Eliza Scarborough, Author at A&E Magazine

A&E Editorial: Burberry SS18

Burberry street art, remastered classics with a tomgirl sensibility. See our editorial shoot in full below.

Multicoloured graffiti archive scarf print silk twill shirt dress, Canary yellow graffiti print stretch-jersey turtleneck bodysuit, The Barrel Bag in black leather

ALL BURBERRY

LEFT IMAGE: Vintage check wool boxy-fit blazer, Honey stretch modal-silk turtleneck top, Amber yellow graffiti Vintage check print leggings

RIGHT IMAGE: White equestrian logo print shell jacket with drawcord waist, White stretch cotton-linen-blend tailored trousers, The Rope Stiletto in azure blue patent leather

ALL BURBERRY

LEFT IMAGE: Bright red double-faced wool-cashmere oversized car coat, Military red and stone rib-knit cashmere-silk polo shirt, Bright red stretch cotton-blend high-waisted jodhpurs, The Bucket Bag in black leather, Vintage check cotton baseball cap, The Rope Stiletto in taupe grey patent leather

RIGHT IMAGE: Multicoloured graphic intarsia mohair-silk sweater, Black wool-silk jodhpurs, Multicoloured graffiti archive scarf print cotton bucket hat, The Rope Stiletto in black

patent leather

ALL BURBERRY

LEFT IMAGE: Multicoloured graffiti archive scarf print cotton short-sleeved jumpsuit, Sky blue and lemon yellow rib-knit cashmere-silk roll-neck sweater, The small D-ring bag in black leather

RIGHT IMAGE: Pale pink and barley yellow rib-knit cashmere-silk crew neck sweater, Multicoloured graffiti archive scarf print cotton-silk oversized short-sleeved shirt

ALL BURBERRY

LEFT IMAGE: Navy spotted wool tailored jacket with peak lapels, Canary yellow graffiti print, stretch-jersey turtleneck bodysuit, Navy spotted wool tailored shorts, Canary yellow graffiti print leggings, The Pin Clutch in black leather, The Rope Stiletto in black patent leather

RIGHT IMAGE: Honey tropical gabardine oversized car coat with hand-painted buttons, Ochre yellow and bright pink rib-knit cashmere-silk polo shirt, Dark forest green and pale pink rib-knit cashmere-silk roll-neck sweater, Canary yellow graffiti print leggings

ALL BURBERRY

Fashion Director: Eliza Scarborough

Photographer: Jenny Brough

Hair & Make-up: Dani Guinsberg

Model: Nicole at Select

4 Ways To Keep Your Clothes Looking Brand New

Chances are that your wardrobe is a considerable investment, and needs to be taken care of to ensure that the items in it stay in pristine condition. Alongside the necessary products to use at home, other important essentials are a good alterations tailor and a great dry cleaner, for protection and repair.

HANGERS

If you wear suits and blazers, you need high-quality solid wood hangers, and you need to invest in the proper hanger for each article of clothing. It is also just as important to make sure your closet is organised. Keep your jackets spaced out, so they don’t crush each other, and focus on ensuring everything hangs properly without creases.

SUIT BAGS

The bag your suit often arrives in from the store isn’t just for travel. It also makes an excellent accessory that can keep your suit in pristine condition as it hangs in your closet waiting to be worn. These garment bags are especially useful for storing seasonal clothes and if you want an upgraded style, Bottega Veneta’s leather version is super stylish and chic.

CLOTHING BRUSH

Forget the lint roller, the clothing brush is what you need. Not only is it more effective, but it doesn’t harm the fabric of your finest threads. A good quality clothes brush will quickly become your most valuable tool for ensuring you always look dapper and neat. Go the extra mile, and ensure your clothing is the best condition by using The Laundress’ handy set of care products between washes.

SHOE CARE

Shoes are often left for the cobbler, but if you live by the understanding that shoes aren’t just an accessory, but actually one of the core components of dress, you might take that extra bit of care with them. Having a shoe shine kit, shoe horn and shoe trees are vital to ensuring your shoes last and look great every time you put them on.

Can Wearing These Colours Affect Your Mood?

LOUIS VUITTON

There is a science behind colour, and we see it every day. It affects how we behave, our thoughts, feelings, first impressions and even how we spend our money.

For instance, the colour green has been scientifically proven to make us feel more peaceful. It also encourages us to feel healthy, which is why hospitals are often painted green, and since it makes you feel healthy, companies like Whole Foods have used the colour green to entice customers.

A colour palette is not just confined to the walls around you, and instead can say a lot about you by using the tool of hues in your wardrobe. The colours you wear influence those around you, and can have a direct impact on everything, from how you’re perceived by others, right down to how well you succeed. So, although sticking to neutral tones is an easy way of avoiding a fashion faux-pas, with this in mind, colour needs to be embraced.

Now is the time to stand out, and our guide will ensure you won’t go far wrong with your colour coordination.

How To Wear Shorts With A Suite

Until just a few years ago, wearing shorts in town was regarded as something of a bad look. In 2011, no less an authority on men’s style than Mr Tom Ford decreed that they, ‘should only be worn on the tennis court or on the beach’. In stating this opinion, he seemed to be echoing the words of one of his predecessors, the couturier Sir Hardy Amies, who wrote in 1964 that a man should, ‘never wear shorts except actually on the beach or on a walking tour’.

How things have changed, as shorts are back, and not of the baggy, cargo-pocket variety. On the men’s runways for Spring Summer 2018, suiting became a lot more summer appropriate. Take yourself back to the Nineties when Versace first decided to put a short suit down the catwalk, and then look at the current collections where the it appears to have come full circle. The shorter they were, the better, Gosha Rubchinskiy’s were micro-size versions of Adidas soccer shorts, while Kim Jones had the Louis Vuitton models walk in looks that paired leather shorts with shirts, changing the face of corporate dressing. Over at Dior Homme, Kris Van Assche stripped things right down to the crux of Dior’s roots. The traditional black suit and white shirt was given centre stage, but it sat alongside a new youthful energy, as he blended sportswear by way of short shorts with tailoring. He wanted the collection to harken back to the uniform of schoolboys and those short shorts paired with tuxedos certainly did that.

DIOR HOMME

While suiting is always a regular at the men’s shows, the short suit is a clear example of the ever-evolving nature of men’s fashion. No longer are shorts reserved only for sport or casual wear, so if you’re looking for summer suits, then the short suit provides an old school class with an innovative fresh style that is perfect for any summer occasion, and we show you how to pull it off with our comprehensive guide.

How to Wear Shorts with a Suit

When actually wearing a short suit, you must consider two important factors. Knowing your own body shape, as well as the fit of the short suit, is integral to making a summer short suit work. Unfortunately, the very nature of this outfit doesn’t suit every body type and can make you look like a school boy. To avoid this, a particularly tall and slender build is going to fit a short suit the best. However, if you do have a bigger build, make sure you buy a short suit that fits properly, as anything too baggy or tight will end up looking disproportionate. If you’re struggling to find a matching jacket and shorts for your short suit, there are other alternatives, either buy a pair of normal full-length suit trousers and have them shortened by a tailor, or see it as an opportunity to experiment with different combinations of shorts and jackets.

What Jacket to Pair your Shorts With

When it comes to deciding the type of shorts to wear with your short suit, a lot of it comes down to the jacket, as the jacket or blazer will still ultimately be the principle component of your outfit, and you will want to base the rest of your suit around this. As the short suit is almost definitely a summer outfit you will want to be wearing brightly coloured, light materials. A linen suit jacket is an obvious go to for this summer outfit, or you can alternatively experiment with vibrant colours and patterns. Once you’ve got your jacket it is important that you get a pair of shorts that complement the outfit as a whole. Despite what you may think, this doesn’t necessarily mean the shorts have to be the same colour, material, or pattern as your jacket. In fact, your outfit may even benefit from a mixture of styles.

How Long Should Shorts Be

In order to wear this trend in the most stylish way possible, it’s essential to get the length and width of your shorts correct. The hem of your shorts should sit just above your knee cap, and be no more than three inches above it. On the other hand, your shorts shouldn’t be too long either, and anything lower than halfway down your knee cap is probably going to be too long, and will ultimately make your legs seem shorter. As it goes, skinnier shorts are almost always going to look better in a short suit outfit, especially if you’re wearing a slim fit jacket. If you’re wearing a pair of loose fitting or casual shorts, not only will it take away the stylish balance of the suit, but it will make your legs appear skinny.

Shoes to Wear with Shorts

The first, and most important, thing to remember when finding a pair of shoes to go with your short suits is no socks, ever. In terms of what shoes to wear with a short suit there are many different options. Possibly the most classic choice would be a pair or black or brown leather Penny loafers. The uncomplicated and slick nature of the loafers looks great without any socks and adds a stylishly formal touch. If you’re not a fan of slip-ons, or require laces, then a pair of low cut brogues are a great addition to a short suit, although avoid wearing oxford shoes as these are likely to look too formal for the outfit and will disturb the perfect smart casual balance that the short suit brings.

The Life And Legacy Of Alexander Mcqueen

Alexander McQueen was one of the greatest designers that ever existed, who shaped the meaning of contemporary fashion with outlandish designs in theatrical shows. His creativity had no bounds and he was as fearless in his studio as in his personal life.

McQueen’s tragic suicide in February 2010 left the world in shock, but he left behind a fascinating body of work from a career that spanned more than two decades. This British designer’s collections continue to be questioned, picked apart, and analysed in desperate attempts to better understand and fully appreciate his untamed imagination.

Born in Lewisham, UK, on 17 March 1969, Lee Alexander McQueen left school with just one academic qualification, art. However, it was McQueen’s training at Anderson & Sheppard on Savile Row where his career in fashion design began, sparking a knack for razor sharp tailoring and using methods such as cutting and construction. He went on to attend London’s prestigious Central Saint Martins, where his outstanding technical skill immediately began to emerge. So too, did evidence of a darkly-inclined imagination, apparent in his 1992 graduate collection entitled Jack the Ripper Stalks His Victims. The designer became fast friends with influential fashion stylist Isabella Blow after she bought his entire graduate collection and persuaded him to use his middle name, which helped launch his infamous career and introduced him to an elite social circle.

McQueen became head designer of Givenchy, a tenure he held from 1996 to 2001, all the while amassing funds and making plans for his own eponymous label. In 2000, Gucci bought a 51 percent stake in Alexander McQueen’s private company, and provided the capital for McQueen to expand his business. In 2003, McQueen was declared International Designer of the Year by the Council of Fashion Designers of America and A Most Excellent Commander of the British Empire by the Queen of England, and was awarded the coveted Designer of the Year Award at the British Fashion Awards four times. Meanwhile, McQueen opened stores in New York, Milan, London, Las Vegas, and Los Angeles. With the help of Gucci’s investment, McQueen had become even more successful than he was before.

Already known for the flare and passion of his shows, McQueen produced even more interesting spectacles after leaving Givenchy, and it could easily be said of McQueen’s subsequent collections that anything goes, from taxidermy birds of prey clawing at draping vest-tops, dresses constructed entirely from razor-clam shells, gazelle horns protruding from jacket shoulders, but categorising it in such a way would massively undermine his work. Behind each collection was a profound and thoroughly thought-through concept.

SS99

From his ‘Eshu’ designs inspired by the Yoruba people of West Africa, to the 1997 ‘It’s A Jungle Out There’, and his notorious 1995 ‘Highland Rape’ collection, which saw a chaotic army of blood-streaked models stumble down the runway in shredded tartan dresses, McQueen’s designs always reflected, sometimes in admiration and sometimes in dismay, the complex world he observed around him.

In 2007, the spectre of death would come to haunt McQueen, first with the suicide of Isabella Blow. The designer dedicated his Spring Summer 2008 collection to Blow, and said that her death, ‘was the most valuable thing I learnt in fashion.’ Sadly, just two years later, on February 2nd 2010, McQueen’s mother died, and one day before her funeral, on February 11th McQueen was found dead in his Mayfair, London apartment.

However, this did not cause the demise of an already incredibly successful label, and instead it has flourished with Sarah Burton at the helm. In 2000, Burton was made Head of Design for womenswear, and in May 2010, promoted to Creative Director of the entire Alexander McQueen brand, having worked alongside McQueen for more than 14 years. In April 2011, she received global recognition as the designer of the wedding dress for HRH the Duchess of Cambridge, Catherine Middleton, on the occasion of her marriage to HRH Prince William. Since her appointment as the brand’s Creative Director, Burton has produced critically acclaimed collections with a focus on handcraft, establishing herself as a highly accomplished designer with artisanal and technical expertise.

AW09

Alexander McQueen’s rise from lower-class high school dropout to internationally famous designer is a remarkable story. His clothing was first and foremost an art form, and a business second. He is therefore one of only a handful of designers who can claim to have truly revolutionised the industry. His bold styles and fascinating shows inspired and wowed the world of fashion, and his legacy lives on

MCQUEEN’S MOST MEMORABLE MOMENTS

Controversial, provocative, and imaginative, these moments celebrate his vivid life and work.

Models walked down a runway made of water-filled Lucite tanks for SS98, wearing tight snakeskin dresses and tailored intarsia suits. They were dressed in all white for the finale and bringing literal meaning to the term ‘make it rain’, golden drops fell from the sky soaking the models and the clothes.

The finale to McQueen’s SS99 show was part live art, part catwalk and instant fashion history. Supermodel Shalom Harlow, dressed in a simple strapless white dress, strode down the runway and onto a wooden plinth. As the plinth began to rotate two mechanical robots sprang to life and spray painted the dress in black and green paint creating a priceless and utterly unique piece of fashion right in front of the eyes.

A scan of McQueen’s brain adorned the photocopied invite for AW03, where a rock and ice-covered runway, with a giant Perspex tunnel suspended above it, set the scene in a hall on the outskirts of Paris. McQueen had melded Eastern and Western influences, with the windswept passage representing the journey from East to West.

After her tragic suicide in 2007, McQueen dedicated his SS08 show to his friend, mentor, and most avid fan Isabella Blow. Known for her bold, fashion forward look, her love of risk taking and her playful way with colour and proportion, McQueen’s collection used all of these to varying degrees along with Prince of Wales check to symbolise Blow’s British heritage, together with hats provided by Blow’s other protégé Phillip Treacy, and a series of pieces featuring a bird motif.

McQueen had touched on taxidermy in a number of his previous shows but never to the extent of placing a veritable menagerie on his catwalk as he did for SS09. Inspired by Darwin’s theory of survival of the fittest and the effects of human industrialisation, this highly structured collection was full of colour, print and a youthful energy which set it apart from McQueen’s darker, angrier shows.

For AW09 the set was a scrap heap of debris from the stages of McQueen’s own past shows, surrounded by a shattered glass runway. The clothes were, for the most part, high-drama satires of twentieth-century landmark fashion, parodies of Christian Dior houndstooth New Look and Chanel tweed suits, moving through harsh orange and black harlequinade looks to revisited showstoppers from McQueen’s own archive.

McQueen’s SS10 show made news before it had even begun. The plan had been to live stream it on SHOWStudio, one of the first times this had been attempted, until Lady Gaga tweeted about it 30 minutes before the start and promptly crashed the website. When the show began the clothes, beautiful in an alien meets reptile meets butterfly way, were almost completely overshadowed by shoes so high the models were en pointe.

It was a low-key affair which accompanied McQueen’s last collection for AW10, which was 80% finished at the time of his death. But whilst the mood may have been sombre, the clothes were a fitting celebration of everything that had made McQueen such an influential fashion designer, the rich fabrics, clever structure, intricate embroideries, and genuine celebration of the female form were present in all 16 pieces.

14 Superfoods For Glowing Skin

Gorgeous, healthy skin starts from within, so it’s important to make sure you’re nourishing your skin with an abundance of skin-loving nutrients to keep it looking healthy and radiant.

Rather than turning to topical solutions for a problem complexion, instead eat your way to radiant, glowing skin, by changing what’s going in to your body instead of what’s going onto it. Here we explore the very best vitamins for your face and why you need to include them in your diet and skincare regime.

ALMONDS

An extremely rich source of Vitamin E, the skin-beautifying antioxidant which makes the nerves stronger and helps in nourishing your skin from with, almonds help create smoothness and suppleness.

CHIA SEEDS

These antioxidant-rich seeds are packed with minerals and fibre and are the perfect balance of essential fatty acids, which will give a glow to your skin. Sprinkle them into smoothies and fruit salads, or soak them in almond milk overnight for a tasty pudding.

EGGS

Eggs contain everything needed to bring life and are best known for protein, which is especially needed for collagen production. In particular, the yolks are most beneficial as they’re full of skin clearing selenium, zinc and protein, among other vitamins.

AVOCADOS

They are great for the skin as they are omega rich and known to be a strong source of vitamin E, which works to boost the skin’s vitality and luminosity. Vitamin E is also a potent sun blocker, helping to protect the skin against the sun’s damaging UV rays.

WATER

No, water isn’t technically a food, but it’s the oldest trick in the book and the cheapest, easiest way to keep your skin gorgeously glowing. Water ensures a healthy metabolism, which will in turn keep skin healthy and glowing.

GARLIC

Garlic is full of a naturally occurring chemical called allicin, which, when digested, acts against harmful bacteria, including that which causes acne and other skin infections. To ensure you get the best out of it, it is best served raw.

SQUASH

Everything from pumpkin to butternut including their seeds and flesh are filled with goodness. They contain plenty of beta-carotene known to be great for regular skin cell development and healthy skin tone.

BRAZIL NUTS

These are a great snack due to the high content of selenium, which is a nutrient that helps preserve elastin, a protein that keeps skin smooth and tight. It also helps protect skin against environmental damage and promotes general good health.

FRESH FISH

As well as being full of omega–3 fats, which help to fortify skin cell membranes and protect against sun damage, fresh, oily fish is great for allowing water and nutrients into the skin while keeping toxins out. In particular, go for fish such as mackerel as it’s loaded with EPA and DHA, both of which combat acne inflammation.

LEMONS

Starting your day with some hot water and lemon detoxifies the body by helping your digestive system and liver eliminate waste quickly. Continue drinking this throughout the day, and squeeze lemon on top of salads and in green juices.

SWEET POTATOES

Adding these beta-carotene-rich starches into your daily diet can combat lacklustre complexions. This is due to the magical skin-brightening combination of Vitamin A and Vitamin C, that works to neutralise cell tissue-damaging free radicals that cause a dulling effect. Sweet potatoes are also rich in biotin, which stimulates hair and nail growth.

BEETS

The powerful antioxidants in beets help fight signs of aging to keep skin firm and youthful. Their combination of minerals and vitamins stimulates cell production and repair, protecting skin from premature aging and wrinkles.

FIGS

This fruit’s tiny seeds are packed with nutrients that help cleanse the digestive track of toxins and mucus, which may prevent important nutrients from getting to the skin. This process is vital to enhancing that inner glow, although since they are naturally high in sugar, limit your daily intake.

SPINACH

This leafy green is high in Vitamin A, necessary for growth in skin and hair. Spinach is also loaded with Vitamin C, imperative for the building and maintenance of collagen, making it a must-have for any meal, juice, or smoothie.

A&E Interviews: Reem Abou Samra

Reem Abou Samra is a business woman at the top of her game with the ownership of fashion, beauty, and lifestyle licenses under her belt. Some of those names include the celebrity hair salon, José Eber Laloge, Versace Kids, and Samra jewellery amongst many. Reem also participates in a lot of charity work and uses her position to give back to organisations such as the Rashid Centre for Disabled children with personal visits to the centre and treatment days for the children at the salon.

Here we speak to Reem about her wardrobe, favourite designers including Chanel, Dior, and Prada, and how she likes to show her strong personality through quirky, eccentric, or limited-edition fashion items.

This Hermès bag was a gift from my husband, and he managed to track it down after I saw and fell in love with it. He spoke with someone in Paris as the bag wasn’t available in Dubai, and surprised me. Adding the Fendi pom pom is my way of giving the bag a touch of my own personality.

Since I am the ‘Queen of Selfie’ I am always taking a lot of photos which I like to wear sunglasses for. When it comes to what style of sunglasses I am fairly relaxed, so long as they are mirrored, and prefer to try new styles across many different brands.

I design my own jewellery and these three bracelets are from the brand which is called Samra. I tend to do the designing at night for my brand, and I made these bracelets for myself which can be worn separately or together. They are very light and wearable for everyday, and come in a set of 3 as that is a very lucky number in the rules of numerology.

Chanel brooches are something that I like to wear to give a simple top that extra bit of detail. Chanel is a go to brand for me because I like the colours, attention to detail, finishings, and the fact that they are timeless pieces of art.

I was invited to a Roberto Coin event and I saw this lion ring, which meant more because of my husband and my daughters’ star-sign Leo. Then the following month was my birthday and my husband surprised me with it, which was very special as the piece is just limited to 10 pieces worldwide.

I like to always wear coloured lipstick, as it is not always possible to do full make-up every-day, and a vivid lipstick will instantly change your look. Also, I feel that when someone sees you in a bright lipstick it makes them happy!

This Chanel bag was a recent purchase, and I am very close to the brand so they tend to contact me when they have exclusive and limited pieces. When I was shown this exquisite piece I was instantly drawn to it for its quirky style, and whenever I use it on a night out I get many compliments with everyone wanting to take a picture of it!

For me, my hair is very important and I won’t go out without my hair extensions. I use my own brand which are very light, easy to wear, and natural. My daily regime uses my own José Eber products, and then every two weeks I will use a Kérastase masque for extra hydration.

I love to wear platform shoes as they are very comfortable together with having the high heel, which is especially important as I will always wear heels. My go-to brands are Prada and Saint Laurent, mainly due to the comfort of their platform styles, although I do have a lot of Christian Louboutin in my closet because I love his designs.

By Eliza Scarborough

Photographer: Henry Pascual

A&E Editorial: Prada SS18

From pop art to manga, comic strips of all styles illustrate an empowering message from Prada SS18 collection.

Popeline compact shirt, Inlaid shetland knitwear, New denim over print skirt, Sling back shoes in calf with comic print, Galleria bag in crocodile, Pop jewels earrings

ALL PRADA

LEFT IMAGE:

Comic print popeline coat with leopard print collar, Silk jacquard top, Printed cotton jersey dress

RIGHT IMAGE:

Embroidered cotton drill coat, Popeline compact shirt, Inlaid shetland knitwear, Printed new denim skirt, Embroidered sling back shoes, Sunglasses

ALL PRADA

LEFT IMAGE:

Comic print popeline divisa coat, Printed cotton jersey dress, Pop jewels earrings

RIGHT IMAGE:

Popeline compact shirt, Inlaid shetland knitwear, New denim over print skirt, Pop jewels earrings, Bag in calf with comic print

ALL PRADA

LEFT IMAGE:

Printed new denim dress with side bow, Popeline compact shirt, Inlaid shetland knitwear, Patent leather sling back loafers

RIGHT IMAGE:

Printed cotton jersey dress, Silk jacquard top, Nylon tec socks, Sling back shoes in calf with polka dot print, Elektra bag in calf, Pop jewels earrings

ALL PRADA

LEFT IMAGE:

Black gabardine active coat , Printed popeline compact shirt, New denim over print shorts, Nylon tec socks, Elektra bag in calf, Sling back loafers in calf with metal studs embellish, Pop jewels necklace

RIGHT IMAGE:

Popeline compact shirt, Jacquard lurex top, Black cotton drill trousers, Lace up shoes with studs

ALL PRADA

Fashion Director: Eliza Scarborough

Photographer: Carla Guler

Hair & Make-up: Scarlett Burton

Model: Kat at Premier

A&E Editorial: Miu Miu SS18

Miu Miu SS18 collection is a meeting of minds, making an impact on an untouched land. Discover our shoot in full as well as the video.

LEATHER PRINTED COAT, COTTON SHIRT, NYLON SOCKS, LEATHER SHOES ALL MIU MIU

LEFT IMAGE: NYLON POLO, COTTON DRESS, NYLON SOCKS, LEATHER SHOES RIGHT IMAGE: ORGANDI DRESS, NYLON SOCKS, LEATHER SHOES ALL MIU MIU

LEFT IMAGE: ORGANDI DRESS, COTTON TANK TOP AND SHORT RIGHT IMAGE: LEATHER PRINTED DRESS, COTTON SHIRT, LEATHER BELT, NYLON SOCKS, SATIN SHOES ALL MIU MIU

NYLON POLO, WOOLLEN DRESS, NYLON SOCKS, LEATHER SANDALS, LEATHER BAG ALL MIU MIU

Enjoy our exclusive Miu Miu fashion film here:

Fashion Director: Eliza Scarborough
Photographer: Carla Guler
Hair & Make-up: Scarlett Burton
Model: Esme at The Hive

Dior Beauty: Blossoming Harmonies

Interpreting the Dior Beauty Art of Colour; a spectrum of pink that evokes a feminine and unconventional look.

ROSY GLOW

Create an even complexion with DiorskinForever Perfect Mousse in Light Beige before swirling Diorblush in Cocktail Peach above the apple of the cheeks, blending upwards. Complement the look with a sweep of Dior Eye Reviver Palette 001 across the eyelids, and a neutral lip, using Dior Addict Lip Glow in HoloPurple, and Rouge Dior Liquid in Sweet Satin.

LEFT IMAGE: OMBRE LIP

This look is all about the lips, so begin with the Dior Addict Sugar Scrub to smooth and plump. Next, apply Rouge Dior Liquid in Sweet Satin in the middle, dabbing it with your finger or a small eyeshadow brush to blend. Add some highlighter in the inner corner of the eye for extra illumination, and DiorshowKhol in KholBeige to the lash line for definition.

RIGHT IMAGE: ILLUMINATED SKIN

Begin by preparing the skin with DiorskinForever & Ever Wear Base, concealing any blemishes and dark circles with DiorskinForever Undercover Concealer in Cameo. Then using DiorskinNude Air Luminizer in HoloPink illuminate points which catch the light, including the cheekbones, browbones, and cupid bow. On the eyes, start by preparing the lids with Dior Backstage Eye Prime, before sweeping over the Air Luminizer.

INTENSE PIGMENT

Using Dior 5 CouleursDesigner in Thrill begin by applying the pink shade under the eye, before sweeping the pearl shade all over the upper lid, and the darker plum in the outer corners. Finally, dab the soft pink shade in the centre of the lid to catch the light and at the inner corner to widen the eyes. Frame the look by brushing the brows upwards, applying DiorshowBold Brow in Light to fill in any gaps.

LEFT IMAGE: VIBRANT BROW

Using mini hair like strokes, brush DiorshowBrow Styler in Pink and DiorshowPro Liner in Pro Pink in the same upwards direction in the first third of the brow. Brush through again to blend and give it a more natural feel. Continue the colour pop feel with a co-ordinating pink lip, using Dior Addict Lip Glow in Matte Pink and Rouge Dior in Romantic.

RIGHT IMAGE: ELECTRIC EYES

Wet an eyeshadow brush and apply the hot pink shade from the Dior 5 CouleursDesigner in Thrill palette, this will give a more intense and vivid hue. Blend over the entire eyelid and outward using the brush, before again with a wet brush, applying the soft pink shade in the centre of the lid, to give a more shimmery finish. Line the lids with DiorshowPro Liner in Pro Pink and add a coat of Dior Addict Lip Glow Color Reviver Lip Balm to allow the eyes to stay the focus.

Fashion Director: Eliza Scarborough

Photographer: Jenny Brough

Hair & Make-up: Kenny Leung

Model: Kirra at Premier

All Clothing Dior

Lelloue Is Bringing Back 90s Poolside Glamour

Lelloue, a new resort wear range inspired by 90s poolside glamour, founded by PPQ’s Amy Molyneaux in partnership with Helen Johnson, is all about living that fabulous life, remixing classic shapes with daring prints, embellishment and luxurious silks and satins.

Based on five themes, Leopard, Sailor Girl, Love Lace, Rose Rock and Black and Gold, the 60-piece collection, which is designed in Madrid and manufactured in Portugal, includes swimwear, chic cover-ups and full on sequinned gowns, designed to take you effortlessly from the boat, to the beach, to the bar.

Here, we chat with Molyneaux who will be responsible for the creative direction of the label, together with her business partner and founder of the brand Johnson, who has a background that incorporates international event management and interior design, and will take on the role of managing director, dealing with business development and production. They share with us the key to a good partnership, their top packing tips, and who the Lelloue girl is.

Tell us about Lelloue?

HELEN: Lelloue is the brand that takes you from the beach to the bar to the boat. The collection contains the perfect pieces that can be layered and co-ordinated with your swimsuit to transform into a cocktail evening, depending on your destination! Whether you want to make a grand entrance in a bold statement piece, or prefer to keep it simple yet sexy and graceful, our lavish swimwear is beautifully cut to fit elegantly with matching gowns, separate resort wear, and tailored pieces for the travelling couture-conscious women.

AMY: Lelloue is the essence of the brand Helen has dreamt of for a long time. A brand formed of real life desires and real-life loves, not just another random selection of bikinis that you cannot relate to.

Why did you choose to launch a resort wear brand?

HELEN: For a long time, I had the desire to create something that would encapsulate my ‘follow the sun’ mentality for the woman who travels the world. I love to travel and have been lucky enough to visit destinations all over the world, yet my struggle was to find the perfect pieces that work both day and night. I generally buy a special outfit for that specific event, which after time became impossible to pack for. Often the events involved beach parties, boats, and evening dinners, with no time to spare to go home and get changed. Now there is no need.

AMY: The calendar of how we dress has evolved hugely over the past few years. Much more than ever before, this is not just about fad trends like puff sleeves. There has been a shift in how we run our lives, but we must not forget that a top still needs two sleeves, therefore the need for practical solutions to even the most glamorous of wardrobes still needs to be addressed. Lelloue has the answers.

Who is Lelloue aimed at?

HELEN: Lelloue is designed for the international woman with a jet-set lifestyle. Fashion savvy and always on trend, she is the hostess of the party and has to look good whatever the occasion. She is sexy, fun, flirty, and oozes confidence. The Lelloue woman knows that with her swimsuit and gracious attitude she can be anywhere and feel like a goddess. You’ll see her dancing at pool parties in Ibiza, tanning on the beaches in the Caribbean, or masquerading on the super yachts in St Tropez. Just as easily as you would find her in a tranquil setting at a friend’s BBQ.

AMY: I think Helen has nailed it with her description, and I can just add that high cost is not the common denominator in the travel heavy designs we offer. Our collections are for strong minded women with achievable and high-end prices within each group.

What do you feel will set you apart from an already increasingly saturated resort wear market?

HELEN: The brands versatility allows you to be on the move, with minimum effort and maximum style, literally going from beach to bar. We have a strong design aesthetic which you can see reflected in our brand, and you don’t have to go looking for alternatives to match your bikini. Other brands offer complimentary beach clothing, but they don’t capture the essence of Lelloue.

AMY: Lelloue is totally unique in terms of the wide range of add-on pieces we offer. Most swim brands encapsulate kaftans and soft pieces for slipping on. We offer the much needed, more structured and sophisticated approached to post beach dressing. For example, look at our sequin translucent gowns, which are perfect for a dinner, red carpet, or a fabulous cocktail soirée at sunset.

How did you come up with the brand name?

HELEN: It was a childhood nickname given to me, which represents the carefree, fun-loving spirit of Lelloue. My family still refer to me as Lelloue sometimes now!

When you first met, did you imagine that you would end up creating a brand together?

HELEN: It was like it was destined to be. Amy and I were introduced by a mutual friend who knew I had always wanted to start my own fashion brand. After our first informal meeting it was clear we immediately clicked, both in a sense of our business vision as well as in a creative way. As such, I had to employ Amy as my creative director.

AMY: I was a skiing with friends when I met Helen at her holiday home. Helen had the only English accent in a room full of Scandinavians, and when we spoke I had an immediate connection with her and her ideas, which doesn’t happen very often. You have to pursue this kind of gift.

What is your favourite thing about each other? What do you respect most about each other?

HELEN: I love both Amy’s inherent sense of style and fun, she is such a great designer and we share many of the same passions.

AMY: Helen has an innate sense of drive, it is a pleasure to work with someone who wants to make a change and venture into unchartered territories. I love how we are the same but different, like dominoes, she’s blonde and I’m brunette. We often buy the same pieces, we are lucky that we have never turned up into same outfits!

Tell us how you both work together, and how responsibilities are split?

HELEN: We divide the work between ourselves in a really collaborative way and according to our main skill sets. I am the founder of Lelloue and the managing director, so I therefore keep a close eye on brand building, business development, and sales from my office in Cannes. I am, by default, the unofficial muse for the Lelloue business, and everything must ultimately be signed off by myself to ensure consistency across all touch points. Amy, who has over 20 years’ experience and knowledge in the industry, oversees the design, production team, office, and showroom in Madrid. We are a very international company!

AMY: Creatively the brand comes together through a mutual understanding of what is chic and desirable and what the Lelloue woman wants. I listen intently to Helen’s ideas, and she to what we can create within that realm. Inspiration comes from Helen’s travels and our innate design skills to make this happen in a physical sense. The rest is Lelloue Magic.

What do you feel is key to a good working partnership?

HELEN: Honesty, communication, a hard-working ethic, and fun!

AMY: Most people don’t get to choose who they work with, so when you are brought together by the support of nature then you know it’s meant to be. You apply all your skills and knowledge to make that work! It’s not like turning up to a mundane 9 to 5 job that you don’t care about, it’s your life! We both provide what is required for the brand and then some, its 200% or nothing.

Do you have a favourite piece?

HELEN: I have many. One of my favourite looks is what I recently wore on a trip to Thailand. The Candy Dandy Stripes silk trousers with matching silk kaftan. Paired with big earrings and sunglasses for and early evening dinner is very chic.

AMY: The Rose Rock Collection is very romantic, yet edgy. Perfect for those candlelit dinners straight from the beach.

Who would you most like to see wearing the range?

HELEN: Personally, I would love to see someone like Beyoncé wearing the collection. She always looks sassy.

AMY: I have always loved Sophia Loren’s classic elegance, she epitomises Côte-d’Azur style for me. I would love to see her wearing one of our pyjama-sets with matching swimsuit, hopping on a plane ready to dive in the sea on arrival.

Whose effortless style do you admire and why?

HELEN: I love Prince Harry’s fiancée Meghan Markle, she is stunning and effortlessly stylish. I’m looking forward to seeing what gorgeous outfits she will dress in, and who will be her favourite designer.

AMY: I share Helens modern view of new dynamic royals. But I also have a love of nostalgic eras, with Sophia Loren being an absolute favourite.

Has travelling always been a passion for both of you?

HELEN: Yes absolutely, we are lucky enough to have had careers and lifestyles that have enabled us to visit some of the most stunning places in the world. Lelloue has already started as a global company, with headquarters in Cannes and Madrid.

AMY: Yes 100% travel is essential, if you stand still you die. Seeing the world forms your ideas, expressions, and moods, and the way you visualise things for the future.

What’s the best summer holiday you’ve ever had?

HELEN: As a family we spend a lot of our holidays on boats. Last summer we chartered a boat for 4 weeks, starting in Cannes and finishing in Greece. It was my experiences on this trip that inspired me to create what is now Lelloue. The greatest memory I have was a private dinner with friends in Zante at the ‘Smugglers Cove’ which is a shipwrecked boat on the island.

AMY: Every summer is different and amazing to me, they are all relevant.

Tell us your top tips for packing?

HELEN: At the end of the day, it’s about being purposeful with your packaging. Dress like you put some thought into it, and those around you will see that too. Plan an outfit for each day you are there, and your accessories should also be co-ordinated. Select jewellery that is appropriate to the occasion and your personal style, then remove two things after you have packed your case!

AMY: Start early, I am not the type to rush before a trip. Last minute packing is a recipe for disaster and disappointment, when you arrive at your destination and realise ‘those’ shoes are just not in your case!

What three things could you not do without on a desert island?

HELEN: My son, my partner, and chilli.

AMY: Exactly the same as Helen! We both have a son and love spicy food! And the husband is also quite important.

Can you share with us what you feel will be the secret to the growth, success, and longevity of the brand?

HELEN: Tapping into our customers and what they want to see from the brand and collections.

AMY: Always remaining true to your ideas, whilst being objective and open. Honesty is always the best policy.

What can we expect next from Lelloue?

HELEN: We are incredibly lucky to be in a position to react to what our customers want from the brand. We want to remain global and relevant for our fans and continue growing in a way that makes sense for what they want from us. Head to our website to see what comes next!

AMY: The new season will be coming soon, so watch this space.

Nathalie Trad: Combining Middle Eastern Heritage With Modern Design

Lebanese designer Nathalie Trad is known for redefining the boundaries of traditional aesthetics through her architecturally influenced clutches, which today form the basis of her eponymous line. With a focus on working with natural materials, such as shell, mother of pearl, and wood, the luxury handbag designer aims to break the mould by transforming her designs into wearable art sculptures.

Born in Beirut and raised in Dubai, Trad moved to Paris aged 17 to study for a degree at the prestigious Esmod International fashion school. It was in Paris where she developed a strong penchant for asymmetric design, taking classic shapes and radically transforming them, deconstructing, and redefining the boundaries of fashion aesthetics. After graduating, Trad relocated to New York to further pursue this vision. There, she obtained a BBA in Design and Management from Parsons School for Design and worked under the mentorship of an industry-leading accessories designer at Proenza Schouler.

Nathalie Trad’s time spent in two fashion capitals, Paris and New York, coupled with the expertise gained through her degrees and her quest to re-examine the foundations of traditional accessory design, helped her forge a unique signature style early on, laying the foundation for her 2013 inaugural collection. From signature creations including the Polygonia and Eliferia collections, all of the pieces are punctuated by chiselled contours, geometric structures and sharp contrasts in colour, texture, and pattern, with each clutch looking equally as good at home on your mantelpiece as it would under your arm on a night out.

Here, we take the opportunity to talk to the contemporary designer about her creative inspirations and innovations, the role of architecture in her designs, and her ability to combine Middle Eastern heritage with cutting-edge fashion.

Tell us how you conceived the idea of Nathalie Trad?

I developed a strong penchant for asymmetric designs that today form the basis of my line, whilst earning a BA from Paris’ Esmod International. It was then, in 2007, that I discovered my personal design ethos, to take classic shapes, ubiquitous in our natural environment, and radically transform them, deconstructing and always trying to redefine the boundaries of fashion aesthetics. In 2008, I relocated to New York to further pursue this vision. There, I obtained a BBA in Design and Management from Parsons School for Design and worked under the mentorship of an industry-leading accessories designer at Proenza Schouler. From a designer’s perspective, New York and Paris definitely served as a breeding ground for creativity. I got to reflect, absorb, and take stock of my surroundings, then redirect this new flow of energy into my own work. Being in those cities truly pushed me to expand my thought process and explore the realm of possibilities within my designs.

What pushed you towards designing handbags?

Designing for me is a process that involves questioning everything in my surroundings in an attempt to re-interpret what I already know, being observational and always trying to discover something new. Accessories design gave me the puzzle I have been seeking, deconstructing traditional shapes, ubiquitous in our everyday lives and recreating them from a new perspective. I didn’t want to just create accessories, I wanted to create wearable sculptures that broke away from the mould. When I put pencil to paper I let me imagination take an unrestricted journey of its own and it led me to handbags.

Can you share with us your design process, and which areas you enjoy the most?

Every aspect of the creative process feeds my soul. My design process starts with an idea, something that sparks my inspiration and leads my mind to a parallel universe where I feel like I am running at 200 km per hour. This is the time where I sketch uncontrollably and allow my ideas to take a course of their own. Once I am done with this stage, I look through all the drawings and start editing and refining my ideas which start turning into products. I create technical sheets and sometimes clay prototypes to help me visualise the final piece. It is at this stage when we are ready to go to my workshop in the Far East where we start creating moulds and samples, working on combining materials and testing out new techniques. It’s such an exciting process that always leads to new unexpected discoveries!

Where do you tend to find your greatest inspiration?

I like to think of my creations as architectural works on a small scale. I look to architecture from a physical aspect, geometry, proportions, ergonomics, and structure for inspiration, but beyond that, I study architectural principles, and ideologies as a means to create context and drive my process. Louis Kahn, James Stirling, Walter Gropius, Frank Gehry, and Zaha Hadid are some of the architects whose aesthetics and philosophies have impacted my design thinking and some of my pieces. There is no direct translation between a specific architectural design and my clutches, although nevertheless, I would say the Polygonia and Opiona clutches embody a concept frequently applied by Zaha Hadid, ‘There are 360 degrees why stick to one?’ This principle of multiple viewpoints also known to cubists is what I strive to apply in my designs. What I love most about these pieces in particular is that they morph into completely different pieces every time you look at them from a different angle or perspective.

Do you have a muse?

I would say my muse is my surrounding environment. I am inspired by everything that I see in my day to day life and by my travels. I constantly push myself to observe and scrutinise my surroundings, and to constantly question and reinterpret what I see. In order to do so I like to go by the moto, ‘smell with your eyes, hear with your nose, see with your ears, and taste with your hands.’ On a more personal level, I look at the people that are in my everyday life for inspiration, from my husband to my family, friends, colleagues and even passing encounters. There are qualities in each of these people that I admire and aspire to, passion, selflessness, work ethic, loyalty, creativity, and ambition. It is a combination of the qualities I get from all of these people that pushes me to be the best person I can be in every aspect of my life.

How is you Middle Eastern heritage fused into your designs?

I was born in Lebanon and grew up in Dubai, and my cultural heritage is embedded in me, it is running in my veins, and imprinted on my identity. It is hard to define and is intangible, but it is my core and the basis of who I am. This is where my passion for design was born, and where my journey began. When I create accessories my personality seeps into every aspect of my designs. My entire collection is a true reflection of my identity, my aesthetic is undeniably Middle Eastern with Western touches, a marriage of East and West.

Tell us what you feel are the most important aspects of design that you incorporate in your pieces?

It is very important for us to maintain the design ethos that is at the core of our brand. A design philosophy that attributes the highest importance to innovation and the creation of unique and timeless, handcrafted pieces that speak to the modern woman of today. A woman who is fluent in the language of art and design, who is not necessarily looking for trends, instead investing in special pieces to add to her wardrobe and hold onto.

Your designs are renowned for their quirkiness, but also quality, how do you go about balancing the two?

At the beginning of the design process, I make a point to forget about any functional constraints in order to allow my imagination and ideas to flow. At this stage my aim is to create sculptures, which are interesting objects rather than handbags. However, once I have my designs on paper, I then turn my attention to transforming them into clutches, making sure function is not side-lined. It is crucial for the clutches to be light, comfortable to carry, and fit a woman’s essentials. For me, form prevails but function is never sacrificed, and quality is always paramount.

How have you found the transition from being an employee at a company to being an entrepreneur at the helm of your own business?

Being an entrepreneur means that I need to play several roles in the span of a day. Being a small business owner requires being hands on, so no two days are ever the same. I often oscillate between logistic tasks, accounting, designing, social media, and PR all during a single day.

What do you feel has been key to the growth and success of Nathalie Trad?

We continuously experiment with our materials and work towards discovering new inlay techniques, pushing the boundaries of design conceptually and technically. Each clutch is meticulously hand-crafted and requires at least two weeks to come to life. This involves moulding, curing, preparing each piece of shell, inlaying, lining, and applying the finishing touches. The process is masterfully executed by artisans who have been taught a craft that is only passed on from father to son, through the generations. In this day and age, I believe the consumer is no longer simply after a product but rather an all-encompassing experience and journey. A product that has a story, a timeless piece, a precious heirloom that she can truly hold onto. This is precisely what we strive to offer our customers and what I believe makes our pieces special. I believe the commitment to this mission has contributed to the success we have achieved thus far. It is very important to mention nevertheless, that we still have a very long way to go. In my mind success will never be an accomplished achievement but one that is a constantly evolving goal that drives me and encourages me to keep going.

Tell us about when you first noticed the popularity of your brand and saw your bags on the red carpet?

One of the ways for us to grow our brand awareness and customer base is through an influencer or celebrity. Just one month after the launch of our brand, we were surprised to see Mary Katrantzou accompanying Karolina Kurkova at the Met Ball clutching our Polygonia. It was a true honour to see the bold and innovative designer choose one of our pieces. Other celebrities that have carried a clutch and have been supporters of the brand are Nicole Kidman, Solange Knowles, Olivia Palermo, Gabrielle Union, Sara Sampaio, Sienna Miller, and Anne Hathaway.

Although you already have a strong celebrity following, who else would you like to see carrying your designs?

Michelle Obama, Oprah, Amal Alamuddin Clooney, Queen Rania, Meghan Markle, Zoe Kravitz, and Tracy Ellis Ross are some of the leading women I would love to see carrying my clutches.

What made you gravitate towards shell and wood materials?

From the beginning I gravitated towards shell as a base material that I source from the Far East region, which is a treasure trove of exquisite materials. I complement it with other materials such as wood, resin, brass, stainless steel, copper, and brass, creating a marriage of seeming incompatible materials that end up harmonising beautifully. The richness of these materials seamlessly mirrors my inspiration and work perfectly in line with the vision I have for my clutches. Wood can be difficult due to the fact that it breathes and tends to react to humidity and fluctuating temperatures. I do, nevertheless, consider this a welcome challenge!

What was your inspiration while designing the Spring Summer 2018 collection?

The collection is entitled, ‘This is Not a Clutch’. Drawing inspiration from the bold and rebellious universe of the Memphis Group, it aims to playfully challenge the traditional concept of a clutch, blurring the lines between art, object, and sculpture. This collection stems from a place of positivity, bursting colour, and happiness. It is a figment of my imagination of the place I would like to see when I look out into the world, and it takes on a more whimsical and light-hearted ambience than previous seasons, with both classic and original shapes being used to re-imagine the conventional clutch bag.

Which new materials and techniques have you introduced for SS18?

Our collections fuse fine materials and techniques to produce artisanal gem-like clutches that we hope are destined to become collector’s pieces that are both irresistible objects of desire as well as timeless precious heirlooms that can be passed down from one generation to the next. We tend to gravitate towards shell such as mother of pearl, the iridescent Paua blue, and other beautiful species found in nature. We continuously experiment with our materials and work towards discovering new inlay techniques, striving to push the boundaries of design conceptually and technically. This season highlights some new inlay techniques we have discovered along the way. The shades of Rose are achieved by adding a layer of colour under an iridescent white hammer shell, allowing us to reach this rich and complex hue.

How do you decide on the theme of your collections?

The collection themes can come to me at any point, they stem from a slight inclination I have towards an era, an artist, or an artistic movement in that particular time. I then try to delve deeper into the theme, research as much as I can, and refine the idea as we go along with the design process.

Do you have a ‘go to’ everyday bag, as after all, clutches can’t hold everything!

I actually wear our clutches day in and day out at any time of the day. You would be surprised at what you could fit into our larger clutches!

What essentials do you keep in your bag?

A lipstick, a card holder with my cards and cash, my keys, and some gum or mints.

What can we look forward to seeing next from the Nathalie Trad brand?

We have lots of exciting projects brewing which we cannot wait to reveal in due course. In the meantime, you will find that our next collection is a great new departure for the brand, bursting with new shapes, colour, fun, and positivity.

A&E Editorial: Louis Vuitton SS18

Louis Vuitton SS18 is a blend of past and present, antique and modern, historic and sporty. Discover our shoot and behind the scenes video below.

Embroidered Rendigote, Embroidered Gilet, Jersey Shorts

ALL LOUIS VUITTON

LEFT IMAGE:

Bi-Material Rendigote, Gold Embroidered Sleeveless Gilet, Monogram Blossom City Steamer Bag, Bionic Earrings

RIGHT IMAGE:

Bi-Material Rendigote, Gold Embroidered Sleeveless Gilet, Bionic Earrings, Bi-Material Skinny Pant with Knee Detail, Archlight Sneakers

ALL LOUIS VUITTON

LEFT IMAGE:

Embroidered Print Long Dress, Sleeveless Cropped Ruffle Top, Archlight Sneakers, Beige Petite Boite Chapeau

RIGHT IMAGE:

Striped Turtle Neck Knit Dress with Band, Petit Malle Clutch, Bionic Earrings

ALL LOUIS VUITTON

LEFT IMAGE:

White Leather Gilet, White Skinny Pants with Knee Detail, Bionic Earrings

RIGHT IMAGE:

Embroidered Sleeveless Dress with Bubble Skirt, Striped Round Neck Pullover, Bionic Earrings, Archlight Sneakers

ALL LOUIS VUITTON

Gold Embroidered Rendigote, White Skinny Pants with Knee Detail, Bionic Earrings, Archlight Sneakers, Twist Monogram Blossom Red Bag

ALL LOUIS VUITTON

Fashion Director: Eliza Scarborough

Photographer: Jenny Brough

Hair & Make-up: Laurence Close

Model: Mara at Select

A&E Interviews: CEO Of JBW Amir Meghani

AMIR MEGHANI, FOUNDER & CEO, JBW, HAS A MODERN TAKE ON THE EVOLUTION OF WATCHMAKING.

It all happened by chance, when Amir Meghani was 22 years old and working at his father’s watch shop in a wholesale district of Dallas. At that time, they were a family of traders, who had been buying and selling fashion and designer watch brands for three generations. However, this changed during Meghani’s first year of working in the family business, when he told his father that they would not sell other people’s brands forever.

With no background in branding, manufacturing, or design, it was Meghani’s mentality and vision that defined JBW to be different, bold, and unafraid. After noticing a gap in the market, his sheer determination led him to attend every rap concert in the city, finding his way backstage and gifting artists with JBW watches and snapping photos. He made friends with the radio personalities of Dallas, and anyone that could connect him to a famous musician or athlete, working with a marketing budget which was only his time and cost of manufacturing the watches.

Fast forward nine years and Meghani now has an experienced design team in house, a full product line, distribution channels and a true understanding of his brand and customer. He says while it is always evolving, the team is constantly on the pulse of the customers desires and needs when it comes to accessorising their personal style with a watch.

Tell us the story behind the conception of JBW?

I was working in my father’s wholesale watch shop, where we were selling fashion and Japanese watch brands to the market in Dallas, Texas, and one day during the 2000s, the official era of bling, a local rapper and his manager came into our shop looking for a diamond watch to wear in his new music video. With no experience in product design, branding, or watch manufacturing, I promised them that there would be diamond watches in our shop soon. I did research online, understanding that the leading diamond watch brand of the time was Jacob & Co, and after searching all the brands I settled on ordering a few watches from a small New York based brand. I shared them with a watch manufacturer in Asia and 6 months later I had a diamond watch brand, which I named Just Bling Watch. There was not a lot of thought put into what I was doing, I was only 22 years old. I studied Economics at NYU, and I had no design or marketing background. It was the hustle inside of me that came across an opportunity, and I jumped on it.

What is the brand DNA?

Today we are an entry-level luxury diamond watch brand. At the core we are out to make a bold statement in everything we do, and it starts with our unique watch designs. We want to empower our customers to create their own success, and show it! We provide them with a watch that serves as a symbol of that success. We have boundless confidence and are constantly striving for a higher-class status and hope to inspire our customers to do the same.

What was the catalyst behind creating your own label, especially in an already saturated market?

It happened by chance, I did not think about the competitors or the challenges that would come. I wanted something that could be mine, and leave the market of selling other people’s brands. This was the history of my family in the watch business, for two generations my father and grandfather were traders, buying and selling watches.

Do you feel that the growth of the brand was thanks to the glamour of the early 2000’s?

Absolutely, it was the essence of our product and fed into the DNA of JBW.

Why did you choose to focus on celebrities when marketing JBW, and tell us how you achieved this with an unknown brand?

I was a fearless 22-year-old without a marketing background, and it was what I saw other brands doing at that time. It was also the cheapest form of marketing, all I had to do was hustle and talk my way into the right situations. Finding myself backstage at concerts, radio stations, celebrity golf tournaments, and charity events with athletes. It was watches, a photographer and me.

How would you say your brand has grown and matured since you launched in 2008?

We now have an in-house design, sales, marketing, and after-sales service team. We’ve grown from 3 people to 18. The most important part of our maturity was shifting to innovating and creating in-house designs, which happened 4 years into the brand. It has given us more confidence to approach retailers and consumers with a unique and branded offering.

What do you feel is key to the growth of the brand, and has been key so far in the journey of the brand?

Discovering our point of difference and focusing on improving it year after year. Throughout the journey of building JBW, we tried lots of different sales channels, designs, and marketing campaigns. Once we were able to realise what we stood for, and what made us different, we subtly screamed it loud to our customers. This was a turning point for us.

Can you share with us the biggest challenges you’ve faced and lessons you’ve learned while growing your brand?

The biggest challenge was finding our identity. The sooner you can figure this out, own it and focus on what makes you different, you will succeed.

What’s the secret to a successful label?

Staying true to who you are whilst remaining fresh and relevant.

What has been the most significant breakthrough moment in your career?

I don’t think I have reached it yet.

How did you learn about the business side of the company, and do you think that this is just as important as the designs you produce?

I learnt about this first, understanding how the business worked before the creations came to life. I guess it’s different for everyone, and possibly I did it in the opposite way to others.

How does technology play a role in the way you’re building your retail empire?

The tools available to independent brands today are very advanced. We are able to gather data about our customers and market trends easily and efficiently. It informs the decisions we make, for example, focusing on the Middle East market. The traffic of visits, sales, and social media communication we have from this region has played a major role in the decision to grow our partnerships in the region.

What are your views on the rise of social media, do you think it is advantageous to the world of watchmaking?

Yes, it’s amazing to communicate with customers so personally. To be able to share a brand’s story, process, and show customers what makes their watches special.

How do you feel social media and digital is shaping the industry?

It’s challenging brands to be more creative in their communication, and pivot marketing strategies to appeal to a new generation of watch consumers. Although it’s challenging to brands that have been around before the rise of social media, we will be thankful for these communication tools as the digital industry continues to mature.

Tell us how you have used social media to JBW’s advantage?

I will admit, we first struggled on social media. We were not able to react quick enough to the rise of this channel. However, in the past year we have figured out how it can work for us. One of our greatest assets is the uniqueness of our product. It is the hero of our social media communications, and so far, this strategy is being received well by our customers.

You are a worldwide brand, how do tastes and demands alter around the world?

The Middle East is our fastest growing market. We are learning the tastes of the consumer here and altering our products to better suit them. These include exclusive limited editions, timepieces with more diamonds and embellishments, compact case sizes, green faced dials, and more. We are meeting the demands of the market to the best of our ability, while remaining true to our design aesthetics.

What key styles are most in demand in Dubai?

For men it is the G4, Delano, and Phantom, and for women it is the Mondrian, and Victory.

Do you create exclusive pieces for the region?

Yes, a limited-edition execution of our Jet Setter collection, with 5.50 carats of diamonds on the bezel and bracelet was introduced in 2017. We made only 10 pieces for the region, which were sold out in the first week.

Tell us about your input into the design of each watch?

Design is a collaborative process for our team, with sales and marketing also providing their input. Our designers lead the way, but I am very involved throughout the whole product life cycle. I have a vision for where the collections are heading.

How do you ensure you are competing at the same level as other heritage brands in the market?

To be honest, we don’t worry too much about others now. In our entry-level luxury segment, we are one of the few diamond watch brands. We are focused in our lane and constantly striving to provide our customer with a world-class product and service.

Tell us about how you are introducing more complications to your timepieces?

Our full line is currently quartz, and in 2019 we plan to introduce our first automatic timepiece. It will be a milestone for JBW, and we are very excited for the introduction of this collection.

How would you describe your personal style?

Considered and tasteful.

What was the first watch you remember wearing?

A Casio calculator watch that I got from my dad’s shop.

What are you wearing on your wrist now?

The JBW Strider in yellow gold.

Can you share with us what you enjoy most about owning your own company?

We are a family business, I am fortunate to spend time doing what I love with my family.

What keeps you motivated and inspired?

Our team, we set goals together and want to succeed as a group. Sometimes this keeps me up at night, as they are a very talented team and I want to provide all of them the opportunity to grow and succeed.

What previous experience ensured you were well equipped for running your own business?

Since it was my first work out of university, maybe it was the few summers and Saturdays I spent sitting at my dad’s shop watching him sell.

What advice would you give to others who are trying to build their own business?

Find your identity and what makes you different. Stay laser focused on that, and do it consistently for years. Do not expect to be an overnight success, as that is rare, and is known by some as a unicorn!

Do you hope the family tradition of your brand continues through further generations?

Yes, that is my greatest ambition for our brand. It must live on past us, as it was difficult for my father and grandfather to do it. It’s only right that my sister and I try to accomplish this.

What can we expect next from JBW?

More exclusive collections for the Middle East.

Available online at JBW.COM

15 Minutes With… Faiza Bouguessa

Born and raised in France to Algerian parents, Faiza Bouguessa was introduced to the world of fashion very early. Faiza’s first encounter with garment making took place during her young years while spending time with her grandmother who was a seamstress herself, and who taught her the basics of knitting and sewing. What started as a hobby soon turned into a passion which, after numerous internships, led her to launch her eponymous brand. We chat with the brainchild and founder of the highly innovative label Bouguessa, and get an insight into her stylish life.

How did the idea of the global abaya come about?

From the start, my purpose was to create a bridge between two cultures, and to have pieces that appeal to any type of women who has a strong eye for fashion. I decided to use the abaya and introduce silhouettes that were unusual for the traditional garment, but at the same time very familiar to a woman’s wardrobe. This allows women from all backgrounds to wear my designs.

What was your first reaction when you saw Beyoncé wear your design?

It brought me back to the time I was listening to the Destiny’s Child as a teen, it was just incredible and hard to realise!

What are you most excited for about the future for Bouguessa?

At the moment, I am just looking forward to moving to our new offices and showroom in D3. We have worked on every detail to create a space that represents the aesthetics of Bouguessa, with a purpose to let our clients experience the brand from a very modern space contrasted with an eclectic mix of objects d’art and mid-century furniture.

Who is the woman, or women, who has inspired you the most?

I would say my first inspiration was my grandmother. I spent a lot of time with her as a child and she introduced me to the world of fashion and garment making, and she gave me that passion. My mother and my aunts were very sophisticated too and had such amazing styles. Today the women that wear Bouguessa are my biggest inspiration, they are such inspiring women and it’s such a pleasure every time I get to spend time with them.

What three films could you watch over and over again?

Dirty Dancing, Pretty Woman, Out of Africa.

Who would play you in the film biopic of your life?

Cate Blanchett.

If you could invite four people, living or dead, to the ultimate dinner party?

Lady Diana, Gabrielle Chanel, Michael Jackson, and my Grandmother!

What’s your guiltiest pleasure?

French patisserie.

Which are your go to, heels or flats?

Chic flats.

Do you prefer a night in or night out?

Nowadays a night in.

What was the last piece of clothing you bought?

A pair of Levi’s jeans.

What are the failsafe items in your wardrobe?

Jeans, Repetto flats, and my Bouguessa shirt dress.

Tell us about your most prized possession?

A traditional Algerian gold belt my grandmother gifted me on my wedding day.

If you weren’t a designer what would you be?

Probably an artist.

What is your earliest fashion memory?

My Grandmother taking me to shoe stores and asking my opinion on the ones she should get.

What are the best and worst things about a career in fashion?

I would say there are mostly positive things for me. I am always so surprised that this is all happening. The worst is not being inspired every now and then, because the industry is pushing us to always deliver beautiful, creative, unique, comfortable, and practical designs.

Tell us the secret to your success?

Work harder than yesterday. I am in constant competition with myself, I thrive for excellence in what I do. Sometimes that means I am a little bit tough with myself, but I know when to stop and take a break.

What can’t you live without?

My husband. He brings me balance and helps me so much with the business, I couldn’t have done any of this without him.

Who do you follow on Instagram?

Many accounts! Lately I started following new accounts focusing on product design and I also became obsessed with chairs. I started following accounts like @collection_particuliere, @themodernchair but also artists like @christianespangsberg and @tatjanafarkas.

What advice would you give to your teenage self?

I would tell her to have faith in what she thinks she can achieve.

Where is your favourite place in the world and what makes it so special?

I always say that my favourite place in the world is the South of France in summer. To me the atmosphere there is like nowhere else in the world, it brings me a lot of inner peace and happiness.

When packing, what are your travel must haves?

I pack my whole house, I am terrible! I would say my travel must haves are my sketch books.

Where is the next place on your wish list to visit?

I want to go back to Algeria to discover the architecture and beauty of the country, together with the desert. I always went to visit family there, and it has been a while since my last visit.

What are your beauty essentials?

I have had a lot of skin problems after trying many luxury creams and cosmetics, so now I stick to a simple routine. I use Bioderma as my day cream, then Lancôme ‘Teint Miracle’ foundation, Chanel ‘Les Beiges’ powder, Dior highlighter, a little bit of Mac bronzer and blush, eye makeup and that’s it. It takes me about five minutes!

Tell us the best advice you were ever given?

My dad always tells me, ‘keep moving forward’.

What was your life goal aged 10?

My life goal at 10 was to travel the world and be a designer.

And what is it now?

To keep doing what I love.

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A&E Interviews: Michael Kors

HE’S DRESSED EVERYONE FROM ANNA WINTOUR TO OPRAH, AND BUILT A BILLION-DOLLAR BUSINESS EMPIRE FROM SCRATCH.

Revealing that he uses his catwalk as a platform for diversity, ‘I like the idea of models that can be chameleons,’ Michael Kors clearly isn’t into uniformity. Filling his runway, as always, with a cross-section of the coolest girls in fashion then and now, Spring Summer 2018 saw original supermodels Carolyn Murphy and Maggie Rizer walk alongside their new generation counterparts, Kendall and Bella, with Ashley Graham, Kate Upton, and Sabina Karlsson championing a larger-than-size-10 beauty. As for the clothes, they were summer in the Hamptons with a glamorous edge, palm prints were picked out in sequins, while shimmering black dresses were paired with flip flops. A palette of pastel pink, blue, and purple was balanced by stark monochromes, with white cotton skirts and black sequins sarongs looking, somehow, equally effortless in Kors’ hands.

Michael Kors’ birth name is Karl Anderson, but when his mother, a former model, remarried his stepfather, Bill Kors, a businessman, she gave him the option to change his first name too. He was a child model growing up in Merrick, New York, then an actor, before finally deciding to pursue fashion, enrolling at the Fashion Institute of Technology in New York. In 1981 he launched womenswear, before relaunching in 1998, the year he also became creative director of Céline, launched menswear in 2002, and has since added bags, accessories, shoes, fragrance, sunglasses, and watches. Ever since the launch of his eponymous label, New York native Michael Kors has enjoyed the status of being one of the most influential American designers. Over the years, Kors’ vision of beautiful, luxurious American sportswear has flourished and expanded, continually evolving, such as taking the initiative to ban fur.

More and more luxury brands are now opting to go fur-free, due to pressure from animal activists as well as textile innovations allowing for the creation of luxe faux fur fabrics, and Michael Kors is one who has joined the initiative, alongside Stella McCartney, Ralph Lauren, Calvin Klein, Armani, Tommy Hilfiger and online retailer Net-A-Porter.

Another big move is the recent acquisition of Jimmy Choo, which makes for an interesting pairing with Kors, as the former is known for its sky-high stilettos and glam, crystal-embellished designs, while the latter gravitates towards down-to-earth leather goods and ready-to-wear. But Kors thinks they make a good match, believing he can incorporate, ‘the experiences, infrastructure and capabilities that it has developed over the course of its own worldwide growth as a luxury fashion brand to support the growth of Jimmy Choo through retail store openings and further development of its online presence.’

Behind this burgeoning empire stands a singular designer with an innate sense of glamour and an unfailing eye for timeless chic. Michael Kors has won numerous accolades within the fashion industry, been honoured for his philanthropy, and earned the respect and affection of millions. Wholly dedicated to a vision of style that is as sophisticated as it is indulgent, as iconic as it is modern, he has created an enduring luxury lifestyle empire with a global reach, and here we take the opportunity to speak to him about everything from his recent Spring Summer 2018 collection to what can possibly be next for the brand.

Tell us more about the brands aesthetic?

Michael Kors Collection is seemingly a study in contrast. It is sophisticated yet easy, tailored yet glamorous, sexy yet luxurious, and sporty yet city-chic. Those contradictory elements, when combined consistently, create a focused design philosophy and an always recognisable style. These unexpected pairings and details, matched with quality craftsmanship, enrich the collection with the type of global perspective that makes it at home anywhere in the world, reflecting the Michael Kors collection customer’s jet set lifestyle.

Who is the Michael Kors woman?

She is a woman of the world. Her glamour derives from the happy juggling of days and nights rich with experience, her sophistication has been cultivated by a life that embraces adventure. Her calendar runs from the guilty pleasure of stealing a few minutes to flip through the tabloids to squeezing in a visit to London’s Tate Modern, heading from Palm Beach to Miami for a day at Art Basel and making sure she’s in NYC for the Metropolitan Museum of Art’s annual Costume Institute gala. When in L.A., she’ll lunch with friends at The Ivy and attend the premiere of a buzzed-about new film, in Hong Kong she’ll end the day with dinner at China Club. On her coffee table there are a mix of vintage and current influences, Ron Galella Exclusive Diary and Harry Benson’s New York New York. On the sound system at dinner, an eclectic music mix that moves from Billie Holiday to Coldplay to Yo-Yo Ma to Beyoncé. And in her closet, Michael Kors Collection clothes and accessories, defined by a consistent easy-sleek aesthetic she knows she can rely on.

What do you think has been the key to building a strong identity?

I’ve always known what I wanted to design and who I wanted to design it for, glamorous sportswear for the consummate jet-setter. One of the first reviews of my collection in 1981 stated that I made chic, luxurious sportswear, and the same still holds true today.

When did you your passion for fashion start, and love for fashion come from?

It started when I was young, I grew up in a fashion-obsessed house! My grandfather worked on 7th Avenue, my mother was a Revlon model, and my grandmother was an Olympic-level shopper. I always loved to draw and sketch, and it was pretty clear from a very young age that I wasn’t going to be a doctor, fashion was always my ‘thing.’

What do you love most about fashion?

That it is constantly changing.

What was your inspiration behind the most recent Spring Summer 2018 collection? Did you have a girl or muse in mind?

For Spring Summer 2018, I wanted to take the relaxed, laid-back attitude you find during the warmer weather months and imbue it with luxury, artisanal details, and a sense of glamour. There wasn’t a particular girl or muse in mind, I was really thinking about moments that felt glamorous but not overdone. So, you think of Cindy Crawford getting married barefoot in the sand, or Kate Moss on the red carpet with Johnny Depp in the ‘90s, these were of course glamorous moments but at the same time, they were laid-back.

What is your standout piece from the collection?

It’s hard for me to pick a favourite. I think if there was one thing to buy that would instantly update your wardrobe, it would be a sarong-style dress or a pink tie-dye sweatshirt.

How has the fashion industry changed since you started, and your brand evolved?

The biggest change is that there are no borders anymore. It used to be that we sold different things in Canada than in the US, and we sold a few things in Europe through department stores. But now fashion is global. We have Michael Kors stores all over the world, from Dubai to Cape Town, and we sell the same things in those stores. My brand has expanded and evolved to meet our customers, wherever they may be, but what I design and who I design it for has stayed consistent. I make luxury sportswear and accessories for the woman who is always on the go.

What is your experience with the way social media and digital is shaping the industry?

It’s democratised fashion and really opened it up to the world at large. Now, everyone is their own editor, they make their own choices. It’s really put an emphasis on personal style, which I love.

How does technology play a role in the way you’re building your retail empire?

It allows us to reach more people than ever before. I still love doing trunk shows, bringing our clothes on the road and talking to our customers around the world. Now, we’re able to have that conversation with our fans on a global scale. They can follow the brand on social media, discover the products, and then they can go online and purchase.

You recently decided to go fur-free, tell us about this decision?

We’ve really been able to create some very luxe materials due to technological improvements in fabrications, so we’ll be incorporating those advancements into our Fall 2018 collection.

Has this made design and manufacture more varied, becoming aware of new materials?

Yes, now more than ever, the sky is the limit when it comes to creating and designing pieces that will solve the problems our customers encounter in their wardrobe.

What do you think about a woman’s relationship with fashion?

It’s very personal. It has to do with her taste, her lifestyle, what makes her feel confident, what makes her heart race a little. It all comes together to create a sense of style that is unique to each woman.

How do Michael Kors products cater to different customers around the world?

I think fashion has become a lot more global. We don’t see the divide between markets that we used to in terms of style preferences. We do try to incorporate a wide mix of fabrics in one collection that can cater to all types of weather and occasions so no matter where you are, or where you’re going, you can find something perfect for you.

What have you learnt about the Middle Eastern consumer so far, and what excites you the most?

I think our Middle Eastern customers are very sophisticated. They appreciate style and craftsmanship, and they have a keen eye for luxury pieces that also feel pragmatic.

You are known for your diversified catwalk, what do you feel this reflects, and how do you go about casting a diverse cross-section of faces?

I’ve always designed for a variety of women of all ages. I’m glad that our runway reflects the world of Michael Kors.

Your designs have been worn by many famous faces, has there been one moment that you are most proud of?

I was incredibly honoured when Michelle Obama wore one of our dresses for her first official portrait.

Tell us about accessible luxury, and how you pre-empted this trend?

I’ve always believed that you mix high and low in your closet, so why not shop that way? We have everything from an exotic handbag to a sleek flip-flop in our stores, because that’s how people approach fashion today. Our customer is looking at the high and the low and she’s mixing it all together. I think she appreciates the variety she can find within Michael Kors.

How do you feel the idea of luxury has changed?

I think as the world gets busier and busier, the idea of luxury becomes even more personal. For some people, it’s a fabulous everyday leather tote that can hold their whole lives and still look chic. For others, it’s a dress that goes from Manhattan to Malibu. For others, it’s a massage or a weekend at the beach. I know for me, personally, one of the biggest luxuries is time.

What has been a standout moment in your career, and your greatest achievement?

I’m very proud of what we have been able to accomplish with our Watch Hunger Stop campaign. We’re working very hard in partnership with the United Nations World Food Programme to help achieve a world with zero hunger.

Can you share with us the best piece of advice you have been given?

Stay true to who you are and what you believe in, and always stay curious!

How do you think being so personally visible, connecting yourself so closely to the brand, has shaped your business?

I think it helps people understand what our brand is all about and allows them to think of us as their fashion friend.

Can you share with us your future vision for Michael Kors?

We’ll continue to solve the problems that our customers are encountering in their wardrobes, from smartwatches that look great and still keep you on track, to gowns that are easy to pack, to sweatshirts that feel luxe.

New York Fashion Week: Michael Kors FW18

SS18: Trends To Wear Now

From statement feathers to lavender challenging millennial pink as the next ‘it’ colour, this season’s collections were blossoming with a fresh take on springtime trends. In one corner there was an explosion of unabashed glamour and glitter, while elsewhere an overwhelming wave of humour and nostalgia, a catwalk season that responded to global turbulence, celebrating the beauty and joy of fashion.

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Beauty SS18: The Gloss and Glamour

HEAD BACKSTAGE TO MASTER THE NEW BEAUTY TRENDS OF THE SEASON

Whether it’s two-tone pink and red lipstick, a healthy glow so extreme you’re basically applying moon dust to your skin, or clumpy black lashes, it isn’t all about the clothes at the fashion shows with plenty of new beauty trends emerging backstage too. From the hairstyles you’ll want to try now to the make-up to master for the season ahead, read on for the hottest make-up looks sashaying down the runways at fashion week SS18.

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Palmer//Harding: The Art of Shirting

PALMER//HARDING KNOW HOW TO WORK THE SHIRT, AND OFFER UP PROGRESSIVE REIMAGINING’S OF THE WARDROBE STAPLE.

Launched in 2012 by Levi Palmer and Matthew Harding, palmer//harding is a designer brand specialising in the shirt. Through innovative pattern cutting and draping techniques, the duo create modern, exquisitely crafted shirts that bridge the line between wardrobe essential and modern statement.

Texas born Palmer and British born Harding met while studying at London’s Central St Martins. After dabbling in both men’s and women’s lines at the start of the brand’s launch, the pair decided to streamline their focus to womenswear only, and voilà, palmer//harding as we know it today was born. In honing their focus on perfecting one simple garment, a wardrobe staple, the dynamic duo has earned a legion of loyal fans for their signature shirting, with waterfall back hems and based on the idea of movement and fluidity, but with a sense of control. Their contemporary take on tailoring is keenly cut to flatter, not swamp.

Here we take the opportunity to talk to the London-based pair who have become synonymous with the shirt, about bridging the line between wardrobe essential and modern statement.

Can you tell us about how you conceived the idea for palmer//harding?

We launched in Spring Summer 2012 with the intention of becoming known as leaders in directional shirting.

Why shirting?

Our focus for shirting began at Central St Martins, when we had to do a shirt project in our first year. After we graduated we felt that this was an area which we wanted to continue exploring, and so we started the label.

What is your design aesthetic?

Directional shirting with a feminine edge, together with clever pattern cutting and volume.

Who is the palmer//harding woman?

We aim to keep the palmer//harding woman as ambiguous as possible, she’s everyone from a CEO to an art student, she’s 18 to 80. In this way we keep our brand attainable to a wide range of consumers, within price point and the wearability of the garments.

When you first met, did you imagine that you would end up creating a successful brand together?

Neither of us wanted to start a label, but after graduating and becoming disillusioned with the jobs that we had found in the industry we felt that starting our own label would provide us with more creative freedom.

How do you balance the duties of design when working as a duo? Do you ever disagree on design matters?

LEVI: We both manage design elements of the brand. I wouldn’t say we disagree, but we challenge each other with different creative views and this propels us to progress our design ideas further.

MATTHEW: I manage production and finance, and Levi looks after marketing and sales.

How do your styles differ, and how do you combine them?

LEVI: I tend to be more fluid and drape, while Matthew tends to add in a bit more of the structure. What usually happens is I will drape a shape or silhouette and Matthew will take that and add in additional detailing or play with the proportions to create something that feels completely both of ours.

What part of the creative process do you enjoy the most?

MATTHEW: I think we both really enjoy the early research and development, where it’s all a puzzle which slowly comes together. After the excitement of that early design process it’s always a bit of a challenge to fine tune and refine the ideas to make them meet the vision, but when it comes together at the end its always really exciting.

What is your favourite thing about each other? What do you respect most about each other?

LEVI: Matthew is incredibly detail oriented, which can be frustrating at times, but more often than not it is his attention to detail that helps us avoid mistakes.

MATTHEW: Levi is a people pleaser which of course has its pit falls, but equally this has allowed him to develop some incredibly strong relationships with mentors and friends in the industry who have supported us along the way.

Do each of you tend to concentrate on different aspects of both business and design, or balance the responsibilities?

We both share the design responsibilities, it’s what we’ve studied and what we enjoy doing. We have to be strict with ourselves when splitting our time between design and the day to day running of the company. Recently we’ve moved our desks into a private office, which has allowed us to make business decisions much quicker now that we have privacy. Even though we both have different parts of the business we focus on there is not one aspect that we don’t discuss with each other before taking action.

Is working as a pair a good motivation for each of you? Do you think working as a team helps you create a stronger brand as you have more idea input, and your focus can be spread?

We first started the label in Matthew’s parents’ home, interns had to travel out to Rickmansworth, just outside London, to work for us, and as we were in Matthew’s home his mother would make lunch and we would always break at 1pm to eat together and ensure everyone left at 6pm. Once we were able to move into London we carried this trait with us and even though we have gone from being 4 employees to 12 over the past year, each hire we’ve made we have ensured that they will fit in with our office atmosphere. We still break for lunch at 1pm each day, but now eat around a much bigger table. We consider all our staff to be extended family and try to keep this environment as much as possible as we grow. It’s this attitude that I think makes our brand different, and we hope that the caring nurturing environment here at palmer//harding HQ can be felt by our customers when they wear our clothes.

Tell us about your recent Spring Summer 2018 collection?

We have continued to play with our signature asymmetry, movement and volume through ruffles, folds and rope detailing, whilst adding in off-centre ruched necklines, cascading hems, balloon sleeves, deep pleating, drawstring waists and exaggerated cuffs. Overall, there’s a nonchalance to the collection that’s not casual but more assertive and expressive. It’s power dressing for women but without the overtly masculine signifiers.

What was the inspiration behind it?

We explored the idea of memory, from how something in the past shapes who you are today, to how in remembering you focus on certain details while others remain hazy in the background, and even the imperfection of memory itself. Through it all, we found a melancholic optimism that bestows a relaxed sense of empowerment and expressionistic movement in the collection.

Do you have a favourite piece from the collection?

The super shirt, our long asymmetric white poplin shirt that flows in the wind like a cape is always a great go to piece!

Do you have a muse? Or someone in mind who embodies palmer//harding?

Jan Strimple. Levi interned for her back in Texas and she has shown unwavering support and a consistent flow of advice. She is a former model and now runway producer, formidable both in her presence, kindness, and her knowledge.

Who have you been most excited to see wearing your clothes? And why?

Michelle Obama wearing our Super Shirt was hugely exciting. It was her first public appearance since leaving office and she was speaking at the Healthier America Summit which is a cause we feel passionately about.

Now that you don’t just design shirts, do you still think of yourselves as a shirting brand?

Even though we’ve expanded our collection to include dresses, skirts, trousers, and coats, our USP is a focus on shirting. We sell other pieces with great success but at the end of the day it’s the white and blue pinstripes shirts with clever pattern cutting and volume that we have become synonymous with. Additionally, as we have grown we have always maintained that the shirts come first, so if we design a voluminous shirt we then have to design a jacket that would be worn over it or think what sort of trouser would our woman wear with this piece. If we have a great detail on a shirt we then ask how that can be transferred to a dress so that the reference is always the shirt. So, no matter what addition we add to the range we still keep the shirt as the centre of our design ethos.

Shirting has been a huge runway trend of late, what do you think it is that has elevated shirting over the past few seasons particularly?

There are so many elements within shirting which we continue to explore and enjoy doing so. I think what has made this such a trend is that the shirt is one of the most classic and versatile garments to wear.

Fit, cut and construction all seem to be parts of the perfect shirt, what defines shirting to you?

We play with the idea of draping and volume within shirting, but fit, cut and construction is always key, and we go through numerous fitting sessions and sampling ahead of creating the final piece. Because we use a lot of volume in our designs, we test how our pieces look whilst walking to see if there needs to be more or less material added to create the desired effect. We will also make slight adjustments to key pieces season on season, and this could include looking at how the seams are finished or how the collar sits, so there are always slight updates and improvements to be made even to our bestselling styles.

Do you design shirts with the idea of empowering women?

We design shirts with the idea of creating wearable yet directional pieces for working women in mind. We feel that shirting signifies the idea of power, sexuality, and romance within the confines of a versatile garment.

In your opinion, what is the most flattering silhouette on a woman?

We love a loose silhouette, something that caresses the body and emphasises the grace a woman carries in her natural movement.

What made you decide to focus solely on womenswear, and stop producing menswear?

Womenswear provided a lot more creative freedom, and as our team is still small we wanted to be able to do one category the best we could, rather than split our focus.

Where do you now buy your own shirts from?

We will either custom make our own or wear the womenswear styles. The Poet shirt is quite unisex as it’s like a painter’s smock.

How would you say your brand has grown and matured since you launched in 2012?

We understand our woman a lot more and also understand our own strengths as designers.

What do you feel is key to the growth of the brand, and has been key so far in the journey of the brand?

Refocussing our collection to focus on cotton shirting and reducing our price point for Resort 2016 was a big turning point in our brand, this allowed us to become a more commercially viable brand which was taken on by stockists such as MatchesFashion.com. Since then we have stayed true to ourselves, not rushed our success, ensuring that each decision is thought through, whilst remaining organised.

What’s the secret to a successful label?

Persistence. You can’t give up no matter what obstacles you face.

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Paris Fashion Week: Louis Vuitton FW18

Louis Vuitton closed Paris Women’s Fashion Week presenting a quintessentially French FW18 collection that is in balance between past and future, history and modernity, yet without any nostalgia. Set at the magnificent 17th century Musée du Louvre, the historic atmosphere of the museum was juxtaposed with metal seating, while even the catwalk was a contrast, part historical and the other part futuristic spaceship.

Nicolas Ghesquière perfectly embodied this dualism between traditional French chic with modern attitude, combining wool, tweeds, and knits with a high shine finish. Looks were embellished with golden buttons and decadent details, while tops and jackets flared out from the waist for a peplum silhouette, and shoulders were rounded smoothly.

Skirts were kept to a conservative knee length, yet paired with leather jackets or sporty sweaters, and exquisitely tailored tuxedo jackets were worn with loose sequinned or printed trousers. Traditional top handle totes were held on their side, gloves were worn on one hand only, and waists cinched with corsets.

Innovative as always, Ghesquière interspersed icons from the past with a symbolism of the future, as he wrapped up fashion month.

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A&E Editorials: Dior Spring Summer 2018

WELCOME THE EVOLUTION OF FASHION WITH DIOR’S VIBRANT SLEW OF TECHNICOLOUR AND ELABORATE SPARKLING DETAILS. EXPLORE OUR EXCLUSIVE GAME OVER EDITORIAL STORY FOR DIOR, OUT NOW IN OUR MARCH’18 ISSUE!

Jumpsuit, Shoes, Hat, Choker. ALL BY DIOR

LEFT IMAGE: Shirt, Bodysuit, Pants, Studded “Diorama” bag, Boots, Hat, Earrings, Necklace, Choker, Bracelets, Rings RIGHT IMAGE: Dress, Earrings, Choker, Bracelets ALL BY DIOR

LEFT IMAGE: Jumpsuit, Jacket, Skirt, “Lady Dior” bag RIGHT IMAGE: Dress, Choker, Bracelet ALL BY DIOR

LEFT IMAGE: Jumpsuit, Skirt, “J’Adior” bag, Boots, Choker RIGHT IMAGE: “J’Adior” bag ALL BY DIOR

Styling and Direction: Dana Mortada
Photographer: Sam Rawadi
Make up and Hair: Ania at MMG
Model: Julie Rose at MMG
Location: Stereo Arcade- The DoubleTree by Hilton Hotel JBR, Dubai – UAE

Enjoy our ‘Game Over’ fashion film for Dior in the video below:

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Milan Fashion Week: Dolce & Gabbana FW18

As fashion shows go, Dolce & Gabbana is always an unforgettable experience, and for Fall 2018 there was no exception as it took the direction of Fashion Devotion. Opening the show were new season bags carried on drones, before the collection of colourful prints and patterns took to the runway.

Dolce Gabbana FW18.

Comic illustrations added humour, there were cutlery prints, brocade, leopard print, and plenty of sparkles. More is more was key, with accessories piled high and of course topped off with majestic crowns.

A&E Interviews: Shiva Safai

Shiva Safai is set to marry into what must be the millennials most fêted fashion dynasty. Engaged to Palestinian luxury real estate developer Mohamed Hadid, the father of models Gigi and Bella Hadid, Shiva is poised to take up the mantle as matriarch of the legendary 48,000-square-foot House of Hadid, the sprawling 2.2-acre family estate in Bel Air.

Born in Iran and raised in Norway, Shiva moved to Los Angeles at 19 and for a decade she ran her own successful criminal background check business. She met Mohamed at Il Pastaio restaurant in Beverly Hills and the couple became engaged, before now starring together on E!’s hit series Second Wives Club.

We chat with the self-made businesswoman who has travelled the world cultivating her passion for exquisite fashion and décor in places like Paris, Greece, Egypt, and recently Lebanon for her Christmas holidays. Shiva shares with us an insight into her lavish lifestyle of style and elegance, alongside her passion for children’s foundations, especially including her active involvement with the Iranian MAHAK Charity which was founded 20 years ago as an international society for children with cancer.

Can you share with us a typical day in the life of Shiva Safai?

Every day varies for me. I can have a photoshoot one day, or I could be running errands and managing the household, or a day spent lunching with friends and family.

What inspires you?

Life! I have a lot of passion for life, to wake up with a purpose and to do better than the day before.

How would you describe your personal style?

I would say I have a classic style, I like the timeless look. I live in jeans and t shirts on a daily basis.

What is one item that you can’t leave the house without?

My iPhone.

What is your definition of beauty?

Confidence. It comes from within.

Who is your beauty icon?

I love and have always been inspired by Sophia Loren, Jackie O, and Grace Kelly.

How do you feel the concept of beauty can affect confidence, and open doors for empowerment?

Being confident and accepting of your own flaws, to be able to embrace them rather than cover them, is what true beauty is in my opinion. That’s what makes everyone unique in their own way.

Can you talk us through your daily skincare and nutrition routine?

I have learned simplicity is the best thing when it comes to skincare. Less is more. I wash my face in the morning, put on sunblock and eye cream and that’s it. At night I do the same, wash my face, do a peel, and add retinol or lactic acid, and an eye cream. That’s pretty much it, and I eat anything I want, but moderation is the key, I don’t overdo it.

What is your secret top tip for great skin and wellbeing?

Protect with SPF, and exfoliate with retinol and lactic acid.

What is your best piece of beauty advice that you can share with us?

Truly I can’t say enough to use sun block every day! You will thank me later!

What are your must-have beauty products?

I love my retinol cream by Shani Darden, which is gentle to use every day, yet effective at the same time. I also can’t live without my eyebrow pencil by Anastasia Beverly Hills.

Living in Los Angeles, how do you find the cultural differences between there and the Middle East?

The beauty of Los Angeles is that there are a lot of Middle Eastern influences. I love that about LA, as it takes me back to my roots.

Do you appreciate the differences in the fashion styles too, and how do you tailor your personal style for the different regions?

Wherever I travel in the world, I always find the individual fashion styles very inspiring and fascinating. I love how I can add more glitz and glam to my wardrobe when I travel to the Middle East, as the women there are always super polished and fabulous.

What do you admire most in Arab women?

The Arab women exude confidence, which I find truly amazing.

You have recently holidayed in Lebanon, can you share with us why you chose this as a destination for your vacation?

I have always wanted to visit Lebanon, because it also reminds me of my home country. I have to say it has been one of the best and most memorable trips of my life so far.

What do you like most about the city, and where are your favourite spots?

Beirut has this amazing sense of the old world and new. I loved driving around, seeing beautiful ruins next to modern luxury buildings. The sound of the call for prayer was very nostalgic, and definitely reminded me of my childhood in Tehran. I visited so many beautiful restaurants and met many beautiful people. Some of the best fashion designers are from Lebanon, and I had the pleasure of meeting a few of them.

You have been a successful businesswoman since a young age. Tell us more about your career?

I opened up my own criminal background check business at the age of 21. I worked very hard to keep that company running successfully for almost a decade.

How would you define success?

I believe with hard work, persistence, and determination, you can achieve anything you put your mind to.

What do you feel are the qualifications that a woman needs to be successful in business?

Know your own worth, be confident, patient and know you can do anything. You should set goals in life and work towards achieving them.

Do you feel that women are faced with more difficulties due to a lack of equality when working in business?

It is definitely more challenging and harder for women to be racing neck to neck with men in the business world. However, there are many, many amazing female leaders around the world who are inspiring to other women, and I feel that with time women are becoming stronger and more vocal about their positions and equality in the work environment.

Tell us what is key to female empowerment?

Women supporting and inspiring one another, although now even more men are supporting which is a wonderful thing.

What have been the biggest challenges you have faced throughout your career?

Throughout the recent years when I have been in the limelight, the most difficult challenge has been to mute the outside noise and judgments. But, when I had my background check business I had to work hard to show everyone around that I was capable of being a successful business owner.

Which roles in your life do you enjoy the most and gain the most satisfaction from, being a businesswoman, entrepreneur, television star, fiancé, or charity ambassador?

I enjoy most being a daughter, an older sister to my brothers, being Mohamed’s fiancé and being a good friend to people around me. So basically, family and friends are very important to me. I also love using my platform to raise awareness and help in any way that I can for certain causes and charities.

Tell us more about the children’s charity work that you are involved with?

The international society for children with cancer is a MAHAK charity, one that originated in Iran 20 years ago. It’s a charity that funds and helps the needs of children with cancer. It also provides funding for facilities for families to stay while their children are being treated.

With such a busy work schedule, how do you maintain your home and personal life, and what is the perfect balance between work and family?

I think that having the right priorities makes it easier to juggle between work and personal life. You need to make sure that as much as your work needs attention and time, so do your relationships with your loved ones.

Being such a public couple, how do you ensure that your relationship isn’t defined by the world of celebrity and glamour?

Behind closed doors we are just like any other couple. We cook together, and we entertain friends and family. We like to unwind after a crazy day watching TV and talking about each other’s day.

You have just finished the first series of Second Wives Club, what are the biggest challenges that come with being a part of a show like this?

When you decide to be on a reality tv show you need to be open to share your life with the viewers and be open to criticism. I was very comfortable and felt very good about the idea as I wanted the viewers to have a glimpse into our daily life, and how and why our relationship works the way it does. I wanted to show our chemistry and how we are.

Can you share with us the pros and cons of being famous?

The pros are the fact that you can be an inspiration to so many people, to use your platform to raise awareness for certain causes or charities, and to be a good role model. Cons are a bit difficult, but come with being a public figure. People make judgments and criticise without even knowing you or your journey.

Do you ever tire of fame and what to run away from it all?

I can’t say I want to run away from it, however just like any other person we all want our private moments at times, and I still cherish and want that.

Do you have any regrets in life?

No, I don’t have any regrets in life. I am who I am, and where I am today is based on mistakes and decisions I made in the past. Everything happens for a reason and from every mistake a lesson comes out of it.

What is next on your checklist of ambitions and objectives?

I would like to leave a mark on this earth I can be proud of. My ambition is to make a brand with my name, work hard, and make my friends and family proud of the person I have become.

How do you feel the future is looking?

You can never predict the future. All I can hope and pray for is to have faith in God and know that the best is yet to come.

How Ghizlan Guenez Is Changing The Face Of Modest Fashion

the modist ceo

Despite the fact that modest fashion is expected to grow into a £387 billion market by 2019, the category is still very much underserved. But, a new e-commerce destination is hoping to cater to one slice of that demographic, a segment that produces 630,000 online search terms globally, working together with fashion brands who have been equally keen to appeal to the demographic.

Whether it’s for religious or cultural reasons, or just a preference for a more classic, conservative look, the modesty movement is big news, and founder Ghizlan Guenez, a Dubai resident who grew up between Algiers, Beirut, and London, and previously spent 14 years in private equity, has succeeded in bridging the gap that exists between modest women and the world of luxury fashion. For her, shopping for modest clothing was a challenge, even in Islamic Dubai, but now thanks to her site, modesty-oriented customers worldwide have a one-stop shop for luxury fashion, offering curated fashion from countless retailers which fit the brand aesthetic, be it long sleeves, long hems, opacity of clothes or even collaborations with designers who have tweaked and altered pieces accordingly.

Guenez has gathered a particularly impressive team to help bring this vision to life, split between Dubai and London, yet still offering a global presence. Two members come from Net-a-Porter, including the company’s former Global Sales and Marketing Director, Lisa Bridgett, who is The Modist’s Chief Operating Officer, and its former Global Buying Director, Sasha Sarokin, who serves as Buying and Fashion Director.

The site itself reflects their combined expertise, with its clean, elevated layout and trend-driven shoppable content, including interviews and editorial spreads shot in-house on the level of any top fashion magazine or website. These feature live in their in-house magazine, The Mod, a monthly endeavour championing stylish and inspirational modesty, which not only speaks to a woman’s sartorial choices but also empowers her, offering a new voice to women of style and substance worldwide.

Here, Guenez shares her insights on how to be both covered up and chic at the height of the modest fashion movement, together with exploring fashion’s future.

What prompted you to come up with the concept, and launch The Modist?

The idea of launching The Modist is personal to me. I was brought up in a family of women who love fashion and who dress modestly and have personally experienced the frustrating and alienating shopping experience trying to find fashionable pieces that respect the parameters within which we dress. Building a business that offers an elevated solution to this woman, and aims to empower her is a real passion of mine and of my team.

How did you identify this gap in the market, and what was the catalyst behind starting your own business?

The gap was evident not only through my personal experience but that of many of the women who I have known and interacted with regionally and globally. There is no offering for a modest dresser in the luxury space and it made sense for me both commercially and emotionally to launch a business in this realm.

Do you feel your previous career gave you a good grounding and invaluable experience for this endeavour?

Absolutely. I was fortunate to have spent 13 years in a company that always had a big vision and I was part of its growth and success. Working closely with the leadership of that company taught me the importance of a strong vision, choosing the right team, and executing to perfection.

Why is now the right time to launch a modesty-centric e-commerce platform?

The timing seems perfect in many ways, but we could have launched The Modist any other time and it would have still been relevant. The momentum may have been different, but the need has always been there. Dressing modestly is a perennial need for large populations of women and goes beyond a trend or a particular incident that made it popular.

There is a global misperception of modest dress, with people thinking of traditional dress. How will you change that perception with The Modist?

There are many misperceptions around modesty being traditional, boring, dull and many other things, and at The Modist we take pleasure in breaking these stereotypes. Modesty can be fashion forward, trendy, fresh, and cool. It also does not relate to just one religion or region, and it transcends faiths and backgrounds. It takes a quick spin on our site and our online magazine, The Mod, to see how our visuals speak to modesty in a very fashion forward and cool way.

What sets The Modist apart from other e-commerce platforms?

We are a specialist retailer and we address a niche. We offer a solution to a woman who used to spend hours and go through hundreds of products to find what works for her. On The Modist, we do the curation for her and we do not offer her what is not relevant to her. We also inspire her through our styling and through our editorials in The Mod magazine.

Can you share your perception of modesty?

I think modesty transcends what you wear and goes beyond that to how you carry yourself.

How do you balance modest dressing while keeping up with trends?

That’s exactly what we do at The Modist. The reality is that there is no ‘balancing’ required. Dressing modestly does not contradict being trendy. That’s just a misconception.

Tell us how you curated the list of designers who you decided to feature on The Modist?

It was important for us to choose designers who were inherently aligned with our aesthetics in terms of modesty. The curation of the brands took that into consideration as well as bringing some brands that are emerging and aren’t necessarily very known. We love the idea of championing young brands that we believe in.

Do share with us more about how your platform helps emerging talent?

If you look at the designer list on The Modist you will find many emerging designers from the region and globally, sitting side by side with more established brands. That’s part of how we support designers. If we see talent and quality coupled with beautiful aesthetics we go for it. It’s part of what we enjoy, which is having a fresh line of designers alongside the more recognised ones.

Can you tell us about future capsule collections we can look forward to?

These are in the making and part of our offering. Ramadan is always an exciting month of collaborations, but we will have collaborations beyond Ramadan. Keep an eye out for what’s coming!

You have been mentioning ‘The Mod’ magazine. Tell us a little bit about this?

The content element is an essential part of our business. It was important for us to offer our woman an end-to-end experience that is relevant to her in every way including the content. In The Mod, we share beautiful editorials, inspiring stories of women that we feature as well as breaking stereotypes about modesty, showcasing the diversity of women. We aim to inspire, inform, and celebrate our woman through our content.

Do you feel that being a woman at the helm of a brand for women allows you to have the best insight into your customer needs?

There is no doubt that being a woman who personally experienced the needs of the customer base that we serve makes me insightful about many of the customer needs, but that is not to say that we stopped learning. We are constantly asking and listening to our customers and we know that we can always evolve our experience to serve her in the best possible way.

Also, it looks as if your team is predominantly female. Was that a conscious decision?

We are a brand that is for women by women. 80% of our team is women and whilst it was a conscious decision to do so, all our team was hired first and foremost because they are talented and competent in their roles.

Is fashion in your genes? Did you always dream of moving into the fashion world?

I have always loved fashion. My first memory of fashion was around my mother and how glamorous she was. I remember her travelling quite often and dressing up for her travels which was quite a thing in the 80s unlike today where we’re all about practicality at the airport. So, looking presentable and enjoying fashion has always been part of who I am. Having said that, I never thought I would be a player in the industry.

How would you describe your personal style?

I have a versatile style, but I like a classic look with a twist. I enjoy balancing things out, so if I wear a bold print or colour then I like the lines to be clean, but if I’m going for a simple look then I like to amp it up with accessories.

Who are your modest-fashion icons?

Her Majesty Queen Rania tops the list with her impeccable style. I also love how Jenna Lyons puts the most unexpected pieces together and makes them work, and I like Cleo Wade’s effortless cool style.

Do you have a favourite piece on site currently?

I’ve got my eye on a beautiful silk maxi dress by La DoubleJ in a retro print. It’s so versatile and can be dressed up or down. It’s a perfect day to evening piece.

What are your top wardrobe must haves?

A beautifully tailored suit in ivory from Phillip Lim.

A shirt from Palmer//Harding who make the most amazing and interesting shirts.

Big earrings from Ellery or Racil that add a touch of glam to any outfit.

Can you share with us the most cherished item in your wardrobe?

A Yves Saint Laurent coat that I stole from my mother that is over 30 years old. It still looks as relevant as it did back in the 80s.

What has been your greatest achievement?

Launching The Modist, a brand with a lot of meaning and purpose behind its beautiful curation and commerciality has been one of my biggest achievements.

What is the best piece of advice you have been given?

Don’t hesitate to ask for help. People are often happy to lend support if asked.

A&E Exclusive: The Secret Queen of Choo’s

Jimmy Choo has long established itself as one of the stiletto brands of choice, so it’s no wonder that the brain behind the brand possesses the dedication and style that one would expect. Born in the United Kingdom and educated in Hong Kong, creative director and ultimate power woman Sandra Choi has designed some of the most iconic styles we know.

Aged 18, Choi started working for her uncle, Jimmy Choo, and enrolled in the foundation design course at Central St Martins, which she later abandoned in order to devote herself full-time to design and the management of the atelier, which was catering to the global jet set, including Princess Diana. The fate of the brand was officially and fantastically sealed when Sex and The City hit our screens in the millennium. There were two or three storylines that specifically related to Jimmy Choo, together with those that generally highlighted the emotional attachment women have with their vertiginous friends. Iconic moments such as Carrie Bradshaw exclaiming, ‘Wait, I lost my Choo!’ could never have happened had it not been for her feathered, purple sling back.

Mr Choo departed the company in 2001, and later Mellon in 2011, leaving Choi to continue steering the internationally recognised label forward. Since taking over as creative director in 2013, Sandra has been responsible for creating some of the most coveted shoes ever, and here we take the opportunity to find out more about the coveted Off-White™ collection, being an empowered woman, and how she pays tribute to Jimmy Choo’s iconic red-carpet legacy.

Who is the Jimmy Choo woman?

The Jimmy Choo woman is cosmopolitan, daring, instinctively seductive, and playful.

Can you share your brand DNA?

An empowered sense of glamour with a playfully daring spirit.

Has being a shoe designer always been a personal passion of yours?

Actually, it wasn’t a shoe designer, as my first passion was to be a fashion designer but in college my tutor told me he thought I had a talent for product design. As fate would have it I now have the best of both world’s!

Why do you think women are so obsessed with shoes?

Shoes, especially heels for women, have always had the power to transform both emotionally and physically. Not only do they change your posture and height, but they have the ability to change how your feel whether that is confidence or glamour, dressed up or down, they enhance your personality and the image you want to project. They also have the ability to provide an instant update to your style.

How many shoes do you own?

Too many to count! I would say in excess of 600 pairs.

If you could only own one pair of shoes, which style would they be?

A pair of pointy toe pumps.

What is the highest heel you can walk in?

It’s not so much about the height of shoes, it is more about knowing your limits. There is a perfect heel height or everyone in our collections, once you have found it you will always be confident in your shoes.

What elements make a flattering shoe?

In terms of aesthetics, I always think even the most classic shoe should have a little unexpected touch or design detail that differentiates it and makes it flattering.

Tell us how you create something that is timeless yet fashion forward?

It is important that the brand keeps up with lifestyle and cultural trends. Being aware of these is incredibly important in order to ensure the brand stays relevant. For example, personalisation is such a key thing for people, so our Made-to-Order collection is always being refreshed to include new fabrics, new styles, and new ways for people to add their own stamp onto our shoes.

How do you like a woman to feel when wearing a pair of Jimmy Choo shoes?

Jimmy Choo is a celebratory brand, it makes you feel good to wear something that is beautiful, exquisitely made and fun!

How do you go about designing to ensure you combine both style and comfort?

Designing a shoe is an architectural feat and even being a millimetre off can ruin the pitch and design of a shoe. I am always finding new ways to give women beautiful and comfortable shoes. For example, we have reworked our classic pump to create the Romy. We have given it a rounder toe and wider heel base for added comfort, while still retaining the sleek, classic aesthetic.

Of all the accessories that you’ve designed, which has given you the most satisfaction?

The purple feather Jimmy Choo shoes that Carrie wears in Sex in the City. The episode when Carrie loses her ‘Choo’ while trying to catch the Staten Island ferry really put us on the fashion map. It was the turning point in popular culture when fashion became part of the mainstream in a way it had never been before. There is nothing that can quite compare.

How has your work evolved over the years?

I love designing accessories that make people smile. Playfulness has always been a part of the brand and something I am keen to highlight. I also think the digital age has increased the importance of playful designs, people want things that pop and look good on camera.

Is there another shoe designer whose designs or career path you admire?

The original Roger Vivier.

Tell us about your Off-White™ collaboration, what made this the right pairing for Jimmy Choo?

I want to surprise people. Make them ask ‘What kind of effusion, ultimate product are we going to come up with’. Historically, Jimmy Choo has had very strong brand values, the glamour, the confidence. Off-White™ is unpredictable. This collaboration was unpredictable and exciting.

Do you enjoy the process of collaborating?

We didn’t have boundaries, that was the fun part of this collaboration. The design process involved bouncing ideas off each other on our JCOW chat group.

The collection is based around Princess Diana, Is she one of your icons?

I think she’s relatable. Diana was a royal grounded in reality. She was real, not a fairy-tale

You have of course dressed many other stars, what was your biggest red-carpet moment?

I have so many. Every time someone choses to wear us on the red carpet it feels like an achievement. However, one that stands out for me is when Michelle Obama wore us to the 2009 inaugural ball following the induction of Barack Obama as 44th president of the United States. The fact that Michelle had chosen to wear Jimmy Choo on one of the most significant nights of the year was a real pinch me moment.

To you, what makes a woman empowering?

Intelligence and confidence is incredibly empowering. Jimmy Choo has been built with a legacy of confident women who use fashion to convey a message of power and confidence, and to express who they are.

Tell us about how you make sure you allow yourself time for your personal life?

Ever since I have had a family I have always ensured that my time is dedicated to them on the weekend, because as a Creative Director the week days are consumed by work. I’m trying to make sure 2018 is about striking a better work-life balance, every working mother’s goal!

What do you enjoy doing most in your own time?

We recently bought a house in the countryside near Bath. My family and I try to escape there as much as possible. It really clears your head to switch off from the buzz of working in London, and you get time to think and allow the great outdoors to inspire you. It is like a mini mind detox escaping the city. If we are in London we like to go to Church Street, NW3, to browse at Alfie’s Antiques Market or go to a gallery, with favourites including Saatchi, Serpentine, V&A or The National Portrait.

Can you share with us your greatest achievement?

The most ‘pinch-me-moment’ of my entire career was attending a dinner at the White House and meeting Michelle Obama. I was staggered by just how informed Michelle was. She knew so much about each person at the dinner, and there were many people there. The other is when I found out we had sold 1 million pairs of shoes. It validated everything I had worked towards and gave me the drive to keep going.

What is the best piece of advice you have been given?

My husband told me to ‘know what I want’.

Shop Now: Salsa Sandals

A&E Guide To Plant Beauty

A scientific approach to harnessing the power of plants has brought a new generation of effective beauty products.

We often turn to science to solve our skin and hair care dilemmas, but now a growing bounty of herb and spice ingredients also offer high-tech solutions. These are the latest weapons in the fight for clearer, smoother skin, and contain powerful anti-oxidants that can help moisturise, brighten, combat acne, and defy signs of aging.

So, what makes this new generation of spice and herb beauty products so effective? Well they offer the best of both worlds, science and nature. Yes, they are plant-derived ingredients, but often they have been ‘tweaked’ in the lab so that your skin gets just the best bits. The secret lies in the fact that scientists have identified the active components, and got rid of the rest, resulting in a product harbouring the finest extracts of these natural herbal helpers.

Global Heroines: A&E Celebrates Inspirational Women

We live in a generation where inspirational women fight for equality and strive for excellence, embracing their femininity to break down barriers that have in the past stood in the way.

Last year saw the ultimate show of unity, with The Women’s March, which triggered almost 700 marches around the world and brought an estimated 4.5million marchers to the streets. This only illustrated further the power and volume of women’s voices when they speak as one, and will no doubt empower the next generation of women to follow in their bold and positive footsteps.

With that in mind, we have honoured those who have had a positive impact on others, and refuse to conform. They dare to do the impossible, encouraging young visionaries to break, not just push, boundaries, inspiring people around the world to fight for what they believe in.

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Fashion’s Most Exciting New Labels Are Run By Women

Some of the most exciting labels in fashion right now are independent, female-led brands.

Ellery, Johanna Ortiz, Rosie Assoulin, Attico, and Carmen March. These women are creating the pieces that we want to wear, and are already wearing. Despite their newcomer status, their designs are selling out fast, and causing ripples in the fashion industry.

At a time when women are campaigning for equality, it’s a joy to see that fashion can lead the way. Read on to meet the designers who are setting the style agenda right now.

How To Get Younger Looking Skin

A&E have tried and tested some of the top beauty products to help you achieve younger looking skin.

Anti-ageing has been a beauty byword since the 1980s, when it was dreamed up by an advertising executive to sell products to older women, and it makes sense that this category would have its own term, since the global skincare market has become a lucrative one expected to exceed $131bn by 2019 and the 50-plus consumer has a huge influence and spending power.

The tide is turning though. Renowned luxury brands, including Chanel and Dior have subtly minimised their usage of the term anti-ageing, focusing more on products that are quick and easy to use, which make us look healthy, radiant, and less tired. Chanel’s Blue Serum promises smooth and firm skin, while Dior’s Capture Totale range coined the phrase ‘Dreamskin’, and Vichy’s Slow Age serum took it one step further by promising to strengthen your skin’s ability to protect against ageing rather than battling lines and wrinkles solely.

However, this sector will nonetheless remain as one of the main pillars for skincare, whatever the products are being labelled as, as although in an ideal world none of us would worry about the signs of ageing and would simply be content with the clichéd notion of ‘growing old gracefully’, we will instead continue reaching for products that promise to turn back the hands of time.

That’s why we’ve done the hard work for you and scoured the beauty market to bring you the trusted products that won’t let you down. Whether you’re looking to target wrinkles, fine lines or focus on prevention or cure, these 15 products are the bathroom shelf essentials which really do deliver when it comes to a smoother skin texture, softened wrinkles, and an overall more radiant complexion.

Feminism & Fashion

CHANEL

Some dismiss fashion as being only skin-deep, as superficial and irrelevant, a fantasy at best, exploitative and anti-feminist at worst, and there are aspects of this that are absolutely true.

But it is also true that fashion can change attitudes, it can help us reflect, and it empowers us to be our true selves and a positive influence on the lives of others. Empowerment is all about confidence, and fashion is an amazing tool to reflect that, and something that we have seen continually cropping up in its own universal language.

KENDALL JENNER

A literal display of this language has been slogan tees, which have been re-contextualised on the catwalk. Nowhere could this women-friendly message be read more loudly and clearly than at Dior for Spring 2016, where Maria Grazia Chiuri was making a pointed statement as the first woman to hold the creative director position in the company’s 70-year history. Paying tribute to the writer Chimamanda Ngozi Adichie, who was in attendance at the show in Paris, Chiuri included tees in the collection that were printed with a line from one of the author’s speeches, ‘We Should All Be Feminists’, a feminist message which she continued for Spring 2018 too.

Prabal Gurung also turned out feminist tees for his Fall 2017 show finale, and Jonathan Simkhai gifted his front row attendees with tees reading ‘Feminist AF’ during the same season. Adam Lippes’ models carried Planned Parenthood signs for Fall 2017, while Chanel declared that a woman can be feminine and feminist, just like stated on the banners carried by Gisele Bündchen and Cara Delevingne for Spring 2015. So, regardless of whether these messages are genuine calls to action, or merely for the attention, they will continue to remain as a wearable statement of solidarity and female empowerment.

PRABAL GURUNG

Beyond feminist tees, female voices are certainly ringing a little louder at the helm of fashion, with established names like Miuccia Prada, Diane Von Furstenberg, Victoria Beckham, Tory Burch, and Stella McCartney becoming household names with ultra-successful fashion empires. Miuccia Prada in particular, has a significant past as a feminist activist, and has always considered fashion as a sum-up of architecture, art and cinema. Her keywords are, revolutionise, amaze and dare, using her subtle irony. For Spring 2014, for instance, she asked some young Mexican murals artists to ‘represent the essence of femininity’, and pay homage to a strong and fierce woman, resulting in a show which was a sophisticated manifesto of feminist power.

DIOR

Just like the young girls who choose to wear their clothes, these designers evoke the freedom to decide what to do with their life and what they want to be, beyond stereotypes. A sense of power and unity is being relayed to a new generation, whether as Kendall Jenner reimagined at Rosie the Riveter, or through the imagery of strong and smart women fronting campaigns.

‘There is no limit to what we, as women, can accomplish.’

Michelle Obama

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