In a world of ever-evolving skincare, Dior has returned to the basics—only this time, with couture-level refinement.

The 2025 Dior Skin Essentials collection introduces three modern-day must-haves designed for real life: a powerful yet gentle cleanser, an ultra-chic multi-purpose balm, and a pair of eye patches that bring a moment of clarity to digital-age fatigue. Together, they reflect Dior Beauty’s commitment to creating skincare that is both universal and elevated, designed for every skin type, every lifestyle, and every moment of the day.

At the heart of the collection is La Mousse OFF/ON, Dior’s bestselling cleanser now reinvented with heightened efficacy and sensorial pleasure. More than a cleansing step, it delivers a transformative skincare ritual powered by natural science. Infused with purifying water lily from the historic Dior gardens in Latour-Marliac, the formula traps and removes even the finest impurities—including traces of makeup, sunscreen, and pollution—without disturbing the skin’s delicate balance. Reinforced with niacinamide, it smooths, brightens, and fortifies the skin barrier for a glow that’s instantly visible and scientifically measurable.

This dual-action “OFF/ON” effect—deep purification followed by active protection—ensures skin is left not only clean, but stronger, more radiant, and hydrated for up to 24 hours. Dior has also reimagined the experience itself: La Mousse transforms into a creamy foam with a subtle floral-green scent, and its new ergonomic tube is dressed in couture touches, including the tone-on-tone Logomania motif and the Christian Dior signature in bold capital letters.

For eyes, Dior introduces an essential tool of modern living: the 2025 Eye Patches, designed as a quick fix to combat digital fatigue and restore radiance to the eye contour in just ten minutes. Engineered with a double layer of next-generation hydrogel—and free from plastic—they deliver visible results through a targeted blend of high- and low-molecular weight hyaluronic acid, niacinamide, and caffeine. Instantly cooling the skin by up to 4.5°C and doubling hydration, they visibly reduce dark circles and puffiness while refreshing the entire complexion.

Rounding out the trio is Le Baume, Dior’s ultra-chic, multi-purpose balm reimagined for 2025 in a bold limited edition. Its nourishing formula is rich in centella asiatica, squalane, jojoba oil, and shea butter, making it an ideal companion for lips, hands, and any dry areas on the go. Its creamy, non-greasy texture melts into the skin, offering immediate relief and a veil of hydration. This season, the pebble-shaped tube is cloaked in a vibrant Toile de Jouy print in bright pink—a nod to Dior’s heritage with a youthful twist. In true fashion-meets-function form, a wearable version of Le Baume, complete with a clasp case, transforms into a handbag accessory that makes skincare part of your everyday style statement.

Dior Men has introduced the Dior Privé bag, the standout accessory of the 2025 Men’s Autumn Collection, and it’s set to become a must-have over the summer and into next season.

Designed by Kim Jones, this refined bag channels the spirit of timeless luxury and modern utility in equal measure. Crafted in Dior Icons grained leather and available in Monsieur Dior’s beloved grey, cognac, and black, it’s the epitome of understated elegance. 

The sleek silhouette is elevated by subtle details: an embossed “DIOR” signature, suede calfskin lining, and the iconic Dior Oblique motif.

Immaculately minimalist, the Privé is more than a bag — it’s a symbol of quiet power and legacy craftsmanship. 

dior.com

Created by Valentina Li in collaboration with the Chanel Makeup Creation Studio, the Les Beiges – Golden Hour Collection transforms transient beauty into an everyday ritual of radiance.

Drawing inspiration from the ever-changing hues of the sky at sunrise and sunset, the collection offers a warm, summery colour story designed to reflect — and refract — the golden hour’s softest light. Radiant pinks, muted corals and glowing copper tones mirror the sun’s daily dance across the skyline, capturing the mood of the moment in formulas that are both luminous and wearable.

Complexion: At the heart of the collection lies the Les Beiges Healthy Golden Glow Powder, a duo of finely-milled powders embossed with a sunset motif. Available in Éclat du Soir (a satin pink and shimmery rose gold) and Soleil Couchant (a soft orange paired with coppery bronze), each pairing enhances the complexion with a light-infused glow. The texture is imperceptibly fine, blending seamlessly into the skin to leave it glowing, as if kissed by the last light of day.

Complementing this is the Les Beiges Healthy Glow Sheer Colour Stick, returning in two new radiant shades: Reset, a golden orange shimmer, and Refresh, a luminous satin pink. Swiped across cheeks or layered for intensity, these blush sticks melt into the skin for a dewy, sunkissed flush.

Eyes: For the eyes, Chanel reinterprets its iconic Les Beiges Healthy Glow Natural Eyeshadow Palette in a new harmony, Golden — a flurry of hues echoing the changing tones of the sky. From rose gold and luminous copper to matte mauve and rosewood, each shade is designed to softly sculpt and highlight, whether for a wash of daytime elegance or a deeper dusk-time drama.

Lips: Completing the collection is a quartet of new shades of Rouge Coco Flash, infusing lips with a touch of colour and a veil of light. Sun Bliss offers a golden pinkish beige, Sunset a rich pink sienna, and Sun Kiss a luminous cool pink — each designed to add a veil of warm-toned polish to every golden hour look.

chanel.com

Breitling has redefined its Superocean Heritage with a revitalised, effortless look.

It’s the collection’s first refresh since 2017, and it comes with a new design that continues to honour the watch’s 1950s roots while embracing modern elegance. The new Superocean Heritage strikes a balance between vintage soul and contemporary sophistication, ready to shine both in and out of the water.

From the start, Breitling’s sea watches took an alternative path. The original Superocean models, the Ref. 1004 and Ref. 807, weren’t just about performance—they were about style. Their spear-and-arrow hands, slim lines, and anodised bezels brought a fashionable twist to the dive watch category, capturing the attention of sea lovers who cared as much about aesthetics as they did about adventure. That design-first mindset endures in the new iteration, which features subtle yet meaningful changes throughout.

The lineup now includes a 42mm chronograph with the Breitling Manufacture Calibre 01 movement, while the automatic editions span 44mm, 42mm, 40mm, and a new compact 36mm size—each one boasting the newly developed B31 calibre or the Calibre 10, depending on the model. A slimmer, more integrated mesh bracelet—available in metal or rubber—ensures the watch hugs the wrist with comfort and precision, while a refined colour palette of black, blue, and green with ceramic-inlay bezels adds understated impact and next-level durability.

Design updates enhance symmetry and legibility without compromising the original’s mid-century charm. The signature hands remain, but are now accompanied by cleaner subdials and a perfectly placed date window at six o’clock. And for those seeking something rarer still, select models feature responsibly sourced 18k red gold on the bezel for a touch of luxurious warmth.

In keeping with the spirit of reinvention, Breitling has also released a limited edition Superocean Heritage B31 Automatic 40 Kelly Slater. Created in collaboration with the surfing legend, the watch pays tribute to the Hawaiian surf culture that shaped his career. A foliage-patterned dial, oceanic blue rubber strap, and engraved open caseback give it an unmistakable identity, while Slater’s own note—tucked into a special presentation box—makes it feel personal, even intimate.

Complementing the launch is Breitling’s new sunglasses collaboration with Cutler and Gross. These handcrafted frames echo the same retro-modern aesthetic as the watch collection, with mesh-inspired details, lacquered temple tips, and ZEISS LightPro® lenses—perfect for those sun-drenched afternoons that stretch into evening. Like the watches, the eyewear is limited to 500 pieces per style, underscoring the capsule’s collectable appeal.

Breitling.com

For those seeking sanctuary from the city this summer, The Ritz-Carlton, Ras Al Khaimah, Al Wadi Desert offers an immersive escape into tranquillity.

Just an hour from Dubai, the resort is set within 500 hectares of protected nature reserve, home to indigenous flora, desert wildlife, and sweeping golden dunes that evoke a deep sense of calm.

Begin your stay with an Equestrian Sunset Camel Ride, a serene journey across the sands at golden hour. As the sun dips below the horizon, guests are treated to an unforgettable view of the desert in its most poetic form. This one-hour ride starts at Dhs310, with private tours available for a more personalised adventure.

As dusk settles, the desert awakens in new ways. The Night Archery Adventure invites guests to take aim beneath the stars—an atmospheric experience that combines skill, silence, and starlight. For a slower pace, the Nature Walk offers a guided exploration through the desert’s eco-rich terrain. Guests can discover indigenous plant life and encounter native species, all while enjoying the serene surroundings. With pricing starting at Dhs190 for adults and reduced family rates, it’s the perfect opportunity to reconnect with the natural world.

For those seeking total rejuvenation, The Ritz-Carlton Spa offers a luxurious 60-minute bespoke massage, accompanied by a complimentary back scrub and additional tailored therapy. Available daily from 11 am to 2 pm, the experience is designed to soothe and restore both body and mind.

This June also saw the launch of Gobi, the resort’s newest culinary destination. Inspired by the five elements—Wood, Fire, Earth, Metal and Water—Gobi reinterprets Asian cuisine with creative flair. Each dish is a sensory exploration, balancing fiery spices, fresh ingredients and grounding flavours. Set within a vibrant, elemental space, the restaurant invites guests on a multi-sensory journey through taste and nature.

Whether you’re drawn by the thrill of desert adventure, the serenity of nature, or the indulgence of world-class wellness and cuisine, The Ritz-Carlton, Al Wadi Desert offers the ultimate summer retreat, one that nourishes the soul as much as it delights the senses.

For bookings and enquiries, visit www.ritzcarlton.com or call +971 7 206 7777

In a region where fast fashion and high glamour often dominate, WAYVE arrives as a welcome shift—an ethical fashion platform rooted in substance, style, and sustainability.

Founded in Dubai by Swedish-Lebanese entrepreneur Mary Abi Chahine, WAYVE is the UAE’s first platform dedicated to ethical and unconventional luxury fashion, spotlighting designers who balance bold creativity with social and environmental impact.

With its highly anticipated launch on the horizon, WAYVE is more than just a curated marketplace. It’s a movement—one that empowers both emerging and established designers to tell meaningful stories through beautifully made pieces. From sustainably sourced fabrics to inclusive sizing and purpose-driven collections, the platform is redefining what it means to dress with intention in today’s world.

Here, we talk to Mary Abi Chahine about building a new kind of fashion ecosystem from Dubai, championing creative voices, and why the future of luxury must be both expressive and ethical.

Tell us about your new platform, Wayve, and the vision behind it.

WAYVE is the first multi-brand concept store in the MENA region dedicated exclusively to sustainable fashion. Curated for the IT girls, trendsetters, and standout seekers, WAYVE brings together a bold edit of conscious brands that prove style and sustainability can go hand in hand. Sustainable fashion is often mistaken for being limited to basics or minimal styles, but our vision is to prove that fashion can be both cool and conscious. By spotlighting ethically made, statement pieces from emerging luxury designers, we aim to inspire a new wave of responsible shopping without compromising on style.

We believe the future of fashion is not just about what you wear, but how and why you wear it. That’s why every brand at WAYVE is handpicked for its ethical practices, aesthetic appeal, and cultural relevance. WAYVE aims to foster a movement toward more mindful consumption, providing fashion-forward consumers with a destination where they can discover pieces that reflect their values and enhance their wardrobe.

Please share a little on your passion for ethical fashion and why you felt compelled to launch a platform in this industry.

I always knew that I wanted to build something meaningful, something that could create impact, and challenge the norms of the fashion world. The idea for WAYVE came to life during my time in London, while completing my master’s in Fashion Buying and Merchandising. Being immersed in one of the world’s fashion capitals, I was inspired by the creativity and energy of the industry, but I also became actively aware of its contradictions: the excess, the pace, and the lack of transparency behind the scenes. That period, especially during COVID, revealed a shift in mindset. Some retailers began exploring more responsible sourcing and ethical practices, but the conversation still felt limited, and when I looked back at the Middle East, it was even more so. There was a clear gap between the growing awareness around sustainability and what was actually available to conscious consumers in the region. WAYVE was born out of that realisation. I wanted to create a multi-brand concept that offers a new kind of luxury, one that is ethical, unconventional, and future-facing. This platform is my way of bringing together the values I believe in: transparency, thoughtful curation, and fashion that doesn’t compromise on individuality.

What do you think the Middle East is still lacking when it comes to sustainable fashion?

The Middle East has always been a region of style, luxury, and strong fashion identity, but when it comes to sustainability, there’s still a noticeable gap. It isn’t spoken of as part of the lifestyle or cultural narrative in the same way it is in other global fashion hubs. While there are emerging ethical brands and growing awareness, the messaging around sustainability often lacks depth and consistency.There’s not enough storytelling around sourcing, ethical production, or the environmental impact of our choices. So, many consumers don’t have enough information to make more conscious decisions, even if they want to.

Tell us about the pieces and collections you will be featuring on Wayve – what was the criteria you followed for allowing brands to join the platform?

We offer a diversified range of pieces, from dresses to blazers, tops to matching sets, making the collection rich and versatile enough for customers to find whatever it is they’re looking for, whether it’s a statement outfit or a timeless essential.

When it came to selecting brands, we followed a clear set of criteria. First and foremost, every brand had to embody at least one pillar of sustainability, whether it was sustainable sourcing, transparent production, fair labour, upcycling, or a strong commitment to reducing their environmental footprint. But just as importantly, we looked for originality and that cool girl aesthetics behind every brand.

WAYVE is all about proving that conscious fashion doesn’t mean compromising on style. So, we chose to work with brands that align with that vision, to curate collections that feel fresh, relevant, and meaningful.

How do you ensure that every designer on WAYVE truly aligns with your three core pillars: environmental, social, and economic?

Every designer we onboard goes through a vetting process that evaluates how they align with our three core pillars: environmental responsibility, social impact, and economic integrity. For the environmental pillar, we assess their use of sustainable materials, production methods, and efforts to minimise their carbon footprint. For the social pillar, we make sure brands uphold fair labour standards, ethical working conditions, and a respectful approach to the people behind their products. And for the economic pillar, we look at how brands contribute to long-term, equitable growth, embracing upcycling activities, supporting local artisans, small production teams, or community-led initiatives.

Transparency is key. Each brand takes us through the journey of crafting their pieces, to understand their values, supply chains, and future goals.  In fact, some of them hold certifications that guarantee they’re using vegan fabrics in their production such as OEKO-TEX certification. This ensures that everything featured on WAYVE isn’t just beautiful, it’s also part of a broader commitment to doing better.

How will it differ from anything else we have in the region so far?

The idea behind WAYVE was never to be just another fashion retailer. We saw a clear gap in the regional market, where many platforms tend to offer the same brands, often lacking uniqueness or a deeper purpose. From day one, we were intentional about building something different.

WAYVE is designed to be a true destination for discovery. We’ve carefully curated a selection of emerging designers from around the world, most of whom are not available anywhere else in the region. These are brands that prioritise sustainability at the core of their identity, not just as a trend or afterthought. What makes WAYVE stand out is our exclusive brand mix, and the values that underpin everything we do. Our platform offers a fresh, elevated shopping experience that caters to the fashion-forward consumer who wants to stand out. We’re here to bring innovation, ethics, and standout design in a way that hasn’t been done before in the region.

Tell us about some of the standout designers in your inaugural collection. What makes their pieces so distinctive?

I can say so much about the designers in our collection; each one brings something truly special to the table, from the craftsmanship and attention to detail to the unique prints, silhouettes, and cuts. For instance, we have Monika Dimova, a designer based in North Macedonia, who creates the most stunning gowns and dresses that celebrate femininity and form. Her silhouettes are elegant, romantic, and flattering, every piece feels like it’s made to empower.

Another standout designer is EZZ Studios, known for their use of eco-printed fabrics and distinct artistic vision. What makes their work truly special is the way they blend cultural influences, drawing inspiration from both Senegal and Beirut to create pieces that are vibrant, soulful, and one-of-a-kind.

A third standout designer is Marais Studio, who uses carefully selected vegan cupro, special lamb nappa leather, and recycled fabrics in their range, combining both sustainability and sophistication. Their PJ sets, blazers and kimonos are not to be missed. Their pattern and fabric elevate the piece from core to standout, making it a must-have in your wardrobe.

In an industry driven by trends, how do you encourage customers to embrace fashion that’s more intentional and enduring?

Always embrace your own sense of style. When you know who you are and dress accordingly, it becomes harder to discard pieces just because a trend has passed. If what you wear truly reflects your personal aesthetic, those pieces naturally become timeless to you. You’ll always find ways to re-wear, restyle, and reinvent them, because they hold value beyond what’s trending.

How do you hope WAYVE will influence consumer behaviour in the UAE and the wider GCC?

In a region where luxury has traditionally been defined by big-name brands and visible status symbols, we hope to re-define what true luxury really means. At WAYVE, we believe luxury is about purpose, and individuality, wearing timeless, one-of-a-kind pieces that tell a story, pieces you won’t find just anywhere, and that contribute positively to both people and the planet. We want to encourage consumers to think differently, to shop with meaning, to value sustainability as much as aesthetics. By curating brands that lead with ethics and originality, we’re inviting a new mindset: that luxury can be beautiful and responsible at the same time. Our goal is to spark a shift in perspective, to empower more conscious choices that inspires long-term change in fashion and culture across the UAE and the wider GCC

As a founder, what have been the most rewarding—and most challenging—parts of building this platform?

The most challenging part was building the foundation, starting from just an idea and shaping it into a clear, long-term vision. It took time and dedication to ensure the platform would reflect values that could stand strong for years to come. Scouting the right designers was also a challenge; it wasn’t just about finding sustainable brands, but finding those whose aesthetics, ethics, and craftsmanship truly aligned with the spirit of WAYVE.

The most rewarding part has been seeing the genuine excitement and positive reactions from our partners. When designers and collaborators heard about what we were building, there was an immediate sense of connection and enthusiasm. Watching them resonate with the vision, and especially with the curated pieces, was not only validating, but deeply motivating. It gave us hope and confidence that WAYVE could evolve into something meaningful and valuable for both the industry and the community we’re creating.

How would you describe your personal style?

They say the brand you build is often a mirror of who you are, and I believe that’s true. My personal style aligns closely with WAYVE’s curation: bold, elegant, and one of a kind. I gravitate toward pieces that are timeless and make a statement. I look for unique, colorful prints or unique cuts. Always aim to stand out and dress in a way that feels confident, powerful, expressive, and aligned with what I stand for.

You’ve built WAYVE around purpose and individuality. How do you personally define luxury today?

To me, luxury today is no longer just about price tags or logos, it’s about intention. It’s about knowing where something comes from, how it was made, and who made it. True luxury is purposeful, personal, and conscious. It’s about owning fewer things, but choosing pieces that hold meaning, tell a story, and reflect your values as much as your style. In a world of fast everything, I see luxury as slowing down, investing in quality, craftsmanship, and authenticity. It’s individuality over mass appeal. It’s finding beauty in the details, and understanding that what you wear can be a form of self-expression, a statement of what you stand for.

When you’re not working, how do you like to spend your time?

When I’m not working, I love immersing myself in experiences that spark creativity. Discovering new brands is a big part of that for me, it’s like a form of research, inspiration and a way to disconnect. I find so much joy in seeing how different designers interpret style, culture in their own unique ways. I’m also very curious by nature, I love exploring new, under-the-radar places, whether it’s a hidden café, a concept store, or a hidden gem in a city I’m visiting. It keeps me inspired and helps me stay connected to what’s fresh, evolving, and culturally relevant. Those little discoveries often feed back into my creative process with WAYVE. And beyond that, I really value time with friends and family, and traveling back to my hometown, Beirut, to recharge and find balance.

What’s the professional motto you live by?

“Make a difference, create change”

Born from a deep-rooted passion for jewellery and an eye for refined modernity, TOi Jewelry is quickly establishing itself as one of the UAE’s standout homegrown brands.

\At the heart of it is Aisha BinHendi, an Emirati founder with a long-standing connection to the world of fine jewellery and a deep appreciation for craftsmanship in the region.

With her Signature Sparkle collection, BinHendi brings together contemporary design and cultural resonance, offering timeless pieces that reflect both heritage and innovation. As someone who grew up surrounded by jewellery and immersed in the industry, her journey feels both natural and necessary, marking a new chapter for the Middle East’s independent jewellery scene.

We sat down with Aisha BinHendi to talk about her inspirations, what makes the Signature Sparkle collection shine, and why TOi is more than just a jewellery brand—it’s a story of identity, elegance, and evolving tradition.

Tell us about your brand TOi Fine Jewelry and how it began.

TOi Fine Jewelry was born from a desire to create jewellery that celebrates each individual who wears it. It is designed to be worn every day, as each day should be a celebration. Everyday elegance because jewellery isn’t just for special occasions. The brand is a personal expression of creativity and individuality. It began as a vision to create fine jewellery that was different yet timeless.

Where did your passion for jewellery come from?

Growing up, I was surrounded by family and deeply involved in my father’s business ventures. He often included us in his ideas, decisions, and trips. The Basel Fair in Switzerland remains one of my fondest memories, as I saw so many dazzling jewellery pieces; it’s a memory that still lingers vividly in my mind. It’s an experience I’ll always treasure.

How would you describe the brand’s design aesthetic?

Each piece of my jewellery is a work of art created with intention and not mass-produced. Once someone connects with a design, it’s painted with their energy, their story, and their love. Made just for them.

Your brand is rooted in the belief that jewellery should be “as unique as you” – what does this notion mean to you?

In a fast-paced world that often pushes us to conform, being yourself is the true act of beauty. ‘As unique as you’ isn’t just a slogan; it’s a celebration of individuality. My jewellery is crafted to reflect your essence, to honour your energy, and to become a part of your journey. Each piece adds to your uniqueness, rather than masking it.

Tell us about the Sparkle Signature collection and some of the highlight pieces.

The Sparkle Motif is the heart of my brand, a distinctive, minimalist shape that proves less is more. Its quiet elegance speaks volumes without saying too much. What makes it truly special is its versatility: whether layered or worn alone, it adapts effortlessly to your style from casual days to the most elegant nights. It’s timeless, personal, and always uniquely yours.

We know you recently released a book, “Icons of Style”. What makes a piece of jewellery iconic?

What makes the Sparkle iconic is that it’s intentional simplicity. The Sparkle shape is unmistakably clear, confident, and instantly recognisable. It stands with quiet strength, never overstated yet impossible to overlook. Its presence speaks for itself. It’s not loud, but it leaves an impression – instantly recognisable yet endlessly personal, the Sparkle is more than a design ,it’s a symbol of individuality, elegance, and the beauty of subtlety.

What’s the biggest challenge you face as a business owner today?

I see challenges as a beautiful part of the creative journey, not something negative, but something that shapes you and your vision. The only truly difficult aspect is when others imitate your work. While imitation can feel frustrating, I choose to see it as a form of flattery. They may replicate the design, but they can never capture the soul, the intention, or the deeper vision behind my brand. That’s something only I hold.

How would you assess the jewellery industry in the UAE and the wider Middle East today?

The jewellery industry in the UAE and the broader Middle East is thriving, with a remarkable surge in homegrown brands that infuse local culture, craftsmanship, and innovation into their creations. As entrepreneurs who start from the ground up, we invest our hearts and souls into every piece, ensuring that each design reflects our unique vision and dedication. I take immense pride in saying ‘Made in Dubai,as it signifies not only the quality and artistry of our work but also our commitment to contributing to the region’s rich heritage and dynamic future.

What advice would you give to female entrepreneurs?

Trust your vision, even when it feels too bold or too different. Don’t wait for permission to take up space. Stay rooted in your purpose.

What’s the first piece of jewellery you remember?

Jewellery has always held meaning for me. Growing up, my parents celebrated every milestone with a piece of jewellery, so it became part of how I marked time, memory, and love. But there’s one piece I still hold especially close to my heart. It’s a pair of diamond earrings designed with a delicate leaf motif. What makes them so unique is that the gemstones are interchangeable, rubies or emeralds.

When you’re not working, how do you like to spend your time?

Honestly, I don’t really see my jewellery business as ‘work.’ It’s a beautiful part of my life that brings me joy every day. I feel so blessed to be connected to so many people’s special moments through my creations.

What’s the professional motto you live by?

Stay true to your vision, and the rest will follow and lead with authenticity.

instagram.com/jewelrybyto

With its roots deep in the Tuscan countryside and nearly a decade of acclaim in Dubai, Il Borro Tuscan Bistro has become synonymous with authentic Italian dining in the UAE.

At the heart of this culinary legacy is Executive Chef Andrea Campani, the man behind the company’s estate’s signature philosophy of seasonality, simplicity, and provenance. Based at the Il Borro estate in Tuscany, Campani recently visited Dubai to unveil a special seasonal menu, crafted with ingredients sourced directly from the estate’s organic farm. In this interview, Chef Campani shares how Il Borro continues to deliver a true taste of Italy, the importance of using fresh, homegrown produce, and the secret to the Dubai outpost’s lasting success in an ever-evolving dining scene.

Il Borro is known for its deep roots in Tuscan tradition. How do you balance authenticity with innovation in your approach to Italian cuisine?

I think authenticity is the most important ingredient of all. Innovation is the drive to make the authenticity contemporary, and I think we do that very well. We have an incredible opportunity to combine Italian tradition with innovative techniques, and we embrace that. Sometimes, especially in Italy, to do things in “a modern way” can be frowned upon, but we should embrace it as well as embracing tradition and let the two complement each other.

The concept of Italian tradition has changed a lot. Many years ago, people used to cook more at home. That was authentic cooking. But today, of course, that has changed. People don’t cook as much at home, and so they are seeking these kinds of authentic experiences from restaurants. Authentic Italian cuisine has become something to discover, even for Italians, who are no longer eating home-cooked meals the way previous generations did. The younger generations often have to go to a restaurant to try our traditional dishes!

What does that recognition mean to you to be Michelin selected, and what would it take for Il Borro Tuscan Bistro to get a Michelin Star?

For many years, we have been selected by Michelin, but still, we have not received that star. We are still trying to find the secret recipe! It’s sometimes really hard to understand what they’re looking for, and it’s very intriguing to us. Intentionally, they keep it a bit mysterious, and I think this is what keeps it so appealing!

Can you tell us about your journey as a chef and how your culinary philosophy has evolved over time?

I started a long time ago! I was just 14 and one of my good friends left home very young to go to school. I was very inspired by him, and so I decided to follow in his footsteps, and I went to school in the city, and I started to find many great chefs and teachers. Secondly, I always had a lot of fun when my parents would cook, and I enjoyed being at the dinner table, so I wanted to find a way to be within this ambience every day. Cooking makes me happy and reminds me of home, and I’m happy when people eat and feel happy too!

Along the way, I had the chance to meet many great chefs who opened my eyes. We are not here just to cook; we are providing a service, and we are making people happy. We do something that we love to do, and yes, sometimes we are working 14-hour days, and honestly, I never stop even when I leave the restaurant, but I love it.

There is also a responsibility to others. We work closely with numerous local suppliers in our area, and as a result, we have established a network of local farmers who would have otherwise disappeared over time. We work with individuals who have a small quantity of ingredients, and we also showcase what they do. Additionally, as a chef, I have a lot of responsibilities in the kitchen, beyond just my job. And this, I think, makes me more proud of my job. And then I have the chance to travel and meet different people who offer new experiences. I am very lucky to have these opportunities.

Tell us about the local produce you source in Tuscany, and do you do the same here in Dubai?

We have been here in Dubai for almost ten years, but we worked very hard at the beginning to find the right suppliers for the restaurant. We worked closely with suppliers to convince them to source specific ingredients from Italy. We also produce our own ingredients on our estate in Tuscany. We produce Extra Virgin Olive Oil, honey, and bake our own bread. We are also working hard to send some of our fresh vegetables from our farms in Italy. We are working to bring cheese because we have a pecorino cheese production facility at Il Borro. We have over 1,000 hectares of land where we produce all of these things, so we really do keep it within our family. We also sell many of these items here in the restaurant, and we want our guests to experience them directly from the farms.

Tell us about Il Borro in Dubai – how does it maintain the same flair as the Tuscan branch while also showcasing its individuality?

We have some signature dishes, of course, that you can find at all of our restaurants – the pappardelle pomodoro, for example – it’s made with our bread and fresh tomatoes, and our tomato sauce is from Italy. But then every restaurant also needs a different approach, depending on the location. The expectations of guests from restaurant to restaurant are very different. Someone who visits us in Tuscany may want to stay for a long, lazy afternoon, while someone in Dubai may want to come for a quick business lunch; therefore, we have to cater to these different types of clientele. What we don’t want to lose is the authenticity of what we offer.

One major difference between Dubai and Italy is the lack of distinct seasons. In Tuscany, we closely follow the cycle of the land, adapting our menu throughout the year based on what’s available. In Dubai, we try to do that a little, but it’s not as strong as in Italy and of course, there are things like burrata that everyone in Dubai loves, so we take this into consideration as well as knowing that we are catering to a wide clientele that is both residents and tourists.

You recently had a special menu in Dubai for one day – tell us about this.

It was a great opportunity for our guests as it’s something we do once a year, bringing the Il Burro dishes from Tuscany for one night only. On this menu, we cook with at least 90 per cent of our own ingredients. We have, for example, Tortelli, filled with pecorino cheese, which is made 100 per cent with our own ingredients from our farm. We had a zucchini millefeuille, which is a typical summer salad in Tuscany, followed by the beef fillet, and then dessert made with raspberry and ricotta cheese.

What do you think is the secret to longevity in the restaurant business today, and why do you think Il Borro is so successful in Dubai?

I think that if you come to Il Borro, you can have a truly authentic experience with genuine flavours from Tuscany. You can come here and have the same experience that people have in Tuscany, even if you’re in front of the Burj Al Arab! You can follow the processes behind all of our ingredients, and there is so much authenticity to what we do, and all of our guests are part of that experience.

What’s your favourite dish to cook?

As an Italian chef, I have to say spaghetti pomodoro! Every time I make it, I try to add a little something to make it better. For dessert, I love to cook chocolate dishes.

What do you like to do outside of the kitchen?

I like to walk a lot. Near our house, we have a mountain. I like to walk there; it’s quite isolated, so I feel relaxed and detoxed, but I can still see my local area from above. I enjoy fishing and being in nature, particularly in a calming environment. I also love to travel and discover new things, and, of course, I enjoy meeting up with my friends in a restaurant and savouring good food!

ilborrotuscanbistro.ae

When Julien Tornare took the reins as CEO of Hublot in September 2024, he stepped into a brand already known for breaking conventions and pushing boundaries in contemporary watchmaking.

Nearly a year into the role, Tornare’s tenure has been marked by bold momentum, most notably with the unveiling of several standout novelties at this year’s Watches and Wonders, including the highly anticipated 20th anniversary Big Bang collection.

As the brand celebrates two decades of its most iconic model, Tornare is looking firmly ahead, focusing on innovation, material mastery, and strengthening Hublot’s presence in key global markets including the Middle East, where the brand continues to build on its strong and loyal collector base.

We sat down with Julien Tornare to reflect on his first year leading Hublot, the future of the Big Bang, and what’s next for the maison in the region and beyond.

Tell us about your journey at Hublot so far,  what has been the biggest surprise, and what has been the biggest learning curve?

My journey at Hublot so far has been dynamic, interesting and full of discoveries. The first immediate surprise after visiting the manufacture in detail was the exceptional savoir-faire with our in-house movements and  timepieces. So much attention, detail and excellence are going into the creation of these timepieces. Then, once I started travelling and speaking to our friends in the markets, I realised the emotional connection our community has with the brand is very strong, t’s not just about watches, it’s about belonging. As for the learning curve, I’d say it’s balancing heritage with innovation. Hublot is not a brand that plays it safe; so, continuously pushing boundaries while staying true to our DNA is both a challenge and a thrill.

You’ve been with the brand for a while now, what’s your vision for the future?
Hublot is embarking on an exciting new chapter of bold reinvention. My vision is to reignite the pioneering spirit that once redefined the codes of watchmaking and essentially Hublot.  We have already begun that journey with a powerful statement at Watches & Wonders. There, we unveiled our celebratory collections marking the 20th anniversary of the Big Bang, reaffirming our legacy of innovation and disruption. From in-house developed red ceramics to striking water blue sapphires, our material mastery continues to set us apart. Combined with unexpected cultural collaborations, all showcased on a global stage, this milestone is not only a celebration,  it’s a declaration of our commitment to remain at the forefront of luxury watchmaking. As we look ahead, the upcoming opening of our second manufacture stands as a strong symbol of where we’re headed; toward a future of sustained growth, fearless creativity, and continued leadership in shaping the next era of horology.

What is special or unique about this brand according to you?
Hublot dares to be different. It was born to break rules and was built to challenge them, exploring uncharted territories in watchmaking. But not for the sake of rebellion, rather, because true innovation begins when you step outside your comfort zone. At the heart of Hublot is our guiding DNA: the Art of Fusion. More than a tagline, it’s the essence of who we are, which adds that uniqueness to the brand.

To celebrate this spirit, we launched the “Own It” campaign, featuring one of our boldest and most unconventional choices yet: Choupette. A talent who doesn’t have a wrist and doesn’t even tell time. Some might say we broke every rule of traditional watch partnerships with this one, and that was exactly the point. It was a playful, provocative way to show that Hublot isn’t afraid to break convention, embrace the unexpected, and lead with bold originality.

This mindset empowers us to bring together unlikely materials, surprising ideas, and diverse personalities to create something genuinely new and something unmistakably Hublot.

Hublot is a relatively young brand, how would you assess the benefits and challenges related to that?
Being young is a gift; it gives us the freedom to carve our own rules. We’re not shackled by centuries of tradition, which means we can be bold, reactive, and even unconventional. Let’s take, for example, the MP-10 Tourbillon Weight Energy System: a veritable watchmaking UFO that has remained not only unsurpassed, but unrivalled. With three years of research and development, and thinking outside the box, we were able to consider endless possibilities without constraints. This year, we also further developed the case using our renowned materials, such as ceramic and sapphire. Although it’s believed that the main challenge for a young brand is earning credibility in an industry built on heritage, I believe Hublot has achieved this through its mastery of innovation, quality, and fearless creativity.

Tell us about the recent Watches & Wonders and how the experience was for you.

This year’s Watches & Wonders was particularly exciting for me as it was my first one with Hublot and an important one as the brand celebrated 20 years of the iconic Big Bang. For this important occasion, we had a completely redesigned booth, more open and welcoming, that embodied the spirit of transformation. The energy was electric – we felt the excitement from the press, retailers, and collectors. It reminded us that Hublot remains a brand people look to for bold statements.

What can you tell us about the novelties that were revealed?
The novelties we revealed are more than just timepieces; they are a tribute to Hublot’s past, present, and future, and most importantly, a celebration of the brand’s revolutionary mindset. We set out to reinterpret the Big Bang in a way that honours its powerful legacy while boldly introducing new materials, movements, and designs. Each creation carries that unmistakable Hublot DNA, being innovative, daring, and instantly recognisable.

The Big Bang 20th Anniversary Collection is the cornerstone of this year’s presentation. Comprising five limited-edition timepieces, this collection reflects our pioneering approach to watchmaking, merging bold materials with subtle nods to the Big Bang Original, as seen in the bezel, pushers, and straps. We also went beyond by introducing two extremely exclusive watch sets: the Big Bang 20^th Anniversary High Complication Set, featuring five high-complication timepieces with only one set in existence, and the Big Bang 20^th Anniversary Sapphire Set, limited to just five sets globally.

The High Complication Set celebrates the evolution of material mastery and our unorthodox approach to traditional complications. It’s a testament to the Big Bang’s enduring influence across the spectrum of fine watchmaking. The Sapphire Set, on the other hand, is a striking statement of Hublot’s reign as the undisputed master of sapphire innovation, with each piece housing our renowned in-house MECA-10 movement.

Beyond the anniversary pieces, novelties such as the Big Bang Joyful Collection, the Big Bang Unico Mint Green Ceramic, and the Big Bang Unico Water Blue Sapphire continue to embody what the Big Bang stands for: heritage, creativity, and, above all, relentless innovation.

We understand that you value a close relationship with the clients and collectors of the brands you represent, what can you tell us about this at Hublot and the community you’ve experienced so far?
The Hublotistas, as we call them, are the heart of our brand. I make it a point to meet them wherever I go – they are not just customers, they are our ambassadors. This community is vibrant, passionate, and proud to wear our timepieces. We’re working on more initiatives to engage directly with them and make them feel even more part of the Hublot family.

Could you share a little about the craftsmanship at Hublot and what has impressed you?
Our Manufacture is a hub of innovation and artistry. Whether it’s creating in-house movements like the Unico or developing materials such as Magic Gold or colored ceramics, there’s an incredible amount of technical mastery behind every watch. What impresses me most is the mindset, especially as our team is fearless when it comes to experimenting and pushing boundaries.

What can you tell us about Hublot in the Middle East and how you see this market within the global strategy?

The Middle East is a vital pillar of Hublot’s global strategy, both in terms of performance and cultural relevance. Dubai, for instance, is home to one of our top-performing boutiques worldwide, which speaks volumes about the region’s affinity for fine watchmaking and bold design. There is a true appreciation in the region for what makes Hublot.

We’re fully committed to deepening our presence in the region, not only through retail expansion but by creating meaningful, immersive experiences. The soft opening of our new flagship boutique in Riyadh is just the beginning. We’re preparing a special celebration for the grand opening later this year, which will truly reflect the significance of this moment for the brand.

What sets this region apart is the way it embraces luxury and celebrates culture. That’s why we give Middle Eastern milestones the same weight as global ones. A perfect example is our upcoming participation in Dubai Watch Week; a moment we’re very much looking forward to. Expect something extraordinary; we intend to make a statement worthy of the region’s passion and our shared ambition for excellence.

How do you envision partnerships and collaborations at the brand moving forward?
Our collaborations will continue to be driven by emotion, whether through art, music, or sport. These are pillars that speak to people on a deep level. But it’s not just about celebrity, it’s about authenticity. We want to work with people who embody our DNA: bold, creative, and disruptive.

What, in your opinion, is the most important issue or challenge the global watch industry is facing today?
I believe relevance is the key issue. In a digital world, where time is everywhere, we need to give people a reason to wear a watch; an emotional, cultural, or artistic reason. That’s why storytelling, innovation, and emotional connection are more important than ever.

What else is in the pipeline for the rest of 2025?
2025 is a pivotal year for Hublot; a moment of both celebration and transformation. As we mark the 20th anniversary of the Big Bang, we’re not only honouring our past but actively shaping the future of the brand. We will continue to unveil bold new timepieces and collaborations that push the boundaries of creativity, materials, and craftsmanship.

In parallel, we’re preparing impactful activations across our key pillars of art, music, and sport, areas that connect deeply with our community and reflect the emotional energy of the brand. Our boutique network will also undergo strategic growth, with a focus on enhancing the client experience and strengthening our presence in key markets.

As I mentioned earlier, both regional and global moments will play a defining role in the year ahead. From flagship openings to landmark cultural events, we are positioning Hublot at the forefront of horology and not just in innovation, but in influence. There is so much still to come, and I can confidently say: the best is yet to be revealed.

hublot.com

These are the pieces you need for summer 2025 and beyond.

Aquazzura

Aquazzura steps into a radiant new realm with the launch of its inaugural eyewear collection, marking a luminous evolution of its signature Italian sophistication. This curated debut transforms sunglasses into objets d’art — handcrafted in Italy and infused with the brand’s unmistakable flair for elegance, detail, and escapism.

The collection introduces three striking styles. Palm Beach recalls retro Italian summers with delicate rimless frames inspired by 1950s chandeliers and palm fronds, offered in sun-drenched translucent hues. Bella channels bold 1970s glamour through oversized aviator shapes, enriched by a sculptural 3D crocodile motif and gradient lenses. Meanwhile, Riviera reinvents the classic cat-eye in milky, two-tone acetate, echoing the luminosity of Murano glass with a fresh, contemporary twist.

Each frame carries a hallmark Aquazzura touch: a finely wrought metal palm leaf encased in the temple — a subtle yet distinctive signature. The launch is further elevated by luxe packaging, with each pair housed in a metallic clutch-inspired case nestled inside the brand’s iconic aqua blue box. As Aquazzura reimagines eyewear, its newest launch can be paired with key accessories from the existing collections.

Ferragamo

For Pre-Fall 2025, Ferragamo crafts a compelling return to its Italian roots with a cinematic narrative directed by acclaimed filmmaker Alice Rohrwacher. Presented in three chapters and filmed at the iconic Cinecittà studios, the short film will be released throughout the season. It reflects the house’s enduring connection to cinema and heritage. “We wanted to create a story that felt very Italian but was based around Hollywood cinema,” says creative director Maximilian Davis. “Alice has a very strong point of view… she can take a specific time and make it feel modern — and that’s exactly what we want to do.”

This spirit carries through into the collection’s accessories, where tradition meets reinvention. A standout tote features intricate laser-cut leather Gancini motifs woven into a tactile structure. Metal pilot sunglasses with sharp, row-cut mirror lenses nod to vintage glamour with a futuristic edge. Sandals burst with multicoloured raffia fringes and perch on cork spherical heels, bringing playful texture to grounded silhouettes. The Soft Hug bag is rendered in denim with a dark blue leather lining. At the same time, a patent black T-strap shoe gleams with a golden spherical heel — classic yet contemporary, much like Ferragamo’s new visual narrative.

Gianvito Rossi

Gianvito Rossi’s Summer 2025 collection is a masterclass in understated glamour, blending refined silhouettes with vibrant energy. Crafted for the modern woman on the move, it evokes the feeling of summer escapes — from city strolls to coastal soirées. At the collection’s core is a standout emerald green heel: a bold yet balanced statement piece. Its jewel-toned hue and sculptural form offer impact without excess — perfect for warm evenings, garden parties, or as a pop of colour with neutral tailoring.

For daytime ease, the collection offers sculptural summer flats that are as luxurious as they are practical. Clean lines, soft finishes, and impeccable craftsmanship ensure each pair is as suited to resort looks as they are to off-duty denim. Polished, effortless, and made to move with you, the collection celebrates the rhythm of summer in its most elegant form.

Moynat

The newest addition to Moynat’s heritage-rich ‘M’ Collection, the Hobo Bag offers the perfect blend of craftsmanship and casual elegance, making it a must-have for the summer season. Crafted in the House’s signature monogram canvas, this versatile silhouette is both lightweight and functional, ideal for long days out or spontaneous getaways. Its curved design rests comfortably under the arm, while the adjustable strap allows for an easy cross-body switch, whether you’re city strolling or beach-bound.

A nod to Moynat’s storied history in trunk-making, the bag’s structure and waterproof canvas reflect the brand’s ongoing innovation rooted in tradition. Available in a range of sun-soaked hues — from soft pink and lemon yellow to sky blue — it’s the ultimate warm-weather carryall. Chic yet practical, timeless yet fresh, Moynat’s Hobo Bag is summer’s perfect companion — as at home on the Riviera as it is in the heart of the city.

Roger Vivier

Roger Vivier’s Jardin à la Vivier collection, is a poetic ode to summer—light, luminous and joyfully theatrical. Set within the opulent Hotel de la Rochefoucauld-Doudeauville, the collection blossoms with floral whimsy and French formal garden elegance, brought to life through pastel tones, raffia textures, metallic glints, and airy silhouettes.

Designed by Gherardo Felloni, the collection is rich in storytelling and craftsmanship. From the supple Nappa ballerinas and colour-block slingbacks to the iconic Belle Vivier bag reinvented in powdery hues, every piece evokes the breezy charm of a summer garden. Raffia sandals, straw hats, and monogrammed holdalls make a strong case for sun-drenched escapes, whether seaside or city-bound.

With its romantic colour palette, natural textures, and effortless silhouettes, Jardin à la Vivier captures the very essence of summer: elegant yet relaxed, decorative yet wearable, with a refined joie de vivre that feels made for the season.

Schiaparelli

For Summer 2025, Schiaparelli reimagines one of its most iconic house emblems — the Measuring Tape — as a bold and playful motif across its accessories. First seen encircling the bottle of the Maison’s Shocking! perfume and Mae West’s bust, the tape now takes centre stage once again, this time adorning summer staples with surrealist flair.

Strappy sandals gleam with golden metal tape straps, effortlessly blending functionality with Schiaparelli’s irreverent spirit. Meanwhile, the signature Schiap bag returns in updated form, its clean lines wrapped in the Maison’s signature motif, making it an instant conversation starter. These accessories strike the perfect balance between whimsy and precision, ideal for sun-drenched escapes or city styling.

Lightweight, graphic, and laced with irony, the collection’s playful proportions and gilded details are made for warm-weather wardrobes. Equal parts couture and clever, Schiaparelli’s accessories are this season’s most artistic — and unexpected — summer essentials.

Tory Burch

Tory Burch brings a playful twist to summer style with her limited-edition collaboration with BonBon, the cult Swedish candy company. Inspired by the textures, colours, and joy of pick-and-mix sweets, the collection reimagines signature Tory pieces with a deliciously nostalgic edge.

Summer staples like the Miller sandal and mini Fleming hobo bag are coated in beadwork that mimics BonBon’s sour gummies, while puffy sandals in marshmallow shades of banana, strawberry, and vanilla are as soft and vibrant as they are wearable. Candy-shaped charms and earrings — from sour fish to salty liquorice twists — infuse accessories with whimsy, making every piece feel like a treat.

Perfect for sun-filled days and carefree dressing, this collection captures the lightness and fun of the season. With playful textures, pastel tones, and a sense of pure joy, it’s a sweet-tooth’s dream — and a fashion-forward take on summer indulgence.

The son of legendary filmmaker Francis Ford Coppola, Roman Coppola has carved out a distinctive creative path of his own—one that spans film, fashion, publishing, and technology.

In Dubai for Zegna’s Spring/Summer 2026 show, the acclaimed director, producer, and founder of The Directors Bureau opened up about his recent collaboration with the Italian fashion house, his growing friendship with the brand, and the cinematic parallels between storytelling on screen and on the runway. Here we discover more about how Coppola’s boundless curiosity continues to drive him, whether he’s behind the camera, nurturing creative communities, or exploring bold new ventures.

Fashion and cinema have long shared a visual and emotional dialogue. How do you see the two influencing each other today?

Many iconic films have influenced fashion, so there is definitely a connection. You see echoes of great characters and fantastic costume design in movies. When it comes to Zegna, I don’t see a specific connection between the brand and cinema, but in terms of a fashion show, there is also that spectacle, inviting the audience into the world of the brand. If I think about it more on a personal level, the reason I’m pleased to be connected with Zegna is that it’s a family business and Italian, which aligns with my heritage, so there are echoes between the brand and my life. I believe that interest in quality, tradition, and innovation is all very important to me. These pillars are all very similar to what I do in my business, in making films.

What are the common codes between you and Zegna?

Most importantly, it is that family feeling. Edoardo Zegna has become a friend, and he comes from a multi-generational lineage. In our family, we have a similar structure. So that’s at the core. I find Italian culture, as well as Italian cinema, to be very inspiring. Iconic style icons of mine were all men who had incredible style. And then, of course, quality. I think that’s one of the hallmarks of the brand, and it’s obviously very appealing to have the privilege of wearing clothes that are the ultimate in tailoring and high quality.

You have been working closely with Zegna on the brand’s recent “Born in Oasi” campaign, tell us about this project and the outcome?

Yes, I very much enjoyed the project we worked on together, and it was novel for me, as I normally work behind the camera. In that instance, I was not responsible for directing, but I got to be in front of the camera, which was a new experience. For any director, it’s a great experience to be in front of the camera, as you can understand more intimately what the actors are going through.

The setting was incredibly beautiful. We were up on the mountainside, and you could feel the history. It really is a beautiful oasis. My career and life are driven by my curiosity, and I was eager to visit Oasi Zegna, as I had never been to that part of Italy.

We got to stay at a local hotel, which is connected to the family. We had local food, and a local choir performed. There were many aspects of that experience that held meaning for me. Friendships were formed; it was a truly humbling family experience with people who share a similar love for beautiful things, family, and integrity.

How would you describe your personal style, and what does fashion mean to you on a personal level?

When I think of style, I think of Italian actor Marcello Mastroianni. He had a really playful personality, and his style was tailored and stylish but very loose and formal at the same time. I love that kind of relaxed formal that has a playful side to it. Different combinations of unexpected details, playing with details a little.

In my daily life, I have different modes. When I show up on set, for example, I always wear a suit and tie because I feel I’m embodying the role of a creative leader on a shoot, so I dress for that role. And then, when I go on vacation, I’ll wear my Hawaiian shirt and shorts – so I do like the variability of dressing for where I may be or what I may be doing. It’s almost like you are dressing for these roles.

I also love handmade things. I have a shirt maker who has made my shirts for many years. I love bespoke things, and so when I work with Zegna, they accommodate my preferences, and that’s fantastic.

Your creative output spans film, writing, advertising, and more. What’s the common thread that connects your projects?

I’m reflecting on that more and more because as you mature, you start to look back at what you’ve done and where you’re heading, and I think it’s really driven by curiosity and seeking new experiences and less about the work and the product, but more about the life you lead.

Wes Anderson and I just made a film together, and of course, the final film is a physical record of what we did, so people want to talk about the movie, which is the outcome of this period of time, but I really see it more as a continuum. We have completed many projects in the past, and we’re currently working on the next one. So, I view it as a thing you do or make; it’s more about the life you live. I always want to try new experiences and meet interesting people. To me, interesting people are those who are passionate and curious about specific things. People who have incredible knowledge about a particular thing. That’s sort of what I live for. Meeting people who are so enthusiastic about something. In fact, I started a magazine called “Enthousiasmos”, which follows this notion.

I’m always looking for new experiences, new places to visit, new food to eat, new cultural experiences, interesting things – I tend not to repeat myself. If you look at my work, I have done a very wide range of endeavours, and I like to keep it that way in my work too. It can be a little fractured or dazzling and I know there are other film makers, who have more of a clarity about what they do – Wes Anderson is one, my sister is the same – but mine is much more spread out, I have done such a wide range of things, and I think that reflects my personality. I enjoy living a life where I’m always discovering new things.

For Summer 2025, luxury houses are embracing breezy silhouettes, bold palettes, and a renewed sense of ease. Here’s what to wear when the mercury rises.

The New Short Suit

Fendi

The tailoring trend gets a warm-weather upgrade with sharply cut suits paired with tailored shorts — a smart solution for city dressing in the heat. Dior Men led the charge with streamlined monochrome sets in tonal greys and dusty blues, while Fendi offered relaxed fits with soft layering in linen and silk blends. The effect? Boardroom polish meets vacation ease.

Coastal Neutrals

Zegna

Earthy tones and off-whites are the new go-to for understated summer luxury. Zegna’s collection was a masterclass in tonal dressing, layering shades of sand, ecru, and bone across fluid tailoring and soft knitwear.

Loro Piana

Loro Piana followed suit with suede slip-ons and linen overshirts in sun-faded hues, ideal for Mediterranean escapes or barefoot dinners by the sea.

Sleeveless Statements

Gucci

This season’s ultimate power move? No sleeves. From Gucci’s sleeveless tailoring to Loewe’s sculptural muscle tees, arms are the new focal point. Best worn with wide-leg trousers or shorts, this trend blends sport and sophistication effortlessly.

Luxe Utility

Prada

Functional fashion gets a luxe rethink. Hermès delivered safari jackets, tech-fabric vests, and multi-pocket trousers in rich tobacco tones, while Brunello Cucinelli added refinement with lightweight cotton cargos and polished leather sandals. Think performance with polish.

High-Gloss Finishes

Giorgio Armani

Shine isn’t just for eveningwear anymore. Bottega Veneta showcased patent-effect outerwear and glossy leather shirts in bold jewel tones, while Givenchy offered a more minimalist take with metallic accents and high-shine accessories.

Elevated Beachwear

Gucci

Gone are the loud logos and garish prints — this summer’s swimwear is refined. Tom Ford brought retro-inspired short shorts in rich colours and silk textures, while Amiri introduced coordinated beach sets with artisanal embroidery and soft, vacation-ready fabrics.

We’ve put together a round-up of our favourite Summer Capsule pieces for 2025.

This season, embrace a quieter kind of glamour with fluid tailoring, weightless layers, and light fabrics made for long summer days.

Burberry

Burberry welcomes the heat with High Summer 2025 — a playful, sun-drenched capsule that blends British wit with effortless elegance. Designed by Chief Creative Officer Daniel Lee, the collection is unveiled through a spirited short film and a series of global lifestyle activations that extend the brand’s signature codes into full summer mode.

The campaign film, Wish You Were Here, stars Rosie Huntington-Whiteley, British tennis player Jack Draper, models Alva Claire and Babacar N’Doye — and a few surreal extras, including a lone scuba diver. Shot on nostalgic 35mm, it captures lazy afternoons on yacht decks, melting ice lollies and sun-soaked lilos, evoking what Lee calls a “Burberry celluloid postcard – an arc of British idiosyncrasies and humour, with factor 50 on.”

The collection itself is relaxed but refined. Classic Burberry checks are reworked across swimwear, shirt dresses, and separates, while nautical details — think rope-knot logos and sailboat motifs — feature on silk shirts and shorts. Accessories lean into texture, with crochet-knit bags, jacquard weaves, espadrilles and slides that complete a wardrobe built for coastal escapes. “Burberry is a brand for all the seasons,” says Lee. “This is about capturing the joy of the British at play.”

burberry.com

Celine

The ÉTÉ CELINE 2025 collection is a refined immersion into the art of summer living, filtered through the lens of Hedi Slimane’s signature minimalism. Drawing inspiration from the timeless charm of Saint-Tropez and the natural elegance of the French Riviera, ÉTÉ CELINE strikes a balance between relaxed luxury and sharp urban style. It’s designed for the modern woman in motion — someone who moves seamlessly from the city to the coastline without compromising on polish or ease.

The ready-to-wear pieces offer a curated summer wardrobe: crisp linen tailoring, airy dresses that flirt with the breeze, and lightweight knits in a palette of neutrals punctuated by soft nautical blues. There’s a subtle sensuality woven through the collection — silhouettes that skim the body, necklines that dip just enough, and fabrics that feel as good as they look.

Accessories take centre stage, especially CELINE’s exquisite raffia bags — each crafted using artisanal techniques that celebrate texture and tactility. Whether paired with bare shoulders or oversized sunglasses, these bags channel understated glamour with a Côte d’Azur twist.

Etro

ETRO’s Summer 2025 capsule collection is a radiant ode to Mediterranean elegance, weaving together the spirit of travel, artisanal heritage, and sun-soaked vibrancy. Inspired by the islands and coasts of the Mediterranean, the collection bursts with colour, from warm spicy tones to cooling sea blues, and flourishes with the house’s signature prints — think majolica tile motifs, blooming gardens, and timeless Paisley patterns.

Lightness defines the women’s collection, with airy silhouettes cut from cotton poplin, silk twill, jacquard, and linen-cotton denim. Intricate details such as fil coupé embroidery and fringed trims enhance flowing dresses, floral separates, and breezy beachwear. The effect is both carefree and exquisitely refined.

For men, the collection spans laid-back and tailored essentials: swim trunks and printed shirts meet suede jackets and sharp blazers, all featuring bold arabesque motifs and tropical bird of paradise prints, extending to silk ties and pocket squares.

Adding a standout twist this season is ETRO’s collaboration with Italian artist Agostino Iacurci. Known for his expressive use of colour and nature-inspired forms, Iacurci lends his touch to special-edition pieces, including Arnica fabric bags, cotton totes, scarves, and graphic tees. The result is a joyful fusion of contemporary artistry and ETRO’s enduring textile tradition — a Mediterranean escape in wearable form.

Etro.com

Loewe

LOEWE’s Paula’s Ibiza 2025 collection captures summer not as a destination, but as a feeling — a radiant, carefree energy that pulses whether you’re in the city or by the sea. Drawing on the spirit of Paula’s, the legendary boutique that defined Balearic bohemia, the collection channels freedom, vitality, and the thrill of spontaneity.

Shot in Comporta, Portugal by Gray Sorrenti, the campaign features LOEWE ambassador GISELLE, actors Jamie Dornan, Sophie Wilde and Enzo Vogrincic. Framed by raw natural surroundings — windswept sand, driftwood fences, sun-bleached skies — they appear immersed in quiet moments of joy and ease. That same effortless spirit is woven into the collection’s aesthetic: fluid silhouettes, natural fabrics, handcrafted detailing and sun-faded palettes.

Women’s dresses and skirts are breezy and tactile, embellished with compass and feather motifs, while men’s denim arrives in patterned co-ords or soft pastel hues. Accessories are standout: the new Ola bag and crocheted Punch Hole Hobo blend traditional raffia craftsmanship with contemporary shapes, while whimsical charms shaped like tomatoes and flowers bring light-hearted detail.

With espadrilles reimagined, Grateful Dead prints, and bucket hats beaded or fringed with blooms, LOEWE Paula’s Ibiza is a joyous, elevated ode to summer’s most playful side, wherever you happen to be.

Loewe.com

Elie Saab

Elie Saab’s Summer Escapade collection captures the carefree spirit of high-season travel with effortless glamour and a sense of breezy refinement. Designed for sun-drenched adventures and balmy evening strolls, the capsule blends sunset hues, fluid silhouettes, and elegant textures to create a wardrobe fit for every sun-kissed moment.

Available in stores now, the collection is defined by its versatility and mix-and-match sensibility. Chiffon and cotton flow freely in playful cuts and relaxed tailoring, while two standout prints — a bold palm frond and a painterly, Rothko-style stripe — bring visual energy to kaftans, belted playsuits and easy-going mini dresses.

Macramé trim and scalloped edges lend a carefree charm to daywear, from lemon-hued shorts sets to vibrant orange maxis. The timeless white dress is reimagined with eyelet embroidery and geometric ruffles, perfectly paired with raffia accessories like monogrammed clutches and bucket hats.

As the sun sets, the collection turns to soft glamour. Sparkling crochet co-ords shimmer under golden light, while feather-light knits and flowing palazzo trousers evoke a relaxed bohemian mood. Evening pieces are elevated with coral reef-inspired embroidery in pink and blue, and pearlescent paillettes that glisten like mermaid scales.

Rounding off the edit is a chic new swimwear offering — the brand’s first — featuring an elegant azure bikini and a plunging sienna one-piece. Summer Escapade is a radiant wardrobe of memories in the making, crafted for women who carry the glow of summer wherever they go.

ElieSaab.com

Weekend Max Mara

Weekend Max Mara’s Spring/Summer 2025 Signature collection offers a refined wardrobe crafted for the ease and elegance of sun-drenched escapes. From city strolls to seaside lounging, the collection balances carefree sophistication with playful femininity, resulting in a versatile lineup made for the modern traveller.

Signature staples of the house are given a fresh update: think classic trench coats reimagined with brushstroke motifs, fluid shift dresses, flirty off-the-shoulder silhouettes, and cropped blouses paired with sleek pants. There’s a recurring mix-and-match energy that defines the collection — halter tops styled with swingy skirts, tank tops over voluminous midis — each combination designed to carry wearers from a late brunch in town to an evening by the sea.

Textiles take centre stage, with luxurious cottons, linens, and featherlight denim providing the perfect canvas for lively, summer-ready prints. Dainty florals, abstract graphics, and hazy checks inject visual interest without overpowering. The palette spans juicy sorbets, crisp pastels, rich pinks, and teals, evoking a spirited Mediterranean sensibility.

Accessories complete the collection’s charm: the iconic Pasticcino Bag is interpreted in printed canvas and woven raffia, adorned with signature boules. Strappy sandals, pearl-accented mesh flats, and statement jewellery add the final touch to this light-hearted yet elevated wardrobe — a celebration of style, movement, and mood.

maxmara.com

Rabanne

Rabanne steps into the rhythm of Rio de Janeiro with Atlantic Allusions, a vibrant tribute to the city’s funk scene and its cultural heartbeat — the baile. Rooted in the twilight hours between night and day, the collection evokes the energy of after-hours dance floors, favela beauty rituals, and the unspoken poetry of everyday gestures.

Directed by Emmanuel Cossu and photographed by Rio-born artist Melissa de Oliveira, the campaign centres not on fantasy, but on the lived realities of the community — its heat, hustle, and humanity.

Rabanne’s creative nod extends beyond fashion to its founder’s legacy. In the 1980s, Paco Rabanne launched a funk and soul record label and opened Black Sugar, a Paris club dedicated to Afro-Caribbean music. He broke boundaries by casting Black models in a fashion system still catching up — and it’s that same ethos of radical inclusion that informs this new chapter.

The collection itself echoes Rio’s layered identity: metallics shimmer like sunrise over the sea, fabrics sway like sound waves, and silhouettes blur the line between party and power. It’s not just an aesthetic — it’s a deeply respectful homage to the communities who live and define this culture daily. With Atlantic Allusions, Rabanne amplifies their voice, inviting the world to dance to Rio’s beat.

Rabanne.com

Our Prada shoot this month explores the delicate fabrics and sharp lines in the house’s “Days of Summer” collection. 

Scroll down for all of the key pieces from the house.

Embroidered Batiste Shirt, Buckle Leather Bucket Bag, All Prada

Silk midi-dress, Buckle, Leather Bucket Bag, Leather Mules, All Prada

Printed Georgette Dress, Cotton Socks, Galleria Printed Leather Bag, All Prada

Floral Print Pongé Top Nappa Leather Pants Suede Boots Galleria Suede Bag with fringe All Prada

Floral Print Pongé Dress, Galleria Leather Bag, Brushed Leather Loafers, All Prada

Ribbed Cotton Top, Kid Mohair Blouson Jacket, Cotton Poplin Shorts, Cotton Socks, Brushed Leather Sandals with buckle, Buckle Leather Bucket Bag, All Prada

Embroidered Vintage-look fabric mini-dress, Stretch Bra, All Prada

Ribbed Cotton Top, Hat All Prada

Credits:

Founder/Editor in Chief: @lara_mansour

Photography: @jakubplesniarski at @mmgartists

Fashion Direction: @lindsay.judge

Hair and makeup:@maurodhernanmakeup at @mmgartists

Model: Ulyana at @fashion_league_uae

Location: The Ritz-Carlton Ras Al Khaimah, Al Wadi Desert

Our June Louis Vuitton cover shoot explores the theme of contrasts through the maison’s SS25 collection by Nicolas Ghesquière.

The shoot took place at the historic Bait Al Naboodah in Sharjah.

Crew Neck Cardigan, Knitwear Pull Over, Belted Bottom Hem Balloon Pants, LV Rider MM, Podium Flat, Midnight Pearl Sautoir, all Louis Vuitton

Sleeveless Asymetric Buttoned Dress, One Leg Pants, Side Trunk Pm Monogram Bold, Color Blossom BB Star and Sun Multi-Motif Long Necklace, Pink Gold, Malachite and Diamonds, Color Blossom BB Star and Sun Multi-Motif Bracelet, Pink Gold, Malachite and Diamonds, Color Blossom Mini Star Ring, Pink Gold, Malachite and Diamond, Color Blossom Mini Sun Ring, Pink Gold, Pink Mother-of-Pearl and Diamond, all Louis Vuitton

Knotted SL Yoke Jacket, LV Rider MM, Podium Pump, all Louis Vuitton

Color Blossom BB Sun Pendant, Pink Gold, Cornelian and Diamond, Color Blossom BB Sun Bracelet, Yellow Gold, Onyx and Diamond, color Blossom Mini Sun Ring, Yellow Gold, Onyx and Diamond, all Louis Vuitton

Color Blossom BB Sun Ear Stud, Yellow Gold and Amazonite, Color Blossom BB Sun Pendant, Yellow Gold, Onyx and Diamond, Color Blossom BB Sun Pendant, Yellow Gold, Amazonite and Diamond, Color Blossom Mini Sun Ring, Pink Gold, Pink Mother-of-Pearl and Diamond, Color Blossom BB Sun Bracelet, Yellow Gold, Amazonite and Diamond, all Louis Vuitton

V-Neck Pleated Dress, Belted Jaipur, Podium Flat, all Louis Vuitton

Capucines East-West Mini Louis Vuitton

LV RIDER MM, Louis Vuitton

Credits:

Founder and Editor-in-Chief: Lara Mansour

Photography: Patrick Sawaya

Fashion Direction: Lindsay Judge

Hair and Makeup: Sophie Leach

Model: Mariam at NDS Models

Location: Bait Al Naboodah

From Kosas to Rhode and Touchland, we’ve created a round-up of the cult beauty brands you need this summer.

Kosas

Kosas is clean beauty with serious credentials. Founded by Sheena Zadeh-Daly, this California-based brand merges skincare with makeup for a hybrid approach that suits modern routines. Its cult-favourite Revealer Concealer does more than cover — it brightens, hydrates, and smooths, thanks to a formula packed with caffeine, peptides, and hyaluronic acid.

The Wet Lip Oil Gloss and Cloud Set Setting Powder are equally beloved, offering performance without compromising skin health. What makes Kosas stand out is its skin-first mindset and effortless finishes — all while staying inclusive, cruelty-free, and easy to wear. Available at Sephora Middle East, Glamazle, and Gomyz.

Saie

At the forefront of the “clean girl” aesthetic, Saie is the beauty brand for those who want glow without the guilt. Founded by former Estée Lauder exec Laney Crowell, Saie prioritises sustainability, clean ingredients, and transparency — all packaged in sleek, Instagram-ready tubes.

Hero products like the Glowy Super Gel and Slip Tint SPF offer a luminous, barely-there finish that’s ideal for summer days and desert climates alike. Saie isn’t about covering up; it’s about enhancing what’s already there. With a loyal following on TikTok and across celebrity circles, the brand is now making waves in the UAE — available through Sephora Middle East and local e-retailers.

Asteri

Proudly born in the region, Asteri is a Saudi beauty brand gaining attension for its skin-first philosophy and climate-adapted formulas. Founded by Sara Al Rashed, Asteri blends high-performance actives with clean, vegan formulations, designed specifically for the Middle East’s harsh sun, humidity, and pollution. Its standout product? The Supernova Serum Foundation, which combines skincare and lightweight coverage in a formula that stays put through the region’s hottest months.

With its sleek aesthetic, empowering message, and inclusive tone range, Asteri is redefining what Arab beauty looks like — and giving international brands serious competition. Available online in the UAE, it’s fast becoming a regional beauty hero.

Simihaze

Twin sisters and influencers Simi and Haze Khadra have translated their creative, fashion-forward energy into Simihaze Beauty, a brand made for bold expression and quick impact. Combining playful packaging with pro-level performance, their Velvet Blur Matte Lip Balm and Solar Tint Blush Duo have become favourites among cool-girl crowds. Each product is designed for intuitive use — ideal for on-the-go glam or creative layering.

The aesthetic is part retro-futurism, part Middle Eastern minimalism — a refreshing mix that speaks to the next generation of beauty lovers. Available at Sephora Middle East, Simihaze Beauty is one of the most exciting Gen-Z-led brands to land in the region.

Byoma

Byoma is the skincare disruptor that’s taking the internet — and vanities — by storm. With its barrier-focused approach, the UK-based brand is all about restoring skin health with ceramides, niacinamide, and gentle actives. The Moisturising Gel Cream and Hydrating Serum are cult favourites, designed to simplify your skincare routine without sacrificing efficacy.

Colour-coded packaging and transparent ingredient lists make Byoma especially appealing to Gen Z and skincare newbies, but its results-driven formulas have won over even seasoned beauty lovers. Available through Cult Beauty and global shipping platforms, it’s the kind of brand that delivers more than it costs — a rare feat in today’s saturated market.

Rhode

Founded by Hailey Bieber, Rhode is the blueprint for modern minimalism in skincare. The now-viral Peptide Glazing Fluid and Barrier Restore Cream are core to Hailey’s now-famous “glazed doughnut” skin look, and they deliver on their promise of dewy, healthy skin.

The line is intentionally concise, free of fragrance and fillers, and focused on barrier repair — a message that’s resonated with young consumers worldwide. Rhode’s sleek packaging, affordable luxury positioning, and influencer backing have turned it into a cult must-have. Now available in the UAE via Cult Beauty and selected e-commerce platforms, Rhode is fast becoming the go-to for skincare minimalists with maximal glow.

Touchland

Meet Touchland — the cult beauty brand redefining the humble hand sanitiser into a stylish, skincare-forward essential. Beloved by celebrities and beauty insiders alike, Touchland’s signature Power Mists combine sleek, capless packaging with mood-lifting scents developed by fragrance house Givaudan. These chic sprays hydrate while they sanitise, offering a sensorial ritual in every spritz.

Launching exclusively in the Middle East at Sephora, the brand arrives with six key scents, including fan-favourites like Rosewater, Rainwater, and Beach Coco. Beyond their skincare benefits and aesthetic appeal, Touchland’s products are award-winning and instantly Instagrammable, making them the ultimate handbag accessory. With new body and hair mists on the way, Touchland continues to elevate everyday hygiene into an indulgent, joy-filled moment of self-care.

Mercedes-Maybach has raised the bar once again, introducing what is arguably the brand’s most dynamic and design-driven model to date: the Mercedes-Maybach SL 680 Monogram Series.

A compelling fusion of heritage elegance and sporting spirit, this newly launched two-seater convertible is the fourth model in the Maybach portfolio — and it’s here to transform the concept of open-top motoring.

Touted as the sportiest Maybach yet, the SL 680 offers a heady blend of power, precision, and poised luxury. With its 4.0-litre biturbo V8 engine delivering 585 hp, semi-active hydraulic roll stabilisation, and 9G-TRONIC automatic transmission, the vehicle is equally suited to spirited drives along winding coastal roads and serene cruising under cloudless skies. Rear-axle steering and variable all-wheel drive add further finesse to the experience, while a suite of drive modes — including the brand-exclusive “Maybach” setting — ensures a ride that’s as smooth as it is refined.

Yet this isn’t just about performance. The new SL Monogram Series is also a sensory experience that looks as good as it performs.

At the heart of the launch are two striking design concepts: White Ambience and Red Ambience, which reinterpret Maybach’s signature two-tone exterior with a modern, artistic edge.

Whether rendered in Obsidian Black with Opalite White Magno or Garnet Red Metallic, each version radiates pure theatre — elevated by gleaming chrome detailing, a dramatic new A-shaped grille, illuminated branding, and even a rose gold accent in the headlights.

Inside, the experience is pure Maybach: elegant, spacious and cocooned in MANUFAKTUR Exclusive Nappa leather in crystal white. Chrome trim, floral seat design motifs, and a calm, expansive colour palette lend the cabin an almost gallery-like feel. The layout is made to be admired, but more importantly, to be lived in.

The design customisation doesn’t stop there. Over 50 exterior paint options are available through the MANUFAKTUR personalisation programme, drawing inspiration from precious stones, minerals, and classic heritage tones.

On request, an optional PixelPaint bonnet — debuting on this model — can be added. Created using a cutting-edge, inkjet-like process with 1,000 individual nozzles, this innovation brings precision artistry and sustainability to luxury car design, producing detailed motifs without spray mist or waste.

The car’s acoustic environment has also been engineered to near perfection. Noise-dampening aluminium, acoustic foams, and a highly insulated exhaust system ensure that even at speed, the experience remains hushed — serene, even. The signature Maybach sound profile is present but muted, preserving a sense of tranquillity that few convertibles can match.

In a clever lifestyle twist, Mercedes-Maybach has launched a limited Icons of Luxury capsule collection to complement the car. Available online and in select boutiques, the collection includes a leather jacket, sneakers, scarf, shopper bag, and even a dog carrier — all inspired by the colourways and materials of the SL Monogram Series.

Whether you choose to make a statement with the vibrant Red Ambience or lean into the crisp elegance of White Ambience, the Mercedes-Maybach SL 680 Monogram Series is no ordinary convertible. It’s a reimagining of modern luxury — bold, expressive, technically refined, and unmistakably Maybach.

mercedes-benz.com

At the inaugural edition of Downtown Design Riyadh, designer Noura Suleiman introduced the world to Mezlaj Furniture.

The company is her newly launched brand that blends traditional Saudi aesthetics with contemporary design language, alongside her established interiors studio NWII.III Interiors. The debut marked a milestone not only in her personal creative journey but also in the evolving narrative of Saudi design.

With a deep reverence for her cultural heritage, Suleiman draws from the textures, forms, and architectural details of the Kingdom’s past, reimagining them through a modern lens. Here, she reflects on the role heritage plays in her work, the significance of presenting at Downtown Design Riyadh, and why Saudi Arabia’s design industry is entering a powerful new era of global visibility and creative exchange.

What can you tell us about your interiors company NWII.III?

NWII.III Interiors was truly the starting point for everything that followed. It’s where we experimented and learned firsthand about furniture design, quality, and craftsmanship, working closely with internationally renowned brands to curate and procure pieces for clients with exceptionally high standards in style, taste, and quality of life. This exposure taught us what sets global brands apart, what draws attention, and what both Saudi and international markets value in furniture.

Through NWII.III, we often designed interiors inspired by Saudi heritage, and we also experienced the realities of local manufacturing, especially for fast-paced projects. This helped us deeply understand the industry, the market’s needs, and the importance of blending tradition with innovation. Ultimately, NWII.III became the foundation where we built our expertise, paving the way for launching our own furniture line and shaping our vision for Saudi design on a global stage.

Tell us about the universe of Mezlaj Furniture.

Mezlaj Furniture is where Saudi heritage, storytelling, and contemporary design come together to create more than just furniture. It’s about crafting experiences and emotional connections. Inspired by the stories and artistry passed down by our ancestors, Mezlaj was born from a passion for art history and a desire to document and celebrate the Kingdom’s rich craft traditions, which are often overlooked.

Each piece is a modern interpretation of Saudi culture, blending traditional motifs and materials with innovative design. Through our collections, content, and community engagement, we invite people to connect with their heritage and each other, making Mezlaj not just a brand but a living story that honours the past while shaping the future. By exporting Saudi heritage to the world, Mezlaj shares these stories globally, inviting international audiences to experience and appreciate the depth and beauty of our culture.

What inspired you to launch this brand?

The inspiration behind Mezlaj Furniture was a deep passion for art history and a desire to celebrate and document the richness of Saudi heritage, especially the stories, crafts, and traditions that often go unrecognised. When Vision 2030 was announced, it was a pivotal moment for us. We began extensive research, documentation, and design work, building an archive that captured the essence of our culture, waiting for the right time to share it.

The announcement of the Saudi Architectural Chapters signalled that the moment had arrived. We decided to unveil part of our work, showcasing how Saudi stories, motifs, and craftsmanship could be reimagined through contemporary furniture design. Our goal is not only to connect people locally to their heritage but also to export Saudi culture to the world, inviting global audiences to experience the beauty and depth of our traditions.

Mezlaj is a living narrative where design, storytelling, and community come together to honour the past, shape the future, and contribute to the vision of a vibrant, creative Saudi Arabia.

How do you combine your Saudi heritage and contemporary design elements in everything you do?

Combining Saudi heritage with contemporary design is at the heart of everything we do. We start by drawing inspiration from the stories, motifs, and crafts passed down through generations, then reinterpret them using modern forms, materials, and techniques. This approach allows us to create pieces and spaces that feel both deeply rooted in Saudi culture and fresh for today’s world. For example, we might incorporate traditional patterns, calligraphy, or locally sourced materials like stone and intricate tiles, but reimagine them in minimalist or innovative ways that speak to a global audience. Our design process is never about choosing between tradition and modernity—it’s about creating a dialogue between them, so each project becomes a unique narrative that honours the past while embracing the present. Through this blend, we aim to foster emotional connections, spark curiosity, and invite people—locally and internationally—to experience Saudi heritage in a new light, whether through a single piece of furniture or an entire interior environment.

How do you consider sustainable elements in your projects and products?

Sustainability is a guiding principle in all our projects and products. We carefully select FSC-certified, natural wood for our furniture, and we are currently experimenting with wood that grows naturally in Saudi Arabia to reduce our environmental impact further and celebrate local resources. Our designs allow us to use only low-VOC finishes, staying true to traditional methods while promoting healthier indoor environments. We are also committed to waste reduction by creatively reusing excess wood, fabric and foam offcuts from production—reimagining them into new, functional pieces instead of letting them go to waste. Ultimately, our approach to sustainability is holistic: we aim to create timeless, high-quality pieces that respect both the environment and the cultural stories they carry, ensuring our work contributes positively to both people and planet.

Tell us about what you have presented at Downtown Design Riyadh?

At Downtown Design Riyadh, we were proud to present our very first exhibition and officially launch Mezlaj as a furniture brand. For this debut, we showcased our inaugural collection, which draws inspiration from the rich heritage and unique aesthetics of the Najd region. Each piece reflects the stories, motifs, and craftsmanship of Najdi culture, reimagined through a contemporary lens. We’re excited to share that this is just the beginning—future collections will explore and celebrate the diverse design heritage of other regions across the Kingdom, offering new narratives and perspectives with each release.

How do you think this event is helping to raise awareness and shape the future of the design landscape in Saudi Arabia?

Downtown Design Saudi is playing a transformative role in raising awareness and shaping the future of the design landscape in Saudi Arabia. As the Kingdom’s first fair dedicated to contemporary and high-end design, it brings together global brands, regional talents, and Saudi creatives under one roof, creating a unique platform for collaboration and cultural exchange.

The event is closely aligned with Vision 2030, supporting the Kingdom’s investment in culture and creativity and positioning Saudi Arabia as a global destination for design. By showcasing both international excellence and local innovation, Downtown Design Saudi not only spotlights Saudi identity and heritage but also sets new standards for quality, creativity, and dialogue in the industry. The fair helps connect Saudi talent with global networks, encourages experimentation, and fosters a dynamic, forward-looking design community that reflects the country’s rich cultural identity while embracing the future.

How would you assess the industry in Saudi Arabia today, and where would you like to see it go in the future?

Saudi Arabia’s design and furniture industry today is vibrant and rapidly evolving, shaped by the remarkable taste, openness, and worldliness of the Saudi people. For decades, Saudis have been exposed to global trends, and their appreciation for art, style, and quality is reflected in every aspect of the industry. This has fostered a market where both tradition and innovation are celebrated, and where local talent is thriving alongside international influences.

In recent years, the industry has seen significant growth, with all eyes now on Saudi Arabia and its creative talents. The sector is expanding thanks to ambitious government initiatives, Vision 2030, and a renewed focus on cultural heritage, craftsmanship, and luxury. Saudi designers are not just following trends—they are setting them, blending heritage with contemporary design to create something uniquely Saudi that resonates both locally and globally.

Looking ahead, I hope to see Saudi design become an essential part of the country’s tourism experience—something that draws people to visit, explore, and connect with our culture through art, interiors, and craftsmanship. I also want to see our heritage and creativity exported worldwide, showcasing the Kingdom’s standards of luxury, culture, and authenticity. At the same time, I believe in welcoming global influences into Saudi Arabia, enriching our scene without losing sight of what makes Saudi design so special: our deep-rooted identity, commitment to quality, and pride in our heritage.

What’s the biggest challenge?

One of the biggest challenges I face as a creative is striking the perfect balance between honouring our rich Saudi heritage and pushing the boundaries of contemporary design. It’s about staying true to our cultural roots while also innovating and creating something new and relevant for today’s world. Navigating this space requires sensitivity, patience, and a constant willingness to learn and adapt. At times, it means challenging expectations—both my own and those of others—while ensuring that every piece or project remains authentic and meaningful. But I see this challenge as a source of strength and inspiration. It pushes me to elevate my work, to collaborate with others, and to contribute to a design landscape that is both proudly Saudi and globally resonant.

Who is Noura Suleiman, the woman behind the brand?

I am a proud Saudi woman who recognises the incredible opportunities opening up for women in a time when our country is experiencing remarkable growth and transformation. I chose to embrace this moment and express myself through design, working alongside a team of dreamers and passionate individuals who share my vision. Together, we are committed to celebrating our heritage, pushing creative boundaries, and making a meaningful contribution to the evolving story of Saudi Arabia.

What would you still like to achieve?

There is still so much I would like to achieve. I dream of seeing Saudi design recognised and celebrated on a global stage, with our heritage, craftsmanship, and contemporary creativity inspiring people around the world. I hope to expand Mezlaj’s reach internationally, creating collaborations that bridge cultures while staying true to our roots.

I also want to continue empowering and mentoring the next generation of Saudi creatives, helping them find their voice and place in the industry. Ultimately, I would love for our work to become a source of national pride and a reason people are drawn to visit Saudi Arabia—to experience our stories, artistry, and innovation firsthand.

What advice would you give to anyone hoping to get into the design industry?

Immerse yourself fully in the creative process. For me, some of the most valuable lessons have come from working closely with artisans and other creatives—listening, observing, and learning from their expertise and passion. Never stop researching and exploring; understanding both the history and the evolving trends of design will enrich your own work.

I also believe in the power of sketching by hand. Don’t rely solely on computers—let your ideas flow freely on paper first. This keeps your creativity authentic and personal. And while social media can be a helpful tool, I encourage you to spend less time online and more time in nature. Inspiration often comes from real experiences, quiet moments, and observing the world around you. Stay curious, keep learning, and surround yourself with people who inspire you. Most importantly, be patient with yourself and enjoy the journey—every project and collaboration is an opportunity to grow and define your own unique voice in the world of design.

What inspires you?

I find inspiration in the poetry of everyday life and the beauty that surrounds us—whether it’s a moving poem, a soulful song, or a story that lingers in the mind, be it rooted in history or spun from imagination. The breathtaking scenery of Saudi Arabia, from its golden deserts to its vibrant cities, constantly fuels my creativity, as does travelling across the Kingdom and discovering the richness of our heritage in fashion, textiles, and architecture.

Fashion, art, and design—both local and global—captivate me, especially when they evoke emotion and engage the senses. I am drawn to anything that enriches and fulfils all five senses: the texture of a handwoven fabric, the scent of oud, the interplay of light and shadow, the rhythm of music, and the taste of tradition. My style is shaped by this tapestry of influences, always seeking elegance, depth, and a sense of story in everything I create.

What is the professional motto you live by?

“Honour your roots, embrace curiosity, and create with purpose.” I believe that staying true to my heritage while always seeking new knowledge and experiences allows me to design with meaning and authenticity. Every project is an opportunity to tell a story, inspire others, and leave a positive, lasting impact.

What else is coming up this year?

This year is shaping up to be truly exciting for us. We just launched Mezlaj at our very first exhibition during Downtown Design Riyadh and looking ahead, we’re already working on new collections that will celebrate the diverse heritage of other regions across Saudi Arabia.

We’re also exploring opportunities to participate in more regional and international design events, further expanding Mezlaj’s presence and sharing Saudi craftsmanship with the world. As the design scene in Saudi Arabia continues to grow and attract global attention, we’re committed to being part of this creative movement, introducing new collaborations, innovative pieces, and experiences that reflect the richness and evolution of Saudi design.

nw2point3.net

In just under a decade, Hiba Jaber Jewellery has quietly cemented its place in the jewellery boxes of royals, creatives and tastemakers across the region. Founded by Hiba Jaber, a Palestinian-Moroccan designer raised in Jordan and educated in London and Florence, the label is a reflection of its founder’s rich cultural tapestry and global perspective.

With a Diamond Gemologist degree from GIA and formal training in Italy’s most esteemed jewellery ateliers, Jaber brings both technical mastery and soulful intention to each piece she creates. Her Dubai-based brand, now in its eighth year, is celebrated not just for its delicate forms and bespoke Arabic calligraphy, but for the deeply personal narratives it helps its wearers express.

In this interview, Jaber shares the inspiration behind her latest collections, how her nomadic upbringing continues to shape her creative vision, and why building a brand rooted in emotion and authenticity will always matter more than following trends.

Tell us about Hiba Jaber Jewellery today.

It’s been eight years since we launched Hiba Jaber with our signature thin Duo Rings. What started with two letters has evolved into a full range of pieces, all built around the idea of meaningful personalisation, whether through initials, names, or symbols. Today, we offer both fully customised and ready-to-wear jewellery, but the heart of the brand remains the same. We’re honoured to be part of our clients’ most personal moments, creating unique pieces for their special occasions.

Who is Hiba Jaber, the woman behind the brand?

I’m a 35-year-old Jordanian-Palestinian woman, born in Morocco and raised in Jordan. My journey has taken me through London and Florence for my studies, and eventually to Dubai, where I launched my brand. I’m passionate about leading an active lifestyle, exploring new experiences, and travelling whenever I can. Most of all, I find purpose in creating meaningful connections and making a difference wherever possible.

How did your passion for jewellery begin?

I’ve always been drawn to the arts, and my interest in jewellery naturally deepened during my time working in editorial. I’ve long been fascinated by gemstones in all their forms, and I’ve always had a love for design, whether in fashion, interiors, or jewellery. Over time, that fascination evolved into a focused passion for creating pieces that hold both aesthetic and emotional value.

How does your heritage inspire you?

Heritage is part of who we are. It’s shaped by the places we live, the languages we speak, the architecture that surrounds us, and the traditions we carry forward. My designs often begin with the Arabic language, which I reinterpret through clean, architectural forms to tell stories that hold deep personal meaning.

How would you describe your design aesthetic and what are your biggest influences?

My aesthetic is minimal and clean, always rooted in storytelling. The pieces are versatile and designed to transition seamlessly from day to night. I’m inspired by meaningful moments, personal connections, and a desire to create jewellery that people want to live in; pieces that become part of their everyday.

Tell us about the Duo rings and what makes these pieces so timeless and recognisable.

The Duo Ring is our signature. We launched with a simple, thin ring featuring two letters, and from there, expanded into an entire category, including thick duo rings, trio rings, necklaces, bracelets, and more. The concept remains the same: bringing together two or more letters in a way that feels personal and beautifully wearable. It’s an honour to know that people recognise and connect with this design wherever they go.

Who is the woman you design for?

She is minimal, thoughtful, and values both quality and meaning. She leads with purpose, whether in her career, her family, or her community. She’s confident, active, and wears her jewellery as a quiet extension of who she is.

Can you share some details on your design process?

There are two main approaches. For collections, inspiration often comes from travel or personal moments that spark an idea, which then evolves into creations.

For custom designs, particularly initials, we have a structured process. The design always begins with the letters or names chosen by the client. We refine it based on their story and feedback, combining their vision with our aesthetic to create something that is both meaningful to the client and aligned with the brand’s identity.

Tell us about your latest collections.

The Odd One Out has become one of our bestsellers, and we’re now introducing it in new colours for summer. It’s playful, personal, and has really resonated with our community.

What’s been the biggest challenge so far?

Scaling the brand while staying creatively present has been the biggest challenge: managing the team, operations, and growth, while also carving out time to design and innovate. It’s been an incredible journey, and I’m grateful for the strong support system, the beautiful community we’ve built, and the amazing team behind it all.

Where would you like it to be in five or ten years?

So far, we’ve focused heavily on the GCC market, but starting this summer, we’ll begin investing more energy into the UK, targeting the same global customer who travels and values thoughtful design. In the next 5 to 10 years, the goal is steady international growth and a stronger global presence, Inshallah.

What’s your most treasured piece of jewellery?

I can’t choose just one. I have sentimental pieces from my parents, jewellery I’ve collected over the years, and of course, the pieces I’ve designed myself. Together, they form a personal collection, each with its own story, each one meaningful in a different way.

What advice would you give to aspiring designers?

Get as much experience as you can. Don’t rush – take your time to build a strong and unique concept before launching.

What is the professional motto you live by?

Break it down into small steps, and everything is possible.

Where is a place you go when you want to relax and escape the world?

I don’t feel a desire to escape the world, but a vacation every now and then is great, whether in the city or by the beach. I truly love my life and believe that we can build and design life to be the way we want to.

What else is coming up this year?

It’s been a time of transformation. We’re about to launch our new packaging and branding, a revamped website, and a new collection, all of which have been in development for some time. We’re also embracing technological innovation and exploring new ways to enhance our customer experience. As always, we release new creations regularly, almost monthly, and a very exciting project is coming towards the end of summer that I look forward to sharing soon!

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As Director General of Irthi Contemporary Crafts Council, Her Excellency Reem BinKaram is at the helm of a movement that merges heritage craft with contemporary design — and now, with meaningful global impact.

Founded under the patronage of Her Highness Sheikha Jawaher bint Mohammed Al Qasimi, Irthi is a Sharjah-based organization dedicated to preserving traditional Emirati crafts, empowering women artisans across wider region.

In her latest undertaking, BinKaram is leading one of Irthi’s most ambitious projects to date: the Precious Heart collection, a luxury jewellery collaboration with British heritage brand Asprey and The Big Heart Foundation (TBHF). The limited-edition collection reinterprets the traditional Emirati craft of Talli in 20 extraordinary pieces made from high-purity imperial jadeite, diamonds, amethysts and pearls, with 100% of proceeds supporting TBHF’s humanitarian initiatives for refugees and vulnerable communities around the world. Crafted from ultra-rare imperial jadeite and inspired by the intricate Emirati craft of Talli, the 20-piece collection was developed under BinKaram’s guidance to celebrate cultural identity while contributing to global impact. Under her stewardship, Irthi has not only upheld the integrity of traditional craft, but also reimagined it as a vehicle for diplomacy, empowerment, and purposeful luxury. It was her oversight that ensured the collaboration would meet both artistic and philanthropic ambitions.

Here, H.E. Reem BinKaram reflects on the remarkable journey behind Precious Heart, the fusion of craft and cause, and how this project signals a new global standard for collaborations rooted in heritage, humanity, and hope.

Tell us about the work of Irthi today and what you are trying to achieve.

Irthi Contemporary Crafts Council was founded through the vision and leadership of Her Highness Sheikha Jawaher bint Mohammed Al Qasimi to create an artisan economy for women while preserving and revitalising the cultural traditions and craftsmanship of the UAE. Today, our work has expanded significantly beyond the Emirates, empowering female artisans across the Middle East, North Africa, and Asia, while collaborating with leading designers, brands, and institutions worldwide.

Our primary mission is multifaceted as we aim to preserve indigenous craft heritage, empower women both economically and socially through comprehensive training programmes, and develop new market opportunities by facilitating collaborations between these craftswomen and internationally recognised designers and brands.

By uplifting communities, promoting artisanal excellence, and encouraging sustainable methodologies, we are forging a legacy where every thread woven and every pattern crafted carries ancestral knowledge; a story of resilience; and provides an authentic and connected narrative between the past, present and future.

What can you tell us about the Precious Heart Jewellery project and why you decided to embark on this initiative?

The Precious Heart jewellery collection represents a purpose-led collaboration between Irthi, The Big Heart Foundation (TBHF), and the iconic British luxury brand Asprey. Together, we set out to create something truly extraordinary that would showcase the rich heritage of Emirati traditional design while generating substantial support for humanitarian causes worldwide through the efforts of TBHF.

The collection is a testament to what can be achieved when creativity, luxury design and humanitarian change unite through a common purpose. Inspired by the intricate beauty of Emirati Talli, this initiative combines Irthi’s design language with Asprey’s renowned craftsmanship and The Big Heart Foundation’s philanthropic vision. Every piece sold fuels The Big Heart Foundation’s work for refugees and vulnerable communities, transforming luxury into a lifeline.

What are the common codes between Irthi and Asprey, and why do you feel these are the right partners?

Irthi and Asprey are kindred spirits in our pursuit of excellence through craftsmanship and the undeniable power of art. Asprey’s 250-year heritage of British luxury mirrors our commitment to building a legacy, while their ethical sourcing practices align with Irthi’s pledge to preserve both cultural and environmental heritage. What solidified this partnership was a shared belief that luxury should transcend materialism; that it should tell stories, uplift communities, and spark dialogue.

Through a common cause, Asprey’s donation of 1,000 grams of rare imperial jadeite, a stone with unparalleled clarity, allowed us to push creative boundaries while adhering to sustainable principles. Together, we are redefining luxury as a language of empathy, where Emirati motifs meet timeless elegance, and every piece becomes a tool for global good.

Why was it important to you to collaborate with The Big Heart Foundation on this project?

Under the visionary leadership of Her Highness Sheikha Jawaher, TBHF has upheld the idea that creativity and compassion are inseparable, and for Irthi, this partnership ensures that our cultural endeavours are never detached from their social impact. The Precious Heart collection’s proceeds will fund critical initiatives for refugees and displaced communities, and this collaboration also embodies Her Highness’s philosophy that every aesthetic achievement must serve a higher purpose. By uniting Irthi’s artisans, Asprey’s craftsmanship, and TBHF’s humanitarian expertise, we’ve created a blueprint for how organisations across sectors can amplify their impact, and it’s a reminder that heritage, when paired with empathy, can transcend borders and generations.

Tell us about the launch event that happened, and what was the reaction to the pieces?

The launch event for the Precious Heart collection was a significant occasion, held at The Chedi Al Bait Hotel in Sharjah, which included the opening of a silent charity auction. The reaction to the pieces has been extraordinary. Against the backdrop of the hotel’s restored heritage architecture, guests witnessed the unveiling of 20 pieces that marry the ethereal green hues of imperial jadeite with the meticulous artistry of Emirati Talli. Collectors were able to pledge bids not just for beauty, but for a belief in a better world —a resounding affirmation that when heritage and humanity collide, the world takes notice.

How did the support of Sheikha Jawaher make this project possible?

Her Highness Sheikha Jawaher’s guiding vision and support has been absolutely fundamental to this project, and every single day I wake up inspired and extremely proud to work towards the mission she has set in place. Her leadership as Chairperson of both Irthi and TBHF ensures that this initiative has far-reaching global scope and meaningful humanitarian impact.

Her Highness’s vision of pairing beauty with purpose has established a culture that distinguishes our organisation and has created a humanitarian dimension to our initiatives that engages with global issues and challenges, contributing to shaping a more just and compassionate future. The guidance we receive ensures that Irthi’s work extends beyond preserving crafts to using them as powerful tools for women’s empowerment, positive change, and cultural dialogue.

Can you tell us about some of the highlight pieces in the collection?

We are extremely proud of what we have created, and the collection features 20 exceptional pieces, all crafted from high-purity imperial jadeite and valued at a total of £9.7 million. The collection features a diverse array of jewellery types, including rings, necklaces, earrings, bracelets, anklets, and beaded jadeite necklaces, all meticulously set in 18-karat gold and adorned with precious stones such as diamonds, amethysts, and natural pearls.

Among the standout pieces are beaded jadeite necklaces, jadeite pendants, and hinged bangles, and each piece represents a perfect harmony between Asprey’s luxury heritage and Emirati design traditions, resulting in jewellery that is both culturally significant and exquisitely beautiful.

How has Emirati heritage and the concept of Talli inspired this collection?

Talli is a form of creative artistry that mirrors the rhythm of Emirati life, a dance of threads passed down through generations. For the collection, we translated its geometric precision to complement jadeite’s curves and crystalline origin, forming a fluidity of design that captures our heritage. These immaculate pieces aim to honour ancestral skill while embracing modern elegance, proving that tradition is a canvas for infinite reinvention.

What is the biggest challenge you have in educating the younger generations about traditional Emirati crafts?

What I would consider more in line with our purpose than a “challenge” is bridging the wisdom of artisans who hold centuries-old techniques with the curiosity of younger generations. With the digital age often prioritising immediacy, the goal is to ensure these time-honoured practices remain a living lineage rather than an unrelatable relic. It requires collaborating deeply with women who have mastered their craft, not only documenting their knowledge, but also creating spaces where their skills can appeal to modern times.

To this extent, we’re working to demonstrate the relevance of these crafts to modern design and contemporary issues such as sustainability and cultural identity. We’re also exploring how traditional techniques can be combined with new technologies and materials to create innovative hybrid approaches that appeal to younger practitioners.

Looking ahead, what are the future plans for Irthi?

Our mission is clear. We aim to further expand Irthi’s global reach and impact, creating more strategic partnerships with international luxury brands that share our values of cultural preservation, artisanal excellence, and social responsibility. By further developing educational programmes and empowering artisans, especially women, we will ensure the transmission of traditional craft knowledge to younger generations, creating a sustainable future for these important cultural practices. By documenting techniques, creating accessible learning opportunities, and elevating the status of crafts in contemporary culture, we can ensure that traditional Emirati crafts remain globally accessible and remain forever relevant. We also aspire to further develop the economic potential of craft-based enterprises, creating more opportunities for women artisans to achieve financial independence and professional recognition through their work, and we’re excited to see what the future holds.

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Located in Dubai’s DIFC, fashion school Istituto Marangoni Dubai is carving out a space for the region’s next generation of fashion and design leaders.

Helmed by Director Roberto La Iacona, the school brings together Italian heritage, global industry insight, and regional creativity to offer a truly international learning environment.

With specialised programmes spanning fashion design, fashion business, interior design and beyond, the institute is equipped with modern facilities and a faculty of international experts who combine academic knowledge with hands-on industry experience. As part of its growing vision, the school is introducing a new roster of mentors — influential names across fashion, design, and innovation — to offer students personalised guidance and access to real-world perspectives.

As the latest panel of mentors are announced, Roberto La Iacona shares how Istituto Marangoni is fostering emerging talent in the UAE and why mentorship is becoming an essential pillar of creative education today.

How does the 2024/2025 Mentorship Program at Istituto Marangoni Dubai aim to shape the next generation of creative leaders, and what role do industry mentors play in bridging the gap between academic learning and real-world experience?

Istituto Marangoni is proud to have once again welcomed leading global experts to mentor its students this year. Our students had the opportunity to work with top-tier designers, creatives, and business leaders such as Ross Lovegrove, Heliot Emil, Luca Finotti, and Ingie Chalhoub.

Connecting students with the industry and developing dedicated partnership projects is essential. These mentors not only bridge the gap between academic learning and real-world experience but also push creative boundaries and offer students fresh perspectives. This ensures that our students are equipped with the skills, vision, and networks they need to thrive in their future careers.

What can you tell us about the vision for Istituto Marangoni?

At Istituto Marangoni Dubai, we aspire to be a leading academic institution in fashion, art, and design, both in the UAE and across the region. Our goal is to be a driver of innovation in education by encouraging collaboration between creative disciplines and integrating new technologies. We’re committed to delivering high-quality education that combines innovative learning methods with Italian design expertise. This approach helps us nurture local talent and contribute to shaping the future of the creative industries in the UAE. We also place great importance on building strong connections with the local community and industry leaders, ensuring that our graduates are well-supported in launching successful careers.

Can you share a little on the talent you see here and the potential for nurturing this talent?

The Middle East is a region rich in history and culture. Our mission is to nurture talent and empower creatives to preserve these exquisite aesthetic traditions while designing for a global audience. Our goal is to serve as a hub and platform for all aspiring creatives in the region who are passionate about the arts and design. Istituto Marangoni is committed to supporting them on their journey and helping them become the creative leaders of tomorrow.

What can you tell us about some of the programmes the school offers?

Aside from the Bachelor’s degrees in Visual Design, Interior Design, Fashion Design, Product Design, Fashion Communication, and Fashion Management (offered in two concentrations: Digital Communication & Media and Fragrances & Cosmetics), the university has recently validated two Master’s degrees—one in Fashion & Luxury Brand Management and the other in Interior Design. These programs are designed to address the growing demand for talent in these two key disciplines within the region.

In addition to its degree programs, Istituto Marangoni Dubai also offers short courses, intensive courses (for students seeking a career shift), and professional courses. As part of a global strategy, Istituto Marangoni Dubai recently launched an intensive course in Product Management for Fragrances & Cosmetics, as well as a professional course in Interior Design for Luxury Hospitality, Wellness, and Retail. These initiatives aim to meet the market demand for upskilling and reskilling talent in the region.

From a global perspective, how do you think students entering the school are offered better opportunities, with it being an international school?

The unique offering at Istituto Marangoni allows students to study at an institution ranked globally among the QS Top 100 for Art and Design, right here in Dubai, while benefiting from strong connections with major local and international industry players. In addition, students can choose to complete their degree entirely in Dubai or transfer to other Istituto Marangoni campuses in Milan, Florence, Paris, or London. This presents a unique opportunity for young talents to experience one or several of the world’s fashion, art, and design capitals. Our globally diverse faculty in Dubai is further enriched by top professionals flying in from other Istituto Marangoni locations worldwide, offering students a truly international and forward-looking perspective.

How do you feel collaborations and events help to elevate students’ experience, and is this something we can expect to see more of?

At Istituto Marangoni, we believe that collaborations and events are essential to enriching students’ experiences. We are proud to participate in major events both locally and internationally, such as Downtown Design in Dubai and Milan Design Week. The institution has also hosted swap events to promote a more sustainable approach to fashion and organised several panel talks featuring international designers, creatives, and thought leaders.

In addition, students work with mentors and participate annually in local and international competitions and industry events, such as Breaking Boundaries with Richemont, where IM Dubai students won first prize this year, as well as Women@Dior, and many others.

Starting from their first year at Istituto Marangoni, students gain exposure to the industry through didactic projects, where they work on real-life briefs and deliver projects directly to industry partners, as well as through field visits and seminars led by key stakeholders from the industry and various brands. All these experiences play a vital role in enhancing students’ academic journey and promoting the exchange of ideas and knowledge.

What advice would you give to aspiring designers or aspiring fashion industry professionals?

I would encourage them to be passionate and to explore as much as possible during their time at Istituto Marangoni. I’d suggest they join student clubs, consider starting their own entrepreneurial journey, and seize every opportunity the university offers, whether through industry projects, networking, or events.

They should stay curious about their own cultural origins while also gaining insight into the many cultures represented in Dubai, where diversity is truly celebrated. I also encourage them to explore the rich history and unique aesthetic of this region, and to bring that perspective to the international stage.

What do you think it takes to make it in the industry today?

Determination, perseverance, creativity, problem-solving, and a proactive attitude are essential qualities. In the creative industries, it’s crucial to have a solid understanding of branding, global trends, and the impact of emerging technologies. That’s why at Istituto Marangoni Dubai, we’ve chosen to integrate key subjects such as sustainability, new technologies, along with entrepreneurship and branding, from the very beginning of our students’ educational journey.

What else is in the pipeline for this year?

We are planning an Open Day for high school students, as well as a dedicated Beauty Open Day featuring speakers from the fragrance and cosmetics industries. Both events are open to the public and will take place on our campus located at Gate Village 8 in the DIFC.

We believe this will be a unique opportunity for prospective students to connect with both faculty and industry professionals, gaining valuable insight into our programs and the wide range of career opportunities in the creative disciplines.

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Arwa Lootah is part of a new wave of Emirati talent transforming the region’s food culture.

With formal training from Le Cordon Bleu and a background in art and design, she brings a multidisciplinary approach to cooking—one that fuses storytelling, visual aesthetics, and a rethinking of traditional Emirati flavours.

Based in Dubai, Lootah has already made her mark through high-profile collaborations with the Museum of the Future and the World Government Summit. She’s currently working on a new Emirati-inspired menu for Parlour Boutique, running her micro-bakery brand iwara, and preparing to launch a culinary lab dedicated to creative experimentation. Her work reflects a growing movement in the UAE’s food scene—one that values heritage while pushing boundaries. Here we find out more about her journey so far and how she hopes to transform the way Emirati cuisine is presented on a wider scale.

Where did your passion for cooking come from?

It came from memory, emotion, and imagination, all intertwined. I grew up in a household where food was deeply connected to storytelling, art and family history. This is when I found myself drawn to the way ingredients could carry memories, evoke moods, and tell stories. Over time, cooking became my canvas and sensory extension of how I process the world.

Tell us about your career today and how you got to where you are now.

I’m a self-taught Emirati chef with a background in art and design, and I later pursued an online culinary degree in Food Merchandising from Le Cordon Bleu. I started with a home-based cookie brand, which evolved into a high-end catering service and the curating of culinary experiences rooted in Emirati flavours.

How do you feel your background in art and design influences your career as a chef?

It shaped how I see food, not just how it tastes, but how it feels, and tells a story. In texture, colour, form, and symbolism.

What has been the biggest highlight so far?

Curating exclusive menus for government and cultural events, including the World Government Summit, where I showcased modern Emirati cuisine in unexpected ways. It was meaningful to see local ingredients take centre stage in a global conversation.

What would you still like to achieve?

I aim to expand the narrative of Emirati cuisine further, not as something traditional or nostalgic, but as something alive, contemporary, and worldly. I also want to grow my culinary space into a platform for experimental cooking, storytelling, and collaboration.

What can you tell us about Iwara?

Iwara started as a micro-batch cookie brand which I ran from my home, but it was never just about cookies. It was about quality, intention, and emotional connection through food. It became the seed that grew into my larger vision, a culinary brand that doesn’t limit itself to Emirati flavours, but is rooted in my heritage while exploring global techniques and influences.

What is your favourite dish to cook and why?

It depends on the season and the story I want to tell. However, I often return to dishes that reinterpret Emirati classics, such as pumpkin aseeda, reinventing them in ways that surprise people. I love the challenge of transforming something familiar into something new without losing its soul.

How do you feel your cooking is unique?

It aims to reimagine traditions. I incorporate Emirati ingredients in unexpected ways. It’s layered, emotional, and personal.

How would you assess the restaurant and hospitality industry in the UAE today?

It’s ambitious and fast-moving, but still finding its true voice. There is a growing appetite for authenticity and narrative-driven dining, and I believe the next wave of meaningful culinary work will emerge from local chefs who shape their identity from within.

What are the biggest challenges you face?

Balancing artistic integrity with business demands. Also, time. As a mother and entrepreneur, I’m constantly navigating how to honour and balance both my creative process and my responsibilities.

How does your heritage inspire you?

My heritage is everything, not just as nostalgia, but as a living resource. I draw from the maritime histories of my ancestors, the trade routes they sailed, and the spices they carried. Even silence, rituals, and poetry from Emirati culture find their way into my work.

What’s your first memory of food?

The scent of the house when I’d come back inside after playing outdoors. My mother would be cooking. Our house was always a stopping point for family and friends.  They’d pass by after errands, sit for a meal or just a bite, and food was the constant thread that held it all together.

Tell us something about you as a woman.

As a woman, I hold multiple roles simultaneously (mother, chef, creative, leader) and carry them with intention. I trust my instincts, lead quietly, and build things in my own way, even when there’s no path before me.

Where is your go-to restaurant to eat in the UAE?

We always seem to go back to two restaurants, which are Zuma and Il Borro Toscana.

What advice would you give to aspiring chefs?

Don’t rush to fit in. Take your time developing your voice. Technical skill is important, but it’s your perspective that makes your food matter.

What is the professional motto you live by?

Stay rooted, but not still.

Where is a place you go when you want to relax and escape the world?

Anywhere with water and silence.

What else is coming up this year?

This year is about building, both behind the scenes and within. I’m developing new culinary concepts, refining long-term projects, and exploring collaborations that connect food with art, culture, and storytelling in deeper ways.

Ling Ling at Atlantis The Royal, has revealed a vibrant new menu that reimagines contemporary Asian cuisine with flair and finesse. With over 30 new dishes, this new delicious offering invites guests to explore flavours from Japan, Korea, Indonesia, Thailand, and beyond, all while enjoying views of the Dubai skyline.

What’s New on the Menu?

Chef de Cuisine Steven Nguyen has curated a lineup that spans the breadth of Asia’s rich culinary landscape. Think Australian wagyu beef sandos with classic tonkatsu, jumbo tiger prawns paired with Balinese sambal matah, or fire-grilled wagyu short rib with a Korean BBQ twist, served alongside banchan and lettuce wraps. If seafood’s your go-to, don’t miss the wok-tossed spiny lobster, available in four bold Cantonese sauces—from ginger scallion to typhoon shelter style.

There’s also a nod to Thai flavours in desserts like mango sticky rice and a clever Thai iced milk tea crème brûlée. Signature favourites such as Boston lobster pad Thai, 24k gold wagyu, and the Kiwami sushi platter also make a welcome return.

Ling Ling Cucumber Salad, with Green Apple, Tosaka Seaweed, Shanxi vinegar

Late-Night Bites for the After-Hours Crowd

For those who like to dine (and dance) late, Ling Ling has also introduced a Late Night Bites menu available every Friday and Saturday from 12:15am to 2am. Perfect for post-party cravings, expect dishes like Oscietra caviar, crispy chicken or tofu bao buns, and indulgent okonomiyaki-loaded fries.

Ling Ling Korean Short Rib, Bibb Lettuce, Ssamjang, Selection of Banchan

Why Go Now?

Located 22 floors up at Atlantis The Royal, Ling Ling offers more than just a dining experience—it’s an escape. Two private lifts whisk guests to a two-level venue with expansive dining lounges, a buzzing bar, a wraparound terrace, and the exclusive Ling Ling Ultra Lounge for those who want to keep the energy going long after dinner is done.

Ling Ling Miso Roasted Eggplant

Plan Your Visit
Ling Ling is open daily from 6pm to 1am, with the Late Night Bites menu running Fridays and Saturdays from 12:15am to 2am. Note: Guests must be 21+ after 9pm, www.linglingdubai.com

We reveal the UAE’s best new hotels to discover this season and beyond

Anantara Mina Al Arab

​Opened in 2024 Anantara Mina Al Arab Ras Al Khaimah offers UAE residents a luxurious escape that rivals the Maldives, without the need for a long-haul flight. Nestled on a private peninsula surrounded by natural mangroves, the resort features the emirate’s first overwater villas. These eco-friendly sanctuaries boast private plunge pools, expansive sundecks, and serene lagoon views, providing an exclusive retreat just 45 minutes from Dubai.​ Sit back and enjoy the calming atmosphere as you indulge in your own private pool and luxury room.

Choose from a range of culinary experiences with six diverse dining venues on offer. The resort’s highlight has to be Mekong, which takes guests on a journey through Thai, Vietnamese, and Chinese cuisines. With overwater tables available for special occasions, this is sure to be an experience you won’t forget. Meanwhile, Beach House serves Mediterranean-inspired dishes with fresh coastal flavours in a picturesque setting, and for a personalised touch, the Dining by Design service offers bespoke meals on the beach or even aboard a private yacht, perfect for romantic occasions.​

The Anantara Spa, set amidst lush gardens overlooking the lagoons, offers a blend of traditional Thai healing and local wellness rituals. Signature treatments include the Ras Al Khaimah Ritual, utilising indigenous ingredients like dates and honey, and the Yam Khang fire therapy, a rare Thai practice that relieves tension and restores balance.​ Be sure to visit during your stay.

With its commitment to sustainability, exceptional service, and tranquil setting, Anantara Mina Al Arab Ras Al Khaimah offers a true island experience without having to leave the UAE.

The Delano, Dubai

Delano Dubai, the first Delano property outside the U.S., brings a new era of refined luxury to Bluewaters Island, offering UAE residents an unforgettable staycation experience. With 251 rooms—including 84 suites, many with private pools—the hotel is designed with calming natural materials, curved silhouettes, and a soft, minimalist aesthetic that seamlessly blends indoor elegance with outdoor beauty.

Guests can enjoy a diverse dining scene, from the relaxed Italian coastal vibes of Tutto Passa to the vibrant, elevated Japanese plates at Gohan, while the legendary Rose Bar serves world-class cocktails in a chic setting. The heart of the hotel is the whimsical Delano Pool, a lush sanctuary inspired by Roman baths, where guests can unwind in style. Perfectly positioned near Dubai’s most exciting attractions yet feeling blissfully secluded, Delano Dubai is set to become one of the city’s most sought-after addresses for those seeking sophistication, creativity, and true serenity.

Jumeirah Burj Al Arab Family Suite

Jumeirah Burj Al Arab has just unveiled its new one-bedroom family suite, designed to accommodate up to two adults and two children comfortably. Designed for paramount relaxation, the newly announced suite—available with a choice of king bed or twin-sized beds—offers guests a balance of elegance and comfort, with breathtaking Gulf vistas providing the perfect backdrop for a family escape. For a truly picturesque stay, guests can enjoy unforgettable views of the iconic Dubai skyline or the serene Palm Jumeirah.

For a well-rounded retreat, the guest experience at Jumeirah Burj Al Arab extends outside of the parameters of its refined suites, beginning with a welcome drink upon arrival and including a daily breakfast that allows guests to savour the beginning of each day. A Jumeirah Burj Al Arab retreat includes access to the hotel’s world-class facilities, including the SAL Beach Club and private beach, the Summersalt Beach Club, and Wild Wadi Waterpark™. Additionally, children can delight in activities at the Madinat Jumeirah Kids’ Club, making this an ideal choice for both rejuvenation and entertainment.

 For ultimate convenience and ease of mind, guests can enjoy dedicated butler services and 24/7 concierge support, ensuring personalised care throughout. Guests can also avail themselves of professional services such as wardrobe packing, unpacking, and shoe shining. Additional highlights include access to a variety of international digital newspapers and tailored amenities for babies and children.

The Lana, Dubai

​The Lana Dubai, the Dorchester Collection’s Middle East debut, offers UAE residents an unparalleled blend of understated elegance and world-class service. Situated along Marasi Bay Marina with sweeping views of Burj Khalifa, this 30-storey architectural marvel by Foster + Partners features 225 rooms and suites, each adorned with floor-to-ceiling windows, private terraces, and interiors by Gilles & Boissier that harmoniously blend modern minimalism with Emirati cultural nuances. ​

Culinary enthusiasts can indulge in eight distinctive dining venues, including Riviera by Jean Imbert, Jara by Martín Berasategui, and Bonbon Café by Angelo Musa. The rooftop infinity pool offers a serene retreat with panoramic city vistas, while the Dior Spa—the first in the UAE—provides exclusive treatments like Dior Stone Therapy. With its discreet luxury, exceptional amenities, and prime location, The Lana sets a new benchmark for sophisticated urban retreats in Dubai.

Jumeirah Marsa Al Arab

​Jumeirah Marsa Al Arab, the latest jewel in Dubai’s luxury hospitality crown, offers UAE residents an extraordinary staycation experience. Situated on a private peninsula in Umm Suqeim, this superyacht-inspired resort, designed by Shaun Killa, features 386 rooms and suites, 82 private residences, and an 82-berth marina. Culinary enthusiasts can indulge in 11 exceptional restaurants and four bars, including Iliana, a Greek Mediterranean pool club; Kinugawa, blending Japanese and French cuisine; and The Bombay Club, celebrating Indian flavours.

The three-storey Talise Spa redefines wellness with advanced therapies like cryotherapy, ChromoSpace light treatments, and hyperbaric oxygen treatments. Families are catered for with a dedicated Family Club for guests aged 3 to 10, designed around connection and discovery. With its unparalleled design, exceptional gastronomy, and state-of-the-art wellness facilities, Jumeirah Marsa Al Arab sets a new benchmark for ultra-luxury hospitality in Dubai.

Ritz-Carlton Al Wadi, RAK Signature villas

Ritz-Carlton Al Wadi, Ras Al Khaimah’s ultimate luxury retreat, has recently opened a series of exclusive signature villas that offer complete privacy and relaxation for guests. The pinnacle of luxury, these spacious sanctuaries span 900 square meters, offering all the comforts of refined living in the heart of the desert. Each villa is designed for complete seclusion, featuring a private infinity pool that stretches out toward the sand dunes, sun-drenched terraces, and expansive indoor spaces that blend modern elegance with natural textures.

Thoughtful touches like personalised butler service, luxurious amenities, and uninterrupted views make it a place to truly unwind. The Signature Villas offer a peaceful, immersive escape that feels both indulgent and grounding. Guests will, of course, also have access to all of the resort’s amenities, including the spa and restaurants.

Pianist and composer Guy Manoukian on the entertainment industry, his commitment to community, and his World Tour with Live Nation.

With unforgettable music that dances between classical precision and upbeat Middle Eastern rhythms, few artists can make a piano speak like Guy Manoukian. The Lebanese-Armenian composer and performer has carved out a unique space on the global music stage, and now his regional success is about to be taken to the next level as he prepares to embark on his highly anticipated world tour with Live Nation. Here. Manoukian sits down with us to reflect on a career that continues to evolve with every performance.

Your partnership with Zenith Watches as a brand ambassador continues. What do you feel are the common codes between you and this historical watchmaker?

As you can see, I choose the brands that I want to partner with very meticulously, and Zenith is one of the brands that I’ve always admired. When this opportunity arose, I was extremely excited and immediately seized the chance. Many of Zenith’s codes are my own, and a significant portion of their aspirations and dreams are ones I look up to and are also part of my journey in this great entertainment world. As Zenith, I hope to be around for a long time and continue to bring something new.

How would you assess the entertainment industry in Dubai and the wider region, and how it’s growing?

Dubai and the region in general are becoming an entertainment hub. Dubai was the first trailblazer to start attracting the world’s performers and artists. People come to Dubai for the security, and when you have security, it’s very easy to establish a good business and convince people to invest. So, I think all the thanks go to the people running this city and the rulers of the United Arab Emirates who have created an environment where people feel safe, with their families, their money, education, transportation – and I think it all comes down to security.

Tell us more about your role as Chief Entertainment Officer for 7Management and what it entails.

I am very proud to be a partner at 7Management, and I am the Chief Entertainment Officer as well as the Artistic Director of “The Theater”, which I see as my baby. What 7Management has achieved over the past few years is nothing short of a miracle, and I’m privileged to be part of this remarkable journey with my partner, Rabih Fakhreddine and the other managing partners. I look forward to seeing what the future holds for us.

Last time we met, “The Theater” was shaping up. Today, it has become a nightlife destination of choice. What does this mean to you?

Indeed, “The Theater” has become one of the city’s bright spots, but as a dinner show and an artistic institution in itself, it has become one of the best in the world. I think being in Dubai is a major reason for that. Dubai is a city where you have so much art and so much talent on every level. The Theater has become an institution. Season after season, our concepts are becoming better and better, and I can proudly say that we have created something timeless.

You’re known for your immense passion for sports and basketball in particular. Tell us how your role at the helm of the Homenetmen basketball team is progressing and what you envision for the future of this club.

I think that sports in general are very important. They help children sustain a healthy body. My role is a bit different because what I try to do is to keep our community happy, and I represent a club which is 107 years old – it’s not as old as Zenith, but it is one of the oldest clubs in the region and the oldest club in Lebanon. And we’ve had amazing success throughout the years; we’ve won every championship possible. I took the team from the second division and made them the Arab champions and Lebanese cup holders. Of course, the major thanks go to the fans who have been there from father to son, from mother to daughter, it’s a legacy that is not a burden on my shoulders, because I carry it with honour and respect. We lose with dignity, and we win with honour. The club’s motto is “rise and raise”, I think it’s a beautiful motto because it looks at the power of the human being to raise himself and when he is up there, to raise with him the community of his family or whoever is surrounding him. I think that’s a very unselfish motto, it’s not a socialist motto, it strives for success but also reminds us that with success comes responsibilities. What I’m doing at the club today is giving back a big debt that this club has always given to its fans and supporters.

We know that you will be embarking on a world tour with Live Nation. How did this collaboration come to life, and what can we expect?

The entire region has become a major entertainment hub, and Live Nation, which is the biggest touring company in the world, has established over the past years a solid presence in the region by bringing artists to the area. Last September, I was approached by my very good friend Amin Kabani and James Craven at Live Nation Middle East, and they saw potential in my music and style to crossover. They said maybe it’s the right time for us to take artists from the Middle East to the world, not vice versa. I think Oriental music has a kind of mystique that is very appealing. It has hidden gems that should be exposed to the world. Plus, there are huge Arab communities across the world, so I’m very proud to say that I’m the very first Arab artist to ever get signed to Live Nation. My tour stars May 18 in Los Angeles, May 21 in New York City, May 23 in Detroit, May 25 in Toronto, May 26 in Montreal and I end the first leg of the tour at the historical Olympia theatre in Paris which I’m playing for the third time in the past three years.

We know that you’re working on your new album. What can you share on that?

I have been working on my new album for the past five years, and every year I add a bit more to it. The world changed. Previously, when I was signed to EMI, they used to give me an advance and I would go into the studio and finish my album; I would give them the CD, it comes out, and you go to the shop and buy it. The world is changing so rapidly that the entire industry has undergone significant transformation. Today, we talk about streaming, we talk about online. Nobody goes and buys a physical CD anymore. Every few day,s I come up with new music, and I’m still looking for the best way to put it out. But I have started sharing some small hints out on some posts and stories to create a vibe, but I’m very excited about it, and it’s definitely the best music I’ve ever made in my life.

As an artist, what inspires your music?

What inspires me is life itself. I’m not the type of artist who goes and hides away to create music. All aspects of life with its bitterness, with its loss, its failure, its happiness, its success – that’s what inspires me. If I lack inspiration, I simply go to the airport and watch the people at the arrivals area. You will see so many stories of families, friends, etc. If you know how to read between the lines and look at life in the right way, it’s the biggest inspiration you can ever get. And trust me, you never learn anything from success. It’s the failures that teach you the most, and I always embrace failure. I don’t make a habit of it, but I don’t despise it, and I try to learn from it as much as I can.

What do you still want to achieve in your career that you haven’t done yet?

I think the tour with Live Nation is one of the biggest achievements of my life, and coming out of this tour with a successful output would mean a lot to me!  The dynamics of the tour are different,t and it’s not the way that we have worked before; it’s a completely different approach. But I think Dubai prepared me well for this because it is the best pitstop for a person to go global. It puts you in the right mindset and direction. It gives you the right training, and it gives you a sense of responsibility and accountability. In a way, coming from Lebanon, Dubai was the ideal place to initiate this global formation. I’m there now, so let’s see how it goes!

What else is in the pipeline for you this year?

Many things are in the folds that I’ll reveal soon, yet you are going to be the first ones to know that I will be performing back at Dubai Opera for the ninth time on September 14.

guymanoukian.com/tickets

Credits:

Founder and Editor in Chief: Lara Mansour 

Fashion Director: Lindsay Judge 

Photography Ziga Mihelcic 

Video by Analog Production

Grooming: Aiza Qureshi 

Watches: Zenith Watches

Location: Armani Hotel Dubai

These were the key moments from Milan Design Week this Spring 

Dolce&Gabbana

Dolce&Gabbana Casa introduces a new evolution of its lifestyle universe, unveiling an array of new designs that blend vibrant Mediterranean spirit with refined craftsmanship. The brand’s ever-expanding Casa Collection welcomes a series of striking debuts: the Verde Maiolica homeware line, the first-ever collection of Dolce&Gabbana bed linens, the sophisticated Gotham furniture series, and the sun-drenched elegance of the new Saint Jean outdoor range, developed in collaboration with Luxury Living Group.

At the heart of the homeware additions is Verde Maiolica, a collection that brings the vivid green of Mediterranean landscapes into the domestic space. Inspired by the rich ceramic heritage of Southern Italy, this line pairs crisp white with deep verdant hues, enveloping everyday objects with an artisanal charm that feels both fresh and timeless.

The brand’s inaugural bed linen collection is a sensual and spirited expression of the maison’s signature aesthetics. Duvet covers, sheets, and pillowcases are adorned with bold motifs: the wild elegance of Leopardo, the graphic drama of Zebra, the folkloric vibrancy of Carretto Siciliano, and the iconic majolica prints reinterpreted in tones of Blu Mediterraneo and Verde Maiolica. Each set transforms the bedroom into a space of expressive comfort and Italian glamour.

Also unveiled was the dramatic Gotham furniture line, which takes cues from the cinematic allure of the 1920s and ’30s. Characterised by soft curves, architectural geometry and richly textured finishes, the collection reinterprets vintage sophistication through a modern lens. The result is a powerful meeting of past and present, where artisanal mastery meets bold, contemporary design.

Bringing the Dolce&Gabbana lifestyle outdoors, the new Saint Jean collection reimagines alfresco living with the same exuberance found indoors. From plush loungers to sculptural dining tables, each piece pairs high-performance materials with unmistakable prints and refined detailing. Designed to make outdoor spaces feel both luxurious and inviting, the collection captures the essence of Mediterranean leisure.

Hermès

For Milan Design Week 2025, Hermès is returning to La Pelota with its new scenography by Charlotte Macaux Perelman, architect and artistic director of Hermès collections for the home, with Alexis Fabry. The new creations could be discovered in white, nearly colourless, suspended boxes, projecting halos of bright colours onto the floor. It is through the immateriality of their aura that the objects first appear, like emotions. This staging is a quest for the object, for the luminous vibration that makes it familiar.

Highlights of the collection include the side table. This small table is the manifesto of a tightrope walker. Designer Tomás Alonso seeks balance, plays with ideas and materials, and combines paradoxes. Lacquered glass paints a rectilinear base whose colours come together like on a colour wheel. On the tabletop, a round box in sugi (Japanese cedar), its band curved using an ancient Japanese technique, moves on an eccentric axis and gives the table its unexpected movement.

Coloured glasses are cold-cut by the glassmaker to create stripes or a chequered pattern. The subtly graduated colours become darker or lighter, depending on the angle at which they are viewed and the alternating geometries superimposed by the eye. The cutting work, carried out over large areas according to strict orthogonality, is infinitely precise.

A similar process is applied to the collection of jugs. A master glassmaker melts the material in order to blow it, turn it, cut it, pinch it and shape it in line with the drawing that serves as a model. To create this object, the glassmaker superimposed two different coloured molten pastes onto the glass. Filled with water, these jugs present an infinite range of shades.

And in soft furnishings, the large Points et Plans throw, designed by artist Amer Musa, recalls a child’s game, like draughts, on which multicoloured cashmere appliqué dots are stitched to a large, criss-crossed frame woven into cashmere fabric.

Fendi

Marking the centenary of Maison FENDI, FENDI Casa’s 2025 collection celebrates a century of craftsmanship and innovation with a refined fusion of timeless elegance and contemporary design. Presented during Milano Design Week, the collection introduces new icons and reimagined classics with updated materials, tones, and textures that reflect the house’s evolving aesthetic.

Creative collaborations play a central role, notably with British designer Lewis Kemmenoe, who designed the window displays at the brand’s Piazza della Scala boutique—balancing sculptural tailoring references with a poetic materiality. Highlights include the architectural Later sofa by Ceriani Szostak, the versatile FENDI Cover seating by FF Design, the ribbon-inspired Twist chair by Stefano Gallizioli, and the luminous Idol chandelier by Lee Broom.

Further enriching the collection are the Efo tables and cabinet by Peter Mabeo, new evolutions of signature pieces like the Lunar and Peekasit series, and a selection of side tables and accessories showcasing FENDI’s impeccable detailing and leather craftsmanship.

With a focus on artisanal savoir-faire and bold creative voices, the 2025 collection reaffirms FENDI Casa’s place at the forefront of luxury interior design.

Elie Saab

Elie Saab Maison unveiled its new flagship in Milan during Milan Design Week 2025 and it revealed the Sculpted Dreams collection.

The new boutique spans 450 square metres and acts as a curated environment that celebrates the best of the brand’s craftsmanship and creativity. Set within a historic palazzo, the boutique features an elevated design that celebrates the city’s rich architectural legacy and the brand’s refined style. Each room is envisioned as part of an elegant private residence. A grand staircase leads visitors through a sequence of immersive environments, where furniture is elevated to the status of art.

Milan Design Week also marks the launch of the brand’s latest home collection, Sculpted Dreams. A collection that reimagines classical aesthetics through fluid lines and bold volumes. Drawing inspiration from Milan’s architectural landscape, the collection weaves together curved silhouettes, strong structural forms and noble materials including marble, bronzed mirrors, and tactile fabrics.

Transparency and light add rhythm and depth, elevating each piece into a sculptural narrative. Highlight pieces include the ECLISSE Sofa, as well as the LAYL Canopy bed and the DORIO Table. The LOBSTER dining chair is an iconic new addition that will act as a sculptural centrepiece.

Dior

As a continuation of its Ode à la Nature collection, Dior Maison presents three extraordinary vases designed by Sam Baron, unveiled exclusively during Salone del Mobile. Towering at nearly one metre in height, these monumental pieces push the boundaries of craftsmanship, transforming everyday objects into poetic works of art.

Each vase is a tribute to the natural world—a source of endless inspiration for Monsieur Dior—and embodies the grace and complexity of nature through sinuous silhouettes and exquisitely etched botanical motifs. Ethereal scenes of intertwined branches, blooming flowers and whisper-thin foliage seem to come alive on the glass surface, capturing the ephemeral beauty of an enchanted garden in mid-bloom.

Crafted using the time-honoured technique of Italian mouth-blown glass, the vases are the result of meticulous teamwork and unparalleled savoir-faire. Each one rests on a pedestal-like base, echoing the timeless contours of the iconic 1947 Miss Dior amphora bottle—a subtle yet striking nod to the Maison’s couture heritage.

The finishing touch is a delicate striated texture, refracting light into a dance of luminous reflections that heighten the sense of refinement. Available in a highly limited edition of just eight pieces per design, the collection not only pays homage to Dior’s artisanal legacy, but also to Christian Dior’s talismanic affinity for the number eight.

Louis Vuitton

As part of Milan Design Week, Louis Vuitton unveiled its new Louis Vuitton Home Collections, revealed for the first time in the sumptuous setting of Palazzo Serbelloni. A neoclassical backdrop steeped in history, the Milanese palace is setting the stage for a new art de vivre during Design Week, where design, savoir-faire and innovation converse with heritage architecture and contemporary spirit.

The event demonstrated Louis Vuitton’s growing presence in the design world through a display of its new Home Collections alongside original trunks and the now iconic Objets Nomades.

Louis Vuitton Home Collections encapsulates five product categories: Objets Nomades, the new Signature Collection (furniture and lighting), Decoration (objects and textiles), Tableware, and exceptional gaming.

To celebrate the launch of the new Maison collections, the brand is paying tribute to the Italian graphic artist Fortunato Depero, with his futuristic textile and tableware creations, and to Charlotte Perriand, with the publication of new textiles by the designer whose visionary talent has already been honoured by both Louis Vuitton and the eponymous Foundation.

Ralph Lauren HOME

Ralph Lauren Home brought American style and timeless design to Milan Design Week with a presentation of its home collections at Palazzo Ralph Lauren, an elegant space that combines the worlds of fashion and design. The presentation was an immersive gallery of Ralph Lauren Home’s collections as well as the debut of the Fall 2025 Canyon Road Collection.

Ralph Lauren Home

The presentation captures the essence of the brand’s iconic lifestyle collections – from the glamour of a modern penthouse to the grandeur of an English estate – while the new collection captures the spirit of the American West.

The presentation guides visitors through an immersive offering, as if moving through an exhibition of preserved stills from a movie.

The estate section recalls the grandeur of an English country house, Island offers the unassuming elegance and relaxed spirit of a warm weather retreat, Penthouse offers a modern sensibility with exquisite materials and sleek designs, and Western draws influence from the rich heritage of the American West.

Etro

Etro celebrated 40 years of its Arnica Paisley fabric at Milan Design Week with a tribute exhibition. Born by absorbing the vital force of Indian Paisleys – the only pattern in the Etro repertoire that has never changed. The exhibition 5 THREADS, 40 YEARS: was an emotional and narrative journey on a quest to discover Arnica, from its origins in the imagination to the design and manufacturing process, culminating in its transformation into timeless objects.

The venue for the event is the ETRO boutique on Via Pontaccio in Milan: in the heart of Brera – an area closely linked with the origins and the wandering spirit of the brand, with its ties with radical and artistic culture. Three rooms plundered in darkness, are connected by continuous carpeting that swarms with the unmistakable pattern: from the creation (The Creation) to the icon (The Icon) and to the journey it takes (The Journey). Everything comes together in a flow that is as continuous as the merging of the Paisley drops; each visitor can choose how to explore the rooms, or in what order.

The story of Arnica is an adventure that weaves together the enchanted territories of nature and art. The trunks and suitcases of The Journey serve as both physical and symbolic objects that preserve the memories of everything that ETRO has seen, studied and collected over the years during its travels.

These traces end up on Gimmo Etro’s desk, which is at the centre of The Creation: there the pattern takes shape, then passes to weaving and finally to coating, a transformative process that infuses Arnica with resistance and protects its vivid colours, hiding them. Arnica remains unique and unmistakable, and The Icon bears witness to and celebrates this through a selection of creations that transcend time and trends, while capturing the moment.

Longchamp

Longchamp revealed a new creative venture in partnership with furniture designer Pierre Renart. The collaboration represents a landmark for Pierre Renart, since this is the first time he has worked with a combination of wood and leather, and his first participation in Milan Design Week. The relationship between Pierre Renart and Longchamp dates back to 2021, when the House was renewing its global store network in the spirit of a Parisian apartment and commissioned him to create furniture, notably variations on his Wave coffee table, for its renovated boutiques.

The new venture takes the partnership further, with Pierre Renart designing two original pieces, a Wave leather bench and a set of eight Ruban chairs, which were displayed in Longchamp’s Milan flagship during Milan Design Week.

Both designs, crafted from American walnut and upholstered in a supple cowhide leather, reprise the pure, fluid lines which Pierre Renart has made his signature. Drawing inspiration from the organic forms of nature, the designer painstakingly assembles extremely thin sheets of wood, which can be bent to his desired shape, to create pieces that appear to have been sculpted in one flowing movement.

“My aim, when a piece is finished, is for it to be somehow definitive and timeless, for you not to want to add anything or take anything away. I try to do something original with wood, something that runs counter to its traditional, somewhat rigid image,” explains Pierre Renart.

Since its debut in 1946, the Cannes Film Festival has become synonymous not only with cinematic brilliance but also with high-octane glamour.

On the iconic red carpet that unfurls along the Croisette each May, the world’s most celebrated actors, models, and muses ascend the steps of the Palais des Festivals in gowns worthy of dreams—and jewellery that turns those dreams into legend. Over the decades, Cannes has evolved into a powerful showcase for high jewellery, where the world’s finest Maisons unveil one-of-a-kind pieces, often straight from their vaults or freshly imagined for the festival itself.

The Golden Age Glamour

In the early years, stars like Grace Kelly, Sophia Loren and Elizabeth Taylor brought an Old Hollywood elegance to Cannes, arriving with their own personal treasures: diamond tiaras, chandelier earrings, and multi-strand pearl necklaces. This was the era when jewellery wasn’t just borrowed—it was lived in. Taylor famously wore her 69-carat pear-shaped Cartier diamond (a gift from Richard Burton) on more than one occasion in Cannes, igniting a new kind of paparazzi frenzy: jewel-spotting.

The Maison Era

As the festival grew in global influence, luxury jewellers began to take notice. Chopard, the Swiss house known for its high jewellery and timepieces, became an official partner of the festival in 1998—and changed the jewellery game at Cannes forever. Not only did Chopard re-design the Palme d’Or trophy in ethical 18k gold, but they also pioneered the now-industry-standard practice of dressing celebrities in specially created high jewellery collections revealed during the festival. The “Red Carpet Collection,” launched annually at Cannes, features up to 75 unique pieces—one for each year since the festival’s founding.

Following Chopard’s lead, other maisons such as Cartier, Bulgari, De Beers, and Messika followed suit, turning Cannes into an unofficial haute joaillerie week. The result? A red carpet saturated in rare Colombian emeralds, Paraiba tourmalines, radiant yellow diamonds, and antique-cut sapphires—each stone with a provenance as rich as the stories being told on screen.

The Icons and Their Jewels

Moments that live on in the collective memory include Aishwarya Rai in a sweeping lavender gown and diamond halo at her Cannes debut, Angelina Jolie in a yellow Atelier Versace with a matching citrine cocktail ring, and Rihanna’s 2017 outing in a custom Ralph & Russo gown complemented by a head-turning diamond and emerald Bulgari collar. More recently, Bella Hadid’s Schiaparelli trompe l’oeil lung necklace in 2021, crafted from gilded brass and rhinestones, became an instant viral phenomenon and redefined what “statement jewellery” could mean on a modern red carpet.

Cannes is also a platform where historic pieces are resurrected. Vintage Van Cleef & Arpels, archival Boucheron, and museum-worthy Cartier designs have all made appearances, often with maisons meticulously curating the jewellery to reflect both the personality of the wearer and the spirit of the moment.

Red Carpet as Runway

Today, the Cannes red carpet functions as both a catwalk and a canvas. Jewellery here is not simply worn—it is performed. The festival has become a launchpad for new collections, with jewellers leveraging celebrity moments to create instant global impact. Beyond mere adornment, the right necklace or earring can become a cultural artefact, its image shared millions of times, dissected by fashion critics and embedded in digital memory.

There’s also been a move towards modernity and edge. Maison Messika, for example, has captured a younger clientele with sleek, diamond-intensive designs worn by everyone from Carla Bruni to Cindy Bruna. And in recent years, Cannes has embraced more inclusive forms of beauty and expression: gender-fluid styling, layered body jewellery, and cross-cultural references all now have a place on the red carpet.

A Dazzling Future

As the festival looks to the future, sustainability and ethical sourcing are taking centre stage. Chopard’s use of Fairmined gold is setting new industry standards, and more brands are introducing traceable gemstones and lab-grown diamonds into the luxury conversation—without sacrificing the awe-inspiring artistry that Cannes demands.

From heirlooms to headlines, the jewellery of the Cannes Film Festival tells stories as vivid as the films it celebrates. It is a place where legacy, craftsmanship, and showmanship collide under the flash of a thousand cameras—and where, for one glittering moment, the world watches with bated breath to see what brilliance will emerge next.

In a region steeped in tradition and ever-evolving modernity, Emirati designer Hamda Qubaisi is carving out a distinctive space where traditional heritage meets contemporary elegance.

As the founder and creative force behind By Hamda Qubaisi, the young designer is quickly becoming one of the UAE’s most compelling new voices in jewellery. Her creations are not only visually arresting but rich in meaning, drawing inspiration from her deep connection to her culture, her love of design, and the architectural marvels that the UAE is known for.

Fuelled by a lifelong passion for art and creation, Hamda launched her namesake brand with the vision of telling uniquely Emirati stories through the medium of fine jewellery. Her pieces are architectural yet poetic—clean, sculptural forms that honour tradition while speaking to a new generation of women who seek refinement with a personal edge. Her latest collection, Un Arc, is a bold step forward in that vision. Taking cues from the curves, symmetry, and geometry of the UAE’s most iconic structures, the line presents a fresh, minimalistic interpretation of legacy—an arc, quite literally, between the past and future.

In this interview, Hamda reflects on the artistic journey that led to the launch the brand, the cultural influences that continue to shape her evolving aesthetic, and why her homeland remains the ultimate muse.

Tell us about your brand, By Hamda Qubaisi and why you decided to launch it.

By Hamda Qubaisi was born from my passion for storytelling through design. I’ve always been drawn to jewellery’s permanence, how it carries emotions and memories across generations. After studying graphic design, I realised I could bring my visions to life in a way that merges art, culture, and meaning. Launching the brand was my way of honouring heritage while creating something timeless and contemporary — a space where tradition meets modernity in the most elegant way.

Who is Hamda Qubaisi, the woman behind the brand, and where did your passion for design come from?

I’m a young Emirati designer who started this journey at 18, fuelled by a love for creating and a deep connection to culture. Growing up, I was surrounded by beautiful heirlooms and stories, especially from my grandmother, and that sparked something in me early on. Studying design helped me channel that inspiration into tangible creations. Over time, jewellery became more than just a passion; it became my language of expression.

How does your Emirati heritage inspire you?

I’m constantly inspired by our architecture. It’s so rich with history and beauty. I’d love to keep shedding light on it through my pieces in a way that feels fresh and meaningful.

How would you describe your design aesthetic?

My aesthetic is delicate, architectural, and deeply symbolic. I love working with clean lines and subtle curves that feel both soft and powerful. I’m influenced by traditional Emirati architecture, modern minimalism, and the human form. Every piece is meant to feel intentional, like a quiet statement.

Who is the woman you design for?

I design for the woman who values meaning, elegance, and individuality. She’s empowered, confident, and connected to her identity. Whether she’s wearing a piece to feel closer to her roots or simply to express herself, I want it to feel like it belongs to her story.

Can you share some details on your design process?

It always starts with a concept, a feeling, or a story I want to translate. Then I sketch, refine, and move to digital design, where I play with form and scale. I’m very hands-on with every part of the process, from sourcing materials to final production. I often revisit cultural references, especially architecture, and find ways to reimagine them in delicate, wearable forms.

Tell us about your latest collections.

My latest collection “Un Arc” is deeply inspired by the UAE’s history, specifically the “Women’s Door” in Qasr Al Hosn, a tribute to feminine beauty and strength. The arch symbol in the collection reflects empowerment and grace. Then there’s Twine, which celebrates self-love and the natural curves of the body. It’s minimal, flowing, and feels like a second skin, like wearing confidence in its purest form.

What’s been the biggest challenge so far?

Starting young meant learning everything from scratch, including business, production, and branding. I’m a perfectionist, so I’ve always wanted to be involved in every detail. Balancing creativity with the realities of running a business has been tough, but every challenge taught me something valuable. The journey is part of the story.

Where would you like it to be in five or ten years?

I see By Hamda Qubaisi expanding globally not just as a jewellery brand, but as a storyteller of culture and identity. I want to keep merging heritage with new perspectives, collaborating across disciplines, and hopefully inspiring others in the process.

What’s your most treasured piece of jewellery?

I don’t have just one, but my family’s collection means everything to me. It’s been growing for decades, and each piece holds a story. That’s the kind of connection I want people to feel with my designs, too.

What advice would you give to aspiring designers?

I want to inspire young girls and the next generation to dream big and create without limits.

What is the professional motto you live by?

Create with intention, design with meaning. Every piece should have a purpose beyond aesthetics.

Where is a place you go when you want to relax and escape the world?

Anywhere by the water. The beach has always been a place of clarity and calm for me. It’s where I can think, reset, and reconnect with myself.

What else is coming up this year?

There’s a really special tribute piece I’ve been working on, and I’m excited to grow the brand even more, both creatively and globally.

byhamdaqubaisi.com/en/

Known for its seamless fusion of high watchmaking and high jewellery, Piaget once again reaffirmed its place at the intersection of art, innovation, and elegance with its newest novelties, presented at Watches & Wonders last month.

From ultra-thin mechanical feats to radiant gem-set creations that blur the line between timepiece and treasure, the maison unveiled a series of bold novelties that both honour its heritage and look decidedly toward the future.

At the helm of this vision is CEO Benjamin Comar, who brings to Piaget a discerning eye for storytelling and a deep reverence for craftsmanship. In this interview, Comar shares the creative impulses behind the 2025 novelties, reflects on the brand’s evolving identity, and explains why Piaget’s signature blend of exuberance and savoir-faire continues to resonate with a new generation of collectors.

Tell us about some of the highlights from this year’s Watches & Wonders experience and the company’s booth.

Even if this year was no longer the 150th anniversary, we felt the same excitement for this edition as we were introducing Sixtie; the first new jewellery watch collection since 2013. You never know how it’s going to be perceived, so the tension builds up until the very first guests enter the booth and praise this collection Since 2022, we have tried to connect our present creations to the past and the Sixtie trapeze case is more than deeply rooted in Piaget’s DNA, it’s a nod to a very important time for us: 1969 and the 21st Century Collection. We have reworked this trapeze shape for Sixtie, and put it on daily watch, but we have also created some more elevated versions with new Swinging Sautoirs. In addition, we have unleashed the creativity that shaped the late 60s and early 70s to celebrate other iconic curves, like the Andy Warhol watch or the Limelight Gala.

We saw a large focus on jewellery watches this year – tell us about this category at Piaget and why this is a current focus.

It’s not just a category for us; it’s one of the Piaget pillars. Just like Yves Piaget used to say, “a watch is first and foremost a piece of jewellery”. So it has always been detrimental for us, whether in a more wearable version or a high jewellery version. We like to have the best of both worlds: the technical innovation like the AUT and the incredible know-how of the jewellery watches. These are truly one of a kind.

Tell us about The Andy Warhol watch and why this was a perfect partnership for Piaget.

Another creation that is highly special to our hearts is the story behind this watch, as well as its shape and dial. Yes, it’s 45mm technically, but what a canvas it opens for the ornamental stone dials and with the gadroons on the case, it creates a nice illusion, and it looks bigger than it is. It was a true delight this edition to see the watch collectors, the Piaget lovers, and new customers come to the booth just for this watch. Everyone has their favourite dial, stone, material, and look, and that’s why it’s the perfect bespoke watch. Everyone can write their own story with it.

How do you feel partnerships and collaborations help to elevate the brand today while also honouring its legacy?

If I take the example of the partnership with the Andy Warhol Foundation, it was an absolute must. Having their recognition, their support, and their access is key for us to elevate the Maison beyond what it’s known for.

Tell us about some of the innovations and technical developments the brand has been working on today.

There are many! You’ll see some in the upcoming months, whether it’s the new High Jewellery collection or the new watchmaking pieces. Every new creation shows a new skill and a new way to master the constraints. Lately, however, I have been particularly proud of the new gold décor for the Limelight Gala. It’s just fascinating to see the artisans reproduce the same movements and effects as those from the 60s. It truly elevates the piece and creates a mesmerising effect.

How do you feel events such as Watches & Wonders still have relevance in the industry today?

I really enjoy these moments; it’s a rare opportunity to meet everyone in one place, and it attracts more and more clients every year. It’s important to be part of this energy. But obviously, as we are both watchmakers and jewellers, we also have other moments during the year, such as presenting the High Jewellery collections, but Watches and Wonders always hits differently.

You have some watches that have become icons – what does it take to become iconic in this industry today?

Time for sure. You don’t create an icon overnight. It has to have a unique design, an imprint, something to tell that goes far beyond the product. Creating one is difficult; updating one is something else. You have to tweak it and make it evolve without damaging its essence.

What are the biggest challenges you’re facing today in your position?

Keep pleasing our audiences in both the jewellery and watches segments. Watches and Wonders was a great moment, and now, we’ll move on to the next one. Nothing is ever forever.

What’s something you would still like to do?

I hope I continue to take as much pleasure in launching magnificent creations as I do lately.

Looking ahead, what is Piaget’s vision and direction this year and can you tell us a little about the brand in the Middle East?

It’s a story of shapes, of how the watch mastery unleashed the creativity in the 60s to become a revolution in the watch panorama. It’s about the Piaget distinction. Something the Middle East clientele know very well, as they have seen the Maison grow and enter the territory at that time, leaving a special impression in their memories. Art Dubai was also the opportunity for us to bring a little bit of Watches and Wonders in the region and feel inspired by everything which is happening at the moment.

Piaget.com

Italian brands Maserati and Giorgetti have unveiled a collaboration that sits on at the intersection of luxury design and automotive artistry. This new partnership, which was unveiled at Milan Design Week last month, marks not only the debut of an exclusive interior collection, but also the unveiling of a singular automotive masterpiece: the Fuoriserie Grecale Giorgetti Edition.

At its core, this partnership is a celebration of shared values—precision, craftsmanship, and the pursuit of the extraordinary. It’s a dialogue between two distinct worlds that converge seamlessly, offering a sensory experience that goes beyond visual impact and ventures into emotional resonance.

The Art of Atmosphere

The Giorgetti Maserati Edition is a poetic composition of myth, movement, and materials. Inspired by Neptune’s trident—a subtle yet powerful nod to Maserati’s emblem—the collection tells a story rooted in mythology and driven by modern elegance. The pieces are named after sea nymphs and marine deities, each embodying a different facet of nature’s strength and grace.

From the modular Nereide sofa, a poised expression of calm power, to the sinuous Seidon that channels the aerodynamic flow of Maserati’s finest silhouettes, every item fuses Giorgetti’s artisanal flair with Maserati’s design DNA. The sculptural Lorelei chair invites with a siren’s embrace, while the Teti pouffe and Ligea tables recall the finesse of fluid forms and automotive intakes. The Sibilia and Ploto tables flirt with movement and air, and Neomeris embodies the eternal restlessness of the sea.

Fuoriserie in Full Expression

Equally evocative is the Grecale Giorgetti Edition, a one-of-one expression of Maserati’s bespoke Fuoriserie program. Crafted in the newly inaugurated Officine Fuoriserie ateliers in Modena, this fully electric Grecale Folgore blurs the boundary between road and residence.

Its exterior, bathed in a bespoke “Gleaming Dusk” hue, pulses with quiet power. 21-inch Glossy Black wheels with grey-clearcoat accents speak of restraint and authority, while copper detailing on the brake callipers and Fuoriserie insignia hint at Giorgetti’s influence. But it’s inside where the magic unfolds.

The interior reads like a curated lounge—every stitch, every surface, a deliberate act of design. Denim-toned leather is paired with Giorgetti’s custom wool-blend fabric, marrying texture with tone in a palette of white mélange, black, and copper. Alcantara headrests are adorned with the Trident, rendered for the first time in elegant grey-blue wood. The door sills—engraved with “Due icone, una visione” and “Eleganza senza tempo”—echo the spirit of the collaboration: two icons, one vision; timeless elegance.

An Ode to the Italian Way

More than a showcase of high design, this partnership is a manifesto of the Italian ethos, where heritage fuels innovation, and craftsmanship is a sacred art. Maserati and Giorgetti have not merely collaborated; they have co-authored a new language of luxury, where furniture and automobiles converge into one singular expression of lifestyle.

Revealed in tandem at Giorgetti’s Spiga showroom and the Maserati Milan showroom, the collection and car were previewed exclusively to a select circle. Now, as doors open to the wider world, visitors are invited to step into this rarefied universe—where design is not only seen, but profoundly felt.