During a month that has so many reasons to celebrate women, I want to talk about the importance of self-esteem for women today. Even though we talk about achievements, struggles, progress and policies, we often seem to forget about self-esteem. True empowerment, if we are talking about empowerment (which is again a word I do not like using much), really begins with how women lead their own movements, build their careers, and shape their societies.

When we talk about understanding self-esteem, it is important to remember that it is not about ignorance or feeling superior to others. A woman’s confidence and her ability are very healthy. Healthy self-esteem does not require constant validation from the outside world. It is about understanding your own value, recognising your inner strength, and developing the confidence to move through life with clarity and assurance.

This is particularly important for women because, throughout history and across cultures, they have always faced certain expectations. They have been told how they should look, how they should speak and how they should behave. There are often unspoken rules about how a woman should act in society. Social media has also reinforced many of these pressures, constantly presenting ideas of what a woman should or should not be.

However, when self-esteem is strong, a woman can speak with confidence in classrooms, workplaces, and leadership roles. She can negotiate her pay, for example, in her career. She is also able to establish healthy boundaries in relationships. When I talk about relationships, I do not mean only personal relationships, but also those at work and within family structures. There is a strong and undeniable connection between self-esteem and leadership.

We see this reflected in the stories of many successful women throughout history. If we consider names such as Rosa Parks or Marie Curie, these are women who developed confidence in themselves and in their abilities. That confidence not only helped them to achieve their own goals but also created pathways for other women to follow.

Self-esteem is also closely tied to emotional strength and mental health. When women value themselves, they are more likely to seek help when they are struggling. They are more likely to leave harmful environments and to surround themselves with the right people who support their growth. They are also more likely to practise self-care and prioritise their well-being, which, in turn, allows them to continue contributing meaningfully to their communities.

The importance of self-esteem also extends to the next generation, which is something very significant. When young girls grow up seeing confident women around them, they begin to build that same confidence within themselves. They are more likely to pursue their ambitions and to speak their truth. Seeing positive role models teaches them that they too can embody these qualities and, one day, become role models for others.

If we call for reflection on International Women’s Day, we celebrate progress, rights and education. These are all extremely important. However, we must also acknowledge the nature of things that are less visible, including self-esteem. Empowerment does not begin in government buildings or in boardrooms. It begins in the mind, and we sometimes forget that.

When a woman believes in herself, she changes her life. When many women believe in themselves, they change the world.

In celebration of the Holy Month, Tod’s unveils an exclusive Limited Edition Ramadan Collection that brings together the house’s Italian savoir-faire with the quiet refinement of Middle Eastern style. Available across select GCC boutiques, the collection presents a considered wardrobe of footwear and leather goods designed to keep pace with the season’s rhythm, moving effortlessly from daytime gatherings to evening occasions.

Defined by a palette of serene neutrals and soft tonal accents, including white, grey, light and deep blue, yellow, and cream beige, the collection centres on versatile silhouettes elevated by the signature T Timeless metal buckle. From elegant mules and heeled sandals to flat slippers suited to more relaxed moments, each design reflects a sense of ease that feels aligned with the spirit of Ramadan dressing.

Complementing the footwear offering is the T Timeless Bag, reimagined this season through a harmonious interplay of materials. Soft calf leather lends timeless durability, while select styles are enriched with precious ostrich skin, adding depth, tactility, and a subtle note of distinction.

Paying tribute to regional heritage, the collection also introduces the men’s classic Tod’s Arabic sandal, crafted from ultra-soft calf leather in warm, earthy tones inspired by the region’s landscapes. Finished with the house’s Gommino-inspired detailing, it offers a contemporary interpretation of a longstanding staple of masculine elegance.

Beyond the Beach, From cultural city escapes to tropical island retreats, these destinations offer the perfect short-haul Eid getaway

Zanzibar, Tanzania

Just over a five-hour flight from the UAE, Zanzibar offers the ideal balance of beach relaxation and cultural discovery for an Eid getaway. Warm temperatures and sun-soaked days are perfect for exploring Stone Town’s historic alleyways or unwinding along the white sands of Nungwi and Kendwa. March falls just before the long rains, meaning lush landscapes and fewer crowds across the island’s boutique resorts. Beyond the beaches, spice plantation tours, dhow cruises at sunset and snorkelling in the turquoise waters of the Indian Ocean add to the appeal. With a growing selection of luxury beachfront properties and private villas, Zanzibar makes for an effortless tropical escape that feels worlds away from the city.

Tbilisi, Georgia

Only a three-and-a-half-hour flight from Dubai or Abu Dhabi, Tbilisi offers a cooler, culture-rich contrast to the UAE’s desert landscapes. In March, early spring begins to bloom across the city’s hillsides, making it an ideal time to wander through the cobbled streets of the Old Town or take in panoramic views from Narikala Fortress. Thermal bathhouses, contemporary art galleries and a growing culinary scene offer a diverse itinerary for a long weekend. Luxury travellers can also venture beyond the capital to the vineyards of Kakheti or the snow-capped peaks of Kazbegi for a change of scenery. With its boutique hotels, historic architecture and café culture, Tbilisi is well-suited for a relaxed yet enriching Eid break.

Yerevan, Armenia

Yerevan is a lesser-explored destination that combines heritage, gastronomy and mountain views. March brings crisp weather and clear skies, perfect for visiting the city’s museums, markets and lively Republic Square. The nearby Geghard Monastery and Garni Temple offer insight into Armenia’s ancient history, while Mount Ararat provides a dramatic backdrop to the landscape. A growing number of design-led hotels and wine-focused restaurants have added a contemporary layer to the capital’s traditional charm. For travellers seeking a cultural city escape without a long flight, Yerevan offers a rewarding alternative for the Eid holiday.

Petra, Jordan

For those looking to combine adventure with history, Petra is just under three hours from the UAE and makes for a memorable short break. March offers pleasant daytime temperatures, making it one of the best times to explore the UNESCO World Heritage Site on foot. Walk through the Siq to witness the Treasury at golden hour, hike to the Monastery for panoramic views or extend your stay with a night in Wadi Rum’s luxury desert camps. Many high-end properties in the region now offer tailored experiences, from private guided tours to stargazing under the desert sky. Petra is ideal for travellers seeking a meaningful journey this Eid.

Phuket, Thailand

For a longer escape this March, Phuket delivers tropical landscapes, luxury resorts and vibrant dining scenes within a six to seven-hour flight from the UAE. The island’s dry season lingers into March, ensuring clear skies and calm seas for island hopping, snorkelling and beachside relaxation. Five-star resorts in areas such as Surin, Kamala and Bang Tao offer private villas, spa retreats and oceanfront dining experiences. Cultural attractions, including the Big Buddha and Old Phuket Town, provide a glimpse into the island’s heritage, while nearby islands such as Phi Phi and Similan offer unforgettable day trips.

Mauritius

Approximately six hours from the UAE, Mauritius combines natural beauty with a refined resort experience, making it an appealing option for families or couples over the Eid break. March brings warm weather ideal for exploring lagoons, waterfalls and botanical gardens. The island’s luxury resorts are known for their beachfront villas, wellness spas and curated dining experiences that blend Creole and international flavours. Activities range from golf and water sports to private boat excursions along the coastline. With its mix of relaxation and adventure, Mauritius offers a well-rounded destination for a longer Eid holiday this March.

For Spring/Summer 2026 Haute Couture, Tamara Ralph presents La Lumière Dorée, a collection that meditates on light, structure and the quiet strength of femininity through the language of couture. Drawing on delicate Asian influences, the silhouettes take shape through origami-inspired geometry, where sculpted folds meet fluid movement in pieces defined by precision and grace.  This is the latest collection from the Haute Couture designer who relaunched her brand three years ago, and what a few years it’s been. The designer has gone from strength to strength, expanding the universe of her brand and broadening her audience and community of women worldwide.

With her latest collection, materials are treated with an almost ceremonial reverence, from the luminous fragility of mother of pearl to intricate metalwork inspired by peacock feathers, long associated with dignity, protection and renewal across cultures, including in the Middle East, where the symbolism holds particular resonance.

Here, light becomes an element of essence. Pearlescent shards and radiant rays glimmer across the collection, refracting illumination like fractured moonlight against the body. Materials bloom with a fanned effect that is architectural yet exquisite, recalling the ritual grace of traditional craftsmanship reinterpreted through a contemporary couture lens. White crocodile appears with immaculate purity and authority, while mint satin introduces a softened coolness that balances strength with sensuality. Mother of pearl in luminous whites and red, metallic embroidery, and gilded golds punctuate the collection, each stitch a gesture of devotion to time-honoured savoir-faire.

In this interview, Ralph reflects on the inspiration behind the collection, the technical challenges faced within the atelier, the evolution of her Maison and the expanding universe of categories that continue to shape the brand.

You recently presented the Spring/Summer 2026 Haute Couture collection in Paris. What kind of feeling or emotion sparked this collection, and where did you go from there?

The first images on my mood board were actually origami. I’ve always found Asia incredibly inspiring, and I wanted to convey a sense of romance, lightness and elegance through an East-meets-West perspective. I love the gold elements and touches of colour, and the emotions I feel when I visit Asia were really what I wanted to translate into this collection.

You worked extensively with light and its refraction through your material choices. Can you talk about that and the technical elements involved?

This season, we pushed further with mother-of-pearl, which we first introduced last season. It’s an incredibly fragile material to work with, but I love the contrast between its hardness and delicacy. It refracts light beautifully into a spectrum of colours from ivory and blush pink to red, creating some very interesting effects across the garments.

We also explored moulded metal elements this season, with some forms inspired by lily flowers. Peacock feathers were something we returned to frequently because they have always symbolised elegance and grace. It’s also a very special bird in the Middle East, so incorporating that motif felt particularly meaningful within the collection.

We are always trying to innovate and do something new each season. It’s important for us to push ourselves creatively and technically within the atelier. We have incredibly skilled craftsmen in-house, and it’s lovely to constantly challenge ourselves and develop new techniques.

What was the biggest challenge you found with this collection?

There are always challenges in any collection. The origami elements were particularly interesting because they required significant development in folding techniques, achieving the right volumes, and ensuring the structures worked once embroidered.

Moulded corsetry is always a challenge because it requires a perfect body mould. That takes several rounds of prototyping before reaching the final result. When you introduce new developments, you are often working with something completely new, so there is always an additional layer of complexity involved in that creative process.

Sometimes, the greatest challenge each season is balancing the workload within the atelier. The team is constantly busy, and we are often working across multiple collections simultaneously, so managing scheduling alongside innovation becomes part of the challenge as well.

It’s been a few years since you relaunched the brand. Where are you at with the Maison now, and what does growth look like over the next few years?

The vision has always been to create a global luxury brand across product categories that I am passionate about, while maintaining a strong focus on high-end luxury. When I relaunched, it was really about concentrating on that.

Within the first year, we launched a collaboration with Audemars Piguet on a limited edition flying tourbillon watch, which was an amazing project. It’s a brand that shares a similar respect for craftsmanship, innovation and luxury positioning, so it was about focusing on very special projects and products that align with our values.

Couture has always been the heart of my work across generations, so relaunching with couture at the centre felt essential. It’s where the house’s vision comes from and represents the highest level of craftsmanship and creativity. At the same time, we’ve branched out into other categories such as our home collection with Daum, where we launched a crystal line that reflects a similar commitment to innovation and artistry.

Collaboration is something you’ve explored in recent years. Is that the way forward when entering new categories?

It’s certainly one approach, but not the only strategy. We are also developing several categories independently, which is exciting because they represent completely new territory for me.

The most recent category we launched was sunglasses, which debuted at this show in collaboration with T HENRI, a niche American luxury brand. Everything is handmade in Japan to the highest possible standards using the best materials. It was particularly interesting because it’s a category I had never worked in before.

The aim is always to grow in a considered way into categories that make sense for our brand and our client, while focusing on very special, often limited-edition pieces.

From the outside, it feels as though the brand occupies a very defined place in the industry. How would you describe its positioning today?

My work has always been at a very high level and supported by an incredible, loyal clientele. Some of the women we have dressed over the years have become closely associated with the brand, and many of those relationships span more than a decade.

It’s very rewarding to see accomplished women recognise your creativity and continue to value and wear your work. I feel very positive about the future. What excites me most is working creatively on things I haven’t done before. Everything I’ve developed for the new brand, apart from couture, represents a category I’ve never produced before, which is an interesting way to challenge yourself.

You oversee both the creative and business sides of the brand. How do you balance your time?

It can be challenging, but having the right team is essential. I work with an incredible atelier, many of whom I’ve collaborated with for twelve or even fifteen years, and they understand my vision immediately. Working with people who support your vision makes managing both the creative and operational sides of the business much more manageable.

I also like to involve my daughters as much as possible while they are still young. When I’m sketching, they come and sketch with me, and when I’m preparing for the show, they are often present at fittings and castings. I want them to grow up inspired by seeing a mother who values hard work and ambition.

You’ve long had a strong connection to the Middle East. Is there anything in the pipeline for the region?

There are developments underway, though I can’t share details just yet. It’s a region that has been close to my heart for many years. We have an incredibly loyal clientele there who truly appreciate fashion and couture, integrating these pieces into important moments and celebrations. Many of the families I’ve worked with there over time have become like family to me.

Looking ahead to the rest of the year, what should we expect next?

Within the next six months, we will launch another product category we’ve been developing for over a year.

This feature appears around International Women’s Day and Mother’s Day. What message would you share with women in business, or those looking to start their own companies?

Follow your heart and your passion. When something is built on genuine love for what you do, that always shines through. It’s incredibly inspiring to see how many women in business there are today, particularly in the Middle East, and I hope to see even more in the future.

What’s the professional motto you live by?

The only limits are the ones you place on yourself. Anything worth doing isn’t easy, but it is always possible if you’re willing to keep trying.

By Lindsay Judge

For his Spring/Summer 2026 Haute Couture collection “Fragments in Harmony,” Rami Al Ali looks beyond silhouette to something more abstract and instinctive. Inspired by a musical composition rooted in the 13th-century poetry of Rumi, the Dubai-based designer explores the idea of contrast as a unifying force, drawing parallels between harmony in sound and structure in dressmaking. The result is a collection shaped by tension and balance, where opposing elements are brought together through layering, texture and intricate surface work to create garments that feel both delicate and architectural.

As his presence on the official Haute Couture Week calendar continues to grow, Al Ali reflects on modernising heritage, shifting global perceptions of Middle Eastern design, and how Dubai’s uniquely international audience continues to shape the evolution of his Maison.

Tell us about the SS26 Haute Couture collection, Fragments in Harmony. What was the inspiration behind it?

The idea for this collection began around a year and a half ago, when I first heard a beautiful piece of music by composer Shura Karimi called Duality. It was inspired by the poet Rumi, whose work I deeply admire and feel very connected to. We connected through conversations about music and the making of this piece, which sparked something creatively for me.

Much of Rumi’s poetry speaks about contrasts coming together in harmony to create unity. That same idea was evident in Shura’s composition and became the foundation of this collection. Sometimes, opposites coming together can create something far stronger than either element on its own.

This concept stayed with me. It is really the essence of fashion: threads and weaving, where very fragile, singular elements unite to create something structured and strong. It mirrors how something delicate, when organised and brought together with intention, can create a powerful and cohesive result. That is where the idea for Fragments in Harmony began. It all started from that musical piece and evolved into the collection you see today.

There were some very interesting silhouettes and material movements in this collection. Can you tell us more about the technical aspects you explored?

As with every collection, we began with techniques we’ve experimented with previously and pushed them further to achieve new results. Layering, and particularly multi-layering, became central to the principle of Fragments in Harmony. Individual, fragile elements come together to create movement and support, much as a society or community does.

We explored this through different materials, from soft, fluid organza to more structured fabrics like satin, crepe, and Mikado. Each material responded differently, offering varied movement, volume, and structure, which, in turn, guided the design process. In some cases, the material dictated the silhouette, while in others, we began with the silhouette, knowing how the layers would behave.

We also introduced new techniques inspired by Persian carpets and their symmetrical patterns. Often, if you look at just one half of a carpet, it appears fragmented or disorganised, but together it creates perfect balance. In the embroidery, we developed a technique that appears pixelated, as though viewed through a magnifying glass. Laser-cut detailing reveals intricate Persian carpet motifs. From a distance, it reads as texture, but when viewed more closely, the pattern emerges. In some designs, it is very visible, while in others, it is hidden within the lining, creating an element of visual discovery for the viewer.”

What did you want people to take away from this collection emotionally?

One of the key ideas, which is becoming part of the brand’s DNA, is modernising heritage. The Middle East has an incredibly rich visual and craft history, but it is often viewed through nostalgia rather than in terms of its relevance to the present.

I wanted to reinterpret that heritage through modern silhouettes and a more minimal graphic approach. By integrating these traditional elements in a subtle way, the collection becomes more current and wearable. It reflects the Middle East’s journey not only through historical references such as the Silk Road, but also as a contemporary cultural perspective that is evolving and forward-looking.

Ultimately, I wanted people to see the region through a different lens, not only through its past but also through its present and future.

How do you feel perceptions around Middle Eastern designers are changing globally?

There are changes within our control and others that are happening naturally as the region evolves. Today, more people are visiting and experiencing the Middle East firsthand, which has significantly shifted perceptions compared to ten or fifteen years ago. A creative exchange is now taking place. We are no longer only importing ideas, but also exporting creativity, craftsmanship and storytelling. This has become more visible across different areas of the industry, from celebrity placements to a growing global clientele that believes in the region’s creative narrative.

However, we are not there yet. There is still work to be done on both sides. Middle Eastern designers are still underrepresented in museums and large-scale exhibitions, which are important for recognition and accreditation. Greater institutional acknowledgement is needed to fully reflect the region’s contribution to global design.”

You are now on the official Haute Couture Week calendar. What does that recognition mean to you?

In some ways, it makes the path easier by providing greater visibility, global exposure and accreditation from some of the most respected fashion institutions.

At the same time, it adds pressure. Every aspect of your work, from collaborations to communication, is now under scrutiny. It means there is no step backwards. Evolution must continue, even if it happens gradually. Being part of the official calendar comes with responsibility, and it requires consistency and ongoing development across every part of the Maison.

Dubai has long been your home. How has the city shaped both your aesthetic and the growth of the Maison?

Dubai has played a very positive role in the brand’s journey. It is a fertile environment for entrepreneurship and offers support to creatives, even those starting with limited resources.

The diversity of the community, in taste and background, allows you to think globally before you actually become global. You are constantly communicating with people from different cultures, mindsets and aesthetics.

The client here is highly exposed, well-travelled and discerning. She has seen a lot, experienced a lot, and she expects originality. It is not easy to impress her with something simple, which constantly challenges us to remain authentic and to renew our vision each season. That environment pushes you to elevate not only the aesthetic experience but also the overall brand experience.

Looking ahead, what are your priorities for 2026?

My main focus remains on fashion. We are working to stabilise our lines and expand into new markets. Bridal is a category with strong potential, particularly in the US, which aligns closely with our design DNA and aesthetic direction.

Entering new markets is an important step forward, especially those where our eveningwear and bridal offering can resonate with the local customer.

How do you balance the creative and business sides of running the Maison?

The key is finding the right team. Having people around you who share your vision allows you the time to focus on creativity while ensuring the business continues to move forward.

I am fortunate to have a team that executes each collection with precision. Their support enables me to develop new ideas, focus on upcoming collections and explore future projects. The credit truly goes to them for allowing that balance to exist.

This Ramadan, Ounass unveils Begin Again, a campaign that captures the spirit of renewal, reflection and intentional living. Rooted in the rhythms of the season, the narrative invites a pause from the everyday, encouraging moments of clarity, grace and reconnection. Ramadan becomes a time not only for reflection, but for embracing cycles of change and the quiet power of starting anew.

Begin Again celebrates the rituals that ground us and the gestures that bring meaning to daily life, while highlighting expressions of style that evolve with purpose. Through a refined, luminous lens, Ounass frames renewal as an elegant continuation rather than an ending, honouring both tradition and modern sensibility.

Running from 19 January to 8 March, the Ramadan 2026 campaign serves as an ode to intentional living. It invites audiences to reset, rediscover themselves and welcome the season with mindfulness, beauty and a renewed sense of possibility.

Max Mara   

Max Mara’s Special Edition Spring/Summer 2026 Ramadan capsule is a lesson on modesty, modernity and effortless elegance. Conceived in dialogue with the spirit of the Holy Month, the collection balances grace and practicality. Craftsmanship is central to the narrative; pure silk, crisp cotton and light cady form the foundation of the line, lending fluidity and precision to every silhouette. Delicate rhinestone embroidery punctuates flowing dresses, catching the light with a subtle shimmer that feels festive yet restrained. A highlight of the edit is the new silk pyjama set, a polished two-piece ensemble with wide-legged trousers that elevates relaxed dressing into something undeniably chic.

The colour palette is intentionally considered, moving through soft neutrals before blossoming into coral and cameo pink, then deepening into mahogany, café, wood and cinnamon. The result is a harmonious spectrum that evokes warmth, intimacy and sophistication.

Burberry’s Ramadan 2026 capsule collection offers a refined celebration of the Holy month through fluid silhouettes, luminous textures, and subtle reinterpretations of the House’s most recognisable codes. Rooted in a seasonal palette of ripple red and santal beige, the pieces balance softness and structure, evoking both grace and modern ease. Trench coats, dresses, and silk pyjama sets are jacquard-woven with a tonal House Check, their lustre elevated by gold-plated hardware that adds a discreet shimmer.

Craftsmanship sits at the heart of the edit, most notably in lightweight cashmere and silk scarves intricately adorned with thousands of sequins, transforming everyday accessories into heirloom-worthy pieces. Footwear and bags extend the collection’s polished language, with Sloane mules and Bridle clutches embellished with transparent rhinestones that subtly reveal the iconic check beneath. Even the sunglasses echo Burberry’s heritage, featuring the Knight motif as a crystal-accented metal hinge.

Bambah’s Ramadan 2026 Collection unfolds as a poetic dialogue between place, memory, and design, shaped by the founder’s recent journey to Marrakesh. The collection draws inspiration from the city’s quiet luxury, sun-warmed architecture, and intimate courtyards, with Nobu Riad emerging as a subtle yet powerful muse where contemporary refinement meets Moroccan heritage.

Designed with the spirit of Ramadan in mind, the pieces prioritise fluidity, graceful movement, and thoughtful layering. Luxurious fabrics are rendered in a restrained, atmospheric palette that evokes desert twilight, terracotta walls, and softly lit interiors.

Each silhouette reflects Bambah’s signature femininity, balancing modern elegance with cultural depth and artisanal detail. The collection feels timeless rather than trend-led, suitable for intimate family gatherings, evening iftars, and celebratory occasions throughout the month.

Returning for its fourth edition, Desert X AlUla 2026 once again transforms one of the world’s most extraordinary landscapes into an open-air museum. Staged under the theme Space Without Measure, the exhibition takes inspiration from Kahlil Gibran’s reflections on possibility, perception and the boundless nature of the human spirit, inviting visitors to experience contemporary art in direct dialogue with AlUla’s valleys, canyons and ancient routes.

Set within Wadi AlFann, AlUla’s Valley of the Arts, large-scale, site-specific installations by Saudi and international artists respond to the land’s dramatic geology and layered history. AlUla is not a blank canvas but a living archive, shaped by centuries of movement, trade and settlement. Desert X AlUla unfolds within this context, placing contemporary works alongside traces of earlier civilisations at this UNESCO World Heritage site, encouraging new ways of seeing and listening to the land.

The 2026 edition is curated by Wejdan Reda, founder of Sahaba and Associate Director at Diriyah Biennale Foundation, alongside London-based curator Zoé Whitley OBE, bringing together regional insight and global perspective. While the full artist line-up will be revealed soon, the exhibition promises a dynamic mix of emerging and established voices exploring themes of culture, nature and transformation through works created specifically for AlUla.

All commissions were produced in Saudi Arabia, emphasising material knowledge, local craft and collaboration. Artists worked closely with artisans, musicians, botanists and fabricators through initiatives including Madrasat Addeera and the Native Plant Nursery, embedding community knowledge directly into the works.

Visitors can experience Desert X AlUla in multiple ways, from self guided walks and public or private tours to viewing the installations from an open-top car. Together, the exhibition and its accompanying programme of talks and events continue to strengthen AlUla’s growing legacy as a global destination for art in the landscape, where creativity, history and environment remain inseparable.

Unveiled during Paris Couture Week, STÉFÈRE Jewelry’s latest high jewellery chapter reads like a nocturnal fairytale, where nature blooms after dark and glamour carries an edge. Under the creative direction of Corina Larpin, the maison continues to carve out a distinctive space, balancing poetic symbolism with a confident, rock-infused attitude that feels both modern and enduring.

This collection unfolds as a Midnight Garden, alive with butterflies, serpents and blossoms rendered in precious metals and stones. The butterflies signify freedom and metamorphosis, serpents evoke power and mystery, and florals bloom with quiet intensity. Each piece is expressive and intentional, designed to be noticed, layered and lived in, rather than reserved for rare occasions.

Larpin’s design language features delicate craftsmanship paired with bold proportions and dramatic detailing, creating jewellery that feels emotional and unapologetic. It is this balance that has drawn a devoted following, with STÉFÈRE creations worn by some of the world’s most influential women, from Taylor Swift and Beyoncé to Zendaya, Cardi B, and Michelle Yeoh. On the red carpet, these pieces become statements of individuality rather than traditional adornment.

Drawing inspiration from art, travel and cultural encounters between Los Angeles and Paris, Corina Larpin infuses each creation with a sense of movement and self-expression. Her belief that jewellery should be worn freely is central to the maison’s identity, extending beyond the atelier through the #TRAVELWITHSTEFÈRE experiences, where creativity, friendship and destination come together. With this latest collection, STÉFÈRE reaffirms its vision of high jewellery as wearable art.

Muscat Fashion Week returned to the spotlight this January with an opening night that set a confident, culturally rich tone for the Sultanate’s growing fashion narrative. Hosted at the Royal Opera House Muscat as part of Muscat Nights, the opening marked a significant moment for Oman’s creative industries, positioning fashion as a key expression of heritage, craftsmanship and contemporary ambition. Organised by Majestic International, the event reflected a broader vision for building a sustainable and internationally relevant fashion ecosystem in the Sultanate.

The opening show was led by Omani designer and Muscat Fashion Week founder Amal Al Raisi, who inaugurated the week with a refined collaboration alongside Parisian watchmaker Charles Oudin. The partnership symbolically bridged Omani artistry with Parisian savoir-faire, setting the tone for a week rooted in dialogue between tradition and modernity. Al Raisi’s collection reaffirmed her role as a pioneer of Omani fashion, blending intricate craftsmanship with fluid, contemporary silhouettes that spoke to both cultural pride and global relevance.

Regional creativity was followed by standout presentations from Moonlight Concept by Muna Al Kaabi, which reinterpreted Qatari heritage through luxurious fabrics and modern detailing, and Tunisian-Moroccan designer Ahmed Talfit, whose structured yet artistic collection highlighted the diversity of design voices across the region. Jewellery by Zayn by Dorra Zayani added an additional layer of craftsmanship, while the show’s confident close underscored Muscat Fashion Week’s polished production values.

Day One continued with strong Omani representation from Bait Al Fanar by Faiza Al Balushi and Bthaina, both offering contemporary interpretations of traditional identity. The evening concluded with Lebanese designer Elio Abou Fayssal, whose dramatic couture aesthetic delivered a bold, sophisticated close.

Over the following days, the runway expanded to include international and regional designers from Russia, the UK, Morocco and beyond, alongside a continued spotlight on Omani brands such as Endemage, Saaf Collection and Noor Al Bahraini. The final flourish came from Indian couture icon Suneet Varma, whose opulent closing collection brought colour, embroidery and theatricality to a memorable conclusion.

Together, the week signalled Muscat Fashion Week’s evolution into a platform that celebrates Omani excellence while fostering meaningful regional and global exchange.

Dior Or marks a luminous new chapter in the House’s relationship with gold, reimagined through Jonathan Anderson’s refined sensibility. In this collection, gold is treated not as decoration but as a language of texture, light and emotion, weaving heritage and modernity into something both timeless and distinctly contemporary. Anderson revisits Dior’s most recognisable accessories with curiosity and precision, renewing them while preserving their authority and elegance.

At the centre of the collection is the Lady Dior, presented in two striking interpretations. One appears in a sophisticated bicolour trench palette that recalls classic tailoring translated into leather. The other is rendered in deep hermitage red cannage the same red that animates the supple silhouette of the Dior Toujours. Alongside it sits the innovative Dior Bow, available in gold and silver. The design elevates the bow from ornament to sculptural statement, honouring Dior’s heritage while speaking clearly to today.

Footwear continues this balance between tradition and reinvention. The J’Adior pumps shimmer in metallic tones, pairing pointed elegance with a bold logo ribbon. Meanwhile, the new Dior Cannage mules introduce metallic pink and silver finishes that feel fresh and confident, suggesting a quieter, more modern sobriety. Completing the line is a delicate mother-of-pearl brooch accented with rhinestones that illuminate the interlocking CD initials.

Maison Valentino unveils the Valentino Sama 2026 Capsule Collection, a refined expression of women’s ready-to-wear and Valentino Garavani accessories created to mark the spirit of Ramadan. Conceived by Creative Director Alessandro Michele and photographed by Julie Greve, the accompanying campaign unfolds in a poetic setting where soft golden light filters through garden-filled interiors, lending the collection a sense of intimacy and quiet elegance.

Comprising six ready-to-wear looks, the capsule blends the Maison’s signature sophistication with the warmth and radiance of the season. Fluid cady couture gowns with V Gold detailing sit alongside coordinated trouser sets, kimono silhouettes and kaftan-inspired pieces, all rendered in luminous rose gold tones and richly textured fabrics. Decorative motifs and feather accents add subtle drama, while side splits and jewel buttons introduce a modern edge.

Accessories complete the story, with Valentino Garavani handbags reimagined in champagne metallic leathers, intricate embroidery and mirror-like embellishments that echo the collection’s refined, celebratory mood.

Loro Piana    

True to the Maison’s quiet authority, Loro Piana’s Ramadan 2026 Capsule Collection centres on a sense of lightness and fluidity, translating the spirit of the season into garments that feel both intimate and elevated. Centred around Loro Piana’s signature elongated silhouette, the collection is shaped by clean lines and a graceful sense of flow that feels modern, comfortable and timeless all at once. Fabrics drape softly against the body, suggesting ease without ever compromising precision. Each piece appears deceptively simple, yet reveals the meticulous craftsmanship and material excellence for which the house is renowned. The mood is calm, confident and effortlessly refined, perfectly suited to the rhythm of Ramadan and the gatherings that follow.

Iconic accessories complete the offering. The iconic Extra Bag and Extra Pocket return in the most exquisite materials, reinforcing Loro Piana’s mastery of texture and tactility. Their understated silhouettes feel perfectly curated, versatile enough for both daytime moments and evening engagements. Meanwhile, the Vera mules add a subtle note of sophistication, marrying comfort with impeccable design.

Brunello Cucinelli’s Fall Winter 2025 Abaya Capsule Collection offers a considered meeting point between tradition and contemporary refinement, translating the house’s humanistic approach to luxury into a language that feels both timeless and modern. Rooted in the season’s dialogue between instinct and reason, the pieces balance structure with fluidity, precision with softness, creating silhouettes that move with effortless grace while retaining sartorial clarity.

Crafted from noble materials, the abayas are defined by lightness and versatility. Crispy silk lends a refined crispness and gentle movement, while intricate embellishments draw inspiration from nature. Floral motifs, croc-inspired embroideries and fil coupé textures add subtle depth and rhythm without excess, allowing craftsmanship to speak quietly.

The palette reflects an emotional landscape of natural hues such as sand, stone, cocoa and cloud, punctuated by richer tones of burgundy and slate. Layering plays a central role, with abayas styled alongside soft cashmere knits, equestrian-inspired trousers and relaxed wool coats or denim overshirts. Finishing touches like the BC Duo mini bag in curly shearling or suede caps with polished bands add discreet luxury.

Together, the collection reimagines modern heritage, blending artisanal detail with ease, intuition with intention, and elegance with everyday wearability.

Prada’s Ramadan 2026 collection is a carefully considered expression of modern elegance, aligning sartorial refinement with the spirit of the season. The edit is defined by lean silhouettes and a sense of graceful ease. Flowing lines, soft structure, and considered proportions give each piece a poised, unforced elegance. Fabrics play a central role in this narrative. Lustrous surfaces and fine textures are enlivened by a subtle shimmer that feels festive without ever appearing excessive. Ultra-light Re-Nylon introduces a contemporary edge, particularly in elongated dusters with contrasting linings that move beautifully with the body. Pleated skirts grazing the ankle, paired with matching shirts, sit alongside crisp poplin shirtdresses that encapsulate Prada’s modern sophistication. The design language is precise and radiant, balancing restraint with refinement.

As day gives way to evening, the mood shifts towards a more overt femininity. Velvet, silk, satin, and duchesse gowns are delicately embroidered with crystals, creating a gentle sparkle that catches the light with understated glamour. These pieces feel celebratory yet timeless, designed to transition seamlessly from intimate gatherings to grander occasions. Accessories extend the collection’s polished character. House icons such as the Galleria bag are joined by newer silhouettes, including the Bonnie and the Pyramid. The Wish bag appears in satin for evening, while supple leathers and luminous hues complete the curated selection. Footwear moves fluidly between relaxed and refined, ranging from sneaker-sabot hybrids and slides to elegant slingbacks and sculptural platform sandals.

The men’s offering features sleek leather blousons that pair effortlessly with tailored bermudas or fluid trousers, while fine-gauge cashmere and merino polos layer beneath relaxed jackets. Subtle graphic zip shirts introduce a quiet personality, and the new Speedrock sneakers bring a touch of retro dynamism. The Duffle holdall anchors the look with practicality and polish.

Built on craftsmanship, cultural pride and fearless curiosity, Azza Fahmy has become one of the Middle East’s most influential jewellery houses. What began in 1969 as a bold personal journey for its founder, when Azza Fahmy became the first woman in Egypt to apprentice with master jewellers in Cairo’s Khan El Khalili, has since grown into an internationally recognised brand celebrated for its depth of meaning and artisanal excellence.

At the heart of the Maison is a commitment to storytelling. Each piece is shaped by historical research, skilled craftsmanship and a personal artistic touch, resulting in jewellery that feels both timeless and deeply individual. Designed as wearable art, many creations are passed down through generations, becoming modern heirlooms with emotional value.

Today, the brand is writing a new chapter in its story, led by three women from the same family. Azza Fahmy remains Chairwoman and Creative Director, guiding the creative vision, while her daughters Amina Ghali, Head Designer, and Fatma Ghali, CEO, oversee design and global growth. Together, they balance legacy with evolution, ensuring the brand continues to expand while staying true to its foundations.

In this interview, Azza, Amina and Fatma reflect on heritage, leadership and creativity, sharing how trust, shared values and generational dialogue shape the future of Azza Fahmy jewellery.

Azza, how did the original vision for the brand take shape, and how have these original values evolved over time?

Azza: The brand began with a very personal curiosity and deep respect for craftsmanship. From the beginning, it was about learning directly from artisans, valuing skill, patience and humility, and believing that jewellery could carry significant meaning. Those values have never changed. What has evolved is the scale. Today, we are telling stories to a wider world, but the brand’s soul remains.

What does it mean to see the brand evolve with your daughters now playing such central roles?

Azza: It is deeply fulfilling. Seeing the brand grow through my daughters gives it continuity and life. They bring their own perspectives while understanding the essence of the brand and what we built. It reassures me that the brand is in safe hands, able to evolve naturally without losing its heart, passion and identity.

Fatma, as CEO, how do you balance protecting the brand’s heritage while guiding it forward?

Fatma: For me, heritage is not something to preserve in a static way. It is a foundation we continue to build on. My role is to ensure that as we grow, expand and enter new markets, every decision aligns with our values and vision. Growth is important, but it must always feel intentional and authentic. The balance comes from knowing what should never change and guiding evolution in a way that remains true to our values.

Amina, how would you describe your design approach, and how does it build on or reinterpret the brand’s legacy?

Amina: My design approach is rooted in research and emotion. I am inspired by history, poetry, architecture and cultures from around the world, and of course by the legacy of the brand and my mother. That legacy is my foundation, but my role is to reinterpret it for today. I think about how a piece feels when worn, how it becomes part of someone’s identity, and how it can remain timeless while still speaking to the present moment.

How do the three of you divide roles and decision making within the business?

Fatma: Each of us has a clear role. Azza is the soul and compass of the brand; as Chairwoman and Creative Director, she oversees all creative elements. Amina, as Head Designer, leads the direction and design of our collections. I focus on strategy, operations and long-term growth. We collaborate closely, especially on major decisions, because we are aligned.

What have been the biggest challenges and advantages of working together as a family?

One of the main challenges is learning how to separate work from our personal lives. We have become much better at it over time, but we continue to work on it. The advantage is trust. We share the same values, history and commitment to the brand. That creates a level of honesty and accountability that is very rare.

How do different generations within the brand influence creativity, leadership and long-term thinking?

Amina: Each generation brings a different lens. Azza Fahmy brings depth, instinct and lived experience, while I bring a contemporary design perspective shaped by global exposure. Together, this creates a continuous dialogue that keeps the brand grounded yet forward-looking.

How do you ensure that craftsmanship and storytelling remain at the heart of the brand as it grows globally?

Amina: By never compromising on how things are made and staying true to our core values. Our workshops, artisans and techniques are central to everything we do. Storytelling comes naturally when there is so much depth and research behind the pieces. Growth should never come at the expense of the hands and stories behind the jewellery.

What does modern luxury mean to you today, especially for a new generation of clients?

Amina: For a new generation, luxury is personal, conscious and emotionally resonant. It is also about practicality. Today’s woman is always on the move and does not want to spend ten minutes trying to clasp a necklace or bracelet. Ease of wear and functionality are now an essential part of luxury.

What lessons have you learned from one another through working together?

Amina: The most important lesson I learned from my mother is to draw inspiration from everything around me. She taught me to observe deeply and translate subtle details into jewellery. That way of seeing has shaped how I design and tell stories through my work. From my sister, I am constantly inspired by how she is always several steps ahead; her perseverance and determination continue to motivate me.

How do you see the future of the brand evolving over the next decade?

Fatma: We see a future where the brand continues to grow internationally while remaining deeply rooted in its identity. Our focus is on thoughtful, intentional expansion, strengthening our global presence without compromising our values. We also see the Azza Fahmy universe expanding through design, education and cultural transmission, with a stronger role for our design school and foundation in preserving craftsmanship and nurturing talent.

What advice would you give to other family-led or generational brands looking to grow without losing their identity?

Fatma: For family-led or generational brands, clarity of values is essential. Growth should be intentional and driven by purpose, not external pressure. It is important to create space for the next generation to lead in their own way, while ensuring they understand the foundations and principles the brand is built. Identity is sustained through everyday decisions; it is lived through how a brand creates, communicates and evolves over time.

By Lindsay Judge

Miu Miu unveils a dedicated Ramadan and Eid 2026 campaign and collection that captures the season through a lens of quiet elegance and modern ease. Photographed by Romain Duquesne and starring Taleedah Tamer, the campaign unfolds with an intimate, contemplative mood, reflecting the values of reflection, togetherness and understated beauty that define the holy month.

The ready-to-wear offering centres on clean lines and relaxed silhouettes designed to move effortlessly from day to evening. Cotton dresses, denim, lightweight knitwear and logo-accented outerwear appear in a refined palette of black, white and muted greens, greys and browns, subtly illuminated with delicate crystal embroidery. Accessories continue this restrained language, with signature bags such as Arcadie and Wander reimagined in classic tones alongside exclusive emerald and burgundy.

Footwear and jewellery add polished accents, while Miutine Eau de Parfum completes the edit. To mark the season, Miu Miu will host a cultural activation at Alserkal Avenue, offering a community-led space for exchange and celebration throughout Ramadan.

When Frédéric Boucheron opened his first boutique in Paris in 1858, he was already questioning the conventions of his time. While other jewellers followed established codes, Boucheron looked elsewhere for inspiration, drawing from nature, movement and the individuality of the wearer. That instinct to challenge tradition would later lead him to become the first jeweller to set up shop on Place Vendôme, a decision that reshaped the geography and identity of Parisian high jewellery.

Unveiled in Paris on the first day of Haute Couture Week, Histoire de Style: Nom: Boucheron, Prénom: Frédéric is Creative Director Claire Choisne’s deeply considered portrait of the Maison’s founder. Rather than a literal homage, the collection explores the ideas that defined Frédéric Boucheron’s approach to creation, translating his mindset into four major high jewellery pieces.

Central to the collection is Boucheron’s relationship with nature, not as an idealised motif, but as something living, imperfect and expressive. Choisne revisits this philosophy through designs that feel fluid and organic, echoing Boucheron’s transformation of botanical forms and natural elements into a personal artistic language. As the son of a draper, he was acutely aware of how materials interact with the body, a sensibility that continues to shape the Maison’s understanding of jewellery as something worn, not simply displayed.

Each piece places the individual at its core, reflecting Boucheron’s belief that jewellery should respond to the spirit and aspirations of its era. Nearly 170 years after the Maison’s founding, this latest Histoire de Style collection reaffirms the enduring relevance of Frédéric Boucheron’s vision, one defined by freedom, innovation and a refusal to stand still.

Cartier’s latest evolution of Clash de Cartier unfolded as a bold reimagining of the collection’s signature tension between structure and fluidity. Conceived as a creative challenge to the line’s iconic geometry, the new pieces pushed flexibility further than ever before, introducing entirely supple designs crafted with extraordinary technical precision. For the first time, yellow gold entered the Clash vocabulary, replacing rose gold in necklaces and bracelets, bringing a warmer, more luminous expression to the collection.

At the heart of these new creations lay a dual mastery of craftsmanship. Traditional lost-wax casting, combined with high-precision machining, enables the assembly of up to 600 individual components into a single piece. Each element was meticulously finished by hand, connected yet free to move, resulting in jewellery that responded intuitively to the body. This articulation created a subtle vibration and even a faint sound, carefully refined during development, transforming movement into a sensory experience.

Clash de Cartier also expanded its aesthetic language through colour and scale. Red- and green-dyed agate, pink chalcedony, and onyx were introduced across rings, pendants, and earrings, interspersed with rose gold studs that emphasised architectural volume. Every bead was aligned to the millimetre and graded with precision, then secured with clou de Paris nails through a complex process that balanced mechanical technique with manual adjustment.

In its extra-large interpretations, the collection became bolder still. Wider yellow gold bracelets, necklaces and a striking three-finger ring featured upgraded onyx studs, combining sophistication with full flexibility. Adjustable earrings in rose or white gold offered versatility, shifting their appearance depending on how they were worn.

Rooted in Cartier’s long-standing dialogue between preciousness and mechanics, the new Clash de Cartier collections honoured the Maison’s pioneering spirit while shaping a contemporary jewellery signature. A powerful clash, refined into motion, sound and sensation.

Founded in 2015, 1309 Studios has grown from a deeply personal vision into one of the region’s most distinctive contemporary fashion labels. Created by Ghada Al Subaey, the brand was born from a desire to redefine modest fashion as something expressive rather than restrictive, emotional rather than prescribed. From the beginning, 1309 Studios positioned itself as a space where cultural identity, modern design and female empowerment could coexist, offering women clothing that feels intentional, poetic and deeply connected to real life.

Built on fluid silhouettes, thoughtful construction and a strong sense of storytelling, the brand has developed a clear design language that blends femininity with quiet strength. Each collection reflects a balance between heritage and contemporary expression, where artistic references, cultural narratives and modern tailoring come together to create pieces designed for longevity rather than trends. Beyond aesthetics, 1309 Studios has also become known for its commitment to community, collaboration and purpose, working closely with regional artists and creatives while supporting the wider fashion ecosystem through initiatives such as The Cutting Studio, Qatar’s first premium garment manufacturing hub.

As modest fashion continues to evolve on both regional and global stages, 1309 Studios stands as a brand shaped by intention, cultural depth and clarity of vision. In this conversation, Ghada Al Subaey reflects on the origins of the brand, the evolution of its identity, the shifting narrative around modest fashion, and her ongoing mission to build something lasting that empowers women, nurtures creativity, and redefines how Middle Eastern fashion is experienced on the world stage.

1309 Studios has grown rapidly in a short space of time. Looking back, what was the original idea behind the brand, and what gap did you feel was missing in the market?

The original idea behind 1309 Studios was to create a brand that truly celebrates women in all their complexity. When I launched the brand in 2015, I felt there was a gap for modest fashion that felt expressive rather than restrictive, pieces that were modern, artistic, and emotionally driven. I wanted to merge contemporary design with cultural depth, offering clothing that feels effortless yet intentional, and that allows women to express both confidence and creativity.

Your personal passion for styling is very evident in the collections. How did your own relationship with fashion shape the aesthetic of 1309 Studios?

My relationship with fashion has always been very intuitive and emotional. For me, clothing is a form of storytelling. I’ve always gravitated towards pieces that feel fluid and feminine, but also strong. That balance has shaped the aesthetic of 1309 Studios; clean silhouettes, softness in movement, and designs that feel poetic but grounded. I design with real women in mind and how they move through their daily lives.

How would you describe the DNA of the brand today, and how has that identity evolved since launch?

The DNA of 1309 Studios today is rooted in femininity and cultural storytelling. While the core values have remained consistent, over time, we’ve become more confident in our language through bolder prints, refined tailoring, and deeper artistic collaborations.

The perception of modest fashion has shifted significantly in recent years. How do you think that narrative has changed, both regionally and globally?

Modest fashion is no longer viewed as niche or limiting. Regionally and globally, there’s a greater understanding that modesty can be progressive and creative. Women want clothing that aligns with their values without sacrificing individuality or style. I believe designers from the Middle East have played a big role in reshaping that narrative by bringing authenticity and artistry to the conversation.

What do you think sets 1309 Studios apart from other brands?

What sets 1309 Studios apart is the cultural depth behind every collection. We don’t follow trends for the sake of it, each piece is designed with intention and longevity in mind. Our collaborations with Arab artists and commitment to empowering women give the brand a sense of purpose beyond aesthetics.

Who is the 1309 woman today, and how has your understanding of your customer developed as the brand has grown?

The 1309 woman is confident, thoughtful, and expressive. She values ease and intention in her wardrobe and chooses pieces that feel true to her lifestyle. As the brand has grown, my understanding of her has deepened beyond style alone. I now design with a clearer sense of how she moves through her day, balances different roles, and uses clothing as a form of self-expression.

Your designs often feel versatile and intentional. How do you envision women styling your pieces in their everyday lives?

I design with versatility at the core. I imagine women wearing our pieces in ways that feel natural and personal, whether styled simply or layered with character. Each garment is meant to adapt to different moments of life and move effortlessly from one setting to another without losing its identity.

The Middle East has become a powerful fashion market. How important has the region been in shaping the growth and direction of 1309 Studios?

The Middle East has been incredibly important to 1309 Studios’ growth. Being based in Qatar and part of a rapidly evolving creative landscape has shaped the brand’s perspective and purpose. The region’s balance between heritage and modernity mirrors the brand’s essence and continues to inspire everything we create.

Can you tell us a little about The Cutting Studio and why it was important for you to launch this concept?

The Cutting Studio was launched to support and strengthen the local fashion ecosystem. It’s Qatar’s first premium garment manufacturing hub, created to provide designers with access to quality production, mentorship, and craftsmanship. For me, it was important to build something that extends beyond my own brand and contributes to the growth of the creative community.

What’s the biggest challenge you face as a creative and a business owner?

One of the biggest challenges is maintaining a strong creative vision while scaling a growing business, but it’s a balance I’ve learned to navigate with experience. I’ve become more intentional in my decision-making, trusting both intuition and structure. Challenges are part of the process, and I see them as opportunities to refine the brand and grow with clarity.

How do you stay grounded and connected to the brand’s original purpose as it continues to evolve?

I stay grounded by consistently returning to the brand’s purpose. Staying close to the creative process, listening to our community, and trusting my instincts helps ensure that 1309 Studios continues to grow without losing its essence.

Looking ahead, what would you still like to achieve with 1309 Studios?

I want to continue shaping how Middle Eastern fashion is perceived globally. My focus is on building something lasting that empowers women, supports creative talent, and proves that fashion can be both meaningful and enduring.

By Lindsay Judge

As the idea of urban living evolves at a fast, a new vision of branded living is taking shape. Mercedes-Benz Places | Binghatti City is a masterplanned ecosystem that reframes how design, mobility, and community can intersect at scale. Spanning nearly nine million square feet in the Meydan area, this “city within a city” marks the second collaboration between Mercedes-Benz and Binghatti, and their most ambitious yet. Moving beyond a single-tower statement, the project comprises more than 13,000 residences across 12 interconnected towers, anchored by the centrepiece building, Vision Iconic. Together, the architecture forms a coherent language inspired by Mercedes-Benz’s legacy, translating automotive design principles into a built environment that is as emotive as it is functional.

Grounding the project is Mercedes-Benz’s design philosophy of Sensual Purity, a concept that prioritises clarity, proportion, and emotional resonance. The development embodies the brand’s DNA through movement, fluidity, and technological precision. Horizontal podium lines echo the iconic grille, while sleek technical silver and chrome accents subtly reference the marque’s heritage. The towers appear to hover above their bases, creating a floating effect that reinforces a sense of lightness and elegance against Dubai’s dynamic skyline.

Even the naming of the buildings is deeply symbolic. Each tower takes inspiration from a Mercedes-Benz concept car, including Vision One-Eleven, Vision Mercedes Simplex, Vision Mercedes-Maybach 6, and Vision AVTR. This interplay between past, present, and future reinforces a core idea: that heritage and innovation can coexist seamlessly in contemporary architecture.

Inside, the residences reflect a refined, reduced aesthetic. Black and silver form the foundation of the interior palette, softened by tactile materials such as leather and wood. The result is an environment that feels both technologically advanced and human-centric. Every apartment is designed to elevate everyday living, integrating smart home systems, seamless layouts, and meticulous detailing that echo the precision of Mercedes-Benz engineering.

Yet Mercedes-Benz Places | Binghatti City is far more than beautifully designed homes. The masterplan places equal emphasis on landscape, lifestyle, and wellbeing. The Grand Promenade serves as the development’s green spine, weaving through communal zones including the Crown Arena for events, a Picnic Grove, and the Meadow Pavilion. Family-oriented spaces such as Little Marvels and Aqua Joy introduce playful, interactive environments, while elevated pathways encourage walkability and spontaneous social encounters.

Water plays a central role in the design, with family pools, infinity pools, and splash zones anchoring recreational life. Meanwhile, a comprehensive wellness offering includes state-of-the-art gyms, yoga pods, outdoor training decks, and sky jogging tracks that connect seamlessly to the towers. The project also introduces twelve specialised sports clubs catering to a wide range of interests, from padel, squash, and golf simulators to climbing, fencing, archery, Pilates, and spin studios.

For those who seek social connection, the development offers grand communal spaces including a ballroom, event hall, private screening lounge, e-sports lounge, and a hotel-standard concierge service. These amenities blur the line between residential and hospitality experiences, creating a vibrant, integrated lifestyle that extends well beyond the front door.

Mobility is another defining pillar of the masterplan. Integrated EV infrastructure ensures that sustainability is embedded into daily life, while advanced transport links seamlessly connect residents across the site. In this way, Mercedes-Benz Places | Binghatti City aligns with Dubai’s broader vision of smart, sustainable urban development.

H.H. Sayyida Basma Al Said, Psychotherapist, Clinical Hypnotherapist, PTSD Trainer and founder of Whispers of Serenity Clinic, on the positive mental impact of Ramadan

We often think of Ramadan as simply a holy month of fasting, but in truth, it carries a much deeper meaning that goes far beyond abstaining from food and drink. Ramadan is an important period of spiritual awakening, self-discipline, compassion and inner transformation. It invites us to slow down and reflect, reconnecting us with our faith, our values and our inner selves.

Fasting has a meaningful connection to mental health, something that is not often discussed. It strengthens self-control, builds patience, encourages gratitude, and promotes mindfulness by helping us become more aware of our thoughts and emotions. Of course, there are moments when hunger can make emotions feel more intense, and people may lose patience more easily. Yet Ramadan also brings a conscious pause, that reminder to take a breath, calm down and be more mindful of how we think and feel.

It is also a time to think of others, especially those in need, and to give back to the community. The rhythm of Ramadan, through prayer, charity, reflection and generosity, can reduce stress, build emotional resilience and foster a sense of peace and purpose. By creating space for spiritual growth and mental clarity, Ramadan becomes not just a physical practice, but a powerful journey of emotional healing, balance and personal renewal.

Ramadan reminds us that true strength is not found in constant consumption but in conscious restraint. Not in a distraction, but in awareness. Not in excess, but in balance. By willingly experiencing hunger, silence and self-discipline, we learn empathy for others throughout the years. In a world that often overwhelms the mind, Ramadan offers a rare time of reflection, a rare time of mental stability. And it makes us pause, and our hearts soften, the mind clears, and the soul just kind of aligns with how everything around us is going on. It’s truly a time that matters.

I always feel that talking to someone helps, whether it’s a friend or someone you trust. During Ramadan, many of us naturally have these conversations with friends, sharing how we are feeling. Fasting can be challenging, especially for those who are used to coffee, tea or regular meals, which can sometimes lead to irritability. That is completely normal.

One important practice during this time is self-compassion. Fasting affects blood sugar levels, hormones and energy, so mood changes are expected. It is important to be gentle with yourself and accept that there may be emotional ups and downs. Ramadan does not require perfection. You will not always be calm, and that is okay. Awareness is the first step.

Pausing before reacting is another key practice. It is difficult, and often we remember it only after we react, but taking a moment to breathe and to remind yourself that it is Ramadan can make a difference. That pause lets you reset and start again.

Nourishment also matters. Many people fast but do not eat well when breaking their fast or drink enough water. When the body is not nourished, the mind is affected too. Caring for what you eat and drink is essential.

Ramadan is also a time of worship. Reading the Qur’an can bring calm and emotional grounding, anchoring both spiritual and mental well-being. Fasting invites us to ask how each moment can strengthen our character, through patience, gratitude and empathy.

When emotions rise, grounding techniques help. Deep breathing, stepping back and reminding yourself that feelings pass can restore balance. Being mindful of personal triggers, reaching out for support and viewing emotional struggles as part of a growth journey can transform discomfort into self-awareness, resilience and spiritual reward.

Ramadan is not meant to feel like a struggle or something to fear. It is a time that teaches calm, patience and perspective. When we approach it with that mindset, it becomes easier to move through the days and embrace the rhythm of the month.

Many people, including those who are not deeply religious or even Muslim, choose to experience Ramadan in their own way. Over time, they often notice the same shift: a sense of calm begins to settle in. That feeling of calm, along with gratitude and giving back, sits at the heart of what Ramadan offers.

For me personally, Ramadan feels like a pause. It is a moment to slow everything down, reset and reflect. The days feel quieter, creating space to focus on things I usually rush through. It’s time to address what needs attention, mentally and emotionally. Then, once Ramadan ends, there is renewed energy and clarity to move forward again.

Founded in 2013, Dubai-based brand MOUNAY has quietly built a reputation for modern elegance. Shaped between Beirut and Dubai, the label speaks to a woman who dresses with clarity and self-assurance, favouring thoughtful design over fleeting trends. Under the direction of founder and creative director Mona Ead Mikati, MOUNAY has evolved into a contemporary wardrobe rooted in refined craftsmanship, architectural silhouettes, and timeless femininity. As the brand prepares to unveil its latest Ramadan collection, we speak to Mikati about creative evolution, designing with purpose, and what it means to create clothing that empowers women beyond the moment.

How would you define the universe of MOUNAY today, and how has it evolved since the beginning?

MOUNAY today is a universe of feminine confidence. It has evolved from a more instinctive, expressive beginning into something quieter but more assured. The core has always been about empowering women through thoughtful design, but over time the brand has matured into a language of refinement, restraint, and longevity — pieces that feel relevant beyond trends.

The brand has been based between Beirut and Dubai since 2013. How has working between these two cities shaped MOUNAY’s aesthetic and its understanding of modern Middle Eastern style?

Beirut brings emotion, depth, and a strong sense of individuality, while Dubai offers structure, clarity, and a global outlook. Moving between the two has shaped MOUNAY into a brand that balances softness with strength. It reflects a modern Middle Eastern woman who is rooted in culture but forward-looking, expressive yet composed.

What elements do you prioritise when designing pieces that feel both impactful and easy to wear?

Proportion, movement, and intention. I focus on silhouettes that make a statement through cut rather than excess, and details that reveal themselves gradually. Comfort is essential. If a woman doesn’t feel at ease in a piece, it loses its power. Impact should feel natural, not forced.

MOUNAY is known for its carefully chosen fabrics and refined cuts. How does material selection influence the final mood and movement of a collection?

Fabric is where emotion begins. The way a material moves, catches light, or sits on the body defines the mood of a collection. I choose fabrics that hold structure yet flow with the body, because movement brings life to a garment. The right material elevates simplicity and allows the cut to speak. I also choose rich materials to elevate the overall look.

As a founder and designer, how do you maintain clarity of vision while allowing the brand to evolve with changing lifestyles and expectations?

I stay anchored to the woman I design for rather than to trends. Lifestyles change, but the desire for elegance, confidence, and authenticity remains. By listening closely to how women live, move, and dress today, I allow evolution to happen naturally without losing the brand’s essence.

What’s the biggest challenge that you face with the brand today?

Maintaining depth and integrity in a fast-moving industry. There is constant pressure to produce more and faster, but MOUNAY is built on thoughtful pacing. Staying true to that philosophy while growing is an ongoing challenge, and a necessary one. My greatest pleasure is seeing clients wear the same pieces over the years; it gives me immense pride and strengthens my belief in what I do.

Ramadan dressing calls for a more considered approach to fashion. What was your starting point when designing the upcoming Ramadan collection?

The starting point was reflection, the idea of quiet strength and presence. Ramadan is a time of inward focus, and I wanted the collection to feel respectful, fluid, and serene, while still carrying a sense of modern elegance that transitions effortlessly from day to evening.

Tell us a little about the collection — the theme, colour palette, and silhouette.

The collection is built around soft structure and understated luxury. The palette is muted and earthy, with warm neutrals and subtle depth. Silhouettes are elongated and fluid, designed to move with the body and layer naturally, allowing each woman to style the pieces in her own way.

What makes a Ramadan piece timeless in your eyes, something that can live beyond the season and return to a woman’s wardrobe year after year?

Timelessness comes from restraint. When a piece isn’t overly tied to a moment, it remains relevant. Clean lines, quality fabrics, and versatile silhouettes allow a Ramadan piece to evolve with a woman’s wardrobe rather than belong to a single occasion.

Looking ahead, how do you see MOUNAY continuing to support and empower women through design?

By designing with intention and respect for women’s individuality. MOUNAY will continue to offer pieces that adapt to different roles, moods, and stages of life — clothing that supports women rather than defines them and allows them to feel confident on their own terms.

What is something you would still like to achieve with the brand?

I would like MOUNAY to be recognised globally as a brand that represents modern Middle Eastern elegance with depth and authenticity,  not just aesthetically, but philosophically.

How would you describe the brand in one word?

Timeless.

By Lindsay Judge

As daily routines soften and the pace of life shifts during Ramadan, the impact on mental and emotional well-being often becomes more noticeable and it’s important  In this conversation, Dr Dana Jammal of Thrive Wellbeing Centre in Dubai explores the psychological effects of fasting, changes in sleep patterns, and increased reflection, offering insight into why the month can feel both challenging and deeply grounding. From heightened emotional awareness to the calming power of structure and connection, she unpacks how Ramadan can support greater mental clarity, resilience and long-term emotional balance.

Ramadan brings a noticeable shift in daily rhythm. From a psychological. From a perspective, how do these changes in routine initially affect stress levels and emotional balance?

Any significant shift in routine places temporary demands on the nervous system. Early in Ramadan, changes in eating, sleep and daily structure can create a sense of disequilibrium, which may initially heighten stress or emotional sensitivity. Psychologically, the mind is adjusting to uncertainty and changes, which can briefly disrupt emotional balance before a new rhythm settles

in.

Many people report the first week of fasting as the most challenging. What is happening mentally and emotionally during this adjustment phase?

During the first week, both the brain and body are adapting. Reduced glucose availability, disrupted sleep, and altered daily cues can make emotions feel more immediate or intense. People may experience increased irritability or mental fatigue because familiar regulation strategies – such as eating on demand – are temporarily unavailable.

How does fasting influence mood and emotional awareness beyond hunger and fatigue? Are people more in tune with their emotions during Ramadan?

Yes, many people report heightened emotional awareness. Fasting reduces external distractions and habitual coping behaviours, which can bring emotions into clearer focus. Without immediate access to food or stimulation as regulatory tools, individuals may become more aware of the underlying emotional states, relational needs or stress patterns that are usually less visible in the pace of day-to-day life.

As the month progresses, many individuals describe feeling calmer or more grounded. What explains this shift from a mental health point of view?

Predictability returns as the nervous system adapts. Regular prayer, structured fasting hours and a slower daily tempo can create a sense of psychological containment. Over time, this consistency supports emotional regulation, which can lead to feelings of calm, grounding and mental clarity for many individuals.

Communal elements such as shared iftars and increased family time are central to Ramadan. How does this sense of connection impact emotional wellbeing?

Human connection is a powerful regulator of emotional wellbeing. Shared rituals, communal meals and collective spiritual practice foster belonging and reduce feelings of isolation. These experience can activate social bonding systems that support mood stability and emotional resilience.

Ramadan often encourages reflection and slowing down. How can this intentional pause support stress management and mental clarity?

Slowing down interrupts chronic stress patterns. With a quieter pace, the mind has space to process rather than react. This reflective pause reduces cognitive overload, allowing individuals to notice stress signals earlier and respond more thoughtfully rather than operating on autopilot.

For those who struggle with anxiety or emotional overwhelm, what gentle mindset shifts can help them navigate Ramadan more positively?

Viewing emotional sensitivity as a normal part of adjustment – rather than a personal failure – can be helpful and regulating. Approaching Ramadan with curiosity instead of pressure and allowing emotional experiences to be informative rather than something to suppress often reduces anxiety about “not doing it right.”

Sleep patterns change significantly during the month. How do altered sleep schedules affect mood, and what small adjustments can help protect mental wellbeing?

Sleep disruption can increase emotional reactivity and reduce frustration tolerance. Even modest consistency – such as protecting a short daytime rest or maintaining regular wake times – can support emotional regulation.

Do you see lasting mental health benefits after Ramadan ends, particularly for individuals who embrace its reflective and mindful aspects?

Yes, particularly for individuals who internalise the reflective aspects of Ramadan. Increased emotional awareness, improved self-regulation and clearer insight into personal needs often extend beyond the month. These benefits tend to endure when the intentional mindset developed during Ramadan is integrated into everyday life.

What is one emotional or psychological lesson from Ramadan that people can carry forward into everyday life long after the month is over?

That slowing down is not a loss of productivity but often a gain in clarity. Ramadan reminds us that emotional insight and balance emerge not from constant activity, but from presence, reflection, and intention.

By Lindsay Judge

Amanvari, Mexico

Amanvari marks Aman’s arrival on Mexico’s Baja East Cape, set within the expansive Costa Palmas community. With just 18 keys alongside a limited collection of residences, the resort is designed to feel deeply private and immersed in nature. Elevated casitas frame views of desert, sea and river estuary, while open-plan architecture dissolves boundaries between indoors and out. Expect Aman’s signature serenity, a destination-driven spa experience and dining that reflects both global influences and local heritage.

Bulgari Resort Ranfushi, Maldives

Bulgari brings its refined Italian sensibility to the Maldives with this new private-island retreat in Raa Atoll. Designed by ACPV Architects, the resort features 54 villas, including a flagship Bulgari Villa occupying its own island. Clean, contemporary architecture meets Maldivian landscapes, with a focus on privacy, tailored service and immersive wellness. A Bulgari Spa, fitness facilities and multiple dining concepts complete the experience, positioning Ranfushi as one of the most exclusive openings in the region.

Waldorf Astoria London Admiralty Arch, United Kingdom

Few hotel openings feel as symbolic as this. Occupying the iconic Admiralty Arch between Trafalgar Square and Buckingham Palace, this Grade I–listed landmark is being reimagined as a 100-key ultra-luxury hotel. Interiors by Archer Humphryes will blend heritage with contemporary elegance, while dining is set to be a major draw. More than a hotel launch, this opening reinforces London’s enduring authority in grand, ceremonial hospitality.

Orient Express Venice, Italy

Orient Express continues its revival with a landmark hotel opening in Venice, housed in a richly layered historic palazzo. Guests will arrive by canal, stepping through a dramatic Gothic portal into a world of gilded salons, hidden courtyards and cinematic details. The property reflects the brand’s romance-driven DNA, offering a deeply atmospheric stay that bridges nostalgia and modern luxury. It also signals the brand’s wider ambitions across hotels, trains and sailing yachts.

Six Senses Milan, Italy

Six Senses makes its Milan debut in the heart of Brera, blending wellness-led luxury with the city’s artisanal heritage. Designed by Tara Bernerd & Partners, the hotel features richly textured interiors, 69 rooms and suites, and rare urban indulgences such as private plunge pools. Wellness takes centre stage with a comprehensive spa, indoor pool and holistic therapies, while rooftop dining and refined restaurants anchor the hotel firmly within Milan’s cultural rhythm.

La Réserve Seychelles

La Réserve’s Seychelles debut is intentionally intimate, with just six expansive private villas set along a secluded stretch of Praslin’s coastline. Each residence is fully staffed and designed for long, unhurried stays, complete with private pools, beach access and bespoke culinary experiences. The resort’s approach blends French-influenced luxury with the raw beauty of the islands, offering a highly personalised, all-inclusive model that feels discreet, refined and deeply immersive.

Miraval The Red Sea, Saudi Arabia

Miraval’s arrival in Saudi Arabia marks a significant moment for both the brand and the destination. Set on Shura Island along untouched shoreline, the resort brings Miraval’s immersive wellness philosophy to the Red Sea. Guests can expect purpose-driven programming focused on mindfulness, movement, creativity and nutrition, all delivered within a high-design, nature-led setting. It represents a thoughtful, experience-first approach within Saudi Arabia’s rapidly evolving hospitality landscape.

The Malkai, Oman

The Malkai redefines luxury travel in Oman through a three-part journey across the country’s most dramatic landscapes. Guests move between coastal plains, mountains and desert dunes, staying in a series of intimate tented camps connected by a guided overland experience. Each site offers refined accommodation, Omani-inspired dining and spa rituals, creating a deeply narrative-driven journey that prioritises cultural immersion over traditional resort living.

The Imperial Hotel Kyoto, Japan

Imperial Hotels’ long-awaited expansion brings the brand to Kyoto’s historic Gion district, housed within the restored Yasaka Kaikan theatre. The 55-room property preserves original architectural details while introducing refined contemporary comforts. Materials, craftsmanship and spatial design pay homage to Japanese tradition, offering a quietly elegant stay that feels deeply rooted in place while reflecting Imperial’s legacy of understated luxury.

The Standard Lisbon, Portugal

The Standard’s Lisbon debut brings its signature playful energy to a historic hilltop site overlooking Alfama. Designed by Samuel Torres de Carvalho, the hotel blends calming, earthy guestroom palettes with bold communal spaces. A rooftop bar with panoramic city views anchors the experience, alongside long-stay residences and lively dining venues. It’s a distinctly Lisbon take on The Standard’s social, design-forward hospitality ethos.

Louis Vuitton

For its sixth edition, the LV Mirage Capsule Collection sees Louis Vuitton return with a refined expression of elegance, designed as a celebration of generosity and a thoughtful approach to modern dressing. Created as a complete lifestyle wardrobe, the collection spans leather goods, ready-to-wear, accessories, shoes, fine jewellery, and fragrance, offering a cohesive universe of exclusive pieces intended to be worn, gifted, and treasured.

Fluidity defines the ready-to-wear offering, where versatility takes precedence. Pieces are designed to move seamlessly from day to evening, with soft, flowing silhouettes elevated by precious details such as gem buttons and delicate embroidery. The colour palette remains calm and considered, built around earthy browns, powdery pinks and warm neutrals that reflect a sense of understated chic.

Louis Vuitton’s iconic leather goods are also reimagined with a Mirage lens. The Capucines and Speedy bags appear in varnished Monogram leather, exceptional embroidery and gem-like accents that echo across the shoe collection. Select designs are finished with a distinctive “Heirloom” detail, a motif that connects footwear, eyewear and jewellery in a single visual language. New textile additions include a stole and a lightweight poncho, both introduced with tone-on-tone Monogram patterns that play with matte and shine for a discreet statement.

This edition marks a significant first for the Mirage universe, in collaboration with Lebanese designer Nada Debs. Known for reinterpreting traditional savoir-faire through a contemporary lens, Debs introduces a dune-inspired motif inspired by the desert landscape. Her contribution includes a high-end Bakhoor set shaped as a Monogram flower inspired by mashrabiya patterns, a Bakhoor trunk and a reinterpretation of the Capucines bag crafted in Taurillon leather.

Rooted in heritage yet defined by a distinctly modern perspective, Contemporary Spaces enters the UAE design landscape as a thoughtful new voice in furniture and craftsmanship. Founded by Emirati siblings Alya Al Suwaidi, Maitha Al Suwaidi and Obaid Al Suwaidi, the studio draws from a deeply personal history shaped by years spent inside their father’s furniture and interior manufacturing factories. Surrounded by materials, tools and the quiet discipline of skilled makers from an early age, the siblings developed an instinctive understanding of structure, precision and longevity, values that now form the foundation of their own design practice.

Officially launched in Dubai in November, Contemporary Spaces reflects a natural evolution of that legacy. Balancing conceptual design, material exploration and technical execution, the studio champions locally made furniture crafted with integrity, intention and sculptural clarity. Based in Al Quoz and embedded within the city’s creative ecosystem, the brand speaks to a growing desire for interiors that feel personal, grounded and enduring. In this conversation, the founders reflect on family, craftsmanship and their ambition to shape a confident, homegrown Emirati design language for contemporary living.

Tell us about how you grew up around your father’s factories, and do you think that shapes the way you think about design today?

We grew up watching furniture be built from the inside out. Our father’s factories taught us that design is not decoration, it’s structure, precision, and accountability. Seeing materials transformed daily gave us an instinctive understanding of weight, balance, and longevity.

That environment shaped how we design today: with confidence, discipline, and respect for process. Heritage gave us a foundation; modernity gives us permission to push it forward.

At what point did you realise you wanted to build your own studio, and how did the idea come to life?

The moment we realised we didn’t want to simply produce furniture, we wanted to author it. Contemporary Spaces was born from the desire to take decades of manufacturing knowledge and reinterpret it through a contemporary, design-led lens. We saw a gap for a studio that could speak fluently in both worlds: craftsmanship and cultural relevance. From that point on, building our own voice became inevitable.

Each of you brings a different strength to the brand. How do your individual roles influence the final design of a piece?

Our process thrives on contrast. One of us approaches form architecturally, another anchors the vision operationally, and the third challenges convention through material and colour. This tension is intentional. It allows every piece to be expressive without losing discipline; bold, but resolved. Nothing leaves the studio unless it holds up aesthetically, structurally, and conceptually.

Craftsmanship sits at the core of Contemporary Spaces. In an era of fast production, why was it important for you to prioritise making locally and working hands-on with materials?

Manufacturing locally allows us to stay close to every decision – every joint, curve, and material pairing. Working hands-on ensures authenticity and accountability. For us, craftsmanship is not a trend or a nostalgic reference; it’s a contemporary luxury.

How would you describe the aesthetic language of Contemporary Spaces to someone discovering the brand for the first time?

It’s confident, sculptural and intentional. Our language is architectural in form, tactile in experience, and unapologetic in presence. We design furniture that anchors a room, pieces that hold space through proportion, materiality, and restraint, balanced with boldness.

The UAE’s design scene is evolving quickly. What shifts are you seeing in how people approach their homes and furniture choices today?

There’s a clear shift toward individuality and permanence. People are moving away from disposable design and toward pieces that feel personal, considered, and emotionally grounding. Homes are becoming expressions of identity rather than showcases of trends, and furniture is expected to carry meaning, not just function.

As Emirati founders, how important is it for you to contribute to a homegrown design narrative within the region?

It’s fundamental. Regional design should be authored with confidence, not filtered through external validation. We see Contemporary Spaces as part of a new Emirati design language, one that is bold, self-assured, and globally fluent, yet deeply rooted in place.

Family values seem central to how the studio operates. What lessons from your upbringing continue to guide your decision-making as a brand?

We were raised with a respect for time, quality, and responsibility. Our father taught us that longevity comes from doing things properly, without shortcuts. Those values define how we design, manufacture, and build relationships. We think long-term, always.

How do you ensure that Contemporary Spaces feels personal and soulful, rather than purely minimal or trend-driven?

We design from instinct, not algorithms. Every piece begins with emotion, how it should feel in a space, how it should be lived with. Texture, proportion, and material depth create soul. Trends fade; intention remains.

What challenges have you faced launching a furniture studio in the UAE, and how have those challenges shaped your approach?

The challenge was redefining perception, proving that locally made can be design-forward, refined, and globally relevant. That challenge sharpened our voice. It pushed us to be bolder, clearer, and uncompromising in our standards. Resistance became refinement.

With Ramadan approaching, how does this season influence your personal routines and creative rhythm as a family and as designers?

Ramadan brings clarity. The pace slows, priorities sharpen, and intention deepens. Creatively, it’s a time of refinement rather than excess of editing, grounding, and reconnecting with purpose. As a family, it reinforces alignment.

Looking ahead, what do you hope Contemporary Spaces will represent within the regional design landscape over the next few years?

We want Contemporary Spaces to stand as a reference point, proof that UAE-made furniture can be bold, cultured, and uncompromising. Our ambition is to shape a design language that is confident in its identity, elevated in execution, and unmistakably expressive. We’re not here to follow the landscape; we’re here to define it.

By Lindsay Judge

Tiffany & Co.’s 2026 Ramadan campaign, Beneath One Crescent Moon, is a contemplative meditation on unity, light, and shared devotion, framed through the quiet poetry of the night sky. With this campaign, the Maison leans into stillness, positioning Ramadan as a collective yet deeply personal experience that unfolds in parallel across cultures, cities, and households.

The campaign centres on the symbolic crescent, an emblem that has long guided the rhythm of the Holy month. Here, it becomes both a celestial beacon and an emotional thread, linking individual moments of prayer, reflection, and gratitude into a single luminous narrative. Tiffany interprets this connection through a language of light, restraint, and reverence, allowing the visual storytelling to breathe rather than overwhelm.

A defining element of the campaign is an original Arabic poem by Emirati author and artist Alia Al Shamsi. Her words move gently between intimacy and universality, evoking the soft glow of the crescent as it hovers over starlit skies. The poetry does not speak loudly; instead, it invites the viewer inward, reflecting how moments of solitude can still carry a powerful sense of togetherness. Imagery throughout the campaign mirrors this sentiment, favouring subtle illumination, shadow, and a hushed nocturnal palette. The emphasis is not on ornamentation but on atmosphere, capturing Ramadan as a season of heightened awareness, emotional resonance, and spiritual clarity.