of a good friend of ours, Peter Marino, who is not just an extraordinary architect but also a man with a strong sensitivity. What fascinates me the most about the collaboration with the amazing Community of San Patrignano is its human value and its strong social commitment; creating an object like Adam & Eve and breathing new life into the old barrels is part of the recovery path of the young people of San Patrignano who, through their work, have to confront themselves with important values such as beauty and the discipline required by the manual skill, thus regaining faith in themselves and in the future.

Our contribution to the project Barrique, the third life of wood is a further step of what we started in 2012 with San Patrignano within the weaving department, and its goal is to promote this time-honoured artisan craft that Zegna constantly supports with its know-how in the sector.” – Anna Zegna

Ermenegildo Zegna presents Adam & Eve

Adam & Eve was presented in Milan, on Monday, April 11th, at the Ermenegildo Zegna Global Store in Via Montenapoleone, and will be displayed inside the store throughout Salone del Mobile 2016.

The project strenghtens the social and human value of the collaboration between Fondazione Zegna and the community of San Patrignano, which began in 2012 within the weaving department. Hand weaving is one of the old artisanal trades that has been taught in the community for over 30 years and Fondazione Zegna is supporting this workshop by sharing its valued know-how in the field.

Guest, Bedy Moratti, Gian Marco Moratti, Marta Marzotto

Guglielmo Miani, Ludivine Pont

You can’t start sending out save the dates, searching for the dress, or even settling on the perfect location, until you have chosen a feel and theme for your big day. Here we shed the light on our favourite looks for the upcoming season together with quirky personal touches, giving you all the inspiration you need.

by Eliza Scarborough

Dressy, relaxed or quirky, a hat is the perfect finishing touch to your outfit. It will instantly add personality and style.

Eugenia Kim

By Eliza Scarborough

Set in the luxurious surroundings of the Kempinski Hotel, Mall of the Emirates, Softouch brings an entirely new dimension to the spa experience, using international healing techniques to combat the stress and strain of modern lifestyles.

The spa treatments blend exotic cultures, colours and textures from around the world, resulting in gentle techniques and exotic ingredients from India and Bali, to the Caribbean and Europe, all tailor-made for your unique body type. Luxurious face and body treatments have a customised product selection, so can be personalised for your needs and preferences, in order to achieve optimum health and wellbeing.

Natural design elements give the spa a distinct sense of tranquility, with stone floors, pebble tiles, silk walls and water features, all leading to a soothing and peaceful environment as you experience therapies for rejuvenation, detoxification, stress relief, and skin care.

Urban sportswear is the hottest trend at the moment. If there is any excuse to get fit now is the time with these gorgeous sporty-chic pieces.

1. NO KA’OI KOLO PANELLED LEGGINGS

No Ka’Oi prides itself on creating fashionable and functional sportswear. These leggings are cut from highly flexible stretch-jersey to allow a full range of movement. The tonal-grey, black and white paneling contours and streamlines your frame.

2. NO KA’OI AMAE PANELLED SHORTS

Perfect for everything from tennis to dance, No Ka’Oi’s ‘Amae’ shorts are designed with a skirt for coverage. Crafted from flexible stretch-jersey, this black style has a smooth elasticated waistband and the brand’s signature striped panels.

3. THE UPSIDE TANK TOP

The Siena stretch-piqué tank has panels on the sides for a very sporty and urban-feel. This can be paired with shorts, leggings or athletic tracksuit bottoms. It’s ideal for workouts or loungewear.

4. LULULEMON LIGHTEN UP TANK

This lightweight open-back practice tank lets your back breathe and your strappy bra shine. We love these paired with leggings.

5. L’ETOILE SPORT TENNIS DRESS

An adorable white jacquard tennis dress with neon zip details. We just want to wear this anyway for a sporty look even if we aren’t playing tennis.

6. CUSHNIE ET OCHS X BANDIER JUNO PANTS

This smart and chic leather-look, relaxed fit trousers features side and back pockets. A thick ruched elastic waistband lends itself to easy half-tucked tops and sports bras alike.

7. JADE YOGA FUSION MAT

It’s bright, practical, gorgeous and eco-friendly. Yoga mats are notoriously bad for the environment, and Jade addresses that in its source materials while still delivering a super high quality, non-slip mat.

8. MONREAL LONDON TENNIS RACKET COVER

A bold and striking tropical print. This trophy printed canvas, vinyl and patent-leather tennis racket cover is a must-buy for your racket.

9. MONREAL LONDON VISOR

This signature perforated leather and vinyl visor oozes retro cool. The sports band is great for sweaty workouts and you’ll keep stylishly cool for the sun too.

10. ADIDAS BY STELLA MCCARTNEY SWEATER

This baby pink organic cotton-blend turtleneck sweater looks great on anything from casual wear to shorts or leggings. Throw it on en route to the gym or it’s perfect for loungewear at the weekend.

11. FALKE ERGONOMIC SPORT SYSTEM SPORT BRA

Stylish and practical, this versatility stretch-jersey sports bra comes with a zipper at the front for a high-tech sporty look. We love the bold colours too.

12. NIKELAB ROSHE TIEMPO VI X OR TRAINERS

The NikeLab Roshe Tiempo VI is in gorgeous black leather and has metallic gold accents and a metallic gold badge on the heel. The leather upper and asymmetric tongue nod to the performance boot.

By Hershey Pascual

Stars and guests attended the de GRISOGONO Party “FOLIES IN CANNES” during the 69th Cannes Film Festival at Hotel du Cap-Eden-Roc, Cap d’Antibes, France.

The glittering A-list celebs of the Cannes Film Festival gathered at Eden Roc last night.

In case they didn’t guess why the party was named CANNES FOLIES, for sure now they know!

They have always known that Fawaz Gruosi is a visionary creative director, who loves to sculpt gems with impetuous enthusiasm and keen intuition.

A work characterized by surprising stone cuts along with material and color combinations that no other jeweler would have dared to imagine.

Last night, he has woven new magic.

In the Garden of the Hotel du Cap-Eden-Roc, FOLIES was on.

The world’s top super stars took the photocall, channeling their mineral beauties on the red carpet and

welcomed by their host – Fawaz Gruosi, de GRISOGONO Founder & Creative Director.

On stage, Fawaz Gruosi, Kim Kardashian and the 404 diamond stole the show.

A high jewelry fashion show with models dressed in Elie Saab gowns.

Following a sumptuous dinner gathering, approximately 650 guests attended the after-party,

graced by the legendary Goldsingers,

alongside a private performance by “EWF experience featuring the AI McKay Allstars”, DJ Jack E and DJ Willy.

Quirky

This is the bride who has an individual and unique style, choosing pieces with personality, rather than the classic bridal look. Try a jumpsuit, or go for separates with a tulle skirt and embellished top. Accessories should be statement, a pair of bold earrings, a personalised clutch, and always an amazing pair of shoes.

Monique Lhuillier

Boho

Think delicate lace and floral prints coupled with fragrant scents of peonies and jasmine. Go for natural and overgrown blooms, no perfect rose bouquets here. Continue this theme through to your flower girls with garlands in their hair.

Temperley

Kate Moss

Chic 

Grace Kelly is the muse for this bride, with a well cut and simple gown. All accessories must be understated, yet stylish and chic. A pair of classic Manolo Blahnik shoes are the perfect footwear to complete the look.

Suzanne Neville

Amal Clooney ring

Romantic 

An air of romance is the inspiration for this bride, layers of tulle and ruffles, together with delicate jewellery and flowers. Lace is the fabric of choice and should be accompanied with a relaxed attitude.

Monique Lhuillier

Jennifer Aniston & Brad Pitt

Vintage 

Think of the glamour of the 20s era, with jewelled, embellished and embroidered dresses, all with a loosely cut silhouette or even a drop waist. Accessories should be intricate, yet heavily detailed, a headpiece or statement necklace will be the perfect accompaniment to a pretty gown.

Temperley

Classic 

The classic bride goes for a structured and oversized gown. Whether nipped in at the waist, or with a flared out skirt, these figure hugging styles add drama to the bridal look. There is no need for any statement accessories, only classic jewels.

Amanda Wakeley

Nicky Hilton

To plan the perfect wedding use our checklist to ensure nothing gets forgotten and that everything runs smoothly, right from the first days of planning to the final day.

Jenny Packham

12 months to go

Set the date, and decide on a budget. Then it’s time to plan your location, book your venue and work out your guest numbers. You must be prepared to be flexible, it’s important you stick with your dream venue, so you may have to move dates around.

Take out wedding insurance, this will cover you if there are any problems with suppliers running up to the big day.

11 months to go

You have an idea of numbers, but now is the time to write the guest list and send out the save the dates. It is important to get the date in your guests’ diaries now.

This month you should book your photographer. Ask friends for recommendations and make it a priority get to know your photographer, it will allow you to be more familiar with them on the day, meaning more relaxed and candid shots.

Now is the time to start thinking about your dress. Start by booking appointments at a range of bridal boutiques so you can get an idea of what styles and designers you like.

10 months to go

After researching bridal designers and having some initial appointments, you need to make a decision and buy the dress. Bespoke dresses will need at least six months for completion, and you must be able to allow time for alterations and delivery. Now is also a good time to look at shoes and accessories to complete your look.

Start honeymoon organisation, from budget to location, especially keeping in mind which countries have the best climate for the time of year you are planning to travel.

Entertainment will make your wedding day so it’s important to book this in early to avoid disappointment. Make a loose plan on timings and check that your venue doesn’t have any restrictions. Actual playlists can be fine-tuned closer to the time.

9 months to go

Now it’s time to start thinking about decorations and food. From your bridal bouquet to centrepieces, check seasonality of your favourite blooms, and discuss the colour scheme and look you would like to achieve with your florist. Firm up your food and drinks menu and have a taste testing with your caterers.

You have chosen the bridesmaids who will be at your side, so now you need to organise their dresses. Enjoy a day together shopping for them.

8 months to go

Choose your readings and music. Depending on the religion of the ceremony adapt these accordingly.

Order the wedding stationary. This covers everything from invites, envelopes, place cards, menus and the seating plan. By this stage you will have a colour scheme in place and will have a good idea of the style of day you are having, so these finishing touches will pull the event together.

7 months to go

Think about travel and get these vehicles hired now. From transporting guests to and from the venue to your own entrance and leaving car.

Settle on your cake, whether this will be a centrepiece or a simpler design and bear in mind flavours and icing.

6 months to go

Ensure that your fiancé and his ushers have picked out their suits. Pick your wedding rings and order wedding favours for the guests.

Finalise the order of the service and confirm your choir and any musicians for the service.

5 months to go

Now is the time to book a make-up artist and have a trial. Also why not choose a bridal fragrance, Jo Malone offers a special bridal service, choosing the scent for you and candles for your wedding day location.

4 months to go

Check your passport date, as it must have at least six months left on it from the date you want to travel. Also don’t forget any necessary visas or inoculations you will need for your honeymoon.

Hand over organisation of your hen party celebrations to your bridesmaids and enjoy stepping back and delegating this task.

3 months to go

Organise a rehearsal before the big day and make sure that the most important wedding party members will be available.

Send your wedding invitations out and start having regular facials to ensure your skin is in perfect condition.

2 months to go

Try on your entire wedding outfit and get anything extra that you have forgotten. Also book in for fake tans and manicures.

Confirm all of the arrangements with your suppliers, ensuring that they have timings and locations in writing. Create a list of these details and contact numbers and hand this over to a designated bridesmaid or usher so that you won’t be disturbed on your wedding day.

1 month to go

Try out hairstyles with your hairdresser, making sure you take the veil, tiara, or accessories you plan to wear. Have a final dress fitting with alterations.

Contact anyone who hasn’t responded to their wedding invitation and finalise numbers for the guest list, then plan the seating plan.

by Eliza Scarborough

Blue Marlin Ibiza UAE, which was launched in 2012, is located in Ghantoot Al Jazira Island. Upon arrival, the sound of Ibiza tunes lure guests into the architectural haven spread over two floors, surrounded by white canopies and contrasting clear turquoise waters. The beach club offers a fusion cuisine of the Mediterranean with an oriental influence, where all dishes are prepared with the freshest ingredients sourced from around the world. The beachfront offers a place to indulge in the cool waters of the island’s lush bay, minimalistic sun loungers, signature cocktails and music from an infamous selection of DJs and multiple-instrument live acts from around the world, all just a stone’s through away from the city.

Buccellati’s Jewellery excellence is passed from generation to generation

Tradition, skills and excellence in handcrafting, together with the highest quality materials, have always been the core values of Buccellati, a long-established family firm. Reviving centuries-old goldsmith traditions, is central to the Italian jewellers, who have passed their skills and success through the generations. Buccellati is the Italian “bottega” of Renaissance times brought into the 21st century, Mario first, then Gianmaria, and now his son Andrea with his daughter Lucrezia. They combine a touch of tradition with culture to create jewellery of a true excellence, which is now recognised and admired worldwide for its timeless beauty. We chat to Andrea Buccellati, who since 2013 has stood at the helm of the company as President and Creative Director, together with his sister, Communication Director Maria Cristina Buccellati, about their legacy and refreshing the brand identity.

ANDREA BUCCELLATI

What is special about Buccellati, and tell us what sets you apart from other brands?

The Buccellati craftsmanship and tradition began with my grandfather, and his very special sense of style. This unique style has remained central to the brand, together with the original techniques and systems that were used 300 years ago. The crafting of the jewellery was done by artisans and even now we still use the same artisans who create the pieces by hand. The most evident part is the engraving, which is something that we are renowned for and still do to this day. This workmanship is what makes Buccellati different and recognisable.

When did Buccellati come to the region?

About 32 years ago we started working with private clients in Dubai, beginning with connections that were made with the Royal family. However, it was only recently that we approached the Middle East market with a store.

What is a favourite design in the region?

Of course our signature honeycomb is always a very popular range, and our clients out here to favour this together with our intricate lace details pieces and the designs using different colour gold materials.

What is your view on high jewellery becoming more in demand?

I think people are now looking for more exquisite and thought through pieces. They want to be able to buy into the history of a brand and understand the techniques that have been used to create the masterpiece they are investing in. Luxury has been massified over the past years, and it is no longer just about the stone you are wearing. Customers want to be able to purchase an item that is individual, unique and will create an emotion. Luxury is when you are the only person to have something.

Buccellati designs are timeless, do they tend to be purchased as heirloom gifts?

Many of our clients tend to go for the eternity rings and pass them from mother to daughter. They are designed with our exquisite identity and will timelessly transfer through the generations.

Are you planning to look into your archives and revive any older pieces?

This isn’t a priority for us as we don’t like to reproduce items. Instead we hold onto the history of the brand through the way that the jewellery is created and always aim to produce unique, new pieces.

What stones are popular with your clients at the moment?

Opal is a very special stone which is loved by our America, Asian and Japanese clients. It is a stone that we have always used, and currently we have a beautiful necklace and ring made with it.

How challenging is it for you all working together as a family?

It is a passion rather than a job, which we do with our heart. This makes it an enjoyable process that we as a family live and breathe together. We all have very different roles that are equally as important. Andrea is very creative in terms of the product and Maria with the image, although we all discuss what we are doing together, but don’t interfere with each other.

Tell us about your collaboration with your daughter?

The Buccellati business has always been passed from generation to generation and this concept will continue to my daughter. This is how the brand still remains with the same style after 100 years, although it may be translated through slightly different feels over time. I now face the same challenge as my father did before me, in having to pass the reins to my daughter. We already discuss many details and share designs, and when she is here in Italy I show her how the workshop runs, so that she can understand how to translate her design to the artisan.

MARIA CRISTINA BUCCELLATI

Where can we see the brand going?

We will always work with the point of view that the most important issue is to ensure that the quality and workmanship remains. As we expand we need to guarantee that we have a large enough team of skilled artisans to complete the larger production. Presently we are a strong brand in Europe, Japan and Malaysia, however we are aiming to develop and focus more on the Middle East and Asian market.

What is the Buccellati brand moto?

Timeless beauty.

Who is the Buccellati woman?

She is elegant, sophisticated and cultivated. She doesn’t need bling and flashy items to show off, but loves to translate her culture and passion for beauty.

What is your view on having a face of the brand, or do you think the jewellery talks enough on its own?

For our younger collections it works really well having the beautiful Elisa Sednaoui as an ambassador. However, it depends on the product that we are communicating. For the higher collections we feel that the women who is investing needs to be able to interpret the piece herself, and not be confused with an endorsement.

What would you like to tell our readers about Buccellati?

The most important thing to know, is that when you invest in our brand and own one of our pieces, you will have a unique piece of art that can be passed through the generations. We are so in love with our work and the history behind it, and this can be felt when you are wearing the jewellery.

What can we look to see next from Buccellati?

At the moment we are focusing on our bangle bracelets using different techniques, as these are becoming one of our iconic pieces. We will also be concentrating on our important pieces as these can take up to 2 years to prepare and create.

Interviewed by Lara Mansour Sawaya

From historical beginnings here is how the bandana made it into fashion.

1800s

The word bandana is believed to derive from the Hindu word bãñdhnû over 200 years ago, before pirates bought them across the Atlantic to the USA.

1980s

Bruce Springsteen and Guns N’Roses’ Axl Rose were the 80s most staunch bandana wearers, while cult films such as The Karate Kid and Rambo featured iconic ones.

Bruce Springsteen

2016

There was a reappearance of bandanas in fashion, as models walked the runway at Gucci and Cushnie et Ochs. The heritage piece was given an updates in silks and taffeta.

Gucci

It’s all about accessorising your accessories, to add a pump of adrenaline into your everyday wardrobe. Luxury trinkets are both stylish and playful, they also help add that touch of individuality to your look. Either go for a Fendi bag bug, a novelty phone case, or Anya Hindmarch’s kitsch leather stickers, and layer them up.

Maria Grazia Chiuri and Pierpaolo Piccioli were thinking deeply about Africa when they were designing for Spring, accomplishing a new stage of a very personal narrative journey. Looking towards a place both real and stylised they leave Rome, the centre and horizon of their own aesthetic universe, behind them, and always preserving their invaluable expertise of métissage and savoir-faire, they land in wild, tribal Africa. ‘We probably feel that the greatest privilege in doing our work is that fashion can give a message,’ said Chiuri. ‘We think every person coming here is an individual, and we can show that we can improve ourselves by understanding other cultures.’ Piccioli adds, ‘The message is tolerance. And the beauty that comes out of cross-cultural expression.’

The fusion between Italian and African traditions resulted in Roman sandals with carved ebony heels, tiny beaded Masai-derived patterns and bold peacock feather trims. Cuts have been reduced to a minimum, as if the garments were created by spontaneous and immediate gestures, and the urge of embellishment is an expression of presence as long tunics are held at the neck by necklaces and ornaments. Natural shades of black, ivory, ebony, beige, dark red and forest green make up the colour palette, while prints are concentrated on long dresses with a simple ancestral taste. The mask, traditionally used as a form of disguise has been readapted as an expression of a symbolic ego, and is a recurring motif that appears in multiple patterns on bags, shoes and jewellery. A collaboration with the artist Alessandro Gaggio has led to the creation of several high jewellery pieces in white terracotta with motifs that merge nature and human artistry.

The values of the Maison have always been refinement, individuality and timeless elegance, which have been reread from a new angle for this collection.

The It Shoe

Footwear designer Martina Grasselli re-interprets the ‘It’ shoes of the season, for MAX & Co. The capsule collection contains the iconic derby shoe and the on trend flatform sandal, with each model coming in two variants. There are crystal embellishments, appliques and plenty of metal studs, making these a standout edition to your wardrobe.

Fendi’s popular Karl Lagerfeld-inspired charm, Karlito, has an update for spring summer, with a leather face, fur sunglasses and metal studs in black, silver and gold. The Punkarlito capsule collection includes wallets, purses, pouches, and must-have iPhone and iPad covers.

Chanel Coco Case

Travelling easily, lightly, with hands and arms free, fits perfectly with the philosophy of Gabrielle Chanel. The Coco Case, the new cabin luggage of the House, is the most coveted piece from the airport inspired SS16 collection. Both modern and versatile, the item du jour delivers a contemporary way to travel, an art de vivre.

Italian Style

A whimsical, ironic touch comes from the Dolce and Gabbana Spring Summer bag collection, which resemble souvenirs and colourful postcards. The Box bag has been shaped like a vintage camera, as would be seen as a faithful companion to the tourists traveling through Italy. Then there is the new Agnese bag, a wicker basket which has been embellished with embroidery, flowers, and pompoms.

Digital Wedding Planner   

With the help of AroosJoon.com you can now search the latest wedding hot spots from around the world, view bridal couture as it comes straight off the runway and keep up-to-date with fitness tips to sculpt your body for your big day. The website features endless inspiration, starting from the planning, all the way to your honeymoon.

Designer Beauty

Victoria Beckham is making her first foray into the make-up industry, creating a limited-edition collection in partnership with Estée Lauder. ‘The whole process has been both inspiring and eye-opening, from going back and revisiting the Estée Lauder archives through to working on the product with the Estée team,’ says Beckham on the design process.

From miniature bracelets which can be worn alone or stacked, to beautiful pendants, the Amulette de Cartier collection has been enhanced with new, naturally sophisticated precious materials.

The stunning range is created with materials including diamonds, mother-of-pearl, guilloché gold and snakewood, all with their own special meaning, promising you luck, reassurance, vitality, protection, or fulfilment. This collection is a jewellery creation charged with emotional power, like a lucky charm.

Lingerie as outwear is one of the bastions of Dolce & Gabbana’s DNA. It is an iconic piece that has always inspired Domenico Dolce and Stefano Gabbana’s imagination and inspiration, and for the Summer 2016 season elegant printed pyjamas made a timeless statement on the runways. The silk nightwear walked the runway amongst a plethora of brightly coloured dresses and kaftans inspired by Italian souvenirs and sixties tourism.

The pyjama look comes into its own in this special capsule collection of elegant, timeless pyjamas. Each piece in the line is inspired by the articles that artisan tailors sewed in their shops, with sophisticated details, straight-leg pants, and a top with a soft collar and patch pocket on the front. Mother-of-pearl buttons, elegant pockets and silk piping add a luxurious and refined finish.

Created in 1935, the Cadenas watch marks the birth of one of the Maison’s most emblematic pieces. It is one of the few watches that has seen history and has now been reworked for the 21st century, ramped up with cabochon rubies, snow set diamonds and pink sapphires.

Originally inspired by Wallis Simpson, the extravagant yet elegant woman who’s love affair with Edward VIII brought about his 1936 abdication, the Cadenas, whose name means padlock in French, was made like a bracelet with a concealed dial that only the wearer can see. It was at a time when it wasn’t deemed polite for a lady to look at the time, resulting in the creation of secret watches inspired by the avant garde movement, although they were designed during the midst of the art-deco period.

The reworked version of the iconic watch remains faithful to the original bold lines, although now combines an improved clasp with an enlarged dial, which still remains upright and discreet, for better time readability.

We caught up with exhibition curator Catherine Cariou for a chat while she displays a showcase of exclusive creations in Dubai.

When curating these heritage pieces, do you have a preference of era?

I love pieces from the 70s, and their hippie inspirations, especially those with an Indian feel. Even the Cadenas was reworked for this era, interpreted with the use of wood, coral and turquoise.

Where do you think the focus lies with watches, on the jewels or the time?

The focus has always remained on the jewels. As Van Cleef & Arpels say, a watch is a bracelet that tells the time. The Cadenas particularly is a bracelet with a hidden watch, and this shows how the importance really is in the jewellery aspect.

Working with heritage pieces, how do you feel they differ from current collections?

I think the design and the way they are made is still in the same original Van Cleef & Arpels style, however today the jewels are bigger than in the past. Stones which are now used offer more colour combinations as we have branched away from only using precious jewels, to introducing semi-precious stones and their vivid rainbow of colours.

Clearly all of the pieces are extraordinary at every level. But how do you ensure that they all remain truly special and individual?

Because of the stories, and because they epitomise style, craftsmanship and personality. Also because our iconic Cadenas and zip design are patented, they remain especially individual.

by Eliza Scarborough

Established in 1995, Roger Dubuis, a talented master watchmaker, and Carlos Dias, a designer and entrepreneur, collaborated to make avant-garde designed watches with traditional watchmaking expertise. Renowned for their powerful design, these watches also feature an automatic movement and are stamped Poinçon de Genève, a proof of remarkable finishing and high horological expertise.

FROM LEFT TO RIGHT:

Excalibur 36 Automatic Rosegold

Velvet Haute Joaillerie in White Gold

Velvet Automatic in White Gold

All Roger Dubuis

FROM LEFT TO RIGHT:

Excalibur 36 Automatic

Velvet Automatic in White Gold

Velvet Haute Joaillerie in White Gold

All Roger Dubuis

Photographer: Henry Pascual

Fashion Director: Eliza Scarborough

Designed like a “satin ribbon”, La D de Dior Satine features a Milanese mesh steel bracelet, whose flexibility and shine make it a real metallic fabric.

With their delicate dials in white or black mother-of-pearl and their precious bezels, crowns and buckles set with diamonds, these timepieces plunge us into the heart of Swiss watchmaking know-how and the poetic universe of Dior fine jewellery.

Discover the world of A. Lange & Söhne. The Saxon manufactory crafts timepieces that embody the pinnacle of international fine watchmaking.

Men’s (From left)

Lange 1

Datograph Perpetual

Richard Lange

Women’s (From left)

Little Lange

Lange 1 Baugette Edition

Saxonia Automatic

Photographer: Henry Pascual

Fashion Director: Eliza Scarborough