A&E talks to jeweller Roberto Coin who reveals why the inspiration behind his designs is as important as the pieces themselves, and how they can signify true love.

Roberto Coin is driven by his innate love of fashion and art. Combining these two creative worlds together the Italian jeweller creates exquisite and unique designs  that reflect his signature style and personality, but more importantly allow the wearer to signify moments and memories in their life by wearing a unique piece.

Growing up in Venice, Roberto was inspired by the jewellers and artisans around him, creating jewellery that for him, were works of art. His childhood is clearly reflected in his designs. Unlike any other high jewellery brand, each collection Roberto creates tells a very literal story – a story that is brought to life by the pieces he designs. Be it a love story from his childhood, or a trip or experience around the world, each of Roberto’s creations has a very important message to tell.

Roberto’s creations are brought to life by some of the most renowned artisans in Italy. Ensuring everything is designed and produced in his home country, Roberto keeps the heritage of this brand very close to his heart. Each piece of jewellery is finished with a small ruby casted inside. The ruby is placed so that it is in direct contact with the skin. This signature represents the message of good wishes that Roberto dedicates to his clients.

This September Roberto Coin presents the Petals Collection. A feminine collection of rings and earrings inspired by the “he loves me, he loves me not” playful concept one remembers from their childhood when trying determine whether their love was true or not. This memory translates into modern yet delicate creations featuring petal-shapes carved from coloured stones. The corollas colored with malachite, jade and turquoise suggest exotic essences, and the shining gold and diamonds evoke images of drops glistening on flower petals when the sun reappears after the rain.

Here we talk to Roberto Coin about his inspirations for the stories he tells and the future of the jewellery house.

What can you tell us about the Petals collection?

Petals are the beauty of flowers, which has a very important symbolism for me. As I use to say, a flower can tell thousands of  stories.

How do you think it is different from your previous collections?

Each one of my collections is different from the other; the variety of styles is my goal. Petals is a collection with a very romantic inspiration but also with a very stylized and conceptual design. Its minimal style is something new for me in the collections inspired by nature.

How do you think the fine jewellery has changed since you first founded the brand in 1996?

Everything is different from in 1996. The world has changed completely, people, economy, society, fashion, everything. I always look at differences and changes as opportunities to create something new and get new inspirations. The strong technology invasion has changed also the production, today the most difficult goal is to find the perfect balance between the artisan’s traditional techniques and the modern technology, allowing them to create jewels that combine story and innovation.

How do you move forward with the times but stay true to the brand?

We have to continue with our identity and our mission to create different style for different women, in order to give them the chance and freedom to choose and to enhance their uniqueness.

How are you embracing technology and social media to help the brand?

Digital communication is a must today and I am in love with new technologies. The Roberto Coin brand has social media profiles in which we can communicate our creations in new ways which were not existing in the past, this is a chance and also it gives a sense of freedom, which I love.

Each of your jewels tells a story – which story is your favourite?

To be honest I do not have a favorite story as I have no a favorite collection. However, for sure, Appassionata remain my signature creations, as it has been the collection with which I launched my brand in 1996 and the first one to be signed with my ruby. I wanted to create a very special bracelet, with the same flexibility of a fabric, a kind of gold carpet to wear. Everybody said to me that it was impossible to get this result. We took more than two years of attempts and study but at the end we made it and it has been one of the most extraordinary success in my career.

Where do you love to visit for inspiration?

Venice is my number one. It is my place of birth, but it is also the most mysterious and fascinating city I have visited. It always  has something to discover, which is extremely exciting for my curiosity. However, I have to say that my life brought me to visit more than 100 countries, each of them has given me inspiration, thanks to its nature, its atmosphere along the streets, the people, colours etc. the world is pure inspiration.

What can you tell us about the production process?

The production process very much depends on the piece. There are pieces that take over five or six months to be created as they are completely made by hand and have lots of details. Today the goal of the production chain is to find the perfect balance between hands and technology.

Why do you think Italy is such a special place for many jewellery houses?

It is our history, the origin started with the Etruscan and Roman empires, with the influences of the Greeks, the Arabs and others. The cultural mix and sense of beauty comes from a very ancient time and has become part of the Italian DNA. Jewellery is one of the expressions of this sense of beauty.

What do you think makes Roberto Coin unique?

My collections are the expression of my inner creative mood, my personal way to see the world and women. I enhance differences and uniqueness, avoiding homologation.

Tell us about your relationship with the ruby stone?

The idea of the ruby as a symbolic signature comes from an ancient time and the pages of antique books. Driven by my passion for history and mythology, I discovered three very special stories, speaking about the ruby as the king of gems, able to provide health, protection and happiness to those who get in direct contact with it. The three legends came from the ancient Egyptian world, the Burmese warriors and the Hindu myths. That’s why we added one ruby to each piece of jewelry, where it touches the skin.

You launch around five collections each year – how do you keep up with demand?

I travel a lot and get in touch with many different people. I have the chance to understand the different international demands and tastes. I know that the world of today is looking for something always new and I live this request as a challenge.

What do you think is the relationship between jewellery and fashion?

It is an essential relationship, as together they are the image and the exterior expression of a character, of an identity. They have to be in line, with a logical connection and with the same sense of elegance.

What one piece of jewellery should every woman own?

If I have to think about the little black dress of the jewellery, I would for sure say that it is a statement ring. As a great statement ring can give all the look.

What is the future for Roberto Coin?

To continue to create jewels that enhance women’s uniqueness and that are able to represent a precious emotional value.

How would you define luxury?

I define luxury as I see it personally. It is the time and freedom to live the experiences you need to be happy with the people you want to be with you.

If you had to describe yourself in three words what would you choose?

I would say curious, passionate and courageous, but also an Italian gentleman.

What do you do when you want to relax and switch off?

I love stay in the nature, surrounded by plants, trees and flowers, but sometimes I also love to see sports on TV.

Tell us something that no one knows about you.

There is a lot that people do not know about me, I feel I have a very full life. One thing that maybe nobody knows is that when I was young I dreamt for a long time to become a world champion of fencing.

Sarah Burton’s SS19 collection for Alexander McQueen blends architectural shapes and deconstructed lines with strong, empowering feminine cuts and layering. Inspired by the milestone moment’s in a woman’s life – births, funerals, weddings; Burton wanted to highlight the strength and emotion of today’s woman with this powerful collection.

The unusual set featured boulders that were said to have been transported from a centuries old monument in the UK – the Standing Stones of Avebury – somewhere Burton and her team visited prior to the show. Burton was said to be capturing the emotion the team felt when visiting this historical monument.

Burton made her message clear with her designs, combining soft elements with strong statement, bohemian but at the same time powerful. Feminine ruffle dresses are contrasted with armour-like accessories and belts, signifying the inner strength of a woman. Even the softer gowns, thought to be inspired by Victorian wedding dresses, are belted at the waist with thick black leather. Knitted lace and neoprene belted dresses were playful yet strong at the same time, while Broideries analgise cotton dresses and blouses represented vintage garments – reportedly inspired by pieces Burton sourced herself in London’s vintage shops.

Tailoring created the ultimate power suits – which again had a sorted side with slits up the arms. Body jewellery was warn like armour over these looks. The colour palette was neutral until the addition of colourful florals. This flowers were replicas of photographs taken on Burton’s visit to the UK’s West Country – where she observed the flowers in the fields and captured their elegance.

Through evening wear you could really see the Victorian influences. With corset style waists and jagged hemlines. Lace was were present, which evening gowns created in head-to-toe lace, with one gold look almost reflecting the suit of a superhero. Even in their most feminine the looks signified power and strength.

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Paris Fashion Week SS19: Giambattista Valli

Paris Fashion Week SS19: Valentino

Inspired by the many kinds of lace in Chritsian Dior’s Haute Couture archives, the Dior Dior Dior High Jewellery collection brings this elegant fabric to life in the form of colourful jewels.

Featuring intertwined stones and technical materials that are intricately cut with the most delicate precision, discover the pieces below.

“DENTELLE TULLE PALM” JEWEL

DIOR DIOR DIOR COLLECTION

ALL BY DIOR HIGH JEWELLERY

LEFT:  “DENTELLE TULLE PALM” JEWEL

DIOR DIOR DIOR COLLECTION

RIGHT: “DENTELLE GUIPURE” RING

DIOR DIOR DIOR COLLECTION

ALL BY DIOR HIGH JEWELLERY

LEFT:  “DENTELLE SATIN” BRACELET

DIOR DIOR DIOR COLLECTION

RIGHT:  “DENTELLE ORGANZA” EARRINGS

DIOR DIOR DIOR COLLECTION

ALL BY DIOR HIGH JEWELLERY

LEFT:  “DENTELLE GUIPURE” EARRINGS

DIOR DIOR DIOR COLLECTION

RIGHT:  “DENTELLE POPELINE” BRACELET

DIOR DIOR DIOR COLLECTION

ALL BY DIOR HIGH JEWELLERY

LEFT:  “DENTELLE TULLE” NECKLACE

DIOR DIOR DIOR COLLECTION

RIGHT:  “DENTELLE VELOUR” NECKLACE

DIOR DIOR DIOR COLLECTION

ALL BY DIOR HIGH JEWELLERY

IMAGES BY BRIGITTE NIEDERMAIR.

Christian Louboutin’s Space Oddity collection lands with a bang this month with looks of the future inspired by outer space.

The Explorafunk backpack is designed for stylish adventurers with a shimmering iridescent fabric its’s both functional and statement making. While the Hilconissima boots in shiny red leather and glittery silver will give a theatrical edge to your look that’s bound to get you noticed.

To complete your look opt for the latest addition to clutch bags; the Loubiblues, simple enough to go with any look but with their own interpretation of the space theme. The Space Oddity Collection is available in Christian Louboutin stores nationwide.

Beards and prominent facial hair are a trend that doesn’t seem to by dying out. With the men’s grooming industry in The Middle East set to be worth USD3.22 billion by 2022 according to Beauty World Middle East; it’s only going to become more essential to have perfectly groomed facial hair.

With an increased desire and trend for men to be more creative with their beards, opting for sleek styles over the messy look, there are more and more products and salons dedicated to helping you achieve the perfect facial hair.

Whether you are fuss-free and prefer to keep your grooming to the four walls of your bathroom, or you love the idea of visiting a salon for someone else to pamper you; we reveal the men’s grooming products to try this season.

AT HOME

IN THE SALON

AND IF YOU DON’T WANT TO DIY,  THESE ARE THE BEST MEN’S SALONS TO VISIT IN THE UAE.

Urban Male Lounge Dubai

This men’s only salon and grooming lounge offers premium treatments. As well as shaves and haircuts the salon offers hydrating facials, therapeutic massages and soothing hand and foot therapies. Located in Dubai, Sharjah and Abu Dhabi.

Jazz Lounge Spa

The Jazz lounge Spa is a men’s only salon and barbers set in a trendy environment. The spa offers a huge range of treatments for men including waxing and hair removal, beard trimming, haircuts, skin care and more. Located on Umm Suqeim Street, Dubai.

Chaps & Co

With three branches now open in Dubai Chaps & Co is one of the fastest growing barber chains in the UAE. With in-house international barbers who have worked all over the world these guys know what are the latest styles and trends in beard and hair dressing. Located at JLT, Dubai Marina and Dubai Design District.

1847

1847 was the first men’s only grooming lounge in the UAE. It has since grown with branches all across the country. The salon focuses on providing luxury treatments for men that deserve some relaxation time. Their shaving services use luxury products from Vitamin and Gentlemen’s Tonic.

Profile, Harvey Nichols Dubai

Profile is the men’s salon from AVEDA. Located inside Harvey Nichols Dubai, Profile offers luxury grooming treatments in a calm oasis away from the hustle and bustle of the shops. While the wife goes shopping you can perfect your facial hair. They also offer hair treatments and styling.

Roman creativity and the disruptive spirit of the 1980s collide to create Bvlgari’s latest dazzling High Jewellery collection. We present our editorial shoot that showcases the collection, shot in Rome, the home of the Fine Jewellery house.

These beautiful pieces were designed by Lucia Silvestri, and were presented in Rome under the theme Wild Pop. A&E had the pleasure of creating this beautiful editorial shoot that highlights the bold designs and fabulous craftsmanship of these pieces.

Wild Pop High Jewellery Necklace in White Gold with Tanzanite, Emerald and Pavé Diamonds, High Jewellery Earrings in White Gold with Sapphires, Emeralds and Diamonds, High Jewellery Ring in Platinum with Emeralds and Pavé Diamonds, High Jewellery Ring in Platinum with Ruby and Diamonds

ALL BVLGARI

Dress, Ashi Studio

LEFT IMAGE: Wild Pop High Jewellery Necklace and Earrings in Pink Gold with Emeralds, Amethysts, Turquoise and Pavé Diamonds

ALL BVLGARI

Dress, Tony Ward

RIGHT IMAGE: Wild Pop High Jewellery Necklace, Bracelet and Earrings in White Gold with Emeralds, Amethysts, Rubellites and Pavé Diamonds, Wild Pop High Jewellery Ring in White Gold with Emeralds and Pavé Diamonds

ALL BVLGARI

Dress, Ong-Oaj Pairam

Divas’ Dream High Jewellery Earrings in Pink Gold with Pink Tourmalines, Amethysts and Pavé Diamonds, High Jewellery Bracelet in Pink Gold with Pink and Green Tourmalines, Rubellites, Peridots, Amethysts and Diamonds, Wild Pop High Jewellery Ring in Pink Gold with Coloured Gemstone and Pavé Diamonds

ALL BVLGARI

Dress, Ralph & Russo

LEFT IMAGE: High Jewellery Bracelet and Earrings in White Gold with Diamonds, High Jewellery Ring in Platinum with Diamonds, High Jewellery Ring in White Gold with Ruby and Diamonds

ALL BVLGARI

Dress, Ong-Oaj Pairam

RIGHT IMAGE: Wild Pop High Jewellery Necklace, Bracelet and Earrings in Pink Gold with Coral, Turquoise and Pavé Diamonds

ALL BVLGARI

Dress, Safiyaa

Wild Pop High Jewellery Necklace, Ring and Earrings in Pink Gold with Coloured Gemstones and Pavé Diamonds, Wild Pop High Jewellery Ring in Pink Gold with Coloured Gemstone and Pavé Diamonds

ALL BVLGARI

Dress, Ashi Studio

LEFT IMAGE: Wild Pop High Jewellery Necklace in Platinum with Sapphire, Mint Tourmalines and Pavé Diamonds, Wild Pop High Jewellery Ring in White Gold with Turquoise, Sapphire and Pavé Diamonds

ALL BVLGARI

Dress, Rami al Ali

RIGHT IMAGE: Serpenti High Jewellery Necklace, Earrings and Bracelet in White Gold with Rubies and Pavé Diamonds, High Jewellery Ring in Platinum with Ruby and Pavé Diamonds

ALL BVLGARI

Dress, Tony Ward

Wild Pop High Jewellery Necklace and Bracelet in Pink Gold with Coloured Gemstones and Pavé Diamonds

ALL BVLGARI

Dress, Ashi Studio

Concept Creation: Lara Mansour Sawaya

Fashion Director: Eliza Scarborough

Photographer: Carla Guler

Hair & Make-up: Scarlett Burton

Model: Mariana Salaru at Premier

Location: Villa Miani, Rome Italy

There were no points for guessing the era that influenced Giambattista Valli’s SS19 collection, with a mellow soundtrack by John Lennon it was easy to recognise that it was the seventies inspired this boho glam collection.

But it was quite a different approach for the Roman designer who added many casual looks and even masculine suits to his usual catalogue of feminine dresses. Opening with monochrome tuxedo style suits, the designer set the tone for the collection which, like many other houses this season, recognised the blurring lines between masculine and feminine dressing.

This was followed by utility wear (yes, that’s right) and black and white day dresses. Animal print was very prominent in the collection too – with a pair of velvet leopard print trousers being a very unexpected addition. There was a rock and roll theme, with flared leg trousers and embellished vests, as well as fringed jackets and studded trousers.

The colour palette was varied. While white was the basis for many of the looks, there were bohemian multicoloured gowns, and clashing colours and prints which contrasted with the darker more severe colourways. Lace came in either black or white, while prints had a bold seventies influence.

No decade was more diverse than the seventies, and that was highlighted by Valli’s designs as he moved from rock and roll to bohemian princess. Long floral printed dresses glided down the runway created in soft chiffon and lace. Of course then came the tulle. A vast selection of white day dresses all encased in layers of lace and tulle highlighted the feminine elements of this generation. The embroideries were exquisite, with fully embroidered dresses and two-piece embroidered suits making a real statement. As the collection went on, it became more typically Giambattista Valli, with ethereal drop hem dresses, floral prints and elegant evening gowns, but there is no doubt this collection highlights the every changing trends in ready-to-wear. Something that has been very much a talking point this season.

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Paris Fashion Week SS19: Stella McCartney

Paris Fashion Week SS19: Valentino

Stella McCartney presented a SS19 collection that celebrates femininity but also embraces the popularity of the androgynous trend with a collection that was heavily focused on athleisure wear. With many of the pieces inspired by the eighties and nineties. They were modern in style but retro in their cuts and shapes.

The location for the presentation was perhaps an unexpected choice. Set at the Opera Garnier; a location that signifies heritage, and classic Parisian elegance. The collection however was perhaps the very opposite of this. It was modern active and relaxed with the only heritage references being that nod to the eighties and nineties.

Athleisure style pieces were the basis this collection with women’s wear in particular being inspired by sports and dance wear. Leotards, ballet styles skirts and cycling shorts all featured heavily in the designs. Dresses that could easily be world for sporting activities came in a variety of colours and materials, and were paired with ballet style flats.

Continuing with the retro reference we saw tie dyed t-shirts for both men and women, as well as bleached and ripped double denim, cargo pants with stiletto heels, and even oversized masculine suits  and tracksuits – offering an androgynous appeal.

Menswear was very much oversized and relaxed. Suits were designed with oversized blazers and wide leg trousers. While many of the looks feature casual wear – double denim, tie dyed prints again and even ripped jeans and tracksuits.

The colour palette was mostly pastel hues.  Ranging from blue denim to a soft mint green. In between we saw pinks, and neutrals that were broken up y the occasional floral print, and of course the tie dye.

While this was a very casual collection, there was some evening wear too. Dresses mimics nightgowns with soft silk fabrics featuring lace details. The final evening dresses had billowing sleeves and were modest and understated.

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Paris Fashion Week SS19: Valentino

Paris Fashion Week SS19: Celine

A resort in the Indian ocean that offers the ultimate in exclusivity with a private island all to yourself.

When you imagine a luxury destination, there are certain expectations.

The décor has to be exceptional, the service beyond attentive, the food must be Michelin-star level, but above all you want to have the feeling of exclusivity.

Cheval Blanc Randheli, situated in the unspoilt Noonu Atoll, which is a 40-minute private seaplane ride from Maldives capital Malé, offers the kind of luxury that we haven’t seen anywhere else in the Indian Ocean.

You might think that that’s a pretty bold statement but the LVMH owned property, who also look after leading names like Louis Vuitton and Dior, have pretty solid credentials when it comes to knowing what the world of VVIP’s want.

The cherry on top of the white sand paradise is the Private island which is only accessible via it’s own jetty, three minutes from the main island.

If you ever wondered what your own home looks like in the Maldives, this is it. The hideaway surrounded by turquoise water offers four bedrooms fitted out in the same modern and minimalist finish as other villa’s (the entire resort was designed by Jean-Michel Gathy) along with large indoor and outdoor living areas, including an outdoor pergola and a cinema for private screenings under the stars.

Unwind in your very own spa, dive into the 25-metre-long swimming pool and relax on the pristine beach or exotic gardens, while your private boat is on hand to transport you to the main island.

Once you step onto the hotels ‘mainland’, the foodie experiences range from fine dining to relaxed alfresco in five restaurants, and three bars. Our top pick is The Diptyque, which is inspired by the concept of live cooking and interaction between guests and chef. Split into two areas – East Asian and Japanese – you can experience different culinary journeys under one roof. Take a seat at the counter and watch the masters at work, or you can also choose to sit outdoors on the beachfront, overlooking the ocean while digging into fresh Nigiri, Makimono and Sashimi as well as specialties like Gyoza, Tempura, Dim Sum and Miso Black Cod.

Once you’ve had your fill, you can hop back to your own little piece of heaven where you’re a dedicated team is available 24/7. They can enhance your stay by setting up bespoke experiences; be it a family day trip spotting dolphins on their stylish private yacht, or a bespoke dinner on the beach, they strive to create an unforgettable stay.

Privacy that is equally grand as it is blissful, now that’s the new currency in luxury escapes.

Clare Waight Keller’s SS19 collection for Givenchy aimed to blur the lines of gender identity. Titled I am Your Mirror, the collection presented masculine cuts and styles for women, that still somehow brought a unique femininity, while for the men the offering was cool and modern.

“Woman and man mirror and morph.” The show notes declared at Givenchy’s SS19 show in Paris last night. Clare Waight Keller’s designs were inspired by Annemarie Schwarzenbach, a Swiss writer, photographer and traveller who lived over a century ago but was known for her androgynous style. Waight Keller was on a mission to blur the lines between men’s and women’s looks – something that is increasingly common in today’s society.

And so this is what she did – at least with the womenswear. Models mirrored young boys with short pixie cuts and androgynous shapes. Straight cut dresses hung from the models creating statuesque silhouettes. Origami-style pleating and billowing hemlines offered femininity which was clearly present, despite the masculine influences on the collection. Tuxedo style jackets, utility trousers and military influenced separates developed the masculine influence further. But the designer still kept her own DNA. There were low necklines, fringing flowing materials, and modest evening gowns that brought some femininity back to the designs. There were even floral prints that seemed to go against the original idea of this show – but that kept the creativity and Waight Keller’s ability to appeal to the masses. The colour palette was varied – ranging from monochrome looks to pops of bright, bold colour.

The menswear was well tailored. Suits were given a fresh look thanks to the choice of prints and colours. Trousers were skinny and paired with Chelsea boots. Don’t be confused – the menswear was not feminine at all – it was the women’s wear where the lines were blurred. Menswear was contemporary yet classic and featured staples including leather jackets, utility trousers, cigarette pants and trench coats.

While last season she was looking back at the history and Givenchy archives, Clare Waight Keller’s approach to this collection is perhaps a signal of her direction for the future of the brand as she firmly settles in the House. But make no mistake while it is fresh and has a strong direction it still kept the DNA of Givenchy.

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Paris Fashion Week SS19: Valentino

Paris Fashion Week SS19: Weekend roundup

Pierpaolo Piccioli’s reign at Valentino continues with his SS19 collection. The bold and dramatic collection brought modesty and elegance to the catwalk with voluminous sleeves, dramatic architectural cuts, a decadent clash of textures and statement prints.

In a welcoming presentation of modesty Pierpaolo brought what perhaps what we had been craving from Paris Fashion Week this season. Timeless, understated elegance that is wearable, yet aspirational at the same time.

The bright and airy show space at Hôtel National des Invalides was the perfect setting for this refreshing show – while classic opera music blared out over the speakers juxtaposing with the modern runway design. The show got off to a somewhat sombre start with a flurry of dramatic black gowns but this soon developed into monochrome, then reds, then orange, then pinks then finally rainbow colours all in luxe fabrics like pleated leather, lace, organza chiffon and embellished cotton.

The cuts and shapes were exquisite. Large billowing sleeves, deep V necks, off-the-shoulder cuts, wide hemlines on dresses that were either floor length or cut well above the knee and in many cases finished with feathers or fur for a fun, feminine touch. Necklines also came in the form of high-necked Edwardian style ruffles on evening gowns. One perhaps surprising addition to the collection was Piccoli’s adoption of the Logomania trend. Monochrome sweaters and jackets were presented with a large V for Valentino across  the front, as well as belts featuring a gold V buckle.

There was plenty of day wear too. Pleated sundresses and perfectly tailored shirts with skinny cigarette trousers, were paired with casual sandals and oversized straw hats. On the subject of accessories, Piccoli brought back the oversized hoop earring as well as the leather shopper and coloured leather bags.

This collection was positively refreshing and we’re already thinking about which pieces we will be purchasing next summer!

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Paris Fashion Week SS19 Roundup

Paris Fashion Week SS19: Celine

Fashion couturier and co-founder of AMATO Couture and AMATO Luxe celebrates twenty five years in the industry.

Furne One was part of the UAE’s fashion industry when it barely even existed twenty five years ago. Moving from his home country of the Philipines, the designer launched his brand AMATO Couture in 2002 and has since come to be one of the region’s most recognised names.

His distinct style of Avant Garde, out-of-the-box runway shows and statement-making designs are individual and undeniably reflective of the designer’s unique style. Furne One has created a niche brand in the region with AMATO. He has a very clear image of inspiring women with designs that don’t follow trends but create their own trends instead.

To celebrate 25 year benchmark, he created an anniversary collection that embodies the story of the brand over the last two decades. For the presentation of this collection, he travelled back to his home country, for an extravagant show in Manila. The fall/winter 18 collection titled Thy Will Be Done included 60 looks for men and women and was presented with a runway show featuring some of the country’s biggest celebrities and models.

After the hype of this show Furne One returned to Dubai to start working on his next projects. Amongst the madness A&E caught up with him to reflect on the last 25 years and imagine what the next two decades will bring for AMATO Couture.

You’re celebrating 25 years in the industry – what has been your greatest achievement so far?

For me, still being relevant after 25 years is a great achievement. Fashion trends change quickly and dramatically so being able to relate to different audiences from different ages with changing tastes is a fulfilling achievement.

How has the fashion industry in the Middle East changed since you began?

It has drastically changed, I must say. A lot of young talents came into in the industry in the last 4-5 years, which is great. Artistry is in the forefront. Designers are more liberal in their designs and they are not afraid to express themselves compared to when I started.

What would you like to see happen next in the region?

To be part of the top four fashion capitals of the world. Exposure to the global stage. There are a lot of talented designers in the Middle East that need a break to enter the mainstream fashion world. I think this revolution already started as we are seeing Middle Eastern brands designing clothes for A-List celebrities, popstars and VIPs. We need to continue helping Middle Eastern designers gain momentum on the global fashion stage.

Would you ever consider the move to Paris or one of the other big fashion cities?

Honestly no. I am content working in Dubai because Dubai has given me a lot of opportunities to grow my business. This city has given me so much and I believe I can grow more together with the city.

What can you tell us about your 25th anniversary collection?

I am extremely happy to be back home in Manila to celebrate a milestone in my career. It all started in Manila when MEGA magazine launched a competition ‘Young Designer of the Year’, the first ever fashion design competition in Philippines’ mainstream media. I was proclaimed the grand winner. The collection was inspired by my journey in the fashion business, the rollercoaster ride of my 25 years in the industry. This collection represents my successes and failures, the beauty of life and the immortality of my artistic influences in one stage. Not to mention, this is one of the most expensive and biggest (in number) collections AMATO has staged. We showcased 60 couture pieces worth more than 1 million USD.

How do you go about designing a collection that represents 25 years in the industry?

It’s retrospective. The collection is the summary of my fashion journey. I am in love with life. Each piece celebrates a point in my life; happy, exciting, loving and thrilling moments of it.

From the last 25 years do you have a favourite design or collection?

ALL are my favourites because it all came out from my heart and soul.

You have dressed so many amazing women – is there anyone you would love to dress that you haven’t had the chance yet?

There are so many on my list but I would love to know who are the women who would like to see themselves wearing an AMATO dress? In that way I will know who are the people who truly believe in my work aesthetic.

Do you think your home country has influenced your brand?

Yes, somehow. The Philippines is a rich country especially with natural resources but lacks fancy materials for clothing but this doesn’t hurdle designers to produce masterpieces out of available resources. The Philippines is one of the freest countries in the world for people to express themselves and this helps me a lot when I’m exploring and expressing my artistry. The people are open-minded and free-thinking.

How would you identify the AMATO woman?

The AMATO woman; elegant, avant-garde and experimental – someone who is not afraid to defy the norms and set the trend.

Your shows are always theatrical and spectacular – how do you go about planning the theme?

It just pops out of my head all of a sudden depending on my mood and emotion. I am a very sensitive person and I always put my artistry on the forefront.

How do you think you differ from your competitors?

I don’t compete with anyone else, I just compete with myself but the brand AMATO represents passion for couture, the designs are fearless, out-of-the-box, unconventional yet outstandingly chic. We don’t follow a certain trend, we set the trend.

What can we expect from you over the next 25 years?

Business expansion. More mainstream reach with my AMATO Luxe (pret-a-porter) line. I will not stop dreaming and designing, that’s for sure.

For you, what makes an iconic couture brand?

Consistency and passion. Identity is very important, as a designer you should know who you are and what you want.

Who do you look to for inspiration?

Not a specific person but LIFE in general. I love life and mankind. It sounds cliché but the uniqueness in each individual; the way we live our life. The way we think and the way we act gives me so much inspiration and admiration.

Which designers do you admire?

I admire all designers because I respect their visions and ideas.

When you’re not working where do you go to switch off?

Travel. I love going to Europe.

Tell us something about yourself that no one knows.

I don’t like sleeping at all. I sleep 3-4 hours a day, maximum. I’m more creative from night until dawn.

Designer duo Domenico Dolce and Stefano Gabbana will be in Dubai next week to present a huge fashion show at Dubai Mall’s fashion avenue. The show, which will take place on October 7^th,  and will be titled Day & Night. This is the first time Dolce & Gabbana have produced a show in the Middle East and is expected to be spectacular. Over 100 international models will fly in for the show which will be held inside Dubai’s Fashion Avenue.

The show and is being held to mark the opening of Dolce & Gabbana’s new Dubai Mall flagship boutique (which first opened in March this year), as well as celebrate the brand’s presence in the Middle East. Day & Night will include looks for both men and women and will also feature some pieces that have been designed exclusively for the Dubai store. Green, white and red lights will shine throughout the mall, representing the colours of the Italian flag.

The collection will be full of contrasts, designer for the golden nights with a touch of tailoring. Long evening gowns in pink, orange, yellow and blue chiffon with feather details, amethysts, emeralds, golf and silver crystals, floral embroidery and arabesque ornamental motifs. A coming together of Italian style and Arabian flair. The collection also features masculine tuxedos, that are sporty and contemporary. As well as trademark Dolce & Gabbana golden crowns.

The Dubai Mall boutique is three floors of gilded panels and illuminated floors and walls, giving way to the beautiful collections. It was designed by architect Marco Costanzi of MCA studio, who interpreted the spirit of the Italian fashion House in a unique way. Infusing it with a dream-like atmosphere and the warm colours of the Middle East.

While there will be a seated VIP area that is invitation only, as the show will be hosted in a public area of the mall, there will be viewing areas for the public to witness this landmark show.

Dolce & Gabbana are known for their big production, spectacular shows, and we’ve no doubt this one will be no different.

The fashion turned homeware designer, Vera Wang reveals her latest dining collection in partnership with Wedgwood.

While we may know her for her magnificent wedding gowns, Vera Wang has been broadening her horizons, delving into the realm of homewares in a long term partnership with iconic British tableware brand Wedgwood.

Wedgwood is known for its elegant timeless designs and so too is Wang so the partnership seemed like a perfect fit when it began in 2002. Wang has since designed numerous collections for Wedgwood, focusing on creating unique impressions that capture the heritage of this iconic brand but also combine it with her unique eye for design; creating homewares that are timeless yet stylish and will add elegance to the home dining routine.

This year Wang has introduced a new line to her Elements of Style collection. The Vera Jardin collection is a new artistically designed dinnerware collection featuring a new pattern, inspired by Vera’s love of nature. The collection came about after Vera’s recent visit to the Temples at West Lake in Hangzhou, China. The designer was inspired by the lush surroundings and scents of the botanical gardens, and so she created a romantic and delicate gold and bronze leaf pattern that would be the basis of this collection.

Here Vera talks us through the collection and how her passion for homewares has inspired this latest chapter in her career.

What can you tell us about your collections with Wedgwood?

I design each piece with a modern approach to classic style and the attention to detail that is reflected in each of my collections. The collections blend subtlety with sophistication and the results are elegant, timeless and luxurious – live it, enjoy it. Positioned at the highest end of the luxury market, they’re perfect for wedding tableware but are also accessible for people to enjoy using in everyday life. Each range features an artistic, modern and luxurious design and a couture-like quality.

And what about the Vera Jardin collection – what was the inspiration?

Vera Jardin is a new, artistically designed dinnerware pattern inspired by my love affair with nature and flora. The Vera Wang Wedgwood Vera Jardin collection became a vision during my recent visit to the Temples at West Lake in Hangzhou, China. Influenced heavily by the lush surroundings and fragrant botanicals of the gardens, coalesced with my own personal pen and ink Oxalis drawings, I artistically designed a dinnerware pattern that resonates perfectly with Vera Wang Wedgwood’s passionate Romanticists. With fine gold tendrils, bronze petals, and shimmering leaves, these original prints compliment the table on fine white bone china, infusing positive energy into the home.

What is it about the Wedgwood brand that first enticed you to collaborate with them?

I first became interested in collaborating with Wedgwood because they share our deep appreciation for design and unwavering commitment to fine craftsmanship.

How does designing homeware compare with designing fashion?

I love designing because it enables me to express myself in so many mediums and to constantly grow and see something in a new way.  It’s not only in the clothing that you wear, it’s in the products that you use. I might take ready-to-wear details and put them on dinnerware. It’s that cross-pollination that gives me a wonderfully unlimited vocabulary which makes for a more exciting design.

Is it something you have always been passionate about that has played a key role in inspiring your work?

I have always been inspired by art – all kinds, all periods.

How do you think trends in home products are affected by fashion trends?

I think designing for the home is really exciting, because the same techniques that we explore in fabrication and design in clothing is what we’re trying to express for the home as well. And I think that’s an extremely modern concept, and a concept that lets us approach design from a totally fresh way.

Can you talk about the appeal of white to you as designer?

I am forever experimenting with white.  The marriage of different whites provides depth, dimension and texture without the distraction of colour.

Where do you like to travel for inspiration?

Paris is like my second home, I love the experiences I’ve had there and the beauty of the city always inspires me.

BY MENAT EL ABD, REGIONAL BROW ARTIST, BENEFIT COSMETICS.

We all know there are many ways to contour the face and the eyes, but now you can even contour your brows. Benefit Cosmetics has launched a 4-in-1 product that fits every shade of eyebrows. With only one product you can create many different looks, so there’s no need for four different brow products in your make-up bag, one pencil will do it all.

This definitely sound like a brow dream come true. The Brow Contour Pro Pencil allows you to go from soft and blended natural looking brows all the way to a dramatically defined look, allowing you to contour like a pro. With the Brow Contour Pro Pencil, you can create three different levels of a ‘Contoured Brow’, giving the brows depth and dimension.

With a slight definition in your brows, you will see a change in your whole look. So grab your Brow Contour Pro Pencil and start defining and highlighting. With this multi-tasking brow pencil it has never been easier. In this one product you will receive a lighter brow shade, a deeper brow shade, an edge definer and an arch highlighter. These four tools will help to create a clean, shaped brow that is contoured.

Before you start contouring the brows, never forget to start fresh and clean. A contoured brow look will look even better when pay a visit to Benefit’s Brow Bar to get fresh waxed brows. This will definitely help you when it comes to filling and defining the brows. At the Benefit Brow Bar, your brows will be pampered and loved. You can even try brow mapping, tinting, waxing, shaping and more.

Step By Step Guid

 

Firstly brush your hairs with Brow Blender’s spoolie brush. This will help when it comes to filling in the gaps and give you that amazing effect.

After brushing, grab your Brow Contour Pro Pencil. Press down the lighter shade tab and twist until you see product. Once you see the product, start filling in the brow with lighter shade from the start to the arch of the brow by applying soft hair strokes. This technique will give an illusion of fake hairs and fuller brows.

Once you’re done with that, it’s time to switch shades!  Just press down the deeper shade tab and twist for the product. It’s that simple, now it’s time for some contouring.

Fill in the brow from arch to end with the deeper brow shade. This step will give more definition and depth for the brows. You will definitely start to see the change in colors and the contour.

We’re officially done with filling in the gaps, now we want to show off the brow shape by defining it from start to end. Press down the defining tab and start defining those contoured brows. Stroke the definer below the brow from start to end and above the brow from arch to end. After applying, blend gently with your finger for a clean finish. This way, you will bring that shape to life.

Once you’re done with that, it’s time to highlight and lift. Press down the highlighter tab and apply it beneath your arch and blend outwards.

Last but not least, grab your Brow Blender and with the spoolie brush, blend the brows. This will smoothen them out.

Always remember, that make-up is always fun and it’s nice to play around with products. With Benefit’s Brow Contour Pro, you can discover various looks by trying it in different ways. This multitasking pencil will give your brows amazing definition. And of course, one of my tips is to never forget to blend the brows after you’re done. Benefit’s dual-ended Brow Blender, is the perfect tool for ultra-clean edges and tamed brows.

The Brow Contour Pro Pencil comes in five shades for a wide range of hair colours and skin tones.

DOLCE & GABBANA AT MODA OPERANDI

Autumn is here so it’s time to invest in a great blazer that will become your go to wardrobe staple all season.

Wear it with a casual look for day or throw it over a glamorous dress for the evening. Trust us, you’ll never run out of options.

Behind the scenes at the Saint Laurent fall/winter 18 show was like taking a step back in time.

Models exuded glamour in forties-inspired ensembles with the likes of Kaia Gerber elegantly dressed in black. This show was a presentation of all thing Saint Laurent from eighties glamour to forties chic.

This was a show that made sure Anthony Vaccarello has kept the brand on the global stage and put over the message he has wanted to convey since taking over form Hedi Slimane. His message, it seems, is to present a collection for a more sophisticated, more feminine woman.

While the signatures that we love from the brand continue to be in place, Vaccarello introduced a softer side to the House for this collection. Eighties wide shoulder dresses were juxtaposed with forties glamourous evening gowns. Wide brim hats offered the sophistication the brand was perhaps missing; and colour and floral prints were out in force. Accessories came in the form of statement boots and jewellery was either not there at all or oversized and statement making.

From the head wraps to the leather jackets and cut-off shorts, this collection presented pieces that were wearable and understated.

No look is complete without statement accessories and this Fall we present you the bags and shoes that will be catching everyone’s eye.

ANIMAL PRINT SHOES

To complement their animal printed ready-to-wear looks brands including Tom Ford, Rochas and Michael Kors presented animal-inspired footwear. Either wear head-to-toe prints or just a pair of animal inspired shoes to spice up a simple outfit.

COLOURED LENSES

Ditch those clear lens sunglasses and invested in a coloured variety. At Dior sunglasses came oversized in bold orange and red, while at Valentino cat-eye styles were presented in bold blue.

CHUNKY TRAINERS

It is debatable as to how attractive the chunky trainer trend is, but there’s not doubt that they will be comfortable! Take inspiration from Versace, Givenchy and Christopher Kane for bold sporty shoes.

GLOVES

Brands including Prada, Chanel and Calvin Klein took a step back in time with retro style elbow-length gloves. Rather than the hand-warming variety, these gloves are to be worn in the evening – giving a sophisticated edge to any outfit.

HANDS-FREE BAGS

A trend that has been making waves for the last few seasons now are waist bags. Tod’s presented functional and stylish belt bags while Jacquemus added to the practicality with a pouch bag designed to hang around the neck. Perfect for holding your phone!

OVERSIZED EARRINGS

If you’re going to wear earrings this season make sure they are bright and bulky. Shoulder brushing earrings were seen at Balenciaga, Saint Laurent, Tom Ford and more. To exaggerate the look wear with your hair up.

CHUNKY CHAINS

Much like earrings, necklaces were oversized and chunky. At Miu Miu we saw heavy chains that dipped as low as the waist, while at Balenciaga shorter chunky chains were worn over round neck jumpers.

BELTED AT THE WAIST

The waist belt trend we saw a few years ago has been gradually dying out, but this season it is back in full force. Belts were worn high on the waist at Carolina Herrera, Versace and Isabel Marant – clinching in the waist for an hourglass silhouette.

Quintessential French style gets a futuristic update with Nicholas Ghesquière’s Fall 2018 collection for Louis Vuitton.

READ MORE
A&E Editorial: Louis Vuitton Pre-Fall 2018
Boardroom Ready With Dior Fall 2018 Collection

Classic staples are combined with modern materials and cuts for a perfect blend of classic and contemporary style.

Heavy silk pleated skirt, Anachronism metal belt, with graphic jacquard knitwear and semi-rigid bag with slingback cross pumps

ALL LOUIS VUITTON

LEFT IMAGE: Heavy silk pleated skirt with graphic jacquard knitwear, and camel wool and cashmere bounded coat with faux fur, knotty pearl earrings

RIGHT IMAGE: Lambskin vintage suede pants with wool pullover and tweed top and Boite Chapeau souple handbag

ALL LOUIS VUITTON

LEFT IMAGE: Sequin embroidery on silk pants with argyle print wool pullover and wool silk Mikado blazer. Knotty pearls necklace and slingback cross pumps

RIGHT IMAGE: Wool skirt with matching top and leather jacket

ALL LOUIS VUITTON

Cotton interlock jersey with tennis stripe wool silk pants and Petite Boite Chapeau. Bo Bow gold LV Windsor pearl earrings and python leather pumps

ALL LOUIS VUITTON

Photographer: Vivienne Balla

Styling and Direction: Lindsay Judge

Hair and Make-up: Manuel Lasoda at Art Factory Management

Model: Jerry at MMG

Location: Opera Gallery, Dubai

Designed by Peter Philips, creative and image director of Dior makeup, Dior Backstage collection gives you a professional kit at home.

Developed to help you recreate runway-worthy make-up in your own bathroom, it’s inspired by the needs of professional artists for anyone to use at home and backstage.

FACE – Diorskin Forever & Ever Wear Base, Dior Backstage Face & Body Foundation 2WO, Dior Backstage Face & Body Foundation 2N, Dior Backstage Face & Body Foundation 3N, Dior Backstage Face & Body Foundation 4N, Diorskin Forever Undercover Concealer 022 Cameo, Dior Backstage Contour Palette 001 Universal, Dior Backstage Glow Face Palette 001 Universal

EYES – Dior Backstage Eye Prime, Dior Backstage Eye Palette 002 Cool Neutrals, Dior Backstage Brow Palette 002, Dark Diorshow Pump ‘N’ Volume

LIPS – Dior Backstage Lip Palette 001 Universal Neutrals

LEFT:

FACE – Diorskin Forever & Ever Wear Base, Dior Backstage Face & Body Foundation 2WO, Diorskin Forever Undercover Concealer 022 Cameo, Dior Backstage Contour Palette 001 Universal, Dior Backstage Glow Face Palette 001 Universal

EYES – Dior Backstage Brow Palette 002 Dark, Diorshow Pump ‘N’ Volume

LIPS –  Dior Backstage Lip Palette 001 Universal Neutrals

RIGHT:

FACE –  Diorskin Forever & Ever Wear Base, Dior Backstage Face & Body Foundation 2WO, Diorskin Forever Undercover Concealer 022 Cameo, Dior Backstage Contour Palette 001 Universal, Dior Backstage Glow Face Palette 001 Universal

EYES – Dior Backstage Brow Palette 002 Dark, Diorshow Pump ‘N’ Volume

LIPS – Dior Backstage Lip Palette 001 Universal Neutrals

LEFT: 

FACE – Diorskin Forever & Ever Wear Base, Dior Backstage Face & Body Foundation 2WO, Diorskin Forever Undercover Concealer 022 Cameo, Dior Backstage Contour Palette 001 Universal, Dior Backstage Glow Face Palette 001 Universal

EYES – Dior Backstage Eye Prime, Dior Backstage Eye Palette 002 Cool Neutrals, Dior Backstage Brow Palette 002 Dark,  Diorshow Pump ‘N’ Volume

LIPS – Dior Backstage Lip Palette 001 Universal Neutrals

RIGHT:

FACE –  Diorskin Forever & Ever Wear Base, Dior Backstage Face & Body Foundation 2WO Diorskin Forever Undercover Concealer 022 Cameo Dior Backstage Contour Palette 001 Universal, Dior Backstage Glow Face Palette 001 Universal

EYES – Dior Backstage Eye Prime, Dior Backstage Eye Palette 002 Cool Neutrals, Dior Backstage Brow Palette 002 Dark, Diorshow Pump ‘N’ Volume

LIPS – Dior Backstage Lip Palette 001 Universal Neutrals

LEFT:

FACE

Diorskin Forever & Ever Wear Base – Dior Backstage Face & Body Foundation 2WO Diorskin Forever Undercover Concealer 022 Cameo Dior Backstage Contour Palette 001 Universal, Dior Backstage Glow Face Palette 001 Universal

EYES – Dior Backstage Eye Prime, Dior Backstage Eye Palette 002 Cool Neutrals, Dior Backstage Brow Palette 002 Dark, Diorshow Pump ‘N’ Volume

LIPS – Dior Backstage Lip Palette 001 Universal Neutrals

RIGHT:

FACE – Diorskin Forever & Ever Wear Base, Dior Backstage Face & Body Foundation 2WO, Diorskin Forever Undercover Concealer 022 Cameo, Dior Backstage Contour Palette 001 Universal, Dior Backstage Glow Face Palette 001 Universal

EYES – Dior Backstage Brow Palette 002 Dark, Diorshow Pump ‘N’ Volume

LIPS – Dior Backstage Lip Palette 001 Universal Neutrals

Styling and Direction: Lindsay Judge

Photographer: Abdulla Elmaz

Hair and make-up: Manuel Losada

Model: Dina at Art Factory Studio

Location: Waldorf Astoria Palm Jumeirah, Dubai

All clothing: Dior  l  All jewellery: Dior High Jewellery

Paul Surridge’s SS19 collection for Roberto Cavalli brought a new character to the brand. Describing the collection in one word Surridge told us; “empowering.” This was therefore a powerful collection that combined glamour and evening wear with practical day wear in a fresh look for the brand, albeit with plenty of embellishment and sparkle! The designer chose the cycling short (yes it’s back again), as the basis for many of the looks giving a sporty angle this was combined with glitz and glamour, bringing in the House’s key values. Worn with longline blazers, shirt dresses and evening under evening dresses, this body-tight short was a staple piece in Sunridge’s vision making pieces multi-functional.

The day wear consider of blazers and jackets with cropped tops, while other looks featured long shirt dresses worn over shorts. Most were tight fitting but there were also some more relaxed shapes that were looser on the body. Jackets were a key part of this collection with the classic blazer and trench coat taking the lead in various prints and lengths.

Evening wear was in true Roberto Cavalli style, sparkly and embellished but the cuts felt much more sophisticated than previous seasons. With the long black dress truly cementing itself as the go-to gown and colourful cocktail wear that was feminine and stylish. One shoulder dresses were back as well as two piece looks featuring cropped tops and skirts embellished with sequins.

The colour palette ranged from black and white to turquoise and yellow, with many of the pieces varying between shades of nude inspired by the colours of North Africa. Prints came in the form of stripes, oversized animal print and  geometric prints, often the two were paid together. There was a flurry of metallics mid-way through the show that saw silver sparkly outfits command attention. Shoes were either sneakers for the day looks or open toe shoe boots for a more glamorous approach.

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Milan Fashion Week SS19: Salvatore Ferragamo

Milan Fashion Week SS19: Versace

Salvatore Ferragamo presented a clean, elegant collection for its SS19 offering. With a core backbone of clean utility-style designs, the collection was broken up by vibrant hues and tropical prints.

Clothes were oversized yet perfectly formed and flattering on the body – hanging in all the right places to create and elegant silhouette. On dresses and skirts loose flowing hemlines featured a zig zag cut, while trousers were also loose and wide leg. In comparison to the loose fits there was the addition of cycling shorts – a trend that doesn’t seem to by dying out. A military colour palette of nudes, browns and khaki was broken up by electric blue purple orange and red – tones that added rich colour and broke up the collection nicely. Colour blocking offered a bold alternative to the nude tones and for evening wear seamless shapes created a statuesque appearance.

Men’s looks were also oversized and loose fitting. Slightly resembling the style of the eighties – much like the show soundtrack. Trousers were baggy but still chic and shirts featured wide arms and long jackets completed the looks. Utility wear was key to the men’s collection too, which even featured dungarees and sports inspired styles.

Fabrics were, as always exquisite. Luxe leather in rich tones, sheer chiffon, and seamlessly cut cotton – everything in this collection felt perfectly neat and clean.

When it came to footwear of course this is what everyone was looking at, and they weren’t disappointed. Laser cut boots and open toe shoe boots felt almost transitional in season, but there were high summer styles too in the form of open toe platform wedges, as well as ankle tie sandals. Clog style shoes in suede and leather wear paired with evening looks and of course there where high heeled options in the form of chic architectural heels. For men, shoes were mostly casual, again with a laser-cut design, this time on sneakers and plimsolls. Accessories came in the form of thin leather belts, which broke up the loose-fitting pieces by clinching in the waist. And there was a strong sunglasses offering – with the cat eye shape taking the lead.

Towards the end of the show came more colour and bold tropical prints. Red and pinks were worn together as chic day wear. Netted dresses that would make sophisticated beach wear also put an interesting twist on the collection.

Created for the chic and sophisticated man and woman, this collection does just what it needs to do.

Tod’s SS19 collection is one you’ll want to look at again and again. Muted hues created a soft rainbow of colour that ranged from cobalt blue to blush pink – soothing and welcoming on the eye.

This collection was about the Italian holiday – the chic elegance of Tod’s was emphasised in with looks fit for a summer getaway in Capri – the Italian House provided everything you would need in your suitcase in one collection. Loose fitting shorts, ruffled skirts, printed trousers, relaxed shirts cropped trousers, lightweight blazers in prints and stripes. And chic easy-to-wear dresses. Luxe fabrics like soft leather, suede and raffia were worn together complementing each other. There was a utility influence with long-sleeved shirts and chino style trousers paired together.

Each individual look was tonally coherent and complementary of the look before and after it. Different tones of the same hue were used to create each look ensuring it was soft and welcoming to look at.

The only colour clashing came from the accessories – and even this was muted. Brown and black leather cross body bags were worn over casual looks and raffia style beach bags were paired with shorts and dresses. Shoes came in the form of espadrilles that ties at the ankle and flat sandals. Of course there were loafers (it wouldn’t be a Tod’s collection without them), but they had a more relaxed feel and were embellished with tassles and fringing. Neck ties brought a chic holiday feel while mirrored sunglasses were essential.

When it came to the men the same colour rules applied – with brown being the colour of the season. Brown suits, shirts and trousers were worn with preppy style blazers. Casual chinos were belts at the waist and worn with suede loafers, Denim was also a key part of the men’s offering with blazers and jackets in denim fabrics.

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Milan Fashion Week SS19: Emporio Armani

Milan Fashion Week SS19: Moschino

Emporio Armani proved the logomania trend is most certainly not dead yet. Models wore pieces emblazoned with the EA initials and brand’s motif at a flight-inspired show at Milan’s Linate Airport. Guests were asked to board the show at check in desks and the flight theme even required attendees to pass through airport style security. The logos were seen on sport inspired pieces for men and women allowing the brand to keep up with its younger audience who have a demand for the heavily emblazoned style.

The collection was created for the cool and trendy jettsetter – ready to set off on his holidays at any given moment, he will need the ultimate travel wardrobe. The sporty pieces were made for any climate – with light and loose fabrics, perfect for the heat. Men’s suits were relaxed and paired with trainers, and were worn without a classic shirt but instead just a necktie and blazer. Of course there were also smarter pieces in the form of classic evening wear for women and double breasted suits for men. The colour palette was a muted rainbow of greys, soft khaki and mauve – brought to life with flashes of electric blue and neon green.

Accessories were functional – waist bags were worn by men and women, while visors and neckties are perfect for day and night wearing.

Jeremy Scott’s spring/summer 19 offering for Moschino quite literally brought to life his sketches. The collection celebrated the crafts of design and the elements that go into the creation process. Many of the looks featured prints that were suggestive of felt tip pens colouring in, mirroring the sketches the designer creates ahead of his show. Jeremey had posted one of the sketches on the brand’s Instagram account earlier in the day to highlight his style of sketches and the ready-to-wear pieces brought this to life.

Stockings, T-shirts and accessories were ‘coloured in’ with a felt tip affect, while stripes and patterns looked as though they had been drawn onto garments with the same felt tip pens. The show setting had sketches plastered on the walls and roles of unused materials placed next to the catwalk.

And it wasn’t only the felt tip effect that referenced the putting together of a collection – models wore looks that mimicked the tools used by a fashion designer. A scarf that looked like a tape measure, a huge pair of metallic scissors worn over a dress, some models even walked the catwalk with the remainder of a role of material still attached to the garment they were wearing. One model was even dressed as a mannequin. It seemed Jeremy really wanted the audience to understand the elements that go into creating a collection.

Of course a designer with model friends attracts the models of the moment and Kendall Jenner, Gigi Hadid and co were all leading the way on the catwalk. Gigi in fact closed the show in a fantastical wedding gown. Cropped above the knee and featuring a huge moving train of butterflies that had to be carried by four men.

Evening wear started off chic with a black lace jumpsuit but became more glitzy and creative as the looks went on. Pink sparkly materials fit for a Barbie doll made the collection full on girly.

Scott also used the show to promote his new fragrance Toy 2. Kendall Jenner walked the runway carrying a huge oversize  model of the scents teddy bear shaped bottle.

All in all another quirky yet unpredictable collection from the extravagant designer.

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Milan Fashion Week: Prada

Milan Fashion Week: Fendi

Moncler x Simone Rocha.

Tonight Moncler presented the second chapter in its Moncler Genius story, an opportunity to discover the latest collections and collaborations with international designers bringing their own unique style to the Moncler brand.

The star of the show was British designer Simone Rocha, who presented a limited edition capsule collection in collaboration with the brand in Milan tonight. Simone worked on a collection that brought together the beauty of design function. She created multi-functional pieces that kept the brand’s key values but put her own unique twist on this multi-purpose outerwear. Think stylish ski-wear that’s multi-functional and stylish yet warming for winter.

Moncler x Simone Rocha.

British designer Simone’s quirky and feminine creations were inspired by the Victorian Climbers of the 19^th Century and combine this classic silhouette with the designer’s trademark feminine floral prints which appear on many of the pieces.

Moncler x Simone Rocha.

 

During the design process Simone described what the Moncler brand means to her; “Moncler means nature, protection, activity, ambition, refinement, establishment and personality. A mix of beauty and function is my interpretation of it.”

Simone’s collection follows the recent launch of the Moncler X Valentino range and promises to give functional yet feminine edge to the brand.

While summer brings minimal make-up, autumn is all about experimenting and trying bold new hair and make-up looks.

This year is no different, with a plethora of game-changing beauty creations seen on the catwalk. The encouraging thing for 2018 is that many of these looks are easy to create at home. In many cases the addition of just one or two beauty products to your make-up bag will allow you to create a completely different look.

We countdown the looks that are most versatile and eyes to recreate at home.

BRIGHT EYES

Don’t be afraid to experiment with bold and bright colours on your eyes. Citrus tones of blue yellow and orange, as well as blues and purples were seen on the runway at Marni Prada and Dries Van Noten. Choose a shade that complements your eye colour for a full impact look. For green eyes, purple hues work well, while for blue eyes, orange tones will really brighten up your face.

THE TOP KNOT

Finally our dreams have come true – the messy top knot way of styling your hair (which we all do at home), is finally acceptable to be seen with in public. Chanel and Prabal Gurung made this fuss-free hairstyle on trend when it sent models down the runway with loosely pinned top knot buns. Styling your hair in the morning has never been easier.

GLITTER BUG

Models looked like they had been fighting with a tub of glitter at Givenchy and Preen by Thorton Bregazzi, who both created full on sparkly make-up looks. At Preen glitter was sprinkled unevenly across the face and hair while at Givenchy the full face was painted with glitter. While these high fashion looks are best left on the catwalk, use them as inspiration to add glitter to your eyes, hair or even lips.

LASHINGS OF LASHES

Eyes were all about exaggerating your lashes at the fall/winter shows. The sixties style lashes were out in full force at Anna Sui, who highlighted thick black lashes with pink and purple hued eyeshadow, while Givenchy presented spider-like black lashes, and Dries Van Noten went for a statement look with colourful lashes. Make sure you invest in a great mascara this season, it will be your most-used purchase for sure.

BOLD RED LIPS

The classic red lip is back – not that it ever really went away – but this season it’s the must have look for all. At Alexander McQueen lips were a crimson matte shade, while Brandon Maxwell presented glossy bright red lips. Erdem opted for a more subtle shade of burgundy. Whichever colour you prefer, everyone can up the ant on glamour with a statement red pout.

GLAM PUNK

A rebel theme came through in the form of punk-inspired looks at Miu Miu and Max Mara. Eyes were dark and grungy while hair was given a sixties meets eighties beehive at Miu Miu and at Max Mara hair was pinned in a messy half up’ half down style. Lips and cheeks are to be kept natural so there is a strong focus on the eyes.

Want to lose weight and tone up in the city’s most luxurious environment? The Bvlgari spa and workshop has the solution…

The Bvlgari Resort & Residences Dubai is the ultimate in luxury destinations and of course so is their spa and fitness workshop.

Located on the ground floor the Bvlgari Spa is 1,700 square metres of absolute luxurious wellbeing. Designed by architect Antonio Citterio Patricia Viel, the spa has a unique and modern design. The spa features a number of amenities including an indoor pool, hamman and a 24-hour fitness centre with a Workshop fitness studio.

A&E was lucky enough to experience this oasis and in particular the Workshop programme on offer to clients wanting to achieve goals of weight loss and fitness.

FITNESS CENTRE

Bvlgari’s fitness centre is equipped with state-of-the-art gym equipment. With cardiovascular and strength machines as well as a free-weights area all with views overlooking the ocean and the Dubai skyline. Hotel guests and spa members can benefit from the resort’s in-house personal trainers, who are on hand to help guests train or achieve their goals. They will also create life-changing fitness routines through the Workshop Programme.

THE WORKSHOP PROGRAMME

Founded by Lee Mullins, who has been names as one of the world’s best personal trainers, the Bvlgari workshop offers a unique and pioneering approach to working out. Based on its innovative framework assessment that looks at both the body and mind, experienced trainers will guide clients on how to achieve their best – whether it’s weight loss, toning or just achieving a healthier lifestyle.

Clients begin with a movement and nutrition genetic analysis to determine the style, duration and frequency of exercise that will suit them and their needs. They will then receive a food intolerance test that looks at 95 foods that may be hindering them from achieving their goals.

Metabolic testing uses an exercise bike or treadmill to determine what training intensity the client needs to work at to burn the most fat possible, and a functional movement screening helps to identify the limitations, imbalances and asymmetries in seven fundamental movements of the body. Finally a body composition assessment determines where an individual stores stubborn fat, helping to identify hormonal imbalances and other health concerns.

Once you have received all this the expert personal trainers will be on-hand to help clients achieve their goals whatever that may be. Clients can use any of the facilities within the spa to accompany their journey on the programme.

THE SPA

After your work out you will almost certainly need a visit to the spa. The Bvlgari spa features seven treatment rooms as well as a treatment suite for couples.

Welcoming both men and women, the spa uses only the highest quality products from brands including La Mer and Amala. The changing rooms are just as impressive as the treatment rooms featuring hammams, saunas, ice fountains and cooling showers – all connected to a relaxation room. 

The spa’s signature treatment is the Bvlgari Royal Lulur – a three-hour relaxing experience known as an exotic indulgence; a body polishing and exfoliation treatment used by royalty in the palaces of Central Java since the 17th Century.

Using an exotic blend of therapies this treatment begins with a welcoming foot ritual, followed by a skin-exfoliating lulur scrub of rice powder and spices. After this you will receive a full-body enveloping algae mask to refine the skin. Meanwhile a cleansing facial takes place and the feet and legs are treated to an intense reflexology massage.

Guests then step into the Rasul  to cleanse and refresh before a four-handed body massage to finish. A complete relaxing and calming experience that is great for couples to experience together.

THE HAMMAN 

Guests may visit 41 square metre hamman. Inspired by traditional Turkish design the Hamman is created with Afyon marble and Iranian green onyx for a classic yet modern design. The slab used for the treatment was cut in a book-matched style that looks and feels ultra-luxurious.

Hand selected in Turkey by Antonio Citterio Patricia View who saw it’s cutting this marble is something that must be seen in the flesh. The Hamman is also available for private bookings.

THE POOL 

When it’s too hot outside head to the spa’s 25-metre indoor swimming pool with views overlooking the ocean. This luxurious pool is  the perfect place to unwind and relax.

Adjacent to this is  the Vitality pool, which was based on the Caracalla baths, which also happens to be the inspiration for Bvlgari’s Diva jewellery collection. Lined with shimmering green and real gold mosaic tiles it is designed to cleanse and detox the skin with massaging jets of air and water, relieving tight muscles and increasing circulation. The perfect place to unwind and de-stress after a busy day.

The Lebanese designer Hussein Bazaza discusses the vision for his brand and finding harmony among the chaos of life.

Hussein Bazaza is a man full of inspiration. So it is quite ironic then that his latest collection Lilli is actually based on a lack of inspiration.

In a very clever twist Hussein’s fall/winter 2018 presentation brings to life a lack of passion and creativity and with a darkness of monotone colours overshadowing the collection. Lili presents a hasher style through geometric cuts, rough leather, and noticeable stitching. The pieces are glitched and blurred with hazy effects through embroidery, beading prints and motifs. This approach may seem chaotic on the surface but when the collection is seen as one it is a perfect harmony.

Hussein Bazaza has gone from strength to strength since launching his brand in 2012. The Lebanese designer took time out of his hectic schedule to get personal with A&E and reveal what the man behind this namesake brand is really all about.

Describe your fall/winter 18 collection in three words.

Fierce, edgy, and dramatic.

What is inspiring you right now?

Monsters and perfection.

How would you define your signature design style?

There’s a lot of color blocking involved; I love playing with colors and matching what most would think do not match. Also the handmade lace collage technique is seen in every collection which I will forever create since the mix of laces turn out similar to a painting. Then there are the geometric cuts which modernize my looks without losing the classic feel.

If you had to choose one piece only from the fall winter collection what would it be?

The “heartless” sweater.

What challenges do you have when putting together a collection?

There are two challenges I most often face when creating the next collection. Designing pieces that are creative yet sellable at the same time is one of them; the piece should have a strong artistic identity to it, yet not to the extent of being unable to wear it due to its dramatic intensity. The other challenge would be merging our ready-to-wear pieces with our couture pieces all in one collection and having them presented in harmony with each other.

What state of mind do you need to be in to design?

I need to be living the story with my character so that the pieces come out telling it.

What trends and patterns in the industry are of interest to you right now?

Nothing specific to be honest. For me it’s always the story behind the collection that comes first and then I decide if a specific trend or pattern to suit it.

How do you want a woman to feel when she wears your clothes?

Empowered, different and daring: empowered to take on anything that comes her way, different from every person in the crowd and daring to proudly stand out.

Have you ever considered designing menswear?

Many times but I still haven’t found the right time. I had actually produced unisex sweaters last winter and the latest “watching heart” t-shirt is for both men and women as well. Hopefully the future will hold a menswear collection from our brand.

What do you think makes your brand unique?

It is safe to say that the style of the brand is quite different than the typical style in the region’s fashion scene. The brand’s signature designs and techniques really help it stand out. The stories behind every collection give it a creativity worth waiting for every season. The consistency of the brand as well plays a big part, and we opt to offer a different mood every time.

How do you think your home country of Lebanon has influenced you?

In many ways. Beirut is a contrast of beautiful sceneries and chaotic landscapes. Because of that, I think I have learned to appreciate the beauty in things that aren’t considered beautiful.

Where do you like to travel to?

Anywhere where I can get to learn about cultures. It doesn’t have to be a new country, it can be a road trip somewhere in Lebanon.

Which other brands are interesting to you right now?

I am usually more interested by the designers behind the brands. Pierpaolo Piccioli for Valentino is my favorite.

Talk us through your daily routine.

My days are never really a routine,  I am either spending time with my team in the atelier surrounded with sketches, fabrics and my favorite chaos or with clients. I very much enjoy both; one unleashes my creativity and the other allows me to showcase it to people who appreciate it.

What about your design process – where do you start from?

Always starts with a story, I envision it and try to live it in my mind while sketching drafts of a few pieces. Everything flows after that, including the cuts and choice of fabric. A lot of alterations happen throughout the process; sometimes I also eliminate designs if I feel they turned out to be off storyboard.

Who influences you most in your life?

Everyone around me influences me.

What makes you happy?

I’m the happiest when surrounded by my closest friends in a private gathering.

What angers you?

Not being able to sketch when I am inspired.

When you’re not working what do you like to do?

Watch movies at home and think about my next inspiration.

Will we get to see more of you in the UAE?

Yes for sure. I’m always looking for the right opportunities to expand the brand especially in the UAE. I’ve always been fascinated by the country, its ambition and its cosmopolitan culture which resonates with my creations.

What do you think makes someone a successful designer?

Understanding the needs of their clients and staying consistent in the fashion scene. People like to refresh and have new things offered to them every season, so designers need to meet those expectations in order to stay on top of their clients’ minds. The challenge is to attract people’s attention every season with a new story without losing the brand’s identity and core DNA.

Tell us something about yourself that no one knows.

I like to be a little mysterious!

What are you aspirations for the next few years?

To keep growing, learning and succeeding while positively impacting people I encounter along the way.

In a first for the region, the Louvre Abu Dhabi brings together 19th and 20th century paintings, prints and screens that celebrate the artistic cultural  dialogue  between Japan and France, and the  important influence of the colourful ukiyo-e aesthetics on modern  decorative arts.

The Japanese Collections: The Birth of Modern Décor exhibition will be the first in a season of exhibitions at the city’s sought after art gallery.

Paul Sérusier (1864–1927) Women at the Spring, c.1899, Distemper on canvas, Musée d’Orsay, Paris © Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt

Utagawa Hiroshige (1797–1858) The Bank of the Sumida River in Edo 1858 Print © Department of Culture and Tourism – Abu Dhabi / APF

In 1853 Japan’s trade opened to the West for the first time in 220 years, giving rise to a deep fascination with its culture and Far Eastern aesthetics that lasted in Europe for 50 years. During this time, woodblock prints and paintings in the iconic ukiyo-e style influenced some of Europe’s most renowned painters.

Utagawa Hiroshige (1797–1858) Fuji from Yoshiwara (14th station), from the series Fifty-Three Stations of the Tōkaidō 1833–34. Print Paris, Musée National des Arts Asiatiques – Guimet © RMN-Grand Palais (MNAAG, Paris) / Harry Bréjat

The exhibition will present 41 artworks and 15 documents by 12 artists including French artists Paul Sérusier, Pierre Bonnard, Maurice Denis, Ker-Xavier Roussel and Édouard Vuillard who made up the renowned Nabis group of artists; Marguerite Sérusier and Odilon Redon; and the five Japanese ukiyo-e masters: Katsushika Hokusai, Hara Zaimei, Utagawa Hiroshige, Kano Tanshin and Toshusai Sharaku.

Odilon Redon (1840–1916) Decoration for the dining room of Baron Robert de Domecy, 1901. Yellow Frieze, Oil, distemper, and pastel on canvas, Paris, Musée d’Orsay © RMN-Grand Palais (Musée d’Orsay) / Hervé Lewandowski

The exhibition will be divded into four sections that illustrate the influence of the ukiyo-e principles. The presentation will also include 10 printed screens that originate from Japan as well as the European artist’ works. The Japanese works include South Wind, Clear Sky from the series Thirty Six Views of Mount Fuji (1831-32) and Yôrô Waterfall in Mino Province (1830-1834) by Katsushika Hokusai, the most renowned ukiyo-e master.

Pierre Bonnard (1867–1947) Nannies’ Promenade, Frieze of Carriages, 1897 Screen composed of a series of four lithographic prints in five colours. Paris, Musée d’Orsay; Paris, Bibliothèque Nationale de France, Prints and Photographs Department © RMN-Grand Palais (musée d’Orsay) / Michèle Bellot

Alongside the exhibition, the museum will run a public programme that celebrates the arts and culture of Japan, inkling a Big in Japan festival on October 26 and 27, which will feature poetry, Japanese cooking classes, film screenings and more.

The collection has been assembled from the collections of Louvre Abu Dhabi, Musée d’Orsay, Musée national des Arts asiatiques – Guimet and Musée des Arts Décoratifs (MAD) and will run until 24 November.