Lindsay Judge, Author at A&E Magazine

10 New Ways to Brighten Up Your Home

FEEL LIKE YOUR HOUSE IS GETTING YOU DOWN? WHEN IT’S TOO HOT TO GO OUTSIDE, FIND WAYS TO BRIGHTEN & LIGHTEN UP YOUR SPACE. YOU’LL SEE YOUR MOOD IMPROVE IN NO TIME.

HOME&SOUL

1. CHOOSE WHITE OR LIGHT HUE FURNITURE

Choosing light or white coloured furniture rather than dark colours will make the space your living in appear larger and brighter. Choose cream or white textiles and sofas and white or light wooden shelving units and wardrobes. In the kitchen, white or cream colours while brighten up the space.

2. ADD A COLOURED FEATURES WALL

Depending on your colour scheme adding a coloured feature wall to your room will brighten it up. If your walls are quite dark, choose a light coloured wool to add light. If you’re walls are light already, choose a bright yellow, blue or green feature wall to add light. Natural light will also bounce off of light colours, making your rom feel much bigger.

GRAHAM AND GREEN

3. ADD MIRRORS TO THE WALLS

Hanging mirrors on your walls will instantly make a room feel brighter as well as making it feel bigger and more roomy. If placed strategically opposite light sources, the mirrors will reflect the natural light bouncing it around the room and flooding light into places it wouldn’t otherwise be able to get to. You can have the same affect using more than one small mirror as you get with one large mirror.

4. USE SHEER OR WHITE CURTAINS

In bedrooms it may be necessary to hang dark, blackout curtains, but in your living spaces stick to white or light colours in light linen fabrics. If curtains aren’t your thing choose white or light wooden blinds that can be opened to let the light in during the day time.

5. CHOOSE A LIGHT COLOURED RUG OR CARPET

One of the simplest ways to add light into a dark room is by adding a light coloured rug. If you have dark wooden floors or fitting choose something with a darker pattern running through the light shade so it doesn’t stand out too much within its surroundings.

6. INTRODUCE SHINY METALLIC ACCESSORIES

Stay away from dark heavy accessories and opt for shiny metallic pieces. They will add light and sparkle into your room. Choose pieces in gold and silver and place them close to a light source and they will brighten up the room by reflecting the natural light.

SWEET PEA AND WILLOW

7. USE BRIGHT, WHITE BULBS AND LOTS OF LAMPS

Avoid light bulbs that give off a yellow tint. This can make a room feel dark and gloomy. While this can sometimes be great for the bedroom, for the communal living areas, bright white LED bulbs are a much better option. Place your bulbs in light coloured standing and hanging lampshades. The more lights you have in a room the brighter it will become.

TROPICAL LEAF WATERGARDEN LIFESTYLE

8. ADD NATURAL ELEMENTS

Bringing flowers or plants into your home will freshen and revive a dull room. Big leafy plants often freshen up a space more so than flowers and the green colour of the plants will add life and light to the room.

ZARA HOME

9. DON’T BLOCK OUT THE NATURAL LIGHT!

Be careful not to place any tall or bulky items near windows. This will block out the natural light that is entering a room. Instead moved lower furniture like sofas closer to the windows and keep bookcases and shelving units on the other side of the room.

ELEANOR ACCENT CHEST, BRIE LIFESTYLE

10. ADD SOME ARTWORK TO THE WALLS

Adding colourful or light coloured artwork to the walls in your house will brighten and lighten up the room making it feel instantly bigger and give it more depth. Choosing artwork that reflects the colours of your décor will bring the home together and work in harmony to provide light and consistency.

Haute Couture FW18: Fendi

As the words “party girl” were repeatedly said over the soundtrack of Fendi’s fall/winter 18 Haute Couture show it got us wondering about who the woman is that this collection is designed for? If the set list is to be believed she is a wild party girl who is adventurous and ready for anything but impeccably dressed.

Adventurous was this collection indeed. Channelling so many inspirations this rather large collection; the fourth created for the House by Karl Lagerfeld and his team was a journey through decades and styles using the most luxurious of fabrics, quality detailing and a unique finesse.

The collection began with sixties inspired coats and minidresses. Fabrics included bold coloured velvet, suede, leather and fur shrugs. Sequin dresses were finished with detachable leather collars which gave them a sixties feel. Patchwork fabrics with tassles and details created two-piece coordinating jackets and pencil skirts, while iridescent fabrics embroidered with applique flowers were the basis for feminine dresses.

The colour palette was bold and feminine. Ranging from rainbow patchwork materials to iridescent pastel gowns and candy hues. Colour clashing accessories were added creating something that resembled a scene from a dollhouse.

Feathers, tassles, sequins laser-cut lace and embroidery added incredible textures to the collection, each piece being three dimensional and giving the eye so much to take in. Fabrics flowed in a way that was elegant and feminine and the moved with the body. With these fabrics offered texture, lashings of texture creating a story in each look. No fabric did so more than fur. There was an abundance of it, panelled into jackets, dyed and worn over tops and coats, added to dresses – assuring that this party girl is the best dressed girl in the room.

Evening wear was sparkly and textured with thousands of feathers and sequins. Gowns were full on sparkly while glossy leggings shone under the lights. Candy colours ensured this collection was girly and truly feminine. Shoes came in the form of architectural heels and small handbags.

In beauty we saw a continuation of this year’s graphic eyeliner trend. And hair was pulled up into a sixties inspired beehive

READ MORE

Haute Couture FW18: Elie Saab

Haute Couture FW18: Zuhair Murad

Pick of the Week: Dolce & Gabbana Velvet Incenso

The Velvet Collection celebrates the history of Ara Sicily with a selection of oriental blends.

Velvet Incenso

The journey began with Tender Oud and Desert Oud as well as Amber Skin and Amber Sun. This summer they present Velvet Incenso, a modern interpretation of incense for men and women.

For centuries the volutes of burning incense have risen from the palaces of Sicily and Velvet Incenso captures this magical moment.

This dark mysterious scent is created with a spark of black pepper essence – obtained from freshly crushed peppercorn. These opening notes are balances with incense resinoid which adds a more balsamic scent, while cistus absolute add and ambery resin draw from the Sicilian hills.

Benzoin resinoid adds its cinnamon and vanilla sweetness while smooth patchouli essence and powerful amber wood complete the dark magical fragrance of Velvet Incenso.

Available in 50ml and 150ml bottles.

Haute Couture FW18: Armani Privé

Armani Privé’s fall/winter 18 offering was quite fittingly set at the Hôtel de Boisgelin which houses the Italian embassy in Paris. The grand neo-classical venue oozes Italian elegance as did this chic and sophisticated collection.

With a colour palette of mostly black and white with accents of pink, Giorgio Armani encapsulated the silhouette of the most elegant Italian woman with his designs. Models oozed power as they marched down the runway in head-turning monochrome designs. Skirt and trouser suits, complete with fitted blazers made for attention grabbing day wear.

Trousers were slim fitting and flattering on the body, the sort of looks that can be easily taken from day to night. While capes and sheer scarves added a feminine touch. Loose fitting silk trousers were a breath of fresh air while more sophisticated structured pieces completed each look.

Of course there were evening gowns. Created in ultra-luxurious fabrics. Metallic lace complemented with velvet bows, feathers and intricate beading. Column dresses which demanded attention featured strong sculptured details while one-shoulder and strapless cuts were featured heavily. Materials came in the most elegant of forms with silks and velvet being finished with elegant beading feathers and ruffles.

And then came the colour. Rich pink and green candy colours were layered and ruffled to create show-stopping evening gowns in the same luxurious fabrics. Feathers presented bold and striking gowns and capes which would be at home on the red carpet.

Accessories were theatrical. Cocktail jewels were bold and statement making, while headgear varied from the understated to the attention grabbing.

This collection was ageless. There was a feeling of modestly and power amongst the designs. Looks that would appeal to the young were positioned with more mature creations, making them accessible to every woman. The collection in true Giorgio Armani style presented the timeless elegance we associate with this Italian house. Creating powerful pieces for powerful women.

Haute Couture FW18: Chanel

Haute Couture FW18: Alexis Mabille

This is Most Fashionable Island to Visit in 2018

FASHION BRANDS AND DESIGNERS ARE HEADING TO THE ISLAND OF MYKONOS THIS SUMMER, MAKING IT THE MOST STYLISH PLACE TO VISIT IN 2018

The fashion world has seemingly decided on Mykonos as must-visit destination this summer. It all began with Dolce & Gabbana’s Spring 2018 campaign which took place on the Greek island. Shot by photographers Luca and Alessandro Morelli, the campaign features male and female models dressed head-to-toe in Dolce & Gabbana SS18 collection walking the streets and soaking up the sun in Mykonos. Alongside the images the designer duo, who themselves are regular visitors to the island, created the hashtag #DGlovesMykonos, encouraging shoppers to spread the world.

And the Italian designers aren’t the only ones spreading the love for this tiny Greek island.

Christian Dior has always has a close link to Mykonos. The brand’s founder stayed there in the early fifties, helping to popularise the local handwoven fabrics. His designs that year in 1953 featured strong Greek influences. Fast forward to 2018 and Dior have created a collection of Mykonos-branded pieces, available throughout the summer at their pop-up boutique in the upscale shopping village Nammas.

The collection was designed by Maria Grazia Chiuri and features striped bodysuits and cashmere sweaters bearing the slogan “J’adior Mykonos.” They have also created a special edition version of the Dior Book Tote Bag with the word “Mykonos” branded across the centre, as well as silk scarves, ballerina pumps, bracelets and sandals with the words “Christian Dior Mykonos”. The boutique will also carry an advanced selection of the brand’s fall/winter accessories including baseball caps and berets, oblique zipped pouches and DiorClub1 visors.

Christian Louboutin is also taking up home on the island with a recently opened summer pop-up store. Partnering with luxury boutique Enny di Monaco, the store features pieces from the brand’s Fall-Winter 18 collection. The bright airy store, dubbed Loubi beach by the brand, is decorated with the its signature red hue displaying key products on pink and white shelves.

Red, pink and purple towels are hanging from the ceiling and reunite the quintessence of Mykonos party makers archetypes resting during the day. Featuring mannequins in various positions, showing off key styles from the Fall-Winter 2018 collection.

As featured in our previous issue Oscar de la Renta has also opened a pop-up store on the idyllic island. Featuring classic pieces as well as an exclusive capsule collection.

Fashion brands aren’t the only ones heading for island life. Models, designers and celebrities will be calling it their 2018 summer hang out with Bella Hadid, Giorgio Armani and Leonardo Dicaprio already visiting this year. Lindsay Lohan has even opened a beach club on the island. There’s no better time to book your summer vacation and get ready to shop and party!

Haute Couture FW18: Ralph and Russo

A celebration of the universe and art de vivre of icon and French fashion designer, Jacqueline de Ribes, Ralph & Russo’s Haute Couture Fall/Winter18 collection captures the zeitgeist of the eighties and the golden age of couture through the form of the renowned Comtesse.

The design duo decided to Channel splendour, frivolity and the palette of the era, using an array of rich tones, in the form of colour blocking. Bejewelled red liquid velvet column gowns and bronze faille moirée cocktail dresses in royal purple were paired with mustard yellow or scarlet red double duchess draping.

Much like the theme, the setting was eighties inspired with neon lights and a soundtrack to match featuring eighties classic Blondie’s Heart of Glass.

The silhouettes were eighties too. Pointed shoulders, one-shoulder dresses, thigh-split gowns and dresses tightly fitted high at the waist. The colour palette was bold and bright. Jewel toned hues complemented the theme, while pastel colours were a nod to the House’s signature style.

Of course there were evening gowns. These were embellished with sparkling jewels finished with bows or layered with feathers to create show-stopping pieces demanding attention as they cascaded down the runway.

Elegant statement cocktail jewels were provided by David Morris Jeweller.

Haute Couture FW18: Dior

Haute Couture FW18: Georges Hobeika

Summer Brows the Benefit Way

Menat El Abd, Benefit Cosmetics brow expert shows us how to get the perfect summer brows…

THE SUMMER BROW LOOK:

‘Summer is here and the main question is how to keep those brows locked during this summer’s heat?’ I’ve got the answer for you. But before we start, always remember to begin your look with fresh-ready-for summer- brows.

Visit Benefit’s Brow Bar to treat yourself to one of our signature services, for example, brow waxing, brow mapping and brow tinting. With more than 40 years of experience in brow waxing and shaping, we know brow. The process is so easy and it won’t take much time either. Book an appointment at Benefit Brow Bar for an amazing transformation.

With clean brows, you can now start your brow transformation with these easy steps. Fill in the gaps with Goof Proof Brow Pencil, lock the brow look with the 24hr Clear Setting Gel and finally lift those brows using High Brow Pencil. To add that cheeky touch to your final look, dust a bit of Galifornia Blush on the apple of your cheeks.

That’s it. All you need are those 4 products ready to go in your make-up kit and just follow these easy steps to get that BROW-WOW look ready for the summer.

WHAT YOU NEED:

Goof Proof Brow Pencil.

24-HR Brow Setter Shaping & Setting Gel.

High Brow Pencil.

GALifornia Blush.

GALifornia Blush

HOW TO ACHIEVE THE SUMMER BROW LOOK

The first key step is to brush the brows to identify any gaps that needed to be filled in.

Once you identify the gaps, take Goof Proof Brow pencil to start filling them in for a thicker and fuller brow look. Apply soft hair strokes that will create an illusion of fake hairs and fuller brows.

Once the gaps are filled and the brows are thick, brush the brows again with a spoolie brush to soften any harsh edges. Brushing the brows after filling them in is so important as we want to keep the brows as soft as possible for this look.

To lock the look in, brush the brows with the 24hr Clear Setting Gel to keep the brows in place. This product will keep your brows heat proof and water proof as well. You can take your summer brows anywhere from the beach to the pool.

To lift the brows and make them stand out, apply the High Brow right under the arch to emphasize on the shape and to highlight the brows.

Last but not least, GALifornia! Dust the blush on the apple of your cheeks for a nice cheeky look for the summer. What I love about this blush is its texture and it complements any look you’re rocking.

And that’s it for the Summer Brow Look! All can be achieved in only 6 easy steps. You’ll have brows that will last all day.

In Focus: Elsa O

Lebanese accessories designer Elsa O talks us through the inspiration she gets from her grandmother’s jewellery box, being a businesswoman, and the story behind her latest collection.

Beirut born jewellery designer Elsa O creates unique playful designs inspired by the glamour of the 1950’s and the charm of nature.

Elsa has a bright and bold personality which is reflected in her colourful designs that feature quirky shapes and characters, made with bright and colourful Swarovski stones. The Lebanese designer came from a family of creatives; her brother the founder of couture brand Azzi & Osta, while her mother, Gisèle Aouad, is a renowned Lebanese actress. Growing up, Elsa was inspired by the heirlooms she found in her grandmother’s jewellery box. She developed a love for brooches and that is what was the basis for her initial designs.

Launched only in 2017, the brand is still in its infancy, but has already proved to be hugely popular across the region. Back with her second collection; Ya Leil Ya Ein, the designer looked to the Arabic book of the same name for her inspiration. The book represented powerful women in the twenties and sixties in Cairo and Beirut, through the eyes of mystical illustrations and graphics. It was bold, artistic and eye-catching – much like Elsa’s collection. Ya Leil Ya Ein comprises of decorative earrings, bold bracelets, and striking brooches that can be worn in more than one way.

The pieces have a distinct vintage feel to them and are attention-grabbing pieces designed to take any look to the next level.

What do you love about creating jewellery?

I’ve always been fascinated by the texture, colour and style they add to our everyday outfits. Accessories and how they’re styled, tell a lot about a person.

What’s the inspiration behind Elsa O?

My love for brooches, statement jewelry, colors & pineapples. I’m a vintage/retro lover. Old eras inspire me, especially the 50s & 60s. The Pineapple brooch, the first item I designed, expressed my love for brooches. They are called pins these days, I personally I think they are the only multi-style item when it comes to accessories. I really enjoy designing them and imagining how they will be mixed and matched!

Tell us about the Ya Lail Ya Ain collection.

This collection was inspired by a book called Ya Leil Ya Ein, that I got to discover while drawing the collection. I got attached and inspired by this book so fast because it took me back to an era I never knew, but always imagined. The music they talk about, the strong artistic Arab women and most importantly the colored sketches added flavour and the sparkle needed for the collection.

What do you think is the core identity of the brand?

Colours and stones, I love to play and have fun while designing my pieces.

How do you choose the stones for your pieces?

The choice of the stones always follows the colors of my design; I like to use it in a way to contrast my pieces.

Where does the manufacturing of your designs take place?

I’m so proud to be producing all my designs in Beirut.

Who is your favourite jewellery designer?

I can never have a favorite designer, each designer inspires me in a different way. Lately I have a crush for Gucci’s accessories, I like the fun aspect of Nadine Ghosn & Alison Lou’s brand, Les Nereides is also a very inspiring brand.

Who is the woman that wears Elsa O?

My lady is a very unique one that likes to add statement touches to her style.

What do you think about social media as a marketing tool?

Online platforms help us a lot to communicate our brands, but it’s hard to protect our designs and our image. Social media made things happen too fast.

What’s your favourite stone?

Amethyst, I’ve always been obsessed with purple!

To what extent does your home country of Lebanon inspire you?

As much as I like to travel to get inspired, I always find when designing and drawing, my collections, that I come back to be inspired by the place I’ve grown up and love the most; Lebanon. It all started here.

What is your life motto?

Baby keep smiling!

What is the one item every woman should have in her jewellery box?

I might sound classic but a vintage necklace & pearl earrings. These two items can be worn in so many ways at any age!

What’s the best advice you’ve ever had?

We learn from failure not from success. I’m a curious and adventurous person, I want to keep learning and discovering every single day.

And the most important lesson you have learned in life?

Believe in what you love, love what you believe in!

What for you was the defining point in your career?

The day I decided to start Elsa O – May 2017, I’ve always imagined myself an accessories designer.

What advice do you give to women who want to launch their own brand?

Doing what you love with a lot of passion and fun, is the best career choice you can ever make because it will keep you smiling and shining and it’s the most beautiful and elegant accessory a woman can wear.

What is the future for Elsa O?

A new collection that will be launched this Fall/Winter season. All I can say it’s a mix between Exotic & Ya Leil Ya Ein, might sound crazy but you know as long as I’m doing what I love the touch of fun is a must!

Available at www.elsao.shop

A&E Chats to Charlotte Tilbury About Her New Store in Dubai and What’s Next

Charlotte Tilbury is perhaps the most recognised make-up artist in the world. The British born artist who counts Kate Moss, Kim Kardashian and Amal Clooney amongst her friends, has gone from strength to strength in the last five years since launching her own name make-up brand.

Starting out as a make-up artist over 25 years ago Charlotte built her business from nothing as she gained a name for herself thanks to her homemade skincare products and unique approach to applying make-up.

Charlotte has created beauty looks for the likes of Tom Ford, Roberto Cavalli, Stella McCartney, Michael Kors, the list goes on. When she launched her make-up line in 2013 it received instant hype. With Kate Moss as the face of the brand Charlotte promised to bring something unique to the beauty industry and she just did that. Five years on, and the make-up artist has already achieved global status.

With stores in the UK, US and The Middle East, she has just opened a Beauty Wonderland boutique in Dubai Mall. Ahead of the opening, A&E got to talk to Charlotte about her plans for the future and why she loves Arab women.

How excited are you to finally open a store in Dubai?

I am so excited to launch my brand in Dubai and open my first Beauty Wonderland in the incredible Dubai Mall. I knew I could create a Beauty Wonderland that would make everyone’s beauty dreams come true and become a go-to for ALL beauty editors, bloggers, celebrities, royalty, models, mums, grandmothers, sisters, daughters – I knew it could be a beauty playground from 18-80! The Dubai Mall is one of the most incredible, MAGICAL MALLS in the world and I think it’s the perfect setting for my brand to take the next momentous step. Many of my amazing fans from Dubai have already discovered my Beauty Wonderlands in Kuwait, Doha and back in London at Covent Garden and Westfield, and now they can have the same immersive experience at home. I want my Beauty Wonderlands to feel like you are literally stepping in to my world – from the winding red carpets of Hollywood, to the backstage buzz of fashion week and my 25-years of experience as a makeup artist which I have poured in to my easy-to-use, easy-to-choose makeup range with zones and spaces inside for every beauty whim.”

Can we expect to see more of you in the UAE now you have a store here?

Absolutely darling!! I cannot wait to come in the Autumn!

What do you love about this region?

I love the Middle East, and Arab women really understand the power of makeup. The women here are just so passionate about makeup and they also share my passion for the BEST! They really embrace beauty and are always wanting to re-create the latest beauty trends – from mesmerising smokey eyes to fabulous bold colours on the lips. I have met so many beautiful women whilst visiting Dubai and each of them have incredible makeup skills – their looks are just so fabulous.

How does it feel to see your brand being successful globally?

It is all a dream come true for me. From launching my own brand nearly five years ago, to opening my first Beauty Wonderland in Covent Garden and now there are two in London, two in the Middle East and soon to be a third with Dubai Mall. I am so proud of how far the brand has come in the last five years, my products are now available in 67 countries worldwide, we have won over 155 awards globally and we have so much more still to come.

What will you do next?

Next for the Charlotte Tilbury empire is to continue to totally revolutionise and disrupt the beauty industry… I am determined to be a disrupter in the industry and I want my company to be known for ground-breaking innovation across all that we do. I want to make sure we sustain and build on the momentum we have with further expansions in the UK and launching even further afield. I also have some incredibly exciting new products still to come this year and beyond, I can’t reveal anything just yet – but I know you will LOVE what’s to come. I couldn’t be more excited about what’s happening next at Charlotte Tilbury – stay tuned darlings!

Who is your ultimate muse?

From a young age, I had posters on my wall and bought loads of reference books of silver screen sirens e.g. Marilyn Monroe, Elizabeth Taylor, Audrey Hepburn, Sofia Loren, Brigitte Bardot, Marlene Dietrich etc. I was fascinated by their faces – I used to spend hours studying them and thinking: ‘How can I steal a bit of their DNA? and bottle it?’. Today, my entire collection is centred around past and present icons who inspire me, that’s where the idea for my 10 looks wardrobe came about. From Kate Moss and Brigitte Bardot for The Rock Chick to Penelope Cruz and Sophia Loren for The Dolce Vita, they are iconic because they are trend leaders who know what works for them – they have a signature style that people want to emulate –but they can also embody several looks.

If you could only have three beauty products for the rest of your life what would they be?

My Charlotte’s Magic Cream, I never ever go anywhere without my award-winning, miracle working magic cream. It was how this brand came to life and it’s my secret weapon for dream skin! It contains Camelia oil, Rosehip oil, Bio-Nymph Peptides and Hyaluronic acid – instantly flooding the skin with moisture. I never apply makeup without it; it gives me the perfect glowing base.

For a glowing, radiant complexion everyone in Dubai needs to try my Instant Magic Facial Dry Sheet Mask, I carry one with me everywhere I go – it really is like having an expert facial on the go. The genius ingredients –including vitamin B3, crocus bulb extract, peptides, oils and butters penetrate deep into the skin using a unique bio mimetic vector delivery system, providing nutrients where the skin needs it most. It is the ultimate skin pick-me-up.

My NEW! Collagen Lip Bath is the perfect 18-80’s lip bath to put the moisture back in the lips, reduces the appearance of fine lines and gives you a healthy-looking and most sumptuous pout during the summer months. It nourishes, refreshes and bathes your lips in lustrous marine collagen while you wear – like a facial for your lips.

I am a mascara obsessive and for the ultimate volume mascara, my NEW Legendary Lashes Volume 2 is my most miraculous mascara yet! It gives 507% more volume and is long-wear, smudge-proof and humidity resistant – perfect for those hot sunny days – so the Hollywood flutter can last all day.

When you do your own make-up what do you usually wear?

My Dolce Vita look with Matte Revolution Pillow Talk lipstick The Dolce Vita is my signature look. I love the decadent molten bronze-y golds and rich chocolate shades in the Luxury Palette, they really make my green eyes pop and give me that gorgeous come-hither gaze!! I wear it every day with a feline flick to elongate and enlarge the appearance of my eyes and lashings and lashings of my NEW Legendary Lashes Volume 2 mascara. To finish, I’ll wear my Pillowtalk Lip Cheat and lipstick for a perfect pillow-y pout.”

How do we wear make-up every day but make sure your skin stays clear and fresh?

Skincare is so important. From the very beginning of my career I was known for amazing skin before amazing makeup. I always say you can’t have a beautiful painting without a beautiful canvas. I believe that the key to magic skin is all about looking after and maintaining the best skin of your life. Every day I follow the same skincare routine, the first thing I do in the morning to get my instant glow is to cleanse with my Multi-Miracle Glow Balm. Enriched with vitamins and floral extracts, this cleanser gives the complexion a youth-boost. I then multi-mask with my Goddess Skin Clay Mask, followed by my Instant Magic Facial Dry Sheet Mask. The glow-giving, lifting effects last for up to eight hours.

I always prep my skin with Magic Cream, a little pot of the magic dew of youth and luminosity for the perfect glowing base. It also has SPF15 perfect for summer skin protection. I then tap in my Magic Eye Rescue underneath the eyes, smoothing the appearance of the skin. To finish I’ll apply I’ll apply either my ‘Gisele-in-a-jar’ Wonderglow, it has a fluorescent core technology which means it soft-focuses lines and pores and re-emits natural light from your skin giving you a natural, lit-from-within radiance or my Brightening Youth Glow, a magic brightening skin solution which colour-corrects and instantly blurs, brightens and smooths the appearance of the skin giving me a gorgeous glowing, dewy-looking complexion.

You’ve worked with so many celebrities but who is your favourite person’s face to be creative with?

Throughout my career I have been lucky enough to work with countless beautiful women that are gorgeous in so many different ways. From working with Kate Moss when I was starting out in the industry at 19, to kick-starting my career during the amazing supermodel era of the 80s and 90s and working with all the biggest names Naomi Campbell, Christy Turlington, Cindy Crawford and Linda Evangelista it was such a DREAM! Since then, I’ve worked with so many iconic actresses, models, and powerhouses – from Amal Clooney, who I worked with most recently at the Royal Wedding, Salma Hayek, Kim Kardashian-West, Sienna Miller, Penelope Cruz, Gigi Hadid – the list is endless. I am incredibly proud of my Hot Lips lipstick collection which is inspired by some of the world’s most mesmerising women and during the launch it helped support the amazing charity Women for Women International. The charity and each of the incredible celebrities involved inspire me in so many ways! It’s the ultimate all female collaboration with 12 incredible women and I really admire each of these women. With them I want to spread the powerful feel-good factor a gorgeous new lipstick shade gives. I have extracted their beauty DNA, mixing colours that really embody their style and personality, encapsulated it and am now giving it to everyone!

What inspires you?

I wake up on a mission every day, that I will make my dreams come true. I always think limitlessly and live my life by my positive mantras like ‘dare to dream it, dare to believe it, dare to do it’. I want to empower all women around the world to be the most beautiful versions of themselves, every day and because of this my mantra ‘Give a woman the right makeup and she can conquer the world’ was created… because it’s true! I always get inspired by need – necessity is the mother of all invention [Plato] and I am always thinking within the remit of how do I find a solution to problems. Whether it is to do with concealing imperfections or re-directing light to more flattering angles of the face, making an eye palette easy to use through control pressing the powders or sculpting celebrity limbs without going to the gym. I am constantly looking for ways to make the lives of all women that little bit easier.

What would be your business advice to others?

My one piece of advice to anyone wanting to become a makeup artist or trying to build their own brand is to never give up and always have self-belief! It’s so important to have a single-minded focus, visualize success, dream big and dare to make your dreams your reality! I believe in the power of visualization. Visualize what you want and don’t give up until you get it… You need to be professional, dedicated and hard-working to make it in the industry, but most of all you need to have fun – to be successful you need to love what you do. When I was starting out, I received a note from a Beauty Editor saying “Knock it to them, Charlotte. I know you’ll be a star”. It encouraged me to keep following my dream during tough times and really gave me motivation when I was cold calling for jobs and struggling, it made me realise that I just had to believe in myself. Because of this you will find a hand drawn star all over my brand and on the packaging.

Where are you going for your summer holiday?

I am going to Ibiza in August. It’s where I grew up and my parents still live there, it feels like home to me. It’s where I go to relax, unwind and it recharges my batteries. Family, friends, music, parties and dancing ‘til late, it’s my magic fuel!

The Making of Dior Book Tote

Presented at the spring-summer 2018 ready-to-wear show, this version of the Dior Book Tote bag carried by one of the models lends a laidback and summery allure.

Conceived and developed in the House’s design studio in Paris, this fully-embroidered bag was produced in a family-run atelier located in the region of Umbria, also known as “Italy’s green heart”.

A single bag requires more than thirty-two hours of work and over one million two hundred thousand stitches. In addition, this bag necessitated three different kinds of embroidery stitches. For example, on the front of the bag, the “Christian Dior Paris” signature was realized using a top-stitching technique that creates a relief effect.

Once they have been made, the five pieces of the Dior Book Tote are then inspected and quality-controlled before being sent to the House’s leather ateliers located in the Florentine hinterland.

The artisan begins by mounting the two handles sewn with reinforcements on the front and back panels of the bag. Their length allows for hand or shoulder wear, and their round shape guarantees total comfort. A discreet signature, the legend “Christian Dior Paris, Made in Italy”, embossed with gold ribbon on leather, is placed inside. Then, using a sewing machine, the artisan can assemble the tote’s lateral and central parts.

Following a final quality control, the bag is ready to be worn.

The World of Bvlgari Watches

Bvlgari continues to produce record-breaking and timeless watch creations for men and women.

Bvlgari Serpenti Tubogas double spiral Watch with 18kt Rose Gold case set with round brilliant cut Diamonds, Black opaline dial and 18kt Rose, Yellow and White Gold bracelet.

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Bvlgari Octo Finissimo Automatic Watch with mechanical manufacture movement, Platinum microrotor, small seconds, extra-thin Sandblasted Stainless Steel case, bracelet, and dial.

Bvlgari Octo Finissimo Automatic Watch with mechanical manufacture movement, Platinum microrotor, small seconds, extra-thin Sandblasted 18 kt Rose Gold case, bracelet, and dial.

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Bvlgari Octo Roma Watch with mechanical manufacture movement, Automatic winding, 18 kt Rose Gold and Stainless Steel case and bracelet, Black dial

Bvlgari Octo Roma Watch with mechanical manufacture movement, Automatic winding, 18 kt Rose Gold and Stainless Steel case and bracelet, Blue dial

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Bvlgari Serpenti Spiga Watch in Black Ceramic, 18 kt rose gold bezel set with diamonds, black lacquered polished dial and 5 row spiral bracelet, in black ceramic with 18 kt rose gold elements and diamonds.

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Bvlgari Octo Finissimo Automatic Watch with extra thin mechanical manufacture movement, automatic winding and small seconds, Titanium case, dial and bracelet with Blue Numerals.

Bvlgari Octo Finissimo Automatic Watch with extra thin mechanical manufacture movement, automatic winding and small seconds, Titanium case, dial and bracelet with Green Arabic Numerals.

Bvlgari LVCEA Skeleton Watch with mechanical movement, Automatic winding, Stainless Steel and 18 kt Rose Gold case and bracelet, and 18 kt Rose Gold openwork BVLGARI logo set with Diamonds and leaves set with brilliant-cut Emeralds dial.

Bvlgari Lvcea Tubogas Watch with mechanical manufacture movement, Automatic winding, 18 kt Rose Gold case and bracelet, with Diamonds and Mother of Pearl Dial.

Bvlgari LVCEA Skeleton Watch with mechanical manufacture movement, Automatic winding, Stainless Steel and 18 kt Rose Gold case and bracelet, and openwork BVLGARI logo dial.

Styling and Direction: Lindsay Judge

Photographer: Henry Pascual

10 Steps to Heatproof Beauty

The mercury on the thermometer is bubbling and humidity hits you in the face as soon as you step outside – we all know the downsides to summer, and keeping your beauty regime intact is one of them.

Many of us have had bad beauty experiences during the summer months, whether it’s make-up melting from our face, humidity affecting our hair, or red blotchy skin from the heat, let’s face it, spending summer in the UAE is not easy-going for women. But all is not lost. There are ways to avoid the frizzy hair and sweaty skin by making simple changes to ensure you have a low-maintenance beauty regime.

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How to Wear Shorts this Season

Have you been keeping up to date with latest shows from Men’s Fashion Week? Prada, Fendi and Dior all had something to offer in the shorts department, which means that this leg-baring trend isn’t going anywhere – in fact it’s getting even shorter.

But while we still look through next seasons offering, lets look to what you can be wearing over the next few sunny months while the weather is bright and you’re in full vacation mode.

If you dare go short, but balance it out with a long sleeve shirt or zip up jacket for ultimate Italian elegance. Wide style and denim are our top pick for on-the-go travellers as they are versatile and comfortable.

See more on-trend shorts to pack in your suitcase below.

Insiders Guide: GemGenève

The first gem and jewellery show of its kind takes place in Geneva with visitors travelling from around the world.

GemGenève, the new Geneva based International gem and jewellery show, had huge success with its inaugural show last month. The event welcomed gem and jewellery dealers and collectors from around the world who attended to visit stands from 147 exhibitors showcasing the latest in the gem stones and luxury jewellery.

Around 4,300 people visited the event in total with around fifty per cent being from Switzerland itself and the other half travelling from all around the world to take part. Co-founders Mr Thomas Faerber and Mr Ronny Totah were delighted at the overwhelmingly positive response they received from both exhibitors and visitors.

“OUR OBJECTIVE WAS TO LAUNCH A NEW HIGH-END TRADE EXHIBITION REVEALING THE TRUE SPIRIT OF OUR JEWELLERY WORLD. WE WERE THRILLED TO SEE THE INCREDIBLY POSITIVE ATMOSPHERE SINCE THE BEGINNING OF THE SHOW ” – Ida Faerber, daughter of Thomas Faerber.

“SIMPLY SAID, TO SEE OUR EXHIBITORS FEELING AT HOME AT GEMGENÈVE, GAVE US THE GREATEST SATISFACTION. THE OVERALL LEVEL OF CONTENTMENT WAS ABOVE OUR EXPECTATIONS” – said Nadège Totah, daughter of Ronny Totah.

As well as exhibition stalls the event included talks and masterclasses from industry experts. Gemstone, diamond and pearl merchants, antique jewellery dealers, jewelers, manufacturers, independent designers, emerging talents and gemological laboratories all came together at the event.

The inaugural show was held May 10-13, at Palexpo, Geneva’s leading center for European exhibitions and conventions. The dates were co-ordinated to coincide with the major Geneva jewellery and watch auctions, during which the city became a center of luxury.

Pick of the Week: Maison Christian Dior

Maison Christian Dior is a new brand within Dior and is composed of a collection of 22 fragrances for women, along with a series of candles and soaps.

The collection embodies the art of gifting in the most luxurious form with luxurious packaging and gift boxes. Every last detail has been carefully considered to transmit a love of perfume in an accessible way, in the spirit of sharing.

Maison Christian Dior will soon be opening standalone stores around the world. It is a new approach to perfume, with a new, broader, more generous philosophy than before, imbued with the Dior art de vivre.

At Maison Christian Dior the love of perfume becomes a fully-fledged lifestyle, colouring every moment. With 22 fragrances for every aspect of your life and every woman’s tastes and needs.

Since 2006, perfumer François Demachy has enjoyed immense creative freedom in composing Dior perfumes. Today, Maison Christian Dior is his ideal playing field, providing him the opportunity to continue exploring fragrant territories that are as personal as they are audacious. Dior’s unique expertise, the finest flowers and the rarest ingredients bring to life François’ vision.

His fragrances are pictorial, sensual and dedicated to a love of raw materials, as well as being evocative of the Dior world. Together with the candles and soaps he creates, they form a remarkable collection, composing a vibrant story in which every scent writes a new chapter in a free-flowing narrative.

The collection of 22 fragrances explores florals, light florals, fruity fresh, sensuals and Orientals.

Moving on to candles. Each candle has a 70-hour burning ability. Crafted to the highest standards by the famous French wax manufacturers Perron Rigot, they are housed in Limoges porcelain with a Dior grey artisanal enamel interior.

Among the 8 candles available, Fève Délicieuse, Ambre Nuit, Bois d’Argent and Eau Noire are the only ones acting as a continuation of the eponymous perfumes, offering a faithful transposition of the fragrance notes into wax. Other scents exist independently, complementing the fragrance collection.

The same high luxury standards apply to the soaps, crafted in France at the Savonnerie de Haute-Provence. Rose Ispahan, Néroli Impérial and Amande Délicieuse transform day-to-day moments into instant pleasure. The trio will soon expand into a broader collection.

The Maison Christian Dior collection is available now.

Go Wild for Louis Vuitton’s Accessories

Playful Palm Tree Prints and Colourful Animals Add Some Fun to Classic Louis Vuitton Accessories This Summer.

KEEPALL BANDOULILERE

TATTOO SNEAKER BOOT BANDOULIERE

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DISTRICT BAG

MULTIPLE WALLET KEY HOLDER

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JUNGLE STOLE
POCKET ORGANIZER

CHRISTOPHER BACKPACK

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APOLLO BACKPACK

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LV ALOHA SUNGLASSES

POCHETTE VOYAGE

KEEPALL DAMIER GRAPHITE

CARD HOLDER

Styling and Direction: Lindsay Judge

Photographer: Henry Pascual

Cruise 2019 Trends to Test Run Now

Cruise 2019 shows brought a playful and creative mood to the runway. Sixties vibes, loose layering, relaxed denim and nautical inspirations were everything you need for a stylish summer getaway.

CHRISTIAN DIOR

CHRISTIAN DIOR

Christian Dior’s cruise show was held at the town of Chantilly, just three hours outside of Paris. The town has links to the French equestrian tradition and this was reflected in the show which was opened with a performance by Mexican female horse riders The Escaramuzas.

These women riders have claimed the right to participate in the charreada – an equestrian practice of performing several challenging routines before a crowd – just as the male riders do.

And it was these strong, inspiring women and the costumes they wear, that were the basis of Maria Grazia Chiuri’s Cruise collection. While the rain came down heavily it failed to stop the show, and models walked the runway through a storm, making for striking images.

Maria interpreted the traditional dress of the Escaramuzas in a modern way. Extravagant skirts were paired with fitted jackets. Waists were clinched to create a strong hourglass shape. Tulle gowns were layered with blazers and utility trousers and jackets were juxtaposed with ruffles and laser cut lace. Prints featured the image of the Amazon, a mythological beauty from antiquity. While the inspiration of this collection was unique, it was undoubtedly Dior with a feminine silhouette and magical feel.

Accessories came in the form of riding boots, large brimmed hats (created by Stephan Jones), and skinny ties. There was also the comeback of the Saddle bag, as redesigned by Maria Grazia Chiuri.

The collection is created using different materials, including the great French classic ‘toile de Jouy’, which has been revisited and modernised, its picturesque scenes featuring the introduction of a series of wild animals, including tigers and serpents. Lace was prominent and set off by black rubber boots that contrast with the more contemporary elements.

LOUIS VUITTON

Located in South Eastern France, the Foundation Maeght, a private art foundation in Saint Paul de Vence was the chosen location for Nicolas Ghesquière’s Louis Vuitton’s Cruise collection presentation.

This collection was a celebration of eccentric ways of dressing, assembling outfits that were unconventional by pairing unusual matches together to create unique ensembles. Models meandered through sculptures created by Joan Miró for the Sixties-era and the runway collection mirrored the works of art.

Futuristic but with a nod to the 1960’s. Clothes were loose-fitting and layered. Comfort met style with angular shoulders, clashing prints and layered feathers, combined with loose fitting floaty silhouettes and fabrics.

There were variations on key pieces from the spring 2018 collection including puff-sleeved tunics, Botticelli gowns and silky shorts of the latter embellished with lace trims.

What was interesting was the layering and unusual pairings. Sequined jackets were worn with silky shorts, heavy biker jackets were paired with light floaty dresses, and feathered tops worn with boudoir-style shorts. This collection was one for the masses.

Whether you choose to wear it mismatched as it was styled in the show or take individual pieces, what was interesting was the wearability.

The show also celebrated the brand’s collaboration with Grace Coddington. The writer and editor is known for her love of animals, and particularly cats. For Louis Vuitton she has created a line of accessories featuring a playful sketch of her favourite animal.

GUCCI

Reportedly inspired by ‘the idea of death,’ Alessandro Michele put on a theatrical show, at the Promenade Des Alyscamps; France’s oldest Roman necropolis in the southern city of Arles. The creative director chose late evening for the show using smoke, candles and fire to create a truly spooky atmosphere.

The eerie show featured a total of 114 looks for men and women, with so many aspects to them, if you blinked you missed something crucial! This collection ranged from costumes inspired by fantasy characters of the 19th century to outfits fit for a 1980’s rock band, and everything in between.

Prints came in the form of plaid, florals, paisley, animal and even geometric. While the colour palette ranged from soft pastel hues to deep reds and browns. Fabrics included brushed velvet, silks, fur, cotton and leather while outfits were set off with sequins and embellishment. Capes, veils and trains brought drama to the looks.

Amongst the chaos were references to the local history. Including some of the city’s former names. While some outfits featured verse by Italian poet Dante Alighieri, one of the artists to take inspiration from the Alyscamps.

Taking the collection apart there were key staples that could work well paired trousers or jeans, while the statement pieces will surely be saved for the red carpet.

PRADA

This was Prada’s first show in New York and the second Cruise offering from the brand. A location chosen for its cosmopolitan and mix of styles. Something that was reflected in Miuccia Prada’s designs.

Miuccia Prada never short of attitude, embraced the nineties in full force for this collection. Designs were reminiscent of the iconic Glen Luchford’s Prada featuring Amber Valettaa; introducing a series of short-sleeved turtlenecks, narrow-waisted silhouettes and heavy gauge tights. Mismatched prints, leather fabrics, layering, and carefree dressing brought to life the image of Miuccia’s Prada woman.

The designer also showcased a new logo; unveiling a new seventies-inspired motif which was printed onto cotton and leather t-shirts, polo tops and strappy vests. The logo was printed in a graffiti style, giving a street-wear feel to the pieces.

Rather bizarrely oversized ushanka hats were the must-have accessory of the show, looking more autumn/winter than cruise while belts were worn low on the waist and oversized necklaces thrown over cosy knits.

CHANEL

Karl Lagerfeld’s 2018 Cruise collection mimicked that of a real life cruise. Taking place on a custom-built life-size cruise ship inside the legendary Grand Palais, the La Pausa liner provided the destination for the show and after party.

There is a focus on travelling comfortably and in style, wearing soft cotton fabrics, tweed suits, and a chic silhouette that’s classy and understated.

Inspiration is taken from sailors (hence the fitting show space), with stripes layered over white blouses, prints of boats and shark’s teeth, porthole motifs, and waves created by aqua sequinned embroideries.

From tweed to silk to chiffon, all the fabrics come with a lightness about them, floaty yet warming as appropriate for a sea breeze. Tweed dresses are narrow and short while the iconic Chanel jacket becomes a blazer-dress and is finished with La Pausa stamp.

Pleats are constant throughout the collection while waists are accentuated and finished with smocking. Long, lightweight cotton coats are embroidered with multi-coloured threads and trousers come in the form of Capri pants or carrot-leg.

Accessories come in the form of oversized round sunglasses, berets, fingerless gloves and beaded belts. While the BOY Chanel becomes a satchel and the Gabrielle bag is adorned with exotic leather in sunset hues. The new Chanel 31 bag comes in silver leather or as a small two-tone clutch.

This collection creates a story. An image of celebration and excitement on-board a cruise liner, and every part of the collection was designed to generate this.

Trend of the Week: Kaftans

Celebrate the summer in a glamorous kaftan. Perfect for the beach, shopping or even as evening wear, there’s so many ways to wear these comfortable and stylish wardrobe essentials.

LAYEUR AT THE MODIST

Dolce & Gabbana have Just Created the Most Decadent Watches

GATTOPARDO THE LATEST TIMEPIECE CREATION FROM DOLCE & GABBANA, IS EMBRACING ITALIAN WATCHMAKING

Dolce & Gabbana presents the Gattopardo. A new wristwatch that embodies the essence of artisanship and embraces the tradition of love and creativity associated with the brand.

The new edition to the DG7 wristwatch family is created for both men and women; an elegant and traditional timepiece that is the result of a long handmade process. This delicate wristwatch embraces the great Italian goldsmithing tradition, using techniques from some of the best watchmakers in the world.

The decorative watch is engraved entirely by hand on the oscillating weight, the case, and the strap closure. The delicate decoration is cut with a burin, a thin still chisel used for engraving precious metals. The master engravers who undertake this type of unique work known as “ornato” work on each piece for more than 20 days – requiring incredible precision and artistry to carve the case and clasp.

The movement of the watch features a modified ETA 2892 calibre, whose rotor is personalised with a gold insert featuring the Dolce & Gabbana logo and an intricate hand engraved decoration that completely covers the oscillating weight.

The men’s design has two variants, one featuring a dial in black mother-of-pearl, the other in pink mother-of-pearl. Both have an 18 carat pink gold case, sapphire crystal and hour-markers plated in 18 carat pink gold. The strap comes in two varieties; black or Bordeaux alligator with a snap closure and hand engraved pink gold side buttons.

The women’s design is a sparkling jewel unto itself. Slightly smaller than the men’s face at 34mm in diameter, the watch features a unique composition of ten precious stones in three different models. Rubies, black diamonds and colourless diamonds adorn the dial in black or pink mother-of-pearl. The case is created using 18 carat pink golf with a convex “sapphire” glass cover. The crown is screwed down and set with one natural ruby, making it a unique, enchanting work of art.

Pick of the Week: Chanel to Release Trio of Unisex Scents for the First Time

This summer Chanel introduces Les Eaux de Chanel. A new line of unisex fragrances evoking the adventurer we would love to go on or the faraway places we would love to visit.

Les Eaux de Chanel will plunge us into unfamiliar territory with immediate and lasting freshness. These scents are an ode to the unexpected and the need to go anywhere and get away from it all.

Inspired by three of Gabrielle Chanel’s favourite places, Les Eaux Des Chanel consists of three scents, created by perfumer Olivier Polge in cooperation with the Chanel Fragrance Creation and Development Laboratory. Paris-Deauville, Paris-Biarritz and Paris-Vesine invite a more generous application with a sleek sensual bottle. And, while they are still composed with the noblest ingredients to be found in perfumery, here they are stretched out, more supple and flowing.

The structure of Les Eaux de Chanel responds to a single desire: infinite freshness. That feeling you feel when you open the window of a train racing along a track of the morning dew evaporating in the first rays of sun.

PARIS-DEAUVILLE – CRINKLED LEAVES AND BITTER GREEN

In the spring of 1912, a seaside resort on the Normandy coast caught the attention of young milliner Gabrielle Chanel. Deauville was already the destination of choice for many Parisians on the weekend, so it became the ideal location to sell her first creations that broke the stylistic codes of the time. Gabrielle launched her first collection in her shop on rue Gontaut-Biron, a chic street in Deauville. The store featured clothing that borrowed from sailors, striped, beige and jersey fabric. Keeping a step ahead of her time Gabrille Chanel imposed a natural, obvious simplicity. The shop closed in 1925, but Deauville remains part of the heritage of the house.

“More than the actual reality of the destination, I liked the idea urbanites make of it when they dream of a weekend away in the country” Olivier Polge says of Paris Deauville. “I wasn’t striving to capture the Normandy countryside as it stands today, but rather the promise of a stroll through tall grasses.”

Paris-Deauville immerses us into a bitter, biting green. A colour that grabs hold of the body and fills it with fresh air. First comes the vivifying energy of orange rind, petit grain and highly aromatic basil leave. Essence of rose and jasmine-like notes hold their heads high and proud, honouring the floral hear of the composition. Then the distinct, vintage character of patchouli rings out. A wood rooted in the ground, ready to install its energy. Paris-Deauville is a carefree and roaming scent. A decidedly wayward signature, between land and sea.

In 1915, two years after her launch in Deauville, Gabrielle Chanel opened a new space in Biarritz. The Basque coast resort town had been a high society holiday destination since the 19th century. Gabrielle brought her Parisian employees to work in in her shop on the Villa de Larralde, which gained the attention of Queen Victoria Eugenia of Spain, who became a loyal customer. The resort quickly became the go-to sports vacation destination and Gabrielle Chanel was regularly seen rubbing shoulders with the who’s, who of society.

Today, the tireless force of the ocean along the Basque coast brings rolling waves into the vaporous sea foam on the sand. Now overrun with surfers and extreme sports enthusiasts, the resort has always known how to blend a certain sporty spirit with a rare elegance.

“Paris-Biarritz is the most aquatic fragrance in Les Eaux de Chanel collection.” Explains Olivier Polge. “I wanted to create a sensation on the skin as if each ingredient were soaked with water.”

The scent is energized with top nots of grapefruit and mandarin. Accompanied by an aqueous note, the citrus prepares the way for a lily-of-the-valley accord. The groundswell of the formula, vetiver blends with white musk notes to heighten the bracing sensations. Paris-Biarritz instantly revitalises. It has the effect of an ice-cold dip in the sea on a sunny day.

PARIS-VENISE – ORIENTAL PROMISE AND HUSHED IMPRESSION

In 1920 Mademoiselle was inconsolable. To erase the memory of Boy Capel who died tragically in a car accident in 1919, Misia and the painted Jose Maria Sert invited her to Venice. Not only did Gabrielle light upon the city, Venice also rekindled her desire to live. Her discovery of Venetian artists and the unforgettable parties thrown by cosmopolitan aristocrats who spent their day basking in the sun on the Lido beaches, helped Gabrielle forger her inimitable style. Venice is where she discovered the glimmer of the mosaics, the shining hammered gold and precious gens of St Mark’s Basilica, which inspired her first jewellery collection. Venice was an inspirational whirlwind that reignited her creative spark.

“The creation of Eau de Chanel Paris-Venise draws inspiration as much from the long journey on the Orient Express from the French capital to the Italian city, as much from the destination itself.” Explains Olivier Polge. “I wanted people to smell that gateway to the Orient, which, at Chanel, is also an evocation of the baroque. It is probably the most urban Eau of the three.”

Paris-Venis reunites the sumptuousness of the Orient with a cosy cotton sensation. While citrus is still present in the fragrance, neroli remains subdued. A hint of berry and iris combine with Grasse, geranium – tangy and floral. Then a vibrant cedar and ambery accord takes charge. You can detect the vanilla note and oriental scents that warm the skin without overpowering.

THE BOTTLE

Designed like and invitation to travel the bottle for the collection stems from desire and simplicity. The bottle conveys the lightness of Olivier Polge’s fragrances. Fragrances for occasions, great journeys, seasons or a weekend away, Les Eaux de Chanel offers new possibilities without taking the place of your usual scent. The thin lighter glass of the bottle makes it easier to carry. The bottle cap is made with a thermoset. The double C signature is found on top and inside the cap. With a generous 125ml bottle and a rounded shape that fits in the palm of the hand, Les Eaux de Chanel introduces a new perfuming gesture. Equipped with a special pump, each bottle diffuses micro-droplets. When the fragrance comes into contact with the skin the pump has the effect of a soft, delicate and generous cloud.

The three identical bottles differ only by the names inscribed on the front and the colour of the fragrance.

Your Comprehensive History of a Turban

A&E DISCOVERS THE WAY THE TRADITIONAL TURBAN HAS EVOLVED INTO A FASHION ACCESSORY AND WHETHER, IN TODAY’S SOCIETY IT IS APPROPRIATE TO CALL IT THAT?

A turban is, by definition, a long cloth or scarf that is twisted and turned around the head. The wrapped folds produce a tight fitted effect on the head. Length, style, colour and fabric may vary according to cultures and geographical locations, but the basic concept and construction of the turban remains the same.

What has changed however is the connotations and reasons behind wearing this headgear. Traditionally the turban was designed and worn for religious reasons. Particularly in parts of Asia, Africa and the Middle East. Sikh men wear traditional fitted turbans to show a representation of their religion or faith, and other religions and communities also choose to wear different styles of turban. In recent years, a modern draped version of the turban can also be worn as a fashion accessory. While sometimes controversial, the turban has been a prominent fashion accessory with women for many decades and is especially prominent when travelling abroad.

The earliest evidence of a turban-like garment is from Mesopotamia, a historical area in West Asia. A royal sculpture dating back to the year 2350 BC was first seen wearing a turban. According to these dates the turban was therefore used before Islam and Christianity – suggesting that it cannot necessarily be said to have evolved from purely these religions. Sculptures for Central India in 100 BC also provide visual evidence of the use of turbans. The headgear was originally worn by royalty and spiritual leaders and used to signify power. Turbans in this day were often adorned with jewels and accessories to display wealth.

While turbans can feel modern and fashionable, it is extremely important to remember the symbolic significance they have to many religions and cultures. For many, the turban is a way of identifying themselves with a certain culture or group, and it shows a dedication to a particular way of life. In many cases the turban signifies respect and honour and is a valuable part of a man or woman’s life. Turban’s in religion are treated with such respect that it is seen as an insult to pick up another man’s turban. When used for religious purposes even the way a turban is wrapped or fastened signifies something about the person wearing it. How tightly it is worn, how the ends hang and even the type of folds created by the wearer have deep connotations and meaning.

Girl with a Pearl Earring

The first documentation of the turban being worn as a fashion accessory was in the iconic Dutch painting Girl with a Pearl Earring. Painted by artist Johannes Vermeer in 1665, the oil painting features a European girl wearing an exotic dress, a large pearl earring (hence the name), and a turban tied around her head, thought to be inspired by Turkish traditions of the time. This now iconic painting was even made into a film in 2003 starring Scarlett Johansson and Colin Firth which consequently revived the styles of wearing this particular type of turban.

Turban design by Paul Poiret in the 1920s

During the 18th and 19th centuries the turban’s popularity grew. It was the draped variety that dominated the fashion scene. More relaxed and without religious connotations these turbans became increasingly popular with women. The Regency era – a fashion said to be inspired by the increased trade with India, took hold of the turban style, making a statement of class and wealth. In these days the style of turban was initially simple, but as its popularity grew and hair styles became more elaborate so did the styles of turban. The headpieces would often be decorated with jewels and worn to evening balls and functions.

Fast forward to the 20th century and the turban was revived as a fashion accessory once again. Fashion designer Paul Poiret, who was known as the ‘Sultan de la mode,’ was said to revive the ‘oriental’ turban during the early 1910s. Poiret was a fan of the Victoria and Albert museum and he would visit to admire its collection of antique turbans. From here he took inspiration to revive the fashion statement once again. With the introduction of cars and motorcycles in the 1920s the turban grew in popularity, more thanks to its functionality than style, and its ability to control a woman’s hair when travelling in a car. Turbans were often made of silk or velvet and adorned with feathers or brooches.

Even throughout the war the turban remained popular. It was a design that could be created with minimal sewing skills and when time was an essence during the war it was functional and served a purpose when shampoo and hair products were rationed. After the war the turban made it to Hollywood. With actresses including Greta Garbo, and Gloria Swanson wearing turban designs by French milliner Madame Paulette.

Grace Swanson

Greta Garbo

Jumping forward to the 1950s and the draped turban had yet another revival. In 1955 Christian Dior designed a turban that was worn by Elizabeth Parke Firestone. Known for her bold fashion choices, the socialite was reported to have worn the grey wool turban many times between the years of 1955 and 1960. German actress Marlene Dietrich was also known to have worn turban designs created by Christian Dior.

Marlene Dietrich, in Christian Dior turban – 1955 – The Ritz, Paris

As hairstyles changed, turban styles were adapted to cover the bouffant hair trend of the fifties and sixties. Milliner Claude Saint-Cyr, who designed hats for HRH The Queen created a softer felt turban in 1956 that covered the ears and rose to a draped peak at the back of the head. In fact the turban became one of Her Majesty’s signature hats throughout the 60s and 70s. In 1979 she wore a blue layered turban on a visit to the Gulf region, while on a trip to Mexico she wore a bright yellow polka dot variation.

In the 70’s turbans again had a boost in popularity. With fashion house Biba leading the way in quirky style, they designed feathered turbans that were worn by the likes of Twiggy and Jean Shrimpton. The turbans were paired with kaftans or loose silk blouses giving the same oriental look that became popular in the twenties. Actresses including Elizabeth Taylor and Joan Collins began wearing turbans as day and evening wear.

HRH Queen Elizabeth II

Elizabeth Taylor

After the seventies revival turbans took a back seat throughout the edgy styles of the eighties and nineties. In 2007 Prada showed turbans as part of their spring/summer collection and the release of Sex and the City 2 in 2010 saw Sarah Jessica Parker making the accessories noticeably popular again. Sarah Jessica wore a gold silk turban by Ralph Lauren from his Spring 2009 collection. The actress was then seen wearing one off-screen when she attended the premiere of her movie.

Sarah Jessica Parker

Following Ralph Lauren and Prada’s lead, fashion houses started to create turbans more regularly for the catwalk with Jason Wu, and Giorgio Armani showing turbans in their following collections. Milliner Philip Treacy also began to design turbans.

Ralph Lauren spring 2009

Fast forward to 2018 and the turban is perceived as holiday wear. With a relaxed feel to them turbans can be wore with kaftans and swimwear on vacation. As demonstrated by Emilio Pucci for its spring/summer 18 show. Models wore printed turbans and towels presented as turbans with matching vacation looks. For his spring 2018 collection Marc Jacobs brought back the turban as evening wear. At his show in New York he presented silk headscarves adored with brooches and jewels. The turbans which came in variations including metallic, coordinated colour and glitter accented were worn with evening gowns and dresses and gave an edge to the looks. The turbans were actually designed by milliner Stephen Jones, who teamed up with Jacobs for the show.

Emilio Pucci SS18

Marc Jacobs

And more recently Gucci presented men and women in turbans at their fall 2018 show in Milan. The move by Alessandro Michele has received conflicting reviews as the turbans were very similar to the religious styles rather than the draped variations.

Gucci

New Dior Beauty Looks to Try Now

We bring you the best way to interpret Dior’s latest beauty collection to fit any celebrations.

From wow lips, to ‘look at me’ graphic eyes and a touch of glowing highlight, there is a new way to do bold yet understated at the same time.

FACE

Start with Diorskin Forever & Ever Wear Base and then add a few drops of Diorskin Forever Undercover Foundation (we used 023 Peach). Dot the Diorskin Forever Undercover Concealer 022 Cameo on any imperfections and give the complexion a youthful feel with Diorblush 943 My Rose.

EYES

Any statement eye look needs a smooth start so apply the Dior Backstage Eye Prime before using the Dior All In Brow 3D. Diorshow Mascara Iconic Overcurl 090 Black adds length and volume, whole the Diorshow Khol 090 Black further defines the eyes.

LIPS

We love the new Dior Addict Lip Tattoo 491 Natural Rosewood.

FACE

For this graphic look start with Diorskin Forever & Ever Wear Base followed by Diorskin Forever Undercover Foundation 023 Peach. Again apply the Diorskin Forever Undercover Concealer 022 Cameo on any imperfections and don’t forget the Diorblush 943 in My Rose.

EYES

Stick ith the Dior Backstage Eye Prime and then have fun using the Dior Eye Reviver Palette 001. Add a few coats Dior 5 Couleurs Designer 657 Expose Diorshow Mascara Iconic Overcurl 090 Black to the lashes before going in with Diorshow On Stage Liner 090 Black.

LIPS

If it aint broke, don’t fix it and carry on with the Dior Addict Lip Tattoo 491 Natural Rosewood/

LEFT IMAGE:

FACE

We started wthb Diorskin Forever & Ever Wear Base and then smoothed on the Diorskin Forever Undercover Foundation 023 Peach. Diorskin Forever Undercover Concealer 022 Cameo is not a permanent go to as well as the Diorblush 943 My Rose.

EYES

Kick things off with Dior Backstage Eye Prime followed by Dior Eye Reviver Palette 001. Carefully swipe on the Diorshow Mascara Iconic Overcurl 090 Black and then the Diorshow On Stage Liner 090 Black.

LIPS

Pucker up with the Dior Addict Lip Tattoo 491 Natural Rosewood.

RIGHT IMAGE:

FACE

Follow the same quick steps as before wih Diorskin Forever & Ever Wear Base, Diorskin Forever Undercover Foundation 023 Peach, Diorskin Forever Undercover Concealer 022 Cameo, Diorblush 943 My Rose.

EYES

For the natural eye look use the Diorshow Bold Brow 011 Light, Dior Backstage Eye Prime, Dior 5 Couleurs Designer 657 Expose, Diorshow Mascara Iconic Overcurl 090 Black.

LIPS

Dior Addict Lip Tattoo 491 Natural Rosewood.

LEFT IMAGE:

FACE

Go bold with the blusher for this next look and sweep all the way up to the brows. Start with Diorskin Forever & Ever Wear Base then applyDiorskin Forever Undercover Foundation 023 Peach. Use the Diorskin Forever Undercover Concealer 022 Cameo before going wild with the Diorblush 943 My Rose.

EYES

Diorshow Bold Brow 011 Light, Diorshow Mascara Iconic Overcurl 090 Black, Diorshow Khol 090 Black

LIPS

Dior Addict Lip Tattoo 491 Natural Rosewood

RIGHT IMAGE:

FACE

The eyes are the stars of the show so keep the complexion smooth with Diorskin Forever & Ever Wear Base, Diorskin Forever Undercover Foundation 023 Peach, Diorskin Forever Undercover Concealer 022 Cameo and Diorblush 943 My Rose.

EYES

Groom the brows with Diorshow Bold Brow 011 Light and then go in with the Dior Backstage Eye Prime that will keep the Dior 5 Couleurs Designer 657 Expose in place all day. Few coats of Diorshow Mascara Iconic Overcurl 090 Black will really make the eyes pop.

LIPS

Dior Addict Lip Tattoo 491 Natural Rosewood

Styling and Direction: Lindsay Judge

Photographer: Francesco Scotti

Hair & make-up: Ania Poneiatowska at MMG Artists

Model: Petra at MMG Models

Location: Nikki Beach Resort & Spa Dubai

Time to Upgrade Your Luggage

TUMI

Aircraft standard materials, super-light-weight fabrics and designs that stand the test of time, extreme weather conditions and unique journeys. Brands are working harder than ever to create luggage that will last the journey of a lifetime.

We reveal some of the latest collections that will make investment pieces to last a lot longer than just one summer.

TUMI – Latitude collection

Building on its foundation of innovation, functionality and durable design, Latitude is the new premium, hard-shell luggage collection by Tumi. Made from a unique lightweight material with a timeless, modern design, the Latitude collection is the pinnacle of form and function.

It’s unique construction allows it to perform in any environment, no matter the landscape, climate, or culture. Latitude is built to handle any journey with the up-most class. Crafted from TUMI’s innovative Self-Reinforced Poly-Propylene (SRPP Ballistic) an ultra-durable material that is both lightweight and incredibly strong, the Latitude collection provides a unique blend of performance and style.

Latitude uses a layer method that provides strength, durability and flexibility. TUMI’s SRPP Ballistic material, constructed out of a 100% polypropylene composite, which is drawn to achieve maximum strength and then woven into a fabric layer. The layers are then consolidated to form sheets, which are placed into a custom press that forms the Latitude shells; the more layers used, the stronger the shell. The Latitude collection was engineered with easy packing in mind.

All silhouettes include tie down straps, multiple pockets for increased organization, a hanger bracket, and more. Inside of the Latitude shells are reinforcement rods to provide extra support and rigidity, as well as keep the interior lining in place and maintain a tailored look Latitude comes in a range of carry-on and check-in size including an International Carry- On, Short Trip Packing Case and Extended Trip Packing Case.

Ermenegildo Zegna – Pelle Tessuta case

Ermenegildo Zegna’s Pelle tessuta leather carry-on trolley case is a refined and robust travel companion. It has been skillfully constructed in Italy from smooth leather in the label’s intricate pelle tessuta weaving technique.

The two internal compartments are ideal for separating your clothes and grooming products, and the telescopic handle and wheeled base make it easy to manoeuvre through busy airports. Availble in brown and black leather this carry on features two internal zipped compartments, two zipped pockets and an attached garment bag – perfect for the man who has a lot to carry. Available at Mr Porter.

Louis Vuitton – The Horizon

The newest addition to Louis Vuitton’s Horizon range is the Monogram Titanium Horizon. This exclusive version of the Horizon suitcase, made from titanium, laser-engraved with the Monogram motif is highly resistant and makes it light yet sturdy.

This latest launch is the fruit of a two-and-a-half-year collaboration with aeronautical and space specialists to ensure optimum functionality. The Horizon luggage – imagined by Marc Newson, who is widely acknowledged as the most influential industrial designer of his generation, is lightweight 4-wheeled suitcase and has a completely flat interior thanks to its large external cane.

Every detail exudes innovation and lightness: from the discreet new TSA lock to the most comfortable wheels ever designed by Louis Vuitton. You can also travel with peace of mind, tracing your luggage in the main worldwide airports with the Louis Vuitton Echo connected device (sold separately).

Rimowa – The Aluminium collection

With their timeless and iconic design RIMOWA suitcases have been embraced by discerning travellers for the past 120 years. Created with longevity in mind the luggage is not defined by where it has gone, but where it has yet to go.

A companion for life, every trip you take is uniquely recorded with the inevitable dents and scratches of time. The men’s aluminium collection comes in three editions, Topas, Topas Stealth and Topas Titanium. Originally developed for tropical travel, these cases with their robust shell of aluminum magnesium are today still among the lightest and most stable luggage ranges in their class. The cases include a multi-wheel system, TSA lock and flex divider system.

Globetrotter – Carbon Fibre Trolley Case

Globetrotter’s Carbon Fibre case is the ultimate in luxury travel luggage. To celebrate its 120th birthday the English luggage company have introduced a collection of exclusive collaborations. The Carbon collection is a limited-edition run of 120 silver 20” Trolley Cases made with Hypetex – the world’s first coloured carbon fibre originally developed by Formula One engineers.

Like vulcanised fibreboard, carbon fibre is renowned for its strength and lightweight qualities and has been experimented with in a growing number of products. So far these have largely focused on furnishings and include Halo, the world’s first all-carbon fibre chair designed in a playful array of colours.

The new carbon fibre suitcases on the other hand, are stripped back to a cool, contemporary silver and finished with Globe-Trotter’s trademark leather straps, featuring corners in either burgundy or black. It’s eye-catching yet elegant, completely unique yet unmistakably Globe-Trotter.

Bottega Veneta Nero Intrecciato Trolley Case

Bottega Veneta’s Intrecciato VN calf leather cabin trolley case is designed to be lightweight and easy to maneuver. The design features four wheels with 360° rotation, a multistage Lock-it retractable handle, plus side and top handles for easy lifting.

Divided into two organized compartments, featuring an ample zipped section and adjustable straps to keep your clothes wrinkle-free. The detachable internal pouch can be used as laundry bag or to keep smaller objects and valuables in order. Available at Mr Porter

Prada

Ever since it was founded in 1913, Prada has been the brand of choice for luxurious and sophisticated travel items and accessories, and it has accompanied the most style-conscious representatives of the European elite on their travels, even becoming the official supplier of the royal family of the House of Savoy.

Prada’s latest luggage collection features two trolleys, designed and developed with a fresh approach to the luxury sector, both in the international “cabin baggage” format perfect for travelling by plane. The first is a four-wheeled model that represents a new chapter in the dialogue between two fundamental materials for the brand, Saffiano leather and gabardine, with black metal details.

The second model, meanwhile, has two wheels and draws on the design and aesthetic details of the iconic Prada rucksack, with a soft body, expandable storage space and internal compartments suitable for both leisure and business travel.

Another stand-out feature of both trolleys is the high-tech ‘bag tracker’, a device that uses a new app to connect the item with the owner’s smartphone. The phone uses Bluetooth technology to record the position of the luggage within a 40-metre radius, and alerts the user when it leaves or re-enters this area. This system can be used to locate the bag or as an anti-theft device, or even to check that the trolley is travelling on the same airplane or vehicle as you.

Pull on your Sneakers, Grab your Backpack and Travel This Summer in Style

Make travel that much easier and way more stylish with our edit of the best backpacks and sneakers.

From delicate soft pastels at Burberry and Tod’s, to sportier touches at Prada, there is a style to suit every mood and trip. Heading to London? Then embrace being a fashionable tourist with Balenciaga, while Saint Laurent adds a style badge to your wardrobe.

Scroll through our edit below.

WOMEN’S FABRIC BACKPACK AND CLOUDBUST SNEAKERS, PRADA

LEFT IMAGE: WOMEN’S LONDON BAZAR SHOPPER BAG, AND SPEED STRETCH-KNIT SNEAKERS, BALENCIAGA

LEFT IMAGE: MEN’S BLACK GRAINED CALFSKIN RUCKSACK WITH “ATELIER” PRINT, WOMEN’S BOOK TOTE BAG IN BLACK AND WHITE EMBROIDERED CANVAS, CHRISTIAN DIOR RIGHT IMAGE: MEN’S CITY GYM BAG IN CLACK METALLIC GLITTER AND LEATHER, JUMP SNEAKERS IN WHITE LEATHER, SAINT LAURENT

LEFT IMAGE: MEN’S EXPLORER BACKPACK IN COTTON, AND SPEED SNEAKERS, BALENCIAGA RIGHT IMAGE: MAN’S CONVERTIBLE STRAP BACKPACK, DOLCE & GABBANA

LEFT IMAGE: WOMEN’S PORTOFINO SNEAKERS IN VARNISHED TANNED CALFSKIN, MEN’S PORTOFINO SNEAKERS IN PRINTED CALFSKIN, DOLCE & GABBANA

RIGHT IMAGE: MEN’S FABRIC BACKPACK, FENDI

LEFT IMAGE: MEN’S NYLON TECHNICAL FABRIC BACKPACK, CLOUDBUST SNEAKERS, PRADA

RIGHT IMAGE: MEN’S NOE BACKPACK WITH MULTI-COLOURED PATCHES, SAINT LAURENT

LEFT IMAGE: WOMEN’S SMALL TRI-TONE LEATHER BELT BAG, BURBERRY

RIGHT IMAGE: WOMEN’S AMR ZAINO MINI GOMMINI BAGS, TOD’S

Styling and Direction: Lindsay Judge

Photographer: Henry Pascual

How To Get Chanel Cruise 18/19 Beauty Look

Created by Chanel’s Global Creative Makeup and Color Designer Lucia Pica, the beauty look at the Chanel 2018/19 Cruise collection which was held at The Grand Palais in Paris last month, complemented the show’s nautical feel.

The fresh-faced look featured dewy skin, rosy cheeks, glossy nude lips and dark navy graphically lined eyes. The deep blue shade, presumably chosen for it’s nautical connotations, was worn on the top lids and finished at the corner of the eyelid with a small winged effect. The looks were created using Chanel make-up collection.

2018/19 Chanel Cruise Show Backstage – Makeup By Chanel.

BEAUTY CREDITS

Skin prepared with Hydra Beauty Micro Gel Yeux, Hydra Beauty Micro Serum and La Solution 10 De Chanel.

On the face the artists used: Teint Vitalumière Aqua, Les Pinceaux De Chanel Foundation Blending Brush, Palette Essentielle, Les Pinceaux De Chanel Retractable Dual-Tip Concealer Brush, Le Correcteur De Chanel, Natural Finish Loose Powder.

For standout eyebrows use: Stylo Sourcils Waterproof, Le Gel Sourcils

The modern geometric eye look is achieved with: Le Volume Revolution De Chanel – Noir N°10*, – Les 4 Ombres Quiet Revolution N°312, Stylo Ombre Et.

Contouring is still chic: Contour Graphique N°14, Les Pinceaux De Chanel Flat Eyeshadow Brush

Feminine rosy cheeks with: Palette Essentielle, Les Pinceaux De Chanel – Blush

Keep the lips natural with: Rouge Coco Baume, Rouge Allure Rouge Ingénue N°168

The final touch on the nails: La Base, Le Vernis Ballerina N°167 , Le Gel Coat, La Creme Main

In Focus: Givenchy GV3 collection

Givenchy is expanding its GV3 collection with a new bucket style.

The latest leather accessories are Clare Waight Keller’s debut handbag for the brand. The day bag has a vintage finish, chain detail and ‘Double G’ Givenchy clasp with magnetic fastening.

The bag comes in two variations; a full-grain leather style and a more directional style in a mix of suede, creased patent leather and smooth leather. Colourways include black, chestnut grey-blue and aubergine. How would we style ours? Jeans and a crisp white shirt is classic. but we think it will make and elegant contrast to a khaki jumpsuit or tailored work wear.

Available in stores starting June 1st.

Summer Dresses You Need To Update Your Holiday Wardrobe

CAROLINA HERRERA

Summer is well and truly upon us, which means from day to night, you’re probably going to be living in an array of cute dresses for the next few months.

This season there’s plenty of options have you feeling cool and looking on trend during the heat. We reveal the summer dress shapes and styles to shop for.

Daniel Lee Named the New Creative Director of Bottega Veneta

After Tomas Maier’s departure earlier this week Bottega Veneta announces Daniel Lee as the new creative director of the brand.

British-born Daniel was most recently Director of Ready-to-Wear at Celine. A graduate of Central St Martins College of Art and Design, the young designer has also worked at Maison Margiela, Balenciaga and Donna Karan.

Daniel Lee has big shoes to fill after his predecessor Tomas Maier was at the helm of the brand for 17 years. Daniel said of his appointment; “I’m both honored and excited to continue the legacy that has been created at Bottega Veneta over the last five decades. Maintaining the ingrained codes of the House, craftsmanship, quality and sophistication, I look forward to evolving what has gone before, while contributing a new perspective and modernity.”

Claus Dietrich Lahrs, CEO of Bottega Veneta, said in a statement:

“Daniel Lee has a deep understanding of the House’s current challenges both in terms of creation and development. He will bring to Bottega Veneta a new and distinctive creative language that will continue building the House’s success based on the ambitious foundations already developed over recent years.”

Daniel Lee will begin his role at Bottega Veneta on July 1^st.

Spring 19 Menswear Shows: Ermenegildo Zegna Couture

Alessandro Sartori’s latest collection for Ermenegildo Zegna couture provided a spectacular opening to the Spring 2019 men’s shows in Milan. Set against a stunning backdrop; models were presented against the arched facade of the Palazzo Mondadori Palace by Oscar Niemeyer just outside the city. A purpose-built mirrored runway was set across a lake on the outside of the venue.

Presented at sunset the collection, coined “Weightlessness,” reflected the mood of the show. Soft, relaxed and comfortable, the 48 looks were a collection of functional pieces with a purpose of taking style from day to night.

Active wear, distressed denim, day wear and slouchy suits; were all relaxed and laid back. Nothing in this collection was formal, with even blazers evoking a slouchy silhouette. Suits were causal and mismatched with blazers created in mesh fabric and loosely cut trousers rolled up at the ankle.

Technical techniques and fabrics formed the basis of the materials for the collection with laser-cut leather, fusions of mesh, wool and silk, prints on cashmere, and checks in linen crepe. Elsewhere materials were soft and slouchy. Active trousers (that could also be turned into shorts) and hooded jackets were worn over mesh knits. Drawstrings were found on longline shorts and trousers. Even the smartest trousers were oversized and slouchy, created with a relaxed loose cotton, pleated at the front.

Prints came in the form of checks and stripes – with the pinstripe blazer making a comeback and check printed jackets worn over laser-cut leather. A sports print was also presented on blazers and trousers highlighting the brands love for tennis. The colour palette, much like the shows backdrop, was soft and neutral. Soft khaki gave a utility feel to the pieces while pastel hues and primary colours made their mark in the second half of the show, with looks being one-toned.

Accessories come in the form of the brand’s Triple X sneakers, worn with sports socks pulled up over the ankle. As well as sandals, oversized holdalls and mesh visors. – giving a sporty feel to the relaxed looks.

Ermenegildo Zegna Expand Their Toyz Collection

How Clare Waight Keller Created an Iconic Royal Wedding Dress

Meghan Markle’s wedding gown is undoubtedly the most talked about dress of the decade, and will quite possibly become the most talked about gown in history. The only competition comes from the wedding dresses worn by Meghan’s sister-in-law the Duchess of Cambridge, and her late mother-in-law Princess Diana. But in today’s society of social media, and the demand for instant access, Meghan Markle or as she is now known; The Duchess of Sussex’s Givenchy Couture wedding gown is more available and accessible to the world than ever before.

It is only a few week’s since the wedding day and the dress is already on its way to being the most pictured gown of all time; so how did this timeless classic creation become the piece chosen to wear by the world’s most talked about princess?

In the lead up to the wedding there was much speculation about who would create this iconic gown, with rumour mills setting alight stories of a creation by Christopher Bailey for Burbery, Ralph and Russo were also tipped as front runners after Meghan wore one of their creations for the official engagement photos; and Erdem, Stella McCartney and even Marchesa were among the hotly tipped to be designing the dress. But few had considered Clare Waight Keller, the British born designer who had recently been appointed artistic director at Givenchy, making her the first female to take on the role.

Clare Waight Keller, Givenchy dress sketches

It is a rare occurrence to create a garment that goes down in history. But that was the challenge Givenchy artistic director Clare Waight Keller knew she was facing when she took on the enormous responsibility of creating the wedding gown that Meghan Markle would wear for her marriage to Prince Harry.

“It was an extraordinary moment when she told me of course. It was an incredible thing to be part of such an historic moment and also the opportunity to work with her.” Said Clare in a recent interview with the BBC. “It was very collaborative, I think she had very much seen my work and knew what I did. I think she loved the fact that I was a British designer, and working in a house such as Givenchy which has got its routes in a very classical beautiful style.”

Keeping the design a secret was so important. This was one of the most talked about subjects in the world and so an airtight plan would have to be out in place in order for process to run smoothly. Meghan Markle was reportedly introduced to Clare through her friend fashion stylist Jessica Mulroney, and after a series of emails they met in London.

“It is a process to work on a dress such as this.” Said Clare in a recent interview with the BBC; “part of it was conversations at the beginning. And then through a series of sketches that I proposed to her. We exchanged conversations about what would be the ideal lines and proportions. Over time we got to a point where she knew exactly what she wanted and then it evolved into the final design.”

Ms. Meghan Markle in Givenchy Haute Couture by Clare Waight Keller

And the final design was as iconic as it needed to be and more. A simple and classic piece that epitomizes timeless elegance, referencing the codes of the iconic House of Givenchy and showcasing the expert craftsmanship of its world-renowned Parisian Haute Couture atelier founded in 1952. True to the heritage of the house, the pure lines of the dress are achieved using six meticulously placed seams. The focus of the dress is the graphic open bateau neckline that gracefully frames the shoulders and emphasizes the slender sculpted waist. The lines of the dress extend towards the back where the train flows in soft round folds cushioned by an underskirt in triple silk organza. The slim three quarter sleeves add a note of refined modernity.

While the dress was understated and elegant the veil was show-stopping. Meghan had expressed the wish of having all 53 countries of the Commonwealth with her on her journey through the ceremony. Clare Waight Keller designed a veil representing the distinctive flora of each Commonwealth country united in one spectacular floral composition.

Princess Charlotte in Givenchy Haute Couture by Clare Waight Keller

The veil was five meters long and made from silk tulle with a trim of hand-embroidered flowers in silk threads and organza. Each flower was worked flat, in three dimensions to create a unique and delicate design. The workers spent hundreds of hours meticulously sewing and washing their hands every thirty minutes to keep the tulle and threads pristine. In addition to the flora of the Commonwealth, Ms. Markle also selected two personal favorites. Symmetrically placed at the very front of the veil, crops of wheat are delicately embroidered and blend into the flora, to symbolize love and charity.

Ms. Meghan Markle in Givenchy Haute Couture by Clare Waight Keller

Meghan’s dress has been likened to gowns worn by Audrey Hepburn and Grace Kelly. The classic timeless elegance is something that will be remembered forever, much like the gowns chosen by her late mother-in-law Princess Diana and her new sister-in-law The Duchess of Cambridge. Clare Waight Keller explains how this will be a moment to remember for all of us.

“It has been an immensely rewarding experience to get to know Meghan on a personal level, one I will forever carry with me. As a British designer at a Parisian Haute Couture house, and on behalf of all us at Givenchy who have been able to experience such an extraordinary process of creativity, I am extremely proud of what we have accomplished and grateful to Meghan Markle, Prince Harry and Kensington Palace for allowing us to be part of this historical chapter.”

As well as creating Meghan’s gown, Clare Waight Keller produced the dresses for Meghan’s six young bridesmaids which included Princess Charlotte. The six dresses were handcrafted in the Givenchy Haute Couture Atelier in Paris and were designed to have the same timeless purity as Meghan Markle’s dress. Each dress was sculpted in Ivory silk radzimir, and is high-waisted with short puff sleeves and hand finished with a double silk ribbon detail tied at the back in a bow. The Bridesmaids’ dresses included pockets and pleated skirts to create a relaxed and luxurious silhouette.