Lebanese artist Suzi Fadel Nassif will return to COYA Dubai with a new series of artworks titled Teatro de Alma.

With a Latino vibe the large-scale canvases feature vibrant colours and an anamorphic style of expression.

The artworks are echoed with a series of wearable artworks in the form of specially designed kimonos created by Nassif in collaboration with COYA. The kimonos take her work beyond the canvas and allow the wearers to express themselves through artistic statements. The kimonos feature the same prints as Nassif’s artworks and represent individuality and the artist’s insatiable love for life.

“My extensive travels have shown me the contrast between the acceleration of modernization in life and the traditions and legends of the past across different cultures – this is a central theme in my ‘Teatro del Alma’ exhibition at COYA Dubai,” said Nassif.

“The dialogue between opposing mindsets, and the authenticity and range of emotions we express, are all sources of inspiration for these new paintings,” she added.  “The concept of wearable artworks enables collectors to experience and share my palette and encouragement of self-expression in an entirely new way, literally transporting art through their own journey.” She continued.

Discover the collection at COYA Dubai from 14^th November

READ MORE:

Lebanese Artist Suzi Fadel Nassif Talks Exhibiting Her Artwork Worldwide, Taking Inspiration from Her Travels and More

These Are The Celebrity Book Clubs You Need To Follow

Guerlain’s autumn/winter 2019 make-up collection allows every woman to seamlessly go from day to night, looking her absolute best. Discover more in our latest beauty editorial

Face:
L’Or Primer Radiance Concentrate with Pure Gold
Parue Gold Foundation No. 11
Parure Gold Mist
Terracotta Bronzing Powder Classic No. 00
Mascara So Volume Black
KissKiss Liplift

Eyes
5 Couleurs Eyeshadow Palette Coque D’Or No.03
Lips
KissKiss Rose Lip Peach Sunrise
KissKiss Liquid Matte L300

Eyes
5 Couleurs Eyeshadow Palette Coque D’Or No.03
Lips
KissKiss Rose Lip Peach Sunrise
KissKiss Liquid Matte L300

Lips:

KissKiss Liquid Matte L303

Eyes:
Black Jack Eyeliner Pencil
Lips:
KissKiss Satin Red Brick 330

Eyes:
L’Art du Trait Feutre Eyeliner
Lips:
KissKiss Liquid Matte L369

Eyes:
5 Couleurs Eyeshadow Palette Tonka Imperiale No.02
Lips:
KissKiss Liquid Satin L365

All Looks:
Skincare:
Abeille Royale Youth Watery Oil

Photography: Ziga Mihelcic
Styling and Direction: Lindsay Judge
Make-up: Daniel Halim, Guerlain International Make-Up Artist
Hair: Deena at Art Factory
Model: Sanja at Signature Element

READ MORE: 

Gisele Bündchen Is the New Face of Dior Capture Totale

Mon Guerlain Presents a New Campaign Featuring Angelina Jolie

Breitling held it’s annual summit in Dubai this week where they unveiled many new novelties including the next chapter in its partnership with Outerknown and the latest timepiece to join the Superocean family

Breitling has announced two new launches in partnership with Outerknown, the sustainable clothing brand co-founded by surfing legend and Breitling Surfer Squad member Kelly Slater. In addition to the new Superocean Outerknown watch, Breitling introduces the first Outerknown ECONYL® yarn NATO strap collection. The 18 ecologically responsible straps, which will dress up any Breitling watch, are crafted from ECONYL® yarn, a material created from regenerated nylon waste, one source of which is fishing nets from the world’s oceans.

Breitling has always been connected to its diving watches but in recent years the watchmaker has developed a strong commitment to cleaning the world’s oceans and has been organising beach clean-ups and improvements around the world through its partnerships with Kelly Slater.

In 2018, Breitling celebrated the partnerships with its Superocean Heritage Chronograph 44 Outerknown and this year the partnership develops once more by offering a new watch inspired by this partnership. The Superocean Outerknown and the Outerknown ECONYL® Yarn NATO Strap Collection launched last month in Los Angeles.

The Breitling Superocean Outerknown features a 44-millimeter stainless-steel case with a ratcheted unidirectional bezel, a feature that allows divers to time their dives accurately. It has a green dial and central hour, minute, and second hands that, like the numerals and indexes, are coated with Super-LumiNova®, a luminescent material that makes them easily readable in any lighting conditions. The watch features a khaki green Outerknown NATO strap made of ECONYL® yarn – an innovative material created from nylon waste, recovered among others from the ocean – one source of which is fishing nets from oceans around the world.

The Superocean Outerknown is powered by a Breitling Caliber 17, which offers a power reserve of approximately 38 hours. The COSC-certified chronometer is water resistant to 100 bar/1000 meters, so it will more than meet the needs of any underwater adventurer. The watch’s screwed stainless-steel case back is engraved with the Outerknown logo.

As well as the launch of the watch itself Breitling introduced the new Outerknown ECONYL® Yarn NATO Strap Collection. 18 straps are created in this innovative material, allowing the wearer to have the flexibility to change the watch strap as they please. The straps are available in six colors and the buckles come in two finishes: stainless steel and black DLC-coated stainless steel, and with two different size options.

READ MORE: 

CEO of A. Lange & Söhne Wilhelm Schmid Talks Guarding a Legacy

Van Cleef & Arpels Is Opening Its First Heritage Exhibition in the Middle East

^{Sergio Rossi rediscovers the beauty of its heritage with a unique project that celebrates some of the brand’s most iconic shoe creations}

With an incredible history spanning over 60 years, Sergio Rossi has a lot to look back on, but this luxury Italian brand is also planning for the future as it celebrates its heritage and DNA with a project that brings together the old and the new. Under the guidance of CEO Riccardo Sciutto, Sergio Rossi has a new motto; “think heritage, play digital” as it starts a new chapter that focuses on the company’s most genuine values of cult craftsmanship and devotion to tradition.

Riccardo Sciutto, CEO of the Sergio Rossi Group

“Since the very beginning of our industrial activities, we focused all our efforts on shape: a key element of the shoe… After the shape, the other two important components completing the structure of a successful shoe are: style and quality. Once the three ingredients are perfectly dened, success is just a simple and logical consequence”.

Sergio Rossi, 1988 

The Living Heritage project, which celebrates the history, Sergio Rossi, while embracing its position today, plays a key role in reviving the brand. Through recovering its history and heritage, Sergio Rossi has found a new inspiration for the creative and manufacturing processes. Through detailed research, the brand was able to create a physical and digital archive which has become the ongoing inspiration and a source of creativity for Sergio Rossi, allowing the shoemaker to share the memory of its founder and its history.

The history of the shoemaker is very closely linked to the history of San Mauro Pascoli. This small village in Emilia Romagna in Northern Italy was in a region that became known for its footwear industry after World War Two. The success of local cobblers working around villages and farms meant people travelled from all across the world to experience this traditional Italian craft which soon overtook farming as the most popular industry in the region. Soon, San Mauro Pascoli became a large crafts centre that specialised in the making of sandals. This signalled the beginning of high-end women’s footwear being made in the village. The industry grew and grew, with the first industrial-sized shoe factory; Mir Mar opening in 1958. Around the same time, Sergio Rossi took over his father’s shoemaking business and began to develop this family brand into what we know it as today.

Under the guidance of new CEO Riccardo Sciutto, in 2017 Sergio Rossi began looking back at this history. This was done through analysing the heritage and sourcing original shoe models and other accessories produced by the house over a sixty-year period, some dating back as far as the 1940s. The Italian shoe manufacturer restored, photographed, stored and catalogued some 3,250 vintage pairs and now there are 6,000 shoes and other accessories archived in a specially dedicated space at the brand’s new manufacturer in San Mauro Pascoli. At the same time over two thousand documents – drawings, lookbooks, advertising and editorial images – have been recovered and digitised. This project became known as The Living Heritage.

The Living Heritage was imagined in collaboration with the Beyond Heritage team, which allowed for the creation of a physical Historic Archive (product and iconography), a digital platform dedicated to product history and the brand’s image, and an exhibition showing for the first time, the history of Sergio Rossi along a functional and emotional path. Visitors to the exhibition will be guided through an immersive experience in order to offer an interpretation of the world and the style of Sergio Rossi.

“To go back to the origins in a modern way, we worked on the product and spotlighted our historical assets, such as the San Mauro Pascoli factory, where our production is located, and this allows us to be quick and responsive towards the changing demands of the market.”

Riccardo Sciutto, CEO of the Sergio Rossi Group

 

The exhibition is split into three categories. The first, The Gallery of Lasts, discovers the history of the brand reinterpreted through its distinguishing element: the last – a crucial wooden shape that takes shape during the development of a new shoe creation.

The Living Archive is the heart of the project, where the vintage collection is conserved  – but mainly a “living” area for consultation, research and work. In a custom-designed space visitors will find some of the most iconic shoes and packaging of Sergio Rossi’s history. The selection of styles does not follow chronological order but rather spotlights the values at the base of Sergio Rossi’s success: creativity and material research, imagination and innovation, attention towards shape and top quality. The drawers preserve the so-called “semi-finished” products and, specifically, the heel collection as well as the rich sampling of embroidery on fabric and leather, conserved over the years with passion and voluntary dedication, by the craftspeople.

The Living Emotions section is an area with a strong visual and emotional impact showing the most iconic models and themes that have always represented the different aspects of the brand. Thi is where the world of Sergio Rossi can be experienced. The beauty of the models is displayed, leading the visitor to discover the identity of the brand – interacting with the varying shapes and materials that reveal four themes. A wall projection lets visitors discover and relive the most beautiful advertising shots and fashion shoots by famous photographers from the 60s to today and introduces the latest theme, which is also at the base of the Heritage project, namely the “Rebirth” of the brand.

Sergio Rossi’s current collections return to the brand’s essence by examining the archive and the brand’s pure DNA all the while restyling products according to contemporary codes. The recently introduced sr1 collection is the symbol of a new beginning, an act of devotion to brand’s heritage projected into the future.

“Today the most important thing we are all looking for is an emotional connection and a chance to experience the lifestyle behind the brands we love. This is why I am so keen at Sergio Rossi on creating real Moments Of Wonder in everything we do. It is crucial to stay true to the DNA of the brand and to the vision of its founder, which has historically always been very close to what a woman really needs and wants, with a product designed for the woman of today.”

Riccardo Sciutto, CEO of the Sergio Rossi Group.

 

READ MORE:

Founder of Exhale Nawal El Masri Was Inspired by Mental Health to Create Her UAE Based Clothing Brand

Nawal El Masri, founder of clothing brand Exhale was inspired to create her company when she was at a dark time in her life. El Masri noticed that there was a very close link between the clothes we choose to wear and how we feel, so she decided to create a line of pieces that would comfort the body and encourage mindfulness.

Exhale offers comfortable clothing that encourages art and expression. Allowing the wearer to be fully themselves when they put on the pieces. Exhale uses only natural, sustainable materials with equally sustainable and holistic production. They believe in fair trade and clean, artistic designs that express a deep sense of meaning; physically, mentally and emotionally.

To mark World Mental Health Day we talk to the founder of Exhale Nawal El Masri, on what inspired her to create her brand and why it’s so important to talk about mental health.

What can you tell us about how the idea of Exhale came about?

The idea of exhale flourished during a low period in my life where I decided to use the pain I was feeling and turn it into something beneficial. One thing that we all have in is that we all feel pain and loss. It is something that is inevitable something that can inspire others through our honesty and transparency.

This is when I decided to question my job, what I enjoy doing, what I want to spend most of my time doing, how I can do it, where I can do it, how can I balance my life through it. Slowly I started exploring all these questions and the answers slowly started showing themselves.

I decided to use clothing as a tool of communication, to integrate art and story-telling in the clothing I produce, to inject meaning and purpose and above all to remind people to self-reflect and be mindful.

How important do you think what we wear is in terms of our mood or state of mind?

The clothes we wear have the power to bring out the best and worst in us. They can encourage confidence but also make us feel uncomfortable or self-conscious.

If your clothes don’t represent the true internal you, if they are uncomfortable, if the shoes you wear are a bit tight around the edges or the t-shirt is uncomfortable or the pants too tight. How do you expect yourself to flow? How do you expect your body to be itself when it’s not even comfortable? How can you ask the mind to not think of the irritated skin or the stomach that can barely take a deep breath, or the foot that aches?

What you choose to wear does affect your mood and state of mind if it’s not true to you.
Give yourself a breather, wear you, be you, represent you no matter what the trend says. Just be yourself.

How do you want people to feel when they wear your clothes?

Complimented, empowered, confident, included and above all to feel themselves – I want them to know that the clothing that is touching their skin is made with kindness, awareness and value towards them, nature and to all the workers we work with.

You have selected specific materials for your products, what can you tell us about the selection process and the materials you chose to use?

We choose a specific type of material that won’t irritate the skin. It is sustainable and organic. We ensure that all the materials we use are soft and breathable.

Why do you think it’s important to use natural products?

It’s important to remain natural as that is what our mind, body and soul understands to communicate with. Natural should be the standard of the world. It is healthier for the human body, the environment and everything that is alive around us.

How important is sustainability to you as a brand?

Sustainability is highly important to Exhale. We keep mindful and continue to educate ourselves on how to remain sustainable in an industry and world where this subjet is unfortunately not as mainstream as it should be.

Talking about mental health why do you think it’s important to raise awareness with something like World Mental Health Day?

Raising awareness on mental health shouldn’t stop and begin only on specific days, but it is important to begin somewhere so having these days and months unite the voices of the world while bringing to those who suffer from mental illness. It is also important to educate those who stigmatize it or don’t believe in it as such ignorance can harm a nation as it has already done so.

What do you tend to do when you’re feeling down or alone?

I allow the feeling to be and try to understand what has ignited it. I journal my way into my answers – some days there are no answers there are just feelings and for those days I just remember to exhale and know that tomorrow is another day to begin again.

What is the one thing you tell yourself every day to encourage positivity?

 Alḥamdulillāh or Thank you God

Why do you think it’s important to talk about mental health?

 Talking is a cure, it’s a form of education, it creates awareness. Talking has the ability to kill ignorance, kill our ego and our differences. It is highly important to talk about our state of mind, our brain and our state of awareness.

How do you think attitudes towards mental health are changing in the Middle East?

It is being spoken about and has recently received a lot of attention which is a beautiful step towards acceptance.

What is the biggest challenge you’ve faced so far with Exhale?

Finding the right soulful individuals to call family.

And your biggest achievement so far?

A beautiful exhale community of dreamers, creators and doers that have resonated with the brand and that exhale brought inspiration to their life

What would you still like to achieve?

More awareness, stories, collaborations and inspiration into people’s lives.

What is the motto that you live your life by?

Depend on God

What is a book you would recommend?

 The Wisdom of Sundays by Oprah Winfrey. It’s the kind of book that anyone can open to any page and feel uplifted and inspired.

Giorgio Armani presented its first Cruise collection in the cultural Japanese city of Tokyo.

For the first time ever Giorgio Armani presented a cruise collection for 2020. The legendary designer took to the Tokyo National Museum Hyokeikan in Japan to present this milestone collection earlier this year.

The cultural city of Japan was chosen because of its common values with the brand – clean vibrant lines, as well as its consistency and ability to grow in a natural way. As respect for tradition comes together with modernity in Japan, Armani has the same beliefs for his brand that sees old meet new and modern meet classic in perfect harmony.

Taking to the oldest museum in the country, the National Museum Hyokeikan Armani presented both male and female lines that blended together through a colour palette of midnight blues, neutral creams and inviting reds. The venue was the perfect canvas to highlight the soft tones of the collection as the light flooded in from ceiling highlighting the juxtaposition of modern and classic.

The collection was clearly inspired by its surroundings, but in a subtle, tasteful way that embraced the city but kept the strong DNA of the brand. The looks were split into three key themes. The first highlights the way Giorgio Armani writes it’s own style codes, not giving in to trends. These codes are found in the daywear were burnt and neutral colours come alive with splashes of red and blue. Textures are rich with a washed effect, inspired by typical island landscapes. Women’s silhouettes were fluid and vertical.

Jackets and dusters were fitted around the chest then flowed out from pronounced shoulders. Fabrics commonly used in clean, masculine tailoring alternate with the washed silks of long gowns and with tortoiseshell-effect coated jacquards. Another key fabric in this collection was leather. It was used as piping, edging, and in jewellery. Denim was also present as it was reinvented in timeless blues. Accessories were equally bold, featuring striking red fez hats and oversized jewellery.

The second theme of Coffee and Tortoise could be seen throughout the men’s and women’s collections. Rich brown towns and tortoiseshell inspired prints made for subtle, easy wearing. Glamour came in the form of velvet waistcoats, palm tree printed two-pieces and dazzling embroidered dresses, while more casual styles saw male and female models don masculine suit shapes with braces. Accessories came in the form of elegant clutches with tortoiseshell print.

For the third theme; The Powder Suit, an Armani classic was reinvented with a relaxed modern twist. There was a fine line between masculine and feminine with relaxed fit suits for both men and women. Soft tailoring was the highlight of the men’s offering. Gentle double-breasted suits were alternated with casual knitted jackets, pea coats and dusters with relaxed fits. Leather was prominent in the men’s designs too in the form of fitted bomber jackets, as well as suede double-breasted blazers and shawl collar pea coats. The men’s colour palette featured chocolate brown and neutrals with touches of light blue and pops of red.

READ MORE: 

Giorgio Armani Will Present His Cruise 2021 Collection in Dubai

Milan Fashion Week Highlights: From Salvatore Ferragamo to Gucci

True to D&G style the latest campaign features multiple models, set amongst some of Milan’s iconic landmarks. The city, which has a special place in the heart of the brand, was the birthplace of Dolce & Gabbana as well as the place where the two designers Domenico Dolce and Stefano Gabbana first met.

The campaigns for men and women are shot in the fashion capital’s glamorous downtown by photographer Branislav Simoncik, someone who is no stranger to the house having previously shot the SS19 campaign.

The women’s only campaign is shot in Piazza Duomo and embodies the glamour and elegance of the city while the men’s campaign is shot in Piazza San Babila. Both feature real-life circus performers among the models.

The fall/winter collection celebrates the signature styles and skills that the designers have developed over their 36 years of working together and in turn celebrates beautiful Italian craftsmanship – from brocade to men’s tailoring to sequins to leopard print, this season’s offering brings together all the signatures of the brand, so it makes perfect sense to shoot the campaign in the home of the house.

Psychotherapist and Clinical Hypnotherapist Her Highness Sayyida Basma Al Said talks to A&E in a bid to raise awareness of mental health issues people in the region and worldwide are facing.

Her Highness Sayyida Basma Al Said is one of the most established Psychotherapists and Clinical Hypnotherapists in the region. Her mental health clinic Whispers of Serenity was the first mental health clinic in the Sultanate of Oman and since opening nine years ago, Al Said has built a strong reputation both in the Gulf region and internationally.

As well as the running of the clinic, Al Said is a public speaker who travels the world to share the story of her Not Alone Mental Health Awareness campaign which is supporting her on-going effort to create awareness of the importance of mental well-being.

Al Said strongly believes that we need to talk about mental health more openly making people aware of issues that people face and explaining that these issues are not uncommon and should not be seen as a taboo, but something that is affecting the lives of millions on a daily basis.

For World Mental Health Day 2019, Her Highness Sayyida Basma Al Said spoke to A&E about the steps she is taking in order to raise awareness of these important issues.

Why do you think it’s important to talk about mental health?

A lot of us think about our physical issues more than thinking about how we feel. I think we’re sometimes taught from a very young age not to actually express that part of our life. Talking about mental health and bringing it to light is something that a lot of people find difficult. Even though things have changed with time, there is still a feeling that mental health is a private issue and people feel that if we talk about it then others are going to look at us in a different way, even though it’s very normal to go through any mental health issues. Actually not talking about it is sometimes a bigger problem and a bigger issue than the problem itself.

Mental health is a topic that people usually talk about in a negative way like it’s a big secret. We are sometimes educated about mental health in a very dry way that makes it difficult for a person to actually understand what it is. So I think the way some people still approach it is very wrong. All of these reasons give the importance of why we need to talk about it and explain that it’s OK to not feel OK.

We need to explain to people why they need to talk about it, and the big question is; why not? We talk about our physical symptoms but we rarely talk about our emotional or psychological symptoms, so yes, talking about it is very important and the more we talk about it, the more we actually save lives.

Do you think attitudes towards mental health especially in the region are changing?

Yes, they are changing a lot. A lot of people from my generation are aware that there is a problem and we need to talk about it. Even people from the older generation are doing so and the younger generation too. A lot of people ask me this question and they say ‘yes but in your region, it must be even more difficult’, and I easily say no. In all of the world mental health is a topic that isn’t talked about.

The only difference, I would say, is that in the United States and the United Kingdom, for example, they have more awareness campaigns. But that doesn’t mean that everybody there is OK with it. The biggest proof of that is that a lot of times when we hear stories of people taking their own lives, nobody knew they were depressed.

So it’s all about awareness. Yes, in our region we need more awareness and that’s why I keep on pushing the bill that we need to talk about it more, but that’s the only reason, not because we are different from others.

I totally believe that this subject is going to become less of a taboo, but it’s always going to be something that is a little difficult to talk about because this is a topic that is very secret and it’s about things that only you alone can know about. But, do I feel that in my region it’s more of an issue than in other regions? Honestly, I don’t see it that way.

Do you think the stigma around counselling and seeking advice from professionals has lessened in recent years?

Yes, it has it’s become a lot better. Talking from my experience – I have a private clinic which I opened nine years ago and we have waiting lists. I think this is because people feel safe to come and talk. A lot of people have raised the issue of ‘what if people know that I’m coming here?’ or ‘are you as therapists going to share with others what we tell you?’ Because a lot of people don’t understand that there is a code of confidentiality that every professional should stick to.

So we need to comfort them and make them understand this. Yes there are a lot of people going to professionals and they do seek help and it’s all about making the environment safe for them.

What is your advice to people who may be thinking about seeking help but don’t know where to turn?

When you go through anything to do with mental health, the first step is accepting that you have a problem. A lot of people bring others to the clinic to see me and sometimes those people don’t think they have anything wrong with them but their parents or friends have noticed something and brought them there.

But that’s not going to help. Those people in particular need to understand that there’s something wrong with them and they need help. That’s the first step to being better.

The second thing is that some people worry about what others will say. Just think that when you hurt you hurt alone. Everyone around you is carrying on with their life, so you need to do it for yourself. You deserve to feel better. It doesn’t matter what people say because people are not going to be there when you fall. So I always tell people to seek help the moment they feel they’ve tried more than once to carry on and they haven’t succeeded.

The earlier the better as the longer you leave things the more the problem grows. A lot of people think they can talk to their friends or family, but these people are connected to you emotionally, it doesn’t work. If it’s a serious matter you need someone professional to help. So seek help as soon as you feel that you cannot keep that balance anymore or there is something you can’t sustain.

What more do you think should be one with children to educate them from a young age about mental health issues?

I really, truly believe that mental health should be taught in schools. Why wait until later? I think it should be part of the curriculum. If you have a child and they grow up with the idea that they can talk about this topic, it’s way better than waiting until later when it’s too late. I honestly think it should be part of education that the child should receive from when they first go to school.

The way it’s taught however has to be interesting and creative. I’ve noticed a lot of people talking about mental health in a really dry way with big words that nobody really understands. I think the way it should be taught is in a creative, interactive way.

There is much talk about social media and the effects it can have psychologically – in your opinion what steps should be taken to fight against online bullying and trolling?

The effect that social media has on us psychologically and cyberbullying are obviously the biggest topics now. Sadly it’s had such a big effect that a lot of people have actually ended their lives because of this. So to answer this question, I would go back to what I just mentioned about educating children from a young age.

Educating through school, through media, through awareness campaigns. Education for both the people that are getting bullied and the ones that are doing the bullying. The bullies need to understand that this is not a good thing and actually have explained to them what’s going on. Again not telling them, ‘no you can’t use social media’, but telling them they can use it but in a wise way.

Also explaining to them that this, in the end, is not the real world. A lot of people on social media at all ages tend to want to follow people who they think look glamorous, but they don’t know what that person is really going through. A lot of things that happen on social media these days that have no positive effects at all. You can see people doing amazing work and then other people commenting and saying bad things about that. The people saying the negative things, I sometimes look at those people and think maybe they are the ones that have an issue?

But we can’t reach them by just being angry, we can reach them through digital campaigns and through social media and that’s the way we need to do it. We all need to talk and express how we feel about what’s going on and that’s the only way things like this will change. The creators of these social media platforms need to also do something about these issues.

What do you think is the psychological impact of social media with many young people seeing this “perfect” lifestyle online?

We have all these people now that call themselves ‘influencers’ but the question is what or how are they influencing us? We have to really keep our eyes open and instead of saying ‘I want to be like her’ think ‘why do I want to be like her?’ Is it because you feel like she’s living a better life than you? We don’t know how her life is. This is also something very important when it comes to educating our kids. We just need to talk more about these things and talk to young people in the right way, that is the key.

How important is time and the ways we spend our time on our mental health?

I hear this so much. People telling me they don’t have time to do the steps I’m recommending they do. The moment someone says they don’t have time I ask them what are the other things they are doing? Okay, there might be other things they need to do, but they cannot tell me that in twenty-four hours a day they have absolutely no time for themselves. When we think about time we think about hours but sometimes even five or ten minutes is enough time for you.

In order for you to go on and sustain healthy mental health you need to make time for yourself. A lot of people say ‘I have so much work, I don’t have time to think’ you do have time, you’re not making it. Use that five or ten minutes to do something you really like. In order to feel good about what you do, you need to feel good about yourself. You need to love yourself before you start trying to fix the world.

What are some of the issues you have come across related to mental health in the workplace and what advice would you give to helping deal with stress at work?

When it comes to mental health in the workplace, usually the issues that we see in the clinic are people who aren’t able to talk in front of their colleagues when giving presentations and the worry of the boss not liking what they’re doing, so again we go back to self-esteem. Stress and workload is one of the things we always hear our clients talk about and then we have clients who can’t say no at work.

I think to specify what you can do and what you can’t do is very important. You need to let your colleagues know your limit because if you go over your limit you will not feel good and if you don’t feel good you won’t be able to function and give good results. This is something that should be highlighted from the beginning.

Also, workplaces themselves should be made to be more relaxing. I’ve been proposing to companies to have a serene corner in the workplace where people can zone out. Even if it’s just for five minutes a day. When you find a place for staff at the workplace it’s usually very clinical, so I recommend that companies create an atmosphere where employees are working in an environment that’s comfortable and welcoming.

What is the biggest challenge you face in what you do?

The biggest challenges I face are with cases of abuse. As much as we have a good system there are still a lot of these cases happening. Often it is women who are getting abused, but the women are sometimes the issue because they don’t want to leave the cycle that they are used to. They feel that they are in a safe zone and they can’t leave and that is my biggest issue. They come to therapy, we tell them what they should do, but they go back.

This really used to stress me but then I got to a point where I thought, in the end, it’s her choice and she needs to decide when she’s ready to leave. The woman has to take that step. Every human is very different and as much as we help them they need to help themselves.

What is something that you would like to do that you haven’t done yet?

Opening the clinic was something that I’ve always wanted to do from when I was at university and thankfully I was able to open the first mental health clinic in the Sultanate of Oman. Then I wanted to create a retreat and I’m starting to do a day retreat in my clinic.

I’ve always had this thing about women’s shelters and that is something that I would love to materialise. Creating shelters to help women and children shelter from abuse. Other than that I think I am quite content with where I am right now.

What is your biggest achievement to date?

I would say my biggest achievement was actually opening the clinic as well as my awareness campaign “Not Alone.” These are two things that I am now known for in the region and I’ve gone to a lot of countries and talked about this campaign and what I do. This is a great thing because it spreads the idea. I’ve also been educating people inside and outside of Oman about mental health.

If you could give your younger self one piece of advice what would it be?

I would tell my younger self you cannot save the world. For the longest time I wanted to fix everything and change the whole world and help everyone but I think it’s step by step. You can do what you can and you need to take it slow and enjoy the moment.

What is one thing we can do every day to make ourselves feel good?

Positive affirmations are very important. If we say one positive thing to ourselves every morning that will make such a difference. A moment of mindfulness every day will do magic. I have personally been practising mindfulness recently and I find it amazing. A lot of us don’t take the time to appreciate what we’ve done. Surround yourself with amazing people as well, that’s something that I totally believe in. As well as changing your routine, even if it’s something really small. Sometimes change doesn’t need to be really big to help with your mental health, something really small can make a difference.

What is the motto that you live by?

Change begins with you.

Encompassing Breitling’s sea element, the Super Ocean is redefining the classic diving watch and developing a unique following among men and women who enjoy an active lifestyle.

SUN, SEA & SURF

Breitling Superocean II 36 Hurricane White, with Rubber Strap

Breitling Superocean II 36 Hurricane White, with Rubber Strap

Breitling Superocean Automatic 36 in Steel – Blue With Rubber Strap

Breitling Superocean Automatic 36 in Steel – Blue with Rubber Strap

Breitling Superocean II 36 Steel  Mariner Blue with Rubber Strap

Breitling Superocean II 36  Mariner Blue– with Rubber Strap

Breitling Superocean II 36 Mariner Blue– with Rubber Strap

Breitling Superocean II 36 in Steel Black

Breitling Superocean II 36 in Steel Black

Concept Creation: Lara Mansour Sawaya
Photographer: Fares Jammal
Styling and Direction: Lindsay Judge
Hair: Ivan at Velvet Management
Make-up: Bohdana at Velvet Management
Location: Batroun, Lebanon

Featuring Emerging Surfing Talent Yasmiine Al Hasan

This Mediterranean oasis is a welcome break from the hectic city life, here we discover all this hidden gem located in the heart of Dubai has to offer.

When you arrive at Nikki Beach Resort & Spa Dubai and see the panoramic sea views against the modern white decor you will be instantly taken to another place. This relatively new resort feels more Mediterranean coastline than Arabian sea and it is the perfect weekend getaway for a little bit of escapism.

While many are familiar with Nikki Beach Club it’s neighbouring Nikki Beach Resort & Spa is perhaps the lesser known part of the Nikki Beach family. Nestled in the corner of Pearl Jumeirah with a 450ft private beach, the resort is easy to reach from anywhere in Dubai or further afield in the UAE. The driveway alone is impressive as you arrive to see the sky blue sea glowing behind the resort. Stepping inside you’ll notice the interiors are like no other in the UAE. The interiors were designed in collaboration with DSA Architects International with interiors by Gatserelia Design. Modern and fresh, this resort really has its own personality and style.

The resort consisted of 132 rooms, suites and private villas as well as five restaurants and lounges, including the famous Nikki Beach Club. There’s also Nikki Spa as well as Tone Gym – for those wanting to work out while they stay.

Accommodation

The serene blue and white décor in the rooms mirror the atmosphere of the lobby area to feel like the outside is coming in. With light and area interiors, the room features mood lighting so you can create your own atmosphere however you’re feeling. We recommend choosing a sea view room over a city view for real escapism but the city view rooms are also great if you still want to be connected to your surroundings.

For those looking for the ultimate luxury check into one of the resort’s beach front villas. The fifteen villas come with their own private pool for complete privacy.

Food and Dining

If you’re staying at the resort on the weekend then be sure to take part in the Nikki Friday Brunch. Taking part in the Nikki Café close to the hotel’s stunning pool you can sit back and feast on Mediterranean treats while heading to the pool for a quick dip in between. With all the food on offer be sure not to fill up too much before dessert because the homecooked sweet offering is one of the best we have tried in the UAE. Make sure you wake up in time for breakfast which also takes place in Nikki Café and is not to be missed!

If you’re looking for something different, take a walk along the beach to Nikki Beach club where you can drink and dine with a more lively atmosphere. While Key West, the hotel’s second restaurant offering offers Caribbean dishes with a Latin twist. The beachfront bar and grill is perfect for an evening visit.

Nikki Spa

However short or long your visit, don’t leave this resort without a visit to Nikki Spa. This unique spa is one-of-a-kind thanks to its boutique atmosphere and modern décor.  The minimal spa features a chic layout with hydrothermal facilities, relaxation area and its own private vitality pool. Everything about this spa is cool and sleek, even down to the choice of music which consists of chilled pop hits, rather than the usual spa tracks

When you’ve booked in for a treatment be sure to arrive early  to make use of the spa’s facilities. You’ll notice plenty of small details around the spa that make  this place really unique. From the Jar of Wisdom containing inspiring life messages, to the mood lighting and special aromas.

We opted for the On The Rocks body treatment which consisted of a hot volcanic stone massage . The relaxing treatment releases deep seated tension and stress and uses Claris Relax Treatment oil in rich aromatic essential oils to calm the body and mind. This treatment was truly relaxing and perfect for an early morning wake up or a late evening relaxing activity.

If  you prefer something more experimental the Hammam comes highly recommended. The traditional Moroccan treatment room offers a holistic and nurturing experience that detoxifies the body inside and out. After  the one hour deep cleaning and purifying body ritual you’ll be left with smooth and shiny skin. Ready to start the week again!

Nikki Beach Resort & Spa is offering a number of staycation packages. For more information email reservations.dubai@nikkibeachhotels.com  or call 00971 4376 6034

READ MORE:

A&E Reviews… Anantara Kihavah Maldives

W Muscat Is Hosting Fuel Weekend

Mon Guerlain Eau De Parfum Intense, the newest perfume in its collection, is a tribute to women who are – or want to be – free wild and open.

It is for women who are comfortable in their own skin, who follow their own path and embrace all the aspects of their femininity from their strength to their softness. The new blend is more unique and fearless and aims to inspire and empower women to take life by the horns and embrace everything they possess as a woman.

This scent encourages the wearer to reveal something more about themselves to others and it is unique to the person who wears it, adapting its scent to the body of every woman.

Designed by Thierry Wasser, Guerlain Master Perfumer and Delphine Jelk, Guerlain Perfumer, the fresh oriental scent embraces notes of French lavender, woody sandalwood from Australia and jasmine Sambac from India, while the star ingredient; Tahitian vanilla adds a sweetness to the sensual fragrance.

While it embraces the signature Mon Guerlain scent, Mon Guerlain Eau De Parfum Intense takes it to the next level with carefully hand-selected ingredients that make a lingering and captivating scent that signifies freedom and femininity.

The inspiration for this particular fragrance comes from Guerlain’s muse Angelina Jolie. A woman who represents many of the same values as the house and this fragrance in particular. Jolie worked closely with the Guerlain team on this scent and the meaning of the fragrance, even granting the team access to her own home in Cambodia to shoot the stunning campaign film and stills that accompany the launch.

Directed by Emmanuel Lubezki Jolie appears free and wild in the stripped-back shots that show her for the real woman she is. Featuring the natural landscape, the film highlights the connection Angelina has with this country that has become very close to her heart.

Angelina has developed a special connection to Cambodia and her Foundation project helps to make rural areas of remote Cambodia safer for the residents by removing landmines and building schools for local communities.

The foundation is also dedicated to helping the environment and endangered animals in the tropical rainforest surroundings something Angelina is keen to reinforce through her partnership with Guerlain.

See more at guerlain.com/me.

Presented for the first time during the autumn/winter show, the Versace Squalo sneaker is the new must-have accessory for winter and is available for both men and women.

Designed by Donatella Versace and inspired by the shark, with the idea of moving freely in the oceans, the sports shoe is a style statement but also promotes comfort and is meant for the urban environment of today.

The eye-catching bi-colour sole is intended to recall a shark’s tooth. Incorporating a wave message into its lines it is reminiscent of the movement of sharks in the ocean to symbolise freedom.

The malleolus cushion, meant to protect from all the surroundings, is inspired by the shark’s eye, whose primary use is, in fact, the protection of the animal from any external threat.

Details always play an important role: the writing on the toe reads “Love”, the same as the Chain Reaction; the top stitch is used in an effort to both honours the codes and DNA of the brand while injecting subtle Versace visuals into the shoes.

The new Dior high jewellery collection marks the brand’s 20th anniversary of jewellery production.

Dior Joaillerie Creative Director Victoire de Castellane has drawn inspiration from the Dior spirit and all of her collections since the beginning, to bring to life poetical and whimsical pieces that feature the most exquisite coloured stones.

The Gem Dior collection is a declaration of love for gemstones and their beautiful colours and infinite hues glorified by intense monochromes and subtle shadings or by virtuoso visual impact.

Exquisite jewels featuring diamond, ruby, spessartite garnet, pink sapphire, tsavorite, grenadine or cobalt blue spinel, tanzanite, Paraiba-type tourmaline are harmonized with carefully cut shapes including baguette, square, pear, marquise, cushion and oval.

Stones are overlaid in a complex fashion that conceals their settings and makes the pieces look even more flawless.

The collection consists of ninety-nine pieces – the biggest by far of any of the house’s high jewellery collections. The pieces are abstract yet geometric and express Victoire de Castellane’s universe and vision with their poetic settings, asymmetrical effects creative colourways and futurism.

She spoke of the collection; “it’s as if I had put all my collections from the past twenty years into a shaker and what popped out were freeze-frames and very large pixelized close-ups, she explains. In the end, what’s left is material and colour.”

She goes on to describe the rings to be “like a little packet of stones that have been placed on the finger. A throw of stones like a throw of the dice. They topple over one another and wedge together to create effects of volume and relief just like geological strata or certain minerals such as pyrite, which have very geometric constructions.”

Behind this tribute to the gemstone is the exceptional know-how of the craftsman, stone cutters and polishers that come together to create these elegant pieces. The collection shows the finest in jewellery creation and highlights the attention to detail that goes into the production of high jewellery pieces.

Worldwide charity auction Only Watch will be making a pit stop in Dubai later this year as it embarks on a global tour.

Later this month a world tour will kick off in the lead up to Only Watch, one of the world’s biggest watch charity auctions that will take place this November in Geneva.

Only Watch is a bi-annual exhibition organized under the High Patronage of H.S.H. Prince Albert II of Monaco that this year will see 50 unique watches auctioned to benefit research on Duchenne Muscular Dystrophy.

In the build-up to the final event, the 50 watches will travel to ten different locations around the world, including to Dubai, as part of a travelling exhibition that will showcase to watch enthusiasts what will be on offer at the grand event.

The world tour will start in Monaco on 25th September and continue to Dubai where the pieces will be exhibited at Christie’s in association with Seddiqi, from 1st to 3rd October.

The watch models on offer include pieces from 52 luxury watchmakers including Bovet, Piaget, Zenith, Ulysse Nardin, Jaeger Le Coulture and more. Two duos, De Bethune and Urwerk and L’epée and MB&F, will work together to present one watch. The pieces are one of a kind watches that cannot be brought anywhere else. Each specifically designed piece will showcase some of the world’s best watchmaking.

Since its inception in 2005, Only Watch has raised around AED1.4 million, with 100 per cent of the proceeds being directly invested into the scientific and medical research on neuromuscular diseases and specifically on Duchenne muscular dystrophy a disease that affects millions of children around the world.

The exhibition will be at Christie’s Dubai, on 1st to 3rd, October, Gate Village, Building 5, Podium Level, Dubai International Financial Centre, Dubai.

With a rich history to maintain CEO of A. Lange & Söhne, Wilhelm Schmid, has a big job on his hands – here he discusses his current challenges and what we have to look forward to from the brand in the coming months

There are few brands in the watch industry that can say they date back as far as 1845 and yet still have such a strong relevance in today’s environment. But A. Lange & Söhne is one of the few that prevails thanks to its clear focus and strong, timeless designs, using some of the world’s best craftsmanship.

This year the German-born watchmaker is celebrating the 25th anniversary of its iconic Lange 1 watch with a special edition collection that was presented at SIHH in January. To talk us through this as well as the other launches that are happening throughout 2019 we met with CEO Wilhelm Schmid.

Schmid took the lead role at the brand in 2011 and has been using his background in sales and marketing to take the watchmaker to the next level, communicating with new clientele while ensuring the existing customer base is maintained.

Something that is not an easy challenge in today’s market. When we met with Schmid earlier this year, we found out more about the challenges he faces and what is being done to mark this year of celebration of the Lange 1.

What is the story that A Lange & Söhne is telling this year?

There are two main stories. The first is the 25th anniversary of the Lange 1. I’ve said it so many times but it’s still something that is very true; this watch is the backbone of our business. It epitomizes what we stand for, probably better than any other watch. It’s now been 25 years and it’s still our best seller – how many watch brands do you know that can say that? Therefore we are also honouring, for the first time, the two gentlemen that were so instrumental not only in the rebirth of our company but also in the development of that specific watch.

We are doing so in a special way because the Lange 1 was always all about details, so now we have a limited edition watch to honour these 25 years and this is also all about details. It’s the use of a technicolour blue, it’s printed on the one hand but at the same time we refined the dial in a way using two different levels and surface treatments, and then if you open the case you will see the 25 engraved on the watch.

After the engraving we used the same technique that we use to produce the moon disks, so we put the colour blue on and then the engraver polishes the top surface to create a mirror finish, but the blue will stay where the engraving is. So you have a beautiful 25 in blue. We changed the design of the rest of the engraving to accommodate and it looks very nice.

The second thing is, believe it or not, ten years of the Zeitwerk watch. In the beginning, we thought this would be a one-off watch because it had a very unusual dial design and a very unusual way of giving the time. That also meant that it would be very difficult to develop a family out of it because, if you have to respect and maintain the part on the front that carries the hours and the minutes, how do you get complications from that? So there were a lot of things that went into it.

Every year there must be new challenges – what is the challenge that A. Lange & Söhne faces now?

What we greatly emphasise on is to ensure that younger people specifically are interested in fine watchmaking and that they can find us. Of course, their behaviour of communication differs greatly to the older generation. I do think as an industry we have a duty here because regardless of how old you are, quality, craftsmanship, history, and performance will appeal to you.

But if you don’t know what’s on offer you will never be a buyer. So we have to ensure that we are visible in the right way and that people can find us if they are looking for us. I think that is a challenge that is not only linked to this year, but it is a journey we started a few years ago and that’s going to continue.

It’s very challenging when you want to respect a legacy but at the same time be modern and attract a younger clientele – what do you think is the secret formula to doing this?

I don’t believe there’s a golden recipe that works for everybody. I know for sure, that we don’t have to develop different watches to attract different age groups. That’s not the secret – what’s the difficult part is how to talk to them and communicate with them and how we give them access to the brand – this can be different. It’s not the product that we have to change – the trick is to give access to some people but not annoy others.

For us at least, I can say we are confident that we can continue to do what we’re known for, which is pushing boundaries a little bit every year, and here we focus on giving the right sort of environment for whoever wants to come and get to know us better.

In your opinion what are the prerequisites in creating an object of desire today?

It all starts with awareness. If nobody knows, nobody will admire. That’s the first thing. I believe there are different motivations. I do believe that quality will always prevail. And in a world that is full of consumables, where we are so used to throw away things, I think it’s very attractive to offer something that will survive the odds of time.

I think that’s at least what we want to create and what we want to stand for. I’m pretty sure if we do the job properly there will be enough people that are attracted to us.

What is your opinion on the discussion of e-commerce vs retail?

It’s not a contradiction in my opinion. If there is a territory that is occupied by the customer it must be explored. Today, at least in our segment, I still see that people do their research online but then, what I call the last metre, is a very physical interaction in a physical world. Why? Because it adds value. You meet someone who you trust, who helps you, someone you can approach if there’s a problem. These are all things that add value to the customer relationship.

If you don’t do that job, you’ll be replaced by something. Either by e-commerce or by somebody else because they can provide what the customer has requested. At the moment I am not seeing a huge change in requests for e-commerce at our price level. We are prepared, but I don’t see it as a necessity yet.

Where is A. Lange & Söhne on supporting sustainability?

The great thing is we have been doing this since 1845, so I don’t need to create stories – it’s what we do. We opened our new manufacturer in 2015 and a lot of our investment went into the way we generate energy. We created a complete CO2 emission-free building. Even the electricity we buy to run the water pumps comes from a supplier who only uses renewable energy. So we really try to reduce our carbon footprint wherever possible. That’s the first thing.

The other thing is, we have a school that trains young people to become watchmakers. I still believe that education is probably the best way to give back. This is where we have expenses – we have instructors, we have a building – and this costs money. But I think this is a very sustainable way of giving, and that’s what we’ve been doing for the last 18 years.

Actually this is how the whole company started in 1845. So again, we do give back, but it’s really about the sustainability – not just giving money – we make sure that our carbon footprint is as small as possible, and we make sure that what we do will give work to people for the future.

What piece of advice would you give your younger self?

Go through the lessons, make your mistakes and learn from them.

What do you say no to?

I say no to many things. I hate disrespect. I hate discrimination. I have a very geared opinion about where my freedom starts and ends and somebody else’s freedom starts and ends.

What does travel mean to you and how did it shape up who you are today?

I like being in places because I get to know so many different cultures and people and that’s something that’s a source of energy and knowledge. There is hardly a day that I go to bed and don’t feel a little bit richer than I did in the morning – I don’t mean richer in a monetary way, but in the way that I’ve learnt something that I didn’t already know in the morning or I’ve had a new experience. In that regard, I’m very privileged. Travelling in itself – sitting in planes, taxis etc – I’m reaching my limits!

What is your biggest achievement so far?

I am happily married and I have two wonderful children.

What is a dream you would still like to fulfil?

Only one?! My Dad once said ‘be careful with dreams when they are fulfilled.’ So I keep dreaming and I realise that my dreams do change, which is good.

Complete the sentence; I am happy when…

I’m with my family.

How would you like the world to remember you?

I don’t have an idea of what I should be known for. I try my best every day and I’m very happy with what I’m doing.

What has been your biggest challenge and how did you overcome it?

I would struggle with defining the biggest challenge because there have been many challenges in my life and at that moment it seemed to be the biggest challenge. I always tell myself if I face a challenge, work through it.

What is your professional motto?

Be true to yourself.

Interviewed by Lara Mansour Sawaya

Combining the most treasured of ingredients, the Maison Christian Dior fragrances will touch your emotions with a scent to match every personality.

Styling and Direction: Lindsay Judge
Photography: Henry Pascual

From left: Gris Dior, Jasmin Des Anges, Purple Oud, Oud Ispahan
All Maison Christian Dior

All PARFUMS CHRISTIAN DIOR

Gris Dior
Maison Christian Dior

Jasmin Des Anges
Maison Christian Dior

Oud Ispahan
Maison Christian Dior

Santal Noir
Maison Christian Dior

Purple Oud
Maison Christian Dior

Spice Blend
Maison Christian Dior

As they present their Spring/Summer 2020 show in Milan, catch all the action live here and discover the latest collection designed by Creative Director Alessandro Michele.

SCROLL DOWN FOR VIDEO:

First introduced as part of Riccardo Tisci’s autumn/winter 2019 runway collection, the Lola bag is the evolution of Burberry’s TB bag and is set to become the brand’s ‘It Bag’ of the season.

Available in both men’s and women’s styles the Lola bag, which was part of the Tempest collection, features the TB logo in metal hardware, referencing the initials of the house’s founder Thomas Burberry and celebrating the history of the house.

The Lola bag is available in various colourways and two sizes and includes an exclusive metallic version available only here in the Middle East which is perfect for the winter months and of course the festive season. The gold and silver bag comes complete with a gold crossbody strap and three-dimensional details. The leather is quilted and padded to replicate the iconic Burberry check and features a hand-stitched gusset detail with special twisted thread technique.

The Lola bag was made in Italy using fine grain soft lamb leather with an aniline finish for long-lasting natural colour.

Available at Burberry stores throughout the Middle East.

Styling & Direction by Lindsay Judge

Photography: Henry Pascual

The iconic Tiffany T wire bracelet is reimagined with statement-making gemstones overlaying the iconic T motif. Mother-of-pearl, turquoise and black onyx accent these 18k yellow gold designs, giving them an updated and modern look and feel.

Tiffany’s T collection has been reimagined with a splash of colour this season, bringing the fashion-forward collection to the next level with fresh colourways that allow the wearer to express her personality and complement her mood. Tiffany T is known for its bold graphic lines which are brought to life with touches of mother-of-pearl, black onyx, pink opal and turquoise.

The collection embodies everything the Tiffany & Co. stands for: freedom, happiness, love and strength. The designs complement each other and can be worn alone or stacked ina stylish way. This modern collection allows the wearer to express herself with understated and elegant yet individual designs.

The graphic, architectural lines of Tiffany T are reimagined to encircle colourful gemstones on 18k rose gold pendants. Illuminated by a halo of round brilliant diamonds, the black onyx, pink opal and mother-of-pearl become stunning centrepieces to the designs.

In these eye-catching Tiffany T square rings, the strong, clean lines of the letter T are overlaid with mother-of-pearl and round brilliant diamonds on an 18k rose gold band, black onyx on an 18k rose gold band and turquoise on an 18k yellow gold band.

Exploring new heights and undiscovered lands with Vacheron Constantin’s Overseas collection to hand.

THE GREAT EXPLORATION

Overseas Dual Time, Vacheron Constantin.

Shirt, Mr Porter.

Overseas Self-Winding, Vacheron Constantin.

Dress, Elisabetta Franchi.

Lucas wears: Overseas Dual Time, Vacheron Constantin.

Top, COS.

Amanda wears: Overseas Self-Winding, Vacheron Constantin.

Jumpsuit, Iris & Ink at The Outnet.

Overseas Self-Winding, Vacheron Constantin.

Jumpsuit, Max Mara.

Overseas Self-Winding, Vacheron Constantin.

Top, Philip Plein, trousers, Paul Smith.

Amanda wears: Overseas Self-Winding, Vacheron Constantin.

Dress and bag, Dolce & Gabbana.

Lucas wears: Overseas Dual Time, Vacheron Constantin.

Shirt and trousers, Mr Porter.

Overseas Self-Winding, Vacheron Constantin.

Dress, Marella, sandals, Tod’s.

Overseas Self-Winding, Vacheron Constantin.

Shirt and jeans, Dolce and Gabbana, sunglasses, Cartier, shoes, Ermenegildo Zegna XXX.

Overseas Self-Winding, Vacheron Constantin.

Dress, Marella.

Amanda wears: Playsuit, Paule KA

Lucas wears: Overseas Dual Time, Vacheron Constantin.

Shirt, Dolcce & Gabbana, trousers, APC at MatchesFashion.

Overseas Chronograph, Vacheron Constantin.

T-shirt, Hugo Boss.

Overseas Self-Winding, Vacheron Constantin.

Dress, Sportmax.

Lucas wears: Overseas Chronograph, Vacheron Constantin.

T-shirt, Hugo Boss.

Amanda wears: Overseas Self-Winding, Vacheron Constantin.

Dress, Sportsmax.

Overseas Chronograph, Vacheron Constantin.

Lucas wears: Overseas Chronograph, Vacheron Constantin.

T-Shirt, Aries at MatchesFashion,  Trousers, Z Zegna.

Amanda wears: Overseas Self-Winding, Vacheron Constantin.

Dress, Sportsmax.

Concept creation: Lara Mansour Sawaya

Photography: Ziga Michecic

Styling and direction: Lindsay Judge 

Models: Lucas and Amanda and MMG Models

Hair and makeup: Manuel at Art Factory 

Location: Al Baleed Resort Salalah by Anantara

Discover the autumn/winter 2019 collection by Ermenegildo Zegna XXX – a cool mix of innovation and style on set with Ivan Federico.

Ivan Federico is Italy’s name to know in the skateboarding world. At just 20 years old he has already won countless awards for his country and is on his way to the Olympics in 2020. He has been skating in his small Italian neighbourhood since he was a young boy and thanks his mum (who travels everywhere with him) for supporting him to achieve his dream.

As well as being an avid skater, Federico is a strong supporter of fashion and his unique style has already got him noticed in fashion’s luxury circuit. Teaming up with Ermenegildo Zegna to present the fall/winter couture collection in this editorial shoot was the perfect pairing. Federico possesses the cool elegance that the brand is all about and his is only just beginning.

Here we get to know this promising young man a little better as he talks us through his inspiration and dreams of making it to The Olympics.

COOL RIDER

How has skateboarding been a part of your life since you were a child?

Like every kid, all I wanted is to have fun. I used to play video games like Tony Hawk Pro Skater and I wanted to be like him, he was my first hero.

What has your biggest achievement been so far?

Getting to the point I am at now, but I don’t feel totally fulfilled yet.

What is your is your biggest motivation?

To represent Italy in The Olympics and in the long term, live comfortably from skateboarding, but most of all to keep having fun.

What would you still like to achieve?

So many things, I’d like to push my goals even further, I am a person who is not easily satisfied.

How would you describe your style of skating?

Technical and smooth.

What can you tell us about your training for the Olympics?

I’ve been focusing on it for a few months now. I have an athletic trainer who is helping me become stronger and in better shape.

What does it mean to you to compete for your country?

It’s mixed feelings. Representing my country is my motivation, but in Italy skateboarding is still up and coming as a sport and not yet properly supported. You have to leave the country to find challenging skateparks and inspirations. I don’t have any proper skatepark for my level of skating near home, so I have to drive around 500km to be able to train seriously.

I wish my own nation offered better conditions, not only for myself but for so many kids that could find skateboarding as a healthy way to be educated in sports and allow them to build friendships. But definitely representing my people is something I am enormously proud of.

Skateboarding was only recently included in The Olympics – what does this mean for you?

For Italian skateboarding it is positive; hopefully it will lead to more awareness and consequently more skateparks. Once people get to know the sport and its environment they will be able to become passionate and it will be a significant evolution for the Italian scene. For me particularly, it is a good chance to evolve my skateboarding and help inspire future generations.

What do you love about Ermenegildo Zegna?

I have always liked fashion and Zegna is one of the most iconic Italian style brands in the world and I’ve always been a fan. It makes me really proud to represent Zegna!

What would you say are the common codes between yourself and the brand?

The unique and unrepeatable style of Zegna is similar to my skateboarding. My way of skating is recognisable among all. Being unique is perhaps the point that connects us.

When you’re not competing what’s your go-to outfit?

A mixture of fashion and streetwear, I always try to mix Zegna garments with my skate clothes, creating a unique blend.

You have a distinct sense of fashion style, how would you describe it in one sentence?

Unique and innovative.

Wool and cashmere suit in Syberian green, diagonal effect. D-neck in multicolour cashmere with stripes.

All Ermenegildo Zegna XXX

Dark brown corduroy Iconic triangle bag. dark brown peccary gloves, mid boot with zip and bag.

All Ermenegildo Zegna XXX

Single-breasted cotton and wool suit with printed shadow lettering, flat front trousers with side pockets and double hems with zip, shirt with graphic lettering. Metal sunglasses with vicuna lenses. High boot with zip.

All Ermenegildo Zegna XXX

Single-breasted cotton and wool suit with printed shadow lettering, flat front trousers with side pockets and double hems with zip, shirt with graphic lettering. High boot with zip.

All Ermenegildo Zegna XXX

One and a half-breasted pure wool black coat, diagonal diamond pattern. Shirt in jacquard with XXX monogram in recycled polyester. Flat front pant with XXX monogram in Syberian green recycled polyester. Grey felted hat with knit cashmere and shearling. Black belt bag. Claudio sneakers

Wool and cashmere macro check bomber jacket and cargo pants in beyus felt and oxblood. Wool shadow printed shirt in Commissar grey, XXX logo on chest. Felted working hat in chocolate plum and sneakers.

All Ermenegildo Zegna XXX

Hooded over-the-head Cavallino leather outerwear with coulisse and zip. Cargo pants in chocolate plum with velcro straps. Mid boots with zip.

All Ermenegildo Zegna XXX

Wool and cashmere half raglan one and half-breasted coat in khaki. Solid turtleneck in steppe cashmere and silk. Flat front pant in steppe cotton and wool. Metal chain belt. Gloves in nylon and black lamb. Khaki felted hat with knit cashmere and shearling. Belt bag in citrine. Claudio sneakers.

All Ermenegildo Zegna XXX

After the recent introduction of the Mystic Bag for Pre-Fall 2019, Clare Waight Keller is back with this geometric design.

Already spotted on the Instagram account of current Givenchy muse Ariana Grande, the Eden bag is both a shoulder and belt bag and comes in a variety of shapes, colours and materials in a variety of sizes.

Eden combines functionality with a sleek, smooth design and the thick strap means it can be worn comfortably in a number of ways.

This must-have high fashion accessory will be your go-to autumn/winter companion.

Shop the latest designs at givenchy.com.

Watchmaker Roger Dubuis has pushed the technological barriers of watchmaking with a design that expresses individual style and personality.

HIGH VOLTAGE 

Excalibur Huracán, Roger Dubuis

Jacket, T-shirt and Trousers, Hugo BOSS

Excalibur Huracán, Performante, Roger Dubuis

Excalibur Huracán, Performante, Roger Dubuis

Jacket, Fendi

Excalibur Huracán, Roger Dubuis   

Jacket, Hugo BOSS

Excalibur Huracán, Roger Dubuis

Excalibur Huracán, Roger Dubuis

Excalibur Huracán, Roger Dubuis   

Jumper Helmut Lang at Bloomingdale’s Dubai

Excalibur Huracán Performante, Roger Dubuis  

T-shirt, Hugo BOSS

Excalibur Huracán Performante, Roger Dubuis

Jennifer Lopez in Versace

Twenty years after she first wore the now iconic jungle print Versace dress at the 2000 Grammy Awards, Jennifer Lopez spectacularly closed the Versace Spring/Summer 2020 show with a re-make of the original spring/summer 2000 dress designed by Donatella Versace to celebrate the anniversary of the iconic jungle print.

The fifty year old superstar strutted down the runway in a tropical green and fire orange-pink jungle print dress. The print which was identical to the original print from 2000, with just small adjustments to the original worn by Jlo with the removal of sleeves and some other minor updates.

Jennifer Lopez and Donatella Versace

For the rest of the collection we saw the jungle print of palm trees juxtaposed with different treatments and fabrications. The motif is depicted on metal mesh, embellished with crystals or complemented with tie-dye. Shirts adorned with Jungle details are layered under corset bodices with graphic heart-shaped, heritage necklines. The pattern is also introduced on Squalo sneakers and beaded as a three-dimensional décor on Virtus handbags.

Versace Spring/Summer 2020

We also saw an update to the iconic Versace black dress. Volume, layering and intricate décolletage cuts redefined this classic piece while a series of looks in black were given sharp, geometric lines and form-fitting silhouettes were paired with gold-tone hardware and lace-up sandals, embellished with leather leaf accents. Strong shoulders characterize tailored blazers, coats and crystal-enriched shirts.

Versace Spring/Summer 2020

With another flash back to the late nineties and early 2000s the tie dye print was prominent throughout the collection. The innovative technique used by Versace Is applied to materials not usually able to take to the tie dye print including leather. Pieces are finished with the Versace Medusa logo.

Versace Spring/Summer 2020

The decision to bring back the jungle print was part of Versace’s collaboration with Google. The fashion an technology giants are celebrating the was technology and fashion are so closely linked Inside the show space guests saw digital prints projected onto the walls and ceiling.  These images were created with Google Tilt Brush technology.

After the show Donatella Versace, Chief Creative Officer of Versace spoke on the decision to have Jennifer Lopez walk the runway and the partnership with Google; “it was amazing! The world had the same reaction: jaw dropping. Today we live in a technological world, but back then, one event prompted the creation of a new tool that now has become part of our lives.”

READ MORE: 

Milan Fashion Week Highlights

Milan Fashion Week: Fendi

Discover more from Prada’s fall 2019 collection from Miuccia Prada that explores lace, fanciful florals and sophisticated silhouettes.

WILD & FREE

Embroidered Chantilly lace dress, Popeline Egypt shirt, Prada Panier bag, Suede sandals.

All Prada

Red natté wool dress with pink Duchesse draping and black satin bow brushed calf leather boots with nylon details.

All Prada

Printed embroidered popeline divisa dress, Prada Matinee handbag.

All Prada

Embroidered dress in wool and lace with floral details.

Prada

Guipure lace cape, white cotton skirt with rose print, popeline Egypt shirt, Shetland knitwear, crystal sandals.

All Prada

Embroidered tulle dress, popeline Egypt shirt, cotton shorts, Prada metropolis handbag.

All Prada

Shetland wool sweater, leather skirt with floral print, black lace cape, popeline Egypt shirt.

All Prada

White printed popeline shirt
White printed popeline skirt with embroidery
Monolith leather derby shoes

All Prada

Printed embroidered popeline divisa dress, Prada Matinee handbag, monolith leather derby shoes.

All Prada

Fashion Director: Eliza Scarborough

Photographer: Carla Guler

Hair and Make-up: Kenny at Carol Hayes

Model: Edna at Select

SCROLL DOWN FOR VIDEO

Riccardo Tisci will present his Spring/Summer 2020 collection for Burberry at London Fashion Week today. Scroll down to watch the live feed which will appear here at 8pm UAE time, Monday 16th September.

See our full review of the show after it has finished.

READ MORE: 

Victoria Beckham SS20 Collection at London Fashion Week

New York Fashion Week Spring/Summer 2020

If you’re heading for a winter break in Bali don’t leave the paradise island without stopping by this luxury clifftop resort. As the island’s first luxury resort Bvlgari Resort Bali opened its doors in 2006 in the quiet surfing town of Uluwatu. With 59 private pool villas the resort is large but intimate and offers guests the ultimate in luxury. Whether you’re stopping by for a longer stay or just a day visit, this unique resort is a must-see on the island.

Bvlgari Bali Resort

Bvlgari Resort Bali is situated 150 metres above the sea shore on top of a steep cliff. From the top you can take in the breath-taking views and enjoy both sunrise and sunset thanks to the careful positioning of the resort. 150 metres down in an inclined elevator (it’s not as scary as it looks) you’ll find a 1.5 kilometre long stretch of natural beach looking out across the Indian Ocean. This is perhaps one of the most vast and incredible stretches of sea on the island and it really does feel like you’re in the middle of nowhere.

Bvlgari Bali Resort Beach

Designed by architects Antonio Citterio Patricia Viel and Partners, the resort’s interiors are typically Bvlgari with a Bali twist. The modern interiors incorporate natural elements and use materials sourced locally on the island. The hotel was built using hand-cut volcanic stones, rich exotic woods and refined fabrics. Each piece of furniture was custom-made by local craftsman.

Sangkar Restaurant

The resort has two restaurants serving Indonesian and Italian Cuisines. The Indonesian Sangkar Restaurant offer a modern twist on traditional dishes as you dine on the edge of a cliff, taking in the stunning views. Il Ristorante is the Bvlgari signature Italian restaurant where you’re find classic Italian dishes.

Bvlgari Bali Resort Spa

Whether you are visit one a day or a week don’t leave the resort without a visit to the spa. The unique spa is based on traditional Asian Traditions overlooking the picturesque ocean. Surrounded by pools and water fountains the spa has a feeling of tranquillity. The must-try treatments comprise of a collection of Bvlgari Signature Experiences. The ultimate indulgence is the Unforgettable Double Bulgari Royal Lulur. This consists of a royal ritual experience. Two therapists will attend to each guests and work in synchronised harmony to deliver a unique therapy that includes a body massage rich in exotic oils and herbs. The relaxing spa atmosphere includes its own pool and relaxation areas which can be used before and after your treatment. You’re guaranteed to leave feeling like you’re walking on air!

READ MORE: 

A&E Reviews… Al Baleed Resort Salalah by Anantara, Oman

Budapest Is the Spa Capital of the World

As Dior Skincare launches its latest addition to the Dreamskin family, A&E delves into the scientific formula and the psychological significance of these complicated products as we talk exclusively to Edouard Mauvais-Jarvis, Environmental & Scientific Communications Director at Parfums Christian Dior and neuroscientist Dr. Arnaud Aubert.

Dior’s Dreamskin is among the most sought after of cosmetic formulas. When it first entered the market in 2014, the age-defying product had one main goal – to give women perfect skin and it was tremendously received. Then in 2016 Dior created an advanced version of the product for an even more natural look. Now in 2019, the Dreamskin story continues.

After over 800 formula tests that combined the latest in technology and the most recent scientific advances, Dior presents the third generation of this special product in the form of Dreamskin Care & Protect. This active emulsion has an ultra-fluid texture that is more comfortable on the skin’s surface, will improve quality and texture when used every morning.

With more natural-origin ingredients, the active formula is fully-functional and gentle on the skin. A two-part formula is completed with a gel-cream peeling mask, reformulated to create a “new skin” effect in just 60 seconds.

The formula is enriched with a patented complex of ultra-micronized mother-of-pearl for radiance, pigments for colour correction and micro-powders for a blurring effect. The synergy between the ingredients allows the fluid texture to act as an optical veil so that, even make-up free, the skin looks touched up, luminous and with a matte finish. Under foundation, the cream provides an instant filter that blurs imperfections.

New ingredients include Shea butter from West Africa which strengthens the cutaneous barrier and acts as a booster upon contact with the skin. Another is soothing anti-oxidant vitamin B3, which helps to counterbalance the harmful effects of toxins and boost radiance. It also neutralizes both redness with its soothing power and yellowing thanks to its anti-glycation action. Marine sugar meanwhile reinforces the skin’s natural defence mechanisms, while French Alpine water recharges the skin with minerals and activates hydration.

To discover more about the research behind Dior’s latest skincare revelations, including the psychology involved in creating the latest and most relevant products for the market, we talked exclusively to Edouard Mauvais-Jarvis, Environmental & Scientific Communications Director at Parfums Christian Dior and neuroscientist Dr Arnaud Aubert.

Edouard Mauvais-Jarvis, Environmental & Scientific Communications Director at Parfums Christian Dior

What can you tell us about this product, what makes it unique and what has been adapted for this year’s addition to the range?

Edouard: I think we basically wanted to go one step further with what the product was, so we started by making our own diagnosis of what could be the weaknesses of the existing product.

We knew that one of the things that could be improved was this notion of real skincare and caring about the skin in an in-depth way. We knew that the quality of healthy-looking skin is extremely important in terms of perceived perfection, so we said ‘Okay, we need to have something that is extremely healthy and is a product that is more focused on caring about the skin and giving long-term correction from the inside as well as keeping a natural look.’

We wanted to work on specific drawbacks of the product that meant when the skin was darker or more pigmented it had a tendency to look bit ashy or greyish when the product was on the skin. This was linked to the technology that we were using for the blurring. So this is basically what we improved – the care part and the perfection part. This is how we came to decide on the name of the product.

What can you tell us about the ingredients that were added to the formula for this new updated edition?

Edouard: We have added Shea butter – more than five per cent – which is very important as it really brings nutrition and long-term hydration to the formula. We have replaced all of the water with an ‘active’ water that comes from The Alps that not only reinforces in terms of minerals but has an impact on circulation.

We have added four per cent of vitamin B3 which has multi-benefits – it really is a true health ingredient. It works on the regularity of the skin texture, the colour of the skin, it is anti-ageing and also increases the plumpness of the skin.

When we look at the skin it looks like all the colours are located on the top – the red, yellow and brown tones. But it is the blue undertones that are compensating and creating a more whitish colour.

This comes from the dermis, (the thick layer of the living tissue below the epidermis which forms the true skin, containing blood capillaries, nerve endings, sweat glands, hair follicles, and other structures), and it is very important to maintain the right proportion of light diffusion elements in the dermis, as this is responsible for radiance. If the dermis was completely flat there would be no radiance and you need a good colour combination to create this.

The Invention of the blue LED light allowed us to have white LEDs. Before this, it was very easy to make green or red but blue was missing so it wasn’t possible to create white. It’s exactly the same with the skin, you need to be able to reinforce everything, and to create a light, you need to work on all the aspects and regulate what we do.

In this product, we also have an action on the micro-circulation to avoid unevenness in colour. Vitamin B3 also works on this aspect. It is also very important to have an anti-ageing aspect not only for the sake of anti-ageing but for the sake of the skin.

Dr. Arnaud Aubert, Neuroscientist

We notice in skincare that there are a lot of ingredients used that aren’t necessarily natural. Of course, they can be more powerful on the skin with faster results, but to what extent do you think it’s crucial to have natural ingredients in skincare products?

Edouard: I think natural is something that’s very important but you must understand that there are pros and cons to natural products. A natural ingredient can be a composition of many molecules coming from a natural plant.

Sometimes it’s the natural combination of the right levels of different molecules that are present in a vegetable source, for example, that will bring a real efficiency. The drawback of this is that in a plant you might extract 200 different molecules and you have ten that are useful and from the rest, some are completely neutral but some can be harmful and this is where the problem lies.

When you go for something that is synthetic – Okay, yes it’s synthetic but it’s also extremely pure so you know exactly what you have. So natural is good but it can have its drawbacks. Synthetic also has drawbacks and positives so sometimes they complement each other.

It is often good to have something synthetic that is extremely safe rather than something that is natural. It seems paradoxical but it is the truth. I think it is a trend to source more and more things naturally.

How do your roles complement each other when you are bringing a product to life?

Dr Arnaud: There is a saying, ‘the beauty is in the eye of the beholder’ so one of the questions I ask is ‘how does the brain of the beholder work and what matters to them?’ And once you understand the roots of the problem you have the tools to develop new approaches and products.

For example, when you develop such approaches using psychology you discover that wrinkles are not such a big deal. We find from a scientific and psychological point of view that being skinny isn’t perceived as beautiful for example – this is something that comes from mass media and isn’t universal, it is, in fact, a stereotype of mass marketing.

What I mean is that body shape doesn’t matter at all – you can be beautiful by being slim or beautiful by being bigger – what is a common point in the body shape is the optimal ratio between the hips and the waist. This optimal ratio is 0.7 between the size of the waist and the hips. Many studies have been done on this. So whatever your weight or size it is all linked to this ratio and this is completely universal.

Edouard: This is crucial for us because it helps in understanding the relevant cues on which we need to act. So when we look at a face and we say it’s young or old or attractive or non-attractive, it’s completely instinctive, but you have no idea where it comes from.

So by helping us develop these cues that are innate, it helps us to develop a more relevant product. If we understand what people are looking for we can understand what these changes mean in terms of biology and we can find the active ingredient that will reflect on the surface as something that is visible and deeper than that and make a real change.

In the past few years, we have noticed that Dior’s products are answering to customer needs. What can you tell us about the skincare universe of Dior – how do the ranges complement each other and what should we be looking for from skincare products?

Edouard: This is why we need to have people to give advice on our products because people need guidance on what they should be using. Actually the geography is quite simple. You must have a key product that is a starter or essential and it must be a product that is detoxifying. When you have toxins in your skin it tends to cripple the system so if you try to do anything before removing the toxins it’s like trying to accelerate with the handbrake on. So first you need to remove the handbrake before starting to drive and you can do this with a detoxifying product.

Then we enter the part where you can have aspects that are preventative – this can be anti-ageing or correcting – so this is why we have developed creams that capture youth. And then we know that everybody is different and will age differently depending on their skin type, the reason why we have added serums that allow the cream to work more efficiently on the system.

We also have Capture Totale which is more for correction which means that it integrates all the signs of ageing through a broad spectrum approach working on stem cells. Each of the products in the Dreamskin range can be used either alone or as part of a complete routine. Personally, I like to layer different products but I’m maybe not the average male user!

We get very interesting demands from clients and we want to make sure we offer something that has a large enough offering to answer to the needs of everyone. No one is the same, some people will have the tendency to age with more signs than others and they will feel more concerned.

Wrinkles are not necessarily the issue. What people see in their mirror is a change. The person I see in the mirror is not the person I feel I am and this is where the discrepancy creates a tension. Ageing is not a problem in itself, what is the problem is that at some point you don’t recognise yourself.

Blaming the wrinkles is a simple solution but it is more complicated than that, you need to address the real problem. This is what we try to do – understanding what the problems really are and helping people to make a change that is really noticeable.

We are reaching an era where women are being trained on acceptance. Do you think this is playing a role in the way beauty is being perceived?

Dr Arnaud: Yes and what he [Edouard] said is very true. The problem is when you are looking in the mirror and you see changes, the changes are automatically a problem and from this, you fear rejection.

The issue is social acceptance – what you are seeing in the mirror isn’t a problem at all – wrinkles are a sign of ageing – but the issue is not to look younger it’s that when you are younger statistically you are healthier so we don’t connect wrinkles with health. It’s not really about beauty, the point is that you can be beautiful at any age.

You are on the constant quest for solutions, anticipating what is needed in skincare, how do you start working on this and how do you solve upcoming problems?

Edouard: Everything comes down to understanding – understanding the real cues and drives of what we perceive. Cosmetics have a role in changing the interface that we have with others. Our skin is the first social interaction with others so it’s crucial.

This is why trying to gather new methods, either with artificial intelligence or science, could help us find ways to understand the real relevant driving forces behind what people are looking for. Once we understand this, maybe we don’t find the solution immediately, but we have some understanding and an idea of what we need to correct.

Another big subject is the understanding of the optical behaviour of the skin. So on one hand we understand how the skin is analysed and we ask when we see a visible change, what could be the origin of this visual change at a biological level? Visual cues are usually correlated to some changes at a microscopic level and sometimes we need to find out what is the mechanism at the route of this change.

From there, we try to find ways to study it and if we can study it we can find ways to correct it. I cannot tell you what the subject will be in two, three or five years. We try to put our knowledge back on the table and study groups of people to try to gain a new understanding, but it’s not always from what people express. If someone tells us ‘I need an anti-wrinkle cream’ great we will make an anti-wrinkle cream, but the cream won’t only be focused on the immediate problem but on the real problem behind wrinkles, that’s what changes the person’s perception.

From a distance, you wouldn’t be able to notice if a woman’s wrinkles are reduced by 30 or 40 per cent, for example, but on the contrary, what you could notice is the smoothness of her skin and you would be able to perceive a difference in visual radiance. These visual cues are so important when we are working with products because these are the ones that are really changing the impact it has on the woman. This fear of rejection and isolation is the problem not the problem of ageing itself.

As they continue to grow in popularity to what extent do you think sheet masks and face masks are effective?

Edouard: The function of a mask is to put a product in a thick layer on the face so that you can leave it on your skin for a longer amount of time. If you try to put a serum on your skin for a period of time for example, it’s difficult because it’s a liquid and it will slide off, so masks transform something liquid into something that you can leave on and allow you to bring a larger quantity of active ingredients to your skin and this is why masks can be very useful.

We tend to put a high concentration of active ingredients in our serums which allows our products to be more effective and so you are not necessarily going to need masks, but sometimes what you can do is to apply serums with a brush and leave it to penetrate on the skin.

This will give you an experience that is very close to the experience that you have with a leave-on mask. If you have your usual day cream and apply it in a thick layer before going to bed it will have a different performance to what you are used to usually.

You recently launched the Capture Youth Intense Serum which we love – what was the difference in the formula between this and your previous serums?

Edouard: The magic is the richness of this product. We wanted something that was extremely nourishing and repairing and it is an intense rescue. This product is really an SOS system that is repairing all the little cracks in your skin. It is kind of a cloak that will repair everything on your skin and maintain the water while not being suffocating. It is made only with vegetable oils that are extremely penetrating. It has nothing to do with the other serums, it’s much richer.

What would you tell the women of today?

Edouard: I would say take care of your skin and be confident. Your first asset in life is your face and you need to take care of it because it’s essential.

Dr Arnaud: You can be beautiful at any age and you need to be confident.

Interviewed by Lara Mansour Sawaya.

The iconic saddle bag, which was first designed in 1999 gets a new look for autumn/winter 2019.

In a design that mirrors its debut style in denim in 2000, Maria Grazia Chiuri has created a stylish denim edition for autumn/winter 2019-20. The denim edition is both modern and timeless as it brings this classic accessory in line with today’s trends.

From the initial sketch to the meticulous choosing of the perfect shade and textured denim, to completing the piece with the classic Christian Dior logo, the new ‘It’ bag was conceived through careful design and forward-thinking style.

“I wanted it larger and more robust, but also very colourful, embroidered or with beaded fringe because, like a chameleon, it adapts to all situations,” Maria Grazia Chiuri said of her re-design of this timeless classic.

One of the specific things that sets it apart is that it is the only bag from the house that requires two separate oak wood forms to create its highly distinctive curves which recall those of a riding saddle.

After having selected the best red supple calf leather, with a slightly glossy finish, Marco, a leather expert with forty-three years experience, cuts out the bag’s eleven elements using an especially sharp blade.

Then another craftsman places the two parts that comprise the flap on a form and shapes the material with his hands, aided by a round-headed hammer to create the necessary undulation.

Next, the front and back panels are placed on a second wooden form. There, the sides and base of the bag will be mounted and sewn to the two central parts. The craftsman works the leather to create the design’s two contoured gussets. Like a couture signature, the words “Christian Dior Paris” are heat-embossed with a gold ribbon on the inside pocket.

The ensemble is then skilfully and precisely stitched with a sewing machine.

With the bag assembled, the metal pieces embellishing it are added: the “D” is sewn on the leather tab at the front, and the two “CD” buckles are set in place on the sides just before where the strap will be placed, specially conceived for optimal comfort, whether worn on the shoulder or carried in the hand.

These two attachments allow for the addition of a wide canvas strap decorated with metal medallions in order to personalize an outfit. In the final step, the Saddle is meticulously quality controlled down to the tiniest detail.

As designer Maxime Simoëns is appointed Artistic Director of French fashion house Paule Ka, we discuss his plans for the future of the brand.

Growing up in Lille, the birthplace of Paule Ka, Maxime Simoëns was a fan of the brand from a young age. Inspired by its ability to support the diversity of women, the designer had this core value of the brand at the forefront of his mind when he took over the role of Artistic Director earlier this year.

As the French house embarks on a new chapter, Simoëns is challenged with the mission of developing and enriching the brand’s stylistic vocabulary with the help of its workshop and teams in Paris.

Paule Ka offers designs for every woman and every lifestyle which a diverse approach to cuts and styles that include something for everyone, no matter what her taste.

A graduate of École de la Chambre Syndicale de la Couture Parisienne and the École des Arts Décoratifs, Simoëns showed his first creations at the Hyères International Festival of Fashion and presented his first collection at Paris Fashion Week in 2009.

In 2015 he decided to focus purely on his menswerar line M.X Paris which he showcases every season. In 2011-2012 he also worked as Artistic Director at Léonard and, since 2017, has been at Azzaro, in charge of the ready-to-wear lines for men and women as well as the haute couture line.

As he embarks on his latest challenge at Paule Ka, we talk exclusively to Simoëns on why he decided to take on this particular role and his plans for the future of the brand.

Congratulations on the new role, what are the main goals you would like to achieve?

Thank you! It has been a new and exciting adventure, Paule Ka is a beautiful Maison with timeless archives and an image that never gets old. The challenge now is for me to bring a type of revival to the brand while remaining loyal to the clients. I want to maintain the effective relationship that the brand has created with its clients but give it a breath of fresh air.

Where do you see the brand heading over the next few years?

I think that it is very important for Paule Ka to expand its clientele, like the Millennials for instance. I’l do this by reinforcing the e-commerce and developing communication on social media while keeping the luxury image that the brand has always had.

Why did you decide to align yourself with a brand like Paule Ka?

What I like about this new challenge is that I have the opportunity to create a global wardrobe for an elegant and feminine woman and the possibility to design day looks as well as cocktail dresses and evening gowns.

For you, who is the Paule Ka woman?

The Paule Ka woman is independent and strong. She assumes her femininity. She loves fashion, but she is not a fashion addict. She appreciates French elegance and refinement above all.

What do you think women today are really looking for in fashion?

Today, there are so many propositions that every woman can find her own style and universe through the brands that match her lifestyle. We are living in a relatively free time, where the diversity of styles has never been as strong as now, and that’s thanks to social media.

What can you tell us about the designs we are going to see from the brand going forward?

I want to preserve the style of the maison while adding my stylish touch of course! The graphism, the architecture of the clothes, the sensuality and the duality of colours will be obviously highlighted as they are our stylistic point of convergence. Also, I’ll try to bring fluidity, an embroidery game, and the french savoir-faire.

You have a lot of experience designing menswear – how does this influence you or translate when you are creating womenswear?

Men’s fashion doesn’t have the same demands as women’s does. The shapes remain relatively the same for men but the work is about the fabrics, the prints and the details. I developed and really deepened this sense of detail with my masculine brand M.X and inevitably this has an effect on my work for women.

We feel the brand has become a lot more visible in the last few years – is this something that is likely to continue?

Nowadays, visibility in terms of communication is the main vector for the introduction of new brands, but also for the durability of those already present in the market. We must communicate with fashion specialists but especially with the final customer and that communication comes through magazines but also from websites and social networks.

These new technologies and networks are having an essential impact on fashion brands these days and being left behind will inevitably condemn them.

How does social media enhance or hinder the brand?

The advantage of social media is being instantaneous and having a relatively immediate impact on the buying decision process. But it is very important to know your target market and adapt yourself to it when using these platforms. For example, an image that speaks to a 20-year-old girl won’t be the same image that speaks to a 35-year-old woman, because their routines, wishes, lifestyles, and personalities differ.

The purchasing power is also different, that’s the reason why it’s important to maintain Paule Ka’s image of accessible luxury that made it stand out in the fashion industry and was the origin of its success.

What can we expect to see from Paule Ka in The Middle East?

The Paule Ka woman I want to impulse is a woman of good taste that loves fashion, femininity, elegance and sophistication. I think these notions are the core of the Middle Eastern women’s style. I hope then the Maison will get more visibility in this market.

What is your opinion on celebrity endorsements for fashion brands?

Celebrities are a very important part of a brand. They allow the brand to associate the universe of an actress or singer with the values it wants to convey. Of course, it is such an honour to see many celebrities wearing Paule Ka at major industry events.

What do you think it means for the brand to be made in Paris?

Paris is the capital of fashion. The greatest craftsmanship comes from Paris. The french ateliers have an exceptional hand and Paule Ka has been part of this french culture since the house has had the chance to have an in-house workshop with about forty modelist, dressmaker and patternmakers.

How important is it to you to support and sustain traditional craftsmanship?

The French savoir-faire is a luxury. It allows a mass-market product to have attention to details, and the use of fabrics that will make it stand out from the others. It’s essential to be able to keep this culture to let the next generations appreciate the sense of scarcity.

Who in the fashion world has been your biggest influence?

I wasn’t influenced by only one designer. Jean-Paul Gaultier gave me the desire to do this job when I discovered the sketches he did for one of Madonna’s concerts. Three years later I was lucky enough to work with him. But also, all the other professional experiences influence my work.

Elie Saab and the sense of the exuberate femininity, John Galliano and his limitless creativity, then Balenciaga with the structure of clothes. I also discovered Courrèges and Cardin whose shapes strongly inspire me and I keep a great memory of all Alexander McQueen’s collections who is for me one of the fashion geniuses.

Who would you like to dress that you haven’t had the chance yet to see wearing your designs?

For me, it doesn’t matter the type of woman more about whether I am affected and inspired. Whether she is an actress, singer or politician; From Nicole Kidman to Adele to Lady Gaga or even Michelle Obama. I love talented, generous women who inspire strength and confidence.

What are the luxuries in your life?

My ultimate luxury is to be with the people I love and spend simple moments in life with them. Things like going for dinner, going for a walk in Paris or travelling, allowing myself to discover new horizons. Sharing special moments with people who are close to me is my most precious possession.

What is the professional motto you live by?

Do what you must, come what may.

And your personal motto?

What does not kill you makes you stronger!

Are you reading a book at the moment?

Yes, I am. It’s called Goddess: The Secret Lives of Marylin Monroe by Anthony Summer.

What’s your favourite city to visit?

Venice.

How would you describe Paule Ka in one word?

Timeless.