These are our favourite collections for the new summer 2024 season.

Buccellati

For summer, Buccellati’s Blossoms Colour and Opera Tulle collections are the perfect option. The Blossoms Colour collection is a range of silver jewels inspired by the beauty of flowers. They feature a fresh, playful design that is great for everyday wear. The collection features modern interpretations of the gardenia and daisy and combines handmade silver designs with semi-precious stones such as blue and yellow agate and pink opal. Stones are surrounded by gold-plated bezels set with brown diamonds. 

The Opera Tulle collection combines the tradition of ancient goldsmithing techniques with the originality and beauty of the house’s design. The collection includes rings, sautoirs, flexible and bangle bracelets, pendants and button earrings, presented in three different versions, but all having a common denominator: the radial tulle layer, which is the hallmark of most precious Buccellati creations. The logo element is set with semi-precious stones (like onyx and mother-of-pearl), with coloured enamels, or even left unset to exalt the tulle workmanship’s transparency and lightness. All versions are available with or without diamonds.

Chaumet

Chaumet’s Bee My Love collection returns this summer with new pieces that pay tribute to its signatures but with new surprises. The highlight of the collection is the Bee My Love necklace which required more than 750 hours of design development before being meticulously assembled and polished by hand. It is composed of 410 grams of gold and 43.73 carats of diamonds. Its unique design reflects the texture of honeycomb. 

The collection also introduces new pieces whose glittering gold echoes the incomparable radiance of the sun. With a delicate openwork design that evokes the pollen gathering of a bee, the mirror-polished rose gold cells dialogue with the brilliant-cut diamonds, sparkling with a thousand fires. The rounded, feminine motif is available on a pendant, a ring and a bracelet inspired by the toi et moi, as well as transformable earrings whose lower part can be detached, offering the possibility of being worn three different ways: as studs, full earrings or mismatched.

Chopard

Chopard’s My Happy Hearts collection is a sign of self-love embodied in delicate jewellery pieces. The new collection consists of necklaces, chain bracelets, rings and earrings based on the principle of a single heart motif. The pieces are presented in ethical 18-carat rose or white gold, with the heart of each piece of jewellery in carnelian, mother-of-pearl or diamond-set versions. The collection’s rings and earrings are also available with a dancing diamond.

The heart has long been a favoured symbol of the maison, paired with elegant coloured stones. Carnelian conjures up a passionate and incandescent symbolic field, while pure, silky, iridescent mother-of-pearl wraps the spirit in a comforting presence.

Tiffany & Co.

Tiffany & Co. Has revealed an exclusive collection by Pharrell Williams. The Tiffany Titan by Pharrell Williams collection is inspired by the mythological Poseidon’s trident and features bold designers that are an expression of one’s energy, power and force. The motif is juxtaposed by a unique-shaped link that is curved and soft against the sharpness of the spear.

The collection incorporates sharp, spear-like spikes within an array of necklaces, earrings, bracelets and rings embodying a sense of punk spirit. Offered in 18k yellow gold or titanium with all metal and diamond iterations, each piece challenges conventional methods in its design. With an unexpected twist on traditional diamond settings, the pavé pieces feature reverse-set diamonds that expose the diamond’s pavilion, maximising brilliance. The use of titanium contrasts the subdued, reflective quality of the material itself to produce an impactful statement, setting the designs apart from traditional jewellery. With technical precision in each design that is intended to move with the wearer, the collection showcases the House’s commitment to flawless craftsmanship.

Van Cleef & Arpels

Van Cleef & Arpels has revealed the new Pâquerette Collection, inspired by vibrant flora and an ode to summer’s blooming beauty. The limited collection of rings seamlessly blends golden hues with the vibrant tones of ornamental stones, evoking the warmth of sunlight and opening a new chapter of Van Cleef & Arpels’ floral story. Drawing on over a century of expertise, each ring is meticulously crafted to showcase the Maison’s commitment to excellence. From carefully selecting stones, including onyx, malachite, turquoise and more, to the intricate detailing of the flower motif, every element reflects Van Cleef & Arpels’ unparalleled savoir-faire.

 As a tribute to the Maison’s rich heritage, the Pâquerette Collection continues its storied tradition of botanical themes, offering a contemporary interpretation that captivates with its bold contrasts and elegant composition. Embodying the spirit of summer, these rings invite you to immerse yourself in a garden of timeless beauty. 

From Chanel’s 2023/24 Métiers d’art collection revealed in Manchester to Nicolas Ghesquière’s Louis Vuitton show in Shanghai, we’ve compiled a round-up of all the essential looks to watch out for from the latest collections.

Chanel

Chanel’s 2023/24 Métiers d’art collection was presented to an audience of British fashionistas in North England’s stylish city of Manchester. A city that shaped a generation of music culture, “For me, Manchester is the city of music. It incites creation.” Said the brand’s creative director Virginie Viard, in the show notes. 

The show took place on Thomas Street in the north of the city and was focused on feelings and emotions and a nod towards the swinging sixties. With tweed at the centre of this collection, it was reinterpreted across suits, bags, dresses and accessories through a colourful palette of salmon pink, pumpkin orange, apple green, mustard yellow, sky blue and red—strings of pearl-decorated garments and accessories with a playful yet opulent touch. 

It was a collection that was faithful to the house codes but offered a modern twist with details such as chains at the bottom of jackets, contrasting inner fabrics, and multiple topstitched panels allowing for great freedom of movement – a celebration of Gabrielle Chanel’s own art of tailoring.  

Ideas of Great Britain evoke wraparound skirts, miniskirts with godets, Bermuda shorts, shirts, and coat dresses, all featured in tweed, knitwear in Shetland and cashmere. Cuts are fitted, and skirt waists are worn slightly low on the hips.

Pleats, feathers and embroidery work, along with hats and jewelled buttons crafted by the Métiers d’art resident at le19M, enhance the allure of this collection. Teapots, vinyl records and cute flowers all add fun touches. The collection dares a certain candour with black Mary-Jane shoes. Jeans, leather, and knitwear, including babydoll nighties and strapless dresses, complete the ensemble, investing domains as varied as football, Manchester’s music scene or the English countryside.

With a vibrant sensitivity and musicality, the 2023/24 Métiers d’art collection evokes the ever-youthful love story between Chanel and Great Britain, an adventure that has lasted for over a century.

Dior

Dior’s Fall 2024 ready-to-wear collection debuted in New York City, paying homage to the Big Apple and its connections to France (the city was a gift from the French to the United States in the 19th century). In Christian Dior’s autobiography, the chapter dedicated to his Paris-New York trip opens up a dialogue between the style capitals, a connection that’s highlighted by Maria Grazia Chiuri in two key prints: the Statue of Liberty and the Eiffel Tower, flourishing in large format on numerous models. 

The bridge between both cultures is Marlene Dietrich, a charismatic, contrarian actress attached to Dior, in life and on screen. Maria Grazia Chiuri was inspired to build a collection that fuses the Dior silhouette with the diva’s phantasmagorical presence and boyish allure, with tweeds coming directly from a selection of English menswear fabrics. Marlene Dietrich’s masculine suits provoked scandal, asserting, let us not forget, a woman’s right to choose her attire as she pleases, a tie or a sleeveless vest, for instance: so many emblems that complement each other. Jackets are paired with wide-leg pants or below-the-knee pencil skirts. 

Precious and light dresses recall the style of the 40s, giving a glimpse of the lingerie that turns out to be an essential part of the outfit. Fabrics such as hammered satin, crushed velvet and crepe are reinterpreted in a contemporary spirit. Some of the lace-encrusted slip dresses, often revealed beneath large, lined coats, are made from quilted nylon featuring the cannage motif. The embroidery evokes brooches and echoes the signature codes so dear to the founding couturier: the star, the lily of the valley, the clover and the bee. The lace collars become veritable structural intarsias. As for knitwear, a virtuoso level of inventiveness has allowed multiple facets of its extraordinary plurality to be developed. 

Elie Saab

Elie Saab’s Pre-Fall 2024 collection, “Perfectly Marvelous”, celebrates the irresistible magnetism of the woman who wears the designer’s clothes. She is perfectly marvellous, effortlessly embracing a more glamorous life. The Elie Saab woman is never boring, in fact, she is quite the opposite: she bursts on the scene with bold vibrancy and colour. Saab was inspired by aspirational fashion editor Diana Vreeland and the China Red and vivacious Paradise Pink shades she often wore bring powerful life to more classic silhouettes in soft neutral beige wools.

Cool sculpted décolleté in magenta and nude accentuate emblematic Elie Saab silk gowns in dramatic a-symmetries. Large pinched pleats define the waistlines of structured peplum jackets and strapless A-lines while contrasting white stitches trace the hemlines of black tailored suits and skirts. Abstracted monograms appear as embroidered cuff sleeves and puff shoulder illusions. Adventurous patterns and scintillating shine command the evening as the Elie Saab woman continues to set la mode. 

Daring black and white zebra prints stripe down plunging V-neck crepe tunics and into fun belle-bottom pants. Flared tulle cocktail dresses and modest slip gowns come into bloom in maximalist oversized florals in red, white, black and a touch of pink petaled outlines. Peep-toe platforms and woven stilettoed sandals elevate each silhouette into the echelons of charm and charisma.

Erdem

Erdem’s Pre-Fall 24 collection is inspired by opera singer Maria Callas, who, in character, had an electric capacity to project complex emotional states with her voice. Off stage, she wore her vulnerability in public. The collection tells the story of this contrast and the balancing act of control and passion, restraint and ferocity, image and expression. 

The collection examines how Callas dressed and carried herself, at times deriving pieces from garments worn by the singer and at others taking volumes, details and motifs of the era as starting points. Structure, drapery, tailoring, and organic shapes are combined and contrasted to intriguing effect. There are late-50s and 60s silhouettes: cocoon shapes, boat-neck dresses and felted pea coats with voluminous backs. The feeling is decadent with a sharp edge, not unlike how some critics described why the voice of Callas was so memorable.

In several looks, there’s a tussle between austerity and playfulness that could almost be riotous or wild. A black dress is swathed with an oversized fuchsia bow. Monastic dresses have built-in bows and capes with jewel-encrusted shoulders. A cloqué gown with exaggerated bows on the shoulders feels elegant and exuberant. A black Duchesse dress with a structured bustier and waist has a sculptural quality. Knits with mint green draped skirts are casual and formal simultaneously.

Flower motifs, particularly roses, feature throughout the collection as symbols of adoration. On silk dresses, they appear blurred, as if caught in motion mid-flight, thrown from the audience to the star with rapturous applause. A long gown is entirely covered with hand-dyed applique roses in varying shades from red to pink.

Elsewhere, more subtle hints and echoes of adulation appear, with silk-printed roses beneath black tulle skirts and a black peplum suit jacket with hundreds of black crushed flowers that are almost camouflaged.

The collection has rich glamour; this is the wardrobe of a character who lived on stage and in the society limelight, dressed by the now-forgotten couturier Madame Biki, who happened to be Puccini’s granddaughter. The threshold between on and off-stage is thin and porous. Garments for performance can become garments for protection under the fierce gaze of the public eye.

Givenchy

Givenchy’s pre-fall collections for men and women showcase the house’s new elegance and new ease of dressing. The brand continues to build on the fluidity of dresses, as well as further exploring ideas of new formality as seen on the runway. With this collection, House expands on ideas gleaned from Hubert de Givenchy’s later collections, reworking them through a contemporary lens.

Two threads define the women’s collection: on one hand, languid, masculine volumes are reconsidered with a plunging neckline; on the other, tailoring propositions are waisted with slightly shrunken proportions. Miniskirts give power dressing a modern spin. Cocoon coats in double-face cotton echo those seen on the runway. Likewise, the iconic Givenchy trench is reconsidered with couture volumes in the back. A touch of archival elegance also infuses wardrobe essentials like blouses and trouser suits.

Flamboyant touches include jewel-like 4G buttons on tailoring. Hot pink and orange hues bring fresh energy to a predominantly neutral palette. Lightness comes through plays of transparency and archival polka dot motifs. For evening, the Little Black Dress rules: a double-draped back creates an element of surprise, while delicately ruched silk chiffon emphasises seduction with a dash of mystery. New this season is a graphic lace signature, panelled together with point d’espirit tulle on evening dresses and knitwear.

Men’s looks reflect the innate elegance of the House’s founder and its new formality. Floral graphics, reflecting Hubert de Givenchy’s love of gardens, unexpected colours and revisited classics comprise a throughline while nods to various subcultures inject looks with tension and modernity, such as a white tuxedo or a black and gold leather perfecto. Givenchy codes and savoir-faire are apparent through technical fabric developments and hand-embroidery. Wool suiting fabric is treated with resin to make it wind- and waterproof; hand-applied flowers embellish machine-embroidered tulle.

Loewe

Scales and proportions are on the mind of Loewe’s creative director, Jonathan Anderson of late: big and small, high and low, points of view defining perceptions, and perceptions drawing silhouettes. This is highlighted in the fall 2024 pre-collection, which combines rawness with playfulness. The collection is presented with a campaign shot by Juergen Teller featuring friends of the houses, including Alison Oliver, Archie Madekwe, Dan Levy, Enzo Vogrincic, Kit Connor, Lesley Manville, Sophie Wilde, and 070 Shake, as well as a special guest appearance by Jonathan Anderson’s nephew, Alfie Anderson. 

Shot amongst the miniaturised scenarios of Bekonscot Model Village, the world’s oldest original model village, built in 1929, it features a varied cast of artists and creatives in unexpected scenarios. The childish playfulness of the situations is offset by the dry, puzzling expressions of the subjects. Sophie Wilde leans against the walls of a castle, holding a denim version of the Squeeze bag in her hand. Alison Oliver sinks in a pond, or stands within a fortress, showing off the Flamenco Purse. Enzo Vogrincic barely balances over the railway tunnel, suited in corduroy and holding the Flamenco Backpack. Lesley Manville has her hands occupied with a giant sunflower and the Squeeze bag, while 070 Shake looks at the camera with a miniature deer on top of her head. 

Poses and situations are both crude and whimsical, reflecting and augmenting the lines of the Loewe Fall Winter 2024 precollection, a mix of cropped and stretched-out shapes, outsized bows, and sculptural draping, with iconic Loewe bags, such as the Puzzle and the Hammock. The Puzzle Fold tote, the Flamenco Purse and the Squeeze bag come in malleable, soft iterations and are pictured as still lifes in miniature settings to highlight scale. Juergen Teller’s eye brings a documentary feel and dry humour to the endeavour, further positioning Loewe as a visual language rooted with a dash of magic. 

Louis Vuitton

Nicolas Ghesquière pursues an exploration that caps ten years of creativity at Louis Vuitton, and this season presents the Prefall 2024 collection with a new Voyager show in Shanghai.

Echoes of earlier designs punctuate a decade in fashion, reflecting the roots of a noble French fashion House and the distinctive emblems that make it unique. Today, they are renewed with unbridled freedom of tone and form. An exuberance of colour and joyfulness salutes the tremendous stylistic vitality of China’s youth, and for this collection, the House teamed up with the young contemporary artist Sun Yitian, whose charming, figurative bestiary enlivens contrasted silhouettes. Short confronts long. At times, they unite, conjoining refinement and audacity. Oppositional prints make for happy marriages. Classicism goes tangential, giving outfits a charming zeal. In this fast-paced collection, accessories punctuate the narrative, recounting the innovative saga behind the great trunk-maker in their own way. The Petite Malle, the Twist, the OnTheGo, the Diane, the Loop, the Side Trunk, the Atlantis, the Noé, the Cannes, and the Camera Box — as well as the Capucines and the Dauphine — open fresh chapters and return in flexible versions. Meanwhile, the Slim Trunk joins the illustrious ranks of the Maison’s bags, timeless witnesses of a long history that continues to unfold.

The collection was being presented at the Long Museum in Shanghai, which was founded by husband-and-wife collectors Mr Liu Yiqian and Ms Wang Wei, and is named for its elongated funnel shape. The largest private museum in China, it holds the country’s richest collection, including traditional, modern and contemporary Chinese art, Chinese revolutionary art, and contemporary works from Asia, Europe and the United States.

Max Mara

Max Mara’s Pre-Fall 2024 collection, Magic Circus, celebrates old favourites, giving them new life through fresh colours and materials. The Whitney Museum of American Art is a Max Mara favourite, and one of the most beloved pieces in its collection is Alexander Calder’s “Cirque Cader”. The elaborate troupe of ingeniously articulated performers and hundreds of props, including nets, flags, carpets, lamps and musical instruments, are recently restored and redisplayed, all beneath the towering masts of the big top with its jaunty pennants.

Made from humble wire, wood, metal, cloth, cork and string, each piece generates character and charm. Calder’s performances were the talk of Paris and his audiences included Piet Mondrian, Joan Miró, and Marcel Duchamp. “Cirque Cader” speaks of the frisson of the live performance, the first night, the energy of the applause, the reason why the rentrée is so thrilling.

Max Mara’s materials for this collection are richer than Calder’s, but every look brings to life a personality, echoing the individual panache of the ringmaster, the strong woman, Pierrot, acrobat, and conjurer.

In red, white, camel and black, there are leopardine prints, audacious stripes, distinctive spots and the odd star. The look is leggy, bold and showy: tiny twill shorts with a pannier construction, a mini pareo to wear with a mannish blazer tucked in. A poplin shirt dress with pie crust frill to voluminous the sleeve, a one-shouldered asymmetric combination and a strictly tailored coat dress with a flirty skirt, a trapeze-shaped organza trench coat, and a bib-fronted micro-combination all beg to be worn with this season’s strappy silver Mary Janes.

And why wait till the leaves turn brown before you can wear these looks? There are plenty of pieces to want now and wear now, including smart summer dresses for the city and collectable T-shirts with flamboyantly drawn figures from the big top.

There are few people in the world today who have not been affected by cancer in one way or another.

With one in two now contracting the disease throughout their lifetime, we will inevitably either know someone close to us who has cancer or, unfortunately, contract it ourselves. The figures are stark, and the reality is that there is still no cure for the disease, but there is hope. With advanced research and new science, so many more are surviving, and early diagnosis is making the disease much more manageable for so many people, but the financial and emotional burdens surrounding those affected by cancer can be great and difficult to manage. Friends of Cancer Patients was set up in 1999 in the UAE to help with the devastating effects cancer can have on those with the disease and those close to them. Leading its vision is 

Aisha Al Mulla, whose work has helped thousands of families and individuals over the last two decades. The organisation’s work is crucial help helping those in need. Here, we find out more about the work the organisation is doing and what you can do to help or perhaps benefit from your own help. 

Tell us about Friends of Cancer patients and its vision.

Since 1999, Friends of Cancer Patients (FOCP) has been dedicated to alleviating the financial and emotional burdens faced by cancer patients and their families. Founded under the directives and patronage of Her Highness Sheikha Jawaher bint Mohammed Al Qasimi, Wife of the Ruler of Sharjah and Chairperson of the Supreme Council for Family Affairs, FOCP aims to promote awareness about early detectable forms of the disease and ensure patients and survivors receive compassionate care and support.

Our mission is rooted in the belief that no one should face the challenges of cancer alone, and that together, we can create a future where cancer is prevented, treated, and overcome with dignity, resilience, and hope.

Why was it important for you to be part of this organisation?

At FOCP we believe that every individual, regardless of their financial situation, deserves equal access to quality cancer care and support. Being part of this organisation allows me to channel my passion for making a tangible difference in the lives of cancer patients and their families. It is a privilege for us to be able to support those on their healing journey and provide them with the resources and empowerment they need to overcome any challenges. Knowing that we can contribute towards our mission to be a ray of hope and a source of strength for those facing the devastating impact of cancer is what drives me to give my all to this organisation. I am inspired by the resilience and courage of patients and their families, as well as the strength survivors have shown, and I am committed to being an ally in their fight against this disease.

What are some of the biggest achievements of the organisation so far?

I am immensely proud of the numerous milestones we have achieved in our mission to support cancer patients and their families in the UAE. In 2023 alone, we provided financial support to hundreds of patients and allocated over AED7.2 million to cover treatment expenses, and I want to express our heartfelt gratitude to all those in our community of supporters and donors who made this a reality. Through our digital channels, we engaged with over 10.3 million individuals, creating widespread awareness, and provided 17,223 free breast cancer screenings to champion early detection.

Our annual Ramadan campaign, which includes iftar meals, support group gatherings, and the distribution of care packages, brings joy and relief to our patients, emphasising that no one should face this battle alone. Additionally, our annual Zakat campaign raised AED 5.3 million to cover treatment expenses, reinforcing the UAE’s united stand against cancer and inspiring further contributions.

I am particularly proud of our innovative approaches to cancer awareness and early detection, such as our mobile screening clinic that travels across the UAE, empowering individuals to take charge of their health. These efforts have saved countless lives through early intervention, showcasing the impact we can achieve through community collaboration.

What would you still like to achieve?

Our aspirations for FOCP are boundless, and I am committed to continuing to expand our reach and impact across the UAE, to ensure that every cancer patient has access to comprehensive support and resources. By strengthening our partnerships with healthcare providers, research institutions, and government entities, we can enhance cancer care and support networks. 

We aspire to advocate for improved policies, increased funding for research, and greater access to cutting-edge treatments, working towards a future where cancer is no longer a life-threatening diagnosis but a manageable condition that can be overcome with the right support and resources.

We know that today, so many people’s lives are affected by cancer – what message of support would you give to those who have been personally touched by the disease?

You are not alone in this battle.

To the incredibly strong cancer warriors, please hear me when I say that FOCP is here to walk alongside you, to provide the care, resources, and emotional support you need to heal and thrive. Your journey may be filled with challenges, but I want you to remember that you are stronger than cancer. Together, we will fight this disease with unwavering courage and resilience.

I have seen the incredible strength and determination of our patients and their families, and the monuments of triumph that are our survivors. Your stories of bravery inspire me every single day, and they remind me of the power of hope, community, and the human spirit. When the road ahead seems dark and uncertain, I want you to know that we are here to be your beacon of light. 

To those who have been personally touched by cancer, please know that you have an entire community of supporters who are rooting for your success. We see your strength, we honour your resilience, and we are committed to ensuring that you never have to face this battle alone. Take each day as it comes, celebrate the small victories, and know that FOCP is here to provide the care, resources, and compassion you need to overcome this challenge.

What’s the biggest challenge you face in your role today?

As the pace of life accelerates and habits evolve, we have witnessed a concerning rise in the number of cancer patients seeking our support. This poses a significant challenge as we strive to ensure that we can provide the best possible care and resources to as many cases as possible, ensuring that no one is left behind. We also aim to adopt a holistic approach, understanding that healing extends beyond medical treatment alone. 

This magnifies our responsibility as the number of patients in need continues to grow, requiring us to constantly innovate and expand our capabilities to meet the increasing demand. Despite these challenges, we remain strong in our commitment to providing the highest quality of care and support to every individual who comes to us for help. We are continuously exploring new ways to streamline our processes, leverage technology, and collaborate with partners to ensure that we can reach and support as many people as possible.

Tell us how the work of the organisation has changed lives.

When I reflect on the work we do at FOCP, I am humbled and inspired by the profound impact we have had on the lives of cancer patients and their families. Each story, each triumph, each moment of hope restored is a testament to the power of compassion, support, and unwavering determination.

Since our inception, FOCP has been a companion on the healing journeys of thousands of individuals, walking alongside them through the darkest of days and celebrating the brightest of victories. Our awareness campaigns and early detection efforts have been truly transformative, empowering people to take charge of their health and catch this formidable disease in its earliest stages.

I have witnessed firsthand the incredible transformation that can occur when someone is given the resources, the support, and the courage to face cancer head-on. Patients who were once overwhelmed by fear and uncertainty have blossomed into resilient warriors, determined to beat the odds and live life to the fullest. Their stories of strength, courage, and triumph inspire me every single day, reminding me of the power of community and the unbreakable human spirit.

Through our comprehensive support programmes, we have had the privilege of restoring hope, confidence, and a renewed sense of normalcy to those affected by this disease. We have seen individuals who were once consumed by the weight of their diagnosis rediscover their passions, reconnect with their loved ones, and reclaim their lives with a newfound sense of purpose and resilience.

How can readers become involved in the work you’re doing and help others in need?

When it comes to the work we do at FOCP, I firmly believe that every single person has the power to make a profound difference in the lives of those affected by cancer. Whether it’s through volunteering, fundraising, or simply spreading awareness, there are countless ways for our community to get involved and become part of the solution.

Participating in our events is an impactful way for our readers to get involved. From awareness campaigns to fundraising initiatives, these gatherings are opportunities to raise your voice, lend your support, and directly contribute to the well-being of cancer patients and their families. By coming together as a community, we can amplify our message, expand our reach, and create a ripple effect of hope and resilience that knows no bounds.

Of course, financial contributions are also crucial in enabling FOCP to continue our life-changing work. I would encourage our readers to explore the various donation channels available on our website and social media platforms, knowing that every single dirham they contribute is a lifeline for someone in need. 

But beyond these tangible ways of getting involved, I believe that the most powerful contribution our readers can make is to spread awareness and share our message. By talking about the work we do, by advocating for early detection and prevention, and by lending your voice to the fight against cancer, you can help us reach more people, inspire more action, and create a future where no one faces this battle alone.

What is the biggest reward you get from your role?

The biggest reward is witnessing the incredible resilience and strength of our patients as they navigate their healing journeys, as well as the determination of my team. Seeing the positive impact of our work, and knowing that we have played a role in restoring hope and empowering those affected by cancer, is truly humbling and gratifying.

But the rewards go beyond this, It’s the little moments – the smiles, the laughter, the expressions of gratitude – that truly fill my heart with joy and purpose. When a patient tells me that our support has made all the difference in their battle, or when a family member expresses their heartfelt appreciation for the care and compassion we have shown them, it reminds me of why I do this work.

Being part of someone’s healing journey is a privilege that I don’t take lightly. To be entrusted with the care and well-being of those facing the greatest challenges of their lives is a responsibility that I approach with the utmost dedication and compassion. Knowing that I can be a source of strength, a beacon of hope, and a steadfast ally for our patients and their families is what drives me to give my all, day in and day out. As the Director of FOCP, I am honoured to be a part of this journey, and I am committed to continuing to uplift, empower, and support those affected by cancer for years to come.

What’s the hardest part of what you do?

We fight tirelessly for every single patient, pouring our hearts and souls into ensuring they receive the best possible care and support. But sometimes, cancer emerges victorious, despite our unwavering efforts. These heartbreaking moments remind us of the gravity of our mission and the urgent need to continue our fight against this disease. 

While it is undoubtedly difficult to witness the loss of a patient, it strengthens our resolve to provide the best possible care and support to those in need, and to never give up in the face of adversity. We honour the memory of those we have lost by redoubling our efforts, advocating for improved treatments and policies, and working towards a future where no one has to face the devastating consequences of this disease. Our patients and their families are in our hearts always, and their courage and resilience continue to inspire us to fight on.

In this issue, we are talking about Emirati Women’s Day – what does this day mean to you?

As an Emirati woman myself, this day is a powerful reminder of the pioneering achievements and invaluable contributions of women who have paved the way for future generations. This day shines a bright light on the success stories of our mothers, sisters, and daughters – the trailblazers, the innovators, the visionaries – who have defied expectations, and shattered glass ceilings, and inspired us all to dream bigger and reach higher. It is a testament to the resilience, strength, and unparalleled spirit of Emirati women, who have proven time and time again that we are a force to be reckoned with.

As we continue our journey in this world towards equality, empowerment, and the realisation of our full potential, it is a reminder that we must support and uplift one another, to break down barriers, and to create a future where women are celebrated, respected, and given the opportunity to thrive.

Who is a woman that inspires you?

My mother is the woman who has inspired me the most throughout my life. She has instilled in me the deep passion for helping others since my earliest days, and she continues to be my rock of strength and supporter. I am the woman I am today because of her guidance, wisdom, and unconditional love, and she is a true role model. 

What’s the professional motto that you live by?

“Making a meaningful difference in the lives of the community and the people we serve.” This guiding principle drives me to approach each day with the determination to empower those affected by cancer, restoring hope, and creating positive, lasting change. It is a constant reminder that the work we do at FOCP is not just a job, but a calling – a mission to uplift, support, and empower those who are facing the greatest challenges of their lives. This motto keeps me grounded, focused, and dedicated to ensuring that every single person we encounter feels seen, heard, and supported on their journey. It reminds me that every small act of kindness, every word of encouragement, and every resource we provide has the power to transform lives and create a ripple effect of hope and resilience throughout our community.  

focp.ae

The Dior Fall 2024 – Dioriviera Collection inspires idyllic summer escapes with playful prints, light materials and beachside essentials.

Earrings, Necklace, White shirt, White skirt, Pink “Dior Ballet” ballerinas all Dior

Coral & white dress, Coral “Lady Dior” bag, white sandals all Dior

Coral & White “DIORIVIERA” dress by Dior

Earrings, white shirt, white beaded skirt, pink & white pouch all Dior

Sunglasses, earrings, white dress all Dior

Blue & white dress by Dior

Blue & white top, blue & white skirt, multicoloured bracelets, blue & white “Lady D-lite” bag, all Dior

White beaded top, white pants, coral & white “Dior Book Tote”, white sandals all Dior

Photography: Kalid Hasan 

Fashion Director: Lindsay Judge 

Hair & Makeup: Sophie Leach 

Model: Victoria at MMG Models 

Location: One&Only The Palm

Dior.com

The Sharjah Businesswomen Council was established with the vision of providing women a strong platform that will allow them to use their capabilities and skills in order to build effective partnerships in economic, social, scientific and cultural sectors.

This vision today has become a reality as the council has helped countless women on their entrepreneurial journey, changing the shape of women in business in Sharjah. Founded by Her Highness Sheikha Jawaher bint Mohammed Al Qasimi, Wife of His Highness the Ruler of Sharjah, the council works with women in Sharjah, supporting them and offering guidance and knowledge for those looking to set up businesses or further elevate their current business. 

As Chairperson of the council, HE Sheikha Hind bint Majid Al Qasimi is tasked with supporting this mission, something which she experienced first-hand with the beginning of her own arts and crafts business Designed by Hind. Here, ahead of the latest edition of Emirati Women’s Day, we find out more about the support it is offering and what’s coming up in the future. 

Tell us about the vision of Sharjah Businesswomen Council, and what are the main goals of the council?

The Sharjah Businesswomen Council (SBWC) was established through the vision and patronage of Her Highness Sheikha Jawaher Bint Mohammed Al Qasimi, Wife of the Ruler of Sharjah and Chairperson of Supreme Council for Family Affairs, and we are deeply committed to empowering female entrepreneurs to make an impact on the economic and social development of the region. 

Our vision is to achieve the full integration of women into the local economy of Sharjah and the UAE. We nurture a business-friendly environment that supports women at all stages of their careers, enabling them to become inspiring leaders and role models. By providing development opportunities and comprehensive solutions through workshops, training programmes, and mentorship, we not only inspire excellence and equip women with knowledge and skills, but also actively connect our members with key stakeholders and industry leaders to create valuable partnerships.

By fostering a culture of entrepreneurship and innovation, I am proud to say we have created a thriving business community that reflects the diversity and talent of female entrepreneurs, placing them at the forefront of the country’s economic growth and contributing to the UAE’s continued progress and prosperity.

Tell us about some of the talent that you are seeing amongst the younger generation.

The younger generation in Sharjah is brimming with talent, showcasing a strong work ethic, innovative ideas, and passion for making a difference that these young women possess. The future truly looks bright in their capable hands.

Many of these young entrepreneurs are highly proficient in digital tools and platforms, unafraid to experiment and embrace new technologies, which they use to create solutions and launch businesses, from agri-tech to utilising AI for marketing. 

We empower these inspiring young women to turn challenges into opportunities, allowing them to approach problems creatively and think outside the box. Many are also passionate about creating businesses that not only make a profit, but also positively impact society. 

How does the council help to share what’s happening in Sharjah on an international scale?

We actively participate in international delegations and trade missions throughout the year, connecting our members with potential investors and showcasing Sharjah’s attractive business opportunities globally. We frequently collaborate with international women’s business councils and chambers of commerce, facilitating knowledge exchange, joint ventures, and access to new markets for our members.

Our international reach is also achieved within our own borders, participating in many of Sharjah’s globally renowned and attended events and festivals. The Sharjah Businesswomen Council (SBWC) launched an inspiring initiative that called on women in the tech industry to benefit from the Expand North Star 2023 program. This initiative aimed to empower and support women in tech by providing crucial resources and mentorship opportunities. SBWC’s call highlighted the importance of women’s participation and leadership in the tech sector, encouraging them to seize the chance to expand their knowledge, skills, and networks. By actively engaging with Expand North Star 2023, women in tech were able to pave the way for greater innovation and diversity within the industry, contributing to both personal growth and the advancement of the sector as a whole.

To further our global reach, SBWC also leverages its strong digital presence and social media platforms to share news, success stories, and upcoming events. This online visibility positions Sharjah as a hub for female entrepreneurship and helps inspire women worldwide.

What’s the biggest challenge in your role today?

I would say our biggest challenge is in fact an opportunity: keeping pace with the rapidly evolving business world. The landscape is constantly shifting, driven by technological advancements, changing consumer trends, and global economic fluctuations. Adapting our services and support to meet the evolving needs of our members is very important to us. We closely monitor industry trends and actively seek feedback from our community, such as our Members Circle initiative, which invites SBWC members to open discussion sessions, where they share insights on how we can better support them. This direct engagement helps us anticipate future needs and tailor our offerings.

It’s a delicate balancing act, but we’re committed to staying ahead of the curve. We must constantly innovate to empower Emirati women entrepreneurs and cement Sharjah’s reputation as a hub for female-led businesses. We are dedicated to providing our members with the resources and opportunities in this dynamic environment and I am proud to say we’re not only keeping up but leading the charge in many cases.

What would you still like to achieve with the council?

We’ve accomplished a great deal, but there’s always more work to be done. That’s why the SBWC is constantly exploring new ways to empower women in exciting fields like agri-tech, artificial intelligence, sustainable technology, and social entrepreneurship. By bridging the gap and getting more women into these dynamic sectors, we can unlock incredible impact and create lasting role models and examples of excellence in leadership.

Of course, it’s not just about launching new businesses but ensuring their long-term success. That’s why mentorship programmes are so important, as we connect seasoned female entrepreneurs with aspiring ones to create an invaluable exchange of knowledge and experience, setting the stage for growth and prosperity. We remain committed to pushing the boundaries and empowering women to lead the charge in every corner of the business world, and I’m confident we can make this ambitious vision a reality.

We know you have a personal passion for arts and crafts – tell us about that?

My love for arts and crafts began at a young age, and there’s something truly magical about transforming raw materials into beautiful objects that hold cultural significance.  It’s a form of storytelling, a way to express emotions and connect with our heritage. 

This passion for artistic expression led me to launch ‘Designed by Hind’ and I’m proud to say we are now considered one of the UAE’s leading porcelain brands through our bespoke crockery collections. Through my business, I get to explore different design techniques and concepts to create truly unique pieces that tell a story, pay homage to our rich heritage, and utilise sustainable and traditional materials. It’s incredibly fulfilling to see my vision come to life, but more importantly, it allows me to connect with others who appreciate the beauty and craftsmanship behind each piece.

In this issue, we are talking about Emirati Women’s Day – what does this day mean to you?

Emirati Women’s Day is a day I hold close to my heart, an inspiring testament to the incredible achievements of women across the UAE, and incredible contributions that have transformed every sector of society, from business and science to education and arts. This is a day to acknowledge the notable strides we’ve taken towards female empowerment and a powerful reminder of how far we’ve come. The stories of our pioneering women, their inspiring determination and resilience, serve as an everlasting flame for future generations.

We want young girls to see themselves reflected in these pioneering role models and awe-inspiring accomplishments and to believe that they too, can achieve anything they set their minds to. Emirati Women’s Day is ultimately a declaration that there are no limits to what we can accomplish when we embrace our boundless potential. 

Who is a woman who inspires you?

Among the countless Emirati women who inspire me with their achievements and unrelinquishing dedication, one incredible leader stands out as a true guiding light and an endless source of inspiration for me and so many others – Her Highness Sheikha Jawaher Bint Mohammed Al Qasimi, Wife of His Highness the Ruler of Sharjah and Chairperson of the Supreme Council for Family Affairs.

Her Highness’s truly visionary leadership has firmly established Sharjah as a monument of support for women entrepreneurs, supporting their dreams and empowering them to soar to unprecedented heights. As a vocal advocate for gender equality and a champion of women’s education, she has paved the way for countless success stories, inspiring women across the UAE, the region, and the world, to reach for the stars.

Being blessed to witness Her Highness Sheikha Jawaher Al Qasimi’s dedication first-hand has instilled in me a deep, unshakable commitment to empowering women and unlocking their boundless potential. Her passion is an example to all, and her vision is a constant source of inspiration. She serves as a powerful reminder of the immense impact a single individual can have on the lives of others, transforming communities and redefining the very fabric of society. Her Highness’s extraordinary achievements and her steadfast belief in the capabilities of women motivate me to follow her lead. Her legacy will continue to guide and inspire me, as I strive to empower Emirati women to reach new heights of success and fulfilment.

What’s the professional motto that you live by?

The motto I live by, is “Empowering women is empowering our communities” – It’s a belief that has guided my journey and shaped my vision for the future, because when we empower women, we’re not just changing individual lives – we’re shaping the future of our communities, our nation, and our world.

What is coming up for the council this year?

Our team has been working tirelessly to create meaningful opportunities to empower and elevate our members on regional and global levels. One of the key events is our second roundtable discussion, held in partnership with the American University of Sharjah (AUS), where we’ll host industry leaders to discuss strategic solutions regarding the initiative’s theme, “Entrepreneurs Access to Funding.” This interactive session will provide our members with invaluable insights and strategies to secure the resources they need to turn their business dreams into reality.

Later this year, we will embark on an impactful trade mission designed to propel our female entrepreneurs to new heights. Through a series of networking events, B2B meetings, and insightful site visits, we aim to create lasting connections and strategic partnerships that will shape the future of women-led enterprises. It’s an exciting opportunity for our entrepreneurs to expand their horizons and tap into new avenues for growth.

I’m also proud to announce our return to ‘Expand North Star,’ the world’s largest startup gathering, happening in October. This will be a fantastic platform for us to showcase our members’ cutting-edge technology ventures, further cementing Sharjah’s reputation as a hub for female-led innovation. Additionally, we’re organising a business trip to Belgium with the Sharjah Chamber of Commerce to explore new opportunities and forge international partnerships. It’s all part of our mission to connect female entrepreneurs with global resources and networks.

The Sharjah Businesswomen Council is truly firing on all cylinders, and I can’t wait to see the incredible impact our members will make in the months and years to come. With each initiative, we propel our vision of empowering women and transforming our communities into a tangible reality. The future is bright, and I’m honoured to be leading this charge alongside our talented and passionate team.  

sbwc.ae

Ten years ago, Louis Vuitton embarked on a new watchmaking journey with its Louis Vuitton Escale collection, introducing three métiers d’art timepieces, inspired by the collections of Gaston-Louis Vuitton, third-generation patriarch of the Maison’s founding family. 

A decade later, the latest chapter tells a story of fine craftsmanship and high watchmaking, exploring the panorama of timekeeping in its most fundamental configuration of hours, minutes and seconds. 

Four new time-only timepieces feature an elevated three-hand design, characterised by highly textured and tactile surfaces with sophisticated finishes. These new models were created with the finest craftsmanship of the Louis Vuitton Maison combined with Swiss-made movements.

Two of the watches are in rose gold with textured dials, sophisticated yet discreet, an everyday companion. While the other two are in platinum, further decorated with ornamental and precious stones for an exalted touch. These models introduce a profundity in design approach and reinforce the integration of the Maison’s heritage and values within the fine watchmaking collection. As seen in other Escale models over the past decade, the lugs make continuous allusion to the iconic trunks of the Maison, resembling the angled form and riveted exterior of the brass brackets and corners that reinforce the Louis Vuitton trunks. 

These brass reinforcements are echoed on the dial, which has been completely redesigned to create new and stronger affinities between Escale and the Maison’s most famous creations. Angled and riveted markers in polished gold are hand-applied at each quarter, holding together the central dial and outer minuterie. The minuterie itself is punctuated with gold studs to evoke the nails of the lozine that runs along the exterior of a Louis Vuitton trunk. A brushed finish and subtle concave camber are the final touches that give the minuterie exceptional visual texture and readability. 

A new dial texture, seen in the rose-gold models, is a direct reference to the finely-grained surface of the Louis Vuitton Monogram canvas. Custom dial stamps were developed and refined over several material essays in order to perfectly convey the suppleness and tactility of canvas on a metal dial. Light plays across the faceted hour indexes and along the groove dividing the central dial and the minuterie, guiding the eye over the expanse of textures and finishes. 

The rose-gold Escale with a silvery dial comes on a calf-leather strap that draws undiluted inspiration from Louis Vuitton’s leather goods expertise. Inspired by Nomade leather, a natural leather originally introduced in 1999, the strap will gain a beautiful patina over time while losing none of its comfort and material performance, just like some of the most coveted Louis Vuitton leather products of all time. Fine yellow stitching, reminiscent of classic Louis Vuitton leather goods, outlines the shared artery of craftsmanship and hand-worked detail that animates all the creations of the Maison. In the platinum versions of the new Escale, lapidary work and gem-setting elevate the collection with rare materials and techniques. 

One model features a dial of meteorite, carefully selected to highlight the contrasting textures and natural mineral tones of this otherworldly material. Another model juxtaposes the near-fluid shine of an onyx central dial with the geometric sparkle of a bezel and case set with baguette-cut diamonds, forming an ethereal halo that draws the gaze towards the inky depths of the black dial. Both models come with white-gold hands and markers, creating a monochromatic symphony of light and shade that invite discovery and delight the eye. 

Each new Escale timepiece comes with an engraved serial number on a slim cartouche in contrasting gold riveted to the periphery of the transparent caseback, an allusion to the engraved serial number plates that identify each Louis Vuitton trunk.  

After 20 years of craftsmanship and creativity, Cindy Chao The Art Jewel is marking this significant milestone with an exclusive collection of signature leaf and dragonfly brooches.

This 20th-anniversary collection is a testament to Chao’s enduring spirit of creative freedom and confidence, a journey that only a select few have had the privilege to witness.

Chao embarked on this creative journey two decades ago and has strived to break the boundaries between jewellery and art with “the mind of an architect and the hands of a sculptor”, pioneering the artistry and craftsmanship in the realm of high jewellery. With many achievements along the way, Chao was most recently invited by the Haute École de Joaillerie in Paris to guest lecture at the prestigious institution, making her the first Asian jewellery artist to do so. 

At the heart of the 20th Anniversary Collection lies Chao’s signature “Four Seasons” leaf motif, symbolising the ever-changing seasonality and offering Cindy’s poignant narrative on the perpetual cycle of nature. With the leaf motif, the collection tells the story of ever-changing seasonality, the flow of time, and the cyclical rhythm of life.

Chao worked with 12 European master craftsmen to study and forge the organic forms of the leaves and completed them with three-dimensional gem-setting. To capture the true ambience of each season and shape the vitality of the leaves in different seasons, the craftsmen only work on the leaves in their respective seasons; hence, it took three cycles of the four seasons to accomplish these objets des arts. The crease, gradients of light and shadow, and colour transitions on the leaves are achieved by Chao’s spatial sensibility and sculptural skills, pushing titanium metalwork to a new height.

Chao’s relentless pursuit has always been to use the hardest metal to create the softest curvatures. Titanium is known for its extremely lightweight properties and exceptional hardness with a melting point of up to 1,668 degrees, making its shaping and gem-setting three times longer than that of 18K gold.

Each Leaf Brooch is set with around 1,500 gemstones on a titanium base of just 1.77mm in thickness. Hence, the craftsmen are required to work under a microscope between 20 to 60 times magnification. Due to the strain on their eyes, craftsmen can only work for three to five hours a day. Despite the intricacy of the pieces, the average weight of each brooch is merely 22 grams, a true reflection of the lightness of a real leaf.

The second motif featured in the collection is the dragonfly, a common inspiration in art history and an inspiration to Chao herself. Each dragonfly brooch in the collection is one-of-a-kind, mimicking the vibrant colours and details of nature. Using the finest attention to detail, the brooches are “painted” with at least 13 different gemstones in over 50 colours. A mix of titanium, gold, ox horn, and light-activated resin employed in this collection means numerous evaluations of their respective characteristics, constructing suitable tenon structures and precise joints. 

The 20th Anniversary Collection serves as a profound testament to the aesthetic finesse and meticulous craftsmanship honed by Cindy Chao over two decades, underscored by her revolutionary ethos and unwavering artistic dedication. 

cindychao.com

Step into summer with our Prada shoot in the latest edition of A&E magazine.

The house’s latest collection features floral prints, light materials and elegant details juxtaposed with sports influences and statement accessories.

Printed cotton single-breasted coat, Printed silk twill top, Printed silk twill shorts, Prada Re-Edition 1978 medium Re-Nylon and Saffiano leather two-handle bag, All Prada.

Nylonette Dress With Flower Print, Satin Sandals, Prada Re-Nylon mini bag, All Prada.

Double-breasted cotton twill trench coat, Embroidered linen and antique silk mini-dress. Prada Fine Jewelry Eternal Gold Made to Order choker with large pendant and Prada Fine Jewelry Eternal Gold Made to Order earrings, prices upon request. Available in selected Prada stores and on www.prada.com

Popelin Antique Shirt, Popelin Antique Shorts, Superfine Cashmere Knitwear, Tulle Tights, Satin Sandals, Prada Galleria leather bag with floral appliqués All Prada.

Linen embroidered lace dress, Mini wicker and leather, Prada pannier bag, Argyle cotton socks, Mordoré nappa leather heeled sandals. Prada Fine Jewelry Eternal Gold Made to, Order chain necklace, Prada Fine Jewelry Eternal Gold Made to Order chain earrings, prices upon request, available in selected Prada stores and on www.prada.com

Printed wool cardigan, Printed nylonette bra, Printed nylonette midi skirt, Prada Re-Edition 1978 medium Re-Nylon and Saffiano leather two-handle bag, All Prada. Prada Fine Jewelry Eternal Gold Made to Order heart earrings, Prada Fine Jewelry Eternal Gold Made to Order heart ring, prices upon request available in selected Prada stores and on www.prada.com

Ribbed Jersey, Leather Jacket, Gabardine Pants, Velvet Slides, Prada Galleria studded leather bag, All Prada. Prada Fine Jewelry Eternal Gold heart pendant necklace, price upon request, available in selected Prada stores and on www.prada.com

Checked cotton mini-dress, Crochet Headband, All Prada Fine Jewelry Eternal Gold Made to Order snake bracelet price upon request, available in selected Prada stores and on www.prada.com

Chiffon Argyle Dress, Silk knitwear, Tulle tights, Prada Galleria leather bag, All Prada.

Founder/Editor in Chief: @lara_mansour

A film by @fullhousedxb 

Photographer: @ZigaMihelcic 

Fashion Director: @Lindsay.judge 

Hair and makeup: @Nadine.elias 

Model: Elvina at @mmgmodels 

Location: @parkhyattdubai

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For the first time, Fendi has introduced a complete collection of perfumes The seven luxury fragrances, celebrate the brand’s upcoming 100th anniversary and embody the soul of the Maison, its values and its DNA. 

Fendi’s olfactory story began in 1925, when the brand was founded by Adele Casagrande Fendi and her husband Edoardo Fendi, who began with a fur and leather goods workshop in Rome. This would soon be passed from generation to generation across a closely bonded family. Representing that family connection, a collection of seven fragrances invites you to explore the seven personalities of Fendi and its leading figures. 

The Fendi fragrance family is inspired by the brand’s home city of Rome and its history. Each scent features ingredients that are of value and great importance to the brand. It reflects this artistry and an olfactory expression of the essence of Fendi: total freedom for creative gestures, and the love of skillfully selected, richly used fine materials. 

The seven fragrances were crafted by three perfumers, Quentin Bisch, Fanny Bal and Anne Flipo, who worked closely with the brand’s artistic directors to ensure each scent is a reflection of the Fendi universe. Key ingredients include orange blossom absolute from Tunisian, bergamot from the Calabria region in Italy, Atlas cedar, patchouli from Indonesia, iris from France, and vanilla from Madagascar… these are the finest, richest, highly concentrated (18% on average), natural and artisanal raw ingredients that compose the palette of the three perfumers. 

“The fragrance collection tells the story of FENDI from another point of view. It expresses the essence of the Maison in a different way, by telling its story in a different language.

Today, at FENDI, we can readily say that we have explored and used all the senses.” Says Silvia Venturini Fendi. Each fragrance is inspired by one of the outstanding personalities of this close-knit chosen family. Their memories inspired the perfumers to create the olfactory stories expressed in each composition, with tenderness, humour, and simplicity.

Prima inter pares is inspired by Adele Casagrande Fendi, the matriarch, whose name embodies the destiny and success of Fendi, with this Casa Grande, symbolising the great Maison. Anna Fendi, her daughter and one of the legendary Fendi sisters, with Dolce Bacio, echoing the memory of a mother’s kiss. Silvia Venturini Fendi – third generation and creator of the iconic bags Baguette and Peekaboo – with Perché No, an expression she has made her own, because at Fendi, nothing is impossible. Her two daughters, Leonetta Luciano Fendi and Delfina Delettrez Fendi – fourth generation – with, respectively, Ciao Amore, a spontaneous and natural greeting, and Sempre Mio, the living roots of a heritage. The latter’s young twins, Tazio et Dardo Vascellari Delettrez Fendi with La Baguette where exquisite simplicity meets the signature bag. And lastly, Kim Jones, the British designer who, with Prima Terra, narrates the land of his childhood.

The fragrances are exclusively available in FENDI boutiques and at fendi.com

Marwa Obaid Al Aqroubi, Executive Director of House of Wisdom, discusses how Sharjah has become a leading bastion of cultural development.

In 2019, Sharjah was awarded the title of the UNESCO World Book Capital and in celebration, the House of Wisdom was commissioned as a unique building that would represent a new era of learning. The building was designed by the award-winning architectural company, Foster + Partner and extends over 12,000 square metres. This unique structure houses a literary universe. So much more than a library, it has become a place of knowledge sharing, learning and community development and is now a crucial part of the Emirates’ cultural scene. Here, we talk to Executive Director Marwa Obaid Al Aqroubi to find out more about how the House of Wisdom is helping to shape up the UAE’s arts and cultural landscape. 

Tell us about the House of Wisdom and its concept.

The House of Wisdom was established under the visionary directives of His Highness Sheikh Dr. Sultan bin Mohammed Al Qasimi, Ruler of Sharjah and Member of the Supreme Council. It stands as a modern cultural hub that represents the enduring legacy of Sharjah’s prestigious designation as the UNESCO World Book Capital for 2019. This initiative was conceived with a deep sense of purpose — to celebrate this milestone and to communicate its profound significance to future generations, and aims to further the tireless efforts that seek to enhance knowledge and nurture thriving communities through quality events, activities, and exhibitions.

Why is it important to have such a place in Sharjah?

As someone who is proud to call Sharjah my home, I can attest that this emirate is the capital of all that is beautiful and unique, a distinction it has earned through its rich history in science and knowledge, a history that I feel deeply connected to. I believe that Sharjah’s natural and well-deserved status as the home for the House of Wisdom serves as a monument to the emirate’s strong presence in the cultural, educational, artistic, and scientific realms. I have had the privilege of experiencing firsthand the significant and impactful presence of creative people from around the world who have been drawn to Sharjah’s vibrant ecosystem. The emirate’s diverse range of programmes, exhibitions, festivals, and inclusive events have enriched countless lives and firmly aligned with our efforts and the objectives we seek to achieve.

What’s coming up this year at House of Wisdom?

For the second half of 2024, we plan to continue our monthly programmes, such as the panel discussions in the ‘Wisdom Talks’ and ‘HoW Talents’ programmes that educate the community on creative and talented people. We will also continue our programmes hosted at the Al Jazri Laboratory, named after Arab scientist, engineer and alchemist Badi Al Zaman Al Jazari (1206-1136), one of the most important inventors in history, in addition to The Little Reader’s programmes.

The beloved Enchanted Gardens Festival for children and families is set to return, offering a delightful opportunity to celebrate a renowned work of literature through immersive experiences. We also plan to launch the second edition of the Book Club in autumn, in addition to organising a plethora of programmes and events on the sideline of our participation in the upcoming Sharjah International Book Fair (SIBF) in November.

Sharjah has become a leading hub in culture and arts – tell us more about this.

In April 1979, His Highness Sheikh Dr. Sultan bin Mohammad Al Qasimi, Member of the Supreme Council and Ruler of Sharjah said: “It is time to stop the concrete revolution in the country and replace it with a cultural revolution instead.” Since then, Sharjah has been celebrating culture and art in all of its cities, towns, neighbourhoods and landmarks, through institutions that work together to further enhance this position and ensure its continuity. Sharjah has become an artistic and cultural hub not only because of its renowned events and supportive entities but also because culture and arts have a very important role and are prioritised by the government. The cultural development process is seeing continuous expansion and progress to meet the needs of people while keeping up with the latest trends.

What would you like to see happen around this in the future?

At the House of Wisdom, our vision is inspired by and in line with Sharjah’s vision. Hence, we look forward to becoming a global centre for intellectual and artistic creativity. We not only want the House of Wisdom to be a place for social engagement and discussions, but also to play an undeniable role in the production of knowledge and creativity, so that creative ideas are born here, turned into visionary projects and inventions, and spread around the world.

In line with the vision and directives of His Highness, there are expansion plans in the future. We are considering opening new branches of the House of Wisdom in different locations across Sharjah. I believe that the new expansion will be a major step forward towards the enhancement of knowledge accessibility, and providing people with close destinations to interact, discuss, and read, as well as enjoy the rich programme of exhibitions and events we organise throughout the year.

The design of House of Wisdom is very special – tell us about this.

The House of Wisdom’s design was inspired by the vision of Sheikha Bodour Al Qasimi, Chairperson of the Sharjah Book Authority (SBA) and Chairperson of the Sharjah Investment and Development Authority (Shurooq). Her goal was to create a space reflecting Sharjah’s rich cultural achievements and cement the emirate’s position as a global hub that celebrates science, creativity, and culture. To bring this vision to life, the renowned architectural firm Foster + Partners was tasked with designing a building that encapsulates the essence of Sharjah.

The resulting two-story structure is a testament to the emirate’s commitment to innovation and progress. The building’s facade is shaded by a floating roof, creating a light-spirited and resilient design. Surrounding the structure is a lush, verdant landscape featuring Fig, Ghaf, and Palm trees, as well as a striking sculpture by artist Gerry Judah called “The Scroll,” which commemorates Sharjah’s designation as the UNESCO World Book Capital in 2019.

The interior of the House of Wisdom is designed to be open and inviting, with natural elements such as plants, a tree, and fountains creating a serene and calming environment. The extensive use of transparent glass allows visitors to appreciate the beauty of the surrounding gardens from every angle, seamlessly blending the indoor and outdoor spaces.

How does House of Wisdom help to share what’s happening in Sharjah on an international scale?

There are two methods to achieve this objective. The first method is by participating in regional and global exhibitions and conferences, and we have been proud to be part of previous book fairs such as the Thessaloniki International Book Fair (TIBF) in Greece, and the Seoul International Book Fair (SIBF) in Korea, in addition to conferences like the Ithra conference in Saudi Arabia. The second method is to foster partnerships and collaborative events with active institutions, like the King Faisal Center for Research and Islamic Studies.

What’s the biggest challenge in your role today?

Any work includes a challenge in one way or another, but in the House of Wisdom, we have more of an objective than a challenge – to instil a love of our culture and heritage in young generations, particularly the youth and university students, and inspire them to preserve it and be proud of it. If our identity and culture was not preserved, we could not have reached this position and achieved such development, progress and prosperity. We want to harness this place, with its position, state-of-the-art facilities, premium services, and prestigious events, to achieve this objective.

What would you still like to achieve with HOW?

I am proud of Emirati culture, of Arab and Islamic identity, and the global recognition it receives. It is something that I see during each participation in an international book fair or a visit to another country. I always look forward to seeing the House of Wisdom play a vital role in promoting our culture all around the world, as a key contributor to human civilisation, and a key player in driving positive impact on nations worldwide, fostering cross-cultural communication, understanding and dialogue between them.

We seek to promote Emirati, Arab and Islamic culture worldwide, and this has been evident during the visits of our global guests, who have put the House of Wisdom on their agenda to explore our best practices.

We know you have a personal passion for writing – tell us about that?

Sixteen years ago, I started working under the leadership of Sheikha Bodour Al Qasimi, who established ‘Kalimat Group’, and has always inspired her teams to advance their careers in the writing and publishing field. Thanks to her support and encouragement, I published my first children’s book ‘Ahmed El Helo’ (Adorable Ahmad), followed by ‘Goodbye Nana’. I also translated many award-winning books, in addition to writing articles in newspapers.

As someone born and raised in Sharjah, I find it natural that my passion for writing has been nurtured by this emirate, which is renowned for its pioneering efforts in various fields, including the literary arts.

Why do you believe it’s important for people to read today?

Reading is life! Books are essential amidst the fuss and buzz and fast-paced lifestyles to give us the tranquillity, serenity and contemplation that we need to go on. Reading also opens the doors to the world and brings us closer to each other and to our culture. It makes us more capable of understanding the ‘other’ who shares the land and the passion for literature with us. This is why it is crucial that we read and continue reading every day, no matter what.

In this issue, we are talking about Emirati Women’s Day – what does this day mean to you?

Emirati women are partners in building our country and further elevating our society. They set the perfect example of striking a balance between personal, professional and family life. Dedicating a day to them is a token of appreciation from the wise leadership who has always believed in them and in their abilities, and open the doors for them to contribute and participate in the progress of our country. Such a day is an additional incentive that motivates them to achieve more creativity and excellence. It inspires them to make more achievements that further strengthen the community and boost its position worldwide.

What’s the professional motto that you live by?

Let your achievements speak for you, and be the best ambassador wherever you go.

What message would you send to our readers to invite them to the House of Wisdom?

Welcome to the most beautiful cultural and social centre in the UAE – the House of Wisdom in Sharjah. Here, you can read books, study, do research, and take part in many events that we organise regularly all year long. You can also make the most of the specialised digital libraries that provide rich and various sources. House of Wisdom is more than a library. It is a knowledge, creativity and cultural exchange hub, which makes it a premiere destination for everyone who seeks knowledge and culture, a place in which different cultures, ideas and interests interact, providing new opportunities for innovation, creativity, learning and entertainment. It is a must-visit destination.  

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Giulio Bergamaschi took the helm of Italian fragrance Maison Acqua di Parma in 2023, bringing with him 20 years of experience in the luxury beauty industry.

Bergamaschi is tasked with further elevating the company’s position as a global leader in the beauty industry, as well as continuing the brand’s promotion of Italian lifestyle and craftsmanship. With a history dating back to 1916 Acqua di Parma was founded in the northern Italian city of Parma by the Italian Baron, Carlo Magnani. The story began with one fragrance – Colonia – which was deemed the first Italian Eau de Cologne. Colonia was created using natural ingredients with vibrant, citrusy scents, something that remains a signature of the brand today. 

This summer, Acqua di Parma reveals its latest additions with two new Blu Mediterraneo fragrances and a new Acqua di Parma summer lifestyle collection that features fragrances, candles, diffusers, and resort accessories. Here, we find out more about the latest launches as well as the future direction of the brand. 

Congratulations on the role – tell us about your vision and direction for the brand. 

I would like to celebrate Italian sophistication through timeless craftsmanship and appreciation of life’s subtleties. We transform products into artisanal objects, embracing small-scale creation and creative experimentation. Our vision comes alive through distinctive fragrances, exquisite design, masterful craftsmanship, and a refined brand image. We’re reducing distribution to focus on quality and creativity, connecting with those who value cultural significance in everyday objects. We seek kindred spirits who find joy in elevating the ordinary to the extraordinary, embodying the essence of Italian vibrancy and sophistication.

You are taking the helm of a brand with a rich history and heritage – how do you plan to ensure that shines through?

We give life to what is called “artigianato artistico”, the Italian concept of artistic craftsmanship where masterful hands give life to exquisite creativity. What I am trying to do with Acqua di Parma is to build a brand that looks different but is coherent with itself, which is about ‘perpetuating’ and ‘experimenting’. We need to perpetuate what we have always been, but we need to keep experimenting with the brand: being different from others but true to ourselves. There is a trap of chasing after trends that I do not want us to fall into.

What’s in the pipeline for the brand this year?

New exceptional fragrances and a series of poly-sensorial objects. 

What’s the biggest challenge you face in your role? 

We observe an increasing demand for luxury products and an evolving client profile. Clients are increasingly discerning, valuing authenticity, exceptional quality, and creativity. I believe Acqua di Parma has a competitive advantage, as it embodies all these qualities and has nurtured them for over a century. The challenge that I have, and I undertake with passion, is to keep the creative tension that generates the sparkle alive. Perfumery is not chemistry; it is alchemy. We strive to convey the exceptional craftsmanship and quality inherent in our products, while continuously developing new, innovative offerings that reflect our creative spirit and meet the evolving needs of our discerning clientele. There is no recipe to success, but a continuous creative process that lies on a well-established know-how.

Can you tell us about the brand in the Middle East and the plans for the region?

We have an increasing number of Middle Eastern clients coming to our international boutiques. They are known for their discerning taste, appreciation of quality fragrances, and love for travel. They often discover our brand during their global journeys. We are keen to serve them in their home country and offer them a poly-sensorial immersion into the sophisticated Italian art of living, through a century-long legacy of niche fragrances and artful craftsmanship. We have two boutiques in Dubai, one in Qatar, and we are about to open one in Riyadh, where our clients can access our full assortment of exclusive fragrances and masterpieces, as well as a selection of previews.

We are coming into summer, and ADP is a brand synonymous with summer scents. What’s coming up this summer?

We are launching a new fragrance, Mandarino di Sicilia, for which we selected a unique variety of mandarin called ‘Tardivo di Ciaculli’ which is rich in essential oils. Its name means ‘late,’ reflecting its extended ripening period, however, we harvest it earlier, when it is still green, to capture an exceptional, crisp vibrancy. Mandarino di Sicilia is also available in a Millesimato version, a limited-edition of 2022 hand-numbered pieces, celebrating the early harvest in October 2022 and the fruit of a notably sunny and dry summer, producing a vibrant, multifaceted, and sophisticated essence. It exemplifies what makes Made in Italy so special: a unique blend of terroir, craftsmanship, and art.

You have vast experience of the luxury industry – what do you think is the secret to remaining a successful brand today?

A unique and authentic positioning. Acqua di Parma is a gem in this regard. In 1916, Baron Carlo Magnani, lover and protector of art, created the Colonia – Acqua di Parma; a bright, clean, and vibrant signature. Distributed through respected tailors, which symbolised refined craftsmanship and elegance, Acqua di Parma became the invisible final touch of a sophisticated silhouette. Today, Acqua di Parma epitomises Italian sophistication and celebrates a century-long legacy, intertwining traditional craftsmanship with modern artistry.

How would you define luxury? 

Luxury is about the things you can’t buy: time and culture. This is what we inject into all Acqua di Parma creations.

Craftsmanship takes time. Design takes culture. We recently launched ‘Chapeau!’, a candle representing an ingenious take on the Maison’s collection of poly-sensorial design objects. It was initially launched in Milan, Rome, and London, where it quickly sold out. We are currently awaiting new stock to supply our boutiques. The availability of this product is limited due to the genuine craftsmanship involved. We respect the capacity of our craftsmen and will deliver additional quantities as soon as they are crafted.

We are seeing a lot of brands creating localised products and experiences for their customers – is this something you want to explore further?

Yes absolutely. We leverage our century-old know-how to best serve our clients, meeting their preferences with tailor-made creations. It is part of our continuous effort to surprise and delight them with excellent service.

The brand has always remained very loyal to your values and heritage – how do you balance this with moving forward to please today’s customers? 

Heritage grants solid foundations. Innovation is an everyday journey. We observe our clients, we listen to them, and we have a healthy obsession with how to serve them best. We partner with top designers and extraordinary craftsmen, and we give life to “artigianato artistico”. 

How do you feel about endorsements and partnerships as a company?

Acqua di Parma creations are all made in Italy by the masterful hands of our craftsmen and are designed by extraordinary creative talents from all over the world who understand the value of Italian sophistication.

We partner with extraordinary craftsmen in Italy, and with extraordinary designers from all over the world. Partnership works best when you bring together different talents who share a common vision.

‘Chapeau!’ represents an ingenious take on the Maison’s collection of poly-sensorial objects and was designed by Dorothee Meilichzon, an awarded French designer.

What message would you send to our readers?

I invite them to come visit our universe in our boutiques and our summer Boutique in Saint Tropez. We are keen to delight them with a century-long legacy of niche fragrances, masterful craftsmanship and Italian sophistication.  

acquadiparma.com

With a story that began in 1990, Mauzan is one of the oldest fashion houses in Dubai.

Its founder, Rafia Helal Bin Drai, began creating luxury abayas over three decades ago after embarking on a journey to redefine the concept of this iconic garment. She became a pioneer in the industry, reimagining the classic abaya and offering a modern twist on this staple wardrobe item.

Today, Mauzan has become the go-to for special occasion garments, and its pieces have become essential to clients looking for extra special garments to wear for key moments in their lives. Mauzan’s unwavering commitment to quality has been a defining characteristic of her brand. Whether it’s the silk, linen or cotton and velvets, they are all sourced from the world’s most famous textile houses in France, Italy and Switzerland. 

Over the years, Helal Bin Drai has opened eight boutiques across the UAE, as well as one in Saudi Arabia and one in Qatar, but there is still much more to be done. As her brand continues to grow, we find out more about what’s on the horizon for Mauzan.

Tell us about your brand today and its vision and direction looking forward. 

Over the past 30 years, Mauzan has grown and evolved to become a brand that withstands the test of time and trends. Loyal to our clients and faithful to our brand ethos, Mauzan has remained to be an artisanal Emirati fashion house, pioneering in luxury abaya design. 

Looking forward, we hope to continue to spread the joy that every Mauzan piece brings to each wearer. 

What first inspired you to open your brand?

My love towards fashion and my deep appreciation for the timeless charm of a traditional abaya inspired me to launch Mauzan. Deeply rooted in exquisite craftsmanship and artistic creations, the brand was founded to tell the story of our unique garment. 

What are you currently working on?

We’re currently working on finalising the Ramadan 2025 collection as well as sourcing new luxurious fabrics for new collections. 

Tell us about your latest collection.

The latest Chapter 32 collection explores modern beauty while representing women from different walks of life. This collection promises to build a wardrobe of styles that fit every mood. 

Tell us about the materials you work with.

This season, we work with 100% linen, tulle and Tencel organza; threads of luxury.

Who is your customer today?

Our customer is a feminine woman who dresses to showcase her personality and inner confidence. 

On an international level, where would you like to see your brand?

We’d like to see Mauzan showcased at retailers across the world. As a luxury brand, our goal is to present our designs on a platform alongside our international counterparts. 

What’s the biggest challenge you face today?

Today’s biggest challenges are related to navigating through the ever-changing fashion landscape and balancing tradition with modern trends. At the same time, we view these challenges as opportunities to enhance our designs and offerings further while staying true to the Mauzan aesthetic. We recognise our social and environmental responsibility to include practices that promote this, which we constantly strive to implement step by step.

What would you still like to achieve with the brand that you haven’t done yet?

As our brand grows, so do our goals. Our aim is to expand Mauzan’s global presence with a dedicated flagship store in key fashion capitals. We would also like to establish a sustainable product line that encompasses our values and culture. 

What’s your first memory of fashion?

My first memory of fashion dates back to watching my mother and grandmother craft traditional abayas. Accompanying them to fabric markets and witnessing the impact of elegant attires at different cultural elements fuelled my creativity and desire to design. 

In this issue, we are celebrating Emirati Women’s Day – what makes you proud to be from the UAE?

Our country is our backbone as the UAE strives to provide us with the best opportunities and support. It makes me proud to see how the country continues to encourage each one of us to fulfil our dreams and potential. 

What advice would you give to aspiring designers?

My advice would be to have an open mind and always welcome lessons. As an aspiring designer, you will always face challenges, but consider these as stepping stones that are helping you shape your dream. 

What inspires you?

My clients inspire me! Seeing how different women style our pieces always inspires me to create functional yet beautiful pieces. 

What message would you send to our readers?

I’d like to wish every reader a very Happy Emirati Women’s Day! This day is dedicated to us, to our hard work, our achievements, and everything we believe in, so don’t take that for granted. Women are superheroes!  

By Lindsay Judge

Fatma Alhashimi founded her ready-to-wear fashion label in the UAE in 2016. She wanted to take a new approach to timeless pieces, offering a modern touch that blends contemporary design with a traditional silhouette.

Her collections focus on details, with a minimalist design and effortless sophistication achieved through her choice of luxurious materials and clean cuts. Alhashimi began designing at home after graduating from university in Dubai. She soon saw that her love for design could be more than just a passion, and after previously designing only for her friends and family, her client base grew and led to the establishment of HASHIMI. After selling her designs online, in 2019, Alhashimi opened her flagship boutique in Dubai’s Wasl51. It features a minimalist design and is home to the brand’s seasonal collections. The store also houses the atelier where Fatma designs the latest styles and where her production team brings them to life. Alhashimi’s designs are inspired by her love for nature and feature a subtle colour palette and sharp, clean shapes. Her latest collection features relaxed designs for summer that can be worn from day to night. Here, we find out more about the latest designs and the direction of the brand moving forward.

Tell us about your brand today and its vision and direction looking forward. 

Hashimi was founded in 2016 with the intention of creating a fashion label that challenges traditional offerings in the industry by fusing it with modern inspirations. I create minimalistic yet classic pieces for all occasions, and I want to continue in this direction, offering styles which are versatile with contemporary silhouettes. 

A few years ago, you opened your first store in Dubai – how has this supported the development of your brand? 

The opening of my store in Wasl 51 has strengthened the standing of my brand in the region. A reflection of my designs, the flagship store is a minimalistic and modern space where clients are welcomed to experience the quality and handiwork of my collections firsthand. This has bridged the gap between clients and the brand as it adds an experiential element to purchasing my pieces. 

Would you like to open additional stores? 

Yes, I would love to open more stores in the future. I believe that having a store has improved the relationship we have with clients as it makes the shopping experience with us much more personal. Opening additional stores in different areas would further build this relationship and help us serve a wider clientele. 

What is coming up for the brand this year? 

This year, we are exploring new designs like unique lace-inspired embroidery work that will elevate the craftsmanship of the pieces. 

How are you connecting with customers here in the UAE? 

Apart from our store acting as a space to connect with our customers in person, we connect with them through our social media as well as by hosting pop-up events. 

On an international level, where would you like to see your brand? 

I would love to see my brand on Net-A-Porter. 

What’s the biggest challenge you face with your brand today? 

One of the biggest challenges that I face is finding the right fabric supplier that fits my brand the best. This is because I am committed to sourcing the highest quality fabrics that reflect the luxurious quality and essence that Hashimi is known for. 

What would you still like to achieve with the brand that you haven’t done yet? 

I would love to have an in-house printer where we can print unique designs onto our fabrics, making our pieces very distinctive. 

What are you currently working on? 

We have just released co-ord pieces for kids featuring linen and light fabrics, just in time for the summer. 

What first inspired your passion for fashion design? 

Experimenting with different kinds of styles has always been a passion of mine that eventually led to me embarking on the journey to start my own fashion label. 

In this issue, we are celebrating Emirati Women’s Day – what makes you proud to be from the UAE? 

I am proud of the way that the UAE has grown so rapidly to become a place of opportunity, especially for women. 

What advice would you give to aspiring designers? 

I would advise them to keep pushing the boundaries and remain persistent in achieving their goals. 

Who is a woman who has inspired you throughout your career? 

My mother has always been my biggest inspiration and support as she has always stood by me. She plays a huge role in my success. 

What message would you send to our readers? 

I wish you a happy Emirati Women’s Day and I hope you take this day as an opportunity to understand our value in our society and how we can achieve any goal we set for ourselves. 

instagram.com/hashimi_by

One&Only The Palm prides itself on being one of Dubai’s most intimate and secluded destinations and it prides itself on offering absolute privacy for guests.

If you’re looking for a relaxing summer escape to get away from it all, this is your go-to destination. Surrounded by lush, warm waters and glistening sands on the tip of Palm Jumeirah, One&Only The Palm combines modern architecture with Arabic touches, inviting guests to immerse themselves in a heavenly environment. While still only a stone’s throw from the hustle and bustle of the city, this one-of-a-kind resort is far enough away to feel as though you have truly escaped. 

One&Only the Palm offers a range of luxurious accommodations, from hotel rooms and suites to exclusive villas. Each room is a sanctuary of modern design with chic Arabic touches, featuring its own terrace for private moments. For those seeking ultimate privacy, many villas come with beach access or private pools. Room service is at your beck and call, offering a more intimate dining experience. 

Around the resort, there are several dining destinations with menus devised by acclaimed French chef Yannick Alléno. Zest offers vibrant flavours of Italy at the all-day dining restaurant, while The Lounge provides a stylish sanctuary for morning coffee meetings and indulgent afternoon teas. The property’s most popular dining destination, 101 Dining Lounge & Bar, is a favourite of in-house and visiting guests alike. Elevated over the lapping waves, the al fresco deck offers the city’s best vantage point for catching the sun setting over the Palm – you can even arrive by boat, with direct access from an exclusive private marina.

Around the resort, guests can relax at the pool, private beach or Guerlain Spa pool, as well as try out water sports, or relaxing spa treatments – there’s something for everyone. 

SUMMER STAYCATION OFFER 

Escape to One&Only The Palm this summer, where you can immerse yourself in the resort’s acclaimed dining, wellness and experiences with generous benefits and inclusions. 

Offer includes:

24-hour breakfast available in your room

AED 500 resort credit per stay, redeemable on Food & Beverage or Spa

Daily sundowner aperitif in the lounge

Daily Aquaventure Waterpark access

This offer is exclusive to GCC residents. A valid ID is required. 

oneandonlyresorts.com

Eight years ago, Ras Al Khaimah born Abdulla AlShehhi embarked on a personal mission to complete six major global marathons.

At the time, he was at university and had never run for longer than a few minutes on a treadmill. After setting himself a weight loss and lifestyle change challenge, he realised his passion for running and decided to take it further. 

AlShehhi soon learned about the prestigious Abbott World Marathon Majors (WMM), a championship-style competition for marathon runners working on a points-based system, awarding those who take part in the most high-profile marathons in the world. The competition covers the cities of Tokyo, Boston, London, Berlin, Chicago, and New York and after an eight-year mission, AlShehhi has now completed all six, finishing with Boston this year.

The runner is keen to share his story with others and hopes to inspire more Emiratis to take part in this and similar challenges. He sees huge potential for the younger generation and hopes that by raising awareness of his achievements, others will follow in his footsteps. Here we find out more about his journey. 

Congratulations on completing six major marathons – how does it feel?

Completing this challenge makes me feel very proud. It meant a lot because I became the first Emirati to do this, which makes me so proud. At the same time, I’m proud of myself for achieving the goal I set eight years ago when this journey started in 2017. There have been many challenges and struggles throughout the years so for me to complete the challenge finally was amazing. 

Why did you decide to embark on this challenge?

Running was not part of my life before I started this challenge. During my years at university, I did not have a healthy lifestyle; I was not doing any sports at all, and I was overweight. So I made the decision to challenge myself and change my habits, getting into healthy eating and sports, not only to cut the excess weight but to have a healthy lifestyle. Within two months, I lost around 30kg after being very strict about my diet. I also remember the first time I tried running. I was in the gym on a treadmill, and I couldn’t even run for two minutes. Every day, I would add another minute to the time I ran, gradually building on the time, and I fell in love with running. 

My story with marathon racing began when I found out about the RAK half marathon. It is the fastest half marathon in the world. I started to see advertisements for it and my dream was to be at the start of this race. At the time, I wasn’t even aware that the general public could take part, but it was a dream. I started with the We Run DXB 10k race in Dubai, and I fell in love with the atmosphere and the community. From here, I met others and asked questions about how I could take part in other races, and I soon registered for the RAK Half Marathon. 

After taking part in regional races, I started to look into international races that I could sign up for, and I decided to set myself a goal to run these six major marathons. It was a dream, but I was determined. 

What was the biggest challenge along the way?

First of all, there was a lack of Emiratis participating in international races. During the initial years, I was the only Emirati participating in some of these races out of 30 or 40 thousand people. There was no one to guide me on how to register and take part so I did it all by myself. 

The second challenge was that I needed to travel a lot to take part, and for some of the races, I had to enter a draw to get a place, and there was no guarantee that I would be successful.

COVID-19 was another major challenge. When I finally got a place in the Tokyo Marathon in 2019, I unfortunately injured my back two weeks before the race, and I had to withdraw. Then COVID-19 came, and Tokyo was shut down. The race was cancelled in 2020, and international runners were banned in 2021, 2022, and 2023. So, I waited four years to complete this race. 

What was your favourite marathon to run and why?

If I had to pick, it would be Tokyo. I love the city, and it has always been my dream to visit, which was very special. And the long delays made it even more special once I finally got there. 

What kept you motivated?

I work offshore, and during COVID, we had to quarantine for a week before accessing the sites. So I was in a hotel room, running back and forth in a standard room, and I finished a half marathon in my room during that time! So this is how I kept motivated and my fitness levels up. It was a very hard time, but I kept my hopes and mental strength, and that kept me going. 

What kept you focused during this time?

Mostly music. I love to listen to music while running. 

There is a lot of press around weight loss why do you think you did it in the right way?

Yes I definitely recommend setting yourself a very specific goal as I did. When I started my diet I was on a summer internship during university and initially, I had two months to achieve my weight loss goal. It helps to put a time limit on it and to monitor yourself every week. It’s about having a balance between a healthy diet and exercise, not just focusing on one or the other. It was a struggle but I am so proud to achieve it. 

What went through your mind when you crossed the last finish line?

It felt amazing but it was also a relief. I was really happy but very tired! I kept smiling; it was a special moment. 

What does it mean to you to achieve something like this for your country? 

I believe it opens the door for more Emiratis to embark on challenges like this. A lot of people didn’t know much about marathons, and I hope I am helping to raise awareness and encourage others to take part in future marathons both locally and internationally. I hope it is a good starting point for changing this sport in the country.

Why do you think it’s important for us to have sport in our lives?

Sport should not only be competitive but also as a means for a healthier lifestyle. The UAE has one of the highest rates of diabetes in the world, which is something that needs to be addressed and having a lifestyle that incorporates sports is very important. 

There are a lot of very young, talented Emiratis who, if they have the support, can get to the Olympics. But so far, they have not been exposed enough or have not had the support they need for this. 

What advice would you give to anyone looking to embark on a challenge such as this?

They don’t need to think about it too much but block your calendar, and everything will follow! 

Is there another challenge you would like to achieve? 

Yes, there is. I have set myself the goal of participating and finishing a marathon on each continent. I still have four left: Australasia, Africa, South America and Antarctica.  I hope to finish all of these in two or three years.  

By Lindsay Judge

The new Dior Chrono Sneaker, unveiled as part of the brand’s Fall 2024 collection, fuses the houses’ traditional codes with those of running.

The result is a fashion-forward sports shoe that features an eye-catching, confident silhouette.

The Dior Chrono, which arrives in stores globally this May, features a supple, ultra-light sole, two-tone laces, fishnet and leather effect inserts and an assertive volume.

Some models are enhanced by touches of nude, white, black, silver or gold, and as a tribute to the house’s founder, a star punctuates the tongue, a subtle echo of the lucky charm he spotted on his way to work on rue du Faubourg-Saint-Honoré.

Available at Dior stores and online at dior.com  

Here are some of the best new releases to try out this season.

Loewe Paula’s Ibiza Cosmic

As part of this year’s Loewe Paula’s Ibiza collection, the Cosmic Eau De Parfum captures the spirit of Ibiza and the sunny appeal of the party island. This hypnotic scent for men and women is suffused with playfulness, fun, and experimentation and features notes of fresh pear and juicy mango, layered with aromatic cypress resin. Sweet, gourmand coconut cream and vanilla are amplified by the depth of cedarwood, the softness of sandalwood and the minerality of amber. Underling the composition, the unique and exclusive LOEWE Accord, created by LOEWE’s in-house perfumer Nuria Cruelles as an olfactory signature for the house, brings the raw, resinous aspects of the Spanish Rockrose wildflower to deepen Cosmic’s resonance. 

Guerlain Vétiver le Parfum

Guerlain’s latest masculine fragrance, Vétiver Le Parfum opens with explosively aromatic notes of delicately bitter juniper berries. This vibrant opening brings out the exceptionally fresh facets of vetiver essence. This rare ingredient, obtained by distilling its roots, is the essence that reveals the full depth of the vetiver plant’s woodiness. Blended with bewitching smoky notes and Guerlain’s characteristically addictive Tonka bean, its scent takes on a sublime balance of luminosity and earthiness, strength and elegance.

Christian Dior, Dioriviera Eau de Parfum

Hailing from Dior’s La Collection Privée Christian Dior range, the Dioriviera fragrance is inspired by the south of France. It combines fig and rose for a floral, fruity composition that evokes a warm summer afternoon. The contrast between the soft rose and the green fig creates a fragrance with a bold and balanced intensity. 

Cartier Pur Lilas 

This lively yet delicate fragrance is based around white lilac flowers whose fresh, aquatic note offers a modern take on florals. The lilac is neither overpowering nor subtle; it’s what we call a ‘mute’ flower. The perfumer must look for subtleties in each olfactory family and rely on both natural and molecular ingredients. “Through my work with this flower, I’ve noticed it has a distinctly musky undertone. ” Says Mathilde Laurent, Cartier’s Master Perfumer. 

Celine Zou Zou

Celine’s new Haute Parfumerie fragrance Zou Zou was created by Hedi Slimane whose vision was to capture “an idea of eternal youth”. The scent, which joins the brand’s high-end fragrance offering, combines notes of benzoin, tonka bear, patchouli, labranum, vanilla and musk. 

Louis Vuitton Attrape-Rêves 

Inspired by the euphoria sparked upon an unexpected encounter, Attrape-Rêves is the essence of a transcendent voyage—the fulfilling adventure of realising your dream, eternally enshrined in the memory. An empowering composition full of explosive contrasts and elusive elegance, a bouquet of peonies entwined with raw cocoa powder and a hint of patchouli heart—enlivened by the fresh and sparkling notes of litchi.

Valentino, Born in Roma Green Stravaganza 

Valentino’s newest scent for men, Born in Roma Green Stravaganza is inspired by the house’s home city of Rome. Set in the aftermath of a party continued into the long hours of night, the day after energetically commences, and the fragrance is born: a floral-ambery woody Eau de Parfum that promises to open the door to a world of extravagance and uniqueness.

Thameen London Bold As Love

Thameen London has introduced a new scent to its Britologne Collection. Bold As Love features a 25% concentration with the classical structure of cologne layering over faceted nuances of Eau de Parfum, projecting memorable silage and longevity. Inspired by Hendrix’s sensuality, soulful artistry and complexity of emotions, this fragrance is just as bold and poignant. This citrusy aromatic fragrance combines top notes of mandarin, ginger and fruity accord, heart notes of lavender, juniper berry and geranium and base notes of smoky leather, patchouli and vetiver.

Dries Van Noten Mystic Moss 

Mystic Moss highlights Dries Van Noten’s commitment to innovation, blending earthy patchouli, mineral oak moss, and vibrant mandarin in a harmonious symphony of scents. Inspired by ‘impossible combinations,’ this fragrance defies expectations and invites exploration. Crafted with sustainably sourced ingredients, including oak moss from Macedonia and mandarins from Calabria, Mystic Moss is not just luxurious but socially responsible. Encased in a sculptural bottle reminiscent of the apothecary tradition, it invites readers on a journey of duality and discovery.

This summer, Roger Vivier revealed colourful new editions of some of its classics.

Design by creative director Gherardo Felloni, the high summer 2024 collection reflects a serene joie de vivre: one of the maison’s key pillars and a value to be felt like the vibrant atmosphere of a summer’s day. Capturing the clear blue tones of the sea, the sand and the sunset and the colourful palette that evokes summer’s days and nights, the new collection adds a playful aspect to some of the house’s accessories with bright hues applied to bold shapes and graphic lines. 

The collection includes newly updated takes on classics, including the Viv’ Choc bag, which has been proposed with a tie-dye effect in pastel colours like lilac, pink, and yellow. The Raffia Sandals come complete with a crystal buckle and would make te perfect beachside accessory. Along with classic pieces, there is a series of new editions to the collection, including the new Viv by the Sea. Set to become the house’s new iconic sandal, the mule is both playful and timeless. It features a front buckle, a reinterpretation of the house’s iconic motif, now rounder and ofter, with a thin engraved edge around its border. Ideal for both city strolls and beach outings, the flat and comfortable design is perfect for warm weather, striking a balance between informal and elegant. 

The collection of high-summer shoes and bags is available at Roger Vivier stores globally. 

rogervivier.com

Dior Beauty has opened its first in an airport at the Hamad International Airport in Doha. In partnership with Qatar Duty-Free, the new Dior Luxury Beauty Retreat Doha is a haven of well-being for passengers departing and transiting in Doha. 

Located close to the airport’s indoor tropical garden ORCHARD, the new 880-square-metre spa is spread across two levels with two entrances: one through the boutique Dior and one through the exclusive Qatar Airways business lounge. Sheltered from the hustle and bustle, the Dior Luxury Beauty Retreat Doha is an absolute cocoon that will delight visitors’ senses and reinvent the art of travel by providing a genuine moment of well-being.

The first floor of the retreat is home to eight treatment rooms, each with its own identity, incorporating the house’s design codes. The Rose des Vents room contains a rose quartz massage table, while the Dune room features a massage table in bronze quartz. In the Dior Cannage room, mashrabiyya latticework is reinvented for luxury down to the last detail.

The pièce de résistance is the Constellation double treatment room, which can be booked out and privatised for a well-being stopover. The room is adorned with a starry sky ceiling evoking Christian Dior’s love of travel. A private steam room and jacuzzi offer the perfect invitation to harmonise the mind and body and to help with the effects of jet lag. 

For the first time, the spa also features a men’s well-being area complete with customised barber treatments, including the Dior Luxury Barber Experience and the Dior Shave. 

The spa also offers a selection of highly expert skincare protocols, stemming from Dior Floral Science. The menu features exceptional treatments created using the L’Or de Vie and Dior Prestige lines. For a supreme moment of relaxation, the signature Escale à Doha treatment provides a feeling of regeneration during a long journey. Dior also strengthens its Skin Tech offer by providing Dior Skin Light, the most powerful LED mask on the market, as well as Dior powered by Hydrafacial and the Luno Waves 21.

Alongside treatment spaces, the spa offers opportunities to discover Dior Beauty and Dior Maison products. Designed to mirror a luxurious Parisian apartment, the boutique space is home to makeup, fragrance and skincare products, as well as exceptional pieces and rare objects honouring the expertise and craftsmanship of the house. These include the J’adore amphora, created by architect and designer India Mahdavi, and the Miss Dior trunk, custom-made by expert Dior trunk-makers, of which only four are on display worldwide.

Find the Dior Luxury Beauty Retreat at Hamad International Airport, Doha, Qatar.

dior.com

The UAE-based winners of a prestigious design award created in partnership between Dolce&Gabbana and the Abu Dhabi Music & Arts Foundation.

The award, which was announced last year, has been put in place with the vision of fostering creative talent hailing from the UAE and giving the winners the opportunity to train and learn from the experts at the Italian fashion house. 

Two winners were revealed in their respective categories; Sarah AlMansoori claims the inaugural title in the jewellery creations category, while Azza Al Tawila secures the coveted spot in the fashion category. Both winners will embark on a journey that is set to transform their careers in the industry as they embark on a six-month paid internship programme at the Dolce&Gabbana headquarters in Milan. Working on their own designs throughout the process, their final products will then be featured in at the Abu Dhabi Festival 2025, showcasing the fusion of tradition and innovation in Emirati artistry.

The winners were selected by a panel of judges including UAE industry experts and personalities and a representative of Dolce&Gabbana Alta Moda. 

Her Excellency Huda Alkhamis Kanoo, Founder of the Abu Dhabi Music & Arts Foundation (ADMAF) said; “Aligned with our joint commitment to nurturing Emirati youth and fostering the growth of the cultural and creative industries within the country, we are proud to announce the second edition of the Design Award. This year, it includes categories in fashion design and creative jewellery, inviting students from higher education institutions to exhibit their talents and creative prowess in the realms of fashion design, handicrafts, jewellery, and accessories, both locally and internationally.”

“Our aim is to strengthen collaboration between our two countries, the UAE and Italy, within the cultural and creative industries sector. I extend my heartfelt congratulations to both winners, Azza Al Tawila and Sarah AlMansoori, who will embark on a journey to refine their professional paths under the guidance of leading experts in design, fashion, and perfumery. They will undergo internal training at the headquarters of the esteemed brand in Italy, with the opportunity to showcase their designs to the public during the Abu Dhabi Festival 2025.”

admaf.org

Mohammed Ashi, creative director and founder of ASHI Studio, has been selected to design crew uniforms for Riyadh Air, Saudi Arabia’s newest international airline.

The partnership marks another milestone for the Kingdom’s new start-up airline, which is set to take flight in 2025. 

The new uniform envisioned by the Saudi Arabian designer will reflect the airline’s dynamic approach to doing things differently, along with setting new standards in customer service and style. Riyadh Air and Ashi share a common DNA of luxury, style and a focus on the future, with both committed to showcasing the world-class ingenuity, excellence and innovation of Saudi Arabia to the world.

The Riyadh Air cabin crew fashion line will exude elegance and meticulously crafted details combining style, sophistication and comfort while paying tribute to Saudi Arabia’s warm, authentic, hospitality and future-focused vision. Ashi’s designs will ensure Riyadh Air cabin crew not only look impeccable but are comfortable and can deliver unrivalled, professional and first-class service to its guests.

Ashi, founder and creative director of ASHI STUDIO said: “It’s such an honour to collaborate with  Riyadh Air to design the airline’s first-ever cabin crew fashion line. The airline will play an important role in the future of Saudi Arabia by making Riyadh one of the world’s key destinations. I am delighted to be part of a project so significant for our nation. It’s an exciting time to be in Saudi Arabia and to witness another Saudi brand going global. I am looking forward to sharing the cabin crew fashion line with the world, and to seeing the Riyadh Air team wearing my creations when it takes its maiden flight in 2025.”

Ashi will unveil the uniform design concepts and share his inspiration for the unique creations at Haute Couture Week in Paris from June 22 to 27. The full uniform launch is scheduled for later this year.

The new BMW XM Mystique Allure is inspired by Naomi Campbell, with a sleek design inspired by the model’s favourite colour.

The one-of-a-kind Mystique Allure was unveiled during the recent Cannes Film Festival with BMW being the official automotive partner of the event. This one-off creation is based on the first high-performance sports car from BMW M GmbH powered by the M HYBRID drive system. Blending progressive luxury with extravagant looks, it is inspired by Campbell and was designed using exclusive materials from the world of haute couture, as well as having a unique soundtrack devised in cooperation with film score composer Hans Zimmer.

The partnership with Campbell began last year with the “Dare to be You” launch campaign for BMW XM. The 77th Cannes Film Festival was felt to be the ideal setting for the world premiere of the BMW XM Mystique Allure. Against the stunning backdrop of the French portside resort, Naomi Campbell presented the one-of-a-kind creation inspired by her to an audience of selected guests before making her way in the car to the red carpet outside the Palais des Festivals et des Congrès. “Witnessing BMW’s vision for the BMW XM Mystique Allure come to life has been truly incredible,” says Naomi. “I feel deeply honoured to have sparked the inspiration for their first-ever high-fashion show car, which stands as a unique masterpiece in every aspect.”

The BMW XM Mystique Allure is the first vehicle in the brand’s history to be designed using materials from the high fashion industry. the vehicle’s exterior boasts a deeply saturated ultramarine shade, accentuated by a lustrous matte finish. A contemporary translation of high-fashion materials from luxury textile manufacturers, the design seamlessly brings the inside to the outside, featuring rich velvet and shimmering Frozen metallic sequins casting hues ranging from intense violet to deep ultramarine.

The iridescent surfaces were created with precise handcraftsmanship and a fine eye for detail. They take their cues from the eye-catching geometric forms of the BMW XM and bring a special visual richness to the car’s extrovert aesthetic. The design of the BMW XM Mystique Allure provides a meeting point for high performance and haute couture, and paints a unique picture of progressive luxury that continues into the interior. All of the surfaces inside the car, including the M Lounge in the rear, are covered in purple velvet.

The bold appearance of the BMW XM Mystique Allure is complemented by an acoustic character also very much its own. At its heart is a bespoke adaptation of the BMW IconicSounds Electric developed as part of the collaboration between BMW Group Sound Design and film score composer Hans Zimmer.

The driving track created for the Naomi Campbell-inspired one-off projects the supreme confidence of the car’s exterior design onto the soundscape of locally emission-free driving. In the M HYBRID drive system’s all-electric operating mode, every movement of the accelerator is accompanied by an emotionally engaging sound that authentically represents the car’s outstanding performance and magnetic visual allure. 

Tony Ward transformed his late father Elie Ward’s Beirut-based couture house into an international brand when he took over the reigns.

Expanding his father’s vision globally, the young designer soon captured the attention of royal families, celebrities and esteemed clients, captivated by his feminine designs that combine innovation with the finest craftsmanship. Before taking over his father’s business, Ward graduated from L’École de la Chambre Syndicale de la Couture Parisienne and deepened his knowledge of Couture techniques at Dior, Chloé, and Lanvin for seven years in Paris, learning from the greatest before returning to his home country.

Today he is a master in his own right and his haute couture and ready-to-wear designs, which are presented throughout the fashion week calendar in Paris, have become instantly recognisable for their timeless yet modern appeal. While his headquarters remains in Lebanon, today, Tony Ward is very much an international brand and this is only just the beginning. Here we find out more about the latest collection and the designer’s vision of creating a 360 lifestyle brand. 

What is your vision for Tony Ward today?

My vision is to keep walking with the Tony Ward family by my side, to keep creating, to keep filling in the blank pages, and most importantly of all, to keep my father’s legacy. The sky is the limit!

What can you tell us about your latest collection?

For this collection, and for the first time, we made the decision to merge our two Bridal lines under one main collection in order to cater to more styles and tones of voice. The challenge was to create an elevated style for the simple bride and to tone down and modernise the extravagant gowns for the other style of bride… All while keeping the same DNA of intricate flowery craftsmanship and innovative techniques, translating the ‘rare bloom’ behind this ‘Pollen Dance’.

Your designs always have a sense of beauty and elegance. Do you think women still appreciate elegance today? 

I always listen to my client’s needs and being elegant and standing out in her unique allure is something I will never let go of while designing for her… especially when it comes to the Bridal collection.

Tell us a little about your design process and the choice of fabrics. 

For this bridal collection, I was inspired by the rare blooms of flowers that we don’t see so often. My ateliers integrated them into classical bridal cuts with lots of ‘savoir-faire’ to make them stand out, yet still blend in. For the choice of fabrics, we used silk magnolia, taffeta, French lace, silk tulle, and organza in different white hues. 

Who is the woman you design for?

She is the woman of today: A modern woman with an edge, yet forever a romantic.

Can you share a little about the brand in the Middle East and why it is an important market for you? 

I always say that this market is my source of inspiration and my driving force for success in the rest of the world. I love the region’s sophisticated taste, their way of dressing up, and this modern orientalism that we see more of each day. The women in this market have a special vibe that keeps inspiring me!

What else is in the pipeline for this year?

Many things, we never stop! We were just at the Cannes Film Festival, then we will be in Paris for Haute Couture Week, which is coming early this year. We will also present the ready-to-wear collection during New York and Paris fashion weeks. 

Tell us about the brand on a global level and where we can expect more growth over the coming years.

We are present in over 30 countries, with the USA, KSA and Southeast Asia as our primary markets. Our growth has always been fuelled by exploring new territories before anyone else, so we expect more growth from emerging markets such as India, Thailand and Mexico.

Tell us a little about some of your highlight pieces for this year.

The highlight of the Spring Summer 2024 Couture collection was the show opener; the piano dress. The structure of the dress, its circular shape, and the blend of black, silver and white, gave this beautiful visual illusion of a piano, or even a soccer ball for some! It actually went viral after being worn by Janelle Monae for the NFL Honors, on point with the theme of the event. 

In my ready-to-wear collection, I wanted to introduce daywear pieces to cover my clientele from day to night. The highlight was a black structured blazer contrasted with a big white collar. It was worn by the iconic Youssra for her latest film premiere in Dubai. 

What’s the biggest challenge you face as a designer today?

To keep going despite what is happening in the world and to control what’s uncontrollable.

What inspires you, and how do you continue to be inspired?

I get inspired by literally everything that surrounds me – but mostly, I get inspired by my trips and the people I meet. I always come back with a new idea to share with my designers and a set of sketches. 

How would you like to see Arab designers supported and represented globally? 

I would love to see Arab designers supporting each other. We tend to travel to Paris, New York, and Los Angeles and shine there. But we’re missing a lot because we do not have a federation that strengthens us in our region. 

What is the best advice you have ever been given?

Live every moment as if it’s your last. 

What would you still like to achieve with the brand that you haven’t done yet?

Growing beyond fashion, I envision Tony Ward as a lifestyle brand. I would love to explore how the aesthetics, values, style, identity and stories that make the House stand out could be translated into other types of products and experiences.  

tonyward.net/en

Yazid Ichemrahen has become globally renowned as one of the world’s best pastry chefs.

His path into the pastry world began as a young child, at around three years old, and continued through adolescence and beyond. For Yazid Ichemrahen, desserts were a way of escaping from his difficult daily life. He entered the world of pastry and was mentored by World Pastry Champion and Meilleur Ouvrier de France, Pascal Caffet, who saw his talent and trained him to be the best. 

At just 22, Ichemrahen won the Frozen Desserts World Cup, becoming the youngest world champion of any dessert competition ever. He became known for his simple yet captivating creations and created three pastry companies – YCONE, YTIME, AT HOME – with outlets worldwide. 

Ichemrahen’s latest venture takes him to Le Royal Monceau – Raffles Paris, where he joins to oversee the pastry and dessert creations at the Paris hotel’s outlets. He will lead the pastry and dessert programme at the hotel, bringing his unique style to the hotel’s gastronomy outlets. Here, we find out more about what to expect if you are travelling to the French capital this summer. 

Congratulations on the role – tell us a little about what you would like to bring to Le Royal Monceau.

Thank you! At Le Royal Monceau – Raffles Paris, I aim to blend contemporary luxury with simplicity and visibility in our pastry offerings. It’s fundamental for me that every dessert we create maintains the high standards of a Palace, ensuring that our guests experience the essence of luxury even in our pastries. Each outlet has its unique universe, and I strive to respect and enhance these distinct atmospheres, providing a memorable and immersive experience for our guests every time.

What are some of the menu highlights our readers can expect to find if they visit this summer?

This summer, our menu will highlight the freshness and vibrancy of seasonal fruits. Since it’s my first summer here, I’m eager to meet this new challenge by appealing to a broad range of tastes. Expect a variety of refreshing and innovative desserts that celebrate the best of the season’s produce.

Tell us a little about your style of creating desserts with just three ingredients and what challenges does this create? 

My style revolves around using three ingredients and three textures, a philosophy I developed during my training. This approach keeps desserts simple in appearance yet technically complex, ensuring they are both visually appealing and emotionally resonant, often evoking childhood memories or personal connections. The challenge lies in achieving this simplicity while maintaining a depth of flavour and visual perfection, ensuring each dessert is a masterpiece in taste and design.

How are you diversifying the recipes to fit the range of restaurants at the property?

I love the challenge of diversifying recipes for our various restaurants. Currently, I’m not handling the desserts for Matsuhisa Paris to allow for tailored adaptations. I’m working closely with Da Vittorio, appreciating their convivial Italian gastronomic philosophy, and developing desserts that align with their style. For Le Bar Long, I can be creative to imagine iconic brasserie-style desserts. Additionally, I’m crafting exclusive desserts that reflect my personality and resonate with the city and our clientele. Regarding the room service and amenities in room, they are highly personalised to ensure memorable experiences for our guests.

You will be working closely with Alexandre Favre – how do you plan to work together as a team on this new venture?

Our goal is to bring a unified vision to Le Royal Monceau – Raffles Paris, Alexandre Favre, whom I’ve appointed as Executive Chef for his exceptional human and technical skills, and I maintain daily communication to ensure consistency and harmony in our work. I frequently visit the hotel to oversee quality and motivate the team, working in tandem with Alexandre despite being the public face of our efforts.

How important to you is the appearance of dishes vs the taste?

In the past, the focus was 75% on taste and 25% on appearance. Today, it’s 50/50 because “we first eat with our eyes.” The visual aspect of a dessert is crucial, especially in the age of social media, where appearance matters so much. I aim to create visually modern and artistically influenced desserts. My Instagram showcases my luxurious and artistic universe, reflecting my keen eye for photography and design.

What is your number one secret to pastry or dessert making?

I don’t have a specific secret, but my philosophy is to study each ingredient completely and respect it to enhance its natural qualities without over-transforming it. My approach focuses on creating simple, elegant desserts with three flavours and three textures. This philosophy evolved during my training, and every dessert I create is inspired by my Auntie who raised me; if she understands my creation, I believe anyone will.

Why did you choose to specialise in desserts?

I specialised in desserts through my apprenticeship. This training allowed me to master both sweet and savoury dishes, a versatility I’ve maintained in my boutique.

What’s the biggest lesson you’ve learnt along the way?

The greatest lesson I’ve learned is to give selflessly. The benefits of our actions come from consistent and genuine effort, not from expecting returns when we give.

What’s your favourite dish to cook?

I love cooking simple, sophisticated, and healthy dishes like a good ceviche with the finest olive oil and citrus, paired with a fresh lettuce salad.

Which country or cuisine most inspires you?

I am deeply passionate about French cuisine, with its rich gastronomic heritage. However, I also greatly admire Japanese techniques and flavour combinations, significantly influencing my pastry work.

What do you think of desserts in the Middle East?

Middle Eastern pastries, which are often very sweet and rich, contrast with my approach to dessert making. However, I learn a lot from their philosophy of generosity and heart, which I also strive to incorporate into my creations.

What message would you send to our readers?

I would like to invite all readers to experience the unique blend of art, fashion, and culinary excellence that we offer at Le Royal Monceau – Raffles Paris. Each dessert is crafted with passion, precision, and a deep respect for high-quality ingredients. My goal is to create memorable, emotionally resonant experiences through my pastries. Whether you’re indulging in a dessert at one of our restaurants or enjoying a personalised treat in your room, I hope to bring a touch of elegance and joy to your visit. Come and explore the luxurious and artistic world we’ve created, where every bite tells a story and every flavour evokes a memory. 

raffles.com/paris/

In 2017, before COVID-19 changed the world, watch resale expert Eddie Goziker was just getting started on his online resale concept that focused on some of the world’s rarest and most in-demand timepieces.

Alongside his partner Vadim Yakubov, Goziker realised the potential and demand for second-hand or pre-owned watches as it became increasingly difficult for collectors and clients to get their hands on new models from some of the industry’s big players. The industry was booming, and demand was far outgrowing supply and availability, thus meaning to get the watch they wanted, many clients were looking outside of the traditional retail channels to buy watches, turning to resale dealers to track down specific models and to get them much quicker than the brand’s themselves could provide them.

Business grew, and in 2019 Goziker opened Wrist Aficionado’s first physical store in New York City. Today, after cruising on the back of the post-Covid luxury boom, business is thriving for the American-born entrepreneur. The resale market has grown exponentially over he past few years, with many turning to concepts such as Eddies to have any chance of getting their hands on the latest timepieces. As Wrist Aficionado’s success continues to grow, we talked to Goziker to understand more about the concept and the success of the resale market as a whole. 

Tell us about Wrist Aficionado and its business model.

We are a resale platform for watches, jewellery, and bags. What we do differently from others is that we have started opening brick-and-mortar stores here in the United States. In the secondary market, not many companies have done this. Our business started in 2017, and then, at the end of 2019, we opened our first retail store in New York. We opened just as COVID hit. So, there was a big dip in the luxury sector, which we had to manage, but shortly after, there was a huge boom, and we took advantage of that. We reopened in 2020, and we noticed a lot of our clients were moving down to Miami, so we followed and opened a second store there. New York will always remain our flagship store, but we also opened a store in Beverley Hills last year. Two of our stores are located within hotels, and we happen to like that model. It works as it enables us to reach a wider target market. It was a good transition. We are very happy in the retail space, and we feel there is a better opportunity for growth. 

The resale market seems to be thriving can you give us some insights into that and why you think it is such a flourishing industry?

The retail market flourishes because of the shortage of products in the authorized dealer market. Brands are doing their best to control inventory and buyers, and in doing so, they want to control supply and demand. By controlling supply and demand, they are allocating very limited numbers of products to clients and handpicking them. So, in essence, the brands are driving up the desirability of these watches, and in doing so, they are driving up the price. 

Everything feels like a limited-edition collaboration, and independent brands follow suit. Everything used to be much more readily accessible. You used to be able to go into a multi-brand watch store and pick up an Audemars Piguet, a Rolex or a Patek Philippe. But now, these brands are going boutique only, which means they have much more control over who’s getting the watches. In doing this, they also control the pricing, so there are no discounts anymore. So as a result of all this, it drives up the prices of watches in the secondary market because if somebody is paying the full retail price, inevitably, the secondary market has to be higher because nobody will sell for a loss. The fact that the brands are going boutique only and they are controlling who they are selling to, and the production curve is essentially what’s bringing up the pricing on the secondary market. 

Second-hand is like everything else. If you are willing to pay for something, you can get it. Everything has a price. Getting it at retail value seems to be more difficult because there is no premium on it, but they are much more selective with whom they give it to. So, our business really caters to those who want immediate gratification. Those who don’t want to be on a waiting list for a year and a half or two years to get a watch. They can afford it today, and they want it today. We offer a kind of white-glove service that caters to the affluent who want what they want when they want it. And we can deliver that to them in a timely manner. 

Within our business, around 70 per cent of what we sell is what we have in stock, and 30 per cent is what we source for our clients. We have enough of everything so the client can try it on to get an idea. Then, they can request specific sizes, colours, dials, etc., and we will source that for them. We work closely with over 500 dealers, and it is easy to find almost any watch. 

How do you think your customers feel about virtual vs. brick-and-mortar stores?

Having the stores gives clients the ability to try, feel, and touch what they are buying and when they are spending a lot of money on something, I think this is key. We have tried to spread our stores out across the United States so clients within the country can usually get to at least one of our stores easily to try the watch on. We also found that having the stores gives us credibility in a market that can sometimes be a bit grey. We offer authenticity, trust, and validity so our clients can make their purchases in a transparent environment. 

How do you ensure the authenticity and quality of the watches you sell?

We have watchmakers who check everything as soon as we receive it. We buy our watches with original papers and warranty. We do background checks on the watches. Only then, after they have been fully inspected, do we go ahead and sell them. 

Right now, what are some of the most in-demand timepieces?

Patek Philippe has always been a standout brand, and I think it always will be. Richard Mille is doing very well, and it’s very popular in Dubai. They only make four or five thousand watches a year, and considering that limited quantity, they have a big audience, so it’s very easy for them to sell out of their merchandise very quickly, even though their prices start at $200,000. 

Audemars Piguet is still doing well, although I think they have gotten a bit too cliché with their collaborations and maybe oversupplied a bit too much, as they have increased their quantities quite a lot. We have seen a bit of a pullback on their watches, so I think unless we see them go back to the traditional watchmaker route, where it’s the watch that’s the hero rather than the collaborator, then I think they may struggle a little. 

Then you have brands like F.P. Journe, which is doing very well, and Jacob & Co., which is doing well. Sometimes, marketing wins the game, and Jacob is doing a great job with that. 

The Middle East is a huge market for watches. Can we expect to see more of you here? 

We have been to Dubai a couple of times to look at spaces, so it’s definitely something we have considered. It’s a very big market because Dubai pulls from The Middle East, Russia, and Europe – it pulls from everywhere, and a lot of wealthy individuals have moved there. So I think for us, it will be a no-brainer in the future, it’s just a matter of finding the right overseas partner to work with, and it’s definitely something we’re considering. 

What kind of guarantee or customer warranty do you offer your clients?

We follow up with our clients and give them an extended one-year warranty on top of their manufacturer’s warranty. However, we mostly sell modern pieces that still have a valid warranty with their manufacturers. If it doesn’t, we will give you a warranty of our own, and our watchmakers will service anything where needed. 

Tell us more about the bag category.

In 2021, we opened our first handbag store, a spin-off of the watch store. We also opened a Hermès-only store in Miami. We feel that bags and watches go hand in hand, and I think it will be our strategy moving forward to open two stores next to each other. 

I think bags would probably do just as well in Dubai as watches. We focus only on Hermès bags – 95 per cent are Birkin and Kelly bags – we try to ensure all of our bags are new or in like-new condition. It’s a huge market, and it’s because Hermès control the supply and demand of their products. They limit clients to two leather bags a year, and quite honestly, a lot of ladies want more than two bags. Often, clients aren’t given the option of which bag they buy; they have to have what they are given, and so a lot of people are turning to the secondary market. 

What’s the biggest challenge you face?

We want to go faster than I think our backend allows us to. We have realized that you need a lot of infrastructure for rapid growth. Ideally, we want to open one or two stores a year throughout the United States, but we realize that the more stores you open, the more time it takes, and the more inventory you need to have in those stores. This is very cash flow sensitive, which of course, is a challenge in itself. 

What else is in the pipeline for this year?

We would like to open at least one more store this year in the United States. We have been approached by people in Canada, Dubai, Saudi, and Qatar to open up stores, but I think we would like to have a few more on the ground in the US before going overseas.  

wristaficionado.com

After gaining a successful career in the art world, Italian Interdisciplinary artist Gabo Guzzo decided to embark on a project that would blur the lines of art, fashion and craftsmanship.

Guzzo’s artworks are inspired by the natural world, and his success lies in the extensive research and depth to his creations. Working with scientists, geologists and even botanists, his projects have always come from a science and research-first perspective. So when he decided to venture into the world of design, creating one-of-a-kind handbags, it was in part, a departure from his usual work, but in many ways a cross over between two worlds. 

Guzzo set about designing exceptional one-of-a-kind handbags for the most discerning customers. Each piece is made entirely by hand, with each bag taking weeks or even months to create. Guzzo believes that this project is a way of bringing art closer to our everyday lives and his one-of-a-kind creations talk to customers who genuinely value what they buy and have opted for wiser shopping, also as a way to protect our planet’s natural resources. This idea of mindful design makes for a much more sustainable approach, while long-lead times may at first seem frustrating for clients, the quality of the products means that Guzzo’s bags will last a lifetime, being passed down through generations. We find out more.

Tell us about the universe of Gabo Guzzo today.  

It’s an interdisciplinary project, something I started as a passion project, coming from my background in art. After an artist residency that I had with a scientist, Nobel laureate Paul Crutzen, there was an invitation for artists to go outside of the art gallery and bring their message closer to the people. It was a project related to the Anthropocene, climate change and how we should be more responsible towards the planet. This was the moment I decided to integrate design into my art practice and designing handbags was something that came quite naturally to me because of my background growing up in Italy, where I was always in touch with the design community.

I went to Florence and did research into artisanship. I discovered that even there, there is a problem with sustainability, and skilled artisans are becoming harder to find. After selecting the people I wanted to work with, we started with the first three bag designs, and it went from there. What started as an artistic project, is now becoming something else.

How do you translate your skills as an artist into handbag design?

The research is always based on my interests in the natural world and human nature. I work collaboratively with people in other industries for all of my works – art, sculpture, and handbag and jewellery design. Firstly I research deep into their fields, looking to find inspiration for my creations. There is always a link to nature and timelessness, as well as the idea that we should consume in a more responsible way.

I want to promote the idea of considering a more sustainable way of purchasing at a slower, more responsible pace. 

How do you try to sustain rare craftsmanship and support artisans through your designs? 

When I decided to embark on this project of designing handbags, I wanted them to be unique pieces with this jewellery element that was, in a way, a nod to sculptures. I went to Florence and talked to a few artisans, and I discovered the complexity and challenges involved in producing these designs. I came from a completely different perspective as an artist without training as a designer, and I think this is why the design feels quite different from what we usually see. But at the same time, due to the complexity of the designs, it was quite challenging, to find the right hands and minds to bring these designs to life. 

I was lucky enough to encounter an artisan who has a very long experience with manufacturing handmade pieces embellished with jewellery, and we started to work together, which was a great help. This collaboration was the first step in ensuring the highest craftsmanship for my creations. I’m obsessed with details and quality, also in terms of supplies, so for our tanneries, for example, we work with workshops in France and Italy, I usually go myself to spend time with them to define the colour of the leathers – in fact, the colours in the collection are custom shades that I mix with the artisans in the tanneries. That was another step that allowed me to control the quality of what we were producing. We also use precious metals that are crafted in Italy.

There is a lot of research in terms of materials and getting the right collaborators and there is a need for a meaningful relationship with partners, suppliers, as well as with my collectors. My collectors are always interested in knowing the story behind the bags, which is gratifying. When we finish each piece, the artisan who makes it will sign it alongside my signature as a mark of authenticity, commitment and pride. For each piece, there is always a significant investment of time and creativity.

Tell us about the bespoke approach to your creations and why it is so important for you to offer this. 

The bags are designed as one-of-a-kind pieces, but occasionally, we have customers or collectors who seek something more personal or have specific requests. This might involve the colour palette, gemstones, or aligning the design with their style. Sometimes, they desire a design that resonates with them due to a symbolic or meaningful connection to certain gemstones. Or maybe it’s a special occasion such as a wedding, and they want us to create something more personal. In these cases, we offer bespoke commissions, which can range from customising a design that’s already in existence to creating a piece using specific materials and colours. We can also design completely from scratch when they want something that’s truly of the utmost exclusivity. These are extra-ordinary collector’s items that can be cherished and passed on through generations.

What are the timelines for making a piece?

Time is our challenge, because of course, making these pieces requires dedication, especially when you start from a conversation, and then you have to source the materials with all the specifics they require. Depending on the request, of course, it can range from six to eight months. When designing bespoke pieces, the process typically takes longer, but time constraints are generally not a major concern for these clients. They are driven by the desire to achieve a unique and exceptional end result.

Tell us about the materials you work with.

Materials are part of the exploration of each design project, so we experiment with things such as printing in 3D – but most often, we work with calfskin, lambskin, exotic skins and of course metal – aluminium, brass and precious metals. Traceability and sustainability are key elements, and before starting to work with a supplier, we want to ensure the supply chain is very transparent and that we know where they source the materials. This is a fundamental aspect of the project.

Your brand is very unique – what is your vision?

It started as an artistic interdisciplinary project, and I still see it as a niche project, akin to couture. In this way, you have space for investment in time, creativity, and beauty, which is how I like to work. This is my goal, and within this goal, there is much potential to map this vision of interdisciplinary art and bring art, design, jewellery and science seamlessly together to promote meaningful human progress. 

Can you share a little about the Middle East and your clients there, and why do you think your designs particularly resonate with women there?

Generally, my customers become collectors, and in the Middle East, I do have collectors who follow my work. The Middle East, it’s a very generous region in terms of the client’s interest and passion for art, craftsmanship and uniqueness, and it’s a joy to work with collectors here. There is a specific interest in commissioning pieces that are exceptionally unique and creative, and I think that makes my design relatable to women in the Region. 

What else is in the pipeline for the region?

I hope to come to the Middle East with an interdisciplinary exhibition of art and design together, bringing my handbags, sculptures and other artworks, as we did previously in New York. 

What’s the biggest lesson you’ve learnt since embarking on this project?

Coming from the art world, you have a different feeling or approach to time, while when I approached this field of fashion design, I became aware of how time runs fast in a way, in terms of collections, seasons, and creativity gets discarded too fast. This has been a challenge and something new for me, but it also presents an opportunity to communicate that we should appreciate time and enjoy creativity and design for longer. Working with many seasons and collections and a wide range of products is not enriching in a way; almost the opposite. I had to consider this a lot, and I decided to keep my project as it is; seasonless.

What’s the biggest challenge you face with your brand today?

Time is the main challenge. As well as this willingness to try to make a change in people’s awareness to change the way they purchase and consume and reconsider the importance of quality and time in their lives and their shopping habits. This is where I think art can be of value because what I’m trying to do is bring more art into the lives of my collectors. I think with inspiration that comes from art, we can add more ideas, quality and value to our work and the customer’s experience. 

What are you currently working on?

I am constantly engaged in developing new designs, as well as creating sculptures that explore my primary interest: human beings and their relationship with nature and biodiversity. 

What message would you send to our readers?

Luxury is the privilege of being oneself. It embodies freedom and possibility, and I believe we should use this freedom to advocate for a better world—for ourselves and for future generations.

gaboguzzo.com

After growing up in the Loro Piana family, Franco Loro Piana saw his father and uncle build a global company that helped shape the concept of quiet luxury as we know it today.

In 2013, however, the family business was sold to LVMH for a sum of two billion Euros. This left Franco, alongside his brother Giacomo, at a crossroads. They had gained exponential knowledge of the industry, craftsmanship, and creating exceptional products while working in the family business, but the challenge now was what to do next. The young entrepreneurs were keen to embark on a project that would combine their expertise with their passion for sports and an active lifestyle, and they soon created SEASE, a men’s lifestyle brand that combines luxury and performance. 

SEAE was launched in 2016 through a series of lifestyle experiences and pop-up stores. Its concept is unique and is targeted towards a man who loves an outdoorsy lifestyle, but also appreciates quality and luxury. This May SEASE opened its first store in the Middle East in Dubai Mall’s Fashion Avenue. Partnering with Khalifa Almarri, Managing Director of Almarri Investments the Loro Piana brothers hope to further expand the brand’s global presence and reach a new segment.

The new store spans 1400 sqft and embodies the minimal and innovative aesthetic envisioned by its founders, providing a perfect backdrop for SEASE’s high-performance, functional urban wear. The interiors are inspired by yachting and automotive design, where innovative materials like carbon fibre, teak wood, and sailing ropes create a contemporary yet welcoming atmosphere.

On a recent visit to Dubai to open the store, we caught up with Franco Loro Piana to find out more about this exciting new chapter of the business. 

Tell us a little about the brand, how it came to life and the vision?

After we sold the family business, I wanted to create a brand that was fitting with my own lifestyle. I knew I had some creativity to express and I was very passionate about sailing, skiing and surfing, so I started to think about how precious your free time is when you are doing these things and how you need to have an occasion to escape your ordinary life and reconnect with nature. This, in my opinion, is true luxury. Having time to enjoy the things you love. I believe there is a big reframing happening in the world where people really want to take the time to rebalance and I wanted to create a brand that would talk about passion, outdoor spirits, reconnecting with nature and so on. 

Around 15 or 20 years ago, when I was living in New York, I would go to Montag on the weekends, and I would wrap up my bag with everything I needed – wetsuit, hoody, book, music – and I had this idea of creating a brand that was a kit for your passion – this eventually turned into a contemporary wardrobe for a man who wants to escape, who’s on the go, who’s travelling. It’s a combination of essential pieces that you must have in the wild, but combined with the codes of tradition, which is very linked to my family heritage and my DNA. So we are combining a tailoring, craftsmanship experience with a very contemporary product. 

I would define SEASE as tailoring elegance combined with a highly competent design and performance. We bridge the gap between high-end raw materials and quality with a sense of performance, and it’s quite unique. It creates a hybrid wardrobe for a guy who can go skiing with a high-performance cashmere jacket and then wear it every day in the city – he is never formal, always casual but sophisticated. Obviously, it’s not for everyone because not everyone likes to be functional and high-performance, but the wardrobe of a man is evolving towards that direction. There is a feeling that activewear brands don’t have style and luxury brands don’t have performance, and that’s why we’re here. 

Men’s fashion has changed a lot and there seems to be a shift towards more casual and functional pieces  – what can you tell us about that?

Yes – there is definitely a shift towards pieces that are easier to wear, easier to travel in and I think that’s where it’s heading. 

Tell us about the materials you are using.

Our strength is to use natural fibres and materials and around 80 per cent of our wardrobe is made from wool. Wool is the most incredible fibre that can range from thin to super thin – it can be the most precious or the most functional natural fibre. We also use a lot of linen hemp and cashmere, and we try to use these materials in a different way, whether it’s the design of the garments or the performance that we can attach to them. We’re very happy with this approach, especially with the identity of the brand which is not easy to build from scratch. 

Tell us about the rollout of the brand. 

I started the concept in Milan with a pilot store because I wanted to showcase an overall lifestyle. We started with a concept store because this idea of a kit was always quite strong in our vision and now, obviously, the collection has become bigger, but to begin with, we had this concept with a music loft on the first floor where you could buy vinyl and have drinks and chill. Downstairs was the SEASE collection, and there were also products from other brands that are aligned with our DNA. Things like gadgets that our consumers may not be aware of. So we started with this concept store, and then we opened stores in resort locations because we were pitching this escape to nature – whether it’s ocean or mountains – we opened stores in St Moritz and Sardinia to really express our brand DNA. 

I think we are a resort spirit brand. We enter our client’s mind when he is coming up to having free time, and for me, the most important thing was to create a brand that’s different, and it’s very difficult to do today when everything is already out there at any level of price and quality. So, to me, the only way was to create a product that can carry emotion through life. SEASE really needs to remain a really authentic brand with its own soul, that is used for authentic experiences for an escape, for exploring. These are all emotional experiences and the garments will be a loyal friend, accompanying you on these life moments. I hope they become salty and dusty and that these products stay in the wardrobe of a man for a long time because the emotional attachment is so great. 

The materials you use need to be versatile and long-lasting. What were the challenges related to this?

The biggest challenge is that if you use a natural fibre, a very precious raw material, on the one hand, you have a price constraint and then you have an outdoor spirit, you are competing with products that are made in China or Taiwan and are often cheaper. Obviously, we are already targeting a niche, and secondly, we are working with fabrics like wool or linen, which do have some limits in terms of durability or stretchability compared to synthetic fibres, but with wool, for example, its features are actually incredibly unique in terms of their thermal regulation, so if you get wet you get warm, they don’t smell, there are so many great features of natural fibres, but for sure, you cannot reach a certain level of performance, but that’s also not our goal. If we design a ski jacket in wool for example, for sure it’s high performance, but you don’t need to climb K2 wearing it. We are not a sports brand, we are a lifestyle brand and performance comes through in everyday wear. 

Where did the name SEASE come from? 

Because of this starting vision of sailing and passion and releasing pressure and stress from the city and dynamic life, we started with ease. When you sail, you ease the sail and you are releasing pressure. And then we added S to add the sea angle and how we are an ambassador of nature and the word also looked good aesthetically. 

Tell us about the brand in the Middle East and why do you think men here will enjoy it.

We had a sense of testing the brand for Middle Eastern clients in Courchevel because we had a store there. Men from the Middle East really like to ski and be in the mountains, and they like quality in general. So they discovered SEASE in that way, and we had a positive feeling. I’m quite surprised, positive and happy about the opportunity to be here, and I will always thank my partner Khalifa Almarri,  because he achieved the impossible to find a shop space in Dubai Mall. It’s the Champions League of the luxury market, and so I feel very honoured and thrilled to be here. At the same time, I feel the need to deliver. This really is the turning point for my company, and if we do this right, I think we will have something very different and special, and I hope this is the first one of a long series of stores in the GCC area. 

Being in Dubai Mall allows us to reach locals, ex-pats and tourists, so it’s a great opportunity, and I really think Middle Eastern clients are young, they have purchasing power, they are very connected with what’s happening in the world, and they appreciate things that are well done, of high quality and unique. Once they like something they become very passionate about it and loyal to it and become real fans of a brand, so I really see the need to fulfil their needs and grow the company in this market. 

Coming from a family company, what pressures did you feel when starting a new brand, and was there an expectation you felt you needed to live up to? 

Yes, for sure there were challenges and pressures, but let’s say it’s been done with a very instinctive passion – I didn’t talk or think about it too much in that way. After working a lot in the family company, I was 30 years old on my own, and I had this blank canvas in front of me. In the end, I did it because I was passionate about the product, and in my previous experience, I didn’t work on the product, I was more focused on other departments within the company, so it was a passion that I had inside and wanted to explore further. For sure it is easy to fail when you embark on a new project after a successful project, but I really didn’t talk about what could go wrong. That being said, I totally underestimated the amount of complexity of starting a new brand, and to be exposed again, the tough challenge was to reframe myself from an incredible organisation and a brand with no compromise. We always did the best we could in everything we did, and this is why it became so successful. Then you start from scratch, and if you have this ambition, you don’t have the same machine under you, and this creates a level of complexity which can be difficult to manage. But we have now been doing this for seven years, and we have overcome all of these challenges. It’s time to really bring the brand out there in the market, and I’m thrilled to have this opportunity in the Middle East. 

What does luxury mean to you today?

For us, as the Loro Piana family, to talk about quiet luxury is like nothing new. For me, true luxury is to have the freedom to live your life in the way you want. Always being connected to something that has a true value and is authentic. The concept of luxury is really switching to being more about having time to dedicate yourself to what you like to do.

In fashion, luxury is something that has a lot of content behind it. By content, I mean craftsmanship, technology, or something that is made to be the best in its category and authentic. It is about understanding certain values that can be transferred into a product or experience that will touch someone’s emotions. This is true luxury.  

sease.it/en

Switzerland’s Dolder Grand Hotel has been one of the most iconic in the world since it first opened in 1899.

This year, the Zurich property celebrates 125 years and is marking the occasion with a series of activations, events, and offers for guests throughout the year. The historic hotel opened in 1899 as the Dolder Grand Hotel & Curhaus, an architectural marvel with magnificent views over Zurich, the lake, and the Alps. The city meets countryside resort quickly became a year-round destination for Europe’s elite, looking for the finest in luxury hospitality. Sports, entertainment and gastronomy facilities were added to the property over the years, attracting global guests, many of whom would return again and again. 

In 2008, Dolder Grand reopened after a major renovation. Now with 175 rooms and suites and a 4,000 square metre spa, it offers tranquillity, relaxation and five-star hospitality. Today, under the guidance of general manager Markus Granelli, the hotel is focusing on its next chapter, in which technology and innovation come into play, further improving the guest experience. Here we find out more about the anniversary celebrations and what’s next for the iconic property. 

Congratulations on 125 years – how would you describe the Hotel today in your own words?

Many thanks for the wishes! The Dolder Grand is a destination distinguished by three qualities. Firstly, it stands for exclusive, multi-award-winning and world-class gastronomy that is varied and innovative with ever-new and inspiring culinary concepts. Secondly, our idyllic location above Zurich offers relaxation in beautiful, natural surroundings with a delightful variety of leisure activities right on the doorstep, whilst providing effortless access to the vibrant city and its rich cultural life. Thirdly, our renowned spa, with its extensive range of facilities and treatments spread over 4,000 square metres, is the largest in Zurich.

How are you planning to mark the anniversary?

We have planned various activities. For our guests, we have launched an anniversary package called Celebrating Exceptionality, showing our appreciation for their many years of loyalty with a special gift. As a tribute to the guests who have shaped our hotel over the past 125 years, we give an insight into our guest book, which captures forgotten moments and stories through the belle époque to the 21st century.

Underlining our connection with art, we have invited renowned artists to interpret their stay in their own artistic language, resulting in a variety of individual works that perfectly encapsulate the essence of the Dolder Grand and take guests on a special journey through the Hotel.

On the culinary front, we will bring themes from the turn of the century to life for our guests at the Heritage Pop-up, and our gourmet festival THE EPICURE, will accompany our anniversary. At the 9th edition of our annual event, top chefs from all over the world will present their extraordinary creations and a wealth of exquisite culinary experiences at the Dolder Grand from 2 to 7 July 2024. Additionally, we are entering the second season with our Blooms Garden restaurant, which offers vegetarian and vegan dishes from the Hotel’s own garden.

How do you continue to honour the rich history of the hotel?

By staying true to our guiding principle: heritage and vision as well as our passion for creating an unrivalled guest experience.

After winning Hotel of the Year, how do you maintain the high standards you have set in terms of quality and service?

In a nutshell, we listen to our guests. This means we strive to develop offers that not only meet but exceed their wishes and needs.

What’s new at the hotel for this year?

Two things are especially worthy of mention. Firstly, our Canvas Bar and Lounge, with its magnificent historic features and contemporary design elements, inspiring art collection and lively atmosphere, will be refreshed. It is a wonderful place to simply be, soak up the atmosphere and enjoy a drink or snack.

Secondly, we have renovated our employee restaurant, Greens, creating a comfortable atmosphere for staff and upgrading the food offerings, with dedicated employees passionate about providing an unforgettable guest experience.

What do you think is particularly attractive about the Hotel to Middle Eastern guests?

The Dolder Grand offers a wide range of facilities for guests from the Middle East who appreciate the highest level of comfort and exclusivity. They enjoy maximum privacy in an ideal location, and find our long-stay offers particularly attractive. Another highlight is our butler service – we are the only Hotel in Zurich to offer this exclusive service.

On the culinary front, Oriental Chef de Cuisine Firas El-Borji presents a wide selection of dishes from the Middle East. His craft is characterised by an almost inexhaustible variety of flavours and the use of fresh, seasonal ingredients of the highest quality. Guests can dine at the exclusive restaurant Salz, the temporary Oriental Hideaway or opt for room service.

Our spa features private spa suites and separate areas for men and women, where guests can relax in peace and recharge. Finally, we also offer medical wellness services that aim to promote the holistic well-being of our guests and make the Dolder Grand an ideal retreat for guests from the Middle East. 

We also provide environmentally friendly means of transportation, such as electric vehicles and bicycles, for guests who want to explore the surrounding area. Furthermore, our guests can use the complimentary shuttle service or the exclusive limousine service with a chauffeur.

Can you tell us about the summer season at the Hotel and how it compares to the winter season?

We are a year-round establishment, offering activities that vary according to the seasons. In winter, our attractive location allows guests to enjoy wonderful winter walks or our ice-skating rink – one of the largest in Europe. In summer, a plethora of options await, including five tennis courts, a nine-hole golf course, a driving range, a minigolf course and access to the public Dolder Bad swimming pool.

What’s the biggest challenge you face in your role today?

One of the biggest challenges in my role today is mastering the balancing act between innovation and tradition while always offering our guests an unforgettable experience—in short, combining heritage and vision. For example, we are the first hotel in Switzerland to accept payment in cryptocurrencies, and we also use innovative technologies such as robots to relieve staff and improve our service. When our hotel opened in 1899, the technical standard was a telephone and telegraph service for guests. There have been 125 years in between – and managing change over the years to keep customers happy at all times is an ongoing process that we are passionate about.

What can you tell us about the food and beverage offerings at the Hotel?

We have five restaurants that together have a total of 64 GaultMillau points and two Michelin stars – from refined oriental and Japanese cuisine to exceptional fine dining and our garden restaurant for vegetarian gourmets. Culinary Director and award-winning Chef Fine Dining Heiko Nieder is responsible for this. He delights our guests with a unique blend of traditional techniques and modern influences. From upscale cuisine to seasonal, regional, vegetarian and vegan menus, as well as creative culinary concepts, the Dolder Grand’s culinary offerings continuously demonstrate their innovative strength.

What are some of the other attractions for guests to visit?

Guests can explore our art collection, featuring over 100 pieces from various eras, and discover the Hotel’s architecture, showcasing the evolution from the Belle époque to the present day.

What would you say to readers who ask why they should visit the Hotel this year?

Experience how the Dolder Grand combines tradition and innovation for your perfect stay, and join us in celebrating our 125th anniversary! With our anniversary package, we are giving you CHF 125 as a gift to commemorate this special occasion. Come and experience for yourself what sets the Dolder Grand apart. 

thedoldergrand.com

Just three years ago, in 2021, Del Core emerged as an unknown brand when it presented its first collection at Milan Fashion Week.

This unexpected yet disruptive brand was founded by German designer Daniel Del Core, whose career started out at Gucci, working under Alessandro Michele. As a young, independent brand, starting out was always going to be a challenge, but one that Daniel was willing to take on. His vision was to create something that went beyond the norm, offering unexpected designs, silhouettes and materials. Today, Del Core has become a great success. With three stores now open globally and several impressive red-carpet moments (Amal Clooney is a fan, as well as Florence Pugh, Priyanka Chopra and Cara Delevingne), and this young brand seems to be going from strength to strength. Here, we find out more about the journey so far and what to expect looking forward with founder Daniel Del Core. 

Tell us a little about the current vision and direction of the brand.

We started to build the company in 2019, our first show was in February 2021, so it’s been around three years and I think the identity of the brand is quite recognisable and clear and with every collection, we define it a little bit more. I try to work on the evolution of the brand while being true to myself and sticking to the values that step by step, I am including in the collections. I’m trying to push this vision as far as I can, think about what I like and don’t like, and be present throughout the process. 

It’s only been a few years since you launched the brand but you have made great progress already – as a new brand, how do you compete with those who have many years of heritage?

This is for sure our biggest challenge. I think the difference between us and other brands is that we are a new, independent brand, and we popped up quite quickly. We are not part of a bigger group, so in some senses, we are limited, but in other ways, we have more freedom. It’s about trying to find the right balance and push that forward to reach our customers in the way they are looking for. It can seem very simple, but when you’re a brand that is focusing perhaps more on a niche market rather than something more commercial it can sometimes be difficult. 

How would you define the Del Core customer today?

I think our customer is someone who wants to be seen, a woman who is true to herself. I like the personalities of the women who wear our clothes. They are women who have successful careers and a certain type of lifestyle. They are not women who have minimal tastes, and it’s beautiful to see their personalities stand out. They love fashion and they are looking for something new and different, and that is very beautiful. I think the red carpet element to our brand helps because we have some amazing women who choose to wear our designs. It’s not something that we push, it’s very organic. 

What are you currently working on?

I’m a bit of a multitasker, and currently, there is a lot going on! This week, we are officially opening our boutique in New York. I’m working on the show that’s happening in September. We will release Abstract 5 soon, our pre-collection – it’s a wardrobe of our women’s lives, more day-wear pieces than red carpet. There are some other exciting things in the pipeline for next year, too, but we will know more about that soon, and I cross my fingers that everything goes well. 

What can you tell us about the Fall/Winter 24 collection?

I think what was very interesting about this collection and the show was the inspiration because I was talking about nature and that’s something that’s very close to my heart. I have spoken a lot about this idea of mutant glamour and an evolution and I think what was nice about this collection is that it was an evolution of this. My concepts are very often tied to trips that I have been on and I get inspired by different places, but for this show, I was more focused on the woman itself and the process of uncovering her. So the first few looks of the show were a little more covered and then as it progressed, there were more revealing pieces, so it almost represented the lifestyle of a butterfly and how it reveals itself. It was very fun and I think it also allows people to slowly understand the brand and get closer to my inspirations.  This is actually another challenge: to really express your inspiration and get that message across to the clients. I think this last show was a big step towards that goal. 

Now, with the Abstract 5 collection, it was more of a challenge for me because we needed pieces that were more like the basic products for our store. So, I wanted to create a clearer line between the pret-a-porter and the couture, a more elaborate part of the brand. So in that collection, you will see more of the essence of what the product for me is when I talk about my collections. 

What can you tell us about your choices of fabrics and materials?

I like to take something that’s maybe a little more classic, like classic beautiful silk or cashmere, and then give it a bit of a twist. Mixing fabrics that are different, using fabrics in different ways, and controlling them in ways to create sculptural pieces. I think the challenge is to start with high-quality materials and manipulate them. For example, in the last show, there was cashmere, which we treated in a rough way so it looks a little more alive, almost like felt, and then you touch it and are surprised by the softness of the fabric – it’s unexpected. 

Can you share a little about the brand in the Middle East and what’s in the pipeline for this year?

Dubai is one of the most important places to be as a brand today. What was really beautiful for me is that when I started the brand I immediately got the support of the people there. The press coverage is always great, people are really willing to see designs with a twist. There is a respect for freshness and a brand that’s open to experimenting, and which was something I was very surprised but happy about. I worked in Beirut for six or seven months and I knew that people are very friendly and welcoming and always positive which is a super beautiful characteristic and I have to say it was really nice to experience. 

We have started to do trunk shows and to present our products directly to the customers in the region which was really important for me to do because I like to have a close connection to my customers. There is still a story to tell which can be a challenge but I like that and by connecting with customers on a personal basis, I can tell that story, and so far, they are very happy to be part of it. 

How did you get your passion for design? 

I was always very interested in sketching, painting, and sculpting. I’m from the Black Forest in the South of Germany, but I have Italian origins. When I was growing up my parents challenged me a lot to do different activities from sports, to camping, to art – they wanted to always keep us busy. I wanted to learn Italian because my grandfather was Italian and we had many vacations in the south of Italy, in Puglia, where he’s from and that was my first introduction to Italy. I went there more I started to learn more about art, ceramics and sculptures and it became a passion, but in terms of fashion I really didn’t even know what Gucci was – my town in Germany is really small! Then one of my teachers recommended me for a place at a university in Milan, I got a scholarship, and I started studying fashion. My passion for art got really strong, and I visited museums all around Italy. I really like to understand things, especially if I don’t like something, I want to understand the ‘why’ behind it, so there is a lot of research and thought into what I do. 

What inspires you?

It is a mix of everything. I have a lot of friends working in the music field, so I look a lot at what they’re doing, and we have a lot of conversations. I like to go out into the world, I go to the jungle for 10 days at a time and explore new places, look at the colours and shapes, and try to understand the place that I’m at. I try to collect photos and things I discover, and then I bring it all back to my team and we start to create something from there. Obviously, architecture is very important to me as well, so I look at that too, especially the differences in styles of architecture from different places. When I visited Dubai for the first time, for example, I was completely blown away by what could be done in such a short amount of time, and then, when comparing that with the old part of the city, the contrast was so interesting. There is a really deep history in the country which is amazing, but then you also have these incredible new buildings. 

What’s the biggest lesson you’ve learnt throughout your career?

Stick to your own mind, do what you think is right and try to challenge yourself and that’s when the lesson comes. Sometimes you need to go with the flow, and sometimes you do not. You have a dream and expectations, but what you need to understand is that you have to work a lot to achieve even a small part of that dream, you need to be prepared. If you have your own company you need to be able to multitask and to have an overall vision and understanding of where you want to go and what you want to do.  

How important to you is sustainability as a designer and as a brand? 

For me, sustainability is always a very tricky topic. We have to do our best to be as sustainable as we can, but I would be lying if I said that it’s possible to have a completely sustainable company. I think it should be a goal that we want to arrive at, and we should try to do that as much as we can. I love couture because you can be really sustainable with it because it is artisanal work, and that’s also why I push so much to create couture pieces, but obviously, the industry, in general, has many issues when it comes to sustainability as many others do, and we have to try our best to do what’s right for our planet. After all, this is our home and I think we need to pay it respect and be conscious of our actions.

Long term, where do you see your brand? 

The most challenging thing for me was positioning the brand in the right place, which I think happened in the right way. I just hope I can keep that position for the brand long term. I hope to create more workspace for other people, have a bigger team, make better products, and create our own history and maybe someday a heritage. We are a little plant that grows with time, and in the future, I hope to be a big tree. 

What would be your message to your customers in the Middle East?

The thing that surprised me the most about the Middle East is that people are really curious about the brand. I hope that will continue, and I promise to try to create the most beautiful gowns and clothes for them. It’s a journey that we all have to do together.  

delcore.com

Louis Vuitton’s Pre-Fall 2024 collection features bold colours, pop-art prints, luxe materials and unexpected combinations. 

Designed by the brand’s Artistic Director Nicolas Ghesquière, it also features a collaboration with Chinese artist Sun Yitian, whose signature pop-art-inspired style can be seen across garments and accessories. 

Dress: Leather Pull Duck Dress Shoes: Trinity Ankle Boot Bag: Go-14 MM All Louis Vuitton

Jacket: Layered Utility Jacket Shirt: Striped Knit Top Skirt: Carnation Print Ruched Skirt All Louis Vuitton

Shirt: Collar Detail Striped Knit Top Skirt: Leather Accent Check Tweed Skirt Shoes: Trinity Ankle Boot All Louis Vuitton

Shirt: Carnation Print Tailored Halter Top Skirt: Carnation Print Ruffle Skirt Shoes: Trinity Low Boot All Louis Vuitton

Bag: ALMA BB By Louis Vuitton

Bag: GO-14 MM By Louis Vuitton

Bag: Twist MM By Louis Vuitton

Bag: Atlantis MM By Louis Vuitton

Photography: Norbert Kniat at MMG Artists 
Fashion Direction: Lindsay Judge 
Model: Kenza at MMG Models
Hair and makeup: Sophie Leach 
Location: Aya Universe, Dubai