Today marks Emirati Women’s Day. One of the most successful women from the region is fashion designer Sheikha Madiyah Al Sharqi.

Having grown up in Fujairah, as the daughter of the Ruler of Fujairah, U.A.E, HH Sheikh Hamad bin Mohammed Al Sharqi Madiyah no one knows the UAE fashion industry better than Sheikha Madiyah Al Sharqi. The female designer has been surrounded by luxury fashion her whole life and fell in love with fashion design at a very young age.

After graduating from French fashion school ESMOD Madiyah launched her own fashion label Madiyah Al Sharqi. Based out of her Atelier in Fujairah this homegrown fashion house has made quite a name for itself over recent years.

Madiyah has firmly proven that she has a true eye for design and has developed a strong signature style of modern silhouettes with simple feminine collections that are modest yet appealing to women of all cultures. The designer has gone from strength to strength, and the recent launch of her e-commerce site means that the rest of the world will now get to immerse themselves in her designs.

As she prepares to launch her autumn/winter 2018-19 collection A&E talks to Madiyah Al Sharqi on what it took to build her brand to what it is today and how her home country has helped her to do just that.

What can you tell us about your Fall/Winter 18 collection?

This season’s collection was inspired by the concept of duality and dissimilarity – exploring fluid and asymmetrical silhouettes, and bringing together contrasting fabrics that make up a collection of elevated daytime separates and occasion wear. Drawing on the romantic, rich autumnal tones, the collection ranges from sheer delicate fabrics like a sheer lilac and sage polka dotted lace, green embroidered sequins, mustard and deep burgundy velvets, to tougher textures like vinyl leather and lambskin fur that come in paler hues of peach and beige.

The collection is quite a different colour palette for you why is this and what can you tell us about the materials you used?

Over the years, I’ve developed a consistent process that I work within to develop the collections. I deal with international suppliers for sourcing fabrics, and the selection process is based on the pillars of the brand I’ve developed over the seasons, as well as some references from mood boards and sketches I put together.

I always look forward to designing autumn/winter because I get to explore heavier textiles and include a variety of outerwear. Sequin embroidered column gowns and jumpsuits come in two-sided metallic colours, velvets are paired with delicate polka dotted lace, while fur overcoats and patent leather jackets are fastened with sash belts.

How would you describe your signature style?

My collections have always been grounded on decadent, luxurious fabrics in subtle colour palettes cut into playful silhouettes, which create statement looks that can work from day to night. As the Madiyah Al Sharqi muse grew up, so did my signature vision for the brand evolve – designing more tailored pieces that can work as “elevated daywear”, but still with a hefty dose of sophistication and spirited attitude.

Would you ever try a completely different style, will we ever see you do prints for example?

Our more recent seasons have been exactly that—something that really evolved over time was the introduction of a really significant amount of daywear into our collections, and with that, so has continually exploring new decadent fabrics, prints and textures that complement or contrast lace, which has become a hallmark of the brand since our early days.

In what ways has the UAE helped you?

We’re very grateful to have such an established and consistent market in the UAE. I think a huge part of that can be attributed to the fact that all of our production takes place in the UAE, based out of my atelier in Fujairah that has been creating the collections for 15 seasons. I’m so proud that we’re able to do that, and to maintain an international standard through local production with a highly skilled team. While we source all of our fabric, lace and embroidery from Italy and France, it has always been fundamental to the brand that the pieces are produced here.

What do you see as the future of the fashion industry in the UAE?

I think the UAE has become something of a hotbed for young design talents because of the forward-thinking platforms and entities that support and nurture them and I can only see the industry continually growing to new heights as it cements its place in the global fashion scape.

Who was your inspiration growing up?

My mother has always been an inspiration. I remember her working closely with tailors to make bespoke pieces for her, and growing up around that made me realize early on that fashion and design was something I would like to make a profession out of.

How do you get noticed in an industry that is so saturated?

I think recognising the gap you want to fill in the market is still a very defining factor of how brands are set apart. As well as maintaining consistency by identifying the pillars of your brand, and finally, being perceptive about the countless digital platforms we have now to directly connect with consumers.This inspired the launch of www.madiyahalsharqi.com. While it operates at the same high level of customer service as the major e-commerce players, what sets our digital space apart is the curated selection of pieces from our current collections, and offering limited edition and exclusive pieces that aren’t available anywhere else.

Where do you go for inspiration?

Travel is always a constant source of inspiration – the art, culture and history of European cities in particular.

How do you feel about the modest fashion movement? Do you think it is just a trend or is it that women’s tastes are changing?

As with many labels that emerged from this region, we have always consciously tailored our collections to offer options for women who prefer to dress modestly. We love to integrate options that women can mix and match, layering as they like to create added textures and dimensions to their look. With local design talents consistently gaining international recognition, it’s inevitable that as a group, designers from this region played a significant part in the global modesty movement, and I would be proud to be considered as someone who had had an impact.

What’s the one item every woman should have in her wardrobe?

A perfectly tailored coat for the coming season.

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INSPIRING EMIRATI WOMEN

EMIRATI DESIGNERS HEAD TO LONDON

In the second phase of a collaboration with Rimowa, Fendi has created a cabin trolley that combines Italian design with the durability and functionality of luggage brand’s cases.

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The new collection consists of trolley designs in two new colours; red and yellow – an addition to the black and yellow version that was originally introduced in November 2017.

The collaboration will be one of the first to feature Rimowa’s new visual identity which honours the company’s heritage, while providing a contemporary and timeless design.

The suitcase is made with high quality aluminium with an innovative multi-wheel system, so it’s easy and effortless to move around. The Fendi strap is made from Cuoio Romano leather. And features the iconic “F” logo with a brushed effect on the aluminium.

The black, red or blue leather handles on the top and side, as well as the belt that runs across the middle of the case all feature Fendi’s “FF” logo.

Inside you’ll find a modern yet elegant neoprene black lining with a black-on-black embossed “FF” logo. The flex-divider system is adjustable according to each individual’s needs. The case is finished with stickers and a nametag that can be personalised by its owner.

The Fendi X Rimowa case features the iconic characteristics of Rimowa, including its lightweight materials, multi-wheel system and TSA approved locks for security.

Available in Fendi and Rimowa stores.

It’s the season to embrace bold tones and bright hues, so step into summer with a vanity case filled with beauty treats in this season’s essential colours.

Trust us, you’ll find a chic way to bring even the trickiest of shades into your makeup bag – even green.

PILLARBOX RED

LEFT TO RIGHT FROM TOP: Marc Jacobs Le Marc Liquid Lip Crayon in Fram-Bois!, Guerlain Rouge de Guerlain Lipstick No.214 and The Double mirror Cap in Wild Jungle, Karl Lagerfeld + Model Co Iconic Red Matte Lipstick, Kat Von D Studded Kiss Crème Lipstick in A-Go-Go, Dolce & Gabbana Intense Nail Laquer in Anguria 612.

PUNCHY PURPLE

LEFT TO RIGHT FROM TOP: Too Faced Lip Injection Glossy in Like a Boss, available at Sephora, Charlotte Tilbury Colour Chameleon Eye Pencil in Amethyst Aphrodisiac, Benefit 3D BrowTones in Rich Purple, Guerlain Météorites rainbow pearls , Dior Addict Lacquer Pump in Midnighter.

SOFT PINK 

LEFT TO RIGHT FROM TOP: Dior Lip Glow Color Reviver Balm; Charlotte Tilbury Beach stick in Las Salinas, Charlotte Tilbury Pretty Youth Glow, Filter in Seduce Blush, Charlotte Tilbury Lip Cheat Re-Shape and Re-Size Lipliner in Pillow Talk, Benefit Posie Tint Lip and cheek stain, Karl Lagerfeld + Model Co Liplights Top Coat in Pink Diamond.

BOLD ORANGE   

LEFT TO RIGHT FROM TOP: Charlotte Tilbury Pretty Fresh Youth Glow Filter in Pretty Youth, Guerlain Paris Terracotta Cushion in natural, Fresh bronzing fluid makeup, Dior Addict Lip Tattoo Long-Wear Colored Tint in Natural Coral, Dolce & Gabbana Perfect Mono Intense Eye Cream Colour in Copper, Karl Lagerfeld X Model Co Lip Balm, Dolce & Gabbana Miss Sicily Colour and Care Lipstick in Angela.

RICH GREEN    

LEFT TO RIGHT FROM TOP: Charlotte Tilbury Colour-Coded Eyeshadows in The Rebel, Fenty Beauty Mademoiselle Lipstick in Midnight Wasabi, Guerlain Paris Rouge lipstick in No. 111; Charlotte Tilbury Colour Chameleon Eye Pencil in Smoky Emerald.

SEASIDE BLUE     

LEFT TO RIGHT FROM TOP: Dior 5 Couleurs Summer Edition Eye Palette in Cool Wave, Benefit 3D BrownTones in Deep Blue, Fenty Beauty Mattemoiselle Lipstick in Ya Dig?!, Kat Von D Everlasting Lip Liner, in Satellite, Beauty Blender in Sapphire Blue, Guerlain Paris Lipstick in No.333, Dior Lip Maximizer Collagen, Active Lip Gloss.

MAGENTA PINK      

LEFT TO RIGHT FROM TOP: Diorshow On Stage Liner in Matte Pink, Beauty Blender in Original Pink, Guerlain The Double Mirror Cap in Neon-Ista, Charlotte Tilbury K.I.S.S.I.N.G Lipstick in Velvet Underground, Dior Show Pump and Volume Mascara in Pink Pump.

Styling and Direction: Lindsay Judge

Photographer: Henry Pascual

HOTEL SAVOY, FLORENCE CELEBRATES A HUGE RENOVATION PROJECT IN COLLABORATION WITH EMILIO PUCCI.

The Rocco Hotel Savoy in Florence has recently undergone it’s biggest ever renovation project. The project was quite fittingly in collaboration with Italian fashion house Emilio Pucci.

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After six months the centrally located 125-year-old iconic building reopened its doors in April with a fresh new look. Part of the Rocco Forte Hotels group, Hotel Savoy, Florence strives to retain its tradition and elegance while combining contemporary chic style, and this new renovation did just that.

Director of Design, Olga Polizzi has enhanced the timeless elegance of the hotel using contemporary themes, hints of Renaissance and the very best artisans. What better way to do this than to collaborate with Florentine fashion house Emilio Pucci? Together with the luxury house the hotel brings the very essence of luxury design to the hotel.

The collaboration with Emilio Pucci first began when the brand produced an exclusive scarf for the hotel. The silk scarves are available in two colour varieties and are now encased on glass table tops at Irene; the hotel’s terrace cafe overlooking the architectural décor of the historical Piazza della Repubblica.

Further to the scarf design the partnership between Hotel Savoy and Emilio Pucci grew and the two worked very closely together during the renovation to bring the essence of the Pucci brand to the property.

The hotel entrance and lobby have been reinstated to their original grandeur, with a five-metre-high ceiling and two large new reception desks. The neutrally designed space is accented with Pucci design elements including paintings by Image Director of the brand Luca Pignatelli.

The Pucci touches continue throughout the lobby where the print has been carried over onto cushions and armchairs which feature a velvet flower print that merges renaissance motifs with pop art. The lobby is completed with a hand tufted rug featuring the Emilio Pucci Lamborghini print in pink, grey, black and white.

As well as the public spaces the rooms also have a new look. The number of rooms have been reduced for 102 to 80, with many rooms increasing in size to offer guests a more spacious experience.

The 30 suites include The Junior Suites, Grand View Suites and the new palatial Duomo Presidential Suite. The later spanning a space of 177 metres squared and occupying its own wing of the hotel.

On the 5th floor lies the unique two-story Panoramic  Suite which features panoramic views of the Florence skyline. The design of the rooms uses soft, tranquil tones to create a sense of calm, while the luxurious choice of fabrics creates an Italian feel. The furniture throughout is designed exclusively for the hotel from Chelini Firenze workshop and C&C Milano materials to give the hotel a uniquely Italian flavour.

Laudomia Pucci, daughter of Emilio Pucci and image director of the Florentine fashion house said:

“Envisioning this unique project with Hotel Savoy meant working closely with Olga and it’s been a wonderful treat. For the very first time in hospitality and in the Emilio Pucci history, we have translated the creativity, which this city inspires by merging the elegance of the Savoy with the vibrancy and sophistication that is embedded in the Pucci codes and in the city of Florence itself, adding Pucci touches in the lobby and restaurant area of the Hotel.”

 

For more information and booking visit www.roccofortehotels.com

Pre-fall collections are making their way into stores and you’ll struggle to find any that are more elegant, yet edgy, than Dior.

Get these goodies now and live happily every after.

MINI “LADY DIOR” BAG PRE FALL 18 COLLECTION. ALL BY DIOR

LEFT IMAGE: “J’ADIOR” SLINGBACK PUMP PRE FALL 18 COLLECTION

RIGHT IMAGE: “J’ADIOR” FLAP BAG PRE FALL 18 COLLECTION

ALL BY DIOR

LEFT IMAGE: “DIORAMA” BAG PRE FALL 18 COLLECTION

RIGHT IMAGE: SHOES PRE FALL 18 COLLECTION

ALL BY DIOR

LEFT IMAGE: SHOES PRE FALL 18 COLLECTION

RIGHT IMAGE: “DIORADDICT” BAG PRE FALL 18 COLLECTION

ALL BY DIOR

MINI “LADY DIOR” BAG PRE FALL 18 COLLECTION

ALL BY DIOR

Styling and Direction: Lindsay Judge

Photographer: Henry Pascual

Parfums Henry Jacques was born from the love of the old French perfume tradition, by its founder Henry Cremona. Henry was a world traveller who drew inspiration for his fragrances from childhood dreams of faraway lands.

Today, the family business is run by CEO and daughter of Henry, Anne-Lise Cremona. Anne-Lise has one aim; to strive to enhance an already towering legacy.

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If you’re wondering why you haven’t heard of Henry Jaques before, that’s because, for many years, the niche luxury fragrance house worked discreetly to satisfy the requests of its private clients. Only recently had it expanded, opening to the public with a handful of boutiques.

So what’s it all about? This luxury fragrance brand has grown and grown every year fuelled by a passion and love for fragrance. It’s laboratory, in the heart of Provence houses a maze of over a thousand scents. Not altered by fads and fashions, Henry Jacques focuses on the art of the great perfumers, and producing a truly exclusive experience for its customers.

Henry Jacques perfumes are mainly composed of premium natural essences found at all corners of the world. The qualities of natural essences are as varied as the flowers from which they are extracted, ingredients interact, change and harmonise with each other to create a perfect balance.

Henry Jacques has consciously decided never to subject itself to the constraints of a conventional boutique. A small exclusive business for which the conventional distribution and scale and pressure of volumes has never been the plan. However this changed, and with months of reflection and purpose, Parfum Henry Jacques opened their first boutiques.

Designed by Christophe Tollemer each boutique is created as a haven inspired by the elegance and curiosity of the brand. Carefully designed, the perfumes are hidden from sight in the stores, waiting to be discovered.

Over the years Parfum Henry Jacques has taken up the challenge of forming a selection of perfumes representative of the immense work the brand has accomplished. With a collection of fifty Essences, Henry Jacques is bringing back the beauty of a gesture.

A few drops of essence will leave a lasting memory on the mind.  Such a fine collection could not have been conceived without experience and knowledge painstakingly transmitted over several generations.

The Les Classiques de HJ collection for men and women brings back the elegant gesture of applying perfume to the skin. A universal appeal seems written into the fifty formulas, speaking to all with the force of a memory or an impression of life.

The fragrances are beautifully set in a sleek crystal bottle. Each Classique is presented in a case that expresses the same philosophy of utter refinement free from fad or ostentation. A varnished wood case is generously embellished with gold leaf. It opens up to reveal the bottle delicately resting on a silk cushion.

“My main concern for Henry Jacques is longevity while keeping with the art of perfumery,” explains Anne-Lise Cremona, CEO and daughter of Henry Cremona.

Henry Jacques Voyage is a new collection of perfume cases. The travel case feature precious leathers with sumptuous, contemporary chic.

Designed to hold the new 15ml bottles of Les Classiques de Henry Jacques. The perfume house has built up a very personal and noble perception of travelling, which they choose to express through visionary style and timeless elegance.

The cases are available for three or five bottles, and sixteen in the Vanity version. The line also includes the single bottle case. Four different shades of leather are offered: black, brown and green anguille as well black agneau.

The Caves à Parfums perfume chests and cabinets have been designed to elegantly hold ten or fifteen crystal bottles from the Classiques de Henry Jacques line.

“Henry Jacques embodies an ideal of creativity, quality and authenticity. If those principles are abandoned, emotion is lost and a tyranny of short-term thinking sets in,” adds Cremona.

Parfums Henry Jacques boutique is located in Dubai Mall. As well as Paris, London and Singapore, Visit www.parfums- henry-jacques.com for more information.

Weekend bags, stylish sliders and baseball caps are leading the way as the must-have accessories for summer 2018.

PRADA

Whether you’re travelling for work or simply going to the gym; complete your outfit with on-point accessories.

Accessories can often make an outfit and on the spring/summer 18 runways, shoes, bags and belts and jewellery were a key part of the collections. In an age when style is becoming a lot less formal and more laid-back the types of accessories presented for men are changing.

Shoes are much more sporty and slip-on sandals are taking the lead over smart lace ups. At Dolce & Gabbana and Lanvin sneakers were key to the collections. Looks that ordinarily would have been paired with smarter shoes, are given a softer feel with sportier styles to relax the looks. Or, in the case of Prada, smart shoes are made with sportier materials and laser cut with holes and a sole that mirrors that of the brand’s sneakers.

When it comes to bags, practicality reigns over style with bags becoming larger to adapt to the busy man who may be away for the weekend or heading to the gym on his way home from work. Of course smaller bags featured in the collections too but only with functionality in mind. Belt bags and across body bags provide a practical solution and are great to wear when travelling.

Although they are losing their popularity, when they did appear, ties were long and wide, inspired by the eighties and paired with oversized or loose fitting suits. On the subject of suits, they were styled with sneakers and sling back loafers, giving them a relaxed appeal.

Hats came in the form of baseball caps at Dolce & Gabbana and Fendi, while at Louis Vuitton nineties leather trilby’s are having a comeback. Belts played a big role, with jackets and tops being belted at the waist.

On trousers and shorts, belts were doubled up and layered to add a style factor to their function at Prada. While at Alexander McQueen they were tied high around the waist to create a structured silhouette. At Paul Smith, belts were created in co-ordinating fabrics creating a seamless look.

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When HRH Princess Haya Bint Al Hussein was spotted at the annual Epsom Derby in the UK last month looking impeccably dressed, it got us thinking about the style of the Middle Eastern Royals.

While all eyes around the world are on Meghan Markle, we looked a little closer to home at the Middle Eastern Royal women who are  taking the lead in the fashion stakes.

HRH Princess Haya Bint Al Hussein turned heads in not one, but two flawless ensembles at The Epsom Derby which she attended with her husband Sheikh Mohammed bin Rashid Al Maktoum. The princess look elegant and sophisticated in a red dress which she paired with  a made-to-measure fascinator by Milliner Philip Treacy. Princess Haya wore the bold red outfit with nude shoes and accessories.

Princess Haya at the Epsom Derby

The previous day, the UAE Princess wore a bright yellow tweed ensemble for the Ladie’s Day event. She again paired the look with nude accessories, but opted not to wear a fascinator this time. The yellow jacket-dress was not only a bold bright colour it was flattering on Her Royal Highness.

Princess Haya was joined at the event by her daughter Sheihka Al Jalila, who wore a polka dot dress and fascinator also designed by Philip Treacy.

This isn’t the first time HRH Princess Haya Bint Al Hussein has been spotted looking stylish. The UAE Royal is known for her bold fashion choices and loves to make a statement in bright get-you-noticed colours.

Queen Rania of Jordan wearing Layeur by The Modist

Her Majesty Queen Rania Al Abdullah of Jordan is also fast becoming a style icon not just locally, but internationally too. The Jordanian queen is not only recognised for her impeccable style, but also her continuous support to local brands.

Her highness has been spotted wearing a number of UAE-based brands including All Things Mochi, which she wore on a recent visit to Millennium Park in Amman to celebrate the achievements of the initiative’s Masahati student club programme. She has also chosen to wear Dubai-based brand Reemami, as well as Bambah Boutique in recent months.

Queen Rania was most recently pictured wearing a two-tone kaftan by Layeur – the homegrown label of online boutique The Modist. Her Majesty wore the the Seraphima dress to celebrate Jordan’s 72nd Independence Day.

The maxi dress is crafted from two-tone jewel hued silk with a mid-calf length hemline, a high-neck collar and sleeves with contrasting detail.

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The Fondation Louis Vuitton is exhibiting the work of a new selection of artists from around the world.

The Louis Vuitton Fondation was constructed by Frank Gehry as a canvas to present art and culture in an iconic location in Paris.

Each year the foundation presents the works of a different selection of carefully chosen artists following the Collections four distinct categories: Contemplative, Expressionist, Pop, Music & Sound (2014/2016), or groups of works from specific events dedicated to China (2016) and Africa (2017).

This year’s exhibition In Tune with the World is currently on offer throughout the galleries of the Frank Gehry building. A selection of new artists from the collection present works on many different mediums, bringing together modern and contemporary works, most of which have never been exhibited before in the space.

Alberto Giacometti Homme qui chavire 1950 Bronze

In Tune with the World is intended to reflect today’s questions about a man’s place in the universe and the bonds that tie him to his surrounding environment and the living world. Highlighting interconnections between humans, animals, plants and inanimate objects.

Sigmar Polke Nachtkappe I 1986

Throughout the building, the works of art take on two sequences. The first offers and insight into the world of Japanese artist Takashi Murakami and the second is named Man in the Living Universe. Bringing together 28 French and international artists from different generations and techniques.

Sequence 1: Takashi Murakami

Born in 1962, Takashi Murakami is a Japanese contemporary artist. A fine art creator Takashi is known for his unique approach to Japanese art. His partnership with fashion brands have put him on the global map, most recently his partnership with Virgil Abloh for his SS19 collection for Louis Vuitton.

Takashi Murakami, The Octopus Eats Its Own leg, 2017

Drawing on Japan’s political, cultural and social history, Takashi Murakami cultivates a world apart, both dark and fabulous, which combines Kawaii aesthetics with references to his country’s traumas, such as the atomic bomb or, more recently, the tsunami.

Through the multiplicity of forms and materials represented in this exhibition (such as paintings, sculpture and videos), the prolific work of Takashi Murakami gives free rein to an unbridled imagination, saturated with colours and populated by fantastic creatures, half-human- half-animal, mixing popular and scholarly cultures, Buddhist iconography and manga, tradition and modernity, West and East, ancestral techniques and advanced technology.

This display, conceived in strict collaboration with the artist, is organised around three motifs: The first; DOB, the first character invented by the artist in 1993 and considered to be his alter ego. He appears both in the guise of a cute rodent in the style of Mickey Mouse and as a malicious, fierce monster, covered in eyes and sharp teeth.

Secondly comes a monumental fresco exhibited in Paris for the first time. Entitled The Octopus Eats its Own Leg (2017); it depicts characters from Chinese mythology surrounded by lavish, marvellous fauna and flora. By borrowing from the traditional iconography of 18th century Japanese painting and combining it with the style of the great historical frescoes, the artist delivers a contemporary version of the Eight Immortals of the Taoist religion. And thirdly; Kawaii (meaning ”cute” in Japanese).

The artist reinterprets this Japanese aesthetic through a variety of forms and media: sculpture, wallpapers, flower paintings and animated films inspired by manga.

Sequence 2: Man in the Living Universe

The second part of the exhibition is inspired by the assertion of Roland Barthes in La Chambre claire (Camera Lucida) (1980) “I have determined to be guided by the consciousness of my feelings”, the works are themed around the idea of emotional affinity. The itinerary is structured around three complementary themes; Irradiances; Là, infiniment… [Here, infinitely…]; and L’Homme qui chavire [The man who capsizes].

Christian Boltanski Animitas 2014

Irradiances, which is housed on the first floor of the building, presents works by Matthew Barney, Mark Bradford, Christian Boltanski, Trisha Donnelly, Dan Flavin, Jacqueline Humphries, Pierre Huyghe, Yves Klein, James Lee Byars, François Morellet, Sigmar Polke, Gerhard Richter, Shimabuku and Anicka Yi.

The title “Irradiances” refers to the light beam of Dan Flavin and brings together works in a variety of media: paintings, sculptures, videos, installations. Each work is about man’s continuous dialogue with nature, exploring how different materials and their metamorphoses can create a cosmic landscape. Dan Flavin’s Untitled, one of his first fluorescent tube creations, exudes a force from within that gives the sculpture a unique quality.

François Morellet, L’Avalanche, 2006

Here, infinitely on the ground floor, presents works by Cyprien Gaillard, Wilhelm Sasnal and Adrián Villar Rojas. By way of reworking iconic works from the history of art, these three artists reflect on man’s domination throughout history as well as on his potential demise.

Maurizio Cattelan La ballata di Trotski 1996

The man who capsizes, at the pool level, displays works by Giovanni Anselmo, Maurizio Cattelan, Ian Cheng, Andrea Crespo, Alberto Giacometti, Dominique Gonzalez-Foerster, PierreHuyghe, Yves Klein, Mark Leckey, Henri Matisse, Philippe Parreno, Bunny Rogers and Kiki Smith.

This sequence is inspired by the body in all its forms, from the most tangible to the most imaginary, taking The Man who capsizes (1950-1951) by Alberto Giacometti as its starting point, around which a set of four other works by the artist is presented.

Head curator: Suzanne Pagé

Curators: Angéline Scherf, Ludovic Delalande and Claire Staebler

The exhibition will run until 27th August.

For more information visit fondationlouisvuitton.fr

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Mandarin Oriental delivers peaceful luxury in the center of Milan.

The Mandarin Oriental is undoubtedly the most fashionable place to stay in Milan. Housed within four 18th century buildings, where the fashion, cultural and financial centres meet, the iconic hotel is situated at one of the most sought after locations in the Italian city with celebrity and fashion guests making it their number one place to stay when visiting Milan.

Overlooking two idyllic streets, the four buildings which house the hotel were originally built as a luxurious manor house and went on to become the city’s tax office and a bank before its restoration as  the hotel in 2015.

The design was imagined and complete by Antoni Citterio Patricia Viel, a Milanese firm of architectural designers with leading architect Antoni Citterio at the helm. The hotel combines the heritage of Milanese design with modern Mandarin Oriental touches to create a unique setting. As well as stunning interiors the hotel features grand inner courtyards behind the elegant façade.

The design for the hotel’s common areas is inspired by the concept of dimora milanes, meaning ‘Milanese noble residence,’ and has a residential feel with the choice of colour and furnishings. The lobby area is bright and welcoming, resembling a bright and airy living room with a large fireplace and contemporary décor. The hotel is intimate and has a great attention to detail.

CONCIERGE ENTRANCE

GUEST ROOMS & SUITES

The hotel features a modest 70 guestrooms, and 34 suites and junior suites over five floors. Each room has a uniform interior design but a different layout and view over the city, with many rooms overlooking the hotel’s inner courtyards. While the public areas of the hotel are modern and bright, the guest rooms are calm and neutral, designed in classic Milanese style resulting in a homely yet functional feel.

Neutral tones are combined with touches of purple to give the rooms a quiet understated feel, for complete relaxation. Every piece of furniture is custom-made, created according to an original design. The signature style of the rooms mean each bed is embraced by an arched headboard to create an intimate feel. The sofas and armchairs are designed with the same concept. Grand bathroom walls are covered entirely with Italian marble, with patterns varying according to room category.

PRESIDENTIAL SUITE

The hotels’ 34 suites vary in size and design according to guests needs. The presidential suite is distinguished by its high ceilings and large glass doors offering guests a stunning view of the Monte di Pietà. While the speciality suites were created as a tribute to two great Masters of design, Piero Fornasetti and Giò Ponti.

TERRACE SUITE

SPA & WELLNESS

The Spa at The Mandarin Oriental provides an holistic approach to wellness, offering spa-goers relaxation, escape and emotional mental equilibrium.

Each visit to The Spa begins with a traditional welcoming ritual, followed by private consultation with a therapist who will ensure treatments are tailored to the individual needs of each guest. The Spa features six luxurious treatment rooms, which include two single rooms, two double rooms, one Thai massage room and one Spa suite.

Offering a top-class experience, This peaceful haven promotes holistic therapies that will allow guests to escape the hustle and bustle of Milanese life in a peaceful oasis in the middle of the city, while receiving the five-star treatment they expect from the Mandarin Oriental brand.

The fitness centre offers state-of-the-art training equipment and the spa pool encourages guest to relax after their treatment. A hair salon headed by celebrity hairstylist, Massimo Serini, and beauty studio complete the range of services offered at The Spa.

SPA SUITE

THE DESIGN

Like many Milanese buildings The Mandarin Oriental features many outdoor courtyards, offering a peaceful oasis within the hotels’ grounds.

The inside, outside atmosphere makes the hotel an attractive location particularly in the summer months. Following traditional Milanese, residential design principles, the architects have used colour to indicate different room functions, giving the hotel a homely feel. Establishing colour themes was particularly popular in Milanese domestic interior design during the 1930s and 40s.

Red, green and yellow pastel colours decorate the hotel entrance, while the bar has a clear black and white theme, and the restaurant’s green tones match the green marble jambs under courtyard windows.

TERRACE SUITE – TERRACE

FOOD & DRINK

The Mandarin Bar & Bistro is one of the most popular areas of the hotel, with outside and in-house guests visiting regularly. Accessed through the reception the bar and bistro features black and white mosaic patterned walls and a huge U-shaped bar area.

Lunch and dinner menus are design by executive chef Antonio Guida. At night the bar and bistro becomes a vibrant nightspot .

SETA RESTAURANT COURTYARD

MANDARIN BAR – LOUNGE

For more upscale dining, Seta restaurant invited in-house and outside guests to savour Antonio Guida’s gastronomy. Awarded with two Michelin Stars the sophisticated and elegant restaurant features its own inner courtyard, with guest able to watch the chefs at work through large glass windows.

The fine dining cuisine combines Antonio Guida’s Southern Italian heritage with the influences of Tuscany and France. The menu offers a unique take on modern Italian cooking using bright and colourful ingredients.

For more information visit www.mandarinoriental.com/milan

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Wherever you plan to holiday this summer, Moynat’s bespoke trunks have a luxurious, custom-made travel solution for almost any luggage.

Trunk Al Noor by Moynat

Handcrafted from the finest materials the luxury French leather-goods house creates custom-made pieces to meet the individual needs of each customer.

Highlights of the collection are the Trunk Al Noor; a made-to-measure case designed to hold the Holy Koran, or the Beauty Trunk; a partnership with Guerlain and The Orient Express to carry your most treasured make-up and fragrance goods.

The pieces take hundreds of hours to make and are crafted from plush velvet, calfskin and Moynat’s signature leather to provide the ultimate accessory in luxury travel.

Moynat beauty trunk for Orient Express

Moynat breakfast trunk for Yannick Alleno

Available to order from the Moynat Gallery, The Dubai Mall.

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Kris Van Assche returned to his own teen memories, by representing-both the cool 90’s guys and generation Z, who today are buying into new politics and the new classic vintage style.

See our Dior Homme FW19 shoot below.

SHIRT, TANK TOP, JEANS. ALL BY DIOR HOMME

TURTLENECK, TANK TOP, PANTS, BAG, SNEAKERS. ALL BY DIOR HOMME

TURTLENECK, COAT, PANTS, BAG, SHOES. ALL BY DIOR HOMME

SHIRT, POLO, PANTS, BAG. ALL BY DIOR HOMME

Styling and Direction: Dana Mortada

Photographer: Fouad Tadros

Hair & Makeup: Ammara at MMG

Model: Romain at MMG

Location: Intersect by Lexus, Dubai

DUBAI-BASED ILLUSTRATOR SARA JAPANWALLA FUSES STYLE AND ART WITH HER UNIQUE APPROACH TO ILLUSTRATIONS.

Sara Japanwalla is a Dubai based artist and fashion illustrator. She was born and educated in Scotland attending the prestigious Leith School of Art where she did a foundation course in textiles, fine arts, sculptures and installations. She also has a degree in Fashion Design and Technology, and started her career as a textile designer.

Sara specialises in fashion illustration but also works on other artistic projects such as children’s books and storyboard illustration, book covers, editorial, traditional painting commissions, children’s wall murals, comic strips as well as live painting for fashion events and parties.

She regularly displays her artworks in exhibitions, online galleries and art cafes in Dubai and has been a finalist for the Young Designer Award at the Swarovski Bridal Show in 2007. Sara has also been shortlisted and won many awards in the region. Her illustrations have been published in a children’s book, “Princess Charleston and the Isle of Palms” by American based author Kelly Sheehy DeGroot, as well as a book named “More Barsetshire Diary” by British author Lord David Prosser.

Sara envisioned the travel theme of this month’s A&E in our elegant cover illustration. Here, she talks us through the design and the world of illustration in the region.

What can you tell us about the concept you have created for this month’s cover of A&E?

The cover is very luxe and fashion editorial inspired. The outfits are very bold, youthful and current from the latest runway shows and it’s interesting using these elements and putting them into a scene artistically in a way that tells a story.

A&E July 2018 Cover.

Can you tell us how you came to be an illustrator?

I went to art college in Edinburgh where I studied a variety of subjects within the art umbrella and that was really useful. I have great memories of visiting art galleries and museums around the UK in college and this was really inspirational- just observing all the different styles categories and installations. Some of the installations were really controversial and shocking so they were great eye openers for me and it was a great way to broaden the mind.

I worked in a bridal boutique as a textile designer until 2012. My job was quite frustrating, predictable and very routine so I craved creativity. I didn’t know exactly what I wanted to do but I always loved fashion illustration so I created my website and posted my work online.

I realized I wanted to draw live for a living and I always wondered if I would be good at it, so I tried doing it for free for charity and was hooked on the buzz and energy of the event. Surprisingly I wasn’t stressed and everyone around me faded away. After that, I’ve been getting live drawing gigs very often.

Why did you choose the UAE to pursue your love of illustration?

I think the UAE is a great place for art because people are thirsty for this kind of creativity. It may not have a long history of art museums or galleries but there is never a shortage of glamorous fashion events in Dubai and that energetic vibe is the perfect place to use your art like a performance – entertaining people and helping to create a memorable experience. When I started in 2012, there were very few artists drawing live at events like this but now there’s a small group and that is nice to see.

I love the energy and diversity of this bustling, vibrant city. Fashion in particular is something I enjoy observing in Dubai. I love how women here carry themselves with a sense of boldness. They know what suits them and how to interpret trends to make it work for them. No-one pulls off colour and prints like the women in Dubai. I like to capture that eclectic vibrancy in my illustrations.

What has been the highlight of your career?

I have had a few highlights.  I was selected as one of 100 creatives from around the world by Maserati to contribute to a limited edition coffee table book. I felt honoured to be an artist representing Dubai on a global campaign. I also have a collection of illustrated little brown shopping bags currently in Bloomingdales Dubai and Kuwait which is really exciting to see even now when I walk past the store. The little brown bag is so iconic so it is amazing to have my own illustrations printed on these. It was so much fun designing the artwork for this range and we have also included stationary in the line such as notebooks.

What’s your favourite thing to illustrate?

I love couture of course! Feminine, over-the-top ball gowns and opulent outfits.  Lately, I’ve been really enjoying creating illustrations using fabric, feathers and embellishments and this is something I would like to push more later on.  I did this for Essie and loved the result – it felt messier and more haphazard but it was so much fun and people loved their 3D framed illustrations.

Initially, I used to create more abstract, stylized illustrations and my trademark was an elongated eyelash on one eye but now I like to experiment and my style probably changes every couple of months.  Lately, I like the faces to look very feminine and doll like with a pointy chin, elongated limbs, long necks and arched eyebrows.

What do you think about the relationship between fashion and illustration?

Fashion illustration was really popular during the 1920s-60s until photography, and then illustration wasn’t needed as much but now there’s a renaissance going on because people love combining traditional art with modern techniques. In today’s digital world, traditional art is refreshing and appeasing to the eye. I love being part of this movement and it’s really exciting to see the creativity some artists have on Instagram and social media.

Why do you think illustrations are a good way to represent catwalk designs?

I love illustration because it adds so much drama, personality and flair to catwalk designs. Someone once told me a successful illustration should tell a story in order to be engaging so I search for little glimpses of stories and then I go home and recreate it artistically.

Who is your inspiration?

I love both contemporary fashion illustrators such as Megan and Kerrie Hess but also love the work of French impressionists.  Edgar Degas is very inspiring to me, especially his ballet dancer paintings.

In life, there are many sources of inspiration – It may be backstage at Paris Fashion Week, a colorful spice market or a stylish lady pensively selecting a bouquet of flowers. Pintrest, instagram and travel are all inspiring.

On average, how long does an illustration take?

It really depends on how much detail there is in the illustration.  For my live illustrations, I have to be very fast so it takes around 3-7 minutes for each sketch, but for editorial projects which have more elements, It can take about 6-8 hours with the background and including all the textures.

Do you draw freehand or is it more technical?

Initially I was strictly freehand, but I have fallen in love with the iPad pro – I think the reason I love it so much is because it mimics freehand so well with the Apple pencil and procreate so I like to think my drawings dabble in a bit of both now.

How do you think social media has helped/hindered your industry?

I try to use social media as just one source of inspiration but try not to rely too much on it as an indicator in terms of followers and popularity. Instagram is more like an artistic visual diary for me. It’s important to stop comparing yourself to other artists on social media because once you fall into that trap, it can become disheartening. Instead, it’s best to get out there and visit galleries, attend workshops and create your own story.

If you weren’t an illustrator what would you do?

I really like writing and I so I think I would have liked to work in an art or fashion magazine writing articles. Another option would have been to work as a curator for an art gallery.

What can we expect to see from you over the next year?

I really enjoy painting fashion illustration murals. It’s challenging but I love it and I find it really freeing and impulsive. It’s a rush and I would love to create more of these next year – especially for boutiques and restaurant launches. I want my illustration to become part of the decor of interesting spaces. I also want to create an e-shop and sell prints internationally and that is something I am working on currently.

Tell us three things about yourself no one knows.

My favourite movie is Sister Act.  I absolutely love musicals and am gutted my husband doesn’t share my sentiment about this.  I am obsessed with looking at food photography on Instagram – so satisfying.

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FEEL LIKE YOUR HOUSE IS GETTING YOU DOWN? WHEN IT’S TOO HOT TO GO OUTSIDE, FIND WAYS TO BRIGHTEN & LIGHTEN UP YOUR SPACE. YOU’LL SEE YOUR MOOD IMPROVE IN NO TIME.

HOME&SOUL

1. CHOOSE WHITE OR LIGHT HUE FURNITURE

Choosing light or white coloured furniture rather than dark colours will make the space your living in appear larger and brighter. Choose cream or white textiles and sofas and white or light wooden shelving units and wardrobes. In the kitchen, white or cream colours while brighten up the space.

2. ADD A COLOURED FEATURES WALL

Depending on your colour scheme adding a coloured feature wall to your room will brighten it up. If your walls are quite dark, choose a light coloured wool to add light. If you’re walls are light already, choose a bright yellow, blue or green feature wall to add light. Natural light will also bounce off of light colours, making your rom feel much bigger.

GRAHAM AND GREEN

3. ADD MIRRORS TO THE WALLS

Hanging mirrors on your walls will instantly make a room feel brighter as well as making it feel bigger and more roomy. If placed strategically opposite light sources, the mirrors will reflect the natural light bouncing it around the room and flooding light into places it wouldn’t otherwise be able to get to. You can have the same affect using more than one small mirror as you get with one large mirror.

4. USE SHEER OR WHITE CURTAINS

In bedrooms it may be necessary to hang dark, blackout curtains, but in your living spaces stick to white or light colours in light linen fabrics. If curtains aren’t your thing choose white or light wooden blinds that can be opened to let the light in during the day time.

5. CHOOSE A LIGHT COLOURED RUG OR CARPET

One of the simplest ways to add light into a dark room is by adding a light coloured rug. If you have dark wooden floors or fitting choose something with a darker pattern running through the light shade so it doesn’t stand out too much within its surroundings.

6. INTRODUCE SHINY METALLIC ACCESSORIES

Stay away from dark heavy accessories and opt for shiny metallic pieces. They will add light and sparkle into your room. Choose pieces in gold and silver and place them close to a light source and they will brighten up the room by reflecting the natural light.

SWEET PEA AND WILLOW

7. USE BRIGHT, WHITE BULBS  AND LOTS OF LAMPS

Avoid light bulbs that give off a yellow tint. This can make a room feel dark and gloomy. While this can sometimes be great for the bedroom, for the communal living areas, bright white LED bulbs are a much better option. Place your bulbs in light coloured standing and hanging lampshades. The more lights you have in a room the brighter it will become.

TROPICAL LEAF WATERGARDEN LIFESTYLE

8. ADD NATURAL ELEMENTS

Bringing flowers or plants into your home will freshen and revive a dull room. Big leafy plants often freshen up a space more so than flowers and the green colour of the plants will add life and light to the room.

ZARA HOME

9. DON’T BLOCK OUT THE NATURAL LIGHT!

Be careful not to place any tall or bulky items near windows. This will block out the natural light that is entering a room. Instead moved lower furniture like sofas closer to the windows and keep bookcases and shelving units on the other side of the room.

ELEANOR ACCENT CHEST, BRIE LIFESTYLE

10. ADD SOME ARTWORK TO THE WALLS

Adding colourful or light coloured artwork to the walls in your house will brighten and lighten up the room making it feel instantly bigger and give it more depth. Choosing artwork that reflects the colours of your décor will bring the home together and work in harmony to provide light and consistency.

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