These are the highlights to watch out for from the Spring/Summer 2024 season.

C-SUITE

C-Suite

From the office to the runway to the sidewalk, business dressing couldn’t be more chic, and it’s time to bring it to your everyday wardrobe. Pair sharp-cut blazers with pencil trousers or skirts and finish with a well-tailored shirt. 

LACE

Lace

Lace is the perfect staple for the warmer months, and this season, we saw designers taking lace further than just a simple detail and edging as full lace ensembles appeared on the runway. From capes to dresses and even coordinating two-piece outfits, these feminine designs offer an ultra-luxe look. 

Ladylike

Ladylike

Fashion brands are taking feminine looks back to basics with elegant dresses, lashings of tulle and soft, silky fabrics that will make any woman feel cute, sexy and powerful. Add statement jewellery, and accessories to finish the all-round ladylike look. 

Monochrome

Monochrome

A simple black and white look is the epitome of chic, and what easier way is there to achieve this season’s must-have trends than by wearing a simple monochrome ensemble? Look for pieces with sharp lines and symmetrical cuts to complement the graphic appearance of the garments.

Candy Crush

Candy Crush

Soft pastel tones that looked good enough to eat dominated the runways this spring. With complementing pastel tones, you can create a look that’s like and eye-catching. Pair contrasting hues together to really get the impact of this trend. 

Prep School 

Prep School

With a remake of “Mean Girls” in cinemas, it’s no surprise the preppy trend is having yet another moment. This season, brands are pairing understated pieces with preppy separates or accessories for a high-fashion look. 

Suit of Armour

Suit of Armour

Metallic ensembles have achieved a new level with armour-inspired looks that truly make an impact. Chainmail dresses, metalwork and metallic leather create looks that wouldn’t look out of place in Ancient Egyptian times. 

The eighties 

The Eighties

If you were alive in the eighties, you’ll remember its bold, non-afraid fashion styles, and if you weren’t around to see it the first time, this is a trend you’ll want to adopt. Strong shoulders and an hourglass silhouette will have you screaming power woman. 

Utility

Utility

Utility dressing is by far one of the most comfortable trends on our list, and it suits almost any style preference. Opt for shades of camo green and brown and look out for details such as utility belts, multiple zips and work-style boots. 

White dress 

White Dress

It’s time to put all of your LBDs to the back of your wardrobe and bring forward the lighter tones as the little white dress is set to become THE must-have staple for the spring and summer months. Choose a style that suits your body shape and look for classic cuts to ensure this dress lasts for more than just one season. 

Author, keynote speaker and futurist John Sanei looks at how AI could create seismic change in 2024

In 2024 there are some big questions we need to be asking ourselves, starting with ‘Is my job safe?’ and ‘Is my business safe?’ With AI and emerging technologies coming to the world so quickly, we have to realise that many industries are going to be affected. Many are going to become commoditised and de-monetised, while others are going to boom. And we should all be aiming to ensure that if our business becomes commoditised, we can jump sectors or reskill ourselves to keep adding value. 

So let’s start with the sectors that have already been affected and that aren’t making money in the way they used to: 

• Music: CDs are no more and music is available for free with download platforms. 
• Photos: you don’t make money on printing photos anymore like you could in the past. 
• Communication: You can call or video call for nothing!
• Entertainment: We are going to see, for the very first time this year, the first-ever 90-minute feature film made completely by AI via voice prompts or text prompts. 

So all of the above are already gone. 

Now what’s going? Below are the sectors that are starting to become affected by the influx of AI and will continue to be so:

• Admin/back office: one of our very rudimentary, logical process-driven sectors, will soon be replaced by technology. 
• Finance: If you are in the finance world, slowly but surely, algorithms are taking over and making better decisions about stock trade and about making more efficiencies around accounting. When you have blockchain coming in, all of it is going to be transparent. 
• Media: the way we create it, and consume it is already started to be affected and we can see this in the way that advertising agencies and media companies are shrinking. So the creation of media will become almost zero, and the media that we see will be created by AI. 
• Healthcare: What we have coming in the future are free preventative healthcare processes that will track our health and highlight issues before we even need to go to the hospital. So preventative health is going to be demonetising hospitals because hospitals are there for sick people. In the future, technology will stop you from getting sick. 
• Education: We have so much super-smart AI coming in education that will all be free.
• Transportation: We can see this already with driverless cars and green energy. And this will continue to move in that direction. 
• Power generation: there are so many tech start-ups trying to figure out fusion, nuclear, solar, wind power and the future will continue to bring this. 
• Creatives and writers: If you think about things such as the Hollywood strikes, the reason why these industries are so worried is because AI will be replacing what they do. 
• Blue collar work: TESLA just launched the latest version of thei robot and it has super sensitive hands, it’s almost more agile and more sensitive as a human. And this means that blue-collar work will start to be replaced. 

So all of these are starting to be affected and they will be even more so in the future. They are all at different stages, but for example, you could have a new app launched tomorrow, and it could impact any of these industries at any stage. As the future arrives, it is unevenly distributed, so we always have these pockets where a lot is happening. 

So that’s enough of the negatives. It’s also important for us to think about the industries that are going to boom and how we can be involved with these:

• Building homes: Everyone still needs somewhere to live! So, if you’re a builder, you’re still going to be building more. 
• Farming: Everyone still needs to eat farmed products. 
• Farmland and owning land: That’s not going anywhere; we still need land. 
• Timber production: Growing trees, cutting them down, and building from them will still be needed. UNLESS AI starts to create a new material that will stop us from having to grow trees and use them for wood. 
• Hospitality and experience economy: human experiences aren’t going anywhere. Hotel brands are growing, airlines are growing, and people are still travelling. 
• Raw material mining: we are not going to stop needing steel, copper, etc. 
• Semiconductor production: This is a very small niche, but semiconductors will be vital to our future, so the production of these is going to go through the roof. 
• Robotics and automation: in other words, making the robots and making the robots that make the robots. 
• Sustainable technology: anything to do with sustainability and technology – whether it’s agricultural, or solar – all of these are going to be growing exponentially. 

So, in order to tackle any one of these problems, complexity is the enemy of execution. And if you’re business is trying to get the same people to think about disruption and innovation, getting ready for tomorrow and keeping the lights on for today, you’re in big trouble! No one person can do this, you need multiple teams to do this. You need an internal today team, an external today team, an internal tomorrow team and an external tomorrow team. Four quadrants are required that need to be broken down into teams where people are specifically focused on these. 

Remember, certain industries are gone, certain industries are going and certain industries are going to be booming, so keep your eye on the ball and make sure you’re watching the media and the markets very well because you are going to start seeing some huge opportunities as well as some huge businesses closing.

Top tips for navigating the future: 

Firstly, you need to understand that these changes are happening, and there is no escaping it. Secondly, start to figure out what else you can learn and what other sectors you can start going into. Start educating yourself on other sectors. Be curious and fascinated with what’s next and be constantly researching and exploring new things, otherwise, you are not going to be relevant in the future. 

johnsanei.com

Jaeger-LeCoultre is one of the few watch brands with almost two centuries of history.

Its unique approach to craftsmanship and design has allowed the watchmaker to create watches that transcend generations and continue to push the boundaries of craftsmanship. Leading the brand from its home in Vallée de Joux, CEO Catherine Rénier is tasked with preserving the brand’s relentlessly inventive spirit. Harnessing 190 years of accumulated expertise, the brand’s watchmakers design, produce, finish and ornament the most advanced and precise mechanisms, blending passion with centuries-old savoir-faire, linking the past to the future, timeless but always up with the times. With 180 skills brought together under one roof, the Manufacture creates fine timepieces that combine technical ingenuity with aesthetic beauty and a distinctively understated sophistication. Here, we find out what’s on the horizon for the brand as it continues to push the boundaries of creativity. 

Tell us about the vision and direction for 2024 at Jaeger-LeCoultre 

For 2024 and beyond, our vision is deeply rooted in our nearly 191 years of history as pioneers in the Swiss watchmaking industry. We will continue this rich legacy by innovating and creating the luxury watchmaking masterpieces of tomorrow. As I often emphasise, our greatness resides within, incarnated by our watchmakers who bring together 180 different skills under one roof.

After having hosted the Reverso Stories exhibition in New York in November 2023, we are looking forward to celebrating the inauguration of our Flagship Boutique there in early 2024. Anticipation builds for Watches and Wonders 2024, where our commitment to innovation shines through the development of captivating new products and complications. As our events and exhibitions, linked to our yearly thematic, will travel around the world, each of them promises new experiences, stories and creations.

Our boutiques will also remain pivotal spaces where clients can delve deep into Jaeger-LeCoultre’s universe, experiencing firsthand the fusion of innovation, craftsmanship, and the rich history that defines our Maison.

What can you tell us about Jaeger-LeCoultre in the Middle East? 

Jaeger-LeCoultre is on an exciting journey in the Middle East. A prime example is the Steller Odyssey Exhibition, which commenced its global tour in Dubai back in February 2023. We invited visitors to embark on a journey through time and space, celebrating the relationship between astronomical phenomena and the measurement of time.  

Looking ahead, we are committed to the Middle East and establishing meaningful connections with discerning high-end collectors and consumers. Our goal is not just to showcase timepieces but to create an immersive experience that allows the people of the Middle East to truly delve into the soul of the Maison and discover high watchmaking.

We have exciting plans to bring two captivating events to Dubai in 2024, showcasing this year’s novelties. Additionally, we are gearing up to renovate our flagship boutique in Dubai Mall, as we are always seeking to enhance in-store experiences. The Middle East holds a special place in our journey, and as we continue to explore and innovate, we’re thrilled to share more captivating moments with this dynamic community.

What else do you have coming up this year that you can share with us?

This year is filled with exciting initiatives and activations in the Jaeger-LeCoultre universe. First and foremost, Watches & Wonders 2024, where our commitment to innovation is combined with new artistic collaborations and immersive experiences. In addition, keep an eye out for the transformation of our flagship boutique in New York – a project that promises to redefine the luxury retail experience. Followed by the renovation of our Dubai Mall boutique. Our events and exhibitions are set to travel around the world, promising new and fresh experiences, intriguing stories and upcoming Made of Makers announcements.

The industry has seen a lot of changes over the past few years – how would you assess the landscape of watchmaking today, and where do you think it is heading? 

The watchmaking industry is experiencing a dynamic shift driven by changing consumer preferences and a renewed emphasis on craftsmanship and heritage. Today, we find ourselves in an era where the interplay between tradition and innovation, craftsmanship and technology, and a commitment to sustainability harmoniously coexist. We see an industry characterised by great creativity and perpetual evolution. There appears to be a discernible enthusiasm for everything the watch embodies. This eagerness encompasses innovation, engineering prowess and refined craftsmanship. The watch, as an object, holds significance in its technical intricacies, artisanal excellence and rich heritage. I am certain that in the foreseeable future, this dimension will remain fertile ground for fueling the interest of our customers.

In this ever-evolving watchmaking ecosystem, at Jaeger-LeCoultre we continue to stand at the forefront, navigating these changes with a careful balance of tradition and innovation. Our commitment is reflected in the creation of exceptional timepieces, such as the Reverso, an iconic piece that transcends eras and serves as a testament to our dedication to both legacy and modern advancements.

How important do physical boutiques remain to you as a brand? 

In today’s landscape, where watch enthusiasts are well-informed and have various avenues to explore different brands, our boutiques serve as essential touchpoints. They go beyond being mere retail spaces; they are portals to the heart of Jaeger-LeCoultre’s universe. When clients step into our boutique, it is a signal that they are seeking a deeper connection with our Maison. It enables us to showcase, not just our timepieces, but truly immerse our visitors in our innovation, craftsmanship, heritage, the intricacies of our calibres and the infinite possibilities of personalization.

We aim to bring a piece of the Manufacture experience to our boutiques, providing a unique environment where clients can explore, learn, and engage. Constantly evolving and offering diverse experiences, our boutiques ensure there is always something new and captivating for every visitor.

How do you connect with your customers and ensure you are creating special moments for them?

Connecting with our customers is not just about selling watches; it is about sharing the rich tapestry of our legacy and craftsmanship that spans 191 years. As the ‘Watchmaker of Watchmakers,’ customers are drawn to Jaeger-LeCoultre for our unparalleled reputation and heritage. Since 1833, we have been crafting movements and calibres, a tradition that speaks to our commitment to excellence.

Our watches are more than just accessories; they are personal statements. Take the Reverso, for example, a timepiece that carries so much history. You simply look at it, and it transports you back to India to Polo and the 1930s Art Deco era. We strive to strike a balance between art, design, style, and technological innovation in all of our creations and this unique sense of style is timeless and resonates across generations.

We also recognize the importance of connecting with younger generations as we actively witness and appreciate the renewed interest from this demographic. While technology may dominate daily life through phones and smartwatches, our timepieces offer a deeper, more meaningful relationship – a connection that goes beyond the mere measurement of time.

I believe the key is to continually surprise them, to educate our clients about what we do – sharing the behind-the-scenes and celebrating creativity with multi-sensory exhibitions like the ‘Reverso Stories’ as well as through our Made of Makers programme that showcases the different perspectives on how the practices of watchmaking, art and other creative disciplines can bring value to lived experiences. Through these initiatives, we wish to embark our clients on an engaging journey, allowing them to delve into the fascinating story and craftsmanship that defines Jaeger-LeCoultre.

What is something you would still like to achieve at the brand that you have not done yet? 

Our commitment to preserving our craftsmanship, fostering innovation, and cultivating the next generation of watchmakers and artisans is central to our Maison’s ethos and future growth. We have a rich heritage of craftsmanship, and we are dedicated to preserving these traditional skills. This involves not only maintaining our high standards in watchmaking but also continuously rediscovering and reinventing old techniques. We plan to invest in our workshops and facilities to ensure our artisans have the best environment and tools to practice their craft.

The future of watchmaking lies in the hands of the next generation of watchmakers and artisans. We aim to nurture this talent through comprehensive apprenticeship programs, partnerships, and internal training initiatives. By sharing our knowledge and passion, we ensure that the art of fine watchmaking is carried forward with the same dedication and excellence. Our focus is on blending tradition with innovation, nurturing talent, and sharing our journey with authenticity and emotion. These endeavours not only honor our past but also pave the way for a future where Jaeger-LeCoultre continues to be synonymous with excellence in watchmaking.

A message to our readers on what they can expect from JLC moving forward…

As we move forward, at Jaeger-LeCoultre, we remain steadfast in our commitment to delivering unparalleled excellence in watchmaking. Expect a continued journey of heritage and modernity, as we introduce new chapters to our illustrious story. Our dedication to pushing boundaries, both in design and functionality, ensures that every timepiece carries the essence of our legacy while embracing the spirit of the future.

jaeger-lecoultre.com

After working in the hospitality industry for many years, in 2005, Adel Mardini, President and CEO of Jetex, realised the potential for a one-of-a-kind company that catered to the needs of high-profile clients in every aspect of flying, be it luxury, handling or fuelling, concierge services.

He set about creating Jetex, a luxury aviation company that would incorporate all of these things, flying the world’s rich and famous to some of the most luxurious destinations around the globe. 

Today, almost two decades later, Jetex has become a leader in luxury aviation globally, offering chartered private jet flights, as well as five-star service and the highest attention to detail. The company has built a reputation for its concierge services as well as the highest level of luxury for clients at every step of their journey. With the luxury aviation industry booming, now is the time to expand and broaden the horizons of the company, and we talk to Adel Mardini to find out more. 

Tell us about the current vision and direction for Jetex.

After our huge achievements since COVID and in 2023 our direction is focused on continuing to grow and develop our brand as a leader not only in aviation but in luxury. We see ourselves as one of the top five globally in luxury travel. We are providing a full concierge service for our guests, crew and customers, and we are so happy to say that we changed the industry and the concept of business aviation, and it’s now possible for any passenger to be our guest. 

Who are your customers, how are you serving them, and how does Jetex work as a business model?

Our customers are individuals with high incomes. Celebrities, people who can afford to pay ten thousand dollars per hour. During the pandemic, we saw a lot of people move from using commercial airlines and flying first class to flying in private jets. And many of those people haven’t reverted back. To put it in perspective, before COVID-19 in 2019, we had around 3,500 flights. Last year, we did around 11,000 flights. So, the jump in the number of flights due to the pandemic is significant. 

With such growth of the company and the industry as a whole,  where do you see the market going moving forward?

Globally there are around 22,000 private jets. I see all of the markets globally continuing to grow, especially in Dubai. Dubai right now is a number one destination and a business aviation hub for the Middle East, Asia and Africa. Last year Dubai had almost 23,000 private jet flights which is a huge achievement. I believe this number will increase to 30,000 flights within the next three to five years. The reason is the infrastructure that Dubai has built, the facilities that the city has, and the way the city is growing. I don’t see any challenge in this industry, I see the demand is more and more. If you speak to any major aircraft manufacturer globally, they have all sold their products until 2027. There is no slowdown coming. 

As a business and as the founder of that business, there must be some challenges, though… 

Every business has a standard, but in our business, there is no standard because our standard is customer satisfaction. Knowing how I can accommodate our customers to achieve their targets and meet their expectations is our biggest challenge. We are dealing with customers who have everything. So what we sell them is one part, but providing an experience is the main part. 

We study every single guest that flies with us beforehand so that we can understand their profile and their likes and dislikes. This is an asset for us as it makes our guests feel at home. This is what sets us apart. Our guests will only be in the lounge for 10 or 15 minutes, so we have very limited time to impress them and make an impact. 

Tell us about the new Jetex terminal in Abu Dhabi.  

We are very proud to be in Abu Dhabi, it’s another milestone for us. It was a very smooth process, and we will be in the airport for the coming 10 or 15 years. Abu Dhabi is a very important destination for us, and we are planning to push the business there more and more. 

What is the landscape for Jetex globally, and how does the Middle East fit into this?

Our global business is based on each market’s culture. Our team in London for example, is very different to our team in Dubai because of the cultural values and needs of customers. This is why we always ensure our staff are well trained and have great knowledge of our destinations. In Dubai, we are growing, and we want to continue our growth all around the world. 

What is in the pipeline for the coming year? 

Moving forward, we are targeting the Asian market a lot more. 

Have you seen a change in terms of the profile of your customers since the pandemic, and are you finding customers are looking for different things in the UAE today?

For sure. Before the pandemic, most of our customers were travelling for business. Since the pandemic, that has changed, and many of our customers are now travelling for leisure. Many of our customers today work in the crypto sector, fashion, and celebrities, this is very different from what we were used to before. Even the age category has changed. Most of our customers used to be in the 50-70 years old bracket, but today there are a lot of customers between the ages of 25 and 35. So, there are some huge changes in the industry. 

What do you think impacts customer’s decision to fly private? 

It’s about privacy. A first-class seat on Emirates Airlines is much better than a seat on a private jet, but it doesn’t have the same privacy and seamless process, and this is what impacts people’s decision to fly on a private jet. 

What do you look for when you’re expanding your team?

The first and most important thing is credibility. We also want them to be passionate about what they do and to enjoy the experience. 

What first inspired you to create Jetex back in 2005?

Before starting this business, I worked in hospitality, so I understood what guests need and how it is all about the details. It’s not just about the standard; it’s about fulfilling and understanding each customer’s individual needs. 

What is your professional motto?

Nothing is impossible. 

What would you still like to achieve with Jetex?

I want to continue to perform in terms of hospitality and combine the worlds of hospitality and aviation. 

If you could give your younger self one piece of advice what would it be?

Make a dream.  

jetex.com

Haifa Al Kaylani founded The Arab International Women’s Forum (AIWF) in 2001 after seeing the need for a platform that supports and champions Arab women in the region and on an international scale. Having moved to The United Kingdom in 1976 alongside her late husband HE Ambassador Wajih Al Kaylani, where she saw the need for a platform that would bring together women from the Middle East and the UK and support them in economic inclusion and business opportunities. As the Chair of the non-profit development organisation Al Kaylani for over 20 years, Haifa has led tirelessly on salient economic and societal issues as well as structural and sustainability challenges that have greatly impacted women and youth in the Arab world and internationally. Her global advocacy, both on behalf of AIWF and in her personal, independent capacity, is held in the highest possible regard in international business, development, and policy circles.

In recent years, she has become an influential voice promoting the achievements and influence of women and youth in sustainability in the UK and the Arab world, with a special focus on climate action, sustainable agriculture, food security and water resilience in the MENA region and beyond. Her work was recently recognised as she was appointed an Officer of the Most Excellent Order of the British Empire (OBE) in King Charles III’s New Year 2024 Honours List. This honour is in recognition of her services to Women, Young People and Cultural Relations between the UK and the countries of the Middle East and North Africa (MENA) region. Here, we find out more about what it means to her to be honoured, as well as the future outlook for the company. 

Congratulations on receiving an OBE – tell us what this honour means to you.

It is a great honour, a humbling and exciting privilege to be on the New Year’s Honours List 2024 and to be recognised by His Majesty King Charles III for my work over three decades in supporting women’s issues, leading AIWF as well as working on many initiatives to increase the links between the Arab world and the UK and to bring women and young people together. It is a truly great honour by itself, but it also crystallises acknowledgement for over three decades of commitment, work, and dedication working for women and young people in the MENA, The United Kingdom, and globally.

How did you react when you received the news?

The news was first conveyed in writing through an official letter, and upon receiving the letter, I was really delighted and emotional to receive this recognition. It was a very heartwarming and joyful moment indeed.

Tell us about the AIWF and why you created the Forum in 2001.

I have been living in the UK since 1976, and whilst addressing women’s issues in my role as President of the International Federation for Women (FIWAL) in the UK, I realised that there were many misconceptions about women in the region. So I founded The Arab International Women’s Forum (AIWF) as an independent, non-profit, non-governmental organisation to empower women in the Middle East and build bridges of knowledge and understanding between us all based on two main principles. Firstly, as a development economist, I truly believe that there is no economic, social or political development without women playing their rightful role within their communities, their economies and their countries. And secondly, I believe that the Arab World is part of the global community. This is why the Forum has been set up, to work within the region but always within an international context.

What are some of the biggest achievements so far?

AIWF works at the heart of the Arab world and internationally to facilitate collaboration, innovation, and capacity building, and to address critical development challenges for women and young people in the region at the highest levels. In all our work and initiatives, AIWF addresses salient development challenges for women and young people in the Arab world, bringing the public and private sectors, civil society, media and academia together to produce informed, action-driven recommendations and initiatives that directly benefit women and young people and positively impact the future of work for the MENA Region. AIWF is proud to have broken new ground throughout the 23 years of our journey. Some of the key initiatives launched and which are ongoing to this day include:

Women as Engines of Economic Growth

AIWF produced two landmark Reports and Recommendations in partnership with the Foreign & Commonwealth Office in 2005 and 2007 on Women as Engines of Economic Growth in the Arab World, which set a benchmark for capacity building and training, economic competitiveness, sustainable human development and advancing women’s economic participation in the MENA region. AIWF held two high-level conferences in Cairo, the first being Women in the Arab World, Partners in the Community and on the World Stage at the League of Arab States in Cairo in June 2004, marking the very first occasion that the League had co-hosted a women’s conference in the main Chamber of their headquarters and with a special address delivered by HE Mr Amre Moussa, former Secretary General of the League. This was followed in June 2005 with a second high-level conference in Cairo, Ten Years after Barcelona: Women and Integrated Rural Development, held with the valued cooperation of the League of Arab States and the support of the European Parliament, the Foreign & Commonwealth Office and the World Bank to mark the tenth anniversary of the Barcelona Process.

The AIWF / PwC Young Arab Women Leaders Initiative

The Young Arab Women Leaders conference series was launched in London in 2011 as a platform to bring women leaders and mentors from government, business, and civil society together with women who aspire to community, business, and political leadership. Today, Young Arab Women Leaders is AIWF’s keystone empowerment initiative and has, to date, welcomed over 2,500 young women leaders to conferences across the Middle East. 

The Young Arab Women Leaders conferences provide a platform for leading Arab and international women advocating sustainable solutions to critical global challenges through education, leadership and innovation. 

AIWF is proud to share that in 2024, we will be pivoting the highly successful conference programme into a digital learning academy in partnership with PwC Middle East, offering on-demand, interactive skills-building opportunities to aspiring young women leaders to develop the confidence and capacity to progress in their careers.

The AIWF / IBA MENA Women Business Lawyers Initiative

AIWF partnered with the International Bar Association (IBA) in 2015 on a unique initiative to promote career progression, support the development of leadership skills for women lawyers, judges and professionals in the MENA region, and build skills and awareness of global standards in legal practice.

Women in Climate, Sustainability & STEM

In this key track, AIWF has always been especially proud to bring world-class specialists in the areas of sustainability, water resource management, refugee support and education, and women and youth empowerment together with representatives of leading international organisations, NGOs, academia, research institutes and the private sector. 

These and many more of our conference initiatives have strengthened AIWF’s solid commitment to empowering women’s leadership in business and in public service and of AIWF’s ability to bring business, STEM, sustainability and international development leaders together to engage with complex issues that have real significance for women and young people in the region.

What is your current vision and direction for the group?

I am proud to be the President and founder of AIWF and also a Board Member working with the outstanding Chair of the Executive Committee, HE Mona Al Moayyed, as well as all the Board Members whom I greatly value. We will all continue to work on all the issues that are of concern in the region, such as job creation and supporting women’s role in the economy as without development and economic growth with women playing their rightful role there can never be stability or peace. We will enhance our work on women’s roles addressing sustainability and STEM, especially in the area of tech entrepreneurship and AI innovation where we see the need to develop the strength of women and celebrate their journeys in the sciences.

Why do you feel it is worthwhile to bring together women from the UK and the Middle East and create these collaborations?

From the early years of my work, I had the privilege to serve as an Ambassador’s wife in Tunisia, India, Nepal, Thailand and Sri Lanka, and I have always believed that it is so important to build bridges of knowledge and understanding between our region and the international community, creating a platform for women within the 22 Arab countries to connect and communicate not only with each other but with their counterparts in the international community. In so doing, we can break stereotypes, better inform and learn from each other. I have always held the belief that without collaboration and working with others, you cannot succeed. We have built the Forum as a coalition-driven organisation and our strength over the years has been from enhancing collaboration with women’s organisations, with governments, academia, civil society, the private sector and the media. 

What are some of the global issues that are important to you or close to your heart? 

Without a doubt, international and regional development, sustainability, equality of opportunity, job creation, and maintaining dialogue, exchange and collaboration.

What is something you would still like to do with the Forum that you haven’t done yet?

Our journey through AIWF has been through an iterative approach, adopting initiatives based on the region’s needs and unique challenges. We are very present in the Middle East, with many of our Board Members and key partners based in the UAE, Saudi Arabia, and the GCC, and because our eyes and ears are in the region, we are able to develop problems that address critical and salient issues that have strong economic and development roots. All our initiatives have been designed to scale and foster change and make a real difference in women’s lives and confidence, by listening, learning, maintaining communication and fostering opportunities for collaboration within the region and the international development and business communities.

What are the main challenges you face in making sure your message is heard? 

Truly, I did not face any challenges in getting our message across; we are from the heart of the region, and globally, what we are calling for is a partnership for women in the region to work hand in hand with their male counterparts. We treasure the roles of women in the heart of the home and also in the society, community, parliament, government, and diplomatic service, in all sectors and spheres. Throughout our 23 years, we have gathered friends because our approach is inclusive, working in partnership; we are there to make a positive change by working in partnership with our male counterparts to build a better future for our children and grandchildren.

With International Women’s Day coming up soon, who is a woman who has inspired you throughout your life?

My mother is the woman who has inspired me throughout my life. She was the mother of five daughters, and she gave us all her knowledge, time, education, love and support, but she also instilled in us a love of culture, languages, travel, theatre and the arts, and she was a strong believer that there was nothing her daughters could not do. Whenever I had difficult moments in my life, as when my late husband passed away, may he rest in peace, she was there for me, strengthening me with her faith, her wisdom, her love and ensuring that I maintained my journey. I owe her a great deal.

Are there any particular women you would like to give recognition to?

There are so many women I would like to give recognition to, in the Arab world as well as internationally, who have inspired and supported me and worked with me every step of the way. I would like to specifically acknowledge the wonderful women on the Founder Board of AIWF and the members of the current Board, all outstanding women leaders from whom I have learned so much over the years.

What are some of the projects you are working on currently?

In 2017, I embarked upon a transformational year at Harvard University as a Fellow of the Harvard Advanced Leadership Initiative, having spent the last three decades as an international advocate for gender, sustainability, education and entrepreneurship as key drivers of empowerment and for women as true engines for economic growth in the region.

As a key outcome of my ALI Fellowship, with knowledge of the serious challenges that the region was facing with regard to food and water security and also specifically of the disproportionate impact that such inequality has on women and young people, I designed a project based on the social enterprise model that would allow for an innovative approach to revitalising sustainable agriculture in the MENA region.

The model engages the local community, especially women and young people, in sustainable agriculture through green technologies and through small-scale farming. Keeping the farms small scale is beneficial because it can be applicable, scalable, doable, affordable and attract a lot of attention from the wider community as well as from private local investors.

This is a true passion project for me, a development project focused on sustainability that alleviates poverty in rural areas , saves water and provides food security. There are two projects in Jordan currently running and there will be more projects in the future supporting women, young people and refugees in green jobs. I would like to see my project grow in the region and generate greater support for women whilst addressing sustainable agriculture, women, and climate change through the green economy and the empowerment of women and young people in that vital space.

What is a message you would send to women looking to embark on a new challenge?

Believe in yourself and make sure you study everything you are embarking on in depth. Be ready to defend it, present it, and gather support for it. Once you have all of that, don’t take no for an answer. Be diligent, persuasive, and tireless in the pursuit of doing good and bringing others up the ladder behind you.

What is the professional motto you live by?

A lesson a day. We learn every day, and we don’t know who we are learning from. It might be a younger or older friend or even something you read in the news. Keep your mind open, as without new knowledge, we cannot grow and develop. The more we learn, the more we need to learn.

What is a book or podcast you would recommend that has inspired you?

I have been an avid reader since childhood; any moment I am not doing anything, I am reading – I read widely on development, environment, fiction, classical literature, and on many subjects because I have many interests. I have an open mind for learning, and I read avidly and widely.  

aiwfonline.com

When Ounass launched in 2016 it quickly became the UAE’s go-to destination for online luxury shopping.

With a vast array of brands and top-level customer service, Ounass has successfully carved its place in the market and become a leader in online luxury retail in the Middle East. But where does it go from here? With the online luxury market growing and becoming more and more competitive it is crucial to stand out from competitors and never let that level of service slip. With customers becoming evermore demanding, the online retail platform is exploring new ways to connect with its clients and ensure it is offering a 360 exemplary service. Here we find out more about what’s in the pipeline with Vice President Muge Basaran. 

How would you sum up the universe of Ounass today?

Ounass was established in 2016 as Al Tayer Group’s inaugural exclusively digital luxury e-commerce site and today it stands as a premier platform offering meticulously curated collections from both local and international designers. Specialising in top-tier fashion, beauty, lifestyle, and homeware, Ounass has proudly featured over 1200 luxury brands. Operating exclusively in the Middle East, our commitment extends to showcasing impeccable local talent and providing exceptional local service.

What is the vision and direction moving forward for the company?

Ounass has a distinct and well-defined vision: to become ‘The leading luxury technology platform in emerging markets’. To bring this vision to fruition, Ounass has dedicated its efforts to understanding and enhancing its unique flywheel, the elements that contribute to its success and set it apart from both local and global competitors.

In such a competitive market with many international brands at play, how do you stand out from competitors?

Situated in Dubai, Ounass sets itself apart in a highly competitive market by providing a personalised experience through its tailored website, app, and Personal Shopping service. Our distinctive approach is characterised by unmatched service at various stages of the customer journey, coupled with a dedicated commitment to localisation. Additionally, we secure the best luxury and exclusive brands, further distinguishing us from competitors in the dynamic international luxury fashion arena.

What do you think Ounass offers that makes its customer experience better than what they would get elsewhere?

Ounass stands out by maintaining a steadfast commitment to the customer. The brand excels in ensuring a seamless customer journey, coupled with unparalleled service. Notably, Ounass offers a two-hour delivery in Dubai, same-day delivery within the UAE, a three-hour delivery in Riyadh, and express delivery services to KSA, Kuwait, Oman, Bahrain, and Qatar. The dedication to localisation extends from onboarding the most relevant and premium brands to incorporating local payment methods, elevating the overall customer experience.

We have seen some exciting partnerships, pop-ups and events recently – tell us about this and what do you look for when looking for activations and brand partners.

As a digital-only player in the luxury fashion arena, Ounass consistently seeks opportunities to establish personal connections with our customers, enhance our service offerings, and bridge the gap between online and offline experiences. To achieve this, we actively pursue partnerships to create exciting collaborations along our journey. Recent examples include pop-ups with esteemed brand partners like Amina Muaddi, Fear of God Essentials, Kith, Represent, Adanola in Dubai, as well as Pangaia in Kuwait. We also celebrated the launch of Dolce & Gabbana X Ounass at the Atlantis Royal Hotel in Dubai. The selection of partners is driven by the importance of exclusivity in our assortments, ensuring that our collaborations result in engaging and exceptional customer interactions.

Can you tell us a little about some of the exclusive brands you now have onboard at Ounass?

Throughout the years, Ounass has successfully curated a portfolio of highly sought-after brands, exemplified by the exclusivity of Pangaia, Kith and Fear of God Essentials. Our dedicated buying team continuously seeks out trendy brands, ensuring their exclusivity within the Ounass collection. Beyond securing exclusive brands, we maintain a strategic focus on introducing distinctive products and assortments, further setting us apart in the eyes of our discerning customers.

What about exclusive capsule collections – is this something that works well for the platform?

Certainly, it does. Our customers value the opportunity to explore exclusive capsule collections from both global and local brands, a unique offering not available on other platforms. Providing pre-launch exclusives from prestigious brands such as Saint Laurent or Bottega Veneta exemplifies our commitment to ensuring differentiation for our customers, particularly at the assortment level.

What about regional designers? Tell us about this category and how Ounass helps support regional talent.

Ounass underscores the significance of locally-led luxury by showcasing over 125 brands rooted in the local culture across various categories such as fashion, beauty, and jewellery. As a brand born locally in this region, Ounass places a strong emphasis on engaging with customers at the local level. This is achieved through dedicated local content that directly resonates with our customers and supports regional talent. We consistently seek out locally relevant brands to join our platform, recognising that regional talent is an integral part of the community we belong to.

Can you share some details on what you have for Ramadan?

Ramadan holds immense significance for Ounass, prompting thorough planning to ensure a unique and meaningful experience. We are strategising various campaigns that will span across most of our regions. Additionally, we aim to elevate our service offerings to cater to the specific needs of our customers during this exceptional time of the year.

Can you tell us a little about the men’s segment and how that’s performing?

The men’s segment is experiencing notable success, attributed to our focused approach in curating the right brands, assortments, and exclusive offerings tailored for men. Traditionally, women’s fashion has held a dominant position in the online luxury fashion market. Nevertheless, the men’s luxury fashion segment is consistently growing, reflecting a heightened interest in fashion among men. This positive trend aligns with our experience at Ounass.

On a global scale, how would you design the online luxury retail landscape today and where it’s going?

Creating the online luxury retail landscape includes skilfully integrating state-of-the-art technology, sustainable practices, worldwide accessibility, and a tailored customer experience. The forthcoming trajectory of online luxury retail will be dynamic, influenced by changing consumer preferences, technological breakthroughs, and a fully-fledged dedication to ethical and sustainable principles. Embracing innovation and staying attuned to emerging trends will be pivotal.

What is one change you would like to see in the industry?

One pivotal change I would like to witness in the luxury retail industry is a more universal adoption of sustainable and ethical practices. Encouraging environmentally conscious sourcing, production, and packaging, coupled with ethical practices, would not only align with evolving consumer values but also contribute to a more responsible and enduring industry. This shift towards sustainability can foster positive impacts both environmentally and socially, ensuring a more harmonious relationship between luxury commerce and the broader global community.

How does social media support your reach?

Social media serves as a crucial channel in expanding our reach and fostering brand engagement. Platforms such as Instagram, Facebook, Snapchat and TikTok play a pivotal role in amplifying our brand presence and connecting with a diverse audience. We leverage social media to showcase our latest products, our exclusive offerings, and to create an immersive brand experience. Additionally, social media enables direct interaction with our audience, allowing us to respond to inquiries, gather feedback, and cultivate a sense of community. By harnessing the power of social media, we extend our reach, staying connected with our customers and keeping up with the ever-changing trends and preferences in the dynamic realm of luxury fashion.

What else is in the pipeline for Ounass this year?

We will persist in enhancing the customer experience by introducing new features and projects, expanding through additional activations via multiple channels, continually adding new brands, and ensuring the right assortments are on the platform. We will emphasise a heightened focus on localisation while maintaining a seamless platform journey with distinct service offerings. The year began with a significant milestone as Ounass collaborated with Dolce & Gabbana, showcasing a luxurious takeover of Cloud 22 rooftop pool and an exclusive pop-up. As we progress through the year, anticipate more creativity and a steadfast commitment to embracing our customers’ evolving needs.   

ounass.com

Range Rover has revealed a limited bespoke edition of its Range Rover SV. The Bespoke Sadaf edition was unveiled at the Range Rover House, a specially curated destination and experience in Abu Dhabi.

The Bespoke Sadaf (meaning seashell in Arabic) Edition was influenced by the car manufacturer’s long association with the Arabian Gulf and the seaborne trade, as well as the region’s rich tradition of pearl diving, which inspired the pearlescent white colour of the car. 

Range Rover took its inspiration from the unique colours of the natural pearls and the seashells that contain them to create the Range Rover Bespoke SV Sadaf Edition. An exclusive ‘glass pearl flake’ white gloss exterior paint, inspired by the white of seashells, provides a deep and sophisticated finish, paired with a pearlescent contrast roof that complements the seashell-toned exterior colour and 23-inch Diamond Turned SV wheels with gloss dark grey contrast and matching inserts. On the bonnet, beautifully sophisticated two-piece hand-crafted metal script badging is finished in 24k gold and black chrome, for a jewellery-like finish. 

 “Taking inspiration from the heritage of the Arabian Gulf the Range Rover SV Sadaf edition is a sublime example of Range Rover’s peerless DNA; beautifully crafted, understated and highly desirable.” Said Professor Gerry McGovern OBE, Chief Creative Officer, Jaguar Land Rover. 

For the car’s interior, a bespoke design was created in two-tone leather, featuring semi-aniline Perlino front seats, while the upper section of the dashboard and the rear seats are covered in Liberty Blue near-aniline leather that reflects the blue hues of the Arabian Gulf. Natural Cream Ash Burr veneer with contrasting stitching and bespoke embroidery highlight the exclusivity of the vehicle. The treadplates feature the ‘Sadaf Edition’ wordmark alongside a ‘1 of 20’ designation. The car is powered by Range Rover’s 615ps V8 twin-turbo mild hybrid petrol engine. It is exclusively available for sale in the Middle East region, with production limited to just 20 units, and a retail price starting at AED 1,525,076. 

Heightening its exclusivity, clients who purchase one of the 20 pieces will receive a custom-made sculpture designed by Emirati conceptual designer and sculptor Matar Bin Lahej, who gained worldwide fame for his design and calligraphy work that wraps the Museum of the Future building in Dubai. Named “The Pearl”, the sculpture is an eye-catching reflective work made with the highest quality stainless steel. It features a sphere that explodes into multiple layers and shapes that open to reveal a core bursting with energy, made up of intricate shapes of traditional Arabic calligraphy. The calligraphy sphere is the heart of the pearl, surrounded by long stretches of metal that twist and turn with smaller spheres scattered around. It is as if they orbit the sphere’s nucleus.  

landrover.com

Moroccan-French designer Selma Benomar instantly caused a stir in the modest fashion industry thanks to her unique twist on the traditional kaftan.

The designer, who now runs her namesake brand from Dubai, prides herself on taking Moroccan heritage styles and giving them a modern twist to appeal to today’s women, while remaining modest and elegant. 

Each year, the month of Ramadan is a key moment for the brand, and this year is no different as Benomar prepares to launch the Marrakech Twilight collection for 2024. The collection is inspired by the Moroccan city of Marrakech and captures its vibrancy and majestic architecture. The collection features belted kaftans, two-piece suits and flowing evening dresses, decorated with embroideries and iridescent details. Here, we find out more about the collection and Benomar’s commitment to reinventing the traditional kaftan. 

Tell us about your Ramadan collection – the colours, the silhouette, the inspiration etc.

This Ramadan collection is called Marrakech Twilight because it is very much inspired by the red city of Marrakech and the changing of colours throughout the day. I have selected a symphony of shades that represent the city – blue, red, orange, bronze – there are also pastel tones in green and pink that reflect the old souk of the city. A variety of colours that all represent a space in the city. 

Regarding the fabrics, I worked a lot with satin duchesse, which gives a very nice silhouette without being too heavy. It has a very nice shine. I also worked with linen for the casual designs, as well as pure silk, chiffon and crepe – mainly fabrics that are very flowy and light. When I’m selecting fabrics, I always keep in mind that this collection is mainly for women in the GCC and the Arab world and in March, we are still very much in the warmth, so I want the fabrics to be light, flowy and comfortable for women to wear in the weather conditions of the region. 

Why was it important for you to create a Ramadan collection?

Ramadan is one of the key seasons for my brand. It is a period that represents modesty, spirituality, and the joy of coming together, and I think my designs also represent all of these things. I design pieces that can be worn for special occasions, and so mirroring these values of modesty and elegance in my designs is what my brand is about. 

Do you feel all women are looking more for comfort and modest styles in their clothing choices?

I do believe that there has been a shift in women’s desires and their behaviour in terms of their clothing choices. I believe that it is deeper than just a trend, and it comes from a deeper awareness of respect for oneself and cultural roots. I know that today, women are more conscious, and they want to own their own decisions in terms of what they want to wear and how they want to be presented to the world. They are not only thinking about wearing something attractive and beautiful, but they also care a lot about being comfortable in what they wear and wearing versatile pieces, catering to their multifaceted lives. I think throughout the last few years, women feel they don’t want to be following something imposed on them by the fashion world; on the contrary, they want to impose on the fashion world what it is they want. I am very honoured to be able to contribute to this with my own touch of dressing women in g a very elegant, comfortable, but at the same time modest way. 

Who is the woman you design for?

I design for the modern woman of the actual world who is culturally conscious and is proud of her roots, heritage and culture and she doesn’t want to compromise on that. She wants to be modern and wear clothing that is relevant, but at the same time, have that connection to her heritage and be proud to show it through the way she dresses. 

How does your heritage and background inspire you as a designer?

My entire brand is really about my background and my cultural heritage, and I think the idea of building my brand came from a desire to honour my culture. I come from Morrocco, where I was born and raised before moving to France and then moving to the GCC, and I do believe that we can always have a bridge between cultures, and we can create something that’s inspired by heritage with a touch of modernity. I have always believed that in order to keep your heritage alive in today’s world, there has to be a touch of modernity. This is how we can keep it relevant for future generations.  

What else are you currently working on?

Our two main seasons are Ramadan and Bridal, and we have started working on the bridal collection, which will launch later this year. With bridal, I always design pieces for brides who like to wear something that represents their roots and their Arabic heritage. There will be approximately 15 designs that can be worn for various events across the wedding period. We are still working on them, so I can’t say too much more on that for now. 

What’s the biggest challenge you face as a designer today?

As a designer, I think the biggest challenge I face, and I believe many designers face, is how to keep a balance in a very changing fashion world. The fashion scene is fast-moving and very challenging; there are a lot of new trends coming in all the time. So the challenge is knowing how to keep your brand identity and remain committed to your creative philosophy while keeping up with changes in trends and customer behaviour. For me and my brand it is even more challenging because I must take into consideration that I am working on heritage pieces which have specific guidelines. So, I have to make it modern to follow customer behaviour and fashion trends but keep the spirit of heritage alive and not make the designs too modern. It is about finding this balance, and that is one of the most challenging parts for me, but it is a very interesting challenge that I enjoy as it makes me more creative. 

What would you still like to achieve with the brand?

There is something that is very close to my heart that I would like to achieve next. If you look at Moroccan heritage, it’s not only about clothing. It’s also about architecture and lifestyle products, and I would like to explore this category further. I believe it needs to be addressed in terms of making things very modern but keeping the Moroccan touch. So I would like to explore that further into homeware and lifestyle pieces inspired by the rich Moroccan architecture but present it in a very modern way. 

This month, we celebrate International Women’s Day – who is a woman who has inspired you?

I get inspiration from a lot of women, mainly the women in my family – my mother and my grandmother – their elegance, their strong personalities, their advice and how they have inspired me a lot in what I am today. 

What advice would you give to aspiring designers?

The most precious advice I can give is to be patient and resilient because it’s not only about having talent and being creative; it’s a lot more about commitment and hard work, and nothing comes quickly and easily if you want to build a brand for the long term. You have to be patient, work hard for it, and not expect a quick success. 

What’s a piece of advice that you would give to your younger self? 

Follow your intuition because whenever you do it will be the right thing to do. Believe in what you think you can achieve. 

What is the professional motto you live by?

Honour heritage and embrace modernity. 

What else is in the pipeline for you this year?

The Ramadan collection is available now. I will also be working on a capsule collection of beach kaftans for summer, and of course, the bridal collection, which will come later in spring.  

selmabenomar.com

After being inspired to design jewellery by a gift given to her by her father as a child, Shamsa Alabbar taught herself how to create beautiful jewellery creations.

She opened her own brand after realising her talent for design could be something more than a passion project. Her first piece was created as a gift for her best friend, but it soon became a business, and Shamsa Alabbar jewellery was launched in 2013.

Ten years later Shamsa is expressing her desire to give back to the industry she loves. Inspired by her father Mohammed Alabbar’s entrepreneurship, she decided to open her own jewellery concept that brings together talented jewellers under one roof. Fine Arts Jewellery, a new retail space at Dubai Mall founded by Shamsa Alabbar, features a carefully curated selection of jewellery designers who share a common fresh perspective in the realm of high-end jewellery. The boutique features both regional and international brands including AS29, Mellerio, Rouvenat, Selim Mouzannar, Vever, and Viltier, as well as Shamsa Alabbar’s own jewellery line. Here we find out more about the opening of the boutique and the future of the local designer’s own brand.

Tell us about Fine Arts Jewellery and what inspired you to create this space.

I have been immersed in the jewellery industry for the past decade. As a passionate jewellery enthusiast, I felt inspired to bring together a community of talented jewellers whose work I deeply admire. It has always been my dream to curate a collection of exquisite pieces from around the world, creating a captivating space that serves as a beautiful home for these masterfully crafted creations.

Tell us about the product selection and what visitors can expect to find in store. 

At Fine Arts Jewellery, we prioritise exclusivity and quality when selecting the brands we carry. Our collection caters to a wide range of tastes and preferences, offering both perfect gift options and pieces that you would be delighted to purchase for yourself. Our goal is to provide visitors with a carefully chosen selection of jewellery that is both remarkable and unique.

What are the criteria for the brands selected to be part of the store?

Fine Arts Jewellery places particular emphasis on selecting brands that possess unique stories and craftsmanship. The chosen brands have a distinct niche in the market and offer exclusive designs. By focusing on these criteria, Fine Arts Jewellery ensures that each brand featured in the store embodies a level of artistry and exclusivity that sets them apart from mainstream jewellery offerings.

What are your thoughts on some of the jewellery brands in the UAE and the region?

I am incredibly proud of how the local jewellery industry in the UAE has been flourishing in recent years. The emergence of new designers and the support given to local talents is truly inspiring. I am thrilled to be a part of this vibrant industry and witness its growth.

How would you describe the industry as a whole in the UAE and on a regional level?

The jewellery industry in the UAE is flourishing, with strong support for local talent and a sense of pride in their achievements. Our community is known for its unwavering commitment to nurturing and uplifting its creative individuals, making it a vibrant and thriving industry.

Tell us about your own brand and the direction for that.

Shamsa Alabbar Jewelry, my personal collection, recently celebrated its tenth anniversary. It began as a birthday gift for my best friend and has blossomed into something truly remarkable. The designs are inspired by Arabic typography and represent the strength and modernity of Arab women. Each piece in the collection is meticulously crafted and encapsulates the essence of our heritage in a contemporary and fashionable way. It is a source of great pride for me and a reflection of my journey in the jewellery industry.

Can you talk about your latest and upcoming collections?

This year, we have several exciting collaborations and collections in the pipeline. We are constantly exploring new possibilities to bring fresh and innovative designs to our customers. We are also planning to participate in various exhibitions and events to showcase our brand and connect with jewellery enthusiasts.

What is your first memory of jewellery?

My first memory of jewellery stems from a cherished gift my father gave me when I was just nine years old: a white gold Cartier Love bracelet. Even at such a young age, I could appreciate the bracelet’s significance and symbolism, and it sparked a lifelong fascination with jewellery. Additionally, my mother’s stunning collection of jewellery has always served as a great inspiration for me. I have immense admiration for her beautiful pieces, and they have played a pivotal role in shaping my appreciation for the artistry and craftsmanship of jewellery.

What inspires you to design?

My designs are inspired by Arabic typography and represent the strength and modernity of Arab women. Each piece in the collection is meticulously crafted and encapsulates the essence of our heritage in a contemporary and fashionable way. It is a source of great pride for me and a reflection of my journey in the jewellery industry.

Who are some of the designers that you admire?

I have great admiration for all the designers whose brands we carry at Fine Arts. I truly appreciate how they complement one another in our curated collection. These designers have made remarkable contributions to the fashion industry, showcasing their creativity, innovation, and unique design aesthetics. I feel privileged to be able to offer their exceptional work to our customers.

What is the professional motto you live by? 

My professional motto is: “There is a solution to every challenge.” While working in the challenging field of Fine Arts, I have come to realize that no matter how daunting a problem may seem, there is always a way to overcome it. This mindset has helped me tackle obstacles with confidence and determination, ultimately finding resolutions that lead to success.

What is the biggest challenge that you face in what you do?

I would say that not being a jewellery designer by profession is one of my biggest challenges. I have been working in the industry for the past 10 years, and this experience has presented me with the unique challenge of continuously learning and growing my knowledge in the field. It has required dedication, perseverance, and a commitment to staying updated with the latest trends and techniques. Overcoming this challenge has allowed me to develop a keen eye for design and a deep understanding of jewellery craftsmanship. 

shamsaalabbar.com

Founded in 2016, Waed Asmar is a Dubai-based fashion label that prides itself on creating classic and simple designs that exude modern femininity.

With a strong passion for design, Waed Asmar decided to give up her studies in graphic design and pursue her true passion for fashion. She has dedicated herself to designing for hijab-wearing Muslim women, offering them a blend of modesty and luxury in dresses, abayas, and travel wear. Her modest silhouettes flatter and celebrate the individuality of the modern woman. Her designs seamlessly blend intricate embroidery and luxurious textiles to create timeless and feminine pieces. Focusing on quality, her in-house team of skilled embroiderers and tailors ensures each piece is crafted to perfection. 

This March, the designer proudly presents her Ramadan and Eid collection, which is an ode to mother nature. A series of elegant, modest kaftans and dresses make the perfect celebration outfits for the upcoming season. Many of the pieces are also presented in a smaller iteration for children, beautifully allowing mothers and daughters to wear matching pieces. Here we find out more about the collection as well as what’s in the pipeline for the Dubai-based designer. 

Tell us about your Ramadan collection – the colours, the silhouette, the inspiration etc.

Our collection draws inspiration from the beautiful and nurturing mother nature, just like a daughter is nurtured by her mother. The flowy silhouette and floral embellishments are inspired by flowers such as gardenia, orchids, dahlia, buttercup, and many others. The vast and breathtaking desert sky, landscapes, and Arabian patterns inspire the prints and Jalabis. Spring florals inspire the colours of our collection, ranging from creamy white to pale yellow inspired by gardenia, an orange colour inspired by poppies, and bright blues and greens from orchids and hydrangeas.

Tell us about the children’s designs. 

Our children’s designs are crafted with the same level of care and attention to detail as our adult collections. They feature playfulness, ensuring comfort and versatility for young ones during the Ramadan season.

Why was it important for you to create a Ramadan collection?

 Creating a Ramadan collection was important to us as it allowed us to cater to the needs of our customers during this special time. It’s an opportunity to celebrate culture, tradition, and faith through fashion, providing women with attire that reflects their values and beliefs. 

How do you feel women are looking more for comfort and modest styles in their clothing choices today?

In today’s fast-paced world, comfort and modesty have become increasingly important to women in their clothing choices. Our designs focus on offering both style and ease, allowing women to feel confident and empowered while maintaining modesty.

What else are you currently working on?

Currently, we are diligently working on our upcoming Eid collection, which will feature an array of stunning designs tailored for the festive season. Additionally, we are gearing up for our Summer collection launch, where we will introduce new materials and innovative modest travel wear suitable for daily use.

What would you say is your biggest achievement so far?

Our biggest achievement is turning our passion for fashion into a global brand that resonates with people worldwide. From humble beginnings, we’ve left a lasting mark in the market, with people who genuinely love what we do.

What’s the biggest challenge you face as a designer today?

The biggest challenge we face as designers today is maintaining uniqueness amidst fierce competition and staying ahead with trends and creativity. Additionally, ensuring the consistently high quality of every piece we produce remains paramount.

What would you still like to achieve?

We aspire to continue pushing boundaries and expanding our brand’s reach globally. Our goal is to become a leading authority in modest fashion, inspiring women to embrace their individuality with confidence.

This month, we celebrated International Women’s Day – who is a woman who has inspired you?

This month, as we celebrate International Women’s Day, I am inspired by my mother. Her strength and encouragement have shaped me into the person I am today. She is my rock, motivating me to pursue my dreams and be the best version of myself.

What advice would you give to aspiring designers?

My advice to aspiring designers is to trust yourself and keep doing what you love. The key is to persevere no matter what challenges come your way. Consistency and passion are your greatest allies on the journey to success.

Who is a designer who inspired you?

A designer who has deeply inspired me is Zaha Hadid. Her groundbreaking designs and innovative approach to architecture have left an indelible mark on the industry. Beyond her creative genius, her bold personality and fearless attitude towards challenging conventions have motivated me to push boundaries in my own work.

Who is the woman you design for?

I design for women who appreciate elegance, sophistication, and modesty. My aim is to empower them to embrace their unique style and feel confident in their own skin.

How does your heritage and background inspire you as a designer?

My heritage and background serve as a constant source of inspiration in my designs. They inform my aesthetic sensibilities and influence the cultural elements I incorporate into my collections.

What is the professional motto you live by?

The professional motto I live by is “quality over quantity.” I believe in prioritising craftsmanship, attention to detail, and timeless design, ensuring that every piece reflects the highest standards of excellence.

What’s a piece of advice that you would give to your younger self? 

If I could give advice to my younger self, it would be to trust the journey and embrace failure as an opportunity for growth. Stay focused on your passion, be resilient in the face of challenges, and never underestimate your potential.

What else is in the pipeline for you this year?

This year, we have exciting plans to collaborate with like-minded brands and expand our presence in new markets. We’re also exploring innovative ways to engage with our customers through digital platforms and immersive experiences.  

waedasmar.com

Reham Shaheen is a self-taught artist who did not embark on a traditional artistic journey through formal education.

Instead, her artistic prowess comes from her passion for art and her natural ability, that flows effortlessly from her soul to the canvas. With roots grounded in the universe’s mysterious offerings, Reham found herself immersed in the realm of art, and she has since built a career from it. 

Growing up in Gaza, Palestine, she was inspired greatly by her surroundings and continues to promote emerging artists and talented creatives hailing from the Arab world. Her latest exhibition at RAW Coffee Company Dubai showcases some of her vibrant and unique artworks. We find out more.

Tell us about your passion for art and how it came to be a career.

My passion for art has always been an inherent part of me, but it truly manifested nearly a decade ago when I heeded the calling of my soul to express myself using pens on a blank canvas. This journey allowed my thoughts and feelings to flow freely through my hand, creating a tangible expression on the canvas. My artistic exploration was primarily fuelled by extensive reading on history, life, and philosophy, activating the passion within my mind. As a self-taught artist, I didn’t follow the conventional path of formal education in arts; instead, my natural ability seamlessly translated from my mind to the canvas, guided by the mysterious offerings of the universe.

How would you describe your signature art style?

I would characterise my artistic style as therapeutic, where the apparent chaos in my work holds a profound sense of peace, both for me as an artist and for those who view it upon completion. I’ve coined my style as “Mona-mnamat,” where every stroke embodies a dance of creativity, and each finished canvas serves as a connection with the unseen.

What is the biggest challenge you face being an artist today?

With today’s fast-paced lifestyle, I find that the primary challenge lies in nurturing creativity itself—seeking inspiration and determining the optimal moment to pause, reflect, and process thoughts before embarking on a new piece of art.

What is something you would still like to achieve?

I believe there is much more for me to accomplish as an artist in this lifetime. My goal is to be remembered and acknowledged solely for my art, nothing more.

How would you assess the arts industry in the Middle East?

Navigating the art scene today is indeed challenging, yet it holds tremendous potential. The Middle East boasts a rich and impressive artistic history dating back to its beginnings. To distinguish oneself in this vibrant environment requires dedicated effort—to either discover a unique style or to create pieces that contribute to or match the remarkable artistic legacy of the region.

What more would you like to see happening to support emerging artists?

I aspire to witness an increase in venues dedicated to showcasing art, providing spaces such as studios for artists to work and unleash their creativity. Additionally, there is a desire for a more extensive offering of workshops and talks. Initiatives like those taken by local venues, such as RAW Coffee Company, to actively support artists like myself, play a crucial role in fostering a thriving artistic community. While there certainly has been progress, I believe there is still room for growth in this area.

How do you think events such as Art Dubai are of benefit to artists in the region?

Art Dubai stands out as one of the premier festivals that facilitates artists in forging connections and meeting potential partners and galleries. I eagerly anticipate it every year, and fortunately, this year, I will be showcasing and creating art live as part of an activation to engage both visitors and fellow artists at the event.

How has your heritage and upbringing inspired you in your work?

My culturally rich and renowned heritage has significantly enriched my artistic journey. Specifically, being Palestinian and more broadly, an Arab, has added immense depth to my creative exploration. My inspiration draws heavily from the historical narratives and the natural beauty embedded in the old art scene. I find particular affection and inspiration in the ancient Egyptian culture, as it resonates closely with my style, emphasising the art of storytelling.

Is there an art piece that you would still like to create?

Absolutely! I dream of crafting a monumental piece. While the most extensive piece I have undertaken so far measures two metres in length, requiring nine months to complete, my ultimate aspiration is to finish another one that is ten times that size one day

We have seen you talking publicly about the situation in Gaza – it’s a big topic to tackle but is there something you would like to say about the situation?     

To be honest, the situation holds immense personal sensitivity for me as I hail from Gaza. I consider myself fortunate to have grown up there, experiencing its beauty across various facets of life before the devastating events unfolded. Witnessing the current news and the dire circumstances in Gaza deeply saddens me every day. The only means through which I can express this heartfelt pain is through art in its various forms—be it drawing, painting, singing, writing, and occasionally dancing.                                                                       

What is your hope for the future?

My sincere hope is for the world to embrace the idea that life is a beautiful journey meant to be enjoyed and lived in peace, and harmony.

In terms of your art, what is in the pipeline for the coming year?

Currently, I am proudly exhibiting and showcasing a collection of my artworks at the amazing RAW Coffee Company in Al Quoz, running until the end of March this year. Additionally, in May, I’ve been given the opportunity to showcase some of my pieces at World Art Dubai during their 10th edition.

What is your professional motto?

Art is cheaper than therapy!

What is a piece of advice you would give to aspiring artists?

Above all, persevere and maintain the belief that there is something valuable to share through your art with the world. Embrace authenticity, never shy away, and express yourself genuinely, even within the pieces you create. Be original and resist the temptation to imitate others.

Who is an artist or artwork that has inspired you?

I haven’t been inspired by a specific artist; instead, my inspiration has consistently been drawn from a culture or a particular art style, primarily influenced by historical art from regions such as Egypt, Iraq, Persia, and Andalusia.  

rehamshaheen.art

Dolce&Gabbana has partnered with Alfardan Jewellery to present some of its most emblematic creations in jewellery and watches.

Highlights included the Alta Gioielleria Sicilia necklace, featuring an exceptional 100.10-carat yellow pear-shape diamond, as well as the Kosmos Invisible Setting watch characterized by the proprietary DG 01.01 calibre assembled by hand by master watchmakers in Geneva and by the precious diamonds adorning the case, dial, crown and deployment clasp.

With one of the largest booths at the exhibition, Chopard presented an array of high jewellery, fine jewellery and timepieces, including a selection of Qatar exclusives. On display were piece pieces from the Red Carpet and Precious Lace collections, as well as pieces from the Happy Diamonds collections and watches from the Happy Sport, Happy Hearts and Happy Spirit lines.

Luxury jeweller Mouawad revealed its latest novelties inspired by the Seven Wonders of the World. The brand also announced a new concept to its designs which fuses legacy and contemporary vision and promises to redefine the very essence of luxury. The brand also hosted a star-studded evening for VIP guests, which saw Miss Universe title holder Sheynnis Palacios as the guest of honour.

Bil Arabi participated in the annual exhibition for the first time this year, showcasing some of its iconic and newest collections. The brand’s unique creations serve as an ode to the beauty and richness of the Arabic language and culture, making it stand out in the world of fine jewellery.

Biver Watches, the watchmaker founded by Jean-Claude Biver, presented an exclusive piece at the exhibition in tribute to the rich cultural legacy and timeless traditions of the Arabian Peninsula. The Carillon Tourbillon is a collector’s piece that embodies the finest art of watchmaking, and at the same time it conveys a message that resonates on a subtle, even spiritual level.

TAG Heuer has partnered with Al Majed Jewellery to create a limited edition version of its Carrera watch in honour of Qatar. The TAG Heuer Carrera Qatar Limited Edition pays tribute to the country’s celebrated Arabic culture and symbolic colour and codes.  

To celebrate the 110th anniversary of its historic address on Paris’ Avenue des Champs-Élysées, Guerlain’s myth of the legendary Flacon Tortue is being reborn in a prestigious numbered Métier d’Art edition. 

Cloaked in incandescent red, the perfumer has revealed a special edition crystal masterpiece entirely handcrafted by the House of Baccarat. 

The design, which echoes the original creation sculpted by the master glass-makers, featured an eye-catching “Baccarat red” glass design, infused with 24-carat gold, which turns red upon heating. Presented in a one-litre bottle, this unique anniversary creation is a true masterpiece. 

Inside the bottle is a special blend fragrance featuring fruity, colourful notes of blackcurrant berries, blended with the essence of rose softened by the mimosa blossom at its heart. The base notes combine the carnal accents of hibiscus seed with the enveloping tenderness of an almond wood accord. 

Guerlain.com

As part of Prada’s continued commitment to education and culture, and on the occasion of the new rada Re-Nylon Collection and campaign, the brand has revealed the second step of an ongoing storytelling and media collaboration with National Geographic Creative Works. This thought-provoking project began with a short film series exploring the world’s oceans in 2019, and the latest capture, the second installation, expands on this. 

In 2019, the first step in the project explained how the Prada Re-Nylon project collects plastic waste from the oceans and landfills, as well as textile fibre waste, and regenerates it into ECONYL®, the starting point of an endless cycle of circularity. 

The second chapter, which debuts this spring, comprises of three episodes created by Prada and National Geographic Creative Works. These episodes delve into the “why” of Prada Re-Nylon, as well as the dangers facing some of the world’s most delicate ocean and aquatic ecosystems and the ways we can create a positive impact. 

The first episode focuses on the Indo-Pacific region and the fertile islands of the Indian Ocean, examining the devastating loss of coral reefs and the inspiring actions taken by local communities to combat their potentially damaging effects. The second explores the Arctic and highlights the issue of ocean warming, discussing the repercussions that human life has on the environment in which we live and the knowledge we can gain from indigenous communities. The third episode features the Mediterranean Ocean ecosystem and documents how human activity has given rise to invasive species with detrimental effects on its fishing communities, discovering how we can help mitigate the problem before it is too late. 

Led by National Geographic photographers and explorers, each of these films immerses viewers in a distinct, diverse, and unique marine habitat, exploring these fundamental issues facing ocean conservation worldwide. 

As of July 2023, 1% of the proceeds from the Prada Re-Nylon Collection supports SEA BEYOND, the educational program launched in 2019 by Prada Group and UNESCO’s Intergovernmental Oceanographic Commission (IOC). A project in line with the Group’s passionate societal concerns and the value it has always afforded to education and culture, SEA BEYOND has raised global awareness about sustainability and ocean literacy principles, educating young generations around the world. To protect our ocean, we need to understand it – learn, think, act.  

prada.com 

Sharjah Businesswomen Council is a government entity set in place to support female entrepreneurs and women in business in Sharjah.

Devised with the vision of Her Highness Sheikha Jawaher Bint Mohammed Al Qasimi at its core, the council works to encourage and support women of all nationalities in Sharjah to take that leap into starting their own business, whatever sector it may be in. Leading the Council is its Director, HE Mariam Bin AlShaikh, who has been tasked with bringing this vision to life. Since assuming her role in May 2022, AlShaikh has aimed, alongside her team, to empower women in the UAE’s business sector and help them overcome some of the challenges on the path to becoming successful businesswomen. Here, we find out more about the goals and achievements of the council, as well as what’s in the pipeline for the coming year. 

Tell us about your role at Sharjah Business Women Council and what it entails.

My role is predominantly to create the strategy and division for the council and make sure I fulfil the vision of Her Highness Sheikha Jawaher Bint Mohammed Al Qasimi, the wife of the Rule of Sharjah. Our goal is to bring her vision to life and make sure the vision of what she wants for women in business in Sharjah becomes a reality.  

In order to do that, we have built a great team which has grown to double the size of what it was, and we plan to keep growing. The team is filled with young ladies who have ambitions to create an environment that is sustainable economically for women, and my role is to lead these women and give them the power to make decisions. I might be leading them to make our visions come true, but it is a collaboration, and it’s their work that makes these things happen. 

What is the current vision and direction for the council?

Our vision is to create a sustainable economy for women entrepreneurs and women in business in Sharjah. We do that firstly by making sure it is easy for women to open a business in Sharjah. We ensure that the relevant resources to help them are set in place, whether that’s through government processes or simply educating women on what routes they want to take. Even if they don’t want to be in business, but they want to start investing and using their finances, we can help. We want it to be a space where women feel comfortable and supported. That is our overall goal. 

Do you have a physical place where women can visit for advice, help etc. and what do you offer them when they come to you?

Yes, our offices are always open to our members. Previously, we used to have a one-stop shop at the economic department in Sharjah; however, now it’s moving between the economic department and our office. If women want to renew their licence or have any enquiries about their trade licence or the procedures surrounding it, our office can actually help facilitate that. 

Why do you think it’s important to help women in particular and are you seeing a lot more women wanting to get into business because of the support that’s available to them?

I think it’s important for women to be in business because women make up half of our society and where the world is currently at in terms of GDP and economic level if women are heavily involved, we can reach even higher measures in terms of where we are economically, just by how much women can impact. So it’s very important to support women, and I think creating that space will allow them to feel confident. Post-COVID, there has been an increase of over 67 per cent of female entrepreneurs in the UAE. That says a lot. It’s not that women don’t know what they want, or they don’t have the knowledge. They just need the motivation. Women have not necessarily been supported in the past in the ways they should have been, and I think by giving them motivation, we can achieve so much, and that’s what the council is doing. 

Throughout history, so many of those who were trailblazers who made a difference in the world were women – in maths, science, engineering, etc. – these were women who changed the world, and unfortunately, with time, sometimes the motivation goes down because of society’s pressures, and I think for us it’s about giving them that motivation. Essentially, all we are asking for is economic equality for women. 

What are some of the council’s biggest achievements so far, and what would you still like to achieve?

One of the achievements is having that one-stop shop, which we will keep working on growing. Another achievement is having over 2,000 members. And these are all quality members. We constantly follow up with them to make sure that these are not ghost members. We make sure that their trade licence is active and that all their information is correct. Something else we are proud of is that in the past few years, we have been focusing a lot on women in STEM (Science, technology, engineering, and mathematics) and women in non-traditional sectors, and we have been heavily focusing on tech, construction, finance etc. In the past few years, we have had some of our members be part of GITEX, and the North Star, and some of our members have even won competitions within these events. 

Her Highness always wanted women to be active in the economy but also to get them involved in the non-traditional sectors. Making sure that there is no fear in that. So this is a big part of what we have been focusing on, and we will continue to do so moving forward. We want to make sure women have the right information and knowledge in their field in order to make the best decisions for themselves. 

What does the council do to bring the women in the network together? 

We host SBWC talks, which bring in women from different sectors, focusing on a specific subject in order to get a conversation going. We have this majlis concept. When you think of a majlis in terms of the cultural sense here in the UAE, that’s where a lot of conversations and decision-making happens. So we decided to create these sessions with a majlis concept to get conversations going and get the women to meet each other in more of a relaxed environment. 

We also host events throughout the year to reconnect them and get them to reflect, recharge, and just give each other a boost of motivation. 

How would you assess Sharjah as a hub for visionary women today?

If we look at the Emirate as a whole and its holistic approach to women in business, there are many elements. Sharjah has one of the largest entrepreneurship festivals, bringing big-name speakers and giving entrepreneurs the chance to connect, find investors, and pitch their ideas. We also have Saeed (Sharjah Investors Services Center) – another one-stop-shop for new businesses in Sharjah, which focuses on facilitating procedures for new businesses. There are different entities that cater towards different types of clientele, but at the end of the day, they all have the same vision, which is to support people in business in Sharjah. 

What is the biggest challenge you face in your role?

The biggest challenge is educating women on what they are capable of. I never worry about what women can achieve, but we constantly need to inform these entrepreneurs on what they can do and give them the motivation and confidence to do it. There is so much information out there that it can be overwhelming, so we try to create an environment that sends one concise, clear message. As much as it is a challenge, in the end, it is a benefit for us because it has a positive impact. 

What is the most rewarding part of your job? 

It’s definitely when women who are part of the council are successful in business. I think that speaks for itself. Also, the feedback that we get from the women and internally at SWBC and creating a tight, strong team gives the women in the council an example of who is supporting them. I think the biggest satisfaction for me is seeing women succeed. I admire women supporting women. We are all on a journey in life. It’s not about jealousy and competition – healthy competition is fine – but at the end of the day, it is about supporting and motivating each other. We are trying to get away from that negative notion that women can be jealous of each other. 

What about the younger generation of women, are you seeing a lot of young aspiring entrepreneurs coming through?

A lot of the women who participate in our events – especially in GITEX and the tech-focused fields – are young women. These are women who just graduated from university. They are getting into these fields, whether it’s in data or science or finance or engineering, and this is very impressive. It gives me hope for where women are going in the future. Of course, this doesn’t make it any less important for women in other fields, but it is nice to see that they are interested in these sectors where women are usually the minority. 

What is a piece of advice you would give to aspiring young women?

Do something you love. If you do something you love, it will never feel like it’s a chore. You will constantly want to find ways to improve it. And even if you feel like you’ve got too much work, it’s an enjoyable type of work. Also, try to do something that has a positive impact, and make sure you support other women in your field. Share your knowledge and tips with them and grow together. 

What is in the pipeline for the coming year for the council and how can women get involved in what’s coming up? 

We have a lot of participation in exhibitions coming up around the UAE. We are going to be creating a lot of panel discussions, workshops, and networking events. We have a trade mission coming up later in the year, for which we will be announcing the destination soon. All of this information can be found on our social media as well as on the SBWC app. Any information on signing up for membership can also be found on our website. 

For more information on how to sign up visit www.sbwc.ae or follow @sharjah_sbwc. 

When the Mach & Mach double bow heels started to appear on the feet of fashion insiders and influencers a few years ago, they immediately caught the attention of women in the Middle East.

Desperate to know what this unusually bold yet feminine brand was, women were quick to discover the relatively new brand that was about to bring sparkle to the region. 

Georgian sisters Nina and Gvantsa Macharashvili founded their brand Mach & Mach, in 2012. Their creativity and passion for design were the driving forces behind their idea to bring a new kind of luxury brand to the market. The gamble paid off and now, 12 years later, Mach & Mach has become a highly successful brand, with products now available at Harvey Nichols Dubai, as well as many e-commerce sites in the region.

As the industry has developed over the past decades, the sister duo have always been one step ahead, determined to impress their loyal client base time and time again. With an element of fairytale to their designs and that all-important sparkle, their products have become a go-to feel-good fashion essential. As the Spring/summer 2024 collection arrives in the UAE, we were of the first to see the latest pieces, as well as talk to Founders Nina and Gvantsa. 

Tell us about your vision and direction for Mach & Mach in 2024.

Nina: With each collection, we try to develop new, interesting pieces, and we do a lot of research to bring strong, beautiful items to life. For this collection we were inspired by mermaids, bringing them from the sea to our world. We developed special colours and structures for this season and it’s visually very strong. 

Gvantsa: To add, with regards to direction, we see the brand as a full 360 brand and we are trying to develop each sector a lot and we try to structure the company in this way. In 2024 I think customers will feel a lot of newness from us. There are a lot of projects coming up and it’s very exciting. 

Tell us about the brand here in the Middle East.

N: We love our customers in the Middle East because they’re fashion-forward, they know what is interesting, new and fresh. Our brand is still young and upcoming and we find out customers here in the Middle East love this and we really appreciate that. It is inspirational.

G: I think women in the Middle East have loved the brand since the beginning and the warmth that they gave to us is really precious and we appreciate that a lot. Women in the Middle East really understand luxury products and high-quality products. It’s really special for us to be here in the region and to be celebrating our latest collection with Harvey Nichols Dubai. 

How did the idea for the brand come about and how do you work together as a team?

N: We launched in 2012 and since then we have developed from a start-up brand to what we are today. It’s been a really amazing journey. We are both very creative and in search of new ideas for our collections. We have very different points of view but we love to challenge each other and combine our ideas to create something in the middle. 

G: It’s a very interesting process and even though we have very different tastes, it has never been difficult for us to work harmoniously. In the end, we understand each other and it gives us an opportunity to see things from different angles. I think it also gives our products some diversity. 

What’s been the biggest challenge so far? 

G: When you are a new brand it’s difficult to grow and develop your business but it’s a reality we understand and we are always ready for challenges. Sometimes in life, you have to overcome obstacles in order to grow yourself. If you want to be a brand in the luxury segment you have to have high-quality products, high-quality production, a great relationship with your customers, the right partners, and season to season you have to have new creative ideas. Without these obstacles, though it’s impossible to grow, so we try to do our best with every collection and continue to develop and create. 

You have grown from a start-up company to where you are now in very little time, how do you keep that momentum moving forward and how do you keep up with customer demand?

N: You’re right, the growth was really rapid. Even from 2020 to today we have grown a lot. We launched a factory, a showroom in Milan, we extended a lot worldwide. It’s difficult because there are a lot of challenges and that’s why we try to structure each category very well and we try to find the best people with the best experience who can produce to the best quality. We try to do our best in terms of creativity and all together this makes a difference. 

How do you keep the creativity going and where do you go for inspiration?

N: With each collection we try to be in the present moment and think about what the world needs. Then we start to research the materials, what’s going on in the world, and colours, it’s a huge process to bring our products to life. With each product we do many trials – we try them ourselves and it is not an easy process. 

The brand has a very recognisable identity with the double bow motif, how do you continue to keep that but reinvent the products each season? 

N: The brand is very recognisable you’re right and we have had our signature double bow since the very beginning, but we try to extend the categories and somehow fulfil a wider type of customer. We launched a lot of newness recently which we will see very soon in the market, but at the same time, it’s really important to stay true to your roots and to keep going with what you believe in. So extend step by step but keep your identity. 

Tell us about the ready-to-wear category and where you’re heading with that. 

G: We know we are famous for our shoes, but our ready-to-wear is also very important for us because the company started with ready-to-wear. So it’s a really special direction for us and we hope to develop it further and achieve a high level of quality and requests from the market. 

Who is your customer today? 

N: It’s a really special girl who is fashion-forward, a risk-taker, young, cool, and she wants to find new interesting things all the time. She’s not afraid to express herself and to be bold. 

What are the professional mottos that you live by?

G: Bring interesting, new and fresh ideas to the world. Bring something special that doesn’t already exist. This is a huge motivation for me. 

N: The most interesting part of designing is to be involved in this constant process of searching for something new, then when you find that it’s a beautiful moment. We want to create unique products to make our clients stand out from others. 

Where do you go to get inspired?

G: Inspiration comes from everywhere – the street, architecture, movies, travel – when we are working on a collection we do as much research as we can and then we sit down and think about what we are most passionate about. In the end, I think our collections are always inspired by a reflection of the light and this phenomenon and when you see our products you find that they are always sparkly and shiny and they reflect the light. Our vision was always to bring light and sparkle into people’s lives. 

What advice would you give to aspiring designers who would like to set up their own luxury fashion business? 

G: Always do something that you are passionate about. 

What are your favourite pieces in this collection? 

N: We have a few favourites – the basic double bow is always a favourite and this season we created it in a new shape with a round toe. It’s more of a timeless shape and we love it. It’s important to keep this double symbol throughout our brand to represent both of us as sisters and it also highlights the meaning of our collections of togetherness and infinity.

As designers, what would be your style recommendations?

G: Always have some very classic pieces but pair them with something a little bit special. 

instagram.com/machandmach

Looking for a last-minute Valentine’s Day gift, or simply want to celebrate the one you love? These are the best feminine jewellery collections from some of our favourite luxury houses.

GRAFF 

GRAFF’s Tilda’s Bow collection represents unconditional love and family bonds inspired by Laurence Graff’s bond with his granddaughter. The collection features elegant bows decorating pendants, bracelets and earrings, mimicking the moment a silk ribbon is tied. Every piece has been designed and crafted to be loved, worn and treasured today and also to be passed down the generations, making it the perfect gift for Valentine’s Day or the rest of the year. 

Every loop in the designs is brought to life in pavé diamonds, which form a shimmering surface of stones, as well as round, custom-cut, and emerald-cut diamonds set by Graff’s master artisans to dance with fire and brilliance. Rings, earrings, bracelets, necklaces and pendants, brooches and watches within the collection are designed to complement yet not perfectly match one another. For this reason, every jewellery piece is subtly different, featuring individually designed bows which are beautifully unique. 

graff.com

Chopard 

Chopard

What better way to say ‘I Love You’ than with elegant hearth-themed jewellery? The Happy Hears and My Happy Hearts collections by Chopard have newly updated iterations for 2024, making them the perfect Valentine’s gift. The Happy Hearts collection features a new design with a pink opal heart, as well as malachite, white or Tahitian mother-of-pearl, onyx, carnelian, and sparkling diamonds. The new pink opal pendant features ethical 18-carat rose gold and has a symbolic meaning thanks to the stone’s connection to the Peruvian Andes, where it is believed to have soothing properties on emotional wounds. 

Additionally the My Happy Hearts collection features a constellation of delicate hearts in ethical 18-carat rose gold and pink opal, to be worn alone or stacked as stylish accessories. Featuring an ethical 18-carat rose gold set with pink opal; these new models add a necklace and a pair of earrings to the collection.

chopard.com

Buccellati 

Bucellati

Buccellati has revealed a special new pendant as part of its Opera line for the occasion of Valentine’s Day. This elegant pendant is inspired by the Renaissance period, with a symmetry in the flower that is its symbol and recurring motif. This delicate pendant makes the perfect gift for a loved one, centrally decorated with a small pavé of diamonds. 

The new design also complements the brand’s Hawaii collection, inspired by the welcome garland gifted to visitors arriving in Hawaii. A cascade of tiny gold circles, handcrafted with the twisted thread technique, plays with light and movement. The circles have a diameter of 0.6 mm and are composed of two gold wires, twisted and patiently hand-soldered one by one, creating a movable mesh. These light yet modern pieces are great for both everyday and evening wear. 

buccellati.com

Boucheron 

Boucheron

Boucheron’s Quatre Double White Edition reinterprets the classic codes of the maison and the iconic Quatre line in an all-white design. Key pieces such as the Grosgrain and Double Godron rings are sculpted in white gold, while the Clou de Paris in pristine Hyceram sits alongside the line of diamonds. Rings, hoop earrings, necklaces and, the collection’s flagship piece, a daring piece of hair jewellery, Quatre Double White Edition combines monochrome strength with style. These bold pieces will make the perfect gift for a strong and fearless woman. 

boucheron.com

Piaget 

Piaget

Piaget’s is unveiling a new version of its signature technique, bringing new life to the Possession Palace Décor collection in the form of a new bangle which pays homage to the brand’s savoir-faire and daring personality. The collection which also features rings and pendants, brings gold craftsmanship to the forefront of the designs, while a single diamond is set at the centre of the pieces. These pieces, which represent love and commitment, can be worn in a number of different ways and can be stacked together. Created in rose gold or white gold, in different sizes and settings, the collection puts the beauty of craftsmanship and elegant materials at the heart of jewellery design. 

piaget.com

Pomellato 

Pomellato

Pomellato celebrates the beauty of love with its new Pomellato Together collection features smooth sculptural shapes and a modern design. Featuring diamond details, these feminine pieces feature two ellipses held together by a link, symbolizing the power of unity and the strength

of togetherness. Two new circular pendants feature diamond-set gold links, one of the links allows the chain to slide along the space between the two rings: a tactile reminder of love’s freedom and cheerfulness. The more precious version of the two is set with a full diamond pavé.

The new single-band rings in white or rose gold are entirely set with diamonds with a contrasting plain gold link, and a set of hoop earrings gently caress the ear lobe as delicately as a lover’s touch. A single, outsized ear cuff offers a defiantly modern take on the love token. A bracelet in plain gold and rings, either in plain gold or with a touch of diamonds on the link, offer a reassuring presence and a constant reminder of your unwavering support. The rings are a new variant of the iconic design of this collection: true to the house’s pioneering spirit; they are easy to wear and stackable.  

pomellato.com

The 2023 edition of Red Sea Film Festival in Jeddah, Saudi Arabia returned with its most star-studded guest list yet.

Following on from the success of the second edition in 2022, this year’s edition promises to shine a light on films from Saudi Arabia the Arab World and Africa, with a lineup of regional films set to debut. To raise awareness the festival also attracted several international film stars, directors and industry professionals, keen to get a glimpse into the growing industry in the region. 

A series of talks and discussions were hosted including an “in conversation” presentation with Will Smith who discussed his journey in the industry, the challenges and successes.

Chris Hemsworth took part in an exclusive session hosted by visionary film director Baz Luhrmann, deep-diving into Hemsworth’s diverse career and sharing behind-the-scenes stories and experiences.

Gwyneth Paltrow was also in town to host her own session. The actress and founder of Goop shared stories from her own experiences in the industry and the transition from actress to successful businesswoman. Other celebrities in attendance included actors Johnny Depp, Sophia Vegara, Michelle Williams, Alia Bhatt, Ed Westwick, Freida Pinto, Sharon Stone and many more. 

Ahead of the event Mohammed Al Turki; CEO of the RedSeaIFF said of the previous edition: “Our second edition was a huge success and signified that The Red Sea International Film Festival is evolving into a global event that we are very proud of and grateful to everyone who supported us.” He added; “we are still navigating our way being a young Festival and film industry but have been delighted with the feedback from the local community, regional and international guests. We were honoured to welcome some of the leading voices in Hollywood, Bollywood, South Korea, Africa and Arab cinema, sharing their journeys to the big screen with a new generation of Saudi creatives who are capturing the attention of the global film industry. Throughout the year, we will continue to support emerging filmmakers, welcome productions to shoot against our extraordinary landscapes and plan for our third edition as we continue to make our mark on the Festival circuit.” 

The festival provides a platform for Arab filmmakers and industry professionals from around the world to connect, and its growing popularity is helping to raise awareness of the talent in the region. The Red Sea Souk, the Festival’s industry market runs alongside the main event, designed for global exchange and partnerships between the international and Saudi film industries. The four-day market offers a program of curated events to foster co-production, international distribution, and new business opportunities. The Souk offers unbeatable access to the new vibrant Saudi scene, as well as the best of the Arab market through pitching sessions, one-on-one meetings, screenings, industry talks, and networking events. 

redseafilmfest.com

Dior Maison has unveiled its latest collection for the home with designs by French artist Jean-Michel Othoniel. The Perles collection features a series of plates and dishes, adorned with metallic designs, evoking the gilded bronze sculpture created by the French artist. The collection was created to mark the launch of Francis Kurkdjian’s new perfume for Dior; L’Or de J’adore. 

Othoniel dreamed up the designs in sketches featuring a multitude of pearls intertwined to form the delicate curves of an airy rose. These dynamic motifs are featured across tableware including a presentation dish subtly embellished with a 24-carat gold border, as well as dinner, dessert and bread plates.

The symbolism of gold, Dior’s iconic code, highlights here more than ever the House’s timeless audacity and inventiveness. 

An ode to the excellence of contemporary art and the beauty of the plant world, this exclusive line is dedicated to the pleasure of entertaining so dear to the founding couturier.  

dior.com

Dubai has become the fourth permanent international location of the L’ÉCOLE, School of Jewelry Arts, alongside Paris, Hong Kong and Shanghai. Founded in 2012 with the support of Van Cleef & Arpels, the L’ÉCOLE, School of Jewelry Arts concept has helps to create a global community, offering courses and experiences to educate talented creatives in the fields of jewellery and arts. 

The newly opened Dubai brand is located in Dubai Design District (d3), and will feature a programme of in-person talks as part of its opening season this spring. To mark the opening an inaugural exhibition, Garden of Emeralds will explore the mysteries of the coveted gemstone. Garden of Emeralds which will run until April 2024, was opened in the presence of high-ranking officials, including Pierre Fayard, CEO of Richemont Middle East, India, Africa and Türkiye; Alessandro Maffi, President of Van Cleef & Arpels Middle East and India; Lise Macdonald, Global President of L’ÉCOLE, School of Jewelry Arts. 

Commenting on the opening in d3, Khadija Al Bastaki, Senior Vice President of Dubai Design District – part of TECOM Group PJSC, says: “Strategic partnerships are essential to the growth of d3 and Dubai’s creative community and economy. L’ÉCOLE’s opening in our district is a result of this commitment, and it represents the growing learning opportunities and platforms available to creatives in d3, whether they are enthusiasts or professionals. The school will bring exceptional new creative experiences, expertise and talent to our community and region, furthering the ambitions of the Dubai Creative Economy Strategy and the Dubai Economic Agenda D33. We are eager to continue attracting world-class creative companies from the world over and secure Dubai as the global address for the creative industry.”

L’ÉCOLE promotes jewellery culture through a rich programme of in-person courses and talks for beginners and collectors, along with free temporary exhibitions, publications and research programmes. Its new Dubai campus is created by the renowned multidisciplinary French designer and interior architect, Constance Guisset.

Starting Spring 2024, L’ÉCOLE will present hands-on workshops and insightful courses led by a rotating body of lecturers, including art historians, gemmologists, jewellers and craftspeople. Its courses will be open to all, for adults and children. Enthusiasts can also look forward to monthly online talks open to the public for free.  

lecolevancleefarpels.com/me/en   

Le Royal Monceau – Raffles Paris, one of the city’s most iconic hotels, has collaborated with Messika Paris to create a sparkling winter wonderland this Christmas.

With updated interiors by Philippe Starck, the hotel is both an iconic and contemporary space, always moving, just like Messika. For the occasion, the stylish property will be adorned with a thousand sparkles in the jeweller’s colours, creating an exclusive setting that combines festive spirit and luxury jewels. Trees in the Maison’s signature electric blue and purple hues are scattered around the hotel’s public areas, decorated with XXL silver snowflakes and surrounded by Messika-branded gift packages. The magical décor is inspired by the design of the brand’s iconic Move collection. The spaces become jewels in and of themselves, with every element twinkling, from the trees to the snowflakes.

“For this project, we dreamt up a series of ephemeral decorations in the shape of pendants, paying tribute to our new So Move collection.” Explains Valérie Messika, Artistic Director and Founder of Maison Messika. She adds: “The Royal Monceau is an institution that I’ve loved for a long time, and for me it’s connected to a unique story involving Beyoncé. It was during one of her stays in the Parisian Palace that she discovered our Maison. A magical meeting for Messika.”

Le Royal Monceau – Raffles Paris has long been a key meeting place for artists and writers, gentlemen and adventurers alike. One of Paris’ most elegant hotels, the property is a must-visit for any luxury-seeking traveller. The hotel reopened in 2010 as one of the most incredible 5-star luxury hotels in Paris, following a radical full two-year transformation by designer Philippe Starck. In 2015, the hotel received the distinction of “Palace”. The most contemporary Palace in Paris, it has 149 luxury rooms and suites, including 3 private apartments, just minutes from the Arc de Triomphe and the Champs-Élysées.

The collaboration goes one step further with a project between the brand and Le Royal Monceau – Raffles Paris Pastry Chef, Quentin Lechat. The two have co-designed a limited-edition Yule Log, once again inspired by the jeweller’s move collection. Presented in full vanilla, the yule log features praline, cream, crisp and Bavarian cream elements, as Quentin Lechat perfectly combines techniques to enhance all the flavours of the star ingredient.

As a subtle nod to Maison Messika, a cascade of little golden and caramelised choux buns punctuates this new creation where pastry meets jewellery, evoking gold and diamond elements. It’s a break from the traditional Gâteau Saint-Honoré, a parallel inspired by the very first Messika boutique in the famous Parisian street of the same name. “As someone who can’t resist a delicious patisserie, the idea of working on a Yule log based on the Move collection was very exciting”, said Valérie Messika. The Yule Log is limited to just 100 pieces.

Art abounds at Le Royal Monceau – Raffles Paris, with an exclusive Art Concierge service, art bookshop, gallery, and 99-seat private cinema: Le Cinéma Katara. The hotel’s culinary offering is driven by the same spirit of creativity, from the buzz of Le Bar Long to its three restaurants: Matsuhisa Paris, dedicated to Japanese gastronomy with the illustrious Chef Nobu, and Il Carpaccio, a Michelin-starred Italian restaurant in collaboration with the Da Vittorio family.

Not to be missed are the exceptional breakfasts and brunches at La Cuisine restaurant, where Quentin Lechat’s pastries can be found. And with its spectacular swimming pool bathed in natural light, the Clarins & myBlend Spa is a true haven of peace – a place where you’ll gladly get lost to find yourself again.

leroyalmonceau.com

Loewe has partnered with Kyoto-based ceramic studio Suna Fujita to present its 2023 holiday collection.

The Spanish brand revealed a short documentary film where the studio’s founders Shohei Fujita and Chisato Yamano describe natural landscapes and animals as the source of inspiration for their artwork, which draws on imagination, childhood memories, and life with their son and pet dog to create hand-painted stories on ceramics such as teapots, cups, and plates.

Their designs can be seen across key pieces in the Loewe SS24 collection, where their unique characters have been transported to knitwear, jersey and denim, signature bags, slippers, wallets, and accessories.

Highlight pieces in the holiday collection which will make perfect festive gifts include the deep green hammock bag, the ruched Squeeze bag, and the iconic Puzzle bag, available in a series of eye-catching shades. 

Loewe.com

Prada 

Prada’s fine jewellery collection Eternal Gold marks a first foray for the Italian house into the world of jewellery, but also acts as an important step in the brand’s journey towards sustainability. That is due to the fact the collection of eye-catching pieces is made from 100 per cent certified recycled gold. As the name suggests, the gold used for the designs is in a sense eternal – it has been used before and can be used again – drawn entirely from recycled material sources. Prada partners exclusively with those suppliers of precious metal and stones who meet the highest industry standards concerning human rights, labour safety, environmental impact, and business ethics. The collection which is designed around the brand’s triangle motif also features lab-grown diamonds. Eternal Gold features a series of pieces with geometric shapes and lines. Snake bracelets, heart motifs, chain necklaces, ribbon chokers – defining shapes and forms of fine jewellery, they are also signs and signifiers of affection and love. 

Chopard

Chopard’s L’Heure du Diamant collection explores the beauty of diamonds with a selection of timeless, elegant designs. Three new pendants in ethical gold, enlivened by a refreshing touch of colour now join the collection, adding a contemporary twist on the designs. Each oval-shaped pendant is meticulously set with marquise-cut diamonds, creating perfect harmony between shapes and materials. More than just jewellery creations, these pendants are transformed into veritable talismans, bearing witness to the energy unleashed when creativity meets jewellery-making excellence. The distinctive feature of these new pendants is the cleverly concealed bow, hidden beneath an exquisite selection of precious stones. They alternately feature a diamond, sapphire or emerald, carefully chosen to enhance the brilliance of each creation and offering a bewitching palette of colours. 

Piaget 

Piaget’s Infinite Radiance collection will make the perfect festive gift. Combining savoir-faire with modern design, the pieces are inspired by the light of the sun, featuring asymmetric movements and geometric lines. The collection features earrings, rings, a pendant and bracelet, as well as an eye-catching version of the brand’s Limelight Gala watch. The designers also played with textures, volumes and forms to render the sun’s unpredictable glow. To achieve this mastery of light that sits at the core of Piaget’s savoir-faire, they use the contrasts of finishes. Polished or decorated, the precious material’s versatility and pure beauty thus shine through, as the unique craftsmanship of the Palace Décor perfectly shows. Each creation is as beautiful as it is unique and require a level of precision and attention usually reserved to High Jewellery creations. The Limelight Gala watch features a mother-of-pearl dial with alternating diamonds-set indexes and pink gold Roman numerals radiates a contemporary aura of femininity. 42 brilliant-cut diamonds are set on the rose gold using the intricate technique of “serti descendu” that magnifies the brilliance of each stone.

Buccellati

Buccellati’s much-loved Opera Collection is inspired by the Italian Renaissance culture. The creative designs explore the idea of absolute symmetry as jewellery pieces become works of art. Centred around a floral motif inspired by the house’s logo, the collection also pays reference to the dome of the church of San Carlo alle Quattro Fontane in Rome and its opulent decorations. This year the collection also lends itself to a new interpretation in the form of the Opera Tulle; a contemporary offering of rings, sautoirs, bangles, pendants and earrings, presented in three different versions with semi-precious stones or coloured enamel. All of the pieces have a common denominator: the radial tulle layer, which is the hallmark of most precious Buccellati creations.

Louis Vuitton 

Louis Vuitton’s Blossom collection will make the perfect gift for the stylish ladies in your life. Following the launch of Idylle Blossom in 2012 and Color Blossom in 2016, the brand introduces new designs to the delicate collection. The new Blossom collection is inspired by the maison’s Monogram flower motif that has been elegantly displayed on the house’s products for decades. The new collection sees the Monogram in bold new volumes and sizes scattered with diamonds or full pave diamonds. The collections consists of 11 pieces in pink and white gold. Many of the pieces are stackable and rang from understated pendants and rings to oversized hoops and diamond studded earrings. Strong and graphic but also organic and wearable, these pieces are a play on daring volumes, sizes and textures. 

Boucheron

First created in 1968 and continually reinvented, Boucheron’s Serpent Bohème collection repeats its iconic teardrop design to bring out your radiance. Serpent Bohème Solarité is the perfect collection for those who aren’t afraid to scintillate. Highlight pieces for this season include the Serpent Bohème Solarité hoop earrings, paved with diamonds, in yellow gold, as well as the Serpent Bohème XXL motif medallion, multi-motif ring and multi-motifs bracelet, paved with diamonds in yellow gold. The collections represents freedom and its aesthetic reveals the full expertise of the Maison Boucheron craftsmen. Serpent Bohème Diamond designs reflect an assertive, modern femininity.

Tiffany & Co. 

Tiffany & Co.’s iconic collections LOCK, HardWear & Tiffany T make the perfect everyday jewellery pieces. The LOCK collection is inspired by a padlock, a renowned House motif since the 1880s, It celebrates the unbreakable bonds that connect us. Each new design is an infinite expression of love. Inspired by the bold energy and powerful architecture of New York City, the Tiffany HardWear collection features signature gauge links that play with tension, proportion and balance. And the Tiffany T collection is marked by a sleek T motif—a signature House code—inspired by the brand’s name. 

Repossi

Repossi’s Brevis Collection features dancing diamonds that sit elegantly against the skin as if floating in mid-air. The collection is a reinterpretation of the Serti sur Vide collection, combining floating diamonds and coloured stones with beautiful white gold bands. The collection features necklaces, rings and braclets, all with an understated appeal. The simplicity of the designs makes the pieces timeless and everlasting, but not without a touch of individuality. The newest additions to this high jewellery collection were created using the finest craftsmanship. 

MARLI New York 

MARLI New York’s Tip-Top collection is composed of unrivalled fine jewellery creations that challenge convention to celebrate fearless femininity. From signature pendants and eye-catching earrings to tennis bracelets that are anything-but-classic, Tip-Top stands as a playful collection that’s defined by unrivalled quality and craft. The collection features brilliant diamonds and vibrant gemstones complimented by MARLI’s iconic pyramid stone shape, set alongside modern 18K gold details designed to get your heart racing. Tip-Top challenges tradition with multi-faceted femininity and distinctive edge, exemplifying MARLI New York’s innovative design and paramount technique. 

Krasota Dubai is a unique immersive restaurant or ‘gastro-theatre’ that combines the worlds of gastronomy, art and culture with a one-of-a-kind experience.

The brainchild of Michelin-starred chef Vladimir Mukhin, whose renowned White Rabbit restaurant ranked 13th in The World’s 50 Best Restaurants in 2019, this one-of-a-kind experience presents creative culinary masterpieces in a setting that combines food and art. Guests are invited to experience a visual show, as their tastebuds are tantalised thanks to a unique food pairing, creating a multisensory adventure.

This November, a new production, titled Imaginary Future, debuted at the intimate venue. This showcase seamlessly blends storytelling elements with visual arts and AI technology to explore the wonders of the future. Imaginary Future features seven acts that push the boundaries of imagination and creativity, revealing future scenarios of humanity. Alongside these acts is a meticulously crafted seven-course meal, each course designed by award-winning Chef Vladimir Mukhin to harmonise the unfolding acts of the show. The menu delves into the realm of future gastronomy, exploring the question: what will food be like in the future? 

The show depicts a future epoch when human life and artificial intelligence work together to advance space exploration, a voyage to Mars and other planets leads to interplanetary civilization. Exploring themes such as new food rituals and future plant production, the pursuit of time control, a world where cyberpunks rule with eternal celebrations of neon night, and the emerging rise of technology to ocean exploration. The AI-curated gastro-theatre creates a truly immersive experience where guests can interact with the performance in real-time, blurring the lines between reality and fantasy. Expect an accompanying array of innovative dishes that tantalise the taste buds and challenge culinary norms. 

Tickets are available at ticket.krasota.art or by calling the Krasota Dubai restaurant Box Office at +971 4433-12-58. 

ticket.krasota.art

Ras Al Khaimah has revealed an extensive art and cultural programme for 2024, building on the Emirates’ dedication to arts and engaging local communities. The new programme will see the current Ras Al Khaimah Fine Arts Festival reborn as Ras Al Khaimah Art – a year-long programme focused on empowering emerging creatives and the community.

Evolving from the Ras Al Khaimah Fine Arts Festival, Ras Al Khaimah Art will be a hub for identifying and cultivating existing and emerging talent through an ongoing series of grants, masterclasses, and workshops held throughout the year. The programme kicks off with a month-long exhibition at the Sunken Garden at The Ritz-Carlton, Dubai International Financial Centre, which runs until December 15. 

The special exhibition features a selection of works by Emirati photographers Faisal Al Raes and Nuwair Al Hajeri. It also showcases a specially curated display of bespoke jewellery from the private collection of Her Highness Sheikha Hana bint Juma Al Majid, including the spectacular The Savoy Headpiece and The Daisy Hand Ornament, both part of The Great Gatsby Collection by Tiffany & Co. Additionally, visitors can view creations from the exclusively crafted mother of pearl designer collection, EMES Fine Crafted jewelry by Emirati designer Mohammed Rashed Al Suwaidi. Inspired by his family’s pearl-diving heritage and featuring contemporary designs which merge with Mother of Pearl and traditional raw materials, the collection represents a creative reinterpretation of modern Emirati identity.

Commenting on the new identity, Dr. Natasha Ridge, Founding Executive Director of the Sheikh Saud bin Saqr Al Qasimi Foundation for Policy Research, said: “Ras Al Khaimah Art represents an evolution from the Ras Al Khaimah Fine Arts Festival, with year-round programming to serve as a catalyst to celebrate and stimulate the local art scene. The exhibition in DIFC is just one of many ways Ras Al Khaimah Art is attracting and showcasing home-grown and international talent. We are delighted to be working with inspiring artists, photographers, and filmmakers to provide just a small glimpse of the type of vibrant works that visitors will enjoy at our upcoming Festival in February 2024.”

Open for the public to visit and enjoy, the exhibition is one of many initiatives by Ras Al Khaimah Art aimed at enriching and redefining the creative scene in the UAE. 

The 12th edition of the Festival is set to be an immersive and sensory cultural experience for local and international visitors alike. The month-long celebration bridges heritage with modernity in a vibrant community event, featuring a curated display by over 90 different artists, as well as inspiring masterclasses and public talks, live performances, outdoor cinema, and youth development programmes. Hosted within the Al Jazeera Al Hamra Heritage Village, the location’s storied pathways bring a historic backdrop to immerse visitors as they venture step by step through the captivating installations.  

rakart.ae

The Dior Lady bag has become an icon in its own right. Gaining its name from Diana, Princess of Wales, who was gifted the bag by the first lady of France in 1995.  At the time, the bag, which was designed by Gianfranco Ferré, was named the Chouchou. The elegant accessory was not yet on sale publicly, and upon receiving it, Lady Diana immediately fell in love and even commissioned a further edition in blue.

Dior decided to rename the bag after the icon, and it has remained ever since, becoming perhaps the most recognisable of all the Maison’s accessories. The Lady Dior features the brand’s distinctive cannage, and its chic architectural lines and boxy style make it a symbol of modernity and elegance.

In 2016, the fashion house launched the Dior Lady Art project, giving a carefully selected group of artists carte blanche to reimagine the bag in their image. The artists were invited to reinterpret this icon, injecting their own style. Today, seven years later, the eighth edition of the project has been revealed.

Eight, being Christian Dior’s lucky number, makes this a very special edition of the project. The Parisian fashion house has partnered with a series of artists, including Jeffrey Gibson, Gilbert & George, Lee Kun-Yong, Ludovic Nkoth, and Hilary Pecis. This year’s artists originate from locations as far away as China and Japan, to the USA, United Kingdom and everything in between. 

One artist, whose colourful interpretation of the icon is based on her own paintings, is British-born Michaela Yearwood-Dan. Known for her works featuring contrasting motifs and vivid colours, Yearwood-Dan’s poetic creations seem to offer the imagination of a new world of possibilities. Her uplifting, vibrant artworks, featuring visually striking abstract landscapes, bring a sense of joy to all who see them. 

For her collaboration with Dior, Yearwood-Dan applies her powerful yet delicate style to two versions of the Lady Dior. Her “Let Me Hold You” installation is expressed in three dimensions, thanks to the use of a variety of textiles and beads which are applied to the body of the bags. These precious embroideries reproduce the effects of textures found in her paintings. Metal flower petals, directly inspired by her own ceramic works, are featured on one of the designs, while the D-I-O-R charms are revisited with colour and unexpected details. 

More information on the Lady Dior Art project can be found at dior.com

Devika Mankani is a Holistic Psychologist at Hundred Wellness Clinic and Co-Founder of Chearful.com. Here she explains how you can use proven methods to create a better you in 2024 and beyond.

Once again, we are days away from that 10-second countdown to midnight. To a new year.

As a psychologist with close to two decades of experience in integrative and holistic psychology, I have been deeply influenced by the intricate dance between neuroscience, spirituality, and human behaviour. Each year, as we approach the threshold of a new beginning, I often find myself looking back at both the difficult moments and those I have deep gratitude for. I have been trying to train myself with as much discipline as I can muster, to embrace the profound practice of espousing hope and positivity through it all, not just as fleeting emotions, but as powerful forces that shape our lives.

When I begin my personal annual review, I usually walk through this process by reminding myself of all the magnificent advances in neuroscience and how they have illuminated the different ways positivity impacts our brain. Optimistic thinking strengthens neural pathways associated with positive emotions through a process known as neuroplasticity, demonstrating our brain’s remarkable adaptability. Decades ago, functional MRI studies showed that such thinking activates areas of the brain linked to decision-making, planning, and reward processing. Moreover, positivity and hope can enhance serotonin and dopamine levels, neurotransmitters key to happiness and well-being, while reducing stress hormones like cortisol. This hormonal balance then goes on to precipitate a better coping response to life’s challenges. All that without a pill! Sounds too good to be true at times. 

After reflecting on the sciences, usually while sipping a green tea (just getting in the polyphenols and anti-inflammatory benefits while I can), I love to slip on my spirituality hat which always provides a more profound understanding of hope and positivity. Many ancient traditions see hope as a virtue that connects us to a higher purpose and the cosmos, begetting a sense of peace and resilience. Practices rooted in these traditions, like mindfulness, meditation, and acts of service for others can enhance feelings of hope and positivity. Even a single session, with intention, can promote present-moment awareness and a non-judgmental acceptance of our experiences, ultimately deepening our connection with ourselves and our fellow earthlings.

Throughout the year I strive to embody this beautiful integration of neuroscience and spirituality and the holistic approach it offers. Truthfully, however, I get even greater joy from taking my clients in my clinical practice on the journey with me. They often confirm how understanding our minds’ unlimited potential empowers them to invite positive thoughts and emotions more easily. Coupled with spiritual practices, perhaps together we can find deeper meaning within and flourishing connections with others. Perhaps it’s not so elusive after all. 

Woven into my preferred theories, at least the ones shared above is the magic of positive psychology which further expands on this well-being story by advocating for a growth mindset. We try to teach our children, or the young people around us, but often forget the lesson for ourselves in the process. Challenges are seen as opportunities for development, and in the process foster resilience. Additionally, gratitude, a potent tool within this field, can significantly uplift our mood and even shift out perspective on certain events. Practices like maintaining a gratitude journal can have a substantial impact on mental and emotional health, a 12% improvement in mood in the 2 weeks. It’s practically impossible to experience gratitude and distress in the same moment. Experiment with your thoughts and I’m sure you will find this too. 

Ultimately, just as with any habit and shift, incorporating hope and positivity into our daily routine involves intentional practice. This could mean dedicating time for reflection, engaging in wholesome affirmations, or actively seeking experiences that bring joy and peace. Our social connections are instrumental in nurturing these states of mind, so setting up groups of strong, supportive relationships provides essential emotional sustenance. I advocate for this always, especially when in a world of sophisticated digital tools, we may feel more accessible but not always connected beneath the layers of day-to-day check-ins. 

As we prepare for a new year, I’d like to invite you to approach the months ahead with a mindset that embraces both the scientific and spiritual aspects of hope and positivity. This integrated perspective can lead to moments that are richer in connection and purpose. The future, inherently uncertain, can be approached with a mindset of hope and positivity, transforming our experience of the unknown. Embracing change as an opportunity for growth allows us to navigate life’s challenges with resilience and optimism. 

For many of us, this year has involved witnessing human atrocities quashing our faith in humanity. I can say with certainty that a significant number of clients have turned to professionals like me this past year, to get some kind of support with these difficult emotions. I try to help them process these feelings using a framework I call purposeful emotional journeying. The premise of this is to move from Anger to Action, Guilt to Gratitude, and Loss to Love. At the risk of trying to oversimplify deep and complex emotions which not only have roots in the recent past, but also in transgenerational memories. This has proven to be a very useful pathway to guide my clients, my family, and myself during difficult times. 

So, on the threshold of 2024, let’s aim to make the months gone by and those to come, rife with personal transformation and growth. By understanding and applying the principles of neuroscience, spirituality, and positive psychology, we can cultivate a life rich with hope, positivity, and meaningful connections. This approach not only deepens our personal well-being but also contributes to a more compassionate and optimistic world. The upcoming year presents us with yet another opportunity for each of us to grow, connect, and find deeper meaning in our lives, infused with the transformative power of hope and positivity.

chearful.com 

The past few months have seen some of the most tragic, unsettling, worrying and terrible times across the Middle East. The conflict in Gaza has seen thousands of lives and homes lost, with millions more displaced or suffering the loss of a loved one. While this festive season many of us will not feel like celebrating, there is a glimmer of light at the end of the tunnel: hope. When times are terrible all we have left is hope, and as HH Sayyida Basma Al Said, Psychotherapist, Clinical Hypnotherapist and founder of Whispers of Serenity Clinic explains, we must hold onto that.

How would you define hope? 

Personally I think hope is the last thing that is there if everything else falls. It is a glimmer of light. Something that we can hold on to. It can be a positive or negative feeling. It can be positive in the sense that when everything falls, you know that something positive can still happen, but it could be negative in the sense that you feel that everything is gone, and that’s all we have left. It depends on how a person looks at it, but it is essential, and, interestingly, not many people believe in hope.

Why do you believe it’s important for us all to have hope?

It’s important to have hope because when everything falls, hope is all you have left. You have to hold onto something. We learn about hope from a very young age. We might not always understand that it’s hope; we might just think ‘Something’s going to happen, something good,’ but we know it from very young. It’s not something that’s even taught. It’s a feeling that we will later learn is hope. People often associate religion with the meaning of hope. I think that’s something that’s embedded in all faiths.

What are some mechanisms or strategies you would suggest for finding hope in dark times?

Personally, I always feel something good is going to happen. There must always be a positive feeling and God must have done everything for a reason. If it’s not something I can see at that moment, it must be something unknown that will be good. And to build on that is a strategy I would use. Knowing that something good might not happen now but will happen later, I would make plans for later on. I keep thinking, ‘This is all I have right now,’ and it becomes something that you hold on to when you feel that everything is gone. It’s a glimmer of light.

I could be very upset about something, but then something little could happen, and I’ll know there is hope, even if it’s something tiny, that gives me the feeling that things might be okay. I know a lot of people who don’t have that or don’t believe in it, and I think that must be an unfortunate and materialistic life. I believe hope can also be connected to dreams. They often work hand in hand.

The past few months have seen the world in turmoil – what are some of the methods you would recommend for finding positivity and hope at these times? 

What’s happening right now is beyond sadness. We are at a level where things don’t make sense. Since we were children, we heard about what’s happening in Palestine on and off, and as you grow older, it becomes more painful. You see that lives and families are being demolished. In times like this, talking about how you feel is a very big thing that people sometimes don’t do. It’s not just about finding positivity, but it’s explaining your feelings to others and finding out that they’re going through it too. It doesn’t mean it’s a positive, but it’s a mechanism to use to understand what others are feeling this, and at the same time, someone from the same group will say, ‘Things will turn out OK; there must be a positive’, someone always tries to be rational. But in times like this, you could sometimes not really see it. And that’s why I said dream. I think hope and dream work hand in hand because when you are experiencing so much trauma and sadness, you just feel that you could dream of a better tomorrow and that a better tomorrow is hope. Even though you feel in times like this that there is no positive, there must be, even if it’s a little glimpse.

How do we compartmentalise these kinds of traumatic issues in the world? 

We are often taught to ignore it from a young age when bad things happen. So, you start compartmentalising, not wanting to deal with these things because they are so difficult. But is it right to do that? We shouldn’t compartmentalise these things. We should talk about it, we should seek more information about it, and we need to get it out because the more you compartmentalise it, the more it might hurt you. So, I would suggest first talking about it, then learning how to deal with it. Issues in the world will NEVER stop. Sadly, we live in a world that has continuously had things going on, and maybe when we’re younger, we don’t think about it that much, but as you grow older, you start to realise that the world is not really a nice place, and that’s when you start seeking hope. Putting everything in perspective is a good idea, but talking about it, and then putting it in perspective is a better idea.

Of course, there is no one-size-fits-all approach, but can you talk a bit about grief and the methods of dealing with this you would recommend? 

There is no spot-on method, but there are guidelines. With trauma, loss and sadness, there are five phases: denial, anger, bargaining, depression, and acceptance – not everyone goes through the same steps at the same time, but I would recommend seeking help, and talking to someone. Talking about grief is very important. And not talking about it is the worst thing to do. You need to talk about it. You need to express how you’re feeling about it. Because if you don’t, it will hit you even harder. So, trying to deal with it as much as you can in your capacity is one of the most important things. Of course, recognising that there are stages of grief and that these stages might not be exactly the same for everyone is key. Everyone goes through them in different orders and at different times, but there are steps, and when we identify these steps, it can help. What helps more is talking about it and finding a mechanism for dealing with it. You could be someone who likes to write or read more about topics; there will always be something that works for you.

How important is it to talk about and share our thoughts and issues? 

Talking about our feelings is something we don’t do enough of. It could be that we are ashamed. We could feel that there is no use to doing it. It could be that we feel like we are fussing. But it’s never wrong to express and share thoughts. That’s the only way issues can be resolved and that applies to any type of issue in the world. So, talking about issues and sharing thoughts is essential for a healthy lifestyle where we can deal with things correctly.

When it comes to the ways men and women deal with things differently – what can you tell us about this?

Men and women deal with things in totally different ways. Women may want to express themselves more, and they may talk too much about things. Meanwhile, men will just get to the point, not go round in circles. You’ll find women talk more about things with emotion, and in that sense, they could perhaps be more hopeful about things. Men might be more realistic and more to the point. They like to get things done, but that can also make them impatient. I have seen within my practice that women are more expressive than men. And that’s why bigger problems can occur later on with men: they keep things inside, and then they can explode.

As we come towards the end of the year and the beginning of a new one, what should we be doing to prepare?

I think we are all used to making resolutions at the end of a year, which we rarely actually succeed in achieving. I think this has a lot to do with the media and the idea that we need to create resolutions and goals. But this can actually distract us from the reality of what we need to do. Sometimes we need to continue what we have been doing instead of making new resolutions, and we also need to make realistic goals. They could be continuing previous goals that were not achieved. Learning more about what we have been going through and figuring out where we want to go next, is also something we need to think about.

What are some of the things we should think about in relation to planning for our future? 

Be realistic. When we say ‘plan for the future’, when we consider things that have been going on around the world, it’s not wrong to plan, but it’s more realistic if we’re able to take things step by step. Working towards finishing what we’ve started is one of the most important steps. With what happened with Covid, I think planning is good, but, realistically, why can’t we just live day by day and enjoy every day? Thinking about the future can sometimes add stress to our lives because if we don’t succeed in those goals, we can feel like we haven’t done a good job and we feel bad about what we have done.

What are three points or messages we should take with us into 2024?

Interestingly, I have realised with myself that many things have changed in the way I think. I don’t want to say it’s because of age, but I think it’s about things happening around us. If you had asked me this question three years ago, I would have been thinking differently than I am this year.

This year and these past few years, with what has been going on, from sickness to wars, to injustice, etc. and on more of a personal level with my job and my kids and my ambitions, I really think that the first point would be to look after your health, because our health is the most important thing we have. More than any success we could have. The second point is enjoying every moment of your day and your life. And the third point would be to take things as they come. Do plan, but also don’t break down if it doesn’t work. Go with the flow and, don’t put too much pressure on yourself and give yourself a big pat on the shoulder for all that you have achieved.

What is a book or podcast you would recommend listening to today?

“Don’t sweat the small stuff” by Richard Carlson.  

houna.org

Keynote speaker and Futurist, John Sanei explains how harnessing AI is key to the future of mankind.

The tsunami of change around AI will really start to take hold in 2024. Let’s remember, technological advances always arrive slowly, creeping up on us, until suddenly they become a total avalanche. We are on the verge of this avalanche as things start moving.

Social media was our first contact with AI. Social media platforms would use AI to curate entertainment and information for us, building algorithms around our preferences. Now, we are moving into our second contact with AI, and in this, we are moving AI from a curation partner to a creation partner. It is moving from being a tool to an unprecedented partner. In other words, machines are moving from what they can do for us to who they can be with us.

We must no longer think of AI as just technology; what it is now is a profound shift in our relationship with machines.

We are entering a new era called the “Intimacy Economy”. Previously, for us to speak to computers, we had to learn their language, but now, they’ve learned our language, which is a significant shift. So we have to ask ourselves; ‘‘are we shaping AI, or is AI shaping us?’’

Whatever business or job you’re in, the significant questions you need to ask yourself are: Are you going to use AI to defend, extend, or up-end? Using AI to defend means you’re using it to bring about quicker wins and make yourself more efficient and productive. Everyone will do this, and it’s a good way to start. Then you have to move into extend, which, in other words, means to use AI to make your business much better. For example, if you were a financial institution, you would use AI to advise everyday people, and it would be the same quality of advice that billionaires get because AI augments all of that data into one system. Thirdly, you can be really brave and up-end your whole industry.

So, you need to ask yourself what your appetite is for AI and how brave you are. What are your capabilities, and what is your ambition to actually engage with AI in a new and crazy way? Are you going to defend, extend or up-end?

I have developed a graph for my clients called an AI opportunity Radar. This highlights four different quadrants where you can start working with AI. It can be from an external level, an internal level, a game-changing level or an everyday level.

On an everyday internal level, you can have software engineers writing better code; you can analyse data instead of just gathering it. There is a company in New Zealand called Yabble, that has created an intelligent chatbot where you can put all your data in, and then you can ask it intelligent questions such as, ‘‘What are my growth drivers for this quarter?’’ and it will give you an informed answer.

Or you could be talking about front office, every day bettering yourself. This is almost like picking up patterns that you otherwise couldn’t have. A great example is the Santiago firefighters, who have used AI to connect a thousand different cameras to pick up on wildfires. In their trial period, they were able to pick up 77 wildfires before any 911 calls were made. This is an example of external front-office scenarios where you use AI to help you provide better customer service.

Then you have the ability to be game-changing on an internal level. There is a company in Hong Kong called Insilico Medicine that is able to bring nine new drugs to the market per year, whereas big companies can only bring 4-5 drugs to the market per year. And they do this by using AI. Using AI to do all of its scenario planning, research etc.

Then we have external game-changing, which is all about creating new products and services and a good example of this is Khan Academy, which has created Khanmigo. This chatbot is a virtual tutor that hints and guides rather than giving you answers. Plus, you can directly chat with famous experts on the topics you are learning about. It could be Marie Curie if you are learning about radioactivity, or Gandolf if you are learning about Lord of the Rings – any one of these characters can pop up on this chat and become your friend who will guide you to learning more on a specific topic and gives you a very rich interaction with the actual people you are studying. It is hugely changing methods of education.

So once you have defended, extended or up-ended, you need to be able to use the opportunity radar to figure out how you are going to use AI to move your business forward.

A lot of people will panic, but if you break it down, all of a sudden, you can understand it and work with it. The key is to embrace the change and not to be afraid of what might happen.

Remember that we are moving into the strange world of transformation. That transformation has three phases – sad, strange and adventure – and we are currently between sad and strange. Sad is when you leave the familiarity, and we are about to begin the journey into a strange world. So we must prepare for that by making a strange world more compartmentalised. 

johnsanei.com

Cartier has partnered with Louvre Abu Dhabi to present an exclusive exhibition, celebrating centuries of Islamic art inspiration to the Maison’s collections. ‘Cartier, Islamic Inspiration and Modern Design’ which is open to the public until March 24, 2024.

Co-organised by Louvre Abu Dhabi, Musée des Arts Décoratifs, Musée du Louvre and France Muséums, with the support of Maison Cartier, the exhibition explores the influence of Islamic art on Cartier’s designs from the beginning of the 20th century to the present day.

The exhibition features over 400 works from Louvre Abu Dhabi, partner museums, the Cartier Collection and private collections, to explore over a century of artistic influence. It is co-curated by Judith Henon-Raynaud, Chief Curator and Deputy Director of the Department of Islamic Art at the Musée du Louvre and Évelyne Possémé, Former Chief Curator of Ancient and Modern Jewellery at the Musée des Arts Décoratifs, with the assistance of Fakhera Alkindi, Senior Curatorial Assistant at Louvre Abu Dhabi.

The exhibition builds on a recent project titled Cartier and Islamic Art: In Search of Modernity (Paris-Dallas 2021-2022), which was initially conceived and co-organised by the Dallas Museum of Art and the Musée des Arts Décoratifs, Paris, with the exceptional collaboration of the Musée du Louvre and the support of Maison Cartier. The exhibition was curated by Heather Ecker, Judith Henon-Raynaud, Évelyne Possémé and Sarah Schleuning.

At the turn of the 20th century, Louis Cartier, grandson of the founder of the Maison, was deeply intrigued by the artistic traditions that he discovered in the Parisian art market. At the time, significant exhibitions dedicated to Islamic art and the massive arrival of works, particularly Persian and Indian paintings and manuscripts, led to the development of a true Persian fashion in Paris. In search of new sources of inspiration, Cartier enriched the brand’s study library with publications dedicated to Islamic arts and architecture.

The library became an endless source of inspiration for patterns for the Maison’s designs. In the 1910s, Louis Cartier initiated a personal collection of Islamic art, which he made available to the Maison’s designers; the influences can be clearly seen throughout the designs over the past years. In 1911, his brother Jacques Cartier travelled to India to reinforce ties with Maharajas and to the Arabian Gulf region to investigate the pearl market. The discovery of the patterns and shapes in architecture, artworks, and literature unlocked a new realm of modern artistic expression for the Maison, right up to the artistic direction of Jeanne Toussaint and even today.

The exhibition explores these artworks and the influences that they have had on the Maison throughout the years. It features masterpieces of Islamic art, jewellery, drawings, design sketches, miniatures, textiles, photographs and archival material. Highlights include a wooden Carved ivory panel with scrolls (1334 – 1339, Cairo, Egypt); a Dish with a blue Saz leaf, dotted tulips and roses (ca. 1580, Iznik, Turkey). A wooden Carved ivory panel with scrolls (1334 – 1339, Cairo, Egypt); a Dish with a blue Saz leaf, dotted tulips and roses (ca. 1580, Iznik, Turkey); from the Musée des Arts Décoratifs. From the Musée du Louvre highlights include a Fragment of a mosaic panel with geometric decoration (14 – 15th century), Three tiles from a wall panel  (1550 – 1600, Damascus, Syria), and a Pen box, said to have belonged to Mirza Muhammad Munshi.

The Cartier Collection is lending special works, including a cigarette case (Cartier Paris, 1930), a vanity case with decoration inspired by Iznik ceramics (Cartier Paris, 1927), a Hindu necklace (Cartier Paris, 1936) and a tiara (Cartier London, 1937). Le Petit Palais – Musée des Beaux-arts de la Ville de Paris is lending an exceptional collection of design sketches by Charles Jacqueau, a pivotal designer to Maison Cartier.

Manuel Rabaté, Director of Louvre Abu Dhabi, commented on the exhibition: “As the first universal museum in the Arab World, Louvre Abu Dhabi seeks to broaden our visitors’ perspectives by bringing unique art and cultural experiences to Abu Dhabi. Through this exhibition, and thanks to the precious loans from our partners – Musée des Arts Décoratifs, Musée du Louvre and many other lenders, our visitors will not only be able to discover new connections between cultures and gain a better understanding of modernity but they will also be inspired by the rich technicalities and unique materials of Islamic art, architecture and Cartier jewellery on display. The Cartier, Islamic Inspiration and Modern Design exhibition at Louvre Abu Dhabi is also a testament to a longstanding and successful partnership between our institution and Cartier.”

Pierre Rainero, Image, Style and Heritage Director at Cartier added: “Islamic art has played a significant and structural impact on Cartier’s creative language since the beginning of the 20th century. This vocabulary continues to grow even today, thanks to the richness of geometric patterns and their many combinations. This exhibition underscores the living language of the Cartier style and in turn, highlights how important jewellery is to the artistic field. Cartier’s true pioneering spirit is also revealed, along with the role the Maison played in the birth of modernity at the start of the 20th century.”

louvreabudhabi.ae