Dubai-based fitness brand L’Couture has launched a seamless collection that allows for ultimate movement whether working out or lounging at home.

The Seamless Collection features smooth fabrics without seams, that act as a second skin during workouts.  The pieces are manufactured in Europe under strict ethical and environmental policies which tie in with the brand’s eco-friendly approach to its company. The new line has been crafted with minimal waste and reduced water consumption, in a world-renowned European mill, certified with the highest environmental standards.

Design technologies incorporated in the making of the Seamless collection include engineered jacquard knitting without seams for added comfort, and anti-chafe aspects for the toughest workouts.

Featuring premium nylon yarn for the softest touch and lasting quality, the range is available in four colours: French navy, mindful green, fresh cream and mid-cool grey. All of the pieces are breathable and are staples pieces to be worn both inside and outside the gym.

Alongside the new range, the company has unveiled new branding showcasing its logo with sleek, clean lines.

For more information visit www.lcouture.com . L’Couture is set to open its first physical store in Dubai later this year.

This year’s Grammy Awards took on a part physical, part digital format this year, with many stars attending from their own homes, but that didn’t stop them from raising the style stakes. We discover some of the best dressed stars from the 2021 Grammys.

Beyonce Wearing Schiaparelli

Harry Styles wearing Gucci

Dua Lipa wearing Versace

Dua Lipa wearing Versace

Billie Eilish wearing Gucci

Taylor Swift wearing Oscar de la Renta

Chrissy Teigen

Noah Cyrus wearing Schiaparelli

Celebrating the architectural wealth of Venice, the Chanel High Jewellery Eblouissante set is composed of white and pink geometric designs, in a unique interpretation of the facades of the palaces and the polychromatic marble floors of the churches.

On a rose gold and platine structure, the necklace, with its perfect drop, features a staggered motif set with baguette diamonds echoing the quilting so dear to Gabrielle Chanel.

ÉBLOUISSANTE PRESTIGE COLLIER

In a neo-baroque style, the Sérénissime set revives the Byzantine spirit of the mosaics of the “golden basilica” in a contemporary light. Like this plastron composed of onyx and diamond squares, of pink, yellow and orange sapphire tesserae as well as spessartine garnets that reflect the light over a 27.09 carat oval mandarin sapphire, itself haloed by a shower of diamonds.

ÉBLOUISSANTE PRESTIGE COLLIER

A powerfully constructed ring bears a cross in onyx, yellow and mandarin sapphires and diamonds topped with a scintillating 6.04 carat pink Padparadscha sapphire.

ÉBLOUISSANTE PRESTIGE COLLIER

Find out more at Chanel.com

Art Dubai will take place in a physical fair format this March against all odds. After a year hiatus thanks to COVID-19 the fair returns with new concepts and a new home.

Produced in accordance with the highest safety protocols this year’s event will take place at DIFC in a purpose-built destination, bringing together over 50 local and international artists from 31 countries. The 14th edition will have a strong focus on artists from the Middle East and the Global South, and for those unable to physically participate a Remote Participation Programme will allow galleries who are unable to travel, to virtually represent their artists.

Art Dubai 2019

Held in the strategic partnership with Dubai Culture, Art Dubai 2021 will feature 50 leading Contemporary and Modern galleries showcasing a diverse selection of artworks, artists and practices, reflecting the multicultural identity of the city. The fair will take place from 29 March to 3 April 2021.

This season’s event is sure to be unlike any other. As well as a brand new location, there are new concepts and fresh ways for galleries to showcase their artwork and interact with the public.

The event won’t just showcase traditional types of artwork but will also invite innovative artists to showcase new ways of being creative, and it’s set to provide some special moments for guests. One of the people who have worked over the past year to bring the event together is Regional Director of Art Dubai, Hala Khayat.

Khayat is a Middle Eastern art specialist, writer, curator, art collector and philanthropist, with a background in fine arts and design. Originally from Syria, Khayat’s main role as a senior art specialist for Arab, Iranian and Turkish art was to curate and manage auctions, from finding exquisite works of art in many places regionally and with collectors internationally, to overseeing the production of the catalogues. In an area where written data is scarce, she developed the research criteria for top Middle Eastern modern artists establishing key relations with the artists’ estates.

Since joining Art Dubai she has worked closely with the team to develop strategies for local and regional engagement with collectors. As Art Dubai aims to continue fostering regional relationships, her extensive expertise in the Middle East helps to drive the growth and development of sustainable long-term engagement. Here we find out what to expect from the upcoming fair and some of the artists and galleries to look out for in the region.

Art Dubai 2019

What can we look forward to with this year’s edition of Art Dubai? 

There’s a lot to look forward to this year; the fair will feature 50 leading contemporary and Modern galleries from 31 countries, showcasing a diverse selection of artworks, artists and practices, reflecting the multicultural identity of the city. We are very pleased with the final mix of artists being presented at the fair this year, with a strong presence of regional artists alongside works from international artists.

We know this is one of the first major physical events since the beginning of the COVID-19 pandemic – what have been the biggest challenges in bringing the event to life? 

Art Dubai 2021 will be the first international art fair to take place as a physical event since the pandemic began and whilst we have had to adapt to the current circumstances, we feel a keen responsibility to support our industry during these challenging times. Both our community and galleries have shown a strong desire to be a part of a physical fair, emphasising that there is such value and privilege in seeing art in person. The re-configured format of Art Dubai’s 14th edition, held at Dubai International Financial Centre (DIFC) in a purpose-built venue will ensure the highest COVID-19 safety protocols, creating a secure, safe and flexible environment for participants and visitors and enabling us to continue to support the galleries and artists who are always at the centre of our efforts.

The fair has several safety precautions in place such as daily testing of participants and staff, a new app to help manage visitor numbers, flow and experience, digital tools replacing physical collateral and a revised fair layout to ensure increased social distancing. Additionally, international galleries unable to attend in person due to travel restrictions will be able to take advantage of Art Dubai’s Remote Participation Programme, enabling them to send works for display on site and connect virtually with visitors at the fair.

Art Dubai 2019

What are some of the highlights we should look out for and are there any new elements to this year’s edition that we haven’t seen before? 

Art Dubai continues with the tradition of being a place of discovery of talent of all generations and it’s very exciting to see that participating galleries will be exhibiting a large number of three-dimensional works as well as new generations of painters that are approaching figuration in many various ways. We are seeing new works coming to the surface that explore the issues the world has experienced over the past year.

We will be unveiling the artwork ‘Rakhm‘, which means ‘incubation’ in Arabic, by Saudi-based Fahad Bin Naif; winner of the third edition of the Ithra Art Prize. Bin Naif’s art installation aims to conceptually preserve a nursery as both an urban typology and its ‘incubatees’, as an environmental micro-economy. The title of the installation mirrors both the sensitivity and urgency of the content, safely and carefully incubating an intelligent green infrastructure. ‘Rakhm’ is a Polytunnel nursery that mimics the existing urban nurseries in the Kingdom with endemic plants and flowers instead of conventional foreign houseplants. Unlike most nurseries, however, the viewer can only experience the exterior of the nursery, which mirrors the general local approach to xeriscaping wherein local foliage is not an environmental or aesthetic priority. The experience of the viewer from the outside also highlights the notion that contextually there is very little interaction between local human inhabitants and local plant-life and the importance on an environmental level of changing this narrative.

Are there any artists that you have been particularly impressed or inspired by this year? 

There is a wide variety of extraordinary artworks from all over the world to be discovered at the fair this year and with many of the new works influenced by our recent reality. I am also really impressed with the figurative work from African galleries coming to the fair, and looking forward to seeing the works in person.

TAFETA (London) Art Dubai Modern, Art Dubai 2019, Courtesy of Photo Solutions

What inspires you the most about Middle Eastern Art? 

One is always inspired by his or her region, as without the roots we cannot grow. The Middle East is steeped in such a rich history and this is apparent in the artwork that we see too, whether from the past or present. Today, there is a an open-mindedness and complexity to artistic practices regionally which I believe will help establish its artists on the international stage in years to come, in a world in which we are all eager to discover new ways of seeing and thinking.

What do you look for when discovering new artists or artworks?

I look for that elusive balance of a distinct point of view, impeccable execution and the ability to stir emotion within me. At Art Dubai, we strive to champion diversity in all its forms, and as such not only strive for diversity but also for a presentation including the varied Global South geographies that the fair promotes.

ATHR (Jeddah), Art Dubai Contemporary, Art Dubai 2019, Courtesy of Photo Solutions

In your opinion what makes an artwork special or successful? 

Art is very personal and resonates with people in different ways, but I think that artwork that evokes emotion and moves its audience to have the ability to become timeless. Art is unquestionably influenced by the world we live in, and Art Dubai visitors will have the opportunity to see how artists’ creations capture our recent reality. I think now more than ever we have come to understand what privilege it is to experience artworks in person so the ability to visit an exhibition should be cherished and we hope our visitors will enjoy it.

What was the first piece of art you owned?

I was gifted a small work on paper by a Syrian artist from Aleppo, named Badawi when I was 12 years old. Of course, I have since gone on to collect more pieces, but this is one that I will always cherish.

What inspired you to get into this industry? 

I grew up in Damascus, a beautiful and ancient city, and was surrounded by history and fine art; Mesopotamia, Assyrian, Byzantine and Islamic Art – its influence is everywhere and I think this inspired me more than I know. I also took a keen personal interest from an early age; I love visual books and art books and am fortunate to have a good memory for imagery, which helps a lot in this industry.

Experimenter (Kolkata), Art Dubai Contemporary, Art Dubai 2019, Courtesy of Photo Solution

What are your thoughts on the growing art scene in the region and what would you still like to see happen? 

Dubai continues to innovate like no other, and this is apparent and reflective in the artwork that we are seeing too. The UAE is celebrating 50 years of its establishment this year, yet the art scene is still relatively new in comparison, so I’m excited to see the industry grow and to work with Art Dubai in expanding the cultural ecology of the region.

How do you think museums such as the Louvre Abu Dhabi are helping to grow the region’s art community on an international scale? 

Museums, such as Louvre Abu Dhabi, are important to any city and play a significant role in shaping its cultural identity. The Louvre is recognised by people the world over and so Louvre Abu Dhabi has a great responsibility and opportunity to leverage this awareness and showcase artwork from the region to educate visitors and inspire the next generation of art lovers.

How do you think events such as Art Dubai do the same and what would you like to see as the response to this year’s event? 

Since its inception in 2007, Art Dubai has played a central role in developing Dubai’s vibrant and expanding art scene and giving a platform to existing and emerging artists from the region. Throughout our unique programming, both educational and social, and by inviting collectors from around the world we hope to enable as many galleries and artists as possible to connect with art buyers.

In terms of the response to this year’s event, as the arts sector has, like so many others, been so heavily impacted by the events of the last 12 months we would love to see our participating galleries sell all of their artworks – this is the most impactful way that people can support artists and the cultural community.

The Third Line (Dubai), Art Dubai Contemporary, Art Dubai 2019, Courtesy of Photo Solutions

What advice would you give to upcoming artists in the region and what support is there for aspiring artists? 

My advice would be to stay close to your roots and to work hard to find your unique voice within the art world. Artists are often sensitive people and perceive and express the world around them in different ways, artists must keep exploring and educating themselves about art from other geographical areas and art history so that they can present new ideas and reimage older concepts. It’s important to believe in your ideas, and if there is someone from the industry that can act as a mentor that often helps too.

The fair will take place from 29 March to 3 April 2021.

As travel starts to resume, The Maldives is the perfect escape from the city to a safe, family-friendly, picturesque paradise. LUX* North Malé Atoll, offers contemporary luxury that defies all the norms.

Reviewed by Lara Mansour Sawaya

Accessed via a short boat ride from the capital, this stylish hideaway in the tranquil Indian Ocean offers a modern atmosphere and unique attention to detail. Designed by Singaporean design group MIAHA, the unusual property replaces the traditional Maldivian style of thatched villas with striking penthouse residences that bring a touch of South Beach to the Indian Ocean islands. I called it a hidden gem.

Water Villa outdoor

Accommodation

Each of the 67 residences is situated along the beach or over water, allowing guests to immerse themselves in the beauty of the landscape and feel at ease from the moment they arrive.

Beach Villa Living area

Choose from one, two or three-bedroom villas. Each residence comes complete with a 120sq metre roof terrace – a magnificent private deck elevated 5-12 metres above the lagoon – from which guests will have a unique perspective to marvel over the planet’s flattest country.

Water Villa

The two-bedroom residences feature private infinity pools, while the three-bedroom retreats offer a dedicated living room, walk-in closets and steam, sauna, private fitness area, private beach area and a private Infinity pool. As well as a possible villa access by yacht thanks to private docking facilities on the three-bedroom overwater retreats. All of the rooms feature modern, spacious interiors. Bright and airy they feel relaxing from the moment you enter.

Overwater Residence pool

For the ultimate in luxury, the three-bedroom LUX* Beach Retreat is the star of the show. It offers the ultimate private island experience to rest, relax and play. Featuring three storeys, three bedrooms and 970 square metres of unparalleled luxury set on a stretch of exclusive private beach, this sanctuary is truly a first in the Maldives. The tastefully decorated villa is open onto an expanse of terrace bordering a large infinity pool and gazebo, ideal for dinners outdoors overlooking the crystal-clear waters of the Indian Ocean – the most magnificent backdrop for an unforgettable holiday.

Overwater Residence Gazebo

The highlight is the 12-metre high rooftop, which a perfect space for yoga, barbecues, movie-screenings, intimate candlelit dinners and cocktails at sunset. The unique architecture and design of the LUX* Beach Retreat, offers a spacious living room area, indoor and outdoor bathrooms, as well as floor-to-ceiling windows, showering the interior with sunlight throughout the day.

Overwater Residence Twin Bedroom

The sense of finesse extends to the fitness area inclusive of a gym, steam room and sauna. There are several extra special touches available from bedtime storybook reading for kids, to customised in-villa activities. This truly is the best way to travel, and there’s room for all the family!

Food & Dining

INTI

With options ranging from fine dining to eating in the comfort of your suite, to extraordinary al-fresco experiences, no request is too much for the team at LUX*. The food is truly special and a rare find on the islands of a vast offering of cuisines of a great standard. INTI; the resorts Peruvian-Japanese culinary sensation offers a unique blend of two cuisines. Its uniqueness comes in the form of a live sushi and ceviche bar as well as a stunning outdoor terrace for dramatic views of the Indian Ocean. Simple, clean and sharply executed, the menu features the finest and freshest fish, meat and vegetables and finds a perfect balance between these two distinct cultures. Savour octopus with black olive mayo, Tiradito breads and smoky guacamole – or take in a five-course fresh fish Ceviche tasting. Served with imaginative sophistication, these are dishes created by local and international masters that make INTI an experience you won’t forget.

Destination Dining: Barium

Accessed via a secret door, Barium is a special, hidden chamber that offers an unforgettably unique dinner experience for select guests. Situated amongst an aquarium of dazzling fishes, Barium’s divinely seductive decor is only the start of a truly bespoke journey towards enduring memories. Located beneath The Bar, this private and secluded area is the ultimate, ethereal spot for a personalised celebration or a special event – a place where moments are weaved into an evening that is yours and yours alone. Personal butlers will lead you through tailor-made menus featuring the most delicately innovative food by award-winning chefs. Barium can be booked for exclusive dinners and events for a limited number of people.

Beach Rouge

If you’re looking for a more casual experience Beach Rouge is complete with a hint of the French Riviera in the airy white and red decor. In the lounge area, mocktails and tapas make for lazy days, and as the night’s sky takes over, Beach Rouge brings in smoky aromas of premium meat to Ora king salmon with delicious side dishes and sauces from its steak house menu. Glow Bar provides island-inspired bites and refreshments by day and becomes sophisticated by night. Also a must-try is the in-resort ice cream parlour Ici which is a home away from home, while Café LUX* ensures you will never go without your morning coffee.

In-Villa Floating Breakfast

And finally, the dining destinations offering allows guests to dine at various locations around the resort from residence rooftops, to the beach even dining while relaxing in your private infinity pool. The level of creativity is incredible and no request is too much!

Spa & Wellness 

Lux* Me Spa is comprised of overwater treatment villas with uncompromised views of the ocean. With five private treatment villas and an overwater beauty salon, this will be a spa experience like no other! As well as specialised treatments Lux* Me Spa also features a sauna and fitness city as well as a children’s spa and rooftop yoga classes.

The spa adopts a personalised approach to your wellbeing, offering a unique combination of treatments and activities that cater to your personal needs. Must-try experiences include the Zhengliao Chinese Medicine Treatment, the Shirley Page Absolute Relaxing Massage and of course, the Balinese massage. Experience your treatment surrounded by blue seas and the sounds of ocean waves.

Me Fit

Sports & Leisure

One thing is for sure, you won’t get bored on this island thanks to the abundance of sports and leisure activities offering once in a lifetime experiences. From private yacht charters to snorkelling, fishing, jet skiing and even surfing, there is something for everyone from thrill-seekers to those looking to expand their horizons.

The island is surrounded by extraordinary wildlife, from colourful coral reefs to unusual fish to turtles and dolphins. You’ll be truly amazed by everything there is to discover. Make sure to book a sunset cruise on the Catamaran, it is guaranteed that you will enjoy a memorable moment.

For more details on the resort as well as bookings visit

www.luxresorts.com/en/maldives/hotel/luxnorthmaleatoll/

Iranian Visual Artist Farshido operates under Behnoode Foundation where he donates a portion of all his artwork revenues to help children in Nepal. One of his passions is to support aspiring artists by sharing his advice and experience.

He says: “I believe that the best ideas will come at the right time, with the right material and match up in a perfect outcome. I do not believe in tying oneself as an artist to one specific art style or material. For me, concept and material follow inspiration and ideas, not the other way around.”

Here he presents twelve useful tips and practical advice to making art, making connections, making sales and making money for a struggling, emerging or any sort of artist.

1. TAKE THE JOB

Don’t be one of those cliché art school kids who consider themselves above the idea of art as a commodity. Take commercial work. Take the design work. Do the band’s poster for $20 and a six-pack. Do whatever it takes to be able to call yourself a working artist. It’s a noble title, regardless of the particulars.

2. BE PATIENT

To come to the ‘perfect outcome’, I use fine techniques and patience. Patience for finding the right materials and collecting the objects that are special or useful like wandering around flea markets and collecting old knick-knacks to make use of them later on. However, up until there is no specific idea in mind I put them aside and wait for an idea or an inspiration or a magical sparkle of the moment that an idea begins to form. Then, I opt for a collage, assemblage, drawing, conceptual art, installation, video or whatever my medium suits the idea best. 

3. STAY CONNECTED

Your best connections are your peers. Stay in contact with them. Be curious. Visit other artist’s studios and add like-minded people to your mailing list.

4. GAIN NEW PERSPECTIVE

Gaining perspective by observing your practice amongst a field of others, and the culture and time in which it is done, is a career goal that follows a wide arc. It is not the sole responsibility of your art dealer, for example, to place your work in cultural context, nor should you allow this without your input.

5. HAVE AN IDENTITY

Aim to have people recognize your work in a crowded room… to know immediately that it’s undeniably yours is the best compliment you will ever receive

6. IT IS A JOB

When I’m talking to younger artists I stress that making, exhibiting and selling art in a commercial gallery is just like any other job one hopes to be successful at. It means working hard, honouring deadlines and trusting your co-workers to do their jobs well too.

7. SURPRISE YOURSELF

My inspiration comes from daily life and all the surprises that it brings along. Personally, I like surprises… That’s why I like to keep surprising myself and others with my artworks.

8. DO NOT RUSH

Don’t raise your prices too fast because once they are up, you should not lower them. 

9. ALWAYS BE INSPIRED

Feed your output with as much input (books, lectures, films, leisure, rest) as you can handle, and in some cases, more than you can manage.

10. KEEP YOUR FRIENDS CLOSE AND YOUR INSPIRATIONS CLOSER

Now there are endless images at your fingertips, but you need to find the ones that awaken your creativity and keep them near to you. Sometimes it can be something blurry and vague … I have this one little scrap of paper with a very low-res image of a kitten’s face on it, and something about it makes me come back to it again and again, trying to capture something elusive about it. When you find an image like that, hold onto it like it was gold.

11. DIGITALIZE

You don’t need business cards. You do need a website and a social media account.

12. GO OUTSIDE

Stay deeply connected to what’s going on in your own art world. Under no circumstances isolate yourself in the studio with a solitary practice, thinking you’re some kind of lone wolf or Van Gogh.

Pomellato for Women series: a&e Editor in Chief Lara Mansour and Pomellato CEO Sabina Belli discuss the importance of “me time”.

As part of the Pomellato for Women series, a&e Editor in Chief Lara Mansour participated in an Instagram live with Pomellato CEO Sabina Belli to discuss the importance of “me time” in the lives of busy women today. Watch their full conversation which covers, many of the issues important to women today.

Watch the full video below:

Visit pomellato.com to find out more about their support and dedication to women.

Over the decades, Chanel’s handbags have become icons in their own right, an instantly recognisable symbol of style, a piece of history that will last for generations, and in many cases an investment piece that will long outlive its owner. The House’s iconic handbags represent style, sophistication and expert savoir-faire, instantly recognisable for their timelessness. While everyone surely knows the name, yet most will recognise the elegant quilting or the unique chain, or even the iconic Chanel “CC” clasp.

Catherine Deneuve and Johnny Hallyday, Premiere of the film Les Parisiennes in 1962¸ DEPARDON DALMAS SIPA

Two of the most iconic designs the Chanel 2.55 and the 11.12 have been reinvented time and time again. Season after season, generation after generation, women of all ages are captured by the feelings evoked by purchasing a Chanel handbag. These two styles in particular have become icons, the quintessence of dreams, history and symbols of meticulous luxury, fashioned step by step.

Jeanne Moreau wearing a suit and the 2.55 bag at Rome airport in 1961 ¸ Keystone France

As she did with many of her designs, Gabrielle Chanel created the 2.55 bag because she needed it for herself. Always seeking innovative ways inspired by her own daily life, Gabrielle liked the ease and freedom of movement from a strap bag or a pair of binoculars that she would wear around her neck at the races; leaving her hands free to slip in her pockets or do whatever she might please.

Mademoiselle Chanel by Mike de Dulmen ¸ CHANEL All rights reserved

In 1955 (the date that inspired the name of the 2.55), the designer imagined a bag of timeless beauty. Perfectly designed inside out, this bag could be carried on the shoulder using a chain made of flat metal links – a nod to the chain that Mademoiselle added to the hem of her suit jackets to ensure a perfect drop). Unique for its time, the 2.55 not only freed up the hands but also harmoniously followed every movement of the body. On the outside, lambskin, jersey and silk were over-stitched with “diamond” quilting in rhombus shapes to give it body, volume and bearing. The quilting was inspired by the equestrian world that Gabrielle Chanel loved so much, especially the jackets worn by the grooms at the races.

Today, the design of the 2.55 still follows the original dictated by Gabrielle in 1955. Seven pockets are strategically placed around the bag. The first, at the back, is rounded like the “MonaLisa’s smile”, hence its nickname. The six others were placed inside the bag: gusseted pockets for Gabrielle’s visiting cards and powder compact, a pocket case specifically designed for a lipstick, a zipped pocket called the “secret”, and two large pockets for letters.

Its garnet leather lining makes it easier to find objects against the bright colour. The double C is over-stitched on the inside of the flap. The final detail is a rectangular tourniquet clasp known as the “Mademoiselle”, which was joined, several years later, by a second clasp, the double C, equally legendary and that ultimately led to the creation of another bag the House calls the 11.12.

Every season the iconic bags are reinvented under the House’s Creative Director. The original materials are now joined by aged or grained calfskin, tweed, as well as precious embroidery by CHANEL’s Maisons d’art, Lesage or Montex, denim, patent leather and velvet. Chevron quilting has been added to the original diamond quilting. Timeless yet still completely relevant today this iconic bag features many of the same key elements as it did over sixty years ago.

For the Spring-Summer 2020 Ready-to-Wear runway show, the 11.12 bag was revisited in multicolour tweed and leather, embroidered with sequins and beads by the House of Lesage. For the Paris – 31 rue Cambon 2019/20 Métiers d’art collection, Virginie Viard reinterpreted both of the iconic bags as mini versions, in black or pink leather.

The 2.55 also comes in metallic leather with gradated hues, echoing certain silhouettes in the collection. At the Fall-Winter 2020/21 Ready-to-Wear show, the Artistic Director included the iconic Chanel bags in the same tweeds of the collection: a suit is thus accompanied with a 2.55 in raspberry tweed embroidered by Montex, while a coat, crop top and shorts ensemble is completed with an 11.12 bag in white tweed patchwork.

Savoir-Faire

These iconic handbags are the result of meticulous handwork and the finest craftsmanship. Demanding over 180 manufacturing operations and just as many minute gestures – each step is overseen with strict quality control – and can take up to fifteen hours of production at the Ateliers de Verneuil-en-Halatte, belonging to CHANEL’s Métiers d’art.

It takes four to five years for an artisan to perfectly master the techniques necessary for the manufacture of an iconic Chanel handbag. Even selecting the skins requires the greatest of skill. The origin of each skin is rigorously controlled and the House only uses tanners whose outstanding savoir-faire reflects Chanel’s own values of excellence. Each skin must be perfect and of exceptional quality, according to a strict list of criteria. They are checked one by one and undergo multiple tests in the laboratory.

Once the skin is selected, production can begin. Each piece of the bag is cut using a template outlining the pattern. The cutter’s challenge is to find the ideal cutting points so that each piece can be perfectly placed and lined up together once assembled. The process can be particularly delicate for tweed (the patterns must be impeccably aligned). One by one, the pieces are then “pared down” or thinned out, to prevent any eventual roughness caused by the seams. Once prepared, the pieces are ready to be quilted using a needle and then assembled. Meanwhile, the double “C” will have been stitched onto the flap.

Initially mounted flat and inside out, like an item of Ready-to-Wear, the bag gradually takes on its volume. The body and base are brought together with the “bag in bag” technique: a first bag is mounted to constitute the interior and then a second for the exterior. Each one is assembled by hand. The artisan can then turn the bags inside out. Sewn with a “point de bride” stitch on the sides, the two bags are united to become one. The finishing touches (the hand plaiting of the chain, piercing the hook and eyes, the setting and placing of the clasp) require several precise manipulations before the final quality control and the wrapping, the ultimate ritual of delicate meticulousness.

Each iconic bag is part of a heritage transmitted from mother to daughter, passed down through generations as though they are family heirlooms. These iconic pieces become as valuable for their sentimental memories as they are for their price tag. A Chanel bag will never go out of fashion and as Gabrielle Chanel would often remark: “Fashion becomes unfashionable, style, never”.

2020 was a difficult year for all communities around the world, but Lebanon was hit doubly as bad when in the middle of a global pandemic, came a tragic explosion in the capital city of Beirut, killing hundreds and destroying thousands of homes and businesses.

It sent the already struggling economy into turmoil and ruined the lives of many people in the city. The fashion industry was not immune from this tragic disaster and many Lebanese designers and couturiers saw their ateliers completely destroyed, months of hard work lost in a second. But they soon began to rebuild and to try to recover from the terrible losses they suffered both on a personal and professional level. Tony Ward was one of those affected by the blast. He saw his atelier shattered by the explosion and learnt the struggles of trying to stay afloat and keep his team while battling a global, pandemic, economic crisis and an unexpected tragic disaster.

Late last year, Ward presented his Couture 2021 collection. A tribute to Beirut, the designer wanted to celebrate the beauty of the city and remember what there is to love about its glistening lights and infectious personality. He dedicated this collection to his home city as a symbol of hope for what the future might bring. While 2021 is not a new chapter as such, it does symbolise a step towards the new normal and as Ward starts to navigate the future of the house and the direction moving forward we discuss what he will take away from this tragic period and why there are better times ahead.

The past year has been unsettling in many ways – how have you been able to continue designing and what are the biggest challenges you have faced?

2020 was a tough year for everyone, but especially for the Lebanese people, and I would say 2021 hasn’t kicked off well so far, either. However, designing and creating are the only things that are motivating me and pushing me forward to focus on a better tomorrow. I felt the urge to keep on catering to the client’s needs, who are too focusing on better days ahead. My work was my way out of this chaos.

What is a lesson you have learnt from this year?

We have all learnt a lot this year, more than any other year! But I would say that shifting priorities, going into survival mode and taking our own paths and rhythm rather than following an international calendar doesn’t do any harm. And of course, being thankful every second of the day.

How have you continued to keep in touch with your customers during this time?

I have tried to keep in touch with most of my clients, making sure they’re fine and safe. Just like me, their priorities have shifted as well; a lot of them have had to postpone their weddings or events and many of them have seen their lives turned upside down, just like all of our lives. But it was important for me to keep in touch with them and check up on how they’re coping with this pandemic and chaotic period, letting them know that we’re in this together.

The Couture 2021 collection is a tribute to Beirut – what does this city mean to you?

Yes, it was a tribute to this city that rises from the ashes against all odds to its underground vibe, its never-ending beat, its sparkly skyline. This city gives me energy – it surely takes a lot of energy as well, but it makes me feel like I want to overcome whatever challenges come my way no matter what – it’s a love/hate relationship!

How do you think last year’s explosion has impacted the industry in Beirut?

The August explosion was and still is a disaster on so many levels, but mainly on the economy. It came at a time when the Lebanese people were barely surviving and the post-pandemic-lockdown sent us back to ground zero. It surely gave us a clearer vision of how we are being run by a mafia (on a political level) and it did us a lot of harm.

What is something a memory you have from the tragic experience?

Something that I would like to forget from this tragedy is an ugly moment when I was running back to the showroom minutes after the explosion, and seeing the broken glass from the building, the severe damages, blood everywhere, people from my team crying… It was very tough to see and I re-lived what I went through when I was young during the war in Lebanon.

Looking deeper into the Couture 2021 collection – what can you tell us about the choices of silhouette, materials, colour palette etc?

I wanted to add new materials and have a pop of colour. From sexy silhouettes to theatrical ones, it was all about mixing these together to create a “party” & “glamourous” mood, to take us from the reality we’re in and take us back to the Beirut that we know.

Of course, Haute Couture week was very different this year – what has been your experience of presenting this collection to the world?

While to the world I presented a collection, to me I presented an experience, a temoignage. Fashion weeks and shows will never be like before, at least to me. It will be deeper, with a different direction and a whole other meaning.

You introduced menswear – tell us a little about this and what we can expect to see from men’s designs moving forward?

I’ve been doing menswear with a few private clients, but it was the first time I showcase “entertainment” pieces. The feedback was positive and some women were even interested in these pieces. I wanted to do something different for this collection, and it was indeed different. I’m not sure for the other collections to come yet though.

What would you like to achieve in 2021?

2021 is the second phase of 2020: Surviving, all while keeping our creativity going! While in 2020 we were still reacting to what we were facing, we are more aware now and so I would like to achieve dealing more with chaos and its consequences.

Where is your mindset moving forward after this difficult year and what is in the pipeline for Tony Ward?

Our mindset is to save the company, save the people who work with us, to make sure they earn their usual income and ensure that the Atelier doesn’t stop functioning. We don’t want to go back to the old normal but rather start a new normality and hopefully to get to a better tomorrow. That’s our aim & goal for now.

With the future of physical fashion shows still in doubt – what is your opinion on physical Vs digital shows moving forward?

Physical fashion shows have always been a great experience, we need these vibes, the happy crowd, the crazy backstage, the “finales”, the after-parties. I wouldn’t go back to this twice/year but I surely miss it. For now, digital shows are the next thing, but it’s not as exciting as physical shows.

What is the biggest challenge you face today?

Keeping all my team busy with work and on the payroll with zero help from the government.

When are you at your most creative?

Late in the evening and during the weekends.

What is the motto you live by?

“A chaque jour suffit sa peine”, meaning “one day at a time.”

What is a message you would like to share with all your friends and clients in the region?

The show must go on!

Valentino has opened the Roman Stud pop-up boutique at Dubai’s Mall of the Emirates and The Dubai Mall.

The 96 square meter pop-up celebrates the Roman Stud; an evolution of the iconic Valentino Stud, enlarged in a macro version. This bold detail was key to the House’s Spring/Summer 2021 collection and can be seen on accessories throughout the collection.

This special space will be featuring Valentino Garavani Roman Stud bags in the shoulder bag and the new top handle style first presented in Valentino Collezione Milano SS21 show.

Crafted in soft nappa leather with antique brass Roman Studs, the bags’ silhouettes are defined by solid and vibrant colours: shades of pink, lime, black and ivory compose the vivid palette. As an Exclusive for the Dubai pop-up store, the Valentino Garavani Roman Stud bags will be presented in two new colourways.

VALENTINO GARAVANI ROMAN STUD BAG

The Pop-up will be present on March 1st – 8th at Mall of The Emirates, and on March 11th – 24th at The Dubai Mall and the collection is also shoppable on me.valentino.com.

Meanwhile, for men, the House’s popup accessories boutique located at Level Shoes will play host to a number of exciting events this month.

The first, the DJ Spinning class will invite guests to spin, mix and blend their favourite tracks with the best of DJs. Running from 11th t 13th March from 4pm to 8pm.

And a Virtual Graffiti Performance from 18th to 20th March will present a never seen before technique to visitors. It will take place from 4pm. to 8pm each day.

Hermès presents a new generation of its Nantucket timepiece.

The new Chaîne d’ancre watch for women is inspired by the early days of this line which first debuted 30 years ago. This 2021 model offers a new take on the iconic Hermès link that has featured on many pieces of jewellery over the years. The elegant design merges seamlessly into a light and supple steel or a rose gold bracelet.

The chic appearance of the numerals is also inspired by the  Chaîne d’ancre universe with the numbers reflecting the style of the links.

The elegant dial is crafted in natural white mother-of-pearl with or without diamonds.

Dior’s Fall/Winter 2021-22 womenswear ready-to-wear collection is a celebration of the world of fairy-tales. Designed by Creative Director of Womenswear Maria Grazia Chiuri the collection allowed us to dream of a fantastical world.

Grazia Chiuri delves deep into classic fairy-tales, from the story of Red Riding Hood to the tine soldiers of The Wizard of Oz to the princesses of Disney tales.

But they are not presented as simply a means of escape. Grazia Chiuri sees these symbols and stories on a deeper level: they serve to question and challenge, above and beyond stereotypes and across genders.

Like an invitation to self-affirmation, the tin soldier’s uniform is transformed into a series of blue cashmere coats enhanced with red and white accents.

Black takes pride of place on a range of looks, from skirts to the Dior Bar jacket punctuated with the iconic cannage motif or fitted with a hood, which might have been worn by Angela Carter’s Little Red Riding Hood.

The collection presents reinvented feminine magic, and a subtle path towards a new awareness.

Scroll down to see exclusive imagery from backstage at the show which took place as part of Paris Fashion Week.

Images by ©Ines Manai

Launching a business during a global pandemic was always going to be a challenge. But it was one that OJAR Founder Sheikha Hind Bahwan was prepared to take on.

The Omani entrepreneur presented her unique perfume brand to the world last year and it has already shown great success. Built on the concept of bringing together fragrances from the East and West, OJAR was created to highlight the new generation of perfume and the ways it can be worn today. Centered around six core ingredients: Oud, Rose, Frankincense, Honey, Sandalwood, and Musk, the initial collection consists of 18 individual fragrances that bring together these six elements in a number of different ways. Partnering with renowned Swiss perfume house Givaudan, the unisex fragrances are of the highest quality and created using traditional perfumery methods to ensure their excellence. The hero product of the brand is the “Absolute”. This is an alcohol-free perfume oil, a 20ml travel-friendly format. The perfume is 25% concentrated and long-lasting. The bottle elevates the perfume oil landscape with a never before seen cap that features a roll-on and a glass stick applicator.

When founding her fragrance company, Sheikha Hind Bahwan wanted to create more than just a brand. She wanted to evoke a lifestyle and present products that would really touch the emotions of the wearer. Already a successful entrepreneur with a number of businesses, she wanted to work on something that brings together her true passion for perfume and her drive for business. Here we find out more about the future of OJAR and the biggest challenges faced so far.

You launched your perfume brand during a global pandemic – what were the biggest challenges you faced?

I don’t think we could have launched OJAR at a more difficult time. We faced manufacturing and supply-chain disruptions, the retail market all but collapsed, which meant that with perfume being a sensory product, the e-commerce route to market for a new brand was hugely difficult and reaching the consumer was incredibly challenging. I am very fortunate to have an outstanding team and we rapidly adapted our approach to focus on building brand awareness through creative consumer engagement, excellent social media campaigns and various print and online publications. Despite all the hurdles that we have had to overcome, I couldn’t be happier with the consumer feedback that we have received and we look forward to bringing more exciting and innovative products to the market in 2021.

What is a lesson you have learnt from this year and is there anything you would do differently?

Where do you start? 2020 was an unprecedented year that taught us so much; anguish, grief, resilience, hope, gratitude, positivity, the extraordinary power of science and how interconnected we are as a global society. There will always be lessons to take note of but as an entrepreneur, I have always relentlessly focused on innovating and adapting to situations in order to find a solution and identify the next opportunity.

What first inspired your interest in perfume?

It was a combination of several elements which are all closely intertwined. Whilst the perfume industry has been entrenched in Omani culture for several centuries, especially in my home city of Sur, it was my mother who first nurtured my love for perfume when I was a child. Since then, I have always been fascinated by the world of perfumery and its rituals. The heritage and culture of Oman, with its vibrant contrasts, the warmth of its people, unique ingredients, architecture, materials and colours have all been important influences and inspirations for OJAR.

What makes OJAR unique?

OJAR’s philosophy is to encourage perfume lovers to experiment and create their own unique scents and express how they feel through perfume. As a new brand, OJAR has to be bold. Quality, creativity and innovation are at the heart of the company. While creating OJAR I ensured that I only worked with industry leaders who shared my vision. Givaudan, the world’s leading fragrance company, formulated the fragrances and a team of highly professional creative directors, designers, engineers, photographers and music composers developed the packaging and marketing material that has given the brand a certain uniqueness. Innovation is at the core of the brand. The unique perfume oil bottle which features a cap with dual dispensers; a roll-on applicator and a glass stick applicator is an industry first.

What is the message you want to spread with the brand?

Be bold and experiment. Create your own fragrance signature by blending the six main ingredients of the OJAR collection; Oud, Frankincense, Rose, Honey, Sandalwood and Musk. Embrace culture, bridge tradition with modernity. Explore and celebrate the positive well-being of perfumery.

Fragrance is a very important part of life in the Middle East – what does fragrance mean to you and why do you think women in the region are so fond of it?

Perfumes and ingredients for perfumes have been ingrained in Middle Eastern culture for centuries. In the Middle East perfumes are a lifestyle, not an accessory. They are associated with one of the most intense forms of emotion; they evoke memories, trigger feelings and create powerful impressions. Perfume is a signature that you take with you wherever you go. Both men and women from the region express their personality, individuality and creativity through perfume.

What are your favourite ingredients?

I love all the ingredients in the OJAR collection. My preference changes depending on how I feel, what I am doing, what I am wearing or where I am going.

Tell us a little about your favourite perfumes from the collection?

I love them all! As mentioned, we have six main ingredients; Oud, Frankincense, Rose, Honey, Sandalwood and Musk. From these ingredients, we created a collection of 18 unique fragrances that have a very eclectic olfactive profile that will appeal to a broad audience. The collection has been specially created to encourage experimentation and layering. OJAR gives a multitude of possibilities for customers to create their unique signature scent.

The “Absolute” is something very unique to your brand – why did you decide to include this in your offering?

The OJAR Absolute collection was an opportunity for me to create a perfume experience and design a bottle that suited the different lifestyle aspects and needs of the OJAR consumer from travel, to business, family and leisure. To achieve this, we had to not only develop fragrances that allow for a multitude of possibilities but also design a unique perfume bottle that was aesthetically pleasing, that uniquely bridges modernity with functionality and is powerfully recognisable through its contemporary combination of the colour blue, coloured glass and metal. This was an incredibly challenging process but I am delighted by the feedback that we have received on the Absolute.

How do you think your heritage and upbringing has inspired what you do today?

My parents and my home country of Oman are my enduring influences. My family is from the ancient seafaring Omani city of Sur where trading and travel is in the DNA. My mother instilled in me the importance of family values and tradition, whilst I am blessed to have been able to learn from my father, Sheikh Suhail Bahwan as he grew his businesses. The combination of these influences, along with the experiences and the people I have met on my travels have shaped my outlook and perspectives.

In this issue we are talking about women’s empowerment – what does it mean to you for women to feel empowered today?

Today women from the region are shattering stereotypes and you see successful women in all sectors and walks of life. I am a passionate advocate for education and equal opportunities. I hope that any success that I may have had may inspire more women to feel empowered to become entrepreneurs.

As a female business owner, what is the biggest challenge you face?

There has been a myriad of events over the last two decades that have challenged, disrupted and impacted my businesses; the dotcom bubble in the early 2000s, the global financial crisis in 2009, the various oil price crashes, the renewable energy revolution and of course, the very difficult pandemic that we are experiencing at the moment. I have tried to use each one of these events as an inflexion point to adjust and adapt my businesses to meet the evolving scenarios and hopefully do so with a successful result.

In your experience how do you think women in the region have become more fearless and adventurous when it comes to pursuing their passions?

We are living in a modern society, where women are highly educated, have great ambition and have demonstrated tremendous capability in all walks of life. Thankfully, today there is significantly more representation of women in leadership roles, be it government, business, medicine, academia, media or sport. With these numerous female role models, more and more women will see themselves as future leaders which will have a self-perpetuating impact and the benefits will be felt across the region and the world.

What advice would you give to any women who want to follow their dreams?

Go for it. Don’t look back!

What would you still like to achieve that you haven’t done yet?

As an entrepreneur, I have a passion for creating businesses and this is something that I thoroughly enjoy and I hope I will be able to continue to do so for many more years.

You must also remember that the OJAR journey has only just commenced. I am incredibly excited about the prospects and new product launches that we will bring to market later this year. Watch this space!

What is the motto that you live by?

Be positive and never give up!

Who or what inspires you the most?

My parents and Oman have been my guiding inspirations but I would also add travel to this as I truly believe that travel is an education in itself and is an incredible way to learn, discover and appreciate the different cultures of the world that we live in. When I set out to create OJAR, it was very important that I developed a brand that reflected what I learned and experienced from my travels; a brand that was universal, authentic, a marriage of fragrances, rituals and styles from across the globe that bridge tradition with modernity, whilst remaining true to the heritage and culture of Oman and the Middle East.

Where would you like to see OJAR five years from now?

I would like to see OJAR as the standard for fragrance layering and the reference for innovation in the fragrance industry. Hopefully, every perfume lover will have created their own OJAR Absolute signature fragrance too!

What is the scent you wear every day?

I select a fragrance to wear depending on my mood, situation and the message I would like to convey. The OJAR collection has been specifically created to encourage experimentation and layering. OJAR allows a multitude of possibilities for consumers to create their own unique signature scent.

What is your first memory of fragrance?

I have so many memories of the different fragrances and aromas of Oman from when I was a child. If I was to pinpoint a particular aroma it would have to be the burning of Luban and oud in our home.

Paul Andrew discusses the Salvatore Ferragamo Spring/Summer 21 collection and how Alfred Hitchock’s iconic movies have become a key source of inspiration for the designer

Last September, Salvatore Ferragamo’s women’s and men’s Spring/Summer 2021 fashion show at Milan’s historic Rotonda Della Besana opened with a cinematic presentation created by Italian film director Luca Guadagnino. The movie was a homage to Milan and a celebration of the films of Alfred Hitchcock, whose three classic titles “The Birds”, “Marnie” and “Vertigo” were instrumental inspirations for the season’s collection. Filmed during the quiet summer months last year, Guadagnino and Paul Andrew set the movie in a series of beautiful Milanese locations and depicted moments of suspense, intrigue, and beauty.

The decision to create a film to present this collection as well as a traditional runway show was taken in light of the COVID-19 situation which made it impossible for most of the audience to be physically present. The movie allowed the audience, wherever they were in the world, to immerse themselves into Andrew’s image for this collection. As a big fan of Guadagnino’s work, Andrew chose to collaborate with the director as he saw a similarity between his work and the work of Alfred Hitchcock. After seeing Guadagnino’s film “I Am Love” Andrew has always wanted to work with Guadagnino and this seemed a fitting opportunity. The Spring/Summer 2021 is heavily influenced by the technicolor vibrance of some of Andrew’s Alfred Hitchcock classics and Guadagnino agreed to help evoke that by directing the film in technicolor.

The Milan-shot movie showcases some of the city’s most atmospheric locales alongside a cast of models wearing Andrew’s thrilling and powerful new season pieces. The imagery of Guadagnino and designs of Andrew combine to conjure a haunting and ambiguous series of Milanese mise-en-scenes. A collection designed in lockdown, this season’s offering is a special one that is very close to the heart of the designer. We discover more about the latest collection as well as getting an exclusive insight into the making of the film.

Is this your first foray into film?

Nothing I’ve ever been part of before compares to working with Luca, because he is a genius with a distinct vision and a mastery of his language. In the past obviously, we’ve produced filmed content to present Ferragamo on social media and in other contexts but not something such as this. When I was a boy I was very into theatre – I was a very keen drama student at school and acted in many (probably terrible) productions! But as for Film with a capital-F? Absolutely.

Did you consider the film a supplement or replacement to a fashion show, and why?

We made the film to coincide with the Spring Summer 2021 collection, and we were fortunate enough to be able to hold a physical show for that collection last September outside in the cloisters of the Rotonda della Besana, which is our usual and very beautiful venue in Milan. We premiered the film as part of that show, so the audience who were able to join us, watched it on big screens, then we segued straight to the runway. For those invited who were unable to travel we sent Oculus Rift devices to maximise their immersive digital experience, and of course, we streamed everything on all our digital channels for everyone to see. So the film was very much a supplement – I’d like to think an enhancement – to the show for every member of the audience, wherever and however they were joining us.

Can you tell us about the contrast between nature and architecture in the film, and in the collection?

I designed this collection back in March and April 2020, when we were all confined to our homes. Apart from working out, cooking many new recipes, and binging on Hitchcock movies, I spent a lot of time staring out of the window and watching change unfold. Florence is typically a very bustling city, full of locals and tourists from all over the world, it’s rich in human life unfolding against the canvas that is this beautiful and ancient place. Without those people, the atmosphere felt all at once very suspenseful and increasingly strange and surreal. Very quickly nature began to reassert itself. Wildflowers bloomed between paving stones on the street outside my window, and all the little parks and patches of green exploded with life – just as human life slowed down. It was beautiful but unsettling! That feeling was something Luca and I discussed exploring in the film. When we shot in Milan during August the city was extremely quiet because of the holidays. That gave us the freedom to focus on the models and the collection against a backdrop that showed some of Milan’s beautiful architecture and the surprising amount of nature hidden in and around the city without any background movement. As for the collection, some of my lockdown sketches of those urban Florence wildflowers were used as decorations and more fundamentally the emergency of 2020 has intensified our instinct to place sustainability at the heart of our creative and manufacturing process.

Does the mystery in the suspense in the film derive from your watching of Hitchcock?

Absolutely! Strangeness in stillness is one of Hitchcock’s key tools for unsettling the audience – providing the hint of something amiss that creates suspense is something he was master of. And his focus on particular details, like the yellow handbag in “Marnie” that we recreated in the collection, is so effective at communicating an unexplained significance.

How do these emotions speak to the present day?

Suspense is a heightening of awareness, and I think all of us have been through and are in now a period of heightened awareness! This is a time in which everything feels amplified and extreme, but we can take ownership of that through our own attitude and actions. Hitchcock was the first master of turning suspense – the fear of something dreadful – into an experience people found exciting. When the world feels beyond our control it’s more important than ever that we have a healthy and positive perspective through which to see it.

What is the appeal of Hitchcock to you? Did the director’s films impact the film and the collection as well? In what ways?

I love Hitchcock for many reasons; the storytelling, the style, the suspense…. And I especially love his use of colour in his later movies. He saw the potential of technicolor to create visual points of attention that can be both alarming and alluring. Absolutely his work inflected Luca’s film, and the collection plays a part in that: the technicolor pieces pop on screen just like in the opening scene of “Marnie”. Also, mid-century classicism, which is quite conservative but also very expressive – and through the behaviour of Hitchcock’s characters sometimes potentially transgressive – is an aesthetic I riffed on while keeping my intentional 2021 audience firmly at the forefront of my mind.

What sticks with us is the recurrent sound of footsteps, even more than the nice music. Does that sound have a particular symbolism?

Well it goes back to solitude, and the heightening part that shattered quietness can play in triggering suspense. Also footsteps are the fundamental percussion that signal a human presence. And then of course there is the important role in creating them that is played by something very close to my heart: shoes!

We noticed a lot of draping in this collection that recalled some 1950s Italian design?  What was your inspiration?

I was a 1990s kid so that period’s purity and minimalism in fashion is always bubbling around in my work – it was formative, as were my years in New York. During my time with Ferragamo, however, I’ve learned to recognise the purity and precision that can be expressed by richer and more decorative aesthetics. Once you’ve got used to Florence’s abundance of almost excessive beauty in art, architecture and design you start to become attuned to the agency and expertise of the maker. So I’ve got a much wider eye these days I guess, because I appreciate the logic and coherence that are a precondition to design however it is articulated – and in design history the mid-century period in Italy, whether it was in furniture, fashion, architecture or art was a period of abundant creativity and innovation. So yes, that was part of the mosaic for sure, as was Hitchcock, and Salvatore Ferragamo’s archive which is an inspiration I turn to almost daily, and not forgetting those wildflowers outside my window…. There is never a single inspiration for a collection, it is always a happy jumble of multiple sources.

In your opinion, were the characters in the film yearning for connections, avoiding them, or just missing them?

I love the fact that you see that built-in choice, which is exactly the kind of versatile ambiguity that we were looking to generate. That conclusion is up to every viewer to make, or not to, and I think your answer is a reflection of your own state and attitude. For me though, I think they were yearning for connections to cherish!

What is the importance of connection to you?

Everything, because design is connection.

Can you tell us about some of your favourite shoe and heel designs?

Asking me to specify is like asking a parent to choose a favourite child! But with apologies to all the other labours of love in this collection I’d nominate the rebooted F-heel. It’s based on this incredible design Salvatore Ferragamo dreamed up when looking at the prow of the steamer that took him back home to Italy from the US, where he’d become famous for making shoes for Hollywood stars and film productions in the 1920’s. The design is nearly 100 years old but it still looks futuristic. It’s a shoe in which the foot appears to hover over empty space, and to be honest all we have done is refine and upgraded it to be appropriate for the demands of today – its genius belongs to Salvatore entirely. His time in Hollywood was the starting point of my thinking that led me to ask Luca to work on this project. This company is very Italian but it is very American too – Salvatore Ferragamo’s legend was born in Hollywood.

Is there anything else you would like to share with the readers of A&E?

Just to say that all great films deserve a sequel – but only if the sequel adds a fresh dimension to the original! So please watch this space…

Net-A-Porter has announced the launch of a localised platform for customers in the Middle East.

The localized site, available on both app and web, will transform the shopping experience for NET-A-PORTER customers in the Middle East offering carefully curated content for customers in the region.

The newly-optimised platform has been designed to reflect the interests and needs of our Middle East customer with new features including dual language product search alongside local editorial content and product curation, while prices are displayed in local currency according to market.  Specialized in-market Personal Shopping completes the full-service proposition.

“As the leading luxury platform, the launch of the localized Arabic site allows us to celebrate the unique beauty and talent of our community in the Middle East, bringing NET-A-PORTER even closer to its customers.  We will continue to realize exciting developments in future, including collaborations with local designers through to new personalised experiences supported by platform capabilities, to ensure we continue to offer best-in-class curation and service in the market.” Said   Nisreen Shocair, CEO YOOX NET-A-PORTER Middle East.

Start shopping now at Net-A-Porter.com

FARFETCH has unveiled exclusive capsule collections for Ramadan featuring designs from 30 international and Middle Eastern designers.

Participating designers include international brands such as Carolina Herrera, Chopard, Oscar de La Renta Dolce & Gabbana, as well as Middle Eastern brands including Bambah, Baruni, Sandra Mansour, Sem Sem, Shatha Essa and many more.

Image Courtesy of Farfetch SemSem and IsseyMiyake

The inspirations behind the capsule collections are comfort and elegance, giving customers the freedom to be creative in making pieces work for them. From tailored suiting to striking kaftans and modest evening dresses to luxe loungewear, this curated collection brings to life looks for every occasion.

“For the coming Ramadan season we wanted to ensure we could deliver a take on modesty with an Only on Farfetch angle by working with a variety of global and local brands across core categories that we know to be in demand during the period,” says Edward Sabbagh, Managing Director of FARFETCH Middle East. “At FARFETCH we aim to curate the customer journey to their needs and keep exclusive options fresh and unique. We listen, we study the customers shopping trends and we react to it in what we believe to be the best fusion of supply and culture.”

All of the pieces are available only at FARFETCH.com

Virginie Viard presented her Fall-Winter 2021/22 Ready-to-Wear collection for Chanel today in Paris.

The virtual presentation was both playful, warm and lively, the uplifting mood bringing a sense of hope to our screens.

“I love contrasts, so for the more voluminous winter pieces, I wanted a small space. I don’t know if this is because of the times we live in, but I wanted something warm, lively.” Said Virginie Viard. “I imagined the models doing a show for themselves, going from room to room, crossing each other in staircases, piling their coats up in the cloakroom and going up to the next floor to get changed. And I thought of the shows that Karl would tell me about, back in the day, a long time ago, when the models would dress themselves and do their own make-up.”

Models could be seen backstage at the Castel club in Paris, doing their own makeup, getting dressed and even checking their coats into the cloakroom. This fun and relatable approach not only created a light mood but had us longing for the days of going out once again.

“I like Castel so much for its many salons, the spiral staircase, its bar, the journey through this venue, its little house style, where the models can get changed, dressed and undressed, do their make-up together, and have fun like a girls night in. It’s very sensual.”  Said Viard of the location choice.

When it came to the collection that same playfulness could be felt with an assured sense of the seventies era. There were contrasts between volumes, materials and spirit. A long tweed coat with a chevron motif reveals bare legs wearing voluminous boots in black curly faux fur; a trouser suit in black tweed with small checks in blue lurex is adorned with thin braces in pearls and layers of sautoir necklaces. A white coat in patent sheepskin and lined with faux fur, is coupled with “down jacket” style two-tone boots, with unzippable legs giving way to a pair of silver heeled booties to go dancing in.

The ski slopes were also a great inspiration for the collection. Salopettes-ski suits in white quilting were embroidered with red and blue motifs, or in fuchsia tweed, and worn with strappy sandals embellished with chains and little black bows or pumps adorned with a camellia, while delicate blouses in chiffon or crêpe de Chine are combined with pieces inspired by winter sportswear.

Sequinned ballet flats, strass-covered minaudières worn like a sautoir necklace, a man’s black shirt with a white collar and cuffs under a precious suit in navy lurex, a tweed kilt over a knitted jumpsuit embellished with iridescent threads.

“Today some of these silhouettes make me think of Stella Tennant’s allure, the way she wore certain pieces, it was so Chanel.”  Concluded Viard as she spoke of the iconic model who sadly passed away earlier this year.

See the full show video at Chanel.com

Matthew Williams presented his Fall/Winter 2021 men’s and women’s collections for Givenchy in his first runway show since joining the brand as Creative Director.

The virtual show which was part of the recent Paris Fashion Week was titled Between Monuments and Music and brought together the world of luxury and comfort.

“In many ways, this collection is about a constant tension between two worlds. It’s about finding personal meaning in difficult circumstances; it’s about sincerity in what we do rather than strategy. We wanted to bring a sense of lived reality alongside precision, elegance and extravagance in the clothing and looks. Ultimately, fashion for us is a way of being, feeling and connecting rather than a game to be played. It’s almost like monumentalising the everyday, filling it with emotion – like music you can wear.” Said Matthew M. Williams, Creative Director at Givenchy.

Bridging the classical, radical and practical, Williams’ Givenchy brings together two worlds exploring the tension between extravagance and discipline.

Volumes are explored through layering and oversized silhouettes creating a feeling of comfort. Long, lean lines are contrasted against short, taut crops or expansive, voluminous, draperies and embroideries. Outerwear is oversized, strong shoulders and sleeves display an architectural approach to tailoring. At the same time, sculpted, fine knitwear emphasises freedom of movement and the liberation of the body, with particular concentration on the waist.

The theme of extremes continues when it comes to accessories where hoods, caps, gauntlets and gloves provide a sense of drama as well as armour. The signature motif of metal hardware as unisex decoration continues, featured most prominently in the monogrammed chains and locks of the 4G bag.

This is the first of Matthew M. Williams’ Givenchy offerings to utilise the show format, adding to the sense of drama and monumentalism in the clothing, yet never neglecting its distinct intimacy and its eventual relationship with the wearer.

Dior invites passionate women to shine a light on their challenges with the #DIORSTANDSWITHWOMEN #DIORCHINUP campaign.

A story that began quite fittingly on International Women’s Day on March 8^th 2021, the campaign encourages women from around the world to reveal their strong voices. To mark the launch of the campaign some of the brand’s ambassadors share their thoughts in short films that celebrate femininity, courage and self-confidence.

Featuring in the star-studded line-up are Dior ambassadors Natalie Portman and Charlize Theron, alongside a number of influential women who all in their own way, have held their head high and stood up for what they believe in to make an impact on the world.

Natalie Portman

Thanks to the campaign Parfums Christian Dior also continues its partnership with the Charlize Theron Africa Outreach Project, Charlize’s foundation that supports a network of young people in Sub-Sahara African countries, to encourage them to protect their health and reveal their potential.

Dior has made a commitment to finance the university studies of the young people selected for the CTAOP youth leaders scholarship programme, in partnership with UCLA Center for world health, and Studytrust. this programme aims to provide higher education support for the “leaders” of tomorrow, who are more often than not, young women, praised for their involvement and their complete commitment to their local communities.

Scholarships will cover four year’s tuition fees as well as accommodation, food, books, computers and travel expenses, in addition to one-to-one tutoring, and a leadership training course for about 15 students.

For more, follow the #DIORSTANDSWITHWOMEN #DIORCHINUP hashtags on social media.

Guerlain has joined forces with UNESCO and Angelina Jolie to empower women by caring for bees.

As a close friend of the Maison and a great supporter promotion of beekeepers at Guerlain Angelina Jolie is the perfect woman to join the Women For Bees programme taking place in Guerlain’s Biosphere Reserves. Led with the help of the French Observatory of Apidology (OFA) the programme will support beekeepers from Russia to Ethiopia to Cambodia.

Credit: Nathan Wiley – Workhouse

“When women gain skills and knowledge their instinct is to help raise others. I’m excited to meet the women taking part in this programme from all over the world. I look forward to getting to know them and learning about their culture and environment and the role bees play in that. I hope the training will strengthen their independence, their livelihoods and their communities.” Said Angelina Jolie.

Beginning on 21st June 2021 and running over five years, the 30-day training programme taking place at the OFA located in the “Massif de la Sainte-Baume” in Provence – France, will welcome fifty women in total, from five different UNESCO biosphere reserves each year.

Credit: Nathan Wiley – Workhouse

Each participant will acquire the theoretical and practical bases of the various aspects of beekeeping, including the running of a professional apiary thanks to the OFA Beekeepers’ expertise.

Credit: Nathan Wiley – Workhouse

The objective is to empower women through expertise-driven and sustainable professional activity. At the end of the training, the participants will have acquired all the protocols allowing them to sustain their bee colonies, become fully professional beekeeper-entrepreneurs as well as members of an international network of female beekeepers, and share their skills and knowledge to help train others.

By 2025, 2,500 hives will have been built within 25 UNESCO Biosphere Reserves and 125 million bees will have been restocked. The 50 women to graduate by that year will have been trained and supported in establishing their own beekeeping operations – whilst participating in a vital, socially beneficial project.

It’s been one of the most talked-about interviews of the decade and Meghan Markle’s tell-all interview with US TV host Oprah was both revealing and honest when it aired on TV in the United States last night.

As Oprah declared at the beginning of the interview “no subject was off-limits” as she sat down in the sunshine with a pregnant Markle for what would quite probably be the interview of her lifetime.

Markle and husband Prince Harry’s departure from the British Royal family in 2020 has divided the world. While some believe that Harry in particular has a duty to his family, others respect the couple’s decision to leave for the protection of themselves and their family. But this was the first time we have heard Meghan’s truth.

Below are some of the key takeaway messages and revelations from Markle’s interview:

She struggled with mental health and suicidal thoughts whilst living in the Royal household:

“I went to one of the most senior people to get help, and I share this because, there are so many people who are afraid to voice that they need help, and I know how hard it is to not just voice it but to be told no.” She continued: “I just didn’t want to be alive any more. That was a clear, real, frightening and constant thought.”

There were times the couple were hiding behind their smiles.  

Speaking of a particular outing to the Royal Albert Hall when Meghan was pregnant with Archie she said: “What I see is how tightly his knuckles are gripped around mine. We are smiling and doing our job, but we are both just trying to hold on.”

The couple were married in a secret ceremony three days before their public wedding.
“Three days before our wedding we got married. The vows we have framed,” said the Duchess. We called the archbishop, and we just said, ‘Look, this thing, this spectacle is for the world, but we want our union between us.” It was “just the two of us in our back yard with the Archbishop of Canterbury.”

What really matters to her is family and being a mum.

Meghan claimed; “all the grandeur surrounding this stuff is an attachment I don’t have. I’ve been a waitress, an actress, a princess, a duchess. I’m clear on who I am independent of that stuff. The most important title I will ever have is ‘Mum,'”

She is having a baby girl.

Husband Harry revealed; “But to have a boy and then a girl, I mean, what more can you ask for? Now we’ve got our family, we got the four of us and our two dogs.”

Her Excellency Mariam Almheiri, UAE Minister of State for Food and Water Security has spoken of the importance of women in helping to achieve sustainable development in the UAE and ensuring a better future for younger generations.

Her Excellency Mariam Almheiri affirmed that women are major partners in achieving sustainable development, with their efforts in all fields contributing to ensuring a better future for forthcoming generations.

Her Excellency said: “Women represent half of society and work hard to raise the future generation, as well as make significant contributions to all vital sectors. Nothing better exemplifies the fundamental role that women play than the changes that have been forced onto society as a result of the coronavirus pandemic. Women have played a huge role during the COVID-19 crisis through their work in frontline defences within the medical and nursing cadres, as well as through being home-schoolers educating their children and remote workers managing their professional responsibilities with commitment and dedication.”

Her Excellency added: “Contrary to the popular image of the farmer being a man, it is in fact women who undertake the majority of agricultural work around the world. In the UAE, women are increasingly at the forefront of transforming food systems into more efficient and productive ones through their roles as scientist and agritechnologists at the cutting edge of food production and are leading the way in research and development. In the household, they are essential educators teaching their family members about the value of food, the importance of eating everything on their plate, and how to eat in a healthier way. Through these actions they inculcate good habits in the next generation.

Her Excellency concluded: “Our wise leadership provides all means of care and support to Emirati women, who are integral to the UAE’s sustainable development. Emirati women continue to meet their responsibilities with the support of Her Highness Sheikha Fatima bint Mubarak, Chairwoman of the General Women’s Union, President of the Supreme Council for Motherhood and Childhood, and Supreme Chairwoman of the Family Development Foundation. By setting the most wonderful examples of selflessness through every aspect of their social and professional lives, Emirati women are major contributors to enhancing the global competitiveness of the UAE.

On the occasion of International Women’s Day Pomellato presents a powerful Pomellato for Women video staring globally acclaimed actress Jane Fonda and actress presenter and actress Jameela Jamil.

The honest and thought-provoking interview addresses hard topics including inequality, privilege, bravery and resilience. The two discuss activism, the climate emergency, white supremacy, and the rampant history of gender inequality.

Jane Fonda & Jameela Jamil

With their honest and open views, the two agree that there is hope for womankind if we stand up together.

The Pomellato For Women video will be aired on International Women’s Day, while the complete interview between Jane Fonda and Jameela Jamil will be broadcasted as a podcast in the Kering Women In Motion series.

Women In Motion highlights, through its Talks and its Awards, the creativity and uniqueness of talented women whose work in the fields of arts and culture is helping to transform our vision of the world. Jane Fonda was the first recipient of the Women In Motion Award.

Jameela Jamil

In 2019, as an integral part of the platform, Kering launched the Women In Motion podcast aiming to celebrate and amplify the voices of women while advocating for gender equality in all cultural fields.

In the video Jane Fonda wears the Pomellato Kintsugi collection that integrates the ancient Japanese artform of ‘repairing’ objects, becoming a theme within the conversation.

Fonda compares the shiny gold fissure in her Kintsugi gemstone ring to the ability to heal and become stronger for it. The idea of resilience and giving new life to something that could have been discarded as ‘damaged’ becomes a metaphor for the perseverance of womenkind and underlines the power of showing our scars. Fonda has been open about her own traumas overcome and wears them today like a bold gem of honour.

Jameela Jamil was honoured to interview Fonda who she considers to be a personal hero. The two discover many points in common during their conversation and conclude that within women’s vulnerabilities and wounds lie their astounding capacity for resilience.

Watch the preview of the film here…

The full video is available at pomellato.com from March 8th 2021. 

With International Women’s Day and Mother’s Day both falling in the month of March what better reason is there to celebrate with the special ladies in your life? So book a date in the calendar that is all about you and your girlfriends, sisters or mum and treat yourselves to a relaxing spa experience.

Anantara Eastern Mangroves, Abu Dhabi

This waterside resort has a specially designed treatment for ladies who need to be spoilt this month. The “Only for Her” experience is a blissful 60-minute treatment that relaxes as it revives. Start with a refreshing foot ritual, then replenish moisture with a hydrating foot wrap. Continue with a hot-stone massage that helps release muscle tension in the back, and finish with an express facial that completes the treatment on a radiant note. Available throughout March. For bookings call 056 188 7658 or email easternmangroves_spa@anantara.com

The St. Regis, Abu Dhabi

This March, Remède Spa at The St. Regis Abu Dhabi has unveiled a series of treatments offers to celebrate exceptional women. With a focus on anti-aging, the Remède Customized Facial includes a thorough cleansing, exfoliation, extractions, face massage, mask, moisturizing and UV protection. Each facial is complete with a warm paraffin foot wrap and scalp massages. Or if you’re looking for a full body experience, whether you seek relief for overexerted muscles, or simply want to let your mind and body escape reality, the Remède Customized Massage includes special products, aromatherapy blends and warm paraffin to achieve ultimate relaxation and rejuvenation. On 8th March only, book a 60-minute Customized Facial or Massage and receive a 15-minute complimentary foot scrub. Prior reservations for Remède Spa are mandatory and can be made at: Remede.Abudhabi@stregis.com or by calling at +971 2 694 4100.

Sofitel Dubai The Palm

To celebrate International Women’s Day on March 8th, Sofitel SPA at Sofitel Dubai The Palm is offering ladies a special deal for the whole month of March. For everyone who books a full body massage, they will also receive complimentary spa facilities, pool and beach access along with 30% discount on all F&B during any weekday. Spa facilities include six distinct pools, including a plunge pool, experience pool, therapeutic pool and an outdoor infinity pool for true relaxation and a great time with your ladies. Advanced booking is required.

W The Palm, Dubai

The Amplify Your Game treatment at W The Palm is the ultimate Mother’s Day treat. Ladies can enjoy a spa day-cation that will allow them to relax and unwind. Begin by indulging in a 60-minute massage at AWAY Spa. Choose from Detox, De-stress, Go Deep and Reset, experiences. Once your treatment is over satisfy post-treatment cravings with a choice of one main course and one beverage at the AWAY Spa Beauty Bar. Finish by enjoying complimentary access to WET, the beach, FIT (gym) and the indoor Squash Courts. Available for use throughout the day.

Palazzo Versace Dubai

The SPA at Palazzo Versace Dubai has recently launched a new Babor facial, named SeaCreation that once again harks back to the iconic Birth of Venus by incorporating the most active and rare ingredients obtained from the depths of the ocean. The Seatelligent Complex improves skin functions, protects the skin against premature ageing and demonstrably reduces existing signs of ageing. The result is renewed beauty: the depths of lines are significantly reduced, facial contours are remodelled, resulting in a firmer and more supple skin appearance. The treatment takes 90 minutes and is available throughout March and April. To book, please email spa@palazzoversace.ae or call 045568750.

Nikki Beach Resort & Spa Dubai

For the perfect pampering date for Mum, Nikki Beach Resort & Spa has set up a spa date for on  Wednesdays or Thursdays. Mum deserves at least 55 minutes of pure, uninterrupted silence so invite her to choose from a selection of massages including  Aroma, Balinese or Swedish. The spa treatment is inclusive of pool and beach access at the resorts picturesque location. Valid until the end of March

Jumeirah at Saadiyat Island Resort

Discover the true meaning of a ‘Ladies Spa Day’ with a unique and luxurious package that provides women with an indulgent and immersive experience. A treatment package that promises a day of bliss and rejuvenation, leaving you looking fresh and flawless. Enjoy a complete 90-minute treatment journey consisting of a 60-minute signature massage and 30-minute spa enhancements. Take your pick from any of the following treatments; back, neck and shoulder massage, express facial, body scrub or a foot massage.  This treatment also includes 20% discount on any additional spa treatments, breakfast buffet at White Restaurant and access to pool, beach or spa wellness facilities and Bodyism gym. To book an appointment, please call +971 2 811 4357 or email JSIspa@jumeirah.com

Anantara Al Jabal Akhdar

For centuries, fragrant roses have been cultivated in Al Jabal Al Akhdar and the Rose Rescue Ritual celebrated this natural ingredient. Renew the essence of beauty with the soothing, balancing and hydrating qualities of rose petals and luxuriant rose oil. This retreat pampers you from head to toe, allowing you to blossom naturally. A facial rehydrates your complexion, while an exotic oil nourishes your skin and body in a tension-relieving massage. The experience for two includes: Milk & Rose Petal Foot Cleansing Ritual, Boutique Hydration Facial with Scented Rose, Perfumed Rose Oil with a selected massage, as well as refreshments.

Dr. eng Suaad Al Shamsi defied the odds when she became the first Emirati woman to work as an Aviation Engineer. After graduating from University in the UK, Al Shamsi returned to the UAE to begin a career in Aviation.

She soon joined Emirates as the first female Emirati aircraft engineer in the UAE and continued her growth in the industry, defying the odds and inspiring other women to do the same. After almost fifteen years in the field Al Shamsi now works as a senior manager and technical advisor for one of the biggest aviation projects in UAE, the Midfield Terminal Project, in Abu Dhabi, with Etihad airways.

A member of the Emirates Association in the UK and the Institute of Electrical and Electronics Engineers, Al Shamsi is one of the founders of the Women in Aviation organisation’s Middle East chapter. She is also CEO of L2L (learn to live), a consultation company that inspires other women to achieve their dreams and help them along the way. Al Shamsi is a mother of two and balances a hectic work schedule with bringing up her two young boys, as well as taking time to share her journey with other young women. She has received many awards and high-level recognitions, for her work and her role and for being a creative woman in her field, and has been acknowledged by Sheikha Fatima bint Khalid Al Qasimi for her work. We discover more about Al Shamsi’ journey to achieving her dreams and why she hopes her story inspires many other women to do the same.

What first inspired you to follow a path in aircraft engineering?

Firstly, I wanted to show the world that a woman can work in any field, no matter the environment, the place, the timing, the conditions or the workload, as long as she is passionate about it. I always loved to play with aircraft and cars and honestly, I preferred them to toys, dolls and makeup! I did try, but I could never get as excited and happy as I was playing with aircraft so I decided to pursue a career in the aviation industry.

What were some of the challenges you faced wanting to pursue a career in this industry and what support did you have from those around you?

I faced a lot of challenges. It was an industry with less than 5% women, and at first no organisation would accept me to study aeronautical engineering with them. I was told “you are dreaming”, “no way”, “it’s impossible” – it was so negative. But I had a lot of support from my family, especially after they saw how badly I wanted it. I joined The American University of Dubai and I remember one particular man who helped me and I knew then that my dream was to be an aircraft engineer. He helped me to reach out to His Highness Sheikh Mohammed bin Rashid Al Maktoum and I joined his Headship Development Program “Creating Leaders for Tomorrow.” I travelled to The UK to study Aeronautical Engineering and Aviation Management, plus I did a degree in Aerospace. I remember His Highness Sheikh Mohammed bin Rashid Al Maktoum telling me; “in the UAE, nothing is impossible”. That was the biggest support I got.

Talk us through a day in your life.

A day in my life never stops! I am on the go from 5 am until 10 or 11 pm at night. I am a working mother with two children but I have great support from my partner, as well as my sister and incredible mother – who have played the roles of both a mother and father after my father passed away when I was just one year old. She taught me to understand my responsibilities of praying, preparing my son’s breakfast and lunch box before going to school, drinking coffee while driving to work and calling her every morning.

After working as an aircraft engineer and advisor for fifteen years, I am now part of a huge project working on Abu Dhabi’s new airport terminal as a Technical Advisor. My day starts with meetings with external or internal stakeholders, followed by a site visit. Then I have to prepare and review documents, etc. It’s a very busy time working to complete the project. Then when I get home, I help my son Yousef with his homework, and play with my other son Sultan and then we all eat dinner together.

Additionally, I run a consultation company; L2L Learn to Live which helps women to progress in their careers and supports the young generation on their path within the aviation industry. I also make sure to keep up to date with all my emails and comments I receive from my followers and readers and make sure to answer them as much as I can.

In a male-dominated industry, how do you ensure your voice is heard?

By having confidence in my own value. Knowing that there are chances in any opportunity or meeting, and not being afraid to ask questions and speak up for others and for myself. I continue to develop my skills and to embrace innovative ideas and challenges and make sure everyone knows what I am capable of.

There must have been some setbacks along the way – how do you overcome them and stay motivated?

Setbacks are a natural part of life, especially when you are juggling many things. I give myself time to understand what causes them and I try to persevere and stay strong and motivated. Sometimes it’s important to take a break and take care of ourselves. Health comes first, mental health, physical health and emotional health. By building new healthy habits I aim to overcome the feeling of setbacks. I rest, change my food habits, exercise to get the adrenaline running and I try to figure out what caused the setback and work on a timeline to overcome it, as well as assessing how I can avoid them in the future.

Every day I try to do something positive to ensure I am enjoying my life. I put one positive thing every day into my busy schedule and I try to make it different. Sometimes I’ll go jogging with my boys, sometimes it can be cooking a different type of food, changing the way I start my day rather than having breakfast in the office, I have it at home, for example, or I drink my coffee from a different, colourful cup to make me smile and feel positive. Yes, it’s hard to get back up after a fall, but developing a positive system has helped me with my wellbeing and allows me to get back on track a lot easier.

The UAE is a country with two of the best airlines in the world – what opportunities has living in the UAE offered you in your career?

I am proud to not just be living in the UAE but to be from this country. I’m proud of my country, myself, the people that live here and every company in the aviation industry that is now well-known globally. As I mentioned previously, I had the opportunity to study abroad thanks to His Highness Sheikh Mohammed bin Rashid Al Maktoum. This included the full coverage of expenses, which gave me the chance to start my education and ultimately, my career. Opportunities within the country from financial income as well as global exposure allowed me to continue working in this field for 15 years. Each company I have worked for has given me training and the real knowledge I need.

What do you love most about what you do?

I love just doing what I love. I’m very passionate about aircraft. I love to fly in them and I also love getting up and going to work on them! My career comes with a lot of benefits. As a person, I don’t like to be stuck behind a desk and this job allows me to be out and about. No two days are ever the same. Getting to work with my hands and use my brain makes my work exciting because every maintenance task can be different. I get to work with some great people and I have made so many friends. In my free time, I like to be outside in the fresh air out on the sea, or in the park.

How do you hope to inspire other women with your journey?

I always love to see women supporting and encouraging each other to love what they do, but first to love themselves. I hope to inspire any woman or girl, it doesn’t matter who or where they are, everyone has a story to tell. I hope to inspire them to believe that nothing is impossible if you have faith, passion, and the encouragement to follow your dream.

I have been asked many times why I like to give speeches or dedicate my time to conferences with women and I tell them: When I was young no women were working in this field and now it’s my time to be there for others. So I take the responsibility of being a role model very seriously and I hope to inspire other women to work in aviation. Being an inspiration for women to pursue and follow their dreams is an amazing job I don’t do it for money, a smile and good words enough for me.

What makes you feel empowered?

I don’t believe women need empowering, I believe all women are born to be leaders. I feel empowered when I remind myself of my journey. Being independent at a young age and committing to my dreams. Taking care of myself makes me feel empowered, being compassionate towards others, accepting and understanding myself as well as other people. I commit to learning one lesson every day and this has helped me to realise how incredible and powerful I am and helped me to feel empowered by connecting my brain, my heart and body in order to stay passionate, healthy and positive.

Who is a woman that inspires you?

The first woman in my life is my mother; she inspires me to this day. She made me what I am today. She shows me how to love my life no matter the challenges. When my father passed away she was alone at the age of just 26. She inspired me a lot. She taught me to always treat others as I would want to be treated, to stand up for those who need it, especially women, and to stay strong in the face of adversity. She taught me how to be motivated even in hard times, to keep smiling even when I am crying, and to believe in myself even if there is no one to believe in me expect her. She is my role model and my inspiration every day.

Someone else who inspired me is Sheikha Fatima bint Khalid Al Qasimi who is known for being the voice of women in the UAE. She is a supporter of women’s rights and has spent decades working towards the development of women. She taught us how to be empowered and inspired without forgetting our faith, culture or gender.

What does success mean to you?

The definition of success differs from a person to another, but for me, it is making the world a better place by pursuing goals that I find meaningful and that I’m passionate about. As well as making a difference in the lives of others and to be recognised as one of the most successful in my field. Plus having the love and respect of family, friends and colleagues. And most importantly; doing what I love.

What are the biggest challenges you face in what you do today?

The biggest challenge I face is the constant need to multitask and find a work/life balance.

What would you say is your biggest achievement so far?

My biggest achievement is first that I am persistent and have worked in the aviation field for 15 years. At first, no one expected me to last more than a couple of months or years. I have continued educating myself. I completed my DBA in Aviation Management as part of my plan to teach the new generation who dream to enter the field and I published my first research paper this year called “The Impact of COVID-19 in the Aviation Industry and Future Career. “

What would you still like to achieve that you haven’t done yet?

I would like to be the first Arab researcher in the aviation industry and also to teach in a university.

How do you deal with criticism?

For me, criticism can be good or bad. It is something that happens and we should be able to evaluate the reason for it. So firstly I listen and then decide if I should give my feedback or not. Sometimes I just smile and say thank you to avoid any confrontation. Silencing the critic can leave me with enough headspace to work on and care for myself. If the criticism is coming from my manager or leaders I evaluate what they have said and assess the feedback and show ways of how I can solve it and also control my emotions, especially if is it related to work.

How would you feel if your children wanted to follow in your career footsteps?

I would be happy, but I’ll be happy with any career they choose to pursue and I’ll always support them to follow their dreams.

How do you balance a demanding career with being a mother?

Having a demanding job and being a working mum of two boys is tough. Being fully committed to work and family is an impossible task for many working mums and it can also be exhausting. I have learnt over the years not to feel guilty and focus on the positive things in life and the ways that my work is contributing to my family. They know how much I love my job and how passionate I am. I try to make the best of every day for the whole family, including my children and myself and I try to extend my love to them us much as I can throughout my day. I schedule my whole week in advance, and maintain commitments with my kids as using calendars, list and plan ahead and connect with other working moms helped a lot and I feel am not alone.

What is the motto that you live by?

One motto we should all live by is “No regrets”. Don’t let life pass you by, waiting for things to happen, remind yourself constantly that you have dreams. And you are going to see them happen.

The past year has seen women taking the lead in the worlds of science, politics, fashion, culture and more. Here are some of the ladies that have caught our attention over the past twelve months

Kamala Harris, Vice President of the United States of America

Kamala Harris has been a much-talked-about modern icon of American politics. In January 2021 Harris became the first woman to serve as Vice President of the United States and she also became the first woman of colour to serve in such a position, giving hope to millions of women around the world. A former prosecutor and ground-breaking attorney general in California, Harris has been breaking barriers and defying the odds throughout her career. The daughter of an Indian mother and Jamaican father she was the second Black woman and first South Asian American senator in history. After being chosen as a running mate in Joe Biden’s bid for President last year, Harris became a vision of hope for women, attracting fans from all around the world and inspiring a young generation of black women to realise they can achieve their goals.

Kathrin Jansen, Head of Vaccine Research and Development at Pfizer

The most talked-about challenge of 2020 has to be the race to find the first effective and safe vaccine to protect against coronavirus. While we have all been hoping and waiting for the arrival of the vaccine, teams of scientists have been working tirelessly over the past month to ensure they find a solution that will finally put an end to the pandemic. You may be surprised to know that one of the most powerful players in the search was a woman. Kathrin Jansen, Head of Vaccine Research and Development at Pfizer led a team of 650 experts, in collaboration with German startup BioNTech, to develop a successful vaccine against COVID-19. Now being used widely across the world the Pfizer is thought to be one of the most effective and efficient. Jansen, 62, has led the development of the world’s two best-selling vaccines, against human papillomavirus and pneumococcus, at two different companies. Her 36-year career in the industry means she was more than qualified to assist with the search by Pfizer when she joined in March 2020.

Jacinda Ardern, Prime Minister of New Zealand

One country that has been praised for its handling of the COVID-19 pandemic is new Zealand. Led by Prime Minister Jacinda Ardern, New Zealand reacted quickly to the virus with an aggressive response in the form of a nationwide lockdown and halting foreign visitation to New Zealand in mid-March 2020, something that is still in place until today. Thanks to Ardern and her team’s quick response New Zealand is now considered “COVID-free.” As the youngest and first female Prime Minister of New Zealand Ardern began the role at the age of just 37 in October 2017. She first became associated with the country’s Labour Party when she was 17 when she became involved in politics and the re-election campaign of Harry Duynhoven, a Labour Party member of parliament. Ardern later entered the House of Representatives as its youngest member when she was 28 years old before becoming Prime Minister. Now in her second term, Ardern has been praised around the world for her “straight to the point” approach in fighting the virus as well as her dedication to other key issues in the country such as ending child poverty, helping under deprived families, increasing the country’s minimum wage and prioritising healthcare and education.

Waad Al-Kateab, Journalist and Filmmaker

Syrian journalist and filmmaker Waad Al-Kateab was nominated for four British Academy Film Awards in 2020 for her powerful documentary “For Sama”. It won the award for Best Documentary and the Academy Award for Best Documentary Feature at the 92nd Academy Awards. Filmed within the harsh reality of some of Syria’s war-torn areas the documentary highlights the reality of living in war-torn Aleppo. A journalist by profession Al-Kateab, began reporting on the war for Chanel 4 News in the United Kingdom. She soon began creating documentaries to share with the world what was happening on the ground throughout the civil war. Al-Kateab attracted much attention with “For Sana” a film named after her daughter and last year was on the list of the BBC’s 100 Women. Al-Kateab whose family have now found refuge in London, has become a beacon of hope for other women in Syria.

Amanda Gorman, Poet And Activist

Amanda Gorman became the star of President Biden’s inauguration earlier this year when she read her poem “The Hill We Climb,” live on stage. The young poet’s work focuses on issues of oppression, feminism, race, and marginalization, as well as the African diaspora. She was the first person to be named National Youth Poet Laureate and she published her first book The One for Whom Food Is Not Enough in 2015. At just 22 Gorman has founded the non-profit organization One Pen One Page, a youth writing and leadership program and written several books. Gorman is rumoured to have plans to run for president herself, with the run in 2036 reportedly on the cards. Since her appearance at the presidential inauguration, Gorman has since found immense fame and was even invited to read one of her poems at the 2021 Superbowl.

Halima Aden

Fashion model Halima Aden became known as the world’s first “Hijab-wearing supermodel”. The American-Somali model has featured in campaigns for the likes of Max Mara, Tommy Hilfiger, Alberta Ferretti, Yeezy and many more. But in November 2020 Halima spectacularly quit the fashion industry, stating that she had realised it was incompatible with her Muslim religion. In a series of Instagram stories, Aden revealed that she had quit runway modelling as it compromised her religious beliefs. The model received support for her decision from personalities including Rihanna, Gigi Hadid, and Bella Hadid. Throughout her career, Halima was always selective about the jobs she undertook and the clothing she wore, however, there was always a certain element of compromise that she had to endure. She has however indicated that she would do modelling work again as long as she could set the conditions.

Every day, more than anything else, my clients across the globe are looking for ways of adapting to ‘changing’ uncertainty.

No doubt, business has flipped on its head since the pandemic hit. If you take a look at Maslow’s hierarchy of needs at the top is self-actualisation and at the bottom is physiological health. When the pyramid is challenged by something as big as COVID-19, priorities turn on their head.

Self-actualisation is about long-term thinking, long-term goals and intentions. But in times of uncertainty, these seem restrictive and stifling. Today, it’s a challenge to look beyond three or four months ahead whereas not so long ago we had four or five-year strategic business plans.

The need for certainty in the long run or that we have power over that uncertainty is perceptively challenging. Here’s what can help. When the uncertain happens, you don’t need a plan, you just need a “possible”. Ask yourself:

1. Are you focusing only on your daily business goals or daily routine?
2. Is your flow working? Are you embracing the shift from globalisation and digitalisation to dispersion? The business world is moving away from focal points to a flexible, personalised, tailor-made experience. Is your business moving in the same way?
3. While this brings about a sense of power over our own lives, it does detract from personal interaction, which can be isolating and debilitating. That’s why, in Japan for example, the government has uniquely appointed a “Minister of Loneliness”. What is your business doing to ensure the wellbeing of its employees?
4. Which brings me to my next point… how do you run a 100-kilometre race through the desert when you can’t see the goal? I asked Ryan Sandes, a South African trail-running phenomenon. In 2010 he became the first competitor to win all four of the 4 Deserts races. Here’s his trick: He visualizes finishing the race, but he takes one kilometre at a time. It’s called the Sprint Strategy of Goals. Break goals into bite-sized pieces, but always have the end in mind. Not only is it possible, it allows your pleasure in achieving your goals to be greater.
5. When the pyramid shift happens there’s personal expansion. So, what are you doing to shift your thinking from just the bottom line to building solid relationships to reach those targets?

If you or your business is taking some strain, my suggestion is to stop thinking long-term for a short while; bring in small goals and small wins to help self-motivate. Try the sprint system of goals and make meaningful connections. I know you’ll make it through the finish line.

If you’d like to connect, sign up for my masterclass Forge Your Future or Trans-For-Motion at http://www/johnsanei.com. You’ll get to understand the future of business drawn from hours of research and collaboration. We’ll analyse new models and changing consumer trends to understand their impact on the current market, and what that means for our evolving economies.

Nisrine El Lababidi Moghraby Founder of Harf Noon Design Studio shares her tips trends and colour themes for the new season

The sun is out and we are starting to feel the early days of spring with all the beautiful flowers blooming and the start of the warmth in the air. With that comes lighter colour palettes for interiors. Always think of a new season as an opportunity to be a bit more experimental and creative in how you put things together in your home.

An easy way to update your home is by replacing throw cushions on the sofa with new ones in various textures like silk, brocade, chenille and jacquard. Always consider playing with textures and layers, mixing and matching cushions. Enliven sofas with solid colours and ambient lighting from various indirect light sources. And don’t forget to ignite the sense of smell. Use scented candles and oils to brand spring differently from the rest of the year. Opt for light floral scents in candles and scented oils that will evoke the essence of spring.

For fabrics choose light and airy options and try natural fabrics like organic cotton and recycled polyesters. These could complement furniture in lighter colours and contrast with brass, bronze or gold for an aged mirror effect. Don’t shy away from mixing & matching prints – switching up the textures in your room by having a variety of fabrics on your draperies, rugs, and upholsteries allows for a more personal touch in a space.

With that, I’m keen on three colour trends that I feel will be big this season:

EARTH TONES & NATURAL LUXURY

Say goodbye to the cool tones that have ruled for so many years. Shades of chocolate brown, olive green, and yellow ochre are all taking over in homes.

We will also be seeing more natural materials with a luxurious spin like weaving, marble accents such as vases, bowls and candleholders that balance modern and traditional style. Linen will also be big, but in beautiful jewel tones, with finished edges that feel more polished than the raw-edge boho take we’ve seen in the past. You will also see a lot of soft peachy corals and terracotta—colours that feel soft yet grounded. I also love golden yellow tones in lush fabrics like velvets to buttery, caramel leathers or leather-look. Particularly interesting is the comeback of the curved sofas trend transporting you to the ’60s and ’70s but with a modern twist and a focus shape as well as the actual fabric.

GRAND-MILLENNIAL STYLE

This look is traditional with a twist: blending elements of classic design like chinoiserie, scallops, handmade elements, topiaries, and more, with a contemporary edge, think: modern art and clean-lined furniture. You will also see a lot more pattern on pattern. Patterns, especially layered patterns are becoming more prevalent for tabletop and textiles designs. The key to this trend is that there aren’t any rules. Also think of pattern mixing with colour, bringing together patterns of varying origin and scale. Pattern matching, e.g. where the same pattern flows from the wall to upholstered furniture or bedding, is also becoming more common.

THE NEW NEUTRALS

Neutrals will be replaced by warm colours, saturated hues and jewel tones. Shades of pink (which are a more sophisticated evolution of the millennial pinks we’ve seen in recent years), will be strong in 2021. Particularly interesting is the comeback of purple which combines the calm stability of blue and the fierce energy of red. It is often associated with royalty, nobility, luxury, and power but also represents meanings of wealth, extravagance, creativity, wisdom, dignity, grandeur, mystery, independence, and magic. I love adding it as accents paired with silver and grey in this bedroom.

For simple solutions, consider updating wall colours. This is the cheapest thing to do with the biggest change. Also, think of refreshing some rooms by switching up a couple of pieces of furniture, art, or accessories. Moving things around in the house gives a new instantaneous spirit to any room. Something as small as switching up your coffee table books and styling them differently can help.

Always think of your balcony or outdoor space as an extension of the house and not a separate space. Style your outdoors just like your indoors. Landscaping a garden or balcony with lots of crawling plants and bushes is great and keep a small area for an organic garden. Think of multiple pots in various shapes and sizes to create interest. Using plush cushions, a throw, and a nice outdoor carpet softens the scape. As for accessories introduce a tray with candles, small green pots and even vases. And don’t forget lighting. Small string lights, lanterns and outdoor LED lights are great for creating a relaxed mood.

The kitchen has become an even more important part of the home over this past year and we are seeing a lot of changes in kitchen design with three if the biggest being; open shelving, stone cladding and two-toned kitchens. Shelving opens up the space with an airy aesthetic and allows you the creates styled silhouettes in the kitchen (but keep these well-styled and clutter-free in the Marie Condo way!) They can be rendered in wood, marble or even glass. Playing with metal hardware to hold it gives it an added bonus.

The two-tone trend in cabinetry aids in creating an airy kitchen especially if you keep a lighter colour on the top cabinets and a darker colour on the bottom. Charcoal grey with white, black and white, delicate brass details or even indigo blue cabinetry with marble are all great colour combinations. The darker walls and luxe touches add drama especially paired with pendant lighting that keeps the space right and well lit. Finally, marble, granite and natural stall cladding are popular choices this year. Not only are they easy to clean, but they’re strong and long-lasting and can help you achieve any interior style, whether it’s rustic, sophisticated or contemporary. You can limit it to one show wall or even clad the backsplash with them.

When it comes to kid’s rooms I have been seeing a lot of murals either painted stick-on ones which are easy to remove once you are bored with them. Pastels paired with geometric patterns on walls also create interesting shapes that start on the walls and continue on the ceilings. Space-saving solutions are great too, especially with a lot of kids having to do homeschooling and needing study spaces within their rooms. Try hanging storage that frees up floor space enough to place desks, or bunk beds that allow for a play area underneath them.

What has happened in the past year has definitely influenced home life. Working and learning from home has meant a rise in multifunctional spaces, home gyms and spas. This was also the driver towards sage colour and green walls. Also, technology and the trend to move towards sustainability has been a major player with everyone now more cautious about the plants and our actions

Although trends are necessary for change, it is key to always invest in timeless pieces of big furniture that will transcend trends. Think neutrals and well-built pieces in classic shapes. Their timeless beauty means they will always be in style. The beautiful pieces are usually easy to style too. What to look for? high quality, long-lasting materials, innovation and skilled craftsmanship. Buying a nice piece of design is like buying a painting or a sculpture: it’s something to pass down.

Nisrine Reccomends

Creative Wrap has revolutionised kitchen makeovers by introducing engineered wrapping that is a cost-effective solution to completely transform cabinets, counters, backsplashes kitchen walls and even flooring in a matter of a few hours.

I also love Wallace & Co.’s botanical range of candles and scented room oils. They are all hand made from the finest perfume oils and packaged in stunning design ceramics.

Gabriela Hearst’s first collection for Chloé was unveiled today exactly 100 years since the birth of the Maison’s founder Gaby Aghion.

Paying tribute to the heritage of the brand as a new chapter begins, Hearst’s first offering is informed by sustainability and a commitment to the greater good moving forward, something that is very dear to the designer’s heart.

This collection is in fact four times more sustainable compared to the fall/winter collection last year thanks to new technologies, processes and materials implemented by Hearst and her team.

The collection began with a quote by Gaby Aghion: “There was no luxury ready-to-wear; well-made clothes with quality fabrics and fine detailing did not exist.”

This, along with a small ceramic button in marbled colours, was the starting point for a collection that embraces simple pieces in beautiful materials. That ceramic button is reimagined as pendants on jewellery and embellishments on handbags.

Hearst reimagines classic Chloé codes including scalloping on blouses, on denim patchwork and along the cuffs of knitwear as well as Broderie Anglaise transformed into knitwear and used on the edge of the leather. This season’s motif a colourful marbling effect was created from an artisanal technique using natural ingredients.

When it comes to handbags Gabriela reflects on her first luxury handbag which was in fact, a Chloé Edith bag. “It is a piece I still love and wanted to pay homage to,” she said. So the Edith bag has been re-issued this season, staying true to its original design. The new Edith family includes bags in recycled cashmere or with recycled jacquard and is offered as a mini version, a tote and a doctor’s bag.

Alongside this reedition, 50 vintage Edith bags have been repurposed with leftover materials from this collection. Each is unique.

Other new styles include the Juana bag in scalloped quilting and patchwork leather, as well as handknitted leather totes embellished with a recycled wooden C knitted into the handle. “To me, these are luxury pieces that show how quality and craft can coexist without opulence.” Says Gabriela.

Some of the key environmental actions already initiated by the brand include accelerating the implementation of that House’s sustainability plan which outlines key objectives previously set for 2025. This will now take place within a new timeline of one year.

The material choices in the collection are free from polyester and viscose and recycled, reused or organic denim was used. More than 50 per cent of silk comes from organic agriculture and more than 80 per cent of cashmere yarn for knitwear is recycled. Bags are lined in natural linen.

For jewellery and metallic pieces on bags, the impact of the galvanization process has been reduced by selecting one gold and one silver across all collections. Sustainable suppliers have been introduced from materials to packaging.

In an effort to make the Chloé show more carbon-neutral, emissions are being offset and directed towards a reforestation project of mangroves in Myanmar.

And finally, this season, 20% of ready-to-wear is manufactured by World Fair Trade Organization fair trade-guaranteed members. The collection counts two partnerships – Manos del Uruguay and Sheltersuit – as pathways to a positive social impact for the women and men crafting pieces throughout the collection.

“This is a project I was really looking forward to developing at Chloé, as it gives me the energy that comes from meaning and purpose. It grounds me in the reality that others are living today,” says Gabriela. “I have deep admiration for Bas Timmer of Sheltersuit, a fellow designer who uses all of his abilities in the service of others – the most altruistic way to use design. Bas and his team worked at the Maison for 10 days where they created a Sheltersuit Chloe Backpack in four colours variations with repurposed materials from the house. The design is beautiful, joyful and functional; it is consciously made and for a greater good, providing immediate shelter to people experiencing homelessness.”

The product is completely repurposed and upcycled. For each backpack sold, Chloé will fund the making of two Sheltersuits. Three of the suits will be displayed on the runway showcasing the leftover prints that pay homage to the history of the house and the craft of Sheltersuit.

Gabriela concludes; “this is part of the Chloé mission: weaving purpose to business endeavours in a post-pandemic world to help acknowledge and alleviate the hardship of others. A luxury brand has the duty to do so.”

Dutch Haute Couture designer Iris Van Herpen burst onto the scene in 2007 with her unusual approach to applying innovative 3D printing techniques to her clothing designs.

Fusing together technology and Haute Couture craftsmanship, Van Herpen’s unusual approach to design has earned her a unique and loyal following. After launching her own label in 2007, Van Herpen became a guest-member of the Parisian Chambre Syndicale de la Haute Couture in 2011, allowing her to present her collections on a global platform. Now, ten years later, Van Herpen is continuing to innovate and surprise with her designs like no other. She describes her work as “interdisciplinary” as she draws inspiration from professions outside of fashion and the arts. Each season, Van Herpen works in collaboration with experts from other industries in the fields of science, technology and architecture. This allows her to bring together her expertise in fashion with other areas to create something truly unique.

Van Herpen’s work is a perfect blend of innovation and tradition. Fascinated by the world of traditional craftsmanship she utilises these processes but in new innovative ways that allow her to take her designs to the next level. She is very concerned not just by how her designs look, but by how they move and feel when they are being worn. One of Van Herpen’s biggest fascinations is nature. She looks at nature on a deeper level, delving into the fine details of how nature looks and how it behaves. This has been a key inspiration for her collections over the years. As the world becomes more concerned with sustainability, Van Herpern is ahead of the game. Finding ways to combine nature into her designs on a deeper level through developing her own materials and processes that will allow for a more sustainable collection.

The Spring/Summer 2021 Haute Couture collection “Roots of Rebirth” further highlighted Van Herpen’s fascination with the natural world. The designer referenced the intricacy of fungi and the entanglement of life that breathes beneath our feet. Something so simple, but when analysed deeply, it is so intricate and complicated yet beautiful at the same time. She explores the aesthetics, movement and life process of fungi through this collection. Here we find out more about the latest designs and Van Herpen’s ambitious plans for a future of sustainable fashion.

Tell us about your Spring/Summer 2021 Haute Couture Collection “Roots of Rebirth.” 

Throughout the isolation period, I read a book called “Entangled Life” by scientist Merlin Sheldrake. It talks beautifully about the way plants communicate with each other, and it’s very similar to how we as humans are communicating at the moment. It’s through a network called the “wood wide web” that connects plants, trees and all living things. They help each other with nutrients as an interconnected community that’s invisible but very inspiring to understand. It’s a newly discovered concept and I felt really inspired by it. On one hand, the book is scientific but it’s very poetic too. It talks beautifully about our future and how we can use fungi to create new types of materials because it is something very resilient. Fungi grow really fast, and I believe they are going to be our future partners in terms of cleaning up the waste on the planet. Fungi can become anything from materials similar to plastic to radioactive materials. It’s inspiring to know that there is hope; even in the mess we create!

I also collaborated with an artist this season on new materials using wood from plants to create lace. It all clicked together and felt like a good moment to show the beginning of what will be a long chapter. The whole focus on sustainability has become huge within fashion and this won’t be a pandemic-only move, it’s something that will stay within the industry moving forward. Everyone is improving materials and techniques. Of course, we have had a hard time with the pandemic, but on the other hand, I feel that the last year has been a good year to collaborate and focus on using more sustainable materials because we have had more time to work on these. We have set up so many new partnerships with companies on a sustainability level. So this is just the beginning of a long story.

Much of your time designing this collection was spent in lockdown or isolation – how did this year affect your creativity?

The hardest part has been the collaborations. They have become more local, which actually, I think is also a good thing. I see fashion as an interdisciplinary platform where scientists, architects, biologists etc. can all be part of the evolution and the creation of garments. We therefore collaborate with different institutes and people and so it has been hard when it comes to communication. Previously, I would travel to meet them or they would come to the atelier and they would be able to get a better feeling of the materials we work with, but now everything is done over video call and it’s great that we can do that, but in terms of creativity, we’re missing out on the best part of the experience. I have had to learn how to adapt because my design process has always been very physical. I drape on a mannequin and that hasn’t changed – but when it comes to experimenting with materials, it’s often a very collaborative process and that has been a lot harder. There have been ups and downs but I must say that I look forward to the post-pandemic-era.

What is the message you want to convey with the collection this season? 

I think the message has been very much about sustainability and innovation within sustainability. One project that I enjoyed working on within the collection was the Parley for the Oceans collaboration where we worked on new materials made from plastic found in the ocean. The qualities of the materials are now really of a ‘couture quality’ which is incredible. We have been working on collaborations on all kinds of fabrics within sustainability for quite a few years now, but often you could still notice small differences in the texture, the way it would drape or even the quality of the colour in prints, but now we are really at a point where the recycled fabrics are of the same quality as the usual couture silks and I think that is a really special and important moment. The quality is that high that it doesn’t just need to be saved for the runway, it can also be translated to the looks that we create for the clients.

What do you think women are looking for from Haute Couture designs today?

I think they are looking for both quality and sustainability and maybe even more! I think they want a very unique look, but also an insight into the whole process in terms of how the looks are made and the materials that are used. There is more awareness from clients today and they are also looking for a personal process. Clients want works of art that you create together with them; it is not just about fashion anymore. I believe it’s closely connected to the way we buy art. It’s something that you are investing in for the rest of your life so you want a personal connection with it and I think that’s what I like so much about couture – that notion of knowing that I am creating something very personal.

How have you managed to keep in touch with your clients throughout this year? 

It has been a real shame not to see my clients. Normally, if we are creating a look for someone we see them several times and these are the most special moments. Now it is all done over Skype and Zoom; we haven’t been able to physically go to visit them or the other way around. Our clientele is very international so it’s been a strange time.

We know you are very much inspired by nature and the beauty in the details of natural objects – what is it about nature that captures your attention so greatly? 

Obviously, it is the layers of beauty within nature and the aesthetic aspect, but I think the ultimate attraction for me is to keep nature as part of my design process from start to finish. The growth systems, the forces behind it. The little systems within nature are so incredibly perfect and the way everything depends on each other to sustain life. I think we can learn from nature to create in a better way and I believe that it can become a collaborator within the manufacturing process of fashion. There is still a long road ahead but it’s little steps towards an ultimate goal that will be a fully closed circular system incorporating nature into fashion. I really think it’s possible.

How do you find the experience of presenting your show digitally compared with showing to a physical audience?

We normally have the show in Paris as you know and while we do still have viewers watching online, we of course we have the physical audience too which consists of our clients, press etc. This season everything was digital and the main difference is that our physical audience has not been able to touch the garments or see the textures up close. I think there is magic in the moment of revealing a new collection so I do hope to go back to a mix of physical and digital. I believe both have their own strengths. The inclusivity of sharing a collection online is great as it means that so many people get to see it around the world, but on the other hand, my work is so layered and textured and detailed and it is a different experience when you see it up close. But I hope that next season it might be possible to show the collection in Paris with a combination of the two, we’ll have to see. This experience has definitely highlighted the value of the physical show and how special those moments in Paris are, but at the same time, I feel lucky that we are still able to create and that everyone is still looking to move forward, even if we are still in difficult times.

Your designs combine tradition with innovation – how do you find a perfect balance between the two? 

It’s in my nature to do this. One of the reasons I wanted to work in Haute Couture is because I have a great passion for craftsmanship. I wanted to study historic craftsmanship and to keep that alive. For many years now these traditional techniques have been getting lost. There’s not a lot of education available on it and there’s not a lot of people that can execute some of these crafts. So on one hand, I feel it’s really beautiful to be part of keeping these traditional crafts alive and to be part of that long evolution, but on the other hand, I feel I want to bring my own language into it. We are living in the 21st century, our world is changing so rapidly and all the technology that we have available means there is so much innovation available out there that applies to the fashion industry and can be translated into fabrics, new materials etc. and I think it’s beautiful to explore this and create new hybrids between them. To me, it’s a way of bringing my DNA to the craftsmanship that has been passed down to me from the people before me and I really see advantages in the way we can use certain techniques and I see new possibilities with things such as laser-cutting, 3D printing etc. And when you combine all of these techniques, both old and new, there is a whole new world of possibilities. I’m a very curious person and I feel the need to bring those worlds together.

Bridal Couture Collection

Tell us about your bridal couture collection and what do you think is the beauty in designing bespoke pieces for a specific woman?

I think one of the things that I find special is that you are designing for a very precious moment in someone’s life. It feels special to be part of that and to create something that’s very personal for someone. It’s the same when we dress people in the music industry and we are creating something for a special show or performance. It’s about having that piece for that moment. I see weddings as performances too and they are moments that you’ll be celebrating with the dearest people to you and I think that’s magical.

Is there any request that has particular inspired you or been difficult to fulfil?

Every piece has been such a different process. What I think is really special is that the people that come to us don’t want a piece that you see everywhere. They want to push the boundaries and to create a nice balance between art and fashion. And that’s why I guess, every look is a challenge. The garments we make are very focused on movement and transformation and often clients that come to us are looking for that combination of craftsmanship, transformation and the delicacy between the movement of the body and the garment that they are wearing. I think the challenge lies in the layering, in combination with the movement. That’s something that we’ve studied over the last few years and the hybrid of the different techniques is what’s making that possible.

Who is the woman that you design for? 

I don’t have a particular woman in my mind when I design. I have a dance background and I guess it’s the idea of the body itself and the way it moves and the transformative power within it that inspires me. I have the woman in my mind as a dancer and I look at the way the body moves. That transformative aspect and the emotion within motion is something that I’m trying to catch within my work and I think it’s really important that after the design is done it creates an identity and that is defined by the woman who is wearing it.

What would you still like to achieve that you haven’t done yet? 

I would like to open a museum someday where fashion can closely intertwine with other subjects. A museum that combines fashion, science, architecture and art. That would be really exciting.

We know you are an advocate for women’s empowerment – what makes you feel empowered and how would you like to inspire other women? 

I think the first moment in my life when I felt the power within fashion was when I was a child. I would visit my grandma who collected historical garments throughout her whole life. She had a huge collection of incredible garments transcending time and place and I remember dressing up as a little girl in her clothes – even in wedding dresses! Obviously, at that time I had no knowledge of the fashion world but I could feel the power of it. You can really become part of a story when you get dressed and I obviously felt inspired by that then and I think that’s also one of the reasons I went into fashion. It has the power to transform a person. There are no boundaries when you are creating your own identity. I think fashion is a really powerful platform and an instrument for change that inspires us to recreate ourselves and it’s that creative aspect within fashion that is a very powerful one for me.

I think that’s where in my opinion, women have always been very powerful when it comes to fashion. There is a lot more expression and creativity and empowerment within female fashion rather than male and there has always been much more dynamic storytelling in women’s clothing. When I look at my label, we are a very female-orientated company – most of my team are women and I just feel proud that as a woman myself I’m able to have a label like this and to inspire other women to do something that they believe in. I think in the fashion industry we need more female designers as it’s just really beautiful when things are more balanced and I hope to inspire other women to find their own creativity and to dive into the deep end.

What is the professional motto that you live by? 

To inspire people to recreate themselves. I believe in female empowerment and independence and I think there is a lot of freedom to be found in creativity. My ultimate goal is to stay independent and to be completely free within my creativity and so far I have managed that and I want to continue this.

What is a message you would send to your clients and friends in the Middle East and can we expect to see you any time soon?

I would love that! I hope I can travel again soon. I’m an optimist so I do have good hope that I’ll be able to travel this year and I really hope to have another special project in the region – either a fashion show or an exhibition. I hope to do more in the Middle East and to share our creativity there.