Beirut-based designer Hussein Bazaza launches a new online store that kicks off with an exclusive e-capsule collection.
The Bombers Project introduces various interpretations of the classic bomber jacket. Every bomber holds the story of one of the brand’s pas muses from fall/winter 2015 to spring/summer 2020.

There are three categories of bombers: Embroidered Bombers feature silk thread works with intricately detailed motifs. Printed Bombers bring a story to life with statement artworks. And the Cut Bombers highlight signature details of the brand’s collection.

All of the bombers are produced in the same cut and fit. An oversized silhouette is combined with a high collar, elasticated cuffed sleeves, partially elasticated waistband and front zip fastening. Hidden interior pockets, as well as exterior side pockets, are also sewn in for securing essentials.

Some of the bombers can be reversed and worn two ways: either on the brand’s signature side or as a basic one-coloured piece with our signature side peeking through.

Every bomber also has its own matching pair of shorts that can be worn as part of a combo with the jacket or on their own. Perfect for the summer months. They are all cut in the same fit of classic Bermuda shorts, designed with a high rise at the waist and with a loose fit over the leg, they also feature an elasticated waistband to be easily slipped on with two side slit pockets.

This e-capsule collection sheds light on the ways we can take care of ourselves, and have self-belief, especially during trying times such as the one we are experiencing currently. Maintaining our mental health is key and is highlighted by the slogans on the T-shirts as part of this collection.

There are more than 20 bombers to choose from and they will be sold exclusively at husseinbazaza.com. Shipping is worldwide.
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Dolce & Gabbana Opens Pop-Up Store at Level Shoes Featuring the Spring/Summer Collection
Celine Presents an Exciting Audio-Visual Project Curated by Hedi Slimane
Bvlgari Presents the 2020 “Serpenti Through The Eyes Of” Collection By Alexander Wang
If you’re desperate for your shopping fix during this testing times head to Level Shoes in Dubai Mall to visit Dolce & Gabbana’s new pop-up store.
The store features bold and colourful accessories from the Italian fashion house’s spring/summer 2020 collection.
The store invites shoppers to explore the bold prints and tropical trees of the brand’s latest collection.

Animalier print, gold details and bold tropical jungle motifs blended with Sicilian colours and inspirations are seen across shoes bags and accessories throughout the pop-up store.

But if you don’t want to head to the mall just yet, you can experience the pop-up store from the comfort of your home. Through a 360 virtual tour of the pop-up, Dolce & Gabbana offers its clients the possibility to immerse themselves in its artistic vision safely from the comforts of their home via levelshoes.com.

Open until July 20th, the pop up houses the Women’s and Men’s Accessories Collection together with exclusive products such as the Python shoes and bags in the deep tones of the jungle.
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Bvlgari Presents the 2020 “Serpenti Through The Eyes Of” Collection By Alexander Wang
Tod’s Presents a Curated Edit of Accessories For Eid
Celine Presents an Exciting Audio-Visual Project Curated by Hedi Slimane
In February 2019, Celine launched a new architectural design concept for its boutiques with The Celine Art Project. This saw site-specific artworks featuring contemporary upcoming or established artists chosen by creative director Hedi Slimane placed throughout the stores. The initial collection encompassed around 42 art pieces by 33 different artists. Now for 2020, the Parisian brand turns to the art world again with The Portrait of a Performer/Of An Artist which includes both images and videos allowing viewers to engage, during this time of lockdown This project, curated by Celine Creative Director Hedi Slimane.
The Portrait of a Performer/Of An Artist project recently debuted with a selection of visual and audio presentations curated by Hedi Slimane to offer thought-provoking entertainment to those that are at home during this time of confinement as well as bringing together the Celine community.
The project is closely linked to the Celine Art Project which showcases the work of upcoming free-spirited artists, some of which have already been featured throughout the House’s stores.
A number of videos have been launched on Celine’s Instagram account showcasing aspects of the project and allowing the audience to immerse themselves into the world of art through Hedi Slimane’s eyes.
One artist chosen for this project includes Shawn Kuruneru who’s series of paintings can be found at Celine’s Paris stores.

His works are inspired by traditional Chinese landscape artists who valued spontaneity in their approach to painting. The ink paintings presented at Celine bring together modernist geometric abstraction and Chinese calligraphy.

As part of the Portrait of a Performer series, Slimane teamed up with Christopher Willat from Oracle sisters, a band formed by longtime friends.

The band has been part of Celine’s portrait of a performer series since the beginning of 2019. Their latest release “Most of All” is a blend of Astro pop, country music and lilting melodies. their debut ep “Paris I” is due for release in June 2020.

Joan Jett & The Blackhearts was another contributor to the project. Filmed at the band’s homes in Florida, New York and New Jersey Joan Jett & The Blackhearts perform their classic single “Crimson and Clover”.

Joan Jett is an originator, an innovator and a visionary. She is the leader of the band and founder of one of the longest-running indie record labels, blackheart records. Jett has also acted in movies, television and musicals and has produced albums for a variety of influential bands.
her music has become a permanent force in mainstream culture. Hedi Slimane designed the stagewear for Joan Jett & The Blackheart’s most recent tour.

These and many more of the artists can be discovered on Celine’s Instagram page.
Alongside the artworks and performance pieces is a Spotify playlist has was created by Hedi Slimane when part one of the Portrait of a Performer project debuted last year. This selection of music allows listeners to immerse themselves in the world of art as well as providing an enjoyable pasttime during this lockdown period.
Curated by Hedi Slimane, Artists featured in the playlist include:
Access the playlist on the link below:
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Bvlgari Presents the 2020 “Serpenti Through The Eyes Of” Collection By Alexander Wang\
Tod’s Presents a Curated Edit of Accessories For Eid
The latest chapter of Bvlgari’s Serpenti “Through The Eyes Of” project sees the Italian luxury house partnering again with New York-based designer Alexander Wang on a capsule collection of Serpenti accessories.
Back in September 2019, Alexander Wang reimagined Bvlgari’s iconic Serpenti motif and this year he returns with a second collection that sees the Serpenti Belt Bag presented in his vision.

The hero piece is reimagined by Wang in new baby blue and peach colours, which will join the classic black and white versions.

The belt bags are enriched with two snake closures, two detachable straps and a detachable handle which can be worn around the waist, as a cross-body, over the shoulder or as a clutch, making it super versatile.

The fresh colour tones chosen by Wang make the bags perfect summer pieces, while the classic styles are great for everyday wear, that can be styled from day to night.

The Alexander Wang Serpenti Through The Eyes of Collection is available at Bvlgari stores and online.
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Tod’s Presents a Curated Edit of Accessories For Eid
Salvatore Ferragamo Launches a Limited Edition Collection For Eid
Let the Eid celebrations begin with Italian brand Tod’s. The leather goods manufacturer has presented a carefully curated edit of shoes and bags for Eid Al Fitr.
The offering for men and women features chic slippers and sandals, including the classic Arabic-style men’s sandal as well as pieces for women that combine comfort and style.
Famed for their rich colour offerings and expert craftsmanship, the pieces come in warm inviting hues that are perfect for the warm months.

A highlight piece is the women’s T Timeless buckle sandals, available in brown and black leather. Great when paired with a kaftan for glamourous Eid evenings.

A selection of bags is available in rich sandy hues, creating the vision of warm desert nights – perfect for celebrating this Eid as well as the ideal gift for loved ones.

The pieces are adorned with the iconic T Timeless buckle in both gold and silver metal, making them instantly recognisable.

The collection is available exclusively at TOD’S Boutiques in Dubai Mall and Mall of the Emirates.
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Diego Della Valle Chairman of the Tod’s Group Discusses the Global Pandemic and His Love For Italy
The Armani Group has announced new measures and initiatives to move forwards through the coronavirus pandemic.
As a leader in the industry, the Italian company is putting plans in place to start “Phase 2” of its strategy moving forward.
Considering the safety of all of its employees and customers, The Armani group has announced the reopening of its stores in Italy and worldwide, which will take place today. Customers will be able to book their store appointments online at Armani.com to ensure the safest visit and all required safety measures will be taken in stores around the globe.
Part of the reopening will honour the healthcare workers who have fought so hard throughout this global pandemic to protect the people. Giorgio Armani has been particularly supportive of this cause throughout the crisis.
From today, the image of a doctor with wing, holding Italy in her arms will be the new image featured in a mural in Via Broletto in Milan. Giorgio Armani’s words of encouragement of “To restart safely we still need her,” are to appear next to Franco Rivolli’s drawing.

Armani Ginza Tower
Starting from 15 May, Giorgio Armani made the decision to change the illumination of the Armani Ginza Tower in Tokyo’s façade into blue, decorated with a bamboo motif. In Japan, the colour is used to express gratitude to the people working in the medical industry for their great works fighting against the Coronavirus.
On the occasion of the reopening of the directly owned Giorgio Armani stores worldwide (such as Milan, Paris, Munich, Beijing, Hong Kong and Sydney), in compliance with the procedures established locally, the Armani Group announces that 10% of the proceeds from sales of the spring/summer 2020 collections will be donated to charities operating in their respective cities.
Production of disposable medical overalls also continues and is to be transferred from factories owned in Trento, Carrè, Matelica and Settimo Torinese —that have restarted work for the Group’s fashion collections— to those of sub-suppliers in Italy and other countries, all under the direct responsibility and supervision of G.A. Operations.
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With Eid Al Fitr just a few days away it’s time to start thinking about what to wear to celebrate with family.
For the occasion, Salvatore Ferragamo has launched a limited edition of women’s accessories exclusively in Dubai.
The collection features three key pieces from the brand’s iconic styles, with a customised twist that makes them perfect for the glamour of Eid.

The black satin mules are covered with strass in Jet Hematite finishing for an evening look. “The Refracted follows the Flower heel, which was itself based on the revolutionary 1939 Column heel designed by Salvatore Ferragamo. The heel is designed to showcase the beauty of irregularity and variousness by allowing for the play of light and surface in an apparently random manner. Every time you look at a Refracted heel it will appear different. This is not its flaw, but its power.” Said Paul Andrew, Creative Director of Salvatore Ferragamo.

Bold in colour and design, the laminated gold calfskin shoe is sure to steal the spotlight with its metallic finish.
The third and final pieces consists of a mini bag featuring the iconic Vara Bow. The bag is given a twist with a touch of sparkle. Perfect for women looking to celebrate.

Salvatore Ferragamo limited edition of Accessories is now available exclusively at Salvatore Ferragamo store in Dubai Mall.
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A Milanese Garden in Bloom: Discover Serapian’s Spring/Summer Collection
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Global beauty company Shiseido is giving back to health workers in the Middle East. Shiseido Group Middle East has partnered with Emirates Red Crescent to distribute skincare kits including essential skincare products to healthcare workers on the frontline in the region.
The initiative supports the company’s values of “People First”, something that has been at the heart of Shiseido since it was founded in 1872.

“ We understand that it is a tough time for our heroes as they are working around the clock to save lives and safeguard the community. Working in such an environment leaves the healthcare team with limited time for self-care, and thus having limited access to essential self-care products,” said Mohamad Al Khalil, Managing Director of Shiseido Group Middle East
As well as the donations of these skincare packages in the Middle East, as a global company Shiseido is donating 1 million Euros to the Red Cross. The donation is split between France, Italy, Spain Germany and the UK. The money will be used towards maintaining social connections with isolated and vulnerable people.

In addition, Shiseido factories in France will produce hydroalcoholic gel to relieve shortages in hospitals and retirement homes.
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Designers based in Dubai’s Design District have come together as part of an initiative put in place by the Arab Fashion Council.
The #AThread4Cause pledges to create 13,000 medical gowns to meet the needs of workers in the healthcare sector, working on the frontline in the fight against COVID-19.
The Arab Fashion Council has partnered with seven designers located in Dubai Design District (d3) who have agreed to use their production facilities to create protective gowns and surgical face masks for frontline medical workers in the region.
The #AThread4Cause initiative was put in place by the Arab fashion Council and it has called on local businesses to support. Seven businesses based in d3, with over 50 tailors and pattern makers, along with a number of other businesses in the UAE, will work to create the much-needed garments.

The designers have partnered with a Dubai-based Saudi Arabian fabric manufacturer who will supply over four tonnes of technical fabric to the participating brands. To facilitate the logistics, d3 is set to create a unified distribution centre to store and deliver the protective wear.
Khadija Al Bastaki, Executive Director of d3, said: “As the fashion capital of the Middle East, d3 is both humbled and delighted to support #AThread4Cause. With seven d3-based designers, we aim to aid the life-saving work of vital medical staff by contributing to the UAE’s stockpile of gowns and facemasks. d3 is well placed to be able to cater to the needs of the local population, as well as export to the rest of the world, heralded by the strong logistics and infrastructure of Dubai.”

Dubai based couture label, Michael Cinco, is among the seven d3 business partners taking part in the initiative. Michael Cinco and his business partner Sayed Ali said in a joint statement: “In exceptional circumstances such as this pandemic, it’s more important than ever to stand together. The future is not bleak and it’s crucial that we provide people with something to believe in. We need to demonstrate the sense of belonging, community spirit and light that only fashion can bring to our world. We are proud to be part of d3’s response to #AThread4Cause and believe it demonstrates the value of fashion and design in Dubai.”
Cinco is joined by couture labels, Maison Yeya, and Amato, brainchild of creative designer Furne One are among the seven. Emirati designer Yara Bin Shakar, Egypt’s Marmar Halim, Arab/American designer Zaid Farouki and women’s clothing retailer Si Fashion make up the seven-strong group.

Companies that want to enrol in the initiative and contribute positively to the UAE’s efforts to curb coronavirus and protect the vital medical professionals across the country can apply through the Arab Fashion Council’s website.
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A Milanese Garden in Bloom: Discover Serapian’s Spring/Summer Collection
Dolce & Gabbana Celebrates Traditional Italian Craftsmanship With Its Latest Project
Milanese luxury leather goods Maison Serapian is celebrating the beauty of an Italian garden with its spring/summer 2020 collection.
Full of sophisticated elegance and Italian charm, Serapian’s distinct style combines fresh flower tones on beautiful designs that have been handcrafted in Italy.

Quality, uniqueness and attention to detail have always been the values that inspire the creations of the Milanese Maison and this summer’s collection is no different, each and every aspect of the bags has been handmade in Milan by expert craftsman.

The iconic Mosaico craft, a completely handmade unique weaving process in soft lamb nappa created by the brand’s founder Stefano Serapian in 1947, now explores feminine and bold colour combinations. This special and highlight demanding technique is the symbol of artisanal craftsmanship of the Maison.

The spring collection features tones of fresh melon, lemon and coral pink with graphic accents in monochrome colours. The iconic styles of the Maison including Secret, Mini Villa and the Camera bag are reinvented in new colourways they offer classic elegance with a touch of femininity.
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Santoni Introduces a New Personalisation service for Women
Dior Launches an Online E-Commerce Store in the UAE With A New Capsule Collection
In these complicated times, many of us have put our usual beauty regime on hold.
Some are developing new skin issues they have never experienced before and others have more time to try new techniques and products.
So to assist, La Maison Valmont is providing personalised consultations and tutorials to its clients via video calls and online presentations throughout the lockdown period to bring a bit of happiness into women’s lives.

A team of beauty experts are on hand to offer recommendations, tips, tutorials and advice to customers over a video link. The consultations can be booked by appointment and are completely free of charge.
Wherever you are in the world log in to discuss your skin condition and problems with one of Valmont’s expert therapists. The therapists will recommend techniques and products from La Maison Valmont’s ranges to help support your skincare needs.

To book your personalised appointment visit https://calendly.com/valmont/valmont-beauty-consultation
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While many of us are still confined to the safety of our homes, here’s our guide on how to stay home and shop savvy in the current situation.

You can still have luxury fashion items delivered to your door with Ounass. Their Divine Abayas capsule collection has an exclusive collection of one-of-a-kind styles for Ramadan. he e-commerce home of luxury joins forces with a curated selection of the platform’s most covetable international and Middle Eastern brands for this Holy Month. Working in partnership with each designer, Ounass commissioned the labels to create unique pieces tailored for Ramadan dressing with both contemporary and traditional, modesty. Bene t from same-day delivery within Dubai.

While many of us may not be able to get to a salon at the moment don’t panic Bgx App from Sisters Beauty Lounge will deliver hair and beauty essentials to your home so you can get that salon experience without leaving the sofa. Through the “bgx” app you can shop haircare products from brands including kerastase, Redken Olaplex and more. As well as hair tools, nail essentials, organic products and they even have some specially curated Ramadan kits. Ordering on the app is simple and the products will be delivered to you with contact-free delivery.

When we can’t go out, ensuring our home looks its best for Ramadan is crucial. To help prepare your table and living area to look its best during Ramadan you can order online at Silsal. Deliveries of all products, including the beautiful Ramadan collection, are still taking place, so you can have a table of dreams for your next iftar.

The Saffron Souk is an online portal the supports small and local businesses in the UAE. Saffron Souk is a Gulf based online community of creative entrepreneurs and smart shoppers. Customers can discover and shop from small local brands and sellers can enjoy their own shopfront amongst the Saffron Souk’s curated marketplace. On the site you’ll find anything from gym equipment to arts and crafts, to wellness must haves, all of which can be delivered to your home.

While going out for iftar is something that may seem a million miles away this year, Bvlgari Resort Dubai will bring the iftar to you with their at-home service. The resort has launched an iftar delivery service that includes a selection of over 25 dishes that combine traditional Arabic cuisine with Italian delights. And for those looking to gift their loved ones, it’s now possible to order Bvlgari chocolates from Il Cioccolato Dubai. Perfect for Eid.

While many of the UAE’s malls have started to reopen, many residents are still hesitant about stepping outside. Mall of the Emirates invites customers to shop the latest fashion, beauty and luxury collections online from its hundreds of stores. The new platform is allowing customers to continue to shop for the newest collections while not being able to physically visit the stores during this lockdown period. Customers to have a virtual shopping experience in a number of the mall’s stores and products will be delivered directly to their door.
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Santoni Introduces a New Personalisation service for Women
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Santoni Shoes has created a new personalisation service for its one of its iconic styles. Allowing women to choose their colours and styles to create their own preferred shoe choice.
The shoe model in questions, complete with a double buckle, has become the emblem of Santoni style and is instantly recognisable.

With this new digital service, women can customise their own footwear by picking one colour from the wide range or even by creating unexpected two-coloured combinations, all painted by hand by Santoni master craftsmen. The palette consists of 12 shades with more than 300 possible combinations.

An additional element of personalization is the possibility to sign the internal sole with one’s own hot-stamped initials.

The process is done through the “MYSANTONICOLOURS” section of the brand’s website where shoppers can create their own shoes in three simple steps. Once designed, the shoes will take around four weeks to be delivered to your doorstep.

The new “MYSANTONICOLOURS” service, which is already available for men, represents an evolution of a creative process that celebrates the highest craftsmanship of shoemaking, targeting those who love to express their individual style or taste.

To start creating head to www.santonishoes.com
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Emanuela Venturini and Paola Marucci Founders of Oblong Contemporary Gallery express their love for Italian art and bringing it to the middle east.
Oblong Contemporary Gallery is an art gallery based in Pietrasanta in Italy. Founded by two female entrepreneurs Emanuela Venturini and Paola Marucci who shared a vision of combining their love for art and culture to create a cross-cultural exchange of art across the world. In order to do this, the duo set about creating a second gallery in Dubai which opened earlier this year. The gallery allows for a partnership and sharing platform between the two countries and the gallery is showcasing art from contemporary artists from Italy and the rest of the world.
As well as this the gallery will bring artists together through a platform of workshops, art forums and educational initiatives that will further enrich the art landscape in the UAE. Of course, right now the gallery is closed due to the current crisis, however in the meantime, Oblong has launched a virtual platform so that art lovers and collectors can access the gallery virtually and bring the art directly into their homes.
Founders Emanuela Venturini and Paola Marucci are both Italian themselves grew up immersed in Italy’s art scene. Marucci has lived in Pietrasanta for twenty years and is inspired by the incredible landscape of Italy. Venturini is an architect and curator whose experience in interiors is combined with a love of art and artists. As they sit in isolation waiting to get back to work, we discuss the importance of art in bringing happiness to our lives, art in Italian culture and how it translates to the Middle East.

OBLONG, Dubai gallery
What do you love the most about Italy?
PM: I love that Italy is recognized across the whole world for its art, fashion, culture, rich heritage and cuisine and more importantly, the people, their energy, passion and love for life.
EV: I consider myself to be very lucky that I was born in Italy. I owe it to my country for making me the person that I am today. From a very young age, I understood the beauty and harmony of art in all expressions. I am passionate about art and have been following it closely while travelling in Italy from north to south. All its magnificent landscapes, and places that are rich in art, history, culture, where the quality of life is at its best manifestation.
What is your favourite era of Italian art?
PM: I love contemporary art but every time I visit a museum, I’m very impressed by the Renaissance era and mostly the Venice’s Renaissance, and its significant contribution to art, and architecture. EV: As an architect, I would say the beauty and the significance of the Renaissance era as a gallery owner I would say Modern and Contemporary art.
What do you think Italian art offers that no other country does in the world?
PM: In my opinion, our history and culture highly influence Italian creativity, and Italy is the homeplace for diverse and extremely talented international artists. Oblong is a multicultural gallery, it is not only a place for Italian artists, but we encourage numerous international artists to collaborate with us. Our objective is to always our own style and concept of art in the artists we showcase and in particular sculptures.
EV: Italy is rich with its history and art and it has played a crucial role in the discovery of art and culture whether it was through Renaissance or the exploration of new lands. Through the centuries of culture, Italy has been a source of inspiration for artists across the world.

Robert Indiana, HOPE, May, 2015
How do you think the world of art in Italy has influenced Italian culture?
PM: Art has largely influenced Italian culture and I am sure you are aware that Italy is home to the largest number of UNESCO World Heritage Sites in the world and you will nd that everywhere you go in Italy has a story and it’s enriched with an art flavour.
EV: Italy’s culture and art influence and complement each other, just like the sky and the stars value each other. Italian art and culture continue to be inspired by our rich history, the beauty that can be found across the country and not to mention our cuisine that is loved by millions of people around the world.
What do you think is behind the Middle East’s fascination with Italian art?
PM: I believe that everyone in the world attributes to Italy and its important role in the history of art. Italian art has been present and has been maturing since the prehistoric period and during the Roman Empire, Italy created for the first time a universal language with its art. What Oblong is trying to highlight and build is the log Italian tradition in the manufacturing and processing of marble and bronze, which is characteristic of many Italian cities, including Pietrasanta and Carrara, where the Carrara marble quarries are, and these processes embody interesting and unique stories behind thousands of artworks and craftmanship.
EV: Italian art has influenced several major movements throughout centuries and has produced several great artists, including painters, architects and sculptors. The fascination with Italian art comes from many illustrations of people, artists, creators, inventors, architects, poets, musicians; men and women from our culture and leaders who have left a permanent mark over the centuries.

OBLONG, Dubai gallery
Do you see any overlap between art from the two regions?
PM: I think that art has a universal language that minimises all types of differences between people, bridges gaps and brings us closer. By viewing a painting or a sculpture you can understand the meaning and interpretation even if the artist speaks another language.
EV: Art for artists is always the expression of their own lived experience and the history and culture of the country where they were born and the place where they mainly lived. The two regions, the Middle East and Europe have a remarkable opportunity and cultural exchange, where you can view a strong point of amalgamation, and precisely through languages and cultures that appear to be different and yet have an intellectual understanding that can be born between the two civilisations.
What do you think customers are looking for from art in The Middle East and does this differ from what customers want in Europe?
EV: Collectors are attracted to artworks that evoke emotions. I am a Gallerist but I am a Collector as well. I understand that it is when you are in front of a work of art that you feel an irresistible attraction that enters your heart and soul. As such, I feel the Middle East and European customers are alike and there aren’t any differences since the artistic language is universal.
What advice would you give to upcoming artists during this time of crisis?
PM: During this difficult and challenging time, I encourage everyone, including artists, to reflect, grow creatively, and be positive and know that this time will pass. This is a good time for all artists to create new artworks.
EV: May the beauty of art help us to understand the harmony of good and support us to overcome these dark moments and we learn how to remain encouraged and with a positive mindset.

OBLONG, Dubai gallery
How do you think art can have a positive effect on our mood?
PM: Art is beauty and creativity, and these characteristics give people a sense of relaxation. Art is a powerful medium through which you can travel, dream and unplug your mind from your surroundings. In these hard times of global crisis and isolation, art takes up a central role in our lives, it frees our imagination, allows us to focus on hope in a world that is quickly unfolding.
EV: I can answer this question with a phrase, which sums up the concept of wellbeing… “being surrounded by harmony and beauty helps us to live better and longer.”
Why did you decide on Dubai for the second location of your gallery?
PM: For several years, the UAE has become the centre of art in the Middle East, thanks to the vision of its respective leaders who have embraced art and artists in different ways. I envision Oblong Contemporary Gallery to boost the art scene in Dubai and the UAE through the different cultural activities that we will offer. It is also a challenge for myself and Emanuela and we love embarking on new challenges!
Can you tell us a little about the cross-cultural exchange between the two galleries and countries and how it will work?
PM: Our vision is to share the experience of different artists by hosting educational programmes and workshops. Art is an instrument for social and cultural integration between different cultures and our purpose is to build a bridge between Italy and the Middle East, Pietrasanta and Dubai. Before COVID-19 we were organising an exhibition in Versilia of Arabian Artists during, “L’arte del Cavallo Arabo,” an important horse show that takes place annually in May in my home city Pietrasanta. However, due to the current circumstances, it is not taking place as scheduled but we will continue to work to create a full integration between the two cultures by bringing Arab artists to exhibit in Italy and vice-versa soon.

Enzo Fiore
We have seen you have virtual tours during this lockdown period – what can you tell us about the idea behind that?
PM: It’s imperative for us to not lose the connection and relationship between the artists and the art enthusiasts. As such, we have to find a way for all the art lovers and connoisseurs to be in the gallery virtually, view and enjoy all the artworks without being there physically.
EV: It was an idea that was born out of necessity. Technology has facilitated us with this initiative and has unleashed in us creatively to find new platforms of communication, and continue the engagement with art collectors both locally and across the world.
They say in every crisis there is a positive – what is something good you think will come from this crisis?
PM: I think that when there is a big crisis such as this happens people discover the true value in life such as family, love, friendship and support of the people around you. I’m a positive person and strongly believe that there is always a positive outcome especially after this current global crisis.
EV: This is a profound moment for humanity and calls upon us to intimately reflect the lights and shadows of our lives and ultimately grow. I believe it has given us all a great sense of unity and solidarity.
How are you spending your time in quarantine?
PM: I’m spending my time thinking about how to transform the traditional activities into a virtual capacity. We will have to deal with the current challenges and therefore we must strive to understand how to shorten distances, discover new methods and work more efficiently.
EV: In comparison to many other people, I am very privileged, I am at home and it’s my safe haven. I am currently living on top of a hill surrounded by a lovely landscape, the cherry trees are in bloom, the intense colours of sunrise and sunset are in harmony with nature and that encourages me to read good books and make plans for the future and our vision.

Carla Tolomeo
Can you give us any tips on how we can use art to brighten up the home during this time?
PM: You can visit any virtual museums, which are now made available online by many art institutions across the world, together with all the online exhibitions and, of course, our virtual gallery is available on our website. By choosing an art piece from our talented artists, you bring beauty into your home. We have several artists catering to everyone’s taste and home and as art is very personal, there is a diverse portfolio of artists to select from.
EV: It is precisely in these moments that the presence of art illuminates the heart. It is the very essence of art that with its presence, even the simplest drawing of a child hanging on the wall is a sign of hope.
If you had to choose one favourite piece of art or artist what would it be?
PM: That’s a tough question and it’s hard for me to choose one artist. However, I do love figurative artworks from Stefano Bombardieri and Igor Mitoraj and at the same time the abstract forms of Gustavo Velez and Agostino Ferrari.
EV: That’s difficult, but if I had to choose I would say Michelangelo Merisi known as Caravaggio.
As this issue is our tribute to Italy can you tell us what is your first memory of Italy?
PM: The landscapes of certain areas in Italy, and I am reminded by the view from the marble quarries in Versilia or when you are on the island of Capri. There are a thousand I could mention.
EV: I have many memories but one that stays with me is the ray of light that enters from the round opening at the apex of the dome of the Pantheon of Rome and it illuminates the magnificent interior.

Bianca – Gustavo Välez
What about your first memory of art?
PM: I was fascinated by Igor Mitoraj’s exhibition at Pompei. The combination of the contemporary classicism of the artist with the archaeological site represented for me a moment of artistic ecstasy.
EV: When I was 14 years old and I travelled by train from Milan to Florence to visit the Uf zi Gallery. It was an unforgettable experience and journey and from that moment on art has always accompanied me.
How would you describe Italy in one word?
PM: Magnificent.
EV: Of course the only word that comes to my mind is “amore”.
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Bang & Olufsen’s values of high-quality design and expert craftsmanship have been combined with the latest in sound and technology to create unique products for the home for almost 100 years.
Sound has always been at the heart of this brand and creating sound in a way that creates a unique experience for the customer. As technology has advanced so too have the designs and today Bang & Olufsen creates technological and design masterpieces that seamlessly fit into the home.
The latest creation of the Beovision Harmony is at first glance a television. But it is too a piece of art, created to enhance the design of the home, rather than disrupt it. With its unique design and incredible sound system, this is a TV like no other.
Heading up this project was VP of Design Gavin Ivester. Previously at Apple and many other global companies working within product design, Ivester joined Bang & Olufsen in 2018. He was always inspired by European design and so when he joined B&O it was a perfect pairing. As he unveils his latest design we talk to him on craftsmanship, creating beautiful objects and the future of home products after the global pandemic.
What would you like to share with our readers about the new Beovision Harmony 65” and 77”?
Beovision Harmony is Bang & Olufsen’s best-performing television ever. We’re passionate about delivering superior sound— that’s what gets us excited and in fact, it’s the very reason we design. With Harmony, we took extra steps to extend the life of the product, to make its acoustic performance truly exceptional, and to solve some real-world problems for the first time. The design, engineering, and craftsmanship that go into Beovision Harmony show Bang & Olufsen at our very best.
What makes these designs different from anything else on the market?
Firstly, we gave Beovision Harmony sound performance that can handle anything. The built-in speakers on TVs are often focused on the frequencies of human voices, so you can hear the dialogue. That’s important, but there’s a lot of excitement missed in many movies unless the higher and lower frequencies — especially the lower frequencies — are strong. External systems that cover those frequencies can be impressive but miss the dialogue. You need both. That’s what we designed into Beovision Harmony.
Secondly, we talk to our customers and partners about the experience of living with our products every day and we observe trends and make our projections about what our customers’ needs will be in future. In all of the conversations around that research, we realized one thing we never heard is that people love the big black rectangle on their wall. When the TV is off, it can be visually disruptive to beautiful interior design. To give our customers the best of both worlds took some very B&O-style invention. The Beovision Harmony essentially folds into a smaller form when not in use and the result is a more beautiful object when you aren’t watching something on the screen. Powered by a hidden mechanism, the speakers pivot inward to transform from a very wide rectangle for cinematic sound, to a narrower, taller shape that hides most of the TV screen as it sinks down into the Harmony. You have to see it in action, it’s quite a surprise and it’s a lot of fun to watch the transformation. In the down position, a margin of the screen is left exposed. That’s deliberate. You can still use Harmony as a powerful music system, so the exposed edges of the TV screen are there to show you what you’re listening to.

Beovision Harmony
What can you tell us about the craftsmanship and techniques involved in the coming together of these products?
In Struer, Denmark where the company was founded, Bang & Olufsen has one of the world’s most impressive craftsmanship facilities specializing in aluminium. It’s one of my favourite places in the company because the team is so dedicated and inventive. From fabrication to finishing, they’ve developed techniques no one else has figured out yet. When you find a new way to make something, you’ve figured out how to design something truly original. They make all the beautifully crafted aluminium pieces on Harmony.
For the wood components, we partnered with the same company in western Denmark, Bjerrum Nielsen, that we’ve worked with since their founding in 1949 when they made radio cabinets. There’s a trust and respect there that can only be developed over decades and dozens of product models.… they actually made the wood cabinets for our TVs back in the 1950s and they know our level of craftsmanship because they were part of creating it. For Harmony, they go through 28 painstaking steps to craft the speaker grilles and the result is a product you want to keep for a long, long time.
What about the choice of materials – they are quite unique – what can you tell us about them?
The wood is the most interesting part of the materials story. The oak is sourced in Europe, and the walnut is from the US. All of it is FSC certified. One of our design principles is honesty in materials. If it looks like wood, it is wood, and if it looks like aluminium, it’s not a vinyl decal that resembles aluminium. It’s the real thing. We choose finishes carefully to enhance interior environments — Bang & Olufsen products aren’t meant to be hidden, they’re meant to be enjoyed and appreciated, and bring timeless beauty to environments. Working with materials and finishes that feel more like furniture than consumer electronics gives our pieces timeless, lasting value. They become part of your world.
How important is the visual aspect and appearance of the designs at Bang & Olufsen?
Our three brand pillars are sound, design, and craft. They work together: the reason we make products is to deliver goosebump-inspiring sound experiences, whether it’s the raw emotion of your favourite music or the feeling that you’re in the middle of a scene in your favourite movie. So sound is where everything starts. We are pretty precise about that. We map out the sound experience and the performance we need, then do the preliminary engineering to bring that to life in a product. We create options — different combinations of internal hardware that can deliver precisely the acoustics we know the final product must have in order to be the best in its class. From there we start design concepts. We brainstorm around the options, folding in what we’ve learned from talking to and observing users, and developing forms that solve the needs we’ve identified, create a statement, make it feel great to be around, or even surprise — it really depends on the product.
The look is incredibly important to us — we want our customers to feel something when they see our designs, and they should make the space around them look great too. For us, that comes from simple, powerful geometry and minimalistic detailing. It gives our products calm confidence. When the performance is really there, the design doesn’t have to shout. The thing about minimal, timeless designs is that when there are fewer distracting details, craftsmanship really stands out. It only works if the craftsmanship is extraordinary, otherwise, the flaws are obvious. That’s why we invest so much care and effort into beautiful materials and workmanship. It’s the secret to giving clean designs long-lasting value.
How does Bang & Olufsen balance the technology, creativity and appearance aspects of the design – is there one that comes before the others?
Our concept of luxury starts in performance. Making beautiful music out of digital code is a highly technical process, but our goal is to make the experience of using Bang & Olufsen products a very human experience. In a B&O product, technology makes those goosebumps possible, and it also empowers us to streamline the experience of using our products, so it’s highly forgiving and feels highly responsive. There’s no need for balance — it’s all there for the same purpose. The creative approaches we take to reimagining products to make them sound amazing and look beautiful rely on technology and craftsmanship to come to life.

Beovision Harmony
Who is the Bang & Olufsen customer today?
There’s no single profile, but they have a few things in common: a passion for music, and appreciation for the finer things. Our customers love design, and they’ve experienced some of the best design in the world. They’re enthusiastic about life and expect excellence from themselves and the things they choose to have in their lives. They feel at home with Bang & Olufsen and some of them ultimately become collectors.
What do you think these customers are looking for from your products?
Beautiful design, stunning sound, exceptional build quality. They can see the lasting value of Bang & Olufsen products. For someone whose expectations are elevated by the best hotels and restaurants, gorgeous homes and luxury vehicles, B&O is the logical choice.
Of course, the world is currently facing a global pandemic. In every crisis there is always an opportunity – what do you think is something positive that will come from this terrible situation?
I’ve noticed a few things. First, when professional and creative conversations move online, borders melt and our ability to connect personally skyrockets. Rather than waiting for an infrequent trip to talk face to face, we have become more comfortable with streaming connections, whether it’s for a one-to-one discussion or a big meeting. The trip from my house to yours, or from my continent to another, takes just a few seconds and we do it more often. So the unexpected benefit is that while we’re separated, we feel more connected and things can move faster. My online meetings all start on time!
The home environment matters more than ever. We’re spending all our time there and not only seeing the benefits but noticing the shortcomings. Investing in the home feels like the right thing to do right now, whether it’s equipping a workspace or creating a gathering place for family.

Gavin Ivester VP of Design at Bang & Olufsen
What can you tell us about the plans for Bang & Olufsen for the second half of 2020?
Absolutely nothing, other than I am excited for it all to unfold!
Do you think the buying behaviour of customers is likely to change after coronavirus?
That’s going to be so different depending on profession and region, and everyone’s story is unique. I expect some pent-up demand to travel, whether it’s to catch up with faraway family members or just to get a change of scenery, but my sense is we’re all learning the value of home and the power of connecting virtually like never before. We’ll think twice before bringing something temporary into our homes because we may find ourselves spending all of our time there. It will be fascinating to see how it all plays out, but what never changes is the power of beautiful sound. Music can calm us or energise us, and movies can transport us to another time or place.
Of all the products that the brand has, what would you say is your favourite?
That’s a hard one for me because my favourite is always the next one in development, and I can’t talk about it yet. I am so proud of our team — from UXers to design managers, insights researchers to colour and material designers and the hugely talented outside designers with whom we collaborate constantly. My role is influencing the direction via our design principles, through the talent we choose to work on particular projects, and by inspiring everyone to understand what’s at the core of the brand. Striking the right emotional tone while elevating sound, design and craftsmanship is our daily challenge.
Since I can’t talk about future products, I’ll mention another recent release: Beosound Balance. As with Harmony, our vision was to make sound you can really live with and enjoy in your favourite interior space. Balance fuses a very interior-driven look and feel, crafted from substantial wood, textile, and satiny aluminium, with some incredible sound capabilities. It measures the acoustics in your room to calibrate itself, so it can project sound expansively in your space when you want to dive into a favourite piece of music, or it can focus sound in one direction if you need that. It’s all very easily chosen by a couple of touches on Beosonic in our app. It’s fun to use. Inside Balance, the bass tones are produced by two woofers that face each other. So when they play a big bass note, one speaker is moving up while the other is moving down at exactly the same time. That balanced movement of mass cancels out the vibration of the speaker itself, producing powerful bass sound but not shaking the floor. How it looks, how it’s made, and what it is able to do all make that vision for the product real.
I’m also a huge fan of our Beoremote 1, a product designed long before I joined the company. It’s our TV remote that is made in the most uncompromising way — the main body is milled from a single chunk of billet aluminium, which is an incredibly painstaking and expensive way to manufacture. Normally remotes are designed with a clamshell construction: imagine you have a little five-sided box with no lid, and you drop your electronics down into it. Pop on a lid with buttons, and there’s your remote. Super easy to make and assemble, but that’s not how we do it.
The Beoremote One is made from a long bar of aluminium that fits perfectly in your hand. It just feels right. Because it is cut from a single piece, there are no seams you can feel and no chance of them ever mismatching, creating tiny offsets that you notice as imperfections. Those surface mismatches make a cheap product feel cheap. Beoremote 1 doesn’t have them. To get the batteries to fit into the lower half, a very long mill has to bore out a pocket inside, an operation that takes a long time and is definitely not the efficient way to do it if you are thinking conventionally. But the result is a rock-solid, seamless, and flawlessly smooth remote whose centre of gravity settles right into the palm of your hand. It’s a magical piece of design, engineering, and manufacturing.
How would you describe Bang & Olufsen in three words?
Beauty, longevity, goosebumps.
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As we all start to get cabin fever thanks to the current global crisis we can only dream of better days, when we can get out and explore the world. We can’t tell you when that will be, but what we can tell you is that it will come and we will have you prepared. Italy is one of the most beautiful and diverse countries in the world, so what better place to plan your next getaway.
From skiing in the Alps, a shopping break in Milan, or summers by the sea, Italy really does have it all. Here we discover the most beautiful, vibrant, cultural and colourful places to visit in this inviting country.

Italy’s capital is a living museum. With over three thousand years of history, this breath-taking city will offer you jaw-dropping moments around every corner. Discover the Roman ruins of the Colosseum, the Pantheon and the Trevi Fountain, or grab a traditional gelato from one of the many bustling alleyway shops while taking in the culture around you. Quaint streets provide a maze of historical sites, while quirky shops and cute neighbourhood trattorias are the perfect places to pick up souvenirs, take in the views or watch the world go by.

Visiting Rome is great at any time of year – it’s humid summers are great for sunseekers, while spring and autumn make the perfect time to visit for those who love to walk and explore. Take your time in this slow-paced city to see everything – there’s a surprise around every corner!

This enchanting city has suffered painfully from the floods of the past winter, however, Venice is set to bounce back stronger, as its canals have become cleaner than ever thanks to Italy’s coronavirus lockdown which has resulted in less pollution in the city. So when the world finally starts to get back to normal there will be no better time to visit this cultural city. Being in Venice is like being on the set of a Hollywood movie – nothing will cease to amaze you.

The beauty of the buildings, hopping onto a gondola to cross the road, seeing the traditional Venetian masks on every street corner – everything about it is mystical and inspiring. Venice is also home to many art galleries and incredible architecture. Its Art and Architecture Biennale shoes showcase the artistic talent that this city houses and they attract thousands of visitors from all around the world. This vibrant city is full of romance and magic.

It goes without saying that Italy’s most stylish city would be on this list. Milan is the heart of luxury in Italy and in many people’s opinion, the heart of Italy itself. If you’re a shopping addict you can spend hours upon hours roaming Milan’s streets of luxury stores, from jewellery and watches to fashion and accessories. But this cosmopolitan hub of Italy has so much more to offer than just shopping.

Its vibrant food and drink scene comes alive every evening while the historical buildings including La Scala, the world-famous opera and of course, the city’s iconic Duomo di Milano cathedral are all must-visit attractions. The abundance of art galleries also brings the city’s art and design side alive, while getting a glimpse at Da Vinci’s Last Supper, housed by the refectory of the Convent of Santa Maria delle Grazie is an opportunity not to be missed.

Florence is the ultimate destination for those who love art and culture. This picturesque city is the epicentre of Italy’s world of art and architecture as it is the original birthplace of the Renaissance era. Its walls are bursting with galleries, exhibitions and fascinating buildings and designs to be seen, this city feels like one huge museum.

The Duomo, the Cathedral of Santa Maria del Fiore is one of the most impressive pieces of architecture in the world while the city is also home to one of the most famous art galleries in the world; The Uffizi Gallery, which houses some of the most iconic Renaissance art pieces. And once you’re done being a tourist there are thousands of restaurants, cafes and bars to relax in while watching the world go by.

The island of Capri is a summer destination you must add to your bucket list. This small island off the East coast of Italy attracts thousands of tourists every year for both day trips and longer visits and there an several good reasons for its appeal. The scenery around this island is simply stunning and there is only one way to take in the picturesque views and that is by boat.

Glide over the bright blue seas while basking in the warm summer sun. when you get back to shore, head for some of the island’s beach clubs which are filled with Italy’s most stylish over the summer months. Don’t leave without tasting the local cuisine (the Caprese salad is a must, obviously), and enjoying some outdoor time on many of the islands idyllic nature walks.

While we may often think of Italy as a summer destination, it does have some of the best winter ski resorts in Europe. While there are many to choose from you are most likely to find the most stylish crown at Mont Blanc de Courmayeur located in the western Alps. This quaint village is never overcrowded like many neighbouring ski resorts, but it does have everything to offer, from luxury hotels to nightlife, to top-quality skiing experiences.

Courmayeur is popular with the fashion crowd and Milan’s wealthy residents, so expect to see an abundance of Chanel ski boots and Moncler jackets. At the heart of the village, you’ll find Via Roma which is lined with luxury boutiques and cute cafes and shops. Walk along the cobbled streets and take in the peaceful atmosphere before heading to a party later in the evening.

The Tuscan Hills are a must-stop destination whether you are passing through the area or heading there for a relaxing longer stay. Here you will find yourself experiencing the true beauty of rural Italy and the best way to enjoy the experience is by staying in a local bed and breakfast in the heart of vineyards and rolling lush green hills. Here, you will find some of the best home-cooked traditional Italian cuisine using the freshest ingredients.

There are several destinations to choose from including Cortona and its artistic heritage, Montalcino and its thriving art scene, Pienza and it’s beautiful streets and squares and Mentepulcina and its medieval landscape. The options are endless.

Sicily’s incredible beaches and delicious food make it a number one destination for Italians every summer. From secluded sandy inlets to private coves there are endless places for sunseekers to relax and enjoy the fresh Italian air. There is an abundance of seafood restaurants on the coastline offering freshly caught dishes prepared in the traditional Italian way and of course you can’t visit Sicily without trying its desserts and ice cream!

When you’re done with sunbathing and eating head out to the local markets to discover fresh produce and locally made crafts. Sicily is also home to seven UNESCO World Heritage Sites, so there is plenty to see and discover while you’re on the island.

This celebrity favourite destination is one of Italy’s most beautiful holiday resorts. Picturesque gardens, floating swimming pools, quaint Medieval towns and of course, miles of glistening blue waters are just waiting to be explored. There are dozens of towns and tiny seaside villages to explore and you’ll nd that many of the smaller ones are less busy with tourists, offering the true Italian experience.

Lake Como is also an incredibly romantic destination, wander the lush green gardens or relax on a private boat tour with your loved one – it’s perfect for those on honeymoon or a Valentine’s Day escape.

The southern Italian region of Puglia is known for its unrivalled cuisine. Here you will experience authentic rustic Italian food, cooked by those who know it best. Puglia is Italy’s home of Olive Oil – over 40 per cent of the country’s Olive oil is produced here – so expect it to be the best. Aside from food, the landscape in the area is stunning. From clifftop views of the sea to lush green gardens, the nature of this region is something to marvel over.

The towns and villages are picture-perfect so expect to get plenty of pictures for Instagram while you’re here. Don’t miss the opportunity of sleeping in a Trullo, the typical conical-roofed structure which has become famous all around the world and led the town of Alberobello becoming a UNESCO World Heritage site. Puglia is also less touristy than many of Italy’s destinations which makes it the perfect place to escape and get some well-deserved rest time.

Pristine beaches combined with five-star luxury make Sardinia a must-visit destination for thousands of international tourists every year. It’s hard to explain the beauty of Sardinia’s beaches unless you’ve seen them for yourself but you will almost certainly find a spot that you fall in love with and want to return year after year, as many visitors do. But aside from the beaches, there’s plenty to do.

Nature reserves and walks through vineyards must be on your to-do list and be sure to explore the historical sites, Roman ruins and castles. Sardinia is also famous for its cheese so if you’re a cheese-lover it’s the place for you, not to mention the famous mini pasta balls, loreghittas and its unique method of pizza making.

The broad area of Amalfi has several towns and areas that are worth visiting so we won’t begin to list them all but the best way to explore the area is to hire a car and travel from town to town, experiencing the best of what this beautiful region has to offer. From the panoramic views of Ravello to the picturesque town of Positano and everything in between, a trip to Amalfi is a true adventure.

Some of the highlights along the way are the beautiful ceramics you’ll find in every town and the rustic beaches (although expect a long downhill walk to get to them). You’ll nd trendy boutiques, chilled out beachside cafes, and tiny restaurants where you’ll want to spend hour upon hour, watching the world go by.
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Dolce & Gabbana’s latest project “DGFATTOINCASA” – “Made at Home” celebrates the way we have all been united through the lockdown experience.
In a time when our values have slowed and shifted, DGFATTOINCASA reveals the power of crafts and creativity as well as the love and passion that goes into Made in Italy products.

The story of this project starts at home. Presented as an ancient Italian workshop in which the tradition of Fatto a Mano (meaning handmade craft) was born and intertwined with traditional family life.
Dolce & Gabbana artisans and friends of the house will hold a series of digital workshops in which they invite viewers into their homes to share their skills and expertise and to pass on ideas and suggestions for projects that we can all partake with loved ones.
As well as discovering the beauty of the Italian tradition of Fatto in Case this project also includes the DGFATTOINCASA fund that will raise funds as part of Dolce & Gabbana’s ongoing project with Fondazione Humanitas Per La Ricerca and the research with Humanitas University in Milan. Founded in February the project which is coordinated by Professor Mantovani was put in place to clarify the responses of the human immune system when it is infected with COVID-19.

DGFATTOINCASA is presented in partnership with ForFunding by Intesa Sanpaolo Bank. ForFunding is a crowdfunding platform for non-governmental and non-pro t organizations and foundations that wish to start fundraisers involving a large community of active donors. Intesa Sanpaolo does not take any commission on donations, meaning that every euro donated will be paid in full to the projects, guaranteeing security and transparency.
See the project through Dolce & Gabbana’s social media channels.
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Beirut-based designer ASHI Studio has launched a luxurious loungewear line and new online e-commerce platform to support its upcoming collections
It’s no secret that while many of us are working from home, we are changing our habits when it comes to fashion. Loungewear has become a much bigger part of our lives as have the ways in which we are shopping. There is less focus on glamorous eveningwear and much more on comfort. While most of us are shopping online from home, rather than venturing out to malls and boutiques.

As a result of this, Ashi Studio has decided to change direction in which it showcases its couture collections and it will soon introduce new product lines that will be available on a new e-commerce platform.

The new e-commerce platform will start with the launch of Ashi Studio Loungewear. A luxurious option to comfort wear featuring beautiful fabrics such as pure silk and cashmere that can be worn both indoors and outdoors. With basic items such as cashmere tops and pants, to long silk robes, the 1950’s inspired loungewear collection- made of the highest quality materials- truly captures the elegant and luxurious spirit of the brand and is a new approach to the luxury of couture.

The photoshoot for the new loungewear line features iconic South African model Georgina Grenville. Georgina Grenville was a nineties icon and has graced many magazine covers over the years. She is seen lounging in the new line by Ashi Studio while at home with her family in Paris.

As a reaction to the current global pandemic and the many families that are struggling because of coronavirus, Ashi Studio has decided that proceeds from the loungewear line will be given to charities around the world that are helping families affected by COVID-19.

Image Credits: Director of Photography/ Videographer: Cheyne Tillier-Daly Styling: Gaultier Desandre Navarre Production: WEIRD/FISHES/STUDIO Director/ Photographer: Thibault-Théodore Model Agency: Next Management Model: Georgina Greenville Creative Concept: Ashi
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We are all concerned about our physical health and the growing worry of coronavirus but there is another pandemic quietly affecting those all around the globe.
Mental health issues affect one in four people around the globe. From anxiety and stress to more serious conditions such as depression or experiencing suicidal thoughts. With the drastic change in lifestyle that we are currently experiencing, there is no surprise that the current crisis is starting to take its toll on the mental health of many around the world.
Many of the privileges or distractions that we take for granted in life have been taken away due to self-isolation, while the constant worry about catching the virus is a huge concern for many. So it’s more important than ever to consider our mental health during this time. Here to discuss the impact the coronavirus crisis could be having and how to find ways to keep yours and your family’s minds positive and active during this time is Dr Sana Kausar, Family Medicine Consultant at King’s College Hospital London, Dubai.

How can being in self-isolation affect our mental health?
Isolation in itself is a physical separation from other people and as such, it is not a bad thing in many ways. In the current climate though, with a worldwide pandemic, which will no doubt have a dark place in history, it has many more implications. The way it has been dictated to us, in the name of social integrity and protection, it is more than just a phrase. It is a public policy, or a commandment, with the threat of punishment if not duly adhered to. On top of this, the uncertainty and danger that come with this need for ‘social isolation’ can lead to a unique state of mind, as it comes with complex and multi-faceted emotional experiences. This can all lead to worrying and loneliness, which can be a consequence of emotional isolation. This is apart from the impressive impact COVID-19 has had socially, economically and from a public health perspective.
The mental health significance was therefore recognised early in the process, and clinical terms were used from the beginning in the media and social networks to describe attitudes, reactions and behaviours in different scenarios – fear, cynicism, denial, lies, panic and even hysteria. The need for psychological counselling and other measures is well recognised, which goes in line with the expected emotional impact.
Loneliness can generate many clinical conditions, such as depression and anxiety. In itself, the feelings of loneliness can lead to reflections about what is going on at the present time. The uncertainties of “worst-case scenarios’ may give place later to reflections about one’s own life: hopes and expectations, accomplishments and failures, self-criticism and self-condemnation. The apparently quiet mind has a lot of material to contend with when loneliness or solitude are encountered. These times, in essence, can provide an opportunity for self-examination, which can lead to a path of healing.
When feeling anxious what techniques can we use to calm our minds?
Meditation is a great way to calm the mind and feel in touch with yourself, but it does take practice and patience. Focusing on your breathing can help reduce your heart rate, and blood pressure, so the physical aspects are enough of a reason to persist in trying. This is more about a journey within, and just observing spiritual people from every walk of life can make you realise that they seem to have tapped into inner peace. This is universal and within us all, and what better time to take the opportunity to try and connect!
There are many helpful apps available that can help guide the process, and talk you through the techniques. The one I recommend to patients is called Headspace, and this is a very effective and user-friendly way to get started. There are also many other guided meditations on YouTube and you can find something that resonates with you easily.
Practising yoga, again, at home, is a great way to combine exercise and mindfulness, and even doing a few yoga poses can help calm feelings of stress by causing an immediate change in your emotional state.
It is also well recognised that connecting with something greater than yourself through prayer and spirituality is a way to draw strength when you need it most. It is a good time to realise how interconnected we are, and how unimaginable though it may be, we have all been affected collectively.

Are there any techniques you can suggest to keep the mind busy when not being able to leave the house?
The basics are always the same.
What advice can you give to those who are already suffering from mental health issues like depression and anxiety to keep positive during this time?
This is a great opportunity to try different mindfulness techniques, which are often guided. You can also speak to a psychologist who can assess which tool would be more helpful, with so much
knowledge available. It is very important to keep in touch with your healthcare provider, even if it is through telemedicine, to monitor your medication and your illness, and to inform them in case you feel there is any deterioration.
How can we keep our minds busy when we are at home all day?
It is a great idea to set a good routine, or you run the risk of lounging around in pyjamas all day. To be productive, you can set a morning routine involving exercise, meditation and setting yourself up for your day of working from home.

How do we keep our children positive when we may not necessarily be positive ourselves and as parents, what can we do for time out?
Choose an activity with your child/children, that will engage everyone. This is an ideal opportunity to spend time with and actually get to know your kids. Seeing the way they deal with winning or losing, and how they relate to others in the team are all ways of bonding with them, and lead to more open conversations about how they are feeling. Asking them to describe how they feel is important, as it is for us too. We cannot assume that they are feeling stressed about the same things as us.
Also, depending on their age, engage them in doing chores and helping with cooking. You may notice that they are loving the opportunity of having more time with their parents. These opportunities don’t come very often and the memories you can make now will not be forgotten once life goes back to being busy.
Kids take a lot of their cues from adults. If you appear stressed and irritated, they will feel that there is a problem. Again, if we can reframe the situation and remind ourselves, that we are lucky to be able to stay home, in a comfortable place, with enough food, then we are all using the incredible tool of gratefulness.
Now is not the time to worry about regressing in school- it is not the time to have high hopes of them doing hours of learning, activities, science experiments and book reports. Their teachers will meet them where they are once they get back to school. Every child is in the same situation, and chances are they are scared, just as we are. The summer break isn’t going to be a usual summer break and it will be very limited. For now, if there is one thing they need, it is to feel comforted and loved. Bake cookies, watch movies under a blanket, play board games. Read together. What you will find is, they can teach you something about living in the moment.
What about those who are still having to continue working or have a loved one that is working – how can they stop their minds from worrying?
As many of us remain glued to our devices, watching the stream of terrible news and images come through, one way to protect your mental health is to focus on facts … so you’re not getting carried away with rumours and opinions. We should also actively take a break from those images by turning off the news an hour before sleep, focusing on meditation, spending time with loved ones or reading a physical book.
Besides avoiding the news when it gets too much to bear, I would also recommend “reframing” the images we see. The pictures of hospital workers show commendable heroism, and all the disturbing images of people wearing masks show how diligent the world has become in taking care of each other. Just that act of cognitively reframing the image in a positive way can be helpful.
While psychologists often worry about excessive screen time, technology like Zoom, Skype and Google Hangouts are now helping people stay connected despite physical isolation. it’s such a breath of fresh air to be able to see people and laugh with them and to plan a “family Zoom date” with relatives around the world. Many have been blown away by how social distancing can make a community come together.

How do we find a work/life balance?
The biggest difference between working from home and working in the office is that you are in charge of your environment and have to treat yourself like an employee. This means holding yourself accountable, but also recognizing when enough is enough, just as a good manager might.
If you feel yourself extending your work hours because you aren’t doing anything in the evening…tell yourself it’s time to put work away, recharge, and start tomorrow with a fresh mind. The work will be there in the morning.
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In the year 2000, the Chanel J12 watch was created. With an innovative design, new materials and cutting-edge technology, this feminine timepiece quickly became an icon and it’s timelessness makes it just as popular today.

Chanel J12
To celebrate the 20th anniversary of this iconic timepiece, Chanel has partnered with six muses that have come together to reminisce about their last twenty years.
Actress, model and Chanel muse Lily Rose Depp shared some of her memories: “If I could relive one second from the past 20 years, maybe the moment that I got to be the bride in the CHANEL show a couple of years ago.” She says.

Lily Rose Depp
Her love affair with Chanel began in 2015 when she first appeared with her mother Vanessa Paradis in New York at the restaging of the Métiers d’Art Paris-Salzbourg show. In the same year, she was chosen as the face of the Chanel Sunglasses campaign and was also featured in the advertisement for Chanel No. 5 L’Eau. After closing the 2017 Spring-Summer Haute-Couture show in the bridal gown and walking arm-in-arm with Karl Lagerfeld, she became the Ambassador for the lipstick lines Rouge Coco Gloss, Rouge Coco Lip Gloss and Rouge Coco Flash.
“Our bond goes so much deeper than just a professional relationship,” Depp said. “Chanel has to be the first word I learned to read. There are people in this team who have watched me grow up. I have absolute confidence in them and their counsel. They have always looked out for me in the most gracious, generous and warm way. I’m very lucky to have been acquainted with this brand starting at such a young age.”
Meanwhile model and long-time collaborator with Chanel, Claudia Schiffer remembers her life when she was twenty. She said: “When I was 20, there was no difference between dreams and reality. I was living my dreams.”

Claudia Schiffer
As a teenager, Schiffer aspired to become a lawyer like her father. However, everything changed one night in 1987 when she was spotted by a modelling agent at a nightclub in Düsseldorf. She flew to Paris and quickly became one of the most in-demand supermodels in the world.
As the face of Cristalle perfume in 1990, Chanel Watches in 1995, and a fashion Ambassador from 1990 to 1997, she has had a lifelong love affair with Chanel, and was regularly photographed by Karl Lagerfeld, particularly for the The Little Black Jacket project. Claudia Schiffer remains a timeless icon in the world of fashion.
Legendary actress Ali MacGraw reflects on the past twenty years of her life in another way. “20 years is not enough to do all the things I want to do.” She explains. Ali MacGraw is a legendary American actress, having starred in many films from the 1960s and 70s, one of Hollywood’s Golden Ages, “dominated by freedom and optimism in a way that made nothing seem impossible,” as she so eloquently describes it.

Ali McGraw
In 1965, one advertising campaign changed the course of her entire destiny – she posed for Chanel N°5, which she became the face of until 1971. Thanks to this campaign, she was spotted by an agent who contacted her to see if she was interested in making movies.
As each of these women reflects on the past two decades and how their lives may have changed the timeless beauty of the Chanel J12 remains constant and will continue to do so for many decades more.
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Hermès has opened its world of beauty starting with an incredible line of lip products in the form of Rouge Hermès that embodies the brand’s elegance and style.
When Hermès creates a new line it’s not done without years of thought and planning and this new collection of beauty heroes are no different as Pierre-Alexis Dumas Artistic Director of Hermès explains: “We approach this new métier with our own language, that is to say, that we are expressing the beauty of Hermès, or Hermès’ vision of beauty… I believe beauty at Hermès is not about appearance, but about well-being. Beauty is a fundamental part of a natural quest for well-being.”

This lipstick is about emphasising your inner beauty through bold colours, irresistible textures and stylish packaging. “For Hermès Beauty, we have worked with a wide range of colours, degrees of translucence and shine, in a quest for excellence that is true to our identity and the needs of our customers” Dumas explains.

At Hermès archive in Lyon, samples of more than 75,000 colour references are kept on silk, each one represented an aspect of the brand and expressed through the ready-to-wear collections. It is these colours that were the inspiration for Hermès lipstick colours – the colours that we have seen throughout Hermès’ silks, leathers and cotton. From rich Rouge Casaque to the classic Hermès Orange Boîte.
The packaging was conceived as a piece of pocket jewellery – something that a woman would be proud to carry in their handbag every day.

Rouge Hermès is expressed in 24 hues: 10 matte finishes and 14 satin finishes. Both finishes are long-lasting and made with ingredients that are kinder to your skin. The matte finish is inspired by Doblis calfskin, with its soft appearance and powdery feel, while the latter takes its inspiration from the smooth luminosity of box calfskin that is commonly seen within the Hermès collections.
Each of the Rouge Hermès products are refillable as a service in Hermès stores. Discover the full range at Hermès stores now.
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Dior Launches an Online E-Commerce Store in the UAE With A New Capsule Collection
Tod’s has partnered with ten successful and talented women who discover the new must-have pieces for summer from Tod’s Spring-Summer 2020 accessories collection.
A journey through an imaginary closet, including a look at the new T-timeless collection this discovery allows ten contemporary icons to explore the collection through their eyes and choose their must-have pieces for the summer months and expressing their own style through the collection.

Top model Karolina Kurkova discovers colourful pieces for the summer months, as well as chic monochrome accessories that will make the perfect day to night pieces.

Italian actress Greta Ferro plays with pastel tones from girlish, feminine bags to more masculine style gomminos that are perfect for today’s working woman.

Fashionista and Model Julia Restoin Roitfeld oozes elegance with chic monochrome pieces paired with colourful shoes for summer.

Also joining the project were Korean actress Minyoung Park, French actress Annabelle Belmondo Italian actresses Valeria Bilello, Carolina Crescentini, style-setters Caroline Daur, Erika Boldrin and Marica Pellegrinelli.

The Tod’s spring/summer collection is now available at Tod’s stores across the Middle East.
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Dior Launches an Online E-Commerce Store in the UAE With A New Capsule Collection
While Dubai’s malls may have opened their doors back up, many of us are still working from home and making the most of online shopping options. And now Dior is among the brands that can be delivered directly to your door with a new virtual pop up store that launched today in the UAE.
The online pop-up store will exclusively offer Dior’s new Rose Gold Capsule Collection which can be purchased directly from the site. The collection embodies the beauty and elegance of the colour of rose gold. Imagined by Maria Grazia Chiuri, the collection reinterprets some of Dior’s iconic emblematic pieces in new rose gold hues.
“Pink is the softest of colours… every woman should have pink in her wardrobe. It’s the colour of happiness and femininity” Christian Dior once said. The couturier went on to make it one of his favourite and most used colours throughout many of his collections. It is with this in mind that Maria Grazia Chiuri brings pink back to the centre of the house with a limited-edition rose gold collection.

Soft elegant tones illuminate a selection of evening wear as well as accessories and shoes. Complementing the pink hues are pieces in metallic grey, another colour loved by the couturier because of its likening to “shades of pearly sky.” Combines with pink the colour, grey symbolises the House’s haute couture elegance.
Within this collection, the iconic Lady Dior, 30 Montaigne and Dior Book Tote bags are presented in new versions that are embroidered with beads, crafted in metallic leather or have an iridescent sheen. Mules adorned with the inscription “Christian Dior” add a touch of sparkly. These key accessories complement the ready-to-wear looks that comprise of tulle dresses and ethereal skirts – signatures of the House’s DNA.

A selection of emblematic pieces from the Spring-Summer 2020 ready-to-wear collection by Maria Grazia Chiuri and the Dior Essentials line by Kim Jones completes the offer, alongside Baby Dior creations by Cordelia de Castellane specially designed for Ramadan.
The pieces are perfect for Eid gifting or as a treat for yourself during this time of uncertainty.
Shop online now at https://shop-couture.dior.ae
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Giorgio Armani Announces New Dates For Upcoming Fashion Shows
Giorgio Armani announced today a new calendar of men’s, women’s and haute couture fashion shows for the coming year.
The Italian company revealed that the Giorgio Armani and Emporio Armani men’s and women’s collections will be shown in September 2020 in Milan. The format is currently being defined.

The Armani Privé runway show will be postponed to January 2021, and will be held in Milan, in the headquarters located in the historic Palazzo Orsini on Via Borgonuovo. The collection will be seasonless, thus including garments suitable for winter as well as lighter pieces for summer.
From June 2020 onwards, the designer will be making the service of the Armani Privé Atelier available to his clients. A large repertoire of styles, both current and from previous collections, will be presented, available for personal alterations in terms of shapes and fabric choices. Items will be shown by individual appointment, as it is custom at the atelier throughout the year.
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Discover the Craftsmanship of Fendi’s Iconic Peekaboo Bag With Its creator Silvia Venturini Fendi
MIU MIU presents the Gla-MIU-rous Edit, introducing a curated selection of re-invented signature handbags, shoes & accessories right in time for Ramadan & Eid.

Precious skins, jewel colours, and crystal embellishments define this especially feminine and refined capsule collection available online and in select Miu Miu stores across the region.

Purses in classic black, ruby red and emerald green, are suspended from classic, polished chain handles and finished with the Miu Miu logo in that same metal. Single jewel closures or clusters of crystal add to the richness of their exotic surfaces.

Footwear comes in similarly lovely shades: black, gold, ivory and emerald green skins are also studded with stones, edging the front of classic mules and the strap of a signature Mary Jane while silver details bright up the sturdy heel of sandals.

A sense of both refined resilience through tough times and women always ready to glam up for good times ahead, is reflected through the perfect combination of the finest material with the most glamorous designs.

Turn to these must-have “Gla-Miu-rous” pieces to shine some light on your look or warm the heart of someone special with a thoughtful gift this Eid.

Available online and at stores across the Middle East (subject to openings).
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Discover the Craftsmanship of Fendi’s Iconic Peekaboo Bag With Its creator Silvia Venturini Fendi
Riccardo Sciutto CEO of Sergio Rossi on the History and Heritage of the Italian Shoemaker
Fendi’s Peekaboo Bag has been reinvented season after season since its first inception as part of the spring/summer 2009 collection.
Brought to life by Silvia Venturini Fendi, this bag was envisioned as a timeless creation that would live on through generations. And so it has. Twelve years later and the Peekaboo has seen many incarnations, it appeals to women from all generations. From older ladies who may be looking for a classic, timeless accessory, to younger women who see it as a symbol of today’s modern culture.
“I really think it’s one of those objects you want to belong to your family..” Silvia Venturini Fendi tells a&e. “You buy a Peekaboo not only thinking that you will wear it now, but also that you are going to wear it in the future and one of your daughters will probably steal it from your closet. It’s one of those objects that will stay with you for all time.”

The Peekaboo’s name comes from its unusual construction. It is a bag of two halves, divided by a rigid middle with a twist lock on both sides. The element of surprise comes from its front flap, which can be pushed down into a U-shape to reveal the central partition. This unique piece of Italian mastery is crafted by Fendi’s master artisans at the Palazzo della Civiltà Italiana; Fendi’s headquarters in Rome.
Through the Peekaboo bag, this Fendi tells a story that fuses traditional manual ability with modern 3D technology. It takes us on a journey through the Fendi DNA through one-of-a-kind workshops that use three special techniques to make the current Peekaboo collection. These expert techniques are; the “Laser-Cut”, the “Interlace” and the “Intarsio” known as an inlay.

This season Fendi presents the Peekaboo X-Lite for Men’s with the ‘Laser-Cut’ workmanship, the Peekaboo for Men’s where Selleria stitching is combined with the ‘Intarsio’ fur workmanship and the Women’s Peekaboo, in its Large and Mini versions, with the leather ‘Interlace’’ workmanship. Each of these special pieces is made by expert craftsman at FENDI’s headquarters in Rome.

The Laser-Cut Peekaboo X-Lite bag for Men initially features the creation of a leather panel that is firstly resin-treated on the back. The leather is then laser-cut following the design, in this case, the Fendi script. Before the cut, artisans adjust and adapt the design to the chosen bag style. Finally, a fabric lining with the striped Pequin pattern is placed on the inside, serving as a background for the pattern on the front of the bag. The inside also features a pocket in suede with an embossed FF logo all-over pattern.
The Intarsio Peekaboo Regular bag for Men is made in Fendi’s iconic Selleria Cuoio Romano leather, with handmade seams on the outside, whilst the inside is in leather with a hot-stamped embossed all-over FF logo pattern. The workmanship on the front, in mink and leather, requires several phases. The first part consists of the preparation of an underlying “net”. The leather is hand-carved and paired with another leather layer to give thickness. A fur panel is then placed on top – different mink layers are assembled together to create the necessary size, then the mink panel is cut and sewn back together following the desired pattern. Finally, the two panels, the leather one below and the mink one on the outside are sewn and assembled by hand.

The Interlace Peekaboo Large and Mini feature one of the most traditional workmanships at Fendi. The leather is cut and rolled into stripes that are hand-knotted to create a crochet-effect pattern with squared knots, giving life to the shell of the bag. The hand-knotted shell is then folded on the opposite side showing the uniqueness of the backside of the workmanship and squared knots. The interlaced shell is then finalized with a maxi metal needle. Finally, the handle, the accessories and the inside pocket are sewn to the hand-knotted shell
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In 1993 Miuccia Prada realised she wanted to share her passion for art with the world. Alongside Patrizio Bertelli, her husband and CEO of the Prada Group, she decided to conceive and develop art exhibitions as well as projects related to architecture, cinema, performing art and philosophy. This idea would soon become Fondazione Prada; an institution that celebrates art and culture in several ways both in Italy and around the world.
The idea began with the establishing of PradaMilanoArte; an exhibition space in Milan that would showcase contemporary artistic practice. When it opened in 1993, the space saw exhibitions from Eliseo Mattiacci, Nino Franchina and David Smith and alongside this, PradaMilanoArte publish catalogues that included contributions by art historians as well as by the artists themselves.
In 1995 the project was renamed and reorganised to become Fondazione Prada. Miuccia Prada and Patrizio Bertelli, in collaboration with art historian and curator Germano Celant, created a plan for the new organization that focused on a shared interest in art, photography, cinema, design and architecture. Instead of exhibiting studio work, the foundation would participate in co-producing site-specific projects that artists had always dreamed of constructing. The Fondazione was established in Milan and the first project was an exhibition dedicated to British-Indian sculptor Anish Kapoor.

Over the next few years, the foundation partnered with many artists including Michael Heizer, Dan Flavin, Walter De Maria and more. All of whom were allowed to create their own vision within the space and bring their work to life. Then in 1997, the foundation took the step to expand its focus to include projects involving the urban environment and culture through real-life on-site projects. Installations such as Dan Flavin’s permanent work for the Church of Santa Maria Annunziata in Chiesa Rossa and Laurie Anderson’s “Dal Vivo”, a project involving San Vittore prison, both in Milan, were extremely successful. By also exhibiting emerging artists such as Sam Taylor-Wood and Mariko Mori, who employed lm, video and photography, the foundation continued to focus on the most significant trends of contemporary art.

Fondazione Prada – Venezia
From 2001 the foundation started exploring fields such as architecture, philosophy, science, design and cinema. The architectural designs for the Prada Epicenters in New York, San Francisco and Los Angeles by Rem Koolhaas and the Office of Metropolitan Architecture (OMA), and in Tokyo by Herzog & de Meuron, were exhibited and volumes related to the projects were published, allowing the two worlds of fashion and art to come together in this unique experience. In 2003, Fondazione Prada signed a long-term agreement for cultural and scientific collaboration with the University of Vita-Salute San Raffaele in Milan. The two institutions co-organised many projects over the coming years.

Fondazione Prada – Venezia
In 2004 The foundation started to explore the world of cinema with as it partnered with the Tribeca Film Festival to present a selection of the festival’s most interesting films. That same year Fondazione Prada collaborated with La Biennale di Venezia for the Venice Film Festival to rediscover and restore forgotten or overlooked films. Over the next decade, there were many installations, partnerships and collaborations that brought to life some of the most interesting aspects of art and culture today.

Fondazione Prada Torre
In 2011 Fondazione Prada felt the need to expand its own exhibition spaces and broaden its cultural perspective. Miuccia Prada and Patrizio Bertelli commissioned the Office of Metropolitan Architecture (OMA), led by Rem Koolhaas, to design and transform an early 20th-century industrial site located in the south of Milan to host the new venue of the Fondazione, which would open to the public in May 2015. In the meantime, there were also projects across several cities over the years including London which saw Fondazione Prada run “The Double Club”, as well as in Venice where an anthological exhibition devoted to John Wesley, curated by Germano Celant was conceived at the Fondazione Giorgio Cini. In 2011, Fondazione Prada opened a new exhibition venue located in Ca’ Corner della Regina, a spectacular 18th-century palazzo on the Grand Canal in Venice. Six temporary projects were launched in this space from 2011 until today, concurrently with a preservation and repair program of the palazzo.

Fondazione Prada Exhibition
The new Milan venue was unveiled in 2015. Conceived by architecture firm OMA, led by Rem Koolhaas, it was the result of the transformation of a 1910’s former industrial compound. Located in Largo Isarco, in the South of Milan, the new venue would allow the foundation to further develop its multidisciplinary vocation through an articulated exhibition and cultural events program. The following years saw many research exhibitions such as “Serial Classic” alongside other exhibition projects comprising works from Collezione Prada such as “An Introduction”, “In Part”, and “Trittico”, lm project “Roman Polanski: My Inspirations” and a series of choreographic actions titled “Atlante del gesto”. In December 2016 Osservatorio, Fondazione Prada’s outpost dedicated to photography and visual languages was launched in Galleria Vittorio Emanuele II in the centre of Milan.

Fondazione Prada Exhibition
In 2018 the exhibition program of Fondazione’s permanent headquarters in Milan included historical exhibitions, artist projects and site-specific installations. The exhibition “Post Zang Tumb Tuuum. Art Life Politics: Italia 1918-1943”, conceived by Germano Celant, investigated the art and culture system in Italy between the two world wars, starting from the research and study of historical documents and photographs that reveal the spatial, social and political context in which the works of art were created, staged, experienced and interpreted by the public of the time. While Belgian artist Luc Tuymans with the exhibition project “Sanguine. Luc Tuymans on Baroque”, organized in collaboration with M HKA (Museum of Contemporary Art Antwerp), KMSKA (Royal Museum of Fine Arts Antwerp) and the city of Antwerp, reinterpreted the notion of Baroque in a personal key, creating a dialogue between works by contemporary artists and works by masters of the past.
Fondazione Prada also proposed a musical project in the outdoor spaces of its Milan headquarters, divided into three events. “I WANT TO LIKE YOU BUT I FIND IT DIFFICULT”, curated by Craig Richard, included international artists, such as Ricardo Villalobos, Mulatu Astatke, Midori Takada, E/Tape, Nicolas Lutz, Monolake Live Surround, Burnt Friedman, Joy Orbison and Baby Vulture, exploring a plurality of musical genres and languages: from electronic music to Ethio-jazz, from minimal to techno.

Fondazione Prada Exhibition
Since May 2018, Fondazione Prada’s Cinema, which is open every weekend, has offered a program that combines first releases, classics, experimental and avant-garde works, rare films and restorations. In addition to the exhibition and cultural activities, the didactic workshops of the Accademia dei bambini continued with new cycles of workshops conceived and curated by “masters” from different disciplines, including the musician Devendra Banhart.
In 2019 three main exhibitions were presented in Milan and Venice: “Whether Line”, a large- scale multimedia installation, conceived by American artists Lizzie Fitch and Ryan Trecartin; “Il sarcofago di Spitzmaus e altri tesori”, a show conceived by Wes Anderson and Juman Malouf and organized in collaboration with the Kunsthistorisches Museum in Vienna; and “Jannis Kounellis” the major retrospective dedicated to the artist following his death in 2017.
Fondazione Prada continues to bring all aspects of art and culture to the forefront with its diverse offering. As the realms of art and culture broaden so too do the offerings and that bring together the best of the industry in a creative and contemporary way.

Osservatorio Fondazione Prada
Digitally Connected
As many of us are spending most of our time at home due to the current situation Fondazione Prada has expanded its culture programme through digital channels. With the aim of transforming this time of crisis into an opportunity for study and analysis, the foundation is offering new ways for visitors to connection through a series of digital platforms. During the temporary closure of exhibition spaces, the Cinema projects, the workshops of Accademia dei bambini, and the editorial activities invent new ways of participation of the audience.
The cinematographic program “Perfect Failures”, conceived by Fondazione Prada and MUBI, is now available on the curated streaming service. The project is accompanied by a new section of Fondazione Prada’s website where original materials, native content reflecting on the experience of streaming, information on selected movies and curiosities about the directors, from Billy Wilder to Kelly Reichardt, will be included.

Osservatorio Fondazione Prada
“Accademia Aperta” is a video project through which Accademia dei bambini retraces the workshops conceived by “masters” (architects, educators, artists, scientists, movie directors and musicians) over the last 5 years. The publication of materials, partly unreleased and arranged according to thematic areas, becomes an opportunity to rediscover the experimental and innovative nature of Accademia dei bambini, Fondazione Prada’s project created for children and developed in 2015 by neuropediatrician Giannetta Ottilia Latis, now curated by paediatrician and neonatologist Gabriele Ferraris.
“Readings” is a new editorial initiative involving the creation of podcasts that can be downloaded from a platform linked to the foundation’s website. The Italian audience will be able to listen for free to the reading of excerpts from books published by the foundation since 2012. “Readings” is a vast audio anthology, destined to grow and comprising more than 50 critical essays and narrative texts by authors.
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In 1916 an Italian man; Carlo Magnani wanted to create a fragrance for himself to wear. He wanted something that truly captured the mood of Italy and lightened the mood. He created a personal scent; Colonia, that was soon loved by many of his family and friends.
After realizing the popularity of the scent it quickly turned into a business and this special fragrance was distributed locally in Italy. Soon, Acqua di Parma was born as a luxury fragrance house and has continued to this day to specialize in niche scents of the highest quality that offer that personalized approach to the customer, making it more than just a fragrance house, but a lifestyle.
Leading Acqua di Parma today is CEO and President Laura Burdese. Laura has a background in luxury and her modern approach combined with the history and traditions of Acqua di Parma is carving out the future of the luxury fragrance house. Here we discuss legacy, the importance of Italian values and the exciting year ahead for Acqua di Parma.
What does Italy mean to you personally?
I don’t think there is any nationality in the world so attached to its country as Italians are and I’m not an exception. It would be easy to respond by saying that Italy is art, nature, culture, but for all of us, Italy is much more than that. First and foremost, it is family and love.
Tell us more about the importance of “Made in Italy” and why do you think there is such a fascination with this concept globally?
“Made in Italy” is one of the most powerful brand names in the world. I do not exaggerate when I say that high-quality craftsmanship and design has made Italy, until now, the beating heart of luxury manufacturing. I can list many factors that make Made in Italy so appealing, like the perfect balance between style, elegance and authenticity of our products, or the effortless elegance that exudes from them, but I’d say that the most important element is the human factor behind it. Italy is made up of hundreds of thousands of small factories and workshops, that work together and pass on the know-how from one generation to the next, allowing them to generate value. This also means solidarity within the supply chain, a value that will become more and more important in the future.

How important is it to you to preserve traditional methods in fragrance?
It’s key! It’s extremely important to preserve traditional methods, especially at Acqua di Parma. Consider that developing a new fragrance usually takes two years. We do not focus on the time to market; we just want to create the best fragrances possible. Acqua di Parma products are famous for their exquisite craftsmanship but maintaining such a high level of quality in a fast-paced, technologically driven world has been a real challenge. I must admit that matching hand-crafted processes with an always faster time to market while delivering outstanding products, has not been easy at all, but I think there will be changes in this respect too.
Research and development are also key, while our Quality Control Department works closely with our artisans from the very inception of a product, controlling each phase of the process, not only the outcome. I believe this is a very productive and stimulating way to manage the creative process, which lets the essence of our products shine through.
When it comes to these techniques – what do you think Italy offers that is unique?
The uniqueness of Italy resides in the richness of the raw materials and the ancient traditions passed on from generation to generation. The combination of nature and culture generates art!
How do you think the values and culture of Italy are seen throughout Acqua di Parma?
Our products are the expression of our love and relationship with Italy. They taste, smell, exude Italy because behind them there are always people. We have collaborated for many years, in some cases even decades, with the same suppliers, with whom we share the same values and care for quality, which is at the base of everything we do.

How do you think the legacy and history of the brand is still relevant today?
In some cases, a brand stands out because of its disruptive ideas or outbreaking innovations, in other cases, a brand arises because of its history. This is where Acqua di Parma falls. What we do today is the expression of a vital purpose Acqua di Parma was born with: the purpose of perpetuating the Italian “Arte di Vivre”.
Let me explain, Acqua di Parma was not born as a brand to be “marketed”. Mr. Magnani created it, for himself, and his inner circle of friends and family. He didn’t want to create a brand, but something personal. Acqua di Parma was never conceived as a “marketing creation”, that’s why, as the time passed, it turned into a quintessentially Italian experience for all those people looking for an authentic, transparent and genuine brand that really stands for something.
Being created as a personal scent gives the brand intimacy and truthfulness, which you hardly find these days. Just think that for the first 60 to 70 years Acqua di Parma was never sold in fragrance stores, it was only sold through tailors who used it to spray Colonia on the suit as a finishing touch. Isn’t it a wonderful story that gives depth to the product, elevating it beyond any other fragrance? In my experience at Acqua di Parma, I’ve met so many people who told me they might have used the brand once, yet they all love it. This happens because Acqua di Parma resonates with people, something that genuinely delights me.
Italy has suffered greatly throughout the global pandemic we are currently experiencing – when all of this is over what do you expect to see from the recovery of this crisis?
I believe that after this situation ends and those who have the illness recover, we will too have to recover our soul. I hope recovery will go hand in hand with solidarity between people, but most importantly between countries. This crisis has touched all of us, with no distinction between races, nationalities, ages and genders and at the same time it has been teaching us that it is only by collaborating with each other that we can move on and win. I also hope the recovery will go hand in hand with trust and openness because we need to beat that sense of fear that has been gripping us during this period. In this respect, brands must behave accordingly, aiming at the full transparency and accountability of their processes and responding to the real needs of their customers not just creating new ones.

In every crisis, there is always an opportunity – what is something positive that will come out of this situation?
This is exactly the right approach; we must learn from our mistakes to improve our lifestyle and ourselves. I believe this crisis has taught us a lot, from both a human standpoint and a professional one. What I appreciate the most is the incredible creativity I’m seeing in every field. It’s like new constraints, new borders and limits have been squeezing people’s minds and new powerful concepts and ideas have born. I’m experiencing this within Acqua di Parma. I’m working with people who haven’t lost any passion or commitment since the beginning of this crisis. Every day I receive new ideas on how to feel connected with our audiences, how to communicate solidarity, proximity and positivity. It’s touching, believe me. At the end of the day, we’ll be discovering our inner human resources, the most hidden ones and even those we didn’t think we had. This is our biggest opportunity as humankind.
When all of this is over will you be changing any of the strategies of the brand and has it had an impact on how you will move forward?
We have never had a strong marketing approach. Our objective has always been to deliver excellence, Italian excellence to be precise, thus we have always evaluated new product launches very carefully. If I have to sum up our product strategy, I’d say quality over quantity. Now I think this approach pays off even more. Of course, we’ll have to slightly adapt our product launches for the new global demand we’ll face, but this doesn’t mean to change the strategy. We have to slow down, as everyone else, but what will come up will have a huge value. Imagine you are an artist and you can create only a few artworks because you have limited resources; you’ll do your best to create the most extraordinary artworks of your life. I like to think this is how we will work in the future.

Do you think it will impact the buying behaviour of customers?
Thinking that a global event like a pandemic cannot change consumer behaviour would not be realistic or wise. Coronavirus has not just been a global crisis; it has been and still is a collective trauma. Our entire lifestyle has changed and needs to adapt to new safety rules for the time being. We do not know yet when all of this will be finally over but be sure, the consequences will impact the buying behaviours for a very long time. What I truly believe is that people will need to trust what they are buying is worth it and it’s not something unnecessary, redundant. People will want to buy something that pampers them without letting them feel superficial or silly. Something that soothes the soul, without wasting our planet’s resources. People will want to gain and perceive added value from products/experiences because they understand that every action they take can have a profound impact on our lives and on our planet.
What do you think fragrance can bring to people’s lives at a time of crisis?
Relief and care. We all need to let ourselves go in this period of self- isolation. Sometimes it is difficult to find the energy to be positive and to smile when every day is like the previous one, but as the ancient Greeks said; “the body is the home of our soul” and we must take care of it. A fragrance, a cream, even a candle can lift your day and make you feel special. It’s a small habit that makes you feel connected to a “normal” life.
What is the motto you are living by during this time?
“Andrà tutto bene”, that means everything is going to be all right. Not only because it is the motto that you can see everywhere in Italy, but because I truly believe in it. Humankind has been surpassing the worst tragedies so far and we’ll surpass this as well.
Looking forward, what does the second half of 2020 hold for the brand?
The second half is going to reveal that we have been walking the right path. We’ll have a big addition to our product portfolio. Remember when I said that people want something with a real added value and that is not depleting our planet resources? We have something that responds exactly to these requirements. We’ll expand our Colognes universe, but we also have some great plans for the Holiday Season. Stay tuned!

Who is the customer that wears Acqua Di Parma today?
Acqua di Parma was born over a hundred years ago as a personal fragrance and it soon became a must-have for a grown-up generation of illuminated and discerned connoisseurs. The reason of our steady success over the century is that Acqua di Parma is a timeless and genderless brand, able to evolve accordingly to the age we live in, always driven by passion and beliefs – not by the obsession of reaching a specific gender or age. We celebrate nature, sincerity and generosity – a way of life in its most sophisticated form and this is how we can exert appeal on very different cultures. With such a strong legacy, our creations are not simply products but rituals that grow within our lives and in the long term become tools to transmit values from one generation to the other.
We want to talk a little about the latest collections – what can you tell us?
Thinking about the Middle Eastern preferences, I’d suggest our “Signatures of the Sun” collection. It’s the highest expression of our fragrance mastery. Each ingredient, selected from all over the world for the preciousness it encapsulates, represents the leitmotif running through this collection. You can nd ingredients like Oud, Vanilla, Amber, Yuzu and Osmanthus. They are distilled by Acqua di Parma until the purest essence is obtained; each one is the protagonist of a fragrance that reveals itself to be nothing less than an olfactory epiphany. Acqua di Parma filters each ingredient through the sensory prism of Colonia, our iconic fragrance since 1916, bringing light to it and gifting the Sun to each new fragrance. “Signatures of the Sun” is like breathing a familiar ingredient for the very first time.
Growing up, what is your first memory of Italy?
My home town Torino, where I was born and spent my childhood. The fascinating and sumptuous city of Italy, with its wide perpendicular avenues and shady arcades, is surrounded by beautiful rolling green hills with snowy Alpine peaks in the background.

Where in Italy do you like to travel to?
There are so many beautiful and truly different places to visit, it’s very hard to choose one, especially in this quarantine period. I dream about strolling through the ageless Tuscan countryside, enjoying its beautiful blend of colours and magical landscapes of vineyards, rolling hills and woodland. Or sitting on a veranda looking out at the fields.
Can you share with us any Italian traditions that you to this day continue with your family and friends?
I could share many, but the one I love the most is the Christmas Eve “tombola”. The night before Christmas, we gather with all of our family and friends and we have a long sumptuous dinner all together and afterwards, we play Tombola, a kind of Bingo game. When midnight strikes every home is filled with the words “Buon Natale”!
How would you describe Italy in one word?
Home.
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Founded in Florence in 1927, the Salvatore Ferragamo Group is almost 100 years old. In growing from a small shoe manufacturer to a global fashion house, the brand has seen many twists, turns and developments over the years, to get it to the highly esteemed luxury house it is today.
Salvatore Ferragamo was seen as one of the most innovative shoe designers of the 20th century. He made his first pair of shoes at the age of just 9 years old and his family knew he had found his calling. After setting up a small humble shoe boutique at his parents’ home, he began to live out his passion. In 1927, when the Salvatore Ferragamo brand launched, he would experiment with innovative and unusual materials including crocodile kangaroo and fish skin or unusual finishes and styles to bring together his unique shoe creations.

The iconic Rainbow Shoe
Many of his shoes became icons, including the cork wedge sandals (another innovation) that are still to this day, reinvented and replicated season after season. In a surprising turn, Ferragamo led for bankruptcy in 1933 but he came back stronger, with the vision to expand globally. By the 1950s his shoe manufacturer was producing around 350 handmade pairs of shoes a day and he had started to get recognition from shoe lovers all around the world. Perhaps his most iconic moment was the design of “The Rainbow”. A platform shoe created for actress Judy Garland. The shoe was crafted using shaped slabs of cork that were covered in suede to build up the wedge and gold kidskin was used for the straps. His creation was a result of experimentations with new materials because of wartime rationing during World War II.
Fast forward seventy years later and today, Salvatore Ferragamo is a global enterprise comprising of accessories as well as men’s and women’s ready-to-wear collections and perfume. A house that is true to its roots of innovation and experimentation with its modern designs and unique styles, while never forgetting its legacy. Heading up the creative side of the women’s wear collections is Creative Director Paul Andrew.
Born in the UK, Andrew is no stranger to shoe design after he became the first shoe designer to win the CFDA/Vogue Fashion Fund prize in 2014. He joined Salvatore Ferragamo in 2016 as Director of Women’s Footwear and was promoted to Creative Director of Salvatore Ferragamo in 2019. Since taking on the role we have started to see Andrew’s strengths shine through as he puts his own touch on the Salvatore Ferragamo collections. His use of materials is experimental and his way of manipulating fabrics and styles is true to the DNA of the brand. While he was born in the UK and lived in New York, Andrew has been welcoming into the Italian Salvatore Ferragamo family. Here we discuss with him his love for Italy and navigating through the current global crisis.

Salvatore Ferragamo and workers around 1940’s
What does Italy mean to you?
Italy is an exquisitely beautiful country with a deeply evolved culture of art, food, fashion and philosophy. In normal times, or at least the times we were used to, all of that adds up to La Dolce Vita – living life in a joyful way and enjoying its pleasures to the full. That is one of the reasons Italy is among the world’s most popular tourist destinations. During these very different times, however, I’ve had the chance to see a very different Italy. It’s been hit early and very hard by COVID-19 and suffered terribly. But everyone has reacted with great resolve, unity and purpose. Italy also possesses great strength.
How important is it to you to preserve traditional methods of savoir-faire at Salvatore Ferragamo?
It’s not important, it’s essential. Salvatore Ferragamo’s defining products are artisan-made shoes, bags, belts and clothes. Savoir-faire is our prime commodity, and that will never change: it’s a given. What I have focused on doing here is retaining and even amplifying that core value in the house, while also working to integrate the 21st Century equivalent of the 20th Century savoir-faire of the house, which to me is technology. Salvatore the man led nearly 400 patents to protect his inventions in footwear – he was to shoes in the 1920s, what Elon Musk is to cars in the 2020s. We want to create a seamless intersection between our heritage of craft and our heritage of innovation.
What is the importance of the fashion industry in supporting their countries in times of crisis?
There can’t be a fashion industry as we know it until the current crisis has, if not totally passed, then dramatically lessened. So it’s vitally important for us to do what we can to support that happening. Here at Ferragamo, we’ve contributed facemasks and sanitizers to the Tuscan healthcare authorities and funded the re-opening of a mothballed hospital facility that has a capacity for at least 60 COVID-19 patients through their recovery, overseen by two doctors and a full team of support staff.

Spring/Summer 2020
When this global pandemic is over, what is one thing you would like to change in the strategy looking forward?
In terms of fashion strategy, I think that this pandemic will make us more mindful. I think we need to produce goods in a less wasteful manner, and focus even more on pieces that have real longevity.
What do you think will be a positive outcome that will come from this crisis?
Mindfulness, a feeling that ‘less is more’, and a determination to not be wasteful and to do better. That suits us at Ferragamo because we are an artisan with the “made in Italy” brand already – quality and longevity are built into our process. But we are, like everybody, taking this time to look at ourselves and explore ideas for change and improvement. This crisis has shown us all how fragile we are. That’s a very precious realisation.
Looking forward, what does the second half of 2020 hold for the brand?
Honestly, right now, you can only make plans in a manner that is mindful of the fact that those plans may prove impossible to execute. We are all subject to circumstances beyond our control. Of course, we are keen to get the business up and running again, and we are working towards that. However we are using this time of enforced shutdown to formulate various strategies that will mean that when we do come back it is not ‘business as usual’ – we are cooking up some radical upgrades for the way we operate.

Spring/Summer 2020
What would you like our readers to know about the SS 2020 collection?
Both the womenswear and the menswear collections for SS2020 looked at the archetypes into which we are categorised by society, and set out to challenge those archetypes and expand beyond them. The clothes were created for women and men who have a broad, free and playful sense of their own identity, and who wanted to show through their clothes that they can be anything they want to be. Even though we could never have known this crisis was coming when we built the ideas behind the collection, they do seem extremely relevant now. Because we all have our futures in our own hands, and it’s up to us to shape it.
Who is the woman that wears Salvatore Ferragamo today?
It’s best not to try and define her – it’s not for me to put her in a box or say who she should or shouldn’t be. Everything we make is a tool for self-expression. So although the products are ‘exclusive’ in that they are of the highest quality and artisan-made, they are also ‘inclusive’ in that we have no preconceptions or prejudices about who we hope will wear them. I don’t get – or want – to choose who wears Salvatore Ferragamo today. It’s the woman’s choice.
What is your first memory of coming to Italy?
I remember coming on holiday to Sicily with my brother and parents during the 1980s. The details are hazy but what I remember most clearly is the heat, the intensity of the colours, the quality of the pizzas – unlike anything I’d experienced in England – as well as laughing and playing (okay, and fighting) with my brother. My mother dug out an old photo of that holiday last year in which I and my brother are fooling around wearing crazy 80’s printed summer clothes: it ended up being a starting point for the Spring Summer collection
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