Roger Dubuis presents Excalibur Superbia the ultimate watch for those embracing excess and risk-taking; two of the key values of the House.
Excalibur Superbia is crafted in palladium-enriched white gold and set with a huge number of 600 precious white diamonds and blue sapphires. This offers a truly extravagant housing for Roger Dubuis iconic signature calibre: a brand-new Double Flying Tourbillon movement, the RD108SQ.

This highly complicated movement pays tribute to the house’s capabilities of creating movements that few can achieve as it becomes the iconic signature of the house.
What makes this watch truly special is that every stone set on the flange, the bezel, the case and the crown is tetrahedron shaped and assembled with an invisible setting on curved surfaces. The hardest way to set a stone, an invisible setting becomes nearly impossible when required on a curved surface.

This truly unique design marks the first time any jeweller or watchmaker has dared to set a piece in this way. The complexity of this design is hard to imagine and took master craftsmen at the House’s Geneva Manufacture hundreds of hours to complete. To complicate matters further, each and every glittering stone in the Excalibur Superbia is a tetrahedron, a shape requiring boundless cutting skill as its extreme thinness greatly increases the risk of breaking. Not only did every stone have to be tetrahedron-shaped, the pattern was designed so that all 238 stones featured in the case of the Excalibur Superbia has a different shape and is thus singular.
But in true Roger Dubuis style impossible is never an option and the watchmaker has defied the odds to create this special piece.

The element the Excalibur Superbia comes with the grooving – the last step required to complete the invisible setting with the previously perfectly triangulated stones. This is so hard to do on a tetrahedron stone that it took each gem setter an average of 30 minutes to do a single groove, corresponding to 900 hours for this operation alone on all three sides of the 600 diamonds, plus 420 hours to set the case and bezel – and that’s without even counting the stone-cutting! The entire process takes about three times longer than the same case set with baguette-cut stones.
Simple and straight, the lines of this exceptional piece of artistry are strongly reminiscent of the spatial art forms favoured by interior design artist Kaz Shirane with whom the brand that dares to be different shares a number of characteristics – not least from a visual perspective.

Kaz Shirane
Shirane says of the watch: “Roger Dubuis and I share the same vision: we create incredible pieces that make people feel they are the protagonists. For me, the Roger Dubuis Superbia watch is like a time machine that can take us to an extraordinary world in an instant. I always want to create such space in my artworks. The elaborate craftsmanship is, of course, absolutely wonderful. But beyond that, what struck me the most is that it is a very artistic piece: its distinctive design catches the light so beautifully and can be noticed even from afar.”
This unique watch is for the daring; those who live life to the excess with the greatest intensity.
It was announced today (9th September 2020) that British fashion designer Kim Jones will join Italian House Fendi as Artistic Director.
Jones will design the women’s Haute Couture, ready-to-wear and fur collections working alongside Silvia Venturini Fendi who has solely designed the collections since the death of Karl Lagerfeld in 2019. Silvia will continue to design the accessories and menswear collections.
“I would like to profoundly thank Monsieur Arnault, Pietro Beccari, Serge Brunschwig and Silvia Venturini Fendi for this incredible opportunity. Working across two such prestigious houses is a true honour as a designer and to be able to join the house of FENDI as well as continuing my work at Dior Men’s is a huge privilege.” Said Jones.
The designer will remain at the creative helm of Dior Men as he takes on the new role which will mark his first jump into womenswear and is expected to be an exciting step for the brand.
Serge Brunschwig, FENDI’s Chairman and CEO said: “I am thrilled to welcome Kim Jones at FENDI. Kim is one of the most talented and relevant designers of today. With Silvia Venturini Fendi, who has virtuously carried on FENDI and Karl Lagerfeld legacy, Kim will bring his contemporary one of a kind point of view into the world of FENDI.”
Silvia Venturini Fendi, Artistic Director of FENDI accessories and menswear, followed up: “My warmest welcome to Kim, to whom I am bound by deep respect and friendship. I am looking forward to take the FENDI universe to the next level with him.”
Kim Jones will present his first FENDI ready-to-wear collection for Fall/Winter 2021-22 season during Milan Fashion Week in February.
K by Dolce&Gabbana is a fragrance that embodies the values and aspirations of today’s modern man. Representing someone authentic, generous and charismatic; the king of his everyday life.
This new Eau de Parfum builds on the legacy of the Eau de Toilette with a sensual new scent. Inspired by the earthy, rugged landscape of Tuscany, renowned perfumers Daphné Bugey and Nathalie Lorson have reinterpreted the original fragrance to evoke the intense and magnetic sides of this king of everyday life. Ignited by fiery aromatics and underpinned by noble woods, K by Dolce&Gabbana Eau de Parfum is spicey, strong and bold with a rich woody base.
This strong fragrance undoubtedly needs a strong man to represent it. Friend of the brand Mariano Di Vaio perfectly embodies that strong values of this scent with his approach to modern masculinity and family traditions. The dad of three grew up close to the Tuscan hillside where the campaign for this fragrance was shot and the area holds a special place in his heart. The actor and model has partnered with the brand for several years and his proud Italian values are closely aligned with Dolce&Gabbana. We talk to Di Vaio to find out more about this new scent and what it represents to him.
As a man what do you look for in a fragrance?
When I choose a fragrance, I want something that will reflect my bold personality and boost my confidence. Therefore, I usually go for something unique, yet refined. I love woody notes as we have in K by Dolce&Gabbana Eau de Parfum with its base of Nagarmotha Wood.
What image does the K by Dolce&Gabbana scent evoke for you?
K by Dolce&Gabbana is such an empowering scent. For me, it evokes an image of the rugged landscapes of my homeland, Italy.
Who is the man you envision wearing this scent?
The man I imagine wearing K by Dolce&Gabbana is true to his roots, he follows his own path and owns his crown. He is a modern, successful man, self-confident but humble – just like the fragrance is intense, yet refined. In summary, he is the king of his everyday life!

How do you wear fragrance?
All day, every day – it is my final touch. I’m a firm believer that you are never fully dressed without a spray of fragrance. I prefer to wear something fresh for the day, like the K by Dolce&Gabbana Eau de Toilette and something more intense for the night, like the K by Dolce&Gabbana Eau de Parfum.
The fragrance is inspired by Tuscany – where in Italy do you love to travel to?
I live in Perugia, less than 2 hours away from Montepulciano where the campaign was shot – it is such a beautiful area, timeless and iconically Italian. I am an Italian through and through so can find something special wherever I travel in the country.
The scent represents the spirit of a man who chooses his destiny with passion and confidence – what is your destiny?
Being happy in my life and feeling accomplished are my priorities. I feel lucky that I have had the chance to work on so many different and interesting projects so far. I tend not to plan too much in advance, but enjoy the moment and seize the opportunities as they come along. My destiny is really to ensure my family are happy and healthy; they are my true passion in life.
What do you feel are the common values you share with the Dolce&Gabbana brand?
We’re perfect partners in crime! We have the same values and are perfectly aligned on everything. From being proud Italians to the importance of family and friends, traditions and cultural heritage. There’s a huge mutual respect. We have great chemistry, which is constantly growing, and we’re always on the same wavelength. I hope my partnership with the brand continues for years to come.
Tell us a little about shooting the advertising campaign – how was the experience?
The K by Dolce&Gabbana campaign was filmed in Tuscany which represents the timeless beauty of Italy. It is about a real king of our time – a man taking care of his family and friends, a self-made man who built his own success. A man who is the king of his everyday life. Working with Mariano Vivanco was brilliant – he is a great photographer and a great man. He was very focused and dedicated without being too serious, and the atmosphere was very relaxed on set. I felt very comfortable acting and modelling for him and we’re actually friends now.
You have worked with the brand a number of times – tell us about your relationship with the House.
It has been my dream to work with them since I was a teenager. I remember being in a coffee shop with the Dolce&Gabbana team, and they asked me if I would like to be part of an important project, and I said “Yes, definitely!” before I even knew the details. When they told me about the K by Dolce&Gabbana fragrance, I was so excited that I was speechless, so they asked me “Did you change your mind?” and I just laughed. It was very funny but one of my most memorable moments ever.
Since then, I have travelled the world to meet press and customers, shoot editorials, and attend events, presentations and awards ceremonies. If I look back over the past year, I’m so appreciative of it all – it’s been incredible!
This year has been a strange one for us all – what is a lesson you have learnt during this time?
That those every day intimate moments with my family and friends are what’s the most important.
There is a lot of talk about the definition of masculinity today and how it is changing – how would you define masculinity in your own words and do you think the concept has evolved in recent years?
For me, the definition has not necessarily changed, it’s the idea that there is no definition. We are all kings in whatever life path we choose. We just need to be empowered and confident. My definition is one where family values are paramount. I’m a father to three young boys and my family is everything to me. I also strive to be inspiring to others, so many people put others down today on social media, but I seek to empower people. Italy is also part of who I am as a man. I’m proud to be Italian and to celebrate Italian culture, and now through Dolce&Gabbana, I am privileged to be an ambassador for Italy wherever I go. Finally, my definition of masculinity is not being afraid to take care of yourself. Taking care of your skin or hair is not exclusive to women, fortunately. Masculine beauty is varied now and that’s a great change – everyone should be free to be who they are.

K by Dolce&Gabbana Eau de Parfum
What more do you think should be done around this subject?
Men need to be able to appreciate other forms of masculinity and not tear them down. For me, my social channels are a way of inspiring and empowering others. Also, we must be kind. Being a modern-day king means being strong and confident, but also understanding that there is strength in kindness and that you shouldn’t be afraid to show your innermost feelings. If we all did this, I believe more men would be confident in being themselves.
What do you think fragrance can bring to our lives when we are living in worrying times?
Fragrance can be uplifting, empowering, and add passion to your most intimate moments. You know, many fragrances just smell good, but K by Dolce&Gabbana is inspirational – it does make me feel like a king, and it is this uplifting feeling we all need right now. When you wear it, you feel like you can be authentically ‘you’ – you can be true to yourself and your intimate feelings.
What is your daily grooming routine?
As mentioned, I never forget fragrance. A scent like K by Dolce&Gabbana is the finishing touch to every look. Also, I always wear hydrating cream – I use it every morning and before going to sleep. It’s fundamental for your face, neck and hands, in particular. The neck is just as important as the face, so you shouldn’t forget to use it to stay looking young. I also use beard oil to soften my beard.
We’ve seen your beautiful children on social media – tell us something they would say that they love about their dad.
I adore my kids and try to spend as much time as I can with them. When travelling, we FaceTime every day. I always try to get them to join me on my work travels so I don’t lose the precious time I have with them. Therefore, I would hope they would say they love me for always being there, and making them feel special.
How do you balance your career with family time?
As above, I always try to find a way for them to travel with me. If not, we FaceTime every single day without fail.
If you weren’t doing this what would your alternative career be?
My primary passion is actually acting. I studied hard to be an actor and left home at eighteen to follow this dream. I went to New York and worked as a model to pay for acting school. My goal in the future is definitely to cultivate this passion and take part in a big-screen movie.
What is the motto you live your life by?
Stay true to your roots, and family is the most important thing.
How would you describe K by Dolce&Gabbana in one word?
Empowering.
A Lange & Söhne celebrates the establishment of Saxon precision watchmaking 175 years ago, when Ferdinand Adolph Lange founded his manufactory for fine timepieces with the new 1815 THIN HONEYGOLD “Homage to F. A. Lange” watch.
This two-hand watch in a limited edition of 175 pieces features a case in Lange’s exclusive honey gold, a white enamel dial, and special movement finissage.

This special design commemorates the anniversary of the first pocket watch, designed by Ferdinand Adolph Lange in 1845.
Three limited-edition timepieces make up the full collection; the 815 RATTRAPANTE HONEYGOLD, the TOURBOGRAPH PERPETUAL HONEYGOLD and the 1815 THIN HONEYGOLD all belonging to the 1815 watch family, which symbolises Ferdinand Adolph Lange’s birth year. The watches also resemble the classic pocket watch that made the brand famous.

These simple and elegantly designed timepieces feature a case that is just 6.3 millimetres high. It consists of honey gold, an alloy developed exclusively for A. Lange & Söhne through a unique and complicated process. The metal is harder and more scratch-resistant than other gold alloys, with a fineness of 18 carats.
The dial features brilliant white enamel that stands out against the honey tone. Dark-grey printed Arabic numerals complete the classic piece.

The L093.1 manufacture calibre of the 1815 THIN HONEYGOLD “Homage to F. A. Lange” is a modern interpretation of Lange’s product philosophy. With a power reserve of 72 hours, the 2.9-millimetre-high manually wound movement proves that compact dimensions and performance are not mutually exclusive. The freely oscillating Lange balance spring has a frequency of 21,600 semi-oscillations per hour. In combination with a classic screw balance, it assures optimised rate accuracy.

The 167 parts of the movement in this watch are assembled by hand, paying tribute to the style and values possessed by Ferdinand Adolph Lange.
The watch is limited to 175 pieces and is available from today (9th September 2020).
Piaget’s Possession line is turning 30 this year and to celebrate the house presents Turn For Extraordinary, a special 30th Birthday collection that celebrates thirty years of joy, luck and happiness.
Piaget first unveiled Possession jewellery in 1990 with a yellow gold ring that featured a central turning band that could be swivelled and twirled on the finger. This special design was created to create a special interaction between the ring and its owner.

Bague Possession – Catalogue 1990
Thirty years later and with the huge success of the Possession line, Piaget presents Turn for the Extraordinary; a celebratory collection that embodies the timelessness of Possession.

The collection features four new creations in yellow gold in commemoration of that first ring 30 years ago.

There are three anniversary-edition yellow gold bangles. The first is in a large size with two turning rings that are paved with diamonds and adorned with a paved semi-sphere. The second comes in a medium size with one turning diamond band and diamonds on the bangle. The third comes in a medium size with one diamond turning band.

The collection is completed with a limited edition timepiece. This comes in a 29mm yellow gold case that features two bands around the dial, one of which is paved with diamonds and spins and turns. The dial is decorated with a delicate snow-setting of diamonds that highlight in the light.
These pieces capture all the optimism and positive energy of this iconic collection. The timeless pieces are both playful and elegant for today’s modern woman.
Dubai Business Women Council has partnered with Creative Zone to launch “She Leads”; an exciting new programme that aims to accelerate 100 female-led start-up companies from the UAE.
Recognising the large sector of SME businesses in the UAE the She Leads programme aims to empower 100 women entrepreneurs to successfully launch their businesses in the country.
“Business incubators and accelerators play an important role in the entrepreneurial ecosystem by not only offering training and services but also connecting business owners to opportunities and resources, that will help them overcome various challenges that limit business development and growth”, said Lorenzo Jooris, CEO of Creative Zone.

The 12-week training programme will support and nurture 100 of the UAE brightest women. Women over the age of 21, living in the UAE with an existing business or concrete business plan are invited to apply for coaching, networking and learning opportunities.
In addition, the two most promising applicants will receive a set of free business solutions such as trade licence, tax and legal services, co-working spaces and more.
All training modules and workshops will be taught online by some of the most renowned industry experts, coaches and business leaders based in the UAE and abroad, focusing on business launch strategy, funding & scaling, impactful leadership, marketing, finance and distribution.
The programme is the first of its kind in Dubai to exclusively target women, helping them to successfully build their businesses.
“Women entrepreneurs are a vital component of our economy, as they are responsible for creating new businesses and jobs. Despite the rapid increase in the number of women-owned firms in recent years, women still face significant barriers to growth. With She Leads, we aim to level up the field by providing women with an equal opportunity in developing their skills and knowledge and connecting them to prospects and resources,” said Nadine Halabi, Business Development Manager of the Dubai Business Women Council.
Upon completion of the program, some of the most capable participants will get an opportunity to participate in ‘X Scale’ the accelerator’s second phase where they will get a chance to pitch their business plan to investors, business moguls, and successful entrepreneurs.
Registration is now open and the first module is set to start on September 22. The list of speakers, entry criteria and the registration can be accessed here
Maison Valentino is opening the doors of its historic headquarters Palazzo Mignanelli with a new interactive digital experience; Chez Maison Valentino.
Founded by Valentino Garavani and Giancarlo Giammetti in 1967 the Roman headquarters of Valentino will be open to the public for the first time.
The interactive digital platform will see visitors offered access to a sneak peek inside the rooms of the iconic Maison.
The platform is imagined with animations by the New York artist Joana Avillez who has redesigned the façade and the rooms of the HQ. Visitors are able to navigate and explore the Valentino universe through stories, quizzes, archives and surprises.
Initially, there will be access to seven rooms, with a plan to add others in time. Guests will be able to get a sneak peek within the studio of Creative Director Pierpaolo Piccioli, where a video will narrate his world, the creative process and the choice of items that define his wardrobe.
The second room “MUBI x Valentino” is an intangible cinematographic room created in collaboration with MUBI where Pierpaolo Piccioli evokes suggestions that are close to his imagination through works and the visions of various filmmakers. A special collection of movies have inspired the creative vision of Maison Valentino.

Exclusive Capsule Collection
The “Haute Couture Ateliers Room” is dedicated to the history of Valentino Haute Couture. Guests will find images of the atelier where the iconic Haute Couture shows came to life and the “Hall of Fame” will showcase the red carpet looks and celebrities that have embodied the spirit of the Maison.
In the courtyard of the palazzo, with the renowned sculptor by Igor Mitoraj, you will find the current collections, enhanced with an editorial approach and a direct link to the online store.

Exclusive Capsule Collection
The room ‘Chez Maison Store’ is an exclusive space, where a limited edition collection of hoodies and t-shirts designed by Joana Avillez in her personal style, will be available for purchase. Lastly, the ‘Maison Archive’ room, is the room that includes all the collections and advertising campaigns created by Pierpaolo Piccioli.
The virtual project will be constantly evolving, with new rooms being added and new experiences to discover as time goes on.
To access this exciting virtual platform, visit www.valentino.com/chez-maison-valentino
Italian fashion house Etro has collaborated with Gianvito Rossi on an exclusive collection of pumps.
The pumps are part of the PEGASUS CLUB campaign, also featuring the glossy Pegaso Bag which was unveiled today.

Shot by photographer Matthias Vriens, the campaign stars icons including American model Alton Mason, Italian fashion icon Anna Dello Russo, Swedish supermodel Elsa Hosk, American model Halima Aden, Tunisian actress Hend Sabri, Japanese model Hikari Mori, Italian singer Myss Keta and Spanish socialite Naty Abascal. Each of their personalities reflected through the portraits.

Red and blue Paisley prints personalize shoe designer Gianvito Rossi’s reinterpretation of Etro’s iconic Gianvito pumps, revealing one of the four styles of the exclusive Gianvito Rossi for Etro collaboration, which will also include flats and boots.
The Pegaso Bag is paired with Paisley-decorated black canvas trench coats. Available in two sizes this bag will be the brands ‘it ‘bag’ of the season – a must-have for the winter months.

This is the first part of the project with Gianvito Rossi who will design a second collection later in the year.
The new PEGASO BAG is now available for purchase at Etro boutiques, on etro.com and in selected international retailers. The Gianvito Rossi for Etro capsule will also be available in Gianvito Rossi boutiques and on gianvitorossi.com.
Designed by Maria Grazia Chiuri, Dior’s Fall/Winter 2020-21 collection celebrates femininity, power and strength. We discover the collection with our recent fashion editorial production; One Woman Show. Scroll down to see more…

Skirt, Coat, 30 Montaigne Microcannage in blue, J’Adior Heels Black, Earrings, All Dior

Gray Jacket, Gray Pants, White T-shirt, Dior Solar Shoes Oblique,
All Dior
WATCH THE VIDEO HERE…

Grey jacket, Grey pants, All Dior

Checkered coat, Dark tan belt, Long black dress, Black beret
All Dior

Black beret, Checkered coat, Large book tote in blue velvet, J’Adior black heels, Long black dress, All Dior

Long black dress, Dark tan belt,
All Dior

Black Dress, Mesh black blouse, Large book tote in black mesh, D-Furious boots, All Dior

Long black dress, J’Adior black heels, All Dior

Black beret, White dress, DIOR-I black suede shoes, Embroidered Micro Lady Dior, All Dior

White T-shirt, Black skort, All Dior

Houndstooth bomber jacket, Long black dress,
D-connect white sneakers, All Dior

Houndstooth bomber jacket, Long black dress,
All Dior
Photographer: John Rowley
Styling and Direction: Lindsay Judge
Hair and Make-up: Lisa Valencia
Model: Ilana Luna at Select
Location: Barrington Hall, England – for weddings and event enquiries please visit www.barringtonhall.co.uk or email info@barringtonhall.co.uk
Milk Makeup was born at the iconic Milk Studios in New York. The fashion photography studios in a trendy location in New York City has seen some of the world’s biggest models, photographers, make- up artists and celebrities pass through its doors.
The studio’s founders noticed a need for a cool cruelty-free make-up brand that would appeal to the woman of today and Milk Makeup was born as a result.
Husband and wife Zanna Roberts Rassi and Mazdack Rassi alongside their Co-Founders decided to launch a beauty brand that was not only cruelty-free but also paraben-free, and 100% vegan. That means they use the best-for-you formulations while also ensuring excellent performance. Many of the products have multiple uses so they are perfect for busy women who want a fast beauty fix. Their products are tried and tested by some of the world’s top make-up artists and celebrities and they are on a mission for global expansion. As part of this, Milk Makeup recently launched in the Middle East, available exclusively at Sephora.
Co-Founder Zanna Roberts Rassi is no stranger to the beauty world. She started off her career as a Beauty Editor and today can often be seen on the red carpet in Hollywood, interviewing celebrities for lifestyle channel E! She knows everyone in the industry and is the go-to person for the beauty tips and tricks used by celebrities. She lists Huda Kattan and Gwyneth Paltrow amongst her friends and has every top make-up artist in the world on her speed dial. So this lady knows what she’s talking about when it comes to beauty. Here we find out more about Milk Makeup and the decision to launch in the Middle East and why the brand is so appealing to women today.
You’ve worked as a journalist your whole life – how does running a beauty brand differ?
I actually started in beauty! My first job was as a Beauty Editor in the UK so through that, I was exposed to all sides of beauty. I would interview all the greats backstage at Fashion Week shows: Pat McGrath at Alexander McQueen McQueen, Val Garland at Dior… I also got a lot of facetime with founders like Bobbi Brown and Laura Mercier. I would commission and create magical beauty imagery with the best photographers, models and artists in the world, think Alexi Lubomirski, Naomi Campbell, and Charlotte Tilbury! I would spend time touring labs and understating brand stories. Every product launch would cross my desk months before it launched and I would test and try and review them. I also knew how saturated the beauty market actually was, and because of that, we knew Milk Makeup had to have strong values and a reason to exist.

How do you think your experience and expertise has helped you to build the brand?
As a journalist I routinely have to put myself in the shoes of the reader or viewer. Empathy is key and the same is true when creating a brand. From product to creative, to marketing, it’s all about the customer experience.
Also, as a fashion and beauty journalist, I’m very much an insider. It’s my job to know about the latest trends, newest launches, best makeup artists, upcoming major celebs etc. I get to work with the early adopters and the best creatives on set. I’m part of it, rather than being in an office, relying on agencies and consultants to tell us what’s cool!
Are there any lessons you’ve learnt since venturing into the beauty business?
SO many! A recent example is how incredibly collaborative and supporting the industry is of each other. I have always been a big advocate of collaboration over competition and never more so than now have I appreciated my peers in the industry. I’m a founding member of Beauty United, a group of 45+ beauty and wellness founders ranging from Huda Kattan, to Victoria Beckham, to Drew Barrymore, to Gwyneth Paltrow, to Sharon Chuter. We came together at the beginning of the pandemic. What started as peers helping each other navigate turned into an incredible coalition of founders helping others in need. Our focus early into the pandemic was to come together and support our frontline heroes, today it’s shifted into mentorship for budding beauty entrepreneurs and aid and programs for freelance artists. I’m so grateful to learn and grow with our worldwide beauty community.

What’s the biggest challenge you face with Milk Makeup right now?
I’m a firm believer that we learn the most through the challenges in our lives and that real growth happens when pushed out of your comfort zone. The pandemic and physical lockdown means we are all working from home, but, in turn, has forced us to be more communicative, creative, and to think outside the box — to find new and smarter, more sustainable solutions and as a result, we are closer than ever. My personal goal is to get Milk Makeup into the hands of everyone! I wish I could just gift you all because once you try it, you will fall in love with it.
Do you think social media has changed the beauty industry and what are some pros and cons?
10000%!! Social media has completely reshaped the industry. When I think back to when I started in the 2000s, it was a time that we Beauty Editors were literally the only ones dispensing beauty news, advice and information. Magazines and in-store sales counters were the only touchpoints for information on products. Social media has thankfully democratised it for the consumer so they can discover and find personalised, non-prescriptive inspiration and education. Brands have a platform and space to tell their story, market, connect, and communicate with consumers locally and globally. (Some of my best conversations about beauty happen with customers in Europe or the Middle East over DM!) For all of us, it’s a platform for meaningful conversation. And of course e-commerce.
What do you think women are looking for from makeup products today?
I think women today have rightfully high standards and expectations from their makeup. Milk Makeup set out to be a combination of things that were considered contradictory and that didn’t yet exist in one line. To reframe old school concepts. I still believe this is what we want in a line…Our checklist:

Why was it important for you to ensure that Milk’s products are cruelty-free and vegan?
It was a no-brainer. With such incredible alternatives to chemicals and testing — there is no excuse not to. They are friendlier to the earth; friendlier to your skin, and they offer major payoff without any compromise.
What are some of the challenges you faced in order to ensure all of the products are vegan?
Formulating an epic mascara. Mascara is notoriously hard to create and we have very high standards. This one took years! To be a vegan mascara we had to remove beeswax, a common binding agent. This is when Dianna Ruth (our Co-Founder and COO) and her Product Development team had the genius idea of using hemp-derived seed oil instead. She and the team found that hemp-derived seed oil was not only the perfect alternative but was conditioning and easy to remove yet had no fallout. This mascara is like a daily hair mask for your lashes.
Can you tell us a little about the process of finding vegan ingredients and solutions to the products?
Dianna Ruth, Co-founder and COO: To help with the sourcing process we utilise suppliers that have expertise in natural and vegan materials, and we as a team do our own research to discover new and exciting alternatives.
What would you say to other brands who aren’t there yet when it comes to being cruelty-free?
Dianna Ruth, Co-founder and COO: It’s about progress, not perfection when you’re starting out! Focus on making small steps towards your brand’s ethical and sustainable goals.

Your brand is based in the US – what can you tell us about the beauty market there?
Tim Coolican, CEO: The market in the US is very dynamic. The business model is evolving quickly to meet the new realities of how people are living and shopping. There is a lot of emphasis on wellness and self-care from a product standpoint and on providing a seamless Omni-channel experience.
Milk Studios has been iconic for many years – what was the thought process behind diversifying into a beauty brand?
Milk Studios is a cultural hub at the crossroads of creativity. It’s home to creatives who are the best in the business alongside the next generation — a place they work and hang. We wanted to provide a makeup line for these fast-paced, ambitious, smart, cool creative beginnings.
In a highly saturated market how do you make sure your brand stands out from others and what is the USP of Milk Makeup?
Milk Makeup isn’t just a makeup brand. We approach every aspect (from packaging to formulations to creative to marketing) in a unique way which has manifested in a brand that’s more than just beauty. Our community and culture have always been our inspiration. When it comes to tangible products, our team is constantly finding inspiration from other industries: architecture for design, food for ingredients, medical dispensers for components, and so much more.
The thing that really sets our products apart from others is the quality — Our products are conscious (non-toxic, vegan, cruelty-free ingredients), user-friendly, and deliver instant results. We believe in good ingredients, epic payoff.

What is your Milk Makeup hero product?
KUSH Mascara! It’s the Holy Grail of mascaras. The best in the business for volume, impact, and conditioning in one product. I’ve just come off a long run of wearing lash extensions (for TV it was easier), but I have seen how destroyed my lashes are so I’m using KUSH to give me back some lashes.
You’ve worked with and interviewed many celebrities – who’s make-up look is your favourite?
What a hard question!! So many… Rihanna is always a GREAT interview and I love it when she pushes beauty boundaries creatively with her make-up. (Think Met Gala 2018) Gwyneth Paltrow also. She is a walking advert for the wellness lifestyle.
Kim Kardashian. She loves to wear makeup and Mario Dedivanovic does an impeccable job. She even taught me how to contour. She’s stunning up close and always so sweet. I also love Jameela Jamil. Her red carpet beauty is immaculate and when she told me on the Emmys red carpet that she did her own because she hated sitting still in the chair for an hour, I was thoroughly impressed!
What can you tell us about the decision to bring Milk Makeup to The Middle East and why did you decide to partner with Sephora?
Expanding into the Middle East was always a dream of ours, but especially for my husband and Milk Makeup Co-Founder, Rassi. He is from Iran and to him it feels like coming home.
Tim Coolican, CEO: Sephora have been our partners at Milk Makeup since the beginning and have always been fantastic partners and brand builders. We have always wanted to come to the Middle East because there is an incredible creative community and we wanted to be able to connect with them directly.
What are your thoughts on beauty in the Middle Eastern region and can we expect to see you here any time soon?
I’m floored by how very beautiful Middle Eastern women are. I’m fascinated by the beauty traditions in the Middle East. The importance of rich, ancient, natural-based rituals which have withstood the test of time. With that said, it’s great to see how the millennials in the region are embracing natural science-driven brands. I’m so excited to come and learn so much more about the Middle East! Very soon, hopefully.
Tim Coolican, CEO: The Middle East is an inspiring place for beauty globally. We don’t know when we will be travelling again but it will be at the top of the list once we are.
You work with your husband of course, how do you divide the business activities between you and how do you balance work/ home life?
Like any co-founders, we each hone in on our strengths. He is talented and driven towards the design and cultural aspects, as well as branding. I, on the other hand, am really focused on the consumer side of the business. How is the customer using this product? How are we educating them on it? The overall user experience etc. We’re luckily a great balance! Balancing work and home life can be challenging, especially at the beginning of Milk Makeup. However, we find it’s best to leave work at work. We both wear many hats but know that nothing is more important than being present and family time is for family.
Of course, we see you on the red carpet, but as a mum when you’re at home – what is your 5-minute beauty regime?
I love a 5-minute routine! I’m a great multi-tasker – as are lots of our products! I would recommend the following for an easy five-minute routine:
mess.
In your own words – who is the woman that wears Milk Make- up today?
She is conscious, smart, creative, cool and she cares. She is someone who cares immensely about what she puts on her face, where that makeup comes from and its backstory. She cares that it’s made with great intentions and 100% love. On the flip side, she leads a fast-paced life and wants to simplify without sacrificing on ingredients.
To mark 20 years of Dior jewellery, the Parisian House presents a beautiful new coffee table book.
The A to Z of Victoire de Castellane brings together some of the most iconic pieces designed by Artistic Director Victoire de Castellane over the past 20 years.

The book features illustrations by de Castellane as well as over 300 photographs, showcasing Dior’s iconic jewellery collections.

The book is designed like a passionate dictionary with words by Olivier Gabet, director of the Musée des Arts Décoratifs in Paris.

This timeless collective piece will make the perfect gift for a loved one or a treat for yourself to keep on your coffee table.
Jacob Arabo Founder and Chairman of Jacob & Co. is visiting new realms of watch and jewellery making with his unique and out-of-the-box designs.
The entrepreneur began his journey in the world of fine jewellery and watchmaking as a 16 year-old apprentice after moving to New York with his family. After developing a keen passion for watches and jewellery he opened a small booth in New York’s bustling diamond district and began designing collections for jewellery brands and private clients. Over the past three decades his small booth has grown into a global business with a boundless quest for creating innovative, creative pieces that are completely unique. No request is impossible and Arabo sets out to surprise his clients again and again with his unusual designs.
While Jacob & Co. continues to keep its headquarters in New York where the brand first began, its watches are manufactured in Switzerland by some of the most skilled watchmakers in the world who bring Arabo’s creative ideas to life. When it comes to the jewellery business, the brand works to source some of the rarest stones in the world, each selected with the utmost integrity of origin and chosen because of their beauty and uniqueness. Jacob & Co. has a huge celebrity following and private clients continue to return to Arabo to create pieces that have never been seen before.
This August Jacob & Co. presented its latest novelties as part of the Geneva Watch Days Event. From unique pieces to out of the box ideas, the brand continues to travel to new realms of watchmaking with its latest designs. Here we discuss with Jacob Arabo creativity, innovation and continuing to surprise his clients.

TWIN TURBO FURIOUS BUGATTI 300+
What can you tell us about the Geneva Watch Days event and why you decided to exhibit your latest novelties there?
The exhibition during Geneva Watch Days was important for us because it was the first time in a long time we were able to see journalists and retailers other than via Zoom. It was vital for the watch industry, as it proved to everyone that the brands were still working, still creating, still pushing forward. We had a number of novelties, like the Bugatti Chiron and the Astronomia Tourbillon Phoenix, plus the amazing Paraiba Tourmaline ring, that no one had held in their hands before, so it was a great chance to experience our products first-hand. It was a real pleasure for our team to see everyone in person again.
This year has been a strange one for all – what is something you have learnt during your time in lockdown that you will take with you moving forward?
I have learned how precious every single moment is. Not being able to see friends and loved ones for such a long time during lockdown taught me that I previously took such things for granted, which we never should. You would think that creating timepieces would have led me to value time more, but the lockdown taught me that these moments are indescribably valuable.

TWIN TURBO FURIOUS BUGATTI 300+
Why did you choose New York to start your watch business?
I initially came to New York City from what was the former Soviet Union with my parents and immediately fell in love with the city and its atmosphere. I can’t imagine living anywhere else in the world.
What do you love most about the city?
I love how vibrant it is, the mix of cultures, the fact that it’s a city that never sleeps. I get so much energy just from being here.
Your watch designs are very unique – how would you put them into words?
It is as simple as this; I am a dreamer and I love making impossible things into a reality.

ASTRONOMIA TOURBILLON ART TIGERS
With the complexity of your designs it must be very challenging – is there a watch that you are most proud of?
Well, I love them all. Because all our watches are individually created, they are all extremely complex. We design every aspect of them ourselves, from start to finish. I love the complexity of the Twin Turbo Furious and the Astronomia Maestro, but the Astronomia Tourbillon is the watch that really put us on the watchmaking map. It’s the watch I hold closest in my heart.
What is your vision for your company moving forward?
My mission is for Jacob & Co. to continue making watches and jewellery that surprises people. Pieces that make them say “wow!”
What can you tell us about the upcoming novelties for the rest of the year?
So far this year, we have introduced the ground-breaking Bugatti Chiron Tourbillon, with its “engine animation,” the Opera Scarface, the Fleurs de Jardin Rainbow and we have many more launches coming for 2020. We are spreading our launches throughout the year so that people have something to look forward to every month.

JACOB & CO. – BUGATTI CHIRON TOURBILLON
Your watchmaking operations are based in Switzerland while your HQ remains in New York – how do you manage your time across both and what are the challenges you face with this?
The time difference is probably the biggest challenge because the start of our day in NYC is getting close to the end of the day in Switzerland. I arrange my day so that I deal with anything that is related to Switzerland (design, production, etc.) in my morning. Also, I travel there very regularly, though that has proved difficult with the Covid-19 situation. The lockdown has forced us to improve our communication, which is a great thing.
What can you tell us about Jacob & Co. in the Middle East?
The Middle East is a very important market for Jacob & Co. The clients are very knowledgeable and they really appreciate the ground-breaking things we are doing in high watchmaking and in high jewellery.

JACOB & CO. INTRODUCES THE OPERA SCARFACE
You have a very strong celebrity following and it must be great to see your watches on the wrists of the rich and famous – can you share a little with us about this?
A lot of my celebrity friends were clients when they were just starting out, so seeing their success is very gratifying. I love making people happy with my designs and I have always been willing to customise pieces or make completely new pieces to satisfy their needs. Having these people as friends and continuing clients is fantastic.
How do you balance innovation and creativity at Jacob & Co.?
My clients expect both innovation and creativity, they go hand in hand at Jacob & Co. When we come up with something new, like the Swiss Music Box in the Opera Collection, we have to innovate to find the best way to integrate it.
What do you believe is the importance of traditional craftsmanship in watchmaking today?
At Jacob & Co., everything we do is rooted in traditional watchmaking. The tourbillons we use follow the same theory as they did back in the late 1800s, but in “a new and innovative way”. We work with the best of the best when it comes to our suppliers and we really support traditional craftsmanship with our exquisite finishing, miniature painting, engraving, art pieces, and more.
Who or what inspires you?
I am inspired by everything around me. That’s why I am so active and why I love to travel. I draw inspiration from the forms I see – buildings, cars, nature. Take the new Bugatti Chiron Tourbillon for example, the case is directly inspired by the Chiron hypercar, including the horseshoe grill.

Can you talk us through your creative process?
I am not a watchmaker, which I think really gives me my creative freedom. Instead, I approach the design as a customer, asking what the customer would like and what would be best for them. I want to make watches that stand out, are beautiful and are great to wear, as well as easy to use.
What do you think men and women are looking for from timepieces today?
My customers are looking for something that not many other people have, or in many cases a unique piece that no one else has. Luxury today is about rarity, and our timepieces and jewellery are very limited or completely unique.
You work a lot with gemstones – is there a particular stone that you love over all others?
I love to work with stones of all kinds. I love diamonds and I love designing new cuts, like the 288-facet Jacob-cut diamond, but I also love coloured stones. These are gemstones that are millions of years old, sitting under the earth. Very soon, only what is in people’s hands will survive, so they are important things. Look at Burmese rubies or Kashmir sapphires, they are disappearing in the market.
What can you tell us about the jewellery collections at Jacob&Co.?
Just as with watches, we aim to do things that no one else does in jewellery. You could say that our DNA is no DNA, as we go out of our way to design pieces like no one has seen before.
What is the biggest lesson you’ve learnt while running your own company?
When I started out, it was just me, making the jewellery after work and selling the pieces on the weekend in the Diamond District. In running my own company, I realise how important the team is. I can only do so much, then I have to rely on the talented experts in all areas to make my dreams a reality. I couldn’t do it without my team.
What is the professional motto that you live by?
“Inspired by the impossible.” This comes from my meetings with watchmakers who, when they hear what I want to do, say “impossible!” That’s where we start, from what others think is impossible. Then we work as hard as we can, sometimes for years, to make it a reality.
What is something you would still like to do with Jacob & Co. that you haven’t done yet?
I’ve taken the solar system, a Bugatti 16 Valve engine, a flower garden, a Swiss Music Box, cities of the world (Dubai, Moscow), art sculptures, and more and put them on the wrist. I am always looking for a new challenge and I always want to innovate in design, complications, materials, and more. I want to be remembered for taking watchmaking to new heights.
Jacob & Co. in one word?
Daring.
Dolce&Gabbana presented a three-day fashion and jewellery extravaganza that took over the city of Florence, hosting its Alta Sartoria, Alta Gioielleria and Alta Moda events to physical audiences. The presentations were a tribute to the history, art, and timeless elegance of the city and skill of its artisan workshops with a message of Renaissance, a new beginning for the city and for Italian fashion.
Day one of the special event saw the Alta Gioielleria presentation of jewellery collections as well as the Alta Sartoria men’s collection show in the evening. The new creations were be presented in physical fashion shows together with a selected group of artisans chosen by the brand, with visits to their shops, representing the excellence and know-how of the most authentic Florentine traditions.

The Alta Gioielleria collections were displayed in the rooms of the Officina Profumo-Farmaceutica di Santa Maria Novella bringing together the values of the two brands: handmade pieces, craftsmanship, heritage and Italian tradition.
The Dolce&Gabbana Gioielleria creations as always tell a unique story, each gem celebrating the beauty, art and love of know-how with rare gems and brilliant diamonds. Inspired too by the rich history of Santa Maria Novella, the jewellery creations saw the coming together of traditional techniques that have remained unchanged for centuries.

Rare coloured gemstones including Mozambican Paraiba, tourmaline, amethysts, sapphires, rubies, emeralds, rhodolite garnets and more are placed on extravagant jewellery pieces. Nature plays a large influence, with fruits, flowers, sea creatures are all present in the works.
Dolce&Gabbana’s goldsmith techniques have their roots in the Renaissance era while the introduction of cutting edge technologies allow the craftsmanship to be emphasised, highlighting the balance between tradition and innovation.

The evening saw the men’s Alta Sartoria collections presented to a live audience – one of the first physical fashion shows to take place since the beginning of the global pandemic earlier this year.

This collection celebrated the Renaissance era – a time that is synonymous with the city of Florence. Hand-worked techniques, elegant embroideries and a unique combination of materials were celebrated through the extravagant designs.

The final part of the event saw the women’s Alta Moda collection presented in an incredible setting of Villa Bardini offering stunning unspoiled views of Florence. The collection paid tribute to Florentine manufactory traditions including gold leaf, the decorative process that formed the basis of this offering.

Inspirations included the architecture of Florence and the proportions of buildings and designs. Florentine mosaics were also a source of inspiration for the designers, highlight through the juxtapositions of different fabrics including brocade, velvet, leather, lace and silk.

The work on these garments, which was all done by hand, represents various different monuments and architecture within the city. The floral embroideries pay tribute to the beauty fo nature in the area.
Shapes, proportions and details were deeply rooted in the traditions and art of Italian tailoring and the place where it all began: Florence.

The events are promoted by the Centro di Firenze per la Moda Italiana and Pitti Immagine in collaboration with the City of Florence, and developed with the contribution of Fondazione Pitti Discovery, the grant from the ICE Agency and with the support of Ente Cassa di Risparmio Firenze.
Oscar de la Renta is one of America’s most loved brands. Founded in 1965 by Oscar de la Renta, the brand has outlined a generation of elegance in US history.
De la Renta was trained by the best. Working under Cristóbal Balenciaga and Antonio del Castillo, then at Lanvin and Balmain before launching his own label. His feminine designs quickly became the favourites of celebrities, first ladies and royalty. His dresses have been worn by the likes of Jackie Kennedy, Oprah, Michelle Obama, Meghan Markle, Sarah Jessica Parker, Taylor Swift and the list of iconic red carpet moments goes on.
In 2014 Oscar de la Renta sadly passed away at the age of 82 in a moment that truly shook the fashion world. With the founder at the helm of the brand for almost 50 years, it would become a new chapter for the American fashion house, but it was crucial that De la Renta’s legacy was not forgotten. So a few years after his death, the brand turned to now Creative Directors Fernando Garcia and Laura Kim. The two designers had started their careers at Oscar de la Renta where they were trained by the designer himself – so it only seemed fitting that they came back to their roots to continue the legacy of the brand.
At the time, the two designers had left ODLR to start their own line Monse which continues to be a success to today. In the four years since their take over Garcia and Kim have had a strong focus on international expansion; especially in China which has become a huge market for the brand. Their young, energetic attitude has given the House a new lease of life, appealing to a young clientele but not forgetting its roots. As they prepare to launch the fall/winter 2020 collection, we talk to Garcia and Kim and what makes this brand so special to them and the plans for the future of the House.

How would you define the universe of Oscar de la Renta today and how has it evolved?
We are always evolving with time. It is important that as a brand we adapt and change to accommodate the ever-changing needs of women today and their lifestyles.
How would you put into words the message you are trying to spread with ODLR today?
We try our best to source the best material in the market that has been produced ethically and responsibly. Our goal is to create a feminine wardrobe for sophisticated women.
You both began your careers at ODLR so how you would you put into words the close relationship you have with this brand and what it means to you?
Your first job out of college really forms your work ethic and it was the first job for both of us. Oscar de la Renta had a great influence on both of us creatively, but beyond design, he also had a strong influence on us and our relationships with friends and colleagues. He taught us the importance of having fun at work and in life.

What can you tell us about Oscar de la Renta in the Middle East?
Quite a lot of our inspiration comes from Middle Eastern culture. Women in the Middle East make a great effort to dress up and look beautiful. They also have very feminine taste, which our products cater to.
We have seen beautiful kaftans from you over the past years which are hugely popular in the Middle East – how important is it to ODLR to localise its collections or give tribute to a specific market?
We personally love designing kaftans. They can be very dramatic and have a “wow” effect. We are conscientious about incorporating designs that fit the needs of each market. We travel so much which has helped us value the importance of creating products for women all around the world.
The COVID-19 situation has had a dramatic effect on the globe – what is a lesson you have learnt from this situation and how will it help you in moving forward?
It’s been a good period to reset and refocus. It has inspired us to leave behind what wasn’t working and refresh.
How have you been spending your time in lockdown – were you able to continue designing?
LK: It’s important to find ways to stay busy. I love creating so I’ve been spending a lot of my time cooking. We’ve continued to work through quarantine by sketching, sewing, and draping from home.
FG: I’ve been running in the sun and working on getting back into my stride. Flowers have also filled my apartment recently. They have been bringing me joy and keeping me busy!

Are there any changes in buyer behaviour you think we will see after the global pandemic?
I have a feeling that trends will be more focused on comfort. There will likely be less of a need for opulent dressing since there will be fewer events and gatherings.
How do you think the values and culture of the United States are reflected through the brand?
FG: We have always reflected our experiences through our collections, specifically the fluidity of cultures that are intrinsic in this country. Laura and I come from different parts of the world and we believe it is important to highlight this because only in America do you see such multicultural friendly environments. Only in America is this celebrated as positive, so we must continue to blend and mix to create the new.
What are your thoughts on the future of traditional fashion weeks and runway shows?
FG: They will resume eventually as the shows are created to allow people from all over the world to have an efficient trip to buy different brands in one go. Perhaps there will not be as many collections anymore though. However, until we are in a more safe environment everyone should do what is best for their own brand, create digital changing rooms with your sales representatives, present your collections with photography and video… it pushes the eye to create something that will resonate with a new client I am sure.
Take us through the fall/winter 20 offerings – the inspiration, the fabrics, the colours?
FG: Laura and I are known for not taking ourselves too seriously. When we began exploring the inspiration we had, the black and white ball, New York Public Library, Chiaroscuro movement, we thought how funny it would be to splash Mickey as the Sorcerer’s apprentice across all of it… The brilliant colours and whimsical embroideries helped arch it back into who we are as people, without disrupting the DNA of the brand.

Where does e-commerce fit into the brand strategy at Oscar de la Renta and has the global crisis changed your approach to online at all?
FG: We have always had a strong online business, but it has become a stronger focus during the COVID-19 crisis. So as a company we have been creating new ways to draw our customer’s attention to our website.
What can you tell us about sustainability at ODLR?
A large selection of our manufacturers are qualified as sustainable. Most of our raw materials are traceable to the source. Our knit factory is operated with solar power, and our fabric mills recycle the water that has been used during production. We do our best to ensure our processes are kind to the environment.
How important is the store experience today and what do your stores offer that’s unique?
FG: We have store managers who can give the customer a virtual experience. From getting your wedding gown to shopping the new collection… simply go to our website to learn how to contact a store near you.
You have worked together for many years – How do you divide the processes needed to create a new collection between you?
FG: We toss ideas in the air! We both like it to push forward. We sketch separately, and we make sure that we’re both focusing on ideas for the larger picture. Eventually, we have a board of all of our ideas and we filter down by picking the favourites and build that group further expanding it to the maximum. That’s how we give the team some direction.
LK: When it comes to design, we do not have a particular division of responsibilities. In other facets of the company, we do divide and conquer.
Tell us one thing about each other that the readers may not know.
LK: Fernando can’t live without his friends. He would do anything for them. FG: Laura is one of my favourite cooks.
How do you want women to feel in your clothes?
Beautiful and confident.
What is the professional motto you live by?
LK: Keep moving forward.
FG: Take advantage of breathing room to realign priorities.
Sunday Riley has become somewhat a cult beauty brand over the last few years thanks to its unique blend of science and skincare.
Its huge popularity with beauty bloggers and influencers has seen women all over the world trying out the unique formulas; promising to have a noticeable, lasting impact on the skin. Behind the brand is Sunday Riley herself. This American- born entrepreneur had a dream to start a skincare brand like no other. In 2009 Sunday Riley was launched with founder Riley at the core of the business, developing chemical formulas using scientific ingredients that would really help the skin.
Sunday has been inspired by beauty her whole life but much of what she knows about science was self-taught. Experimenting with chemical formulas until she gets it completely right, this entrepreneur has an exciting passion for her business. When Sunday Riley launched in the Middle East it was welcomed with open arms by women who had heard about these unique formulas and this year we see a larger range of products than ever in Sephora stores across the UAE. To find out more about this unique brand we talk to the Founder herself; Sunday Riley.
What first inspired you to start your brand?
I thought I could do something different. I was passionate about formulating products that bring about real change in the skin. Seeing someone’s happiness grow because they have more confidence in their skin is what inspires me daily, just as it did when I started the brand 11 years ago.
In your opinion, what is so special about your approach to your products.
A couple of things. I’m the brand’s formulator, and my lab is in our offices. I write the formula out (sometimes hundreds of times until I get it right), and then evaluate each sample and make revisions until it’s perfect. That gives me a close relationship with each of the products. When I formulate a product, I always make sure that it is powered by something active and science-based, like Vitamin C or retinol. And then I balance the formula with soothing botanicals so that it works for sensitive skin. Looking at the whole health of the skin is one of my passions.

Luna
What makes Sunday Riley different from other beauty brands?
Our focus on ingredient integrity is one thing – we spend significantly more on high-quality ingredients by only buying them from highly vetted suppliers in key regions. Our products are almost all friendly for all skin types, including sensitive skin, and you can mix and match them within your routine and have fun, without really worrying if you are doing it correctly. Because the line is focused on results, you also see visible improvement in your skin very quickly – which is what we are all looking for.
The world has been through a difficult time this year – what does the rest of the year hold for Sunday Riley and will you be changing any of the strategy of the brand?
It’s been a tough year. We’ve worked really hard to push through this difficult time and give back where we could.

Good Genes
What can you tell us about Sunday Riley in the Middle East and what is a message you would like to give to your customers here?
Our clients in the Middle East are a top priority for us. Growing our business in the region and having a closer connection to our clients there is a passion of mine! I am working on formulating products that are ideal for the climate in the Middle East, to make sure that we are offering the products that our clients are looking for. We’re continuing to hire in the region so that we can support our business there as effectively as possible.
As a consumer how can we determine which products we should be using for our skin?
That’s challenging. I would say start with chemical exfoliation – like Good Genes. Daily removal of the dead skin cell build-up is good for all skin types – dry skin, oily skin, clogged pores, mature skin. Everyone sees improvement. Then add in a Vitamin C to protect your skin from free radicals and help with the natural brightening and collagen-building process.

Ceramic Slip
As a businesswoman what advice would you give to other entrepreneurs wanting to get into the industry?
Don’t be afraid to try something new or do things differently – that will be one of your main advantages. And don’t get discouraged when you fail. The path to my success has been paved by failures. That’s how you learn and grow. Also, you have to find a balance between being persistent, following your dreams, and learning how to pivot and evolve when the path changes a bit.
What is the professional motto you live by?
I try to say ‘yes’ to as many things as I can, even if I don’t know how to do it or how it can be done. I say yes and then figure it out afterwards. That mindset has served me well over the years and pushed me to increase my problem-solving skills.
What can you tell us about sustainability at Sunday Riley?
Sustainability is a major focus for us. We are pending B Corp certification, meaning we passed their rigorous sustainability requirements. We are switching to 100% recyclable packaging, and by 2021 all of our box trays will be made of a blend of bamboo and other sustainable materials, rather than foam. We also offset our carbon footprint for all shipments and use energy-saving appliances and motion-sensor lights in our offices. On top of that, our lab is currently being Green Lab Certified, meaning that we operate using clean principles.

Tidal
What is something you would still like to do with Sunday Riley that you haven’t done yet?
We have so many products still to develop, so we still have a long way to go. I would also love to develop more spa treatments.
How would you sum up the beauty industry in the US and how is it different from the rest of the world?
The US beauty industry offers a lot of space for innovation and new, emerging brands. The US beauty consumer can also be pretty educated on skincare ingredients and isn’t afraid to experiment, so it’s important to offer as much information as possible about the ingredients (and their percentages) in each product.
What are the products you can’t live without?
If I had to only choose four products, I would choose Good Genes, CEO 15% Vitamin C Serum, and Luna Sleeping Night Oil, and A+ High-Dose Retinoid Serum. I’m a big believer that everyone needs Vitamin C, Retinol, and AHA in their skincare routine for glowing, youthful-looking skin.
If we were to go out and buy one product what should be?
Good Genes! It’s for all skin types, all ages. It exfoliates the surface of the skin, so your skin is smoother, lines are visibly plumped, and all of the pore-clogging debris (which can lead to breakouts) is removed. And best of all? Your skin looks more radiant and healthier from day one.

CEO Serum
What is your nightly skincare routine?
Around 9 pm, I wash my face with Ceramic Slip Clay Cleanser. Then I put a few pumps of A+ High-Dose Retinoid Serum on, followed with a few drops of Luna Sleeping Night Oil. Then I watch tv or read until 11 or 11:30 pm. At that time, I put on Good Genes, CEO 15% Vitamin C Serum, and a little moisturiser (depending on the weather – either Tidal Brightening Enzyme Water Cream or Ice Ceramide Moisturizing Cream).
Swiss Haute Horlogerie manufacturer Audemars Piguet has announced a partnership with British luxury fashion house, Ralph & Russo.
The collaboration brings together two family-owned businesses and highlights Audemars Piguet’s dedication to creativity and sheds light on the common values of craftsmanship and quality that is shared by the two companies.

Audemars Piguet’s latest Royal Oak and Royal Oak Concept models will complement Ralph & Russo’s Spring/Summer 2021 Prêt-à-Porter collection this fall, to mark the beginning of the partnership. These unique pairings will highlight how the two brands’ latest collections mirror one another in savoir-faire and refinement.

François-Henry Bennahmias, Chief Executive Officer spoke of the partnership: “Audemars Piguet has always developed cross-disciplinary collaborations that have fuelled the creativity of our artisans. Our partnership with Ralph & Russo came together naturally. I was struck by Tamara Ralph and Michael Russo’s warm welcome when we first met; they represent talent at the highest level mixed with simplicity and authenticity. The fun part was when we actually realised that our watches had already been paired with their exceptional designs many times by clients in real life who didn’t need to wait for this partnership to match our two brands!”

The partnership will combine inventive design with the technical precision of the age-old skills and savoir-faire that remains at the heart of both brands. With teams of highly trained artisans, each expert in fields old and new, Ralph & Russo and Audemars Piguet consistently reinterpret and develop coveted skills to set pioneering trends within their industry, while bringing people together all over the world through a unique language of emotions.

“We have long been admirers as well as clients of Audemars Piguet and their exceptional watches, and as such, were thrilled by the prospect of a partnership. Beyond our personal affinity for the brand, we felt a strong connection and alignment through our mutual dedication to both uncompromising craftsmanship and the creation of wonderfully unique styles that withstand the test of time. Given we both share the same core values and ethos for our respective brands, we feel this is just the beginning of what we hope will be a longstanding relationship and look forward to officially launching our partnership with Audemars Piguet this fall.” Said Tamara Ralph, Creative Director of Ralph & Russo and Michael Russo, Chief Executive Officer.

Audemars Piguet’s new Royal Oak Selfwinding and Royal Oak Concept Flying Tourbillon have a feminine touch of elegance. The models are now available to buy at retailers.
Dior’s Iconic Bar jacket is now available in a cosy knit version for Fall-Winter 2020-21.
The signature piece of the Parisian house has been part of the brand since it was first designed by Christian Dior in 1947.
Each season this key piece is reincarnated in new versions, that modernise the jacket but stay true to the DNA of this timeless design.

This season, for the Fall-Winter 2020-2021 show, designed by Maria Grazia Chiuri we saw the Bar jacket in a new knit version.
Adding comfort to this iconic piece, the knitted jacket is soft and cosy yet stylish and somehow formal at the same time.

This reinterpretation presented a challenge for the House’s ateliers, which developed no fewer than four prototypes in order to accurately recreate the volume and cut that characterize the original jacket.
This new object of desire combines elegance and comfort, freedom and movement, with a casual style that elevates allure.

A reflection of Dior’s ultra-modernity, this must-have once again transcends fashions and generations, affirming its iconic status.

The jacket, which is available from today, adds a soft touch to bold structured looks and opens a new chapter of this special piece.
Tommy Hilfiger is synonymous with American fashion. After starting his career by co-founding a chain of jeans/ fashion stores called People’s Place in the 1970s, designing preppy American-inspired clothing, the designer went on two launch his Tommy Hilfiger menswear line in 1984. He later expanded into womenswear, still in keeping with the preppy, American heritage.
By 1995 Hilfiger was named Menswear Designer of the Year by the Council of Fashion Designers of American and he had made a household name for himself. Throughout the years Tommy Hilfiger has had a strong affiliation with the world of pop culture. He has collaborated with numerous celebrities, musicians and talent, carefully aligning the brand with people who are current and keep his vision moving forward.
In the early 2000s, Tommy Hilfiger was revived as a brand, with a focus on fragrance as well as clothes, leading to global success in the beauty industry as well as in fashion. And by 2004 the Tommy Hilfiger group had over 5,400 employees. In 2010 Tommy Hilfiger was acquired by PVH Corp, but Tommy continues to play a huge role in the company. The designer attracted global attention in 2017 when he launched the TommyXGigi clothing collection in partnership with model Gigi Hadid. He also introduced the Tommy Now concept and was among the first to offer the ‘see now, buy now’ concept with his runway collections.
Today, Tommy Hilfiger is present in over 100 countries, with 2,000 retail stores worldwide. It continues to stay true to its DNA and American heritage while pushing the boundaries when it comes to technology, innovation and sustainability. In the latest chapter, Tommy Hilfiger is focusing on its sustainable practices and ways to bring the product to the consumer in the safest, most convenient and ethically friendly way. To tell us more about this as well as the plans for the future and the true values and vision of the brand, we talk to the Founder and Principal Designer of the brand; Tommy Hilfiger.

Tommy Hilfiger is a true American success story – how would you define the US market and the American fashion industry?
The American fashion industry is much younger than in countries like the United Kingdom, France and Italy. When I started in the 70s, there was an opportunity to really make a mark. It was the perfect time to create the next American heritage brand. That’s exactly what I dreamed of. This freedom to push the boundaries makes the US one of the most entrepreneurial markets in the world. Today, it’s so inspiring to see so many emerging American talents take the centre stage.
In your own words, how would you describe the universe of Tommy Hilfiger today?
We celebrate the modern American spirit while wasting nothing and welcoming all. More than ever, we want to stand up for what’s right and champion sustainability in the industry.
How do you think the values and culture of the United States are reflected through Tommy Hilfiger?
The American spirit is unique in that we believe anyone can do anything. Dreaming big no matter who you are or where you come from has always been at the core of the brand. We value diversity, inclusivity and welcoming people from all walks of life to come together. This was the founding philosophy behind my first store, People’s Place, and continues to live through the brand today.

The COVID-19 situation has had a dramatic effect on the globe but moreover on the US economy and the fashion industry in specific – will there be any change in your strategy moving forward?
The industry is realising that the entire fashion calendar and framework need to change. Everyone is asking: What really matters? Which parts of the past are worth returning to? How can we work together to move forward more sustainably? By answering these questions, the industry can return with a far more sustainable approach and in a way that’s closer to the consumer.
What can you tell us about the fall/winter 2020 collection and what’s coming up for the rest of the year?
In our upcoming collections, we are continuing to build on our sustainability journey. This means incorporating more sustainable methods and materials at every step, as well as creating more accessible styles for all.

Can you share with us a little about your creative process – what inspires you, how do you choose materials etc.?
I find inspiration all around me. from the music I listen to, to the art I enjoy, to the street style I see in my everyday life. Over the last few months, I have felt especially inspired by our amazing fans. The way they rally behind the causes they believe in has truly moved me. They want change. And they want it now. This call to action runs throughout our upcoming collections in how they are made, and what they are made of, and had a big influence on how we created them.
What are your thoughts on the future of the traditional runway show format and how do you foresee the future of fashion weeks?
The future of the runway is digital and moving away from rigid schedules. As a brand, we’ve been playing in this field for years. Since our first TOMMYNOW runway experience in 2016, we democratized fashion by hosting hundreds of thousands of ‘virtual attendees’ across a range of platforms. We found that emotion and engagement can be just as powerful in the digital space, which is what the shows are all about. We’re excited to continue innovating and pushing the boundaries as we debut new collections.

You must have seen many brands succeed and fail throughout your career – what would you say are the secrets to success and surviving as a global brand today?
Stay true to what you know and believe in. Surround yourself with a hard-working team of fantastic people. Know your business’ numbers inside and out.
What can you tell us about sustainability at Tommy Hilfiger?
Our mission is to drive change throughout the industry by creating fashion that “Wastes Nothing and Welcomes All”. To respect our planet’s limitations, we want our products to be made for life and part of a fully circular loop. At the same time, our sustainability vision means becoming a brand that is always inclusive, completely accessible and provides an opportunity for all.
What can you tell us about the direction and vision of the company moving forward?
We are really stepping up our commitment to drive meaningful, long-term change for greater diversity and inclusivity. Through our new People’s Place Program, we are working hard to advance minority representation throughout the fashion industry. We’ve made a real shift towards a culture of greater listening, learning and engaging so that we can do a better job supporting underrepresented communities within our organisation, and externally.

Throughout your career you have been very dedicated to your charity work – what are some of the causes that you hold dear to your heart today and what changes would you like to be a part of?
Creating accessible fashion is important to me. Having children with special needs, I saw firsthand how difficult something as simple as getting dressed in the morning can be. I believe no one should struggle to find clothing or brands that represent them. Regardless of gender, body type, physical needs or race, the industry should be inclusive of every person. I’m proud that our brand is playing a big part in this field.
Over the years we have seen the brand partnering with many high-profile celebrities – how important are celebrity alignments to your brand and how do you go about identifying representatives that fit the brand’s DNA?
We always look for dreamers who use their voice for good. All of our brand ambassadors worked hard to make their dreams a reality. They believed in themselves before anyone else did. They stayed true to their character, their values and themselves. They are true role models and the kind of inspirations we love to work with.
You have achieved so much in your career – what is there that you would still like to do that you haven’t done yet?
We can achieve far more in making a positive impact on the fashion industry. We want to lead the way in creating a culture of sustainable fashion, both in terms of inclusivity and circularity. We have made great strides, but there is still a long way to go. I’m determined to keep working towards this goal, and optimistic we will achieve it.
What is the professional motto you live by?
Never stop dreaming big and work hard to make your dreams a reality.
What can you tell us about Tommy Hilfiger in the Middle East and what are your thoughts on the Middle East market in general and the fashion here?
I have always admired the Middle East’s deep love of fashion. People take great pride in their personal style and make it a significant part of their identities. I find the region’s sense of style very elegant and suited to our iconic, timeless pieces.
Originally launched in 1992 the Pasha de Cartier Eau de Toilette became the symbol of an era, with a hedonistic trail that explores all the facets of lavender: aromatic, mineral, ozonic.
Now for fall 2020, it returns with a new edition featuring depth and warmth from the addition of amber. The fullness emerges and the heat spreads, woody like a crackling fire, smooth with sandalwood notes.

A scent in keeping with today’s generation, a talented community who owes its success to bold choices. Their creative and expansive vision of the world allows this exceptional pairing. A great classic, the Pasha de Cartier perfume, is partnered with an utterly contemporary and off-beat allure.

Housed in a bottle that represents innovation and a dynamic lifestyle, it was inspired by the Pasha de Cartier watch and is truly unique to the brand.
The Pasha De Cartier fragrance will be available from September.
Tory Burch, Executive Chairman and Chief Creative Officer of Tory Burch inspires millions of women around the globe.
But it’s not just her fashion designs that are impressive. her drive, ambition and desire to help others have led her to where she is today – at the helm of her own global fashion brand and the guiding force to many aspiring female entrepreneurs in The United States thanks to the Tory Burch Foundation.
Born in Pennsylvania Tory Burch lived a relatively humble American lifestyle before moving to New York to pursue a career in fashion. She decided to start her own brand in 2004. The Tory Burch fashion brand encourages women to embrace colour and live life to the fullest with character, beauty and confidence. Launched in 2004 with just one small boutique in Manhattan, Tory Burch has grown into a global business with more than 250 boutiques worldwide and a presence in over 3,000 department stores. The online business is a big part of the company and Tory Burch has just launched a new e-commerce site in the Middle East – allowing the brand to localize its content and appeal to the Arab customer.

Tory Burch
Burch has become one of the most recognized female names in fashion leading her to be named the 73rd Most Powerful Woman in the World by Forbes in 2015. Thanks to a huge following of women including many celebrities, Burch has been able to grow her brand at a rapid speed over the last 16 years. But it’s not just her colourful designs that make her so inspiring. In 2009 Burch established the Tory Burch Foundation. The Foundation supports female entrepreneurs to get their businesses off the ground by providing them with access to capital, education and digital resources. This is something that’s very close to Burch’s heart. Here we discuss with Burch building her brand and how her home country has inspired her to achieve her dreams.
How would you define the Tory Burch brand today and how has it evolved?
We have always been an American lifestyle brand that inspires people and empowers women around the world to live in full colour with character, beauty and confidence. Our collection balances classic style with a modern point of view and each new season is a chance to explore while staying true to who we are. We have also expanded into new markets—we now have more than 300 stores globally—and into new categories with fragrance, home and watches.
In your own words who is the Tory Burch woman?
It’s not one woman. I am inspired by women globally.
How do you think the values and culture of the United States are reflected through Tory Burch?
The United States is known for the diversity of its people, innovation and entrepreneurial spirit—values that we certainly embrace as a company. Our collections are rooted in the American sportswear tradition with a focus on ease and effortless style.

Fall/Winter 2020-21
How important is it to Tory Burch to localise its collections?
As a global brand, we have to think about customers in very different markets with different needs. For example, it is winter in the Northern Hemisphere when it is summer in the Southern Hemisphere. We also understand that women in the Middle East want to be more covered up while the opposite is true for women in Brazil.
We know you were recently in the Middle East – what can you say about the market and how would you describe the style of Arab women in your words?
I was fortunate to travel to the region twice last year and met so many extraordinary women, all of them smart and entrepreneurial. It is an important market for us—Middle Eastern women are incredibly chic. I am in awe of their elegance and sophistication.
What do you think Arab women are looking for from a brand such as Tory Burch?
Colour, craftsmanship and quality materials.

Fall/Winter 2020-21
You have recently launched your e-commerce site in the Middle East – what can you tell us about that and why did you think it was important to launch it at this time?
We are thrilled to be launching e-commerce in the UAE, Saudi Arabia and Kuwait. We have been planning this for a while and with the pandemic, the timing has turned out to be fortuitous. Our customers in the region can now shop our collection from home.
Where do online sales fit into the strategy of Tory Burch and moving forward is this something you plan to explore further?
Digital has always been integral to our business—we launched with a boutique and e-commerce in 2004, which was unusual at the time. We have nine dedicated e-commerce sites globally and will continue to build out this important channel.
The COVID-19 situation has had a dramatic impact on the globe and has been a big learning curve for many – what is a lesson you will take from this situation and will you be changing any of the strategies of the brand moving forward?
This has certainly been a time of reflection and reinvention and looking at everything through a new lens. It is interesting because many of the ideas we were already exploring are being accelerated. The concept of “less is more”—less of everything and everything with even more substance—feels particularly relevant right now. I keep coming back to the classics—investment pieces that people can have and wear for a long time.
You have shown great support to society throughout the situation and we saw the face masks you have created – what can you tell us about this initiative?
We recognized early into the pandemic the need for face masks and our partners in Italy and Vietnam very generously donated their time and material—our swimsuit fabric in our signature prints—so we could offer a package of five at cost. They sold out online in a matter of days and we are working to replenish our supply. We also donated $5 million worth of product to health care workers as well as fabric to be made into face masks and hospital gowns.

What is the motto you are living by during this time?
This is a moment to embrace change and move forward with humility, purpose and optimism.
We want to talk about the Fall/Winter 2020 collection – what can you tell us?
For Fall/Winter 2020, we were inspired by Francesca DiMattio’s sculptures. Her work imbues the decorative with strength and power. The collection reinterprets classic and nostalgic themes: menswear suiting cut with a softer shape, structural details played against fluid silhouettes, historic references reworked with modern ideas. It is refined and light-hearted, especially the prints which were designed by DiMattio, based on our shared appreciation of the history of Turkish, English and French porcelain, but here the colours and patterns are bolder and more exaggerated.
What about accessories are there any key pieces we should look out for?
Our Lee Radziwill handbags and our Ines slides—modern classics.

Fall/Winter 2020-21
Can you share with us a little bit about your creative process?
Finding inspiration is the easy part. It can come from just about anywhere—art, music, an old picture of my parents. The difficult part is synthesising all these different sources of inspiration and turning them into a focused, cohesive collection. If I feel stuck, I put on a great playlist. I find music very energising. It gets my creativity flowing.
What can you tell us about sustainability at Tory Burch?
Sustainability is something we take seriously. We want the changes we make to be thoughtful, impactful and for the long term.
As a woman in a world that is often dominated by men what are some of the struggles you have faced and how have you overcome them?
I got my fair share of patronising pats on the back when I was first starting out. I remember when I was meeting with potential investors—all of whom were men, by the way—I presented my business model, which had our Foundation built into it. Purpose-led business was unheard of then, and it was dismissed as “charity work.” They only made me more determined.

Not only do you have your own brand it also plays host to your name – what kinds of pressures do you face knowing that your name is so widely recognised all around the world?
It is a humbling experience. I am a very private person so it has definitely been an adjustment. My priority is shielding my family.
What can you tell us about your foundation and how you support women hoping to achieve their dreams?
I started a company so I could start a Foundation for women. Social responsibility was built into the business plan. The Tory Burch Foundation, which launched in 2009, advances women’s empowerment and entrepreneurship in the United States by providing access to capital, education and digital resources. Our Capital Program, powered by Bank of America, has distributed over 57 million dollars in loans to more than 3,500 women entrepreneurs; and each month, the Foundation provides online tools and digital education to more than 300,000 women and more than 10,000 women have created their business plans on the digital destination ToryBurchFoundation.org.

What is your first memory of fashion?
Sitting on the floor of my mother’s closet, watching her get ready to go out. I remember once when I was five or six, she threw on a gold lame top and a skirt by Zoran. So glamourous. My mother taught me what it meant to have personal style. She bought me my first designer piece—a vintage YSL dress for my prom.
Where is a place you love to travel to?
During quarantine, I have been looking at books and photo albums from past trips and travelling in my mind to Paris, Tokyo, Abu Dhabi… The list goes on and on. I had been planning a trip to the Middle East before the pandemic and I am counting the days until I can get on a plane again.
The Beirut explosion devastated so many businesses in the city and the creative industry was particularly hard hit. In a single moment, their livelihoods, life achievements and businesses disappeared. Many of Lebanon’s fashion designers have been affected, destroying years of work in seconds. We discover some of the designers that need support and strength during this terrible time.

Couturier Zuhair Murad’s entire offices in the city were destroyed by the blast. The windows were blown out and the entire front of the building left open to the air. Inside you can see the true extent of the damage. The designer shared images and videos of the devastation on his social media accounts and it really hit home the true impact of the blast. He wrote: “You can’t imagine the damage. My heart is broken, can’t stop crying the efforts of years went in a moment. Thank God for everything.” He followed up with the below: “Although our Beirut Headquarters Building is completely damaged, I am extremely thankful for the safety and wellbeing of the Zuhair Murad family. May all the victims of this tragedy rest in pure peace, my heart is with everyone affected.”

Hussein Bazaza posted an image on his Instagram account of the debris in his Beirut atelier. With glass on the floor, it’s clear the windows were blown in and sketches of the latest collections are scattered amongst what was once his workspace. The Lebanese designer said: “The atelier was shattered but we were able to refix it. The blast was the cherry on top, the business was already affected by the economic crisis and COVID-19. Every business operating in Beirut has been affected, not only us as Lebanese designers.
As you may know ever since I launched my brand I have been auto- financed and super proud of what I was able to achieve given that I had no financial support. Today, with everything going on, I don’t know if we can keep on being auto-financed and that’s why there is the need to find a trustworthy investor in order to move forward. To my clients I say, thank you for being so supportive and your appreciation for my work. Couldn’t have done all this without you. Where do we go from here? There is no clear answer for this, just hopeful for better days.”

Designer duo Azzi & Osta had just completed the inauguration of their new location in the city. The beautiful building had been renovated and was ready for opening when the blast hit, just days before the brand was due to unveil the venue to the world. Sadly much of the building was destroyed. The smoke of the blast could be seen from the atelier, highlighting just how close it was to the epicentre of the explosion.
“Just imagine a self-made brand striving against a country’s economic collapse, an endless political unrest, a worldwide pandemic only to be resilient and invest in growth, restore and move into a charming 3 century-old traditional Lebanese buildings that stood for centuries, turn them into a beautiful fashion house, we called it “our magical village in the city” and just days before the official reveal, to see all, absurdly and ruthlessly destroyed, uprooting us and bringing our business to a halt…Devastation is an understatement.

The unbelievable amount of moral support we received from friends of the brand, from the middle-east and different corners of the world, has genuinely eased the pain and gave us hope in a kinder generation that will build a kinder future.
To our clients, Thank you always, AZZI & OSTA is not an address, it is a brand that celebrates its 10th year of distinguished identity despite all. We are working on being up and running very soon! our dreams did not change, maybe the speed has been affected by the direction is and will always be up.”

Couturier Rabih Kayrouz was badly injured in the blast as he worked at his atelier. The designer suffered a brain haemorrhage, two clots and had to have twenty-two stitches on the cuts he incurred with the blast hit. The brave designer shared with his 63 thousand followers: “As with you all, I am still trying to absorb the shock of this horrid calamity. I hope that you and your families are in good health. Your thousand messages and prayers warmed my heart … gave me strength to go on … I am recovering slowly but surely from a small brain haemorrhage, 2 clots and 22 stitches. I am in great care yet unable to answer any calls or messages at the moment. Words are not enough. We will not forget. We will judge. We will rebuild… And we will dance!” As well as being injured himself, his stunning atelier was destroyed in the blast.

Shoe designer Andrea Wazen saw her store located in the artistic area of Mar Mkhayel gutted by the blast, arriving to find scattered debris and glass. The designer’s store had previously showcased her latest collections in a modern, luxury environment. In the days after the tragedy, the designer wrote on her Instagram account: “Thanking God every day that my team and family are safe, but can’t but feel so much with families and friends that have lost their loved ones…praying to God that we get justice. Every single person that was protesting yesterday had all the angels we lost on 04/08/2020 in their broken hearts.”

Clothes and accessories designer Yassmin Saleh saw her boutique and atelier completely ruined in the blast. She told A&E: “In just a split of a second, this inhumane explosion destroyed what we have worked so hard to build. It has left us with the loss of our Boutique/ Atelier space in Gemeyze but most importantly, it left us with unspeakable emotions of anger and sadness towards the injured, the homeless and the lives that were lost.
The morning after, we found ourselves surrounded by complete strangers who, injured or not, worked hand in hand to help us salvage what was left or our merchandise and production equipment. The hope and strength of the Lebanese people is our support system; we are already working together to rebuild what was taken from us all. We ask for people abroad to consider Lebanese businesses in their purchases, to use their platforms to talk about Lebanon and to donate to NGOs whenever they can.
We would like to thank our clients for their constant care and support. We ask them to be patient with us as we are working quickly to be up and running again and to not lose hope in the Lebanese creative community. We are temporarily setting up a production space and atelier in a vacant apartment in our building and are working as fast as we can to be able to cater to orders from our online store and partner retailers. The creative process behind all our previous collections stemmed from the socio-economic situation in Lebanon, so we will not stop here. We will continue to use our brand to support our country and raise awareness.”

Boyfriend and the Brand is the fashion label of well-known Beirut- based fashion stylist Amine Jreissaty. Both of his brand’s shops and his home in the Mar Mkhayel area were shattered to pieces. Amine was also injured in the blast but is making a steady recovered. He shared his gratitude for the city’s healthcare workers with his Instagram followers as he works to recover what is left of his stores. Jreissaty told A&E: “the 4th of August explosion devastated me at all levels. Having lost everything I’ve worked for and built makes you realise that your dreams are shattered. But we will build again, and rise again. It will take time but with the moral support and love that our customers are giving us we can’t but be hopeful for a better future.”

Roni Helou’s atelier was located on the front line facing the port where the explosion took place. This key location meant it was particularly badly affected. The designer told A&E:
“The impact of the explosion caused our windows to blow up and our doors and furniture to fly off, but we take solace in the fact that our building is still standing unlike so many other residents of Beirut who are now homeless or displaced. Our business is currently suffering from the tangible physical damages, but also of cancelled projects and missed work opportunities, which all have been affected by the tragedy.

We are all collectively going through an ordeal but it is only by standing together that we can rebuild our country. The sight of young people picking up their shovels and brooms or coming up with crisis management plans fills me with hope for the future. The new generation is our hope. We (the Lebanese youth) will finally reclaim our country and build it the way we know it should be. My only message at this point is to keep raising awareness about what happened in Beirut and help in any way you can.”

Sandra Mansour who established her brand in Beirut in 2010, recently hit a career-high when she collaborated with high street brand H&M on a capsule collection. But things fell apart as in seconds when the blast hit on 4th October. When sharing an image of smashed glass and debris, she wrote to her 98 thousand Instagram followers; “our heart and soul is aching for our Lebanon. Praying for all the victims of this horrific event. To all those lost, may Your Souls Rest in Peace, and to all those affected, we are here to help. To our SM Team, we are so glad you are all safe and sound. Thank you for your dedication and effort. Without you, we would not be. Praying for our Lebanon. May God bless and protect this nation and its people. Stay strong beautiful Lebanon.”

Accessories brand Sarah’s Bag founder Sarah Beydoun had a beautiful, bright showroom located in Gemmayze. Her workshop gave work and taught women who were struggling in society. This devastating explosion ripped through the windows of the workshop left it in ruins as well as leaving many of these women without work. Beydoun told A&E:
“We need all the support possible. We need the world’s spotlight on Lebanon. Beirut’s Mar Mikhaël and Gemmayzeh neighbourhoods are home to Lebanon’s creatives, artists, entrepreneurs, and designers. It is home to some of the best cafes, restaurants, bars and small businesses in the country. The neighbourhood was severely damaged by the explosion. The showrooms and workshops of the best Lebanese designers were all destroyed: Zuhair Murad, Rabih Keyrouz, Elie Saab.
I feel we are at a tipping point. We are either going sink into gloom and despair at the scale of the damage and violence done to us, or we rise up from it, fight back and reclaim our country. This depends on the help of our friends from all over the world. It’s time for them to show love for Lebanon and what we stand for and to support its people and its talents.”

Born and raised in Lebanon, Azzam Salim was one of the winners of the Fashion trust Arabia prize in 2019. The designer saw much of his dreams shattered when the explosion hit Beirut. His showroom in Downtown had already been closed due to the economic crisis in Lebanon and this devastating blast added yet another tragedy. But the designer is staying positive during these times and refusing to give up. He shared on his social media account: “I speak to myself and so many creatives in the industry: we are not going anywhere. Not a bomb, not a pandemic, not the economic crises, not even our government can take our voices and what we are here for. We’ve always used inspiration and creativity flowing through us to create ripples of positive change in our country. I shared and will always do what makes Lebanon a beautiful place to me, and I hope you do the same so that the light overcomes the shadow.”
Other designers including ready-to-wear and accessories brand Vanina, Jessika K, Nada G, Karoline Lang, Maison Pyramide and so many more were hugely affected by the terrible events. While it will take months and even years for these brands to rebuild their businesses, there has never been a more important time to support Lebanese designers in the region.
While there is a long road ahead, one thing is for sure, the Lebanese people are resilient and will bounce back from this. Many are calling out for and the future is very uncertain, but the determination of the people and support from outsiders offers no doubt that this country will rise again.
One initiative has been set up in dedication to help Lebanese creatives. Re-Create is a crowdfunding campaign created with the unified support of Starch Foundation, Slow Factory Foundation, Fondation Saradar, Bureau Des Créateurs, Maison Pyramide, Faux Consultancy and Roni Helou. The fundraiser will benefit Beirut’s independent designers and artists whose damages amounted to over $850,000. Working in consultation with the affected designers, the fund has been able to identify the assistance needed as well as the amounts required for each of the 39 applicants. Both online donations and direct bank transfers are accepted. Visit https:// slowfactory.foundation/superfund for more.
From enchanting bold colours to mystical blooms, we discover the fall/winter 2020 ready-to-wear collections in our latest editorial shoot “Wonderland”.
SCROLL DOWN FOR VIDEO…

Hermes

Celine

Valentino
WATCH THE VIDEO HERE…

Chloe

Miu Miu

Givenchy

Versace

Dior

Giorgio Armani

Ralph & Russo

Ralph & Russo

Prada

Alexander McQueen

Oscar de la Renta

Tod’s

Dolce&Gabbana

Dolce&Gabbana

Dress: Fendi Pre-Fall collection, Shoes: By Far
Photography: John Rowley
Styling and Direction: Lindsay Judge
Hair and Make-Up: Lisa Valencia
Model: Sally-Anne at Select
Location: Pembroke Farm, United Kingdom
UAE-based designers Kristina Fidelskya and accessories brand HALM have collaborated on a limited-edition collection.
The two brands have combined their contemporary styles and minimalistic designs to create a capsule collection of four exclusive bags.
The collection titled “Dream” was conceived as a meeting of minds between the founders of each label, Hanna Ransjö and Kristina Fidelskaya. The partnership materialized organically through their mutual appreciation for creative artistry and fondness for high-quality leatherwork – inspirited by their aligned aesthetic and attention to detail.

“Our collaboration is an organic relationship that came about between two emerging brands. Our shared ethos and appreciation for curating classic pieces that can be handed down between generations, saw us come together to create a collection of handbags that embody both the HALM and Kristina Fidelskaya woman.” Said Hanna Ransjö

The limited-edition bags represent a nostalgic yet modernized view of the future, one of hope and belief. Defining daring style, the bag collection is bold – composed of unusual forms, unique elements, and in the neutral shades Lin, Ebony & Kanel (Cinnamon in Swedish) – envisioned as timeless and made to endure a lifetime.

The ‘Dream’ backpack and the ‘Bino’ handbag, are assorted to the Kristina Fidelskaya Autumn/Winter 2020 collection and are an exclusive addition to HALM’s seasonless collection. This backpack will complement any sport-luxe look and can also be paired with an elegant ensemble. The soft shape is designed for the comfort of everyday use, to showcase true versatility.

“The collaboration is a reflection of modern femininity, we want to create contemporary pieces, that conform to diverse styles & can be worn with easy, timeless accessories that have a story to tell. Such as ourselves, HALM is a young brand, with a real appreciation for high-quality leatherwork – it was the perfect match. We share the same philosophy, and have a mutual understanding of the feminine ideals, interpreted into our pieces” said Kristina Fidelskaya
The limited-edition collection will be available in September 2020, in limited quantities in line with the collaboration’s sustainability stance focused on waste prevention, to encourage the redesign of resource life cycles of all retail products.
Santoni’s latest step into sustainability reflects the importance of improving culture and provides a message of care for the environment.
Santoni has been concerned with the topic of sustainability for over a decade, committing to the use of low-impact materials, renewable energies and waste reduction.

The Santoni Rethink collection offers a sustainable alternative that is not just a statement but a concrete and daily purpose. The collection is made entirely made of nylon obtained from plastic recovered from sea waste, eco-leather, recycled rubber, water-based glue.
The three pieces in this collection for men are made from zero-impact materials that are kinder to the environment and long-lasting and sustainable.

The eco-friendly multi-pocket backpack is made of recycled nylon and leather in tones of blue. The bag features a closure with braided lace and a back and shoulder strap padded with breathable perforated fabric.

The eco-friendly sneaker is made entirely of zero-impact materials including recycled nylon and zero-impact leather. The sole is produced in an ultra-light technical material for maximum comfort.

The final two pieces in the collection, the eco-friendly high top and low top sneakers are made from recycled nylon and leather with a recycled rubber sole.
Despite a turbulent year, the planned Geneva Watch Days event went ahead this weekend and A&E was there to experience the latest novelties from luxury watchmakers.
This year, the watchmaking industry has seen many major events and fairs postponed or cancelled, which limited the possibility of clients interacting directly with the new products. So it was a great moment for all when the Geneva Watch Days event was able to go ahead this August in the home city of watchmaking.

Ulysse Nardin CEO Patrick Pruniaux, Breitling CEO Georges Kern, Bvlgari CEO Jean-Christophe Babin
The platform was the brainchild of some of the industries CEOs. After many discussions, it was realised that while full-scale events may still be cancelled this year, a more intimate fair with fewer brands in a more informal setting would be the perfect way to celebrate the latest novelties and the reopening of many markets. The four-day event had the support of the City of Geneva and took place at various venues throughout the city.

The event saw 17 watch brands come together to present their latest timepieces in person with those who were able to travel, while some brands still also put on virtual presentations for those who could only watch from the other side of their screens. Brands who were part of the event included: Bvlgari, Breitling, Ulysse Nardin, Jacob & Co, Louis Moinet, H. Moser and many more. It was an intimate affair, with pop up events taking place across some of the city’s luxury hotels, as well as presentations within stores.
Some of the highlights are below:

Bvlgari presented a world-record-breaking watch. The Octo Finissimo Tourbillon Chronograph Skeleton Automatic Watch marked the sixth record-breaking novelty from the brand in as many years. This unrivalled design has a mechanical manufactured ultra-thin skeleton movement with automatic winding, chronograph, single-push and tourbillon combined into a thickness of just 7.40mm.

This design takes the Octo collection to new heights with a standout technical masterpiece that combines masterful watchmaking with a sleek, modern design. This watch has a 42mm sandblasted titanium case, skeletonised grey-matte dial, titanium bracelet and is limited to 50 pieces.
Breitling hosted a summit that saw the brand present the new Endurance Pro performance watch. The watch has a 44mm case formed from Breitling’s unique composite material “Breightlight”. This unique material is super light and durable.

The watch features a thermo-compensated SuperQuartzTM movement that is ten times more accurate than the conventional quartz, and it offers optimal comfort, matchless precision, and functionality that will appeal both to committed athletes and more casual sports enthusiasts. Designed for both men and women with a sporty lifestyle, the Endurance Pro is available in five bold colours with rubber straps as well as the option to have a sustainable Econyl strap.

The launch of this watch also marks the launch of a new Breitling Triathlon Squad starring three hugely successful athletes. These men and women represent the values of the brand and perfectly represent the lifestyle this timepiece was designed for.
Ulysse Nardin introduced the Blast collection. Based on the concept of fire and ice, this collection is about dangerous extremes. This watch is made with rock-hard masculine lines with geometric architecture, complex savoir-faire and a bold recognizable design.

Blast consists of a robust open-worked design, playing off the transparency of its new powerful automatic silicium tourbillon and a bold X-shaped cage which beats inside at a frequency of 2.5Hz. Light penetrates the open-worked body of the watch like a laser. Some Ulysse Nardin emblematic codes have been included – the rectangular frame, the 3-horned signature fixing the strap, the smooth, coloured bezel, the verticality of the movement with the barrel at 12 o’clock and the flying tourbillon at 6 o’clock.

The distinctive look was modelled on the image of a stealth flying aircraft. BLAST is available in four distinct models, each with the new manufacture UN-172 movement with an automatic tourbillon and the new self-deploying buckle. Several strap options are possible: structured rubber, leather, velvet and some other specific option.
You can find out more about Geneva Watch Days in the upcoming issue of A&E.
Latifa Al Gurg, Founder of Twisted Roots discusses her Emirate heritage and being a strong woman in today’s modern world.
With her brand Twisted roots, Latifa Al Gurg fuses her Danish and Emirati heritage with a unique twist of cultures and styles. The designer established her brand in 2014 after giving up her career as an electrical and electronic engineer to fulfil her dream of entering the fashion world.
The inspiration for her collections stems mostly from travel and Latifa’s designs pay tribute to the cultural and natural elements of each city, presenting them with a modern, feminine edge. Each season the brand explores a new city and culture which is expressed through the designs.
On the occasion of Emirati Women’s Day, we talk to Latifa Al Gurg on her heritage, up bring and her passion for design.
What does Emirati women’s day mean to you?
It is an opportunity to celebrate all the strong women who helped create this great nation.
How has your Emirati heritage influenced your choice of career?
An appreciation for design and learning from other cultures is deeply embedded in the Emirati culture. These two factors were instrumental in my path to founding Twisted Roots.
What is something you remember from your childhood that you always keep in your mind?
Family vacations; enjoying nature and exploring different parts of the world.
What is your opinion on the opportunities Emirati women have today?
We are privileged to have a multitude of opportunities in various industries and support for the empowerment of women.
What inspired you to go into the fashion industry?
There was a gap in the market for clothing that expressed my point of view at the time led me to explore the fashion industry.

What is the motto you live by?
Life is a journey. Learn and grow from every experience.
What are your thoughts on the fashion industry in the UAE?
It’s a burgeoning industry. The UAE is such a cosmopolitan country with people and perspectives from all over the world that bring so many different perspectives to the industry. I find the multitude of voices so inspiring and interesting, and I’m excited to see what is yet to come.

As a woman, what would you say are your best traits and what is something you would like to improve on?
I would like to think that my strengths are systemizing, multitasking and empathizing with others. During this period, and especially during lockdown, I’ve come to realize the importance of creating space in your life to process and reflect upon what you are experiencing. I’d like to improve at putting this space in because I tend to focus on what next can be achieved.
What more would you like to see being done in the UAE to support designers and particularly female designers?
I believe there needs to be more support in helping designers in building solid foundations to the business end of a fashion business to make sure it becomes sustainable. There also needs to be a larger investment from the retail sector in backing designers, not only in marketing but also in driving to more of a wholesale model rather than a consignment one.
What can you tell us about your upcoming fall-winter collection?
Our Fall/Winter collection is inspired by Japan and in particular the design themes within Japanese pottery and flower arrangement. Aspects of these were incorporated into the design of the collection. The colour palette is inspired by the warm clay tones of ancient pottery and uses traditional Japanese printing methods.
Are there any aspects of your Emirati heritage that can be seen in your designs?
An appreciation for craftsmanship, the attention to detail and learning from other cultures.
Who is the woman you design for?
She is a woman on the go who is looking for timeless, versatile pieces with a twist. She appreciates craftsmanship and is looking for pieces that tell a story.
What is something you would still like to achieve with the brand that you haven’t done yet?
I believe in growing organically and learning from achievement. This makes me keener to focusing on what has been achieved rather than on what has yet to be achieved. Of course, I would love to see greater growth across international markets and expansion, however, I’m more focused on our journey and what value that adds than the end.
What is your first memory of fashion?
This is not my first memory that includes fashion, but it’s my first meaningful memory of when I started my journey in the fashion industry. I was taking a course with LCF and we were going over range planning pyramids for styles, and range planning excel sheets for fabrics, and it just dawned on me that it was the ideal way that the fashion industry could make sense to my systematic approach to everything.
As an entrepreneur what is a message you would give to other women looking to start their own business?
Prepare, prepare, prepare. Things go so fast once you’re in the thick of it, so prepare ahead of launching. Also, have your support system nailed down.

How would you describe your brand in one word?
Exploration.
Emirati Jewellery designer Noora Shawqi draws inspiration from her love of travelling to create fine jewellery collections that are modern, feminine and effortless. Her collection is primarily made in Dubai, working with local highly skilled artisans.
Her collections are unique and minimal with a focus on the modern woman. Her pieces encourage women to be brilliant, adventurous and unique.
Noora is certified as a Diamond Graduate from the Gemological Institution of America, she has received a Diamond Grader certification from the International Gemological Institute and has completed a course at L’Ecole Van Cleef & Arpels. These experiences have given the designer an exclusive insight into jewellery manufacturing and designing for diamonds and gemstones, allowing her to utilize these skills and launch the brand in 2018.
Ahead of this year’s Emirati women’s day on August 28th, Jewellery designer Noora Shawqi discusses what the day means to hear.
What does Emirati Women’s Day mean to you?
As a mother and an entrepreneur, this day indicates how well we are represented in our nation. It brings immense joy to have a day dedicated to us that shows how the women of the country are constantly valued for our strength and efforts.

Maldives Collection
How has your Emirati heritage influenced your choice of career?
My Emirati heritage has instilled certain values and traditions in me that I like to portray through my designs. I grew up admiring the Emirati women’s eye for beauty and love for fine jewellery which influenced the way I see jewellery.
What is something you remember from your childhood that you always keep in your mind?
My fondest childhood memories are going on trips around the UAE to explore all the Emirates in a big group of family and friends.

Maldives Collection
What is your opinion on the opportunities Emirati women have today?
We are so lucky to be from a country where women are respected and given the same opportunities as men. Our rulers are to thank for always supporting us and providing these opportunities. I am continually inspired by all the high achieving Emirati women, whether it’s business owners, scholars, industry leaders or family makers, there are so many incredible stories to be told.
What inspired you to go into the jewellery industry?
For as long as I can remember, I have always loved jewellery and I knew it was something I wanted to do. To turn this passion into a reality, I undertook a Diamond Graduate course at the Gemological Institute of America and participated in classes when L’ecole Van Cleef (The school of Van Cleef and Arpels) visited Dubai.

Maldives Collection
What is the motto you live by?
Whatever the mind can conceive and believe, it can achieve.
What are your thoughts on the jewellery industry in the UAE?
Dubai has always been known as a jewellery destination with a great history. Over the recent years though, I have seen it evolve from embracing traditional designs to adopting a new, contemporary take on jewellery allowing for more modern brands to enter the market.

As a woman, what would you say are your best traits and what is something you would like to improve on?
I would say my best traits are time management. It’s important for me to be organised so that I can balance my work and home life.
My decision-making skills need to be improved on! I can be very indecisive and always second guess my decisions.

What more would you like to see being done in the UAE to support designers and particularly female designers?
I would like to see retailers supporting more local and regional designers.
What can you tell us about your latest Maldives collection?
I was inspired by the Maldives, in particular the turquoise ocean, white sandy beaches and the incredible sunsets. The patterns found on shells are referenced in the collection on delicate pendants, bangles and rings. For this collection, I’ve worked with Mother of Pearl and diamonds to really bring out the essence of the Maldives.
Who is the woman you design for?
A woman who is modern, confident and unique. I like to design for women who choose meaningful jewellery as an everyday companion or to mark a special occasion in their life.
What is something you would still like to achieve with your brand that you haven’t done yet?
I want to see Noora Shawqi grow into an internationally known brand and be available at high-end boutiques around the world.

Maldives Collection
What is your first memory of jewellery?
One of the first memories I have of jewellery would be going to the mall with my mother and seeing the beautiful Cartier necklace. I will never forget this!
As an entrepreneur what is a message you would give to other women looking to start their own business?
Work hard, do your research and develop a strong brand identity. It’s not easy starting your own business so make sure to surround yourself with people who support you. But above all, don’t be afraid to follow your dreams!
How would you describe your brand in one word?
Sophisticated.
Handbag designer Tyler Ellis has partnered with Emirati designer Hamda Al Fahim to create a limited-edition capsule collection that is fully customisable.
Combining Tyler’s eye-catching yet classic silhouettes and Hamda’s elegant hand-embroidered materials this unique collection celebrates the best of both.
Hamda’s eveningwear uses the richest in materials to create elegant, embellished and feminine pieces. Her intricate embroidery is a signature element of her design, while materials such as organza and lace add to the feminine touch of her pieces. This combined with Tyler’s timeless elegance and modern designs creates a collection that is perfect for a celebration.

Tyler Ellis
The collection will comprise of select silhouettes from the Tyler Ellis handbag line. Bags can be further customized at Hamda’s atelier based on the client’s preference and requirements. Customers will be able to browse through the swatch books and choose from different materials, patterns, colours and designs. The bespoke bags will be handmade and delivered within four to six weeks after placing the order.

The collection was announced occasion of Emirati Women’s Day which takes place on 28th August. Tyler Ellis said: “I am extremely excited to announce my partnership with Hamda Al Fahim. We chose to reveal on Emirati Women’s Day to pay tribute not only to Hamda’s Emirati heritage but also to celebrate two women from different cultures joining forces to create unique works of art. We are entrepreneurial designers of the same age, brought up on the opposite sides of the world, Hamda in Abu Dhabi and me in Los Angeles, who built independent, female-owned brands, focusing on craftsmanship, true luxury and timeless designs. It’s an honour to work with such an incredibly talented visionary.”

Hamda Al Fahim continued: “When Tyler and I started discussing this special collaboration, we were both brimming with ideas. I have some experience in making handbags when I was very young, but I never got a chance to pursue it as my career. I am very excited to work so closely with a global name and creative designer like Tyler Ellis. Her creations go perfectly well with my collections and it is such a pleasure discussing new ideas and design concepts with her. We cannot wait to launch our collection”
The limited-edition capsule collection will be available at Hamda Al Fahim’s Design Studio in Abu Dhabi, on tylerellis.com and farfetch.com for delivery across the Middle East.
Valentino has unveiled a unique capsule collection in celebration of Chinese Valentine’s Day on August 25th.
Valentino’s VLove TN collection is a message of love, a reoccurring theme for the house.

Valentino VLoveTN – Shirt
The iconic VLTN Logo of Valentino with the word love acts as an instant message combining the two.

VALENTINO VLoveTN – Sweatshirt
Valentino embraces the idea of Love by creating an agile, casual and instinctive capsule collection for the Chinese Valentine’s day.

Valentino VLoveTN – Bomber Jacket
The iconic VLTN logo becomes a special graphic on the collection for men and women. Ready-to-wear and accessories items are presented in a bold colour palette of black, white and red.

VALENTINO GARAVANI VLoveTN – VL7N sneakers
The love print crosses over Valentino Garavani bags and accessories as well as T-shirts, shirts sweatshirts and outerwear for both men and women – the perfect gift for your loved one! Heart-shaped studs add some attitude to the accessories.

VALENTINO GARAVANI VLoveTN – Mini Bag
To mark the release of the collection a VLoveTN Rubik’s cube to will be seen throughout Chinese and International social media with multiple influencers generating content.

VALENTINO GARAVANI VLoveTN – Neck Wallet
Meanwhile, a virtual interactive game will be launched where users will be able to actively take part in solving the VLoveTN Rubik’s cube on Wechat mini program and official website.

VALENTINO GARAVANI VLoveTN – Bracelet
The capsule collection is available at Valentino boutiques, on Valentino.com, Tmall LP store and WeChat mini program.
Burberry has unveiled its latest campaign starring American model Bella Hadid.
The campaign also marks the introduction of the new Pocket Bag which becomes and key accessory for the brand for the upcoming season.
Designed by Burberry Chief Creative Officer Riccardo Tisci, the structured tote takes inspiration from a bag in the Burberry archives. The original silhouette is reinterpreted by adding a front pocket and leather taping. It is finished with contrast top-stitching and hand-painted edges.

The combination of leather and canvas used in the bag references the brand’s equestrian heritage.
‘For me, a lot of my creative concepts come from discovering old house codes and then creating new ones. I have always loved going into the archives and that is where I found the inspiration for this Pocket Bag.” Said Riccardo Tisci.
The campaign is inspired by the Burberry Animal Kingdom and starts Bella Hadid. Bella is captured in a series of images that see her embody the animal figures through her raw power and feline femininity. The campaign was shot by Ines and Vinoodh who worked alongside Tisci to bring the campaign to life.

For Burberry’s first ever bag campaign, I knew that I needed to give the Pocket Bag a powerful modern energy and so together with Katy, Inez and Vinoodh we developed an exciting campaign inspired by Burberry’s Animal Kingdom. Animals have always been a creative obsession and signature of mine, and it was so amazing to see Bella Hadid bring this to life as the panther. She has this fierce power and raw femininity that perfectly embodies the animal spirit.’ Said Riccardo Tisci.

Behind the scenes
Bella Hadid spoke of her experience: ‘I absolutely loved shooting this campaign, letting my inner animal spirit run free! We had so much fun on set, the mood was really sultry and playful, I felt we were really capturing that feline energy and power. This is my second campaign for Burberry and it is always such an exciting experience working with Riccardo – he has such amazing creative ideas and ways of interpreting a collection.’
The pocket bag is available in a number of colours and variety of sizes and materials from canvas to embossed leather. It is available to purchase at select Burberry stores and online.